- 2 years ago
Tim Pembela dihadapkan dengan barang bukti yang bikin Rigen bingung untuk membela Sahila Hisyam!
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NewsTranscript
00:00 Alright, the contestants are here. We have Bastian Steel.
00:04 I'm not Bastian Steel.
00:06 I'm not Bastian Steel.
00:10 Please, senior.
00:11 Boris.
00:12 Yes, senior.
00:13 Button up my shirt.
00:14 Senior.
00:17 Alright, senior.
00:19 Seniority, senior.
00:21 Dasi, Dasi.
00:22 Yes, senior.
00:25 I'm leaving.
00:28 Yes, sir.
00:30 He's so handsome.
00:31 Have you defended him, Gen?
00:35 It's time for me to defend him.
00:37 Please.
00:38 Assistant.
00:39 Almost.
00:46 Slowly.
00:47 It's too heavy.
00:48 Maybe his shirt is too small.
00:49 He said it's too heavy.
00:50 Is it too heavy to interrupt?
00:52 No, I'm the one who's too heavy.
00:54 What should I do?
00:57 He's the only one who wants to do that.
00:59 I'm so scared.
01:01 I'm so scared.
01:03 I'm so scared.
01:04 [♪♪♪]
01:07 [♪♪♪]
01:09 [♪♪♪]
01:12 [♪♪♪]
01:15 [♪♪♪]
01:17 [♪♪♪]
01:30 [cheering]
01:43 How could you say that you want to pay the debt...
01:46 ...but you haven't paid it yet?
01:47 You always say that you want to pay it.
01:49 I want to pay it.
01:52 I'm a senior. I have debt.
01:54 I want to pay it.
01:55 Look.
01:56 There are fried rice, egg, and coffee.
01:58 There are so many. Pay it.
01:59 You always say that you want to pay it.
02:01 I want to pay the fried banana.
02:02 I haven't paid it yet.
02:03 Here. Pay it.
02:05 I want to share the debt with you.
02:07 Can I pay it?
02:08 How?
02:11 I haven't paid the debt.
02:13 There are so many debts.
02:15 But it's okay if you want to pay it next week or two weeks later.
02:19 I see.
02:20 That's so kind of you.
02:21 Barista.
02:22 Senior.
02:27 I want to tell you that the duty is to pay the debt.
02:30 Yes.
02:31 You're the senior. I'm the senior.
02:32 -That's right. -What's wrong?
02:34 Why are you doing it differently?
02:35 Is it because he's more handsome?
02:38 No.
02:39 Thank you.
02:40 I'm happy with the creative team.
02:42 If he's doing gimmicks, I'm going to reject him.
02:46 I'm going to reject him.
02:47 I hope that he'll get a pleasure.
02:50 Please pay it later.
02:54 Okay. Thank you.
02:55 Why are you so unfair?
02:57 I have a small bill.
02:58 Just pay it.
03:00 I want to expand my cafe.
03:02 I want to build it five floors up and ten floors down.
03:06 -Do you want to go down? -You're making a bunker.
03:09 -It's not ten floors up and ten floors down. -I know.
03:11 -I want to expand my cafe. -Yes.
03:12 I want to use baking soda.
03:14 I want to use a good one like you.
03:16 You're just paying the debt.
03:18 Why are you so unfair?
03:20 -Just pay the debt. -That's why I'm doing this.
03:22 So that I can be treated well.
03:24 Like a barista.
03:27 Yes.
03:29 But it's the same if you want to pay the debt.
03:31 It's the same.
03:32 I'm a human too.
03:33 Not...
03:34 What's all this fuss?
03:36 -What's going on? -What?
03:37 What are you doing?
03:38 -This is Jegel's debt. -Yes, I'm paying it.
03:41 Why are you paying the debt?
03:43 That's the relationship you're making.
03:45 Why are you pointing it?
03:48 You're two. Why are you pointing it here?
03:51 -No, ma'am. It's just a small debt. -What debt?
03:53 Mr. Jegel and Mr. Boris owe Angie.
03:55 Yes.
03:56 But, ma'am, I'm like paying the house loan.
04:00 Pay it.
04:01 If you're Boris, you pay it.
04:03 -It's up to you. -It's up to you.
04:05 -Just pay it. -Ma'am, I'm teaching him.
04:07 It's okay if you're a debtor.
04:10 -Why? -Why?
04:11 Don't let people...
04:12 You need to pay your debt to grow.
04:14 As long as the debt is productive.
04:18 Yes.
04:19 We're going to be in a movie.
04:21 We're going to be in a movie.
04:22 Okay. But I'll wait for you at the cafe.
04:24 Okay.
04:25 -I'll go to the cafe. -Okay.
04:27 You have to pay the debt at the cafe.
04:29 Okay. I'll wait for you at the cafe.
04:31 Please help me with this.
04:32 -I'm so sorry. -Okay.
04:33 -I'm so sorry. -I'm so sorry.
04:35 -I'm sorry. -I'm going to go.
