00:00 Sami!
00:01 You've turned this apartment into a sea of debris!
00:05 -What? -What do you mean?
00:07 I'm telling you, it's like a hand in the water.
00:09 It's like a hair in the water.
00:10 Are we going down to the rocks like this?
00:12 I can go wherever I want.
00:13 Sami! Sami!
00:16 Sami, can you open the door?
00:19 Oh my God, please!
00:28 Aunt Hafize, let me kiss your hand.
00:32 Yes.
00:34 Sami!
00:36 Sami, did you cut the water again?
00:37 What? What?
00:39 I didn't cut anything.
00:40 I'm just cutting bread. Bread.
00:42 What's going on?
00:44 You took something on you and went to the door in the morning.
00:48 This is a family home, brother. A young girl lives here.
00:50 What is this?
00:52 Don't be sad, Nihat.
00:53 You're a man like a door. You shouldn't fall into the beds.
00:58 Sami, look.
01:00 If you shut the bathroom again, we're going to break up.
01:03 Look at me.
01:05 Oh my God!
01:06 You should know better than me who you're talking to.
01:09 I didn't shut anything.
01:10 I shut it.
01:11 Here you go.
01:13 You know everything about Sami.
01:15 But I stepped out once.
01:17 What happened? Did you get up in the apartment?
01:19 Enough, Mr. Cüneyt.
01:20 Adnan and Nihat are in a fight.
01:22 And my mother is in there.
01:24 You shut the bathrooms. Why don't you tell me?
01:28 He's like a cake with cream.
01:30 We're going to work.
01:32 How can I go to work like this?
01:33 Look at me.
01:36 How can I go?
01:37 I'll think about it.
01:39 What was I going to do?
01:40 I was going to call everyone and say I'm closing.
01:43 I was going to say the apartment was going to be an aquarium.
01:46 Thank you.
01:49 Anyway.
01:50 Yakup.
01:51 Let's go to your uncle and ask about the technician.
01:54 Come on. Rasim, let's go.
01:56 Don't make it longer.
01:58 We're going to work.
01:59 What do you mean?
02:01 How can I go to work?
02:02 How can I go to work?
02:04 Was it worth it, Nihat?
02:05 Was it worth it to stand at the door like this?
02:08 They made me throw my blankets again.
02:12 Look.
02:14 He's running like a cat.
02:26 I don't think he's home.
02:27 Where did he go?
02:28 I don't know.
02:29 Who?
02:32 He went wherever he went.
02:34 He saved himself from this mess.
02:35 Let's go.
02:38 Do you want me to drop you off at work?
02:39 No, I'll go by myself.
02:42 What am I going to do, Leyla?
02:53 Do what you always do.
02:55 Go to work, go home.
02:56 You have to stay calm.
02:57 As if nothing happened.
02:59 Can you make it longer?
03:02 Excuse me.
03:04 One person.
03:06 Someone knows, Leyla.
03:10 Someone knows, Ceze.
03:12 Uncle, it's obvious that the one who wrote the fake note is the same person.
03:15 He came home twice.
03:17 If he's calm, he shouldn't call you from afar.
03:20 Do you think Yakup can find him?
03:22 Don't be ridiculous.
03:23 This poor thing doesn't know anything.
03:25 He's been trying to trick me since yesterday.
03:27 Okay, but everyone would have already given you if they were going to give you a hand.
03:31 Then?
03:33 I mean, he's going to blackmail you.
03:35 We'll wait and see.
03:36 No, I can't stand this situation, Leyla.
03:42 I can't stand it, I'm going to move out of this apartment.
03:44 Okay, I'll find a place. I'll move.
03:46 I can't explain it.
03:47 It's not a place anymore.
03:48 You can't move if you want.
03:50 Will he run away from someone who has no identity?
03:54 First, let's understand what they want from me.
03:56 Then we'll see.
03:58 I have to hang up now.
04:23 Rafet, there's no incident here.
04:25 What are we going to write?
04:27 Young madman caught with alcohol.
04:28 He's alcoholic every night.
04:30 He doesn't take these.
04:31 He kisses his wife.
04:32 He does this every night.
04:34 He's single, he won't kiss.
04:35 Don't you kiss?
04:37 I want an incident.
04:38 What kind of incident?
04:39 I don't know, go to the man, ask a cold question.
