- 5 years ago
Category
🎈
FunTranscript
00:00:00Good morning, Daily Gazette.
00:00:07Good morning.
00:00:08Morning.
00:00:09Good morning.
00:00:11Good morning.
00:00:12Good morning.
00:00:13Good morning.
00:00:41Hello?
00:00:43Oh, hello, Margaret.
00:00:45Yeah.
00:00:46No, I don't.
00:00:48No, I've never met her.
00:00:50Picture in the society section with Roger.
00:00:53I'll call you back later, Margaret.
00:01:10Why, you!
00:01:13Get me Lake 50782.
00:01:19Hello?
00:01:20Good morning, Mrs. Riley.
00:01:22Is Roger in?
00:01:23May I speak to him, please?
00:01:24Yes.
00:01:26Just a moment.
00:01:29Roger?
00:01:30Yes?
00:01:31Tom is on the telephone.
00:01:33I'll be right down.
00:01:41Thanks, Mrs. Riley.
00:01:45Hello, darling.
00:01:47Hello, dear.
00:01:49Are you tired?
00:01:50Your poor brain must be worn out.
00:01:52Huh?
00:01:53From that long business conference last night.
00:01:55Oh.
00:01:56Oh, yeah.
00:01:57Yeah, it was a big deal.
00:01:59First real break I've had in a long time.
00:02:01I'll bet it was.
00:02:03You see, it was one of those things,
00:02:05not illegal probably,
00:02:07I'll bet she didn't.
00:02:09You see, there were three sets of heirs
00:02:12from three separate and distinct marriages.
00:02:14It made it very complicated,
00:02:15but I finally solved it with a habeas corpus.
00:02:18In an evening gown.
00:02:19It must be a new legal twist.
00:02:21Yeah.
00:02:23No, no, wait a minute.
00:02:24Wait a minute, Ann.
00:02:25It's really very simple.
00:02:26But I'm not.
00:02:27You can take your three sets of heirs
00:02:28and your habeas corpus and...
00:02:31Ann!
00:02:32Ann!
00:02:33Ann!
00:02:34Ann!
00:02:35Ann!
00:02:36Ann!
00:02:37Ann!
00:02:38Ann!
00:02:43You're going to let your tongue trip you up yet?
00:02:46What are you going to say to disprove all this?
00:02:51Mona Brooks and guest.
00:02:54That's me.
00:02:56At least they might have said
00:02:57with a struggling young attorney trying to get along.
00:03:03I look kind of scared, don't I?
00:03:04Oh, and it's scared you should be.
00:03:05Oh, don't worry about Ann.
00:03:07It'll be all right as soon as I explain.
00:03:09We're going to marry her, aren't we?
00:03:11Sure we are.
00:03:12I had me heart all set in it.
00:03:14And before me hand is too old to bake the wedding cake.
00:03:17Well, you'll have to be nimble with your blimey, me boy.
00:03:21Oh, Mrs. Riley, I don't know what I'd do without you.
00:03:26She in?
00:03:27Yeah.
00:03:28What's the matter, temper bad?
00:03:29She was all right earlier this morning,
00:03:30but she's biting heads off now.
00:03:34Let's go.
00:03:46Who is it?
00:03:48Oh, it's you.
00:03:50Just a minute, Johnny, I'll unlock the door.
00:03:56Hello, Ann.
00:03:58What's the idea of locking the door?
00:04:00Doesn't want to be disturbed by a certain party?
00:04:02a party of the first part perhaps he thinks so. At least he had
00:04:09the decency to be frightened couldn't take me to see Argentine serenade with my own
00:04:12passes had to work on
00:04:14a brief if only he hadn't lied to why don't you forget about him he's no good for
00:04:20you know Johnny that's what I keep telling myself and seventy point time it's no
00:04:24use that's what I came in here to talk to you about and. I hope you'd be mad enough
00:04:30Andrews to quit working for my father run away with me and live unhappily ever
00:04:34after. Or perhaps not so unhappy you're sweet Johnny but but you're not that
00:04:42mad. OK and but you'll be hearing from me through the love Lord.