04:36 -I'm going to go. -Okay.
04:37 Bye.
04:38 It's called a trial.
04:42 So, you have to try it.
04:44 Where's the noble?
04:47 -Where is he? -Zara.
04:48 Here he is.
04:50 To the contestant...
04:53 who made a wig for a headband.
04:55 -Good job. -Good job.
04:56 Let's welcome...
04:58 the noble.
04:59 Desta.
05:03 (Singing)
05:06 Did you hear the lyrics?
05:23 The noble is kind...
05:25 but he's still alone.
05:27 He's still alone.
05:32 What's that, noble?
05:34 I forgot, guys.
05:35 -I have something. -What's that, noble?
05:37 It's a gift for you.
05:39 That's cool.
05:43 That's great.
05:45 Don't be like that, noble.
05:46 Don't be so nosy.
05:48 Don't be like that.
05:50 I'm your fan.
05:52 This is for you.
05:53 Noble.
05:54 -Just accept it. -Thank you so much.
05:57 -It's romantic. -It's so romantic.
05:59 What should I give you, noble?
06:02 You don't need to give me anything.
06:04 -Just open it. -Okay.
06:06 Noble,
06:07 can I have a tong?
06:09 Boyen.
06:16 Since the security is not here today,
06:18 I'll give you...
06:20 a double job.
06:22 As a notary...
06:24 and as a security.
06:26 That's great.
06:27 Romantic.
06:31 That's cool.
06:34 -This is the fluid. -Let me try.
06:37 It's tight.
06:39 -Why? -North Jakarta is a fluid.
06:41 It's tight.
06:46 For you,
06:47 I'll do anything.
06:49 The security is here,
06:51 but you'll be the one in my heart.
06:54 Boyen, call the security.
06:56 And you'll be the one to do the job.
06:58 Okay.
06:59 Ready.
07:01 I'm a notary!
07:03 I'm a notary!
07:07 You're so rude.
07:09 You look like a mushroom.
07:11 -You're so rude. -Please.
07:13 I'm kidding.
07:14 Oops, I did it again.
07:16 I think he's the one who's being rude.
07:18 He's being rude.
07:20 He's being rude.
07:22 Hello.
07:24 Hello, I'm Regine, your defender.
07:29 And this is my assistant, Eca.
07:31 Hi, Sahila.
07:33 Okay.
07:34 The participants of the trial...
07:36 We have Bastian Steel.
07:38 I'm not a soldier.
07:42 Not Bastian Steel.
07:44 Please sit here.
07:46 And you can wait for your mom in the chair.
07:48 I'm sorry.
07:50 I'm sorry.
07:52 The trial of the accused with the number 31...
07:54 That's our office.
07:57 Don't change the address.
07:59 That's another office.
08:01 How do I know?
08:03 The number of the trial.
08:05 The number of the trial is the address of all the houses.
08:07 In the name of Sahila Isyam,
08:09 with the case of the accused,
08:11 causing a fight in the neighborhood,
08:13 I declare the trial of the accused,
08:15 the third trial, open.
08:18 (The accused is in the third trial.)
08:20 (The accused is in the third trial.)
08:22 (The accused is in the third trial.)
08:24 (The accused is in the third trial.)
08:26 (The accused is in the third trial.)
08:28 (The accused is in the third trial.)
08:30 (The accused is in the third trial.)
08:32 (The accused is in the third trial.)
08:34 (The accused is in the third trial.)
08:36 (The accused is in the third trial.)
08:38 (The accused is in the third trial.)
08:40 (The accused is in the third trial.)
08:42 (The accused is in the third trial.)
08:44 (The accused is in the third trial.)
08:46 (The accused is in the third trial.)
08:48 (The accused is in the third trial.)
08:50 (The accused is in the third trial.)
08:52 (The accused is in the third trial.)
08:54 (The accused is in the third trial.)
08:56 (The accused is in the third trial.)
08:58 (The accused is in the third trial.)
09:00 (The accused is in the third trial.)
09:02 (The accused is in the third trial.)
09:04 (The accused is in the third trial.)
09:06 (The accused is in the third trial.)
09:08 (The accused is in the third trial.)
09:10 (The accused is in the third trial.)
09:12 (The accused is in the third trial.)
09:14 (The accused is in the third trial.)
09:16 (The accused is in the third trial.)
09:18 I, firmly, ask the accused...
09:21 to sit on the accused's chair.
09:23 Please.
09:24 You!
09:30 You, you!
09:34 You, you!
09:36 Who are you?
09:38 (The accused is in the third trial.)
09:40 (The accused is in the third trial.)
09:42 I like watching this. I was so surprised.
09:44 Because you haven't been told by your interviewer...
09:47 that you can't walk like this.
09:49 It's disrespectful of the courtroom.
09:51 (The accused is in the third trial.)
09:53 So, this is the courtroom.
09:55 We can't walk like this.
09:57 (The accused is in the third trial.)
09:59 (The accused is in the third trial.)
