00:00 Energetic.
00:00 Euphoric.
00:01 Visceral.
00:02 Belonging.
00:03 The bass in my heartbeat.
00:04 This overwhelmingly awesome communal experience
00:08 that you really can't have any other place
00:10 than when you're listening to your favorite music
00:12 surrounded by your favorite scene.
00:15 And I remember at the very end, I was saying,
00:17 do we have to go?
00:18 Can we just stay here?
00:20 But one thing that can really get in the way, ticketing.
00:25 It just felt like an unmitigated disaster, right?
00:27 So many hoops and ladders.
00:29 Especially if there's a big clock counting you down,
00:31 being like, you have four minutes
00:32 to decide if you want to spend $2,000 for this one night.
00:35 It makes your heart race, and like, not in a good way.
00:38 The fact is, most ticketing platforms
00:47 aren't transparent about the price of tickets.
00:50 I wonder whether or not the people
00:52 who are putting these policies, whether they go to shows
00:54 anymore.
00:55 Like, they might have been too far removed,
00:57 and just looking at the numbers and just
00:59 trying to maximize the numbers, that they forgot
01:01 what it's like on the ground.
01:02 This is Phil Hutchin, founder and CEO
01:04 of Dice, a company built on a novel idea
01:07 in the world of ticketing platforms, transparency.
01:11 So why exactly do most ticketing platforms hide the full ticket
01:15 price from fans?
01:16 Because they're going to get more sales, sales
01:18 that otherwise they wouldn't get.
01:20 This is Professor Steve Tadellas,
01:22 an expert in economics who teaches at UC Berkeley's
01:25 Haas School of Business.
01:26 So old school mainstream economics
01:29 treats every decision maker as a super rational computer that
01:34 is able to make the right choice always.
01:37 Behavioral economics is built on the fact
01:40 that people behave irrationally all the time.
01:43 And that irrationality is taken advantage of by the platforms
01:47 who have the hidden fees.
01:48 So if you advertise something up front
01:50 for what looks like a lower price,
01:52 consumers are going to be really attracted to that.
01:56 Dr. Shelly Santana is an assistant professor
01:58 of marketing at Bentley University,
02:01 where her research focuses on behavioral pricing
02:03 and the psychology of money.
02:05 And then as we're going through the purchasing process,
02:08 all these additional fees are added onto that,
02:11 you know, this great price that you
02:12 thought you were getting up front really isn't the price
02:15 that you're paying.
02:15 But at this point, consumers are near the end
02:18 of what's known as the sales funnel,
02:20 with a ticket in their cart that costs more than what they may
02:23 have originally wanted to spend.
02:25 If they knew this fee existed from the get-go,
02:28 they would not have selected this item.
02:30 But now they're bought into the idea of, I already have it.
02:34 And platforms use other tactics from behavioral economics
02:37 to nudge consumers along the funnel, like--
02:40 The sense of urgency and scarcity.
02:45 And that kind of builds a sense like, oh my god,
02:48 I can't dwell on this too much.
02:50 I have to act.
02:51 [MUSIC PLAYING]
02:55 Really what it boils down to is,
02:57 consumers really need all the information at our disposal
03:00 in order to make a decision that we feel good about
03:02 and we think is a quality decision that meets our needs.
03:05 There have been times where the ticketing experience was so bad
03:10 that you get to the event and you're just like,
03:12 and why am I even here?
03:15 Every experience is bad.
03:17 And actually, I never thought about ticketing
03:19 until the accumulation of the badness.
03:21 And then fans were complaining.
03:23 It was like, OK, surely someone out there
03:25 is doing the right thing.
03:26 And it just didn't seem that anyone was doing it.
03:30 For Dice, doing the right thing means putting the fan first.
03:34 This simple mindset has led to fully upfront pricing,
03:38 three-top purchasing, a waiting list which offers face value
03:41 tickets for sold-out shows, and a mobile-first approach, which
03:44 eliminates fraudulent resale practices.
03:47 When we came into New York, everyone said,
03:50 oh, people won't like that.
03:51 They're so used to the fees, and that's just how it is.
03:54 I'm like, well, let's give it a go.
03:58 With Dice-- no, but guys, I'm serious.
04:01 That's when I had my last good ticketing experience.
04:05 No, it actually-- it was Dice for my favorite concert.
04:09 I know exactly how much it costs.
04:11 Like, take my money, send me an email
04:14 when it's about to be the event so I don't miss it.
04:16 There's the QR code to get in.
04:18 Easy peasy.
04:19 Like, why does it have to be so complicated everywhere else?
04:22 I don't know.
04:23 It really doesn't.
04:25 Already, new regulations in the US
04:27 are mandating that ticketing platforms show all-in pricing.
04:30 Will full transparency follow?
04:33 Let's hope.
04:34 I think that the more that we can
04:36 have transparent ticketing around the world,
04:38 the better the whole world is going to be.
04:41 (static)
Comments