04:41 Let the man dive into you.
04:42 Let there be a move.
04:44 Can you explain? -I understand.
04:46 Mona, your hospital photos are nice, but...
04:49 Mona.
04:50 Mona.
04:53 Mona.
04:54 Focus on this meeting.
04:56 You don't come.
04:58 Or you leave your soul somewhere else.
05:00 You're walking around like a doll.
05:02 I say photos, photos.
05:03 It was fine, but no news.
05:05 What did people write?
05:09 Look, look.
05:10 Did his wife burn for revenge?
05:12 What are we doing? We sleep on our feet.
05:14 The police questioned the woman, but nothing came out.
05:16 It came out or not.
05:17 Go ask a woman for an interview.
05:19 At least let's be honest.
05:21 Master, don't exaggerate this fire.
05:23 It burned a few days ago, it's over, it's ashes.
05:26 Why do we care so much?
05:28 Look, these fires are not over yet.
05:30 There will be more.
05:31 But if you were a visionary journalist,
05:33 that nose, that nose,
05:34 that burning smell would be gone.
05:36 Where is it?
05:37 Then I'll keep it at the end of my business.
05:43 Obviously, Mona can't catch up.
05:45 Everyone should mind their own business, friend.
05:46 Those who can't catch up after that,
05:48 find themselves in front of the door.
05:50 No one can catch up.
05:51 Come on, the meeting is over.
05:53 Mona.
06:05 It's definitely a fire.
06:16 So it's not an accident.
06:19 Yeah, they say so.
06:21 Who do you think did it?
06:23 The police questioned you.
06:27 Did you make the fire?
06:29 But they backed out.
06:31 I mean, I was here all night.
06:32 My uncles are witnesses.
06:34 So why do you think they were suspicious of you?
06:38 They know I deserve it if I do.
06:41 After all the torture Ismail has put us through for years.
06:46 [soft music]
06:50 But you didn't.
06:51 He beat you up when you were pregnant.
06:54 That's why they say the kid can't talk.
06:57 Well, Zöhre,
07:01 you said they know I deserve it if I do.
07:04 What does that mean?
07:06 Let's say...
07:12 someone came,
07:16 and shot the roof of the mansion.
07:18 For example,
07:21 to not die,
07:25 sometimes they take it,
07:28 and the other one turns to the side.
07:32 Doesn't he turn?
07:33 He can.
07:36 Not to kill the other one,
07:41 but to not die himself.
07:45 They say fear is useless in death.
07:48 Whose fear is it?
07:50 Whose death is it?
07:51 That's the point.
07:53 What you fear the most can be your death.
07:56 Do you understand?
07:59 Do you think it's right to kill to not die, Zöhre?
08:04 I don't know.
08:10 It's not my business.
08:14 I was here all night.
08:16 I didn't hurt anyone.
08:18 Ismail is not dead anyway.
08:20 I'll ask you something.
08:22 I'm just asking out of curiosity.
08:24 I won't write it.
08:25 Would you be sorry if he died?
08:28 He's the father of my child.
08:38 [music]
08:40 [music]
08:42 Do it.
08:46 You'll get hurt.
08:48 Good evening.
09:10 Good evening.
09:11 What's that?
09:28 Are you going back and forth from the first week?
09:31 Come on, he won't eat you.
09:33 -Who? -I don't know.
09:35 I mean, you're looking at someone like a rabbit.
09:40 -Good evening, Peri. -Good evening.
09:42 Mert.
09:44 Well...
09:46 You took my homework last week.
09:49 Yes.
09:50 I'm sorry.
09:53 I couldn't thank you at all.
09:55 No, it's okay.
09:57 There's another one.
09:59 But I'm so busy right now.
10:03 If I send it to you...
10:07 Of course, send it to me.
10:09 I'll take care of it tonight.
10:10 You're the best. Thank you.
10:12 Is it from the apartment?
10:33 Yes, the brother of number three.
10:35 Are you in the same class?
10:37 No, we're not even in the same class.
10:39 Then?
10:40 I'd hit him if I said so.
10:46 What's the job?
10:49 Welcome, angel of his mother.
10:54 Good evening.
10:58 Good evening.
11:01 (THANK YOU FOR WATCHING)
11:03 (THANK YOU FOR WATCHING)
11:05 (upbeat music)
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