10:01 (The accused is in the third trial.)
10:03 You dare?
10:05 Defend the accused.
10:07 (The accused is in the third trial.)
10:09 He's my assistant now.
10:12 So, how do you walk?
10:14 He's confident.
10:20 There's a slow motion.
10:36 There's a slow motion.
10:40 Do you want to be the third trial?
10:42 Do you want to be the third trial?
10:44 Sayla, too.
10:46 He's so cute.
10:48 How about me?
10:50 There's a slow motion.
10:54 Two of you.
10:56 Okay.
10:58 D.
11:05 Here.
11:07 (The accused is in the third trial.)
11:09 (The accused is in the third trial.)
11:11 (The accused is in the third trial.)
11:13 (The accused is in the third trial.)
11:15 (The accused is in the third trial.)
11:17 Cool.
11:19 You can't see it.
11:21 One of you wants to be the 50th trial.
11:23 The other wants to be the 40th trial.
11:25 (The accused is in the third trial.)
11:27 I'm surprised.
11:29 The other one is only 34th trial.
11:31 Okay.
11:33 I want to make a comment.
11:35 Why?
11:37 (The accused is in the fourth trial.)
11:45 (The accused is in the fourth trial.)
11:47 I don't have it.
11:49 Sahila is a runner.
11:53 Sahila is a runner.
11:55 She has won dozens of medals.
11:57 But, unfortunately,
11:59 she always fails in love.
12:01 she always fails in love.
12:03 (The accused is in the fifth trial.)
12:05 (The accused is in the fifth trial.)
12:07 Actually,
12:09 running competition is not new.
12:11 It's been held since 2018.
12:13 Talking about love,
12:15 Talking about love,
12:17 I always fail in love.
12:19 I always fail in love.
12:21 But, I hope that...
12:23 I won't fail in love when I get married.
12:25 I won't fail in love when I get married.
12:27 She said it.
12:29 (The accused is in the sixth trial.)
12:31 (The accused is in the seventh trial.)
12:33 (The accused is in the eighth trial.)
12:35 (The accused is in the ninth trial.)
12:37 It's okay.
12:39 It's a marriage.
12:41 It's a noble marriage.
12:43 Marriage is held
12:45 as strong as possible.
12:47 as strong as possible.
12:49 I want to continue.
12:53 But, I don't have a car.
12:55 Thank you, Cak.
12:57 Thank you, noble.
12:59 You're an actress and presenter
13:01 of Arab Pakistan.
13:03 Akis.
13:05 Who is Arab and who is Pakistan?
13:07 My dad is Arab.
13:09 My mom is Pakistan.
13:11 You were a TV host
13:13 and a TV host.
13:15 Have you ever
13:17 proposed to be a host?
13:19 No. I didn't have a chance.
13:21 I joined the cover girl
13:23 when I was in junior high school.
13:25 I was just a kid.
13:27 You wanted to be a host.
13:29 Yes. I wanted to be a cover girl.
13:31 I was a host, too.
13:33 I was a cover girl, too.
13:35 What was your cover?
13:37 I was a back...
13:39 back cover.
13:41 I heard that you were a host.
13:45 A fighter.
13:47 You were a pilot.
13:49 I was a pilot.
13:51 A fighter.
13:53 Yes.
13:55 Sukhoi Sukhoi.
13:57 No.
13:59 No.
14:01 Noble.
14:03 This is a court. Why is a Muay Thai athlete here?
14:05 Okay. Let's go. Boris, what do you want to ask?
14:21 Come here.
14:23 Lock my shirt.
14:25 Okay, senior.
14:29 You're a senior.
14:31 Thank you.
14:33 Yes.
14:35 Thank you, senior.
14:37 I'm leaving.
14:39 Okay.
14:41 Okay, noble.
14:45 My client
14:47 dumped a girl
14:49 because she's a neighbor
14:51 and she's a nuisance to her family.
14:53 She's a nuisance to her family.
14:55 She's a nuisance to her family.
14:57 She's a nuisance to her family.
14:59 Boris, explain it to him.
15:01 What?
15:03 What?
15:05 I'm angry, senior.
15:07 I thought you're going to be a long-term senior.
15:09 I'm angry, senior.
15:11 Oh, no.
15:13 As my senior told me...
15:15 Boris, be quiet.
15:17 She's a nuisance to her family.
15:19 She's a nuisance to her family.
15:21 She's a nuisance to her family.
15:23 She's a nuisance to her family.
15:25 So, noble.
15:27 She's a nuisance to her family.
15:29 Wow.
15:31 In this case,
15:33 the case is layered.
15:35 Oh, God. Astaghfirullah.
15:37 This is amazing.
15:39 Don't ever
15:41 make a case like this.
15:43 You're a senior.
15:45 You have to understand this case.
15:47 Okay.
15:49 So, noble.
15:51 Go ahead, Boris.
15:53 As a coach, you have to be confident.
15:55 Don't be weak. Go ahead.
