The Shankaracharya temple is situated on the summit of the Takht-i-Sulaiman hill, to the south-east of Srinagar. Neither the hill nor the temple preserves its ancient name; in Hindu times the former bore the name of Gopadri, and the latter - or more probably some earlier structure which occupied its place - that of Jyeshthegvara. But the modern name of the hill seems to be of fairly long standing, as it is mentioned by Catrou, and in a slightly altered form (Koh-i-Sulaiman) by Abul Fazl. The temple is built on a high octagonal plinth approached by a long flight of steps enclosed by two side-walls which originally bore two Persian inscriptions. One of these was dated A.D. 1O69 A.D. 1659. Both inscriptions disappeared some time in the last few decades. The plinth is surmounted by a low parapet wall 23' 6" long on each side, the inner surface of which was originally adorned by a range of eighty-four round-headed recesses enclosed in rectangular panels. The greater part of the wall has now fallen. The shrine consists of a cell, circular inside, with a diameter of 13' 2". Externally it is square with two projecting facets on each side. The surface is plain, except for the salient and re-entering angles of the facets. The maximum thickness of the walls in the middle of each facet is 8' 2". The interior of the sanctum is covered by a modern ceiling "composed of flat stone slabs and wooden boards, which rest on two lintels of the same material, themselves supported on four columns in the centre of the room. The south-west column bears two Persian inscriptions, one of which states that the column on which it is engraved was carved by a mason named Bihishti in the year 54 - i.e., A.H. 1054, corresponding to A.D. 1644. The date falls in the reign of Shah Jahan. It is obvious, therefore, that this ceiling with its columns was erected in the time of that king.
Source: http://koausa.org/index.html
This footage is part of the professionally-shot broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of HD imagery from South Asia. The Wilderness Films India collection comprises of tens of thousands of hours of high quality broadcast imagery, mostly shot on HDCAM 1080i High Definition, HDV and XDCAM. Write to us for licensing this footage on a broadcast format, for use in your production! We are happy to be commissioned to film for you or else provide you with broadcast crewing and production solutions across South Asia. We pride ourselves in bringing the best of India and South Asia to the world... Reach us at rupindang [at] gmail [dot] com and admin@wildfilmsindia.com.
Comments