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  • 2 years ago
The Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn? | dG1fRkt2Rll5ZU5BbmM
Transcript
00:00 (dramatic music)
00:02 - Hello, I'm Daniel Hösel,
00:06 writer and director of the film "Veni, Vidi, Vici".
00:09 After my first feature film "The Chain" premiered
00:11 at the 2013 edition, I'm honored to return to Sundance now
00:15 with my partner, partner in crime.
00:18 - Hi there, I'm Julia Nieman.
00:19 I too directed our film "Veni, Vidi, Vici",
00:22 which is premiering in the World Cinema Dramatic Competition.
00:24 It's already our second directing collaboration
00:27 after a documentary feature we made together
00:29 about Davos and the World Economic Forum.
00:32 - And because we always follow the money.
00:35 In our feature "Veni, Vidi, Vici",
00:36 we tell the story of a billionaire family
00:39 living the perfect life.
00:41 - And work-life balance is really everything to them.
00:44 So they like to go hunting.
00:46 It's an old family tradition,
00:48 but they would never harm animals.
00:50 - They leave traces at their victims.
00:52 They try the police, the justice system,
00:54 politicians, the media to stop them.
00:57 It's tough when you're above the law, isn't it?
01:00 - Didn't some country's president say something like,
01:02 "I could kill someone on Fifth Avenue,
01:04 but still get elected."
01:06 - Our film is a satire about plutocracy, about meritocracy.
01:11 It's about our divided society,
01:13 about us and about the others.
01:16 - So when writing the screenplay,
01:18 I've discovered that the topic is so serious.
01:21 The only way to tell the parable is through paradoxy.
01:24 That's why I've chosen to make a satire.
01:26 - And to achieve this, we again worked
01:28 with our longtime collaborator, D.O.P. Gerhard Keklitz,
01:31 with whom we've developed a hyper-realistic film language
01:34 to elevate the film just an inch over reality.
01:37 We only shot when it was sunny.
01:39 - There's only sunshine in the life of the murderous Mainers.
01:43 And thus we love to play around with production design
01:45 and costume design to create that sweet,
01:47 aloof environment of entitlement.
01:50 - Which makes the film more entertaining
01:52 and also more irritating.
01:54 - It also was irritatingly hard to get this film made.
01:56 It took seven years to finance it,
01:58 and I was at my low points going through the years.
02:02 I wrote the screenplay in 2015,
02:04 but I've always been fighting to make this film.
02:06 It has a lot to do with my personal life,
02:08 with my working class background, which I share with Julia.
02:12 We're both from rural, very conservative areas.
02:15 We're here against all odds,
02:16 knowing indeed that it's much harder for others
02:19 who don't have the privilege to be born white Europeans.
02:22 But there's something that should unite all of us.
02:25 Don't we have to stand up
02:26 against the Rockefellers of our times?
02:28 - So isn't it fun to quote Ayn Rand in that context?
02:33 In her book, "The Fountainhead," I found her asking,
02:37 "The question isn't who's going to let me,
02:39 "it's who's going to stop me."
02:42 - It concerns all of us.
02:43 - Or do you want to be the next victim
02:45 of the murderous Mainers?
02:47 - Then you have to rise up, cream puffs of the planet.
02:52 (upbeat music)
02:55 (dramatic music)
02:58 (upbeat music)
03:01 [BLANK_AUDIO]
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