15:57 Show it to the people.
15:59 In the book of
16:01 the law of the universe,
16:03 in Dutch, we call it "Bergelijk wetboek".
16:05 Bergelijk wetboek.
16:07 You're the one who made this case.
16:09 In the case of 1365...
16:11 You're the one who made her a senior.
16:13 She's decided.
16:15 She's your junior.
16:17 You're going to scold her. / Junior.
16:19 Good.
16:23 Good.
16:25 Good.
16:27 You're a senior.
16:29 Because of what?
16:31 Because she's too naughty.
16:33 I don't like it. / I'm a senior, noble.
16:35 Let me explain.
16:37 In the case of 1365,
16:39 each person
16:41 who did something that harmed other people
16:43 and because of the action
16:45 that harmed other people,
16:47 he has to be punished, noble.
16:49 Is it true that Sahila's brother
16:51 likes to sing? / Yes, he does.
16:53 Don't say yes or no.
16:55 Yes or no.
16:57 Yes or Sahila's brother.
16:59 Please, noble.
17:01 This is too much.
17:03 Okay. Thank you.
17:05 Please, don't be too much.
17:07 This is too much, noble.
17:09 Please, don't be too much.
17:11 She's happy, noble.
17:13 Calm down.
17:15 We don't mean this.
17:17 Please, cooperate.
17:19 If yes, just say yes.
17:21 Don't explain anything.
17:23 Don't explain anything.
17:25 Don't explain anything.
17:27 Sahila's brother.
17:29 Do you have evidence?
17:31 Just say yes or no.
17:33 Do you like to come to my house? / Yes.
17:35 Noble.
17:37 Based on the two answers,
17:39 the evidence is in the plasma, noble.
17:41 I'll show it to the audience.
17:45 The artist's neighbor,
17:49 often makes a fight
17:51 in his house every night.
17:53 Right, noble?
17:55 Do you like to sing?
17:57 Do you like to play?
17:59 This is the real evidence, noble.
18:01 Okay.
18:03 Thank you.
18:05 These are the students of the university.
18:21 They like to fight.
18:23 My sweet Boris.
18:25 My love, don't be stingy.
18:27 My life is only for you.
18:29 My heart is not in peace because of you.
18:31 Boris.
18:33 Boris.
18:35 My life is sweet because of you.
18:39 We are the P.G.
18:41 The handsome P.G.
18:43 This is Boris's position.
18:45 Boris.
18:47 Why are you not admitting it?
18:49 Boris, am I handsome?
18:51 Yes, you are.
18:53 I want to ask
18:55 Ingar's opinion
18:57 as a party people.
18:59 She is the party queen.
19:01 Because her name is Ingar Suparti.
19:05 How do you feel, Ingar?
19:07 When you see the party?
19:09 Okay.
19:11 When I see the party,
19:13 I study the terminology.
19:15 Nothing is wrong with the party.
19:17 Because
19:19 there is art in the party.
19:21 Because there is the word art in the word party.
19:27 The meaning of the word art is
19:29 band, DJ,
19:31 and the party itself is a party.
19:33 The terminology of the word party is
19:37 divided into three.
19:39 The party that
19:41 uses personal money
19:43 is called
19:45 private party.
19:47 Okay.
19:49 The party that uses company's money
19:51 is called
19:53 gathering party.
19:55 And the party that uses people's money
19:57 is called
19:59 democracy party.
20:01 But the result is for the people.
20:05 That's right.
20:07 So, the party that uses personal money
20:09 is called
20:11 corruption money.
20:13 Correct.
20:15 Not only me,
20:17 the ladies from Lembah Pindu
20:19 also have a great argument.
20:21 Please.
20:23 Three, four.
20:25 Cool.
20:43 Good.
20:45 Thank you, ladies from Lembah Pindu.
20:47 If so...
20:49 Rikian, have you defended anything with Echa?
20:51 I'll defend.
20:53 Assistant.
20:55 Almost.
21:01 Slowly.
21:03 Maybe he's wearing a money ring.
21:05 He said it's heavy.
21:07 Is it an interruption?
21:09 No, it's just me.
21:11 What's wrong with him?
21:13 He's the only one who wants to do that.
21:15 I can't.
21:17 I can't.
21:19 You can't see the camera.
21:21 Move there.
21:23 It's not a joke.
21:25 It's real.
21:27 It's real.
21:29 It's like taking a car out of God.
21:31 That's neat.
21:35 That's neat.
21:37 It's neat.
21:39 I'm afraid it'll explode.
21:41 It's different.
21:43 Hold the phone.
21:47 Just open it.
21:49 Just open it.
21:51 Actually...
21:53 About Sahila...
21:55 Her voice...
21:57 It's not that good.
21:59 Or it's disturbing.
22:01 That's why she's having a party at home.
22:03 But it's not a problem.
22:05 We're having a party at home.
22:07 She's rich.
22:09 I'm sure her house is spacious.
22:11 It's not close to the neighbors.
22:13 Do you think your voice is bad?
22:15 Wow.
22:17 What do you think?
22:19 He's defending me.
22:21 I'm defending you. Don't worry.
22:23 But, what's disturbing is not proven.
22:25 I'm sorry. I'm just telling you.
22:27 It's a good name.
22:29 Sahila wants to demand him.
22:31 You can join us.
22:33 So, what will you do?
22:35 You won't demand me?
22:37 She'll demand you first.
22:39 You'll demand her through them.
22:41 It's a good name.
22:43 Especially in a public place like this.
22:45 It's a good name.
22:47 She's the one who said it's disturbing.
22:51 She didn't say it's bad.
22:53 She said it's disturbing.
22:55 It's disturbing.
22:57 We're explaining with what she did.
23:01 What she did.
23:03 What?
23:05 Who they are.
23:07 Who they are.
23:09 Not who she is.
23:11 Yes, ma'am.
23:13 Regan. / Yes?
23:15 You'll be in jail for 10 years.
23:17 Why me?
23:19 It's a good name.
23:21 It's not good. I'm sorry, Sahila.
23:23 It's not good.
23:25 So, what's your apology?
23:27 You're disturbing my name.
23:29 I'm sorry. Sahila's voice is good.
23:31 But, it's because...
23:33 it's on air.
23:35 It's better if it's off air.
23:37 Because it's a camera fever.
23:39 Let's turn off the camera.
23:41 Let's hear Sahila's voice.
23:43 It's a TV show. It can't be recorded.
23:45 It can't be recorded. / It can't be aired.
23:47 It can.
23:49 It can't be a joke. / It can't.
23:51 It can't be.
23:53 The camera is off.
23:55 We can't broadcast the witness.
23:59 Sing a song.
24:01 A song that I remember when I was in elementary school.
24:03 What's that?
24:05 Wakuncar.
24:07 When I was in elementary school, I sang that song.
24:09 Elementary school, Wakuncar.
24:11 Wakuncar?
24:13 It's a funeral song.
24:15 It's a funeral song.
24:17 Sing it.
24:19 Sing it.
24:23 Sing it again.
24:33 Sing it.
24:35 Hey, hey.
24:37 Wakuncar.
24:39 Wakuncar.
24:41 Wakuncar.
24:43 Excuse me.
24:47 I saw you dancing yesterday.
24:49 I saw it last night.
24:51 Good.
24:53 Wait.
24:55 I haven't found the meaning.
24:57 And the fun part.
24:59 You're dancing alone.
25:01 This is fun.
25:03 You have to dance with me.
25:05 You can dance from here.
25:07 You can dance from the side.
25:09 You can dance from the front.
25:11 It's normal.
25:13 When the night comes.
25:17 The young man sets a plan.
25:23 Until the girl falls in love.
25:25 You're dancing alone.
25:27 I'm so happy.
25:29 I'm so happy.
25:31 I'll open the lid.
25:43 Okay.
25:45 Okay.
25:47 There's more evidence.
25:51 There's evidence.
25:53 I'll show you the evidence.
25:55 Where's the evidence?
25:57 Wait.
25:59 I'll call the senior.
26:01 We'll coordinate with LPIDI.
26:03 What's that?
26:05 There's no money.
26:07 We'll collect the evidence.
26:09 NG, please.
26:11 Take the evidence to the courtroom.
26:13 Okay.
26:15 Be careful.
26:17 Okay. Take care. Bye.
26:25 This is the evidence.
26:27 Thank you, NG.
26:29 It's so sweet.
26:31 No wonder.
26:33 You'll praise me again if I'm in jail.
26:35 There were several episodes.
26:39 What's this?
26:41 It's a pillow.
26:43 You're talking about the pillow.
26:45 I heard that...
26:47 you cut your eyelashes.
26:49 Is it true?
26:51 Yes.
26:53 Hold on.
26:55 Before we talk further,
26:57 can you sit here?
26:59 No.
27:01 She's been gone for a long time.
27:03 Just sit here.
27:05 I'll add this.
27:07 I'm sorry.
27:13 Okay.
27:15 Explain about your eyelashes.
27:17 When I was a kid,
27:19 my mom didn't invite me to the market.
27:21 I went to the market with my mom.
27:23 I was so angry.
27:25 I was so angry.
27:27 I wanted to get attention.
27:29 So, I went to the market.
27:31 I cut my eyelashes.
27:33 But, I wasn't invited to the market.
27:35 Okay.
27:37 What's the correlation with our case?
27:39 Calm down.
27:41 Please explain the correlation.
27:43 There's no correlation with this case.
27:45 Listen.
27:47 Because she acted boldly,
27:49 she's disturbing the peace of the people.
27:51 When she was scolded, she was still bold.
27:53 Do you understand the correlation?
27:55 It's from the psychology.
27:57 It's just eyelashes.
27:59 She's a kid.
28:01 What are you doing, Doris?
28:03 Hold on. I want to talk to her.
28:05 I want to talk to her.
28:07 Why are you so emotional?
28:09 I'm just practicing.
28:11 But, you're so emotional.
28:13 I'll throw my eyelashes there.
28:15 I want to talk to her.
28:17 I want to talk to her.
28:19 Why are you playing with the title?
28:21 It's called, "Two Ears Fought".
28:23 Sahila.
28:27 I have a German flag.
28:29 What's the meaning of this flag?
28:31 What happened?
28:33 Maybe,
28:35 it's a sign of the German flag.
28:37 Because,
28:39 I had a marathon in Berlin.
28:41 Berlin Marathon?
28:43 Yes.
28:45 You ran away from the police.
28:47 You ran away from the police.
28:49 You ran away from the German police.
28:51 What happened?
28:53 It's not because of the trauma in high school?
28:55 Trauma in high school?
28:57 It's not related to my ex.
28:59 Is your ex a German?
29:01 No, he's not.
29:03 He's Dutch.
29:05 It's a marathon.
29:07 But, you have a Dutch ex, right?
29:09 Yes.
29:11 You just ran away from the police in Berlin, right?
29:13 Yes.
29:15 What?
29:17 What's the meaning of "I did"?
29:19 This is the proof.
29:21 It will be revealed later.
29:23 So, everyone will know.
29:25 I have to reveal this?
29:27 Yes.
29:29 This is a very important and authentic proof.
29:31 Sir, we want to ask you.
29:33 When will we get our marriage certificate?
29:35 Death penalty.
29:39 Wait.
29:41 Don't do that, sir.
29:43 Don't do that.
29:45 This is a very important proof.
29:47 What is that, sir?
29:49 It's an object.
29:51 Explain it, sir.
29:53 Explain it, sir.
29:55 What's in here?
29:57 Okay, sir.
29:59 Wait.
30:01 Whose boxer is that?
30:03 Explain it.
30:05 Wait.
30:07 What's your relationship with Sahil?
30:09 I don't have anything to do with him.
30:11 I think this is a slander.
30:13 I took a bus yesterday.
30:15 When I got off, my boxer was gone.
30:17 I think I was hit by a car.
30:19 But, your boxer...
30:21 When you took a bus to Jakarta, did you use your boxer?
30:23 Yes.
30:25 How did you get hit?
30:27 I fell asleep.
30:29 I was sleeping.
30:31 You slept so well.
30:33 How did you get hit?
30:35 I don't know. I fell asleep.
30:37 How long did it take for me to hold the boxer?
30:39 I held it for a long time.
30:41 Why did you do that?
30:43 Explain what happened.
30:45 This is what happened, sir.
30:47 Let's flashback.
30:49 Who brought all the evidence?
30:51 Angie.
30:53 Where did you go?
30:59 I got left behind, sir.
31:01 (Angie's face)
31:03 Angie, what are you doing?
31:11 I'm sorry, sir.
31:13 This is a slander.
31:15 I think we should change the chair.
31:17 You've broken the rules today.
31:19 Angie.
31:21 Come here.
31:23 I want to sit there.
31:25 That's good.
31:27 Angie.
31:29 We can talk later.
31:31 No, I'm not.
31:33 I'm not a kid.
31:35 Let him sit there.
31:37 You should sit here.
31:39 It's very difficult to sit here.
31:41 Sit there.
31:45 Angie.
31:49 Can I sit here?
31:53 It's okay.
31:55 You're so nice, sir.
31:57 You're so nice, sir.
31:59 You're so nice, sir.
32:01 I'm so confused.
32:03 What should we do?
32:05 I'm confused.
32:07 Please neutralize him.
32:09 I'm confused.
32:11 I saw the evidence of the boxer.
32:13 That's the main one?
32:15 Mr. Jagga and Mr. Boris...
32:17 showed the evidence of the boxer.
32:19 I think it's a heavy case.
32:21 I think it's a heavy case.
32:23 Boxer?
32:25 I don't know.
32:27 Boxer and the last letter R.
32:29 R.
32:31 The player is a boxer.
32:33 The boxer is a boxer.
32:35 Yes.
32:37 The boxer is a boxer.
32:39 Yes, a boxer.
32:41 And because...
32:43 he's a boxer,
32:45 I'm sure that...
32:47 Sahila often has a party at her house.
32:49 Because there's a boxer...
32:51 who likes to party and dance.
32:53 What's that?
32:55 Oscar de la Hoya!
32:57 Oscar de la Hoya!
32:59 Oscar de la Hoya!
33:01 Oscar de la Hoya!
33:03 That's a very heavy and significant evidence, sir.
33:07 Okay, then.
33:09 I'm confused.
33:11 Do you have any wise words?
33:13 No, sir.
33:15 Why do we need wise words?
33:17 Wise words should come from...
33:19 our own ideas and ideas.
33:21 Not from other people's words.
33:23 That's what I'm talking about.
33:25 Good.
33:27 So, what do we do?
33:29 She's been following me for a long time.
33:31 That's right.
33:33 I think you should just follow your heart.
33:35 Don't just throw it away.
33:37 You should clean it up.
33:39 Then,
33:41 what if we ask the client again?
33:43 We should ask for more evidence.
33:45 Do you have any evidence?
33:47 I still have a lot of evidence.
33:49 I feel sorry for my client.
33:51 I feel sorry for your client.
33:53 I feel sorry for your client.
33:55 Do you want to be the defense?
33:57 Do you want to be the defense?
33:59 Yes, I do.
34:01 If there's no defense,
34:03 I'll make a decision.
34:05 I have evidence.
34:07 Which one do you want to be the defense?
34:09 I have evidence.
34:11 Boris. / Yes, sir.
34:13 For the evidence...
34:15 5342123...
34:17 12...
34:19 For the evidence...
34:21 41...
34:23 This is evidence number 18A.
34:25 18A. Is it correct? / Yes, sir.
34:27 Okay. / Yes. / Ready.
34:29 Please, sir.
34:31 Read it, Boris.
34:33 Why didn't you just trust me?
34:35 You just said, "Enter."
34:37 Why didn't you just...
34:39 Your Honor, here's the evidence.
34:41 Here's the photo.
34:43 What photo?
34:45 Is this the one of Terdakwa?
34:47 Yes.
34:49 The photo is smooth.
34:51 Smooth, Your Honor. / Okay.
34:53 It's a lie.
34:55 Do you have a smooth board?
34:57 Why?
34:59 Here it is, Your Honor.
35:01 This is the evidence.
35:03 Let's see.
35:05 Here, Your Honor.
35:07 That's his neighbor's house.
35:09 He doesn't have a smooth board.
35:11 His neighbor didn't go out for two weeks.
35:13 I'm the witness, Your Honor.
35:15 Great, sir.
35:17 What's the evidence...
35:19 that this is Sahila's neighbor?
35:21 Yes. / What's the evidence?
35:23 That's Sahila's house. That's Sahila's father's motorcycle.
35:25 How do you know that's Sahila's father's motorcycle?
35:27 You're defending her without knowing her family.
35:29 Sahila, is that really your neighbor?
35:31 Yes.
35:33 There.
35:35 That's true.
35:37 There's another photo, right?
35:39 There's another photo, sir.
35:41 There's another senior. / Where?
35:43 Let me show you. / There.
35:45 He's in front of a business.
35:47 He's in front of a business.
35:49 He's in front of a smooth board.
35:51 That's Sahila's business, sir.
35:53 There he is.
35:55 He's opening a workshop.
35:57 He's putting a smooth board in front of it.
35:59 Whose workshop is this? There are so many motorcycles.
36:01 He's old. He's old.
36:03 That's my friend, sir.
36:05 He's putting a smooth board in front of it.
36:07 He's polishing it.
36:09 He's polishing it.
36:11 What's that?
36:13 Motorcycle polishing.
36:15 But we can do it, too.
36:17 Really? / Yes.
36:19 I swear to God. / Don't start.
36:21 I swear.
36:23 After that, we're going to open the workshop.
36:37 I'm curious.
36:39 Why is there a different one?
36:41 I think the senior's eyes are darker.
36:43 His eyes are different.
36:47 Hey.
36:49 This one.
36:51 Why are you wearing...
36:53 Seriously. The senior's eyes are like...
36:55 Guys.
36:57 Don't bother me. There's another box.
36:59 Do you want it?
37:01 I don't want it.
37:03 Okay.
37:05 This is the one who has the defense.
37:07 Do you have it?
37:09 Actually, we can't be in this trial...
37:11 if we don't have...
37:13 a witness or a victim, sir.
37:15 There's no witness or a victim.
37:17 Sir, you don't have to...
37:19 until there's a victim...
37:21 before we can...
37:23 enforce the law.
37:25 But who reported it?
37:27 The crime has been committed.
37:29 It's a loss to the people around us, sir.
37:31 Do you know that...
37:33 my eyes are itchy?
37:35 I don't know.
37:37 But it's safe.
37:39 It's safe.
37:41 It's a bridging.
37:43 It's a bridging.
37:45 It's a bridging.
37:47 Senior.
37:49 What's wrong, Cha?
37:51 We have a witness, sir.
37:53 Let's see it on the screen.
37:55 Where?
37:57 On the screen.
37:59 (Singing)
38:01 This is a great one.
38:25 This is disturbing.
38:27 This is from COVID, sir.
38:29 This is during COVID, sir.
38:31 You're the one who's disturbing the public.
38:33 And now you're the one who's disturbing the people.
38:35 Wait.
38:37 Please, Cha.
38:39 The team can't bring the victim.
38:41 It's because of them.
38:43 They reported it.
38:45 But they're causing a commotion.
38:47 They're disturbing the people.
38:49 The people are not happy.
38:51 They're...
38:53 (Laughing)
38:55 (Laughing)
38:57 The great one.
38:59 You did it without any help.
39:01 Without any sound system.
39:03 It's just for Instagram.
39:05 It's more disturbing.
39:07 Sing the song again.
39:09 Wait.
39:15 There's a great one.
39:17 He's giving the property.
39:19 It was made during COVID.
39:21 Even the hat and glasses are provided.
39:23 Please.
39:25 Sit down.
39:27 Okay. Please, Akbar.
39:33 (Singing)
39:39 (Laughing)
39:41 (Singing)
39:43 (Screaming)
40:09 (Laughing)
40:11 Enough.
40:15 What do you mean?
40:17 He's asking for something that you did.
40:19 Yes, the great one.
40:21 I'm not in a party.
40:23 I'm not using a speaker.
40:25 There's a speaker.
40:27 It's just for Instagram.
40:29 He's doing this.
40:31 He's disturbing the people.
40:33 He's using a speaker.
40:35 He's even burning the place.
40:37 He's using a speaker.
40:39 It's just a photo.
40:41 It's more real because there's a video and a sound.
40:43 The photo doesn't provide any sound.
40:45 What's the proof?
40:47 There's none, right?
40:49 Please, Boris.
40:51 Please, Boris.
40:53 The great one, you've seen the video.
40:55 It was made during the day or night?
40:57 During the day.
40:59 During the day, people are doing activities.
41:01 But, if it's a robbery,
41:03 the great one, the bad thing is...
41:05 If it's a party,
41:07 you're using a speaker,
41:09 you can't drink alcohol.
41:11 That's right.
41:13 You can't drink alcohol.
41:15 The context is different.
41:17 It's not alcohol.
41:19 I think...
41:21 It's the hand.
41:23 Poor thing.
41:25 The great one, I'm still in control.
41:27 The party.
41:29 Yes, the great one.
41:31 We don't have to discuss about the party.
41:33 We can't close the door.
41:35 We can't let the sun go down.
41:37 We have to think about it.
41:39 We have proof.
41:41 I want to discuss.
41:43 What do you think, Angie?
41:45 In my opinion,
41:47 both of them are not reasonable.
41:49 Who?
41:51 The demand and the defense are not reasonable.
41:53 What do you mean?
41:55 What do you mean, Angie?
41:57 But, the demand is more real.
41:59 I'm so happy
42:01 for the great one.
42:03 I think,
42:05 the great one should follow his heart.
42:07 I choose you.
42:09 Follow your heart.
42:11 It's hard.
42:13 Is he a leader or a loser?
42:15 He's a loser.
42:17 He's a loser.
42:19 He's a loser.
42:21 He's a loser.
42:23 What do you think, Inga?
42:25 I want to discuss
42:27 about the voice of
42:29 Indra Jekel.
42:31 Why his voice
42:33 is not comfortable in the ears.
42:35 It's because they took the wrong voice.
42:37 The breathing technique.
42:39 It's known that
42:41 the voice in the stomach,
42:43 the chest, and the diaphragm
42:45 is not good.
42:47 The best voice is in the PE.
42:49 But, the great one,
42:53 I prefer the voice of the heart.
42:55 The great one.
42:57 I'm confused.
42:59 The great one,
43:01 just listen to the voice of the heart.
43:03 Just follow your heart.
43:05 Don't use your brain.
43:07 It's a good name.
43:13 It's fun.
43:15 But, it's fun for us.
43:17 I'm sorry.
43:19 I've thought about it.
43:21 I've got some input.
43:23 It seems like
43:25 I've decided.
43:27 I'm Ila Isyam.
43:29 Mr. Trita.
43:41 I'm Mr. Wadid.
43:43 I've decided.
43:45 Okay.
43:51 Okay, the great one.
43:53 The great one.
43:55 Zahila Isyam.
43:57 You.
43:59 Are.
44:01 Known.
44:03 To the world.
44:05 With.
44:07 Her.
44:09 Friend.
44:11 You.
44:13 Are.
44:15 Known.
44:17 To the world.
44:19 With.
44:21 Her.
44:23 Friend.
44:25 The great one is fishing.
44:31 The great one, please.
44:33 We from the German delegation don't agree.
44:35 Okay.
44:39 I've decided.
44:41 Honestly.
44:43 I'm hungry.
44:45 I'm hungry.
44:47 I'm hungry.
44:49 Three, four, five.
44:51 Five, six, seven, eight.
44:55 I'm confused.
44:59 I've decided.
45:01 She's a good singer.
45:03 She knows and her voice is like that.
45:07 She's a good singer.
45:09 We're good at dancing.
45:11 That's one of her techniques.
45:13 I'm just trying to find it.
45:15 It's not wrong for people with singing hobby.
45:17 Sayla Isang.
45:19 You have to admit.
45:21 I'm wrong?
45:23 No, you're not.
45:25 You're wrong.
45:27 You're wrong.
45:29 You're wrong.
45:31 You're wrong.
45:33 (upbeat music)
45:35 (upbeat music)
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