00:04:52Shall I.
00:05:00Yes. Oh oh he is well Mr Andrews knows
00:05:07exactly what I want to see him. Miss Thompson says she's very busy she can't be
00:05:15disturbed by anyone yes I heard him. Tell me why does everyone seem to think the
00:05:20camera was such
00:05:21a great invention. I don't think so. Hello Johnny Hello Andrews.
00:05:30I'm afraid it's no use you're in the doghouse you're telling me it's
00:05:33the first doghouse I've ever seen with
00:05:35an eight ball and how far. About.
00:05:42Far enough he told me so just before I propose. Propose she didn't know you're
00:05:49still top man but this isn't the time to get her to admit it she's locked the door
00:05:54to keep you out and she bragged about it to you I know I volunteered to lock it
00:05:59for. You ask me Mr Andrews he's in love with her I wouldn't want to be quoted
00:06:05things how he's the boss's son don't worry it'll be our secret look we're trying
00:06:10some more it's no use she won't talk to you.
00:06:13And. Oh yes she will.
00:06:25Yes. Who I put him on. Hello yes I'm and Tom yes.
00:06:34But who are you that don't make no difference lady you don't know me and I don't
00:06:38know you but I read your column and I can see you for the underdog and that's me
00:06:42lady I'm just tell me what the trouble is possibly I can do something for you.
00:06:48And nobody can do nothing for me but I can do something for you lady yeah for you
00:06:53you're
00:06:53a right guy that's why I'm going to give you the school what kind of school you can
00:06:57call it crime don't pay it's the finish of
00:07:01a guy who thought he was too big for the law that's me too lady but I was wrong and
00:07:06that's why I'm going to end it all you don't know what you're saying you don't you
00:07:10can't we can't just think of yourself there are others that your family your family
00:07:15what family yeah sure I had
00:07:17a family once but that is before I went crazy and tried to be
00:07:19a big shot now listen lady I ain't beef and I just played the brakes and they went
00:07:23against me listen please don't hang up you can still get the brakes this is America
00:07:28the land of opportunity Oh please please let me talk to you before you do anything
00:07:33it's no use lady for
00:07:34a guy like me there ain't no land of opportunity nobody's got no use for
00:07:39a jailbird he's just like the stuff I got this bottle so that's why I called you to
00:07:44scope your life inside of five minutes right outside your own building but don't call
00:07:48no cops if you do I'll pull it somewhere else.
00:07:53Hello? Hello?
00:08:05Why hello, Ann. The girl upstairs told me you were all tied up with an important assignment. Couldn't see anybody.
00:08:11She wanted to spare your feelings. That doesn't begin to express what I asked her to tell you.
00:08:14Get out of my way. A man's going to commit suicide any minute.
00:08:17Suicide? Who?
00:08:18I don't know who but he's going to do it right here in front of this building. He told me so over the telephone.
00:08:21Oh, but he mustn't. We won't let him. You watch in that direction. I'll watch in this.
00:08:27It's that silly picture in the paper. Mona Brooks doesn't mean a thing to me. It was strictly business.
00:08:32I know the type. She'll give you the business.
00:08:34You're being unreasonable. Am I?
00:08:36It isn't Mona that interested me. It's her father. An attorney has to meet the right people.
00:08:41You want me to get to the top, don't you?
00:08:43The trouble with you is you want to start at the top. I'm not angry because you went out with another woman
00:08:47but you didn't have to lie to me. Turn around and keep your eyes in that direction.
00:08:50Oh, yes. I forgot.
00:08:53To get back to what we were talking about, you don't understand.
00:08:56I understand this much. You made up your mind and nothing's going to stop you even if you have to step on a few toes.
00:09:01Well, I don't like the route. It isn't the upgrade I mind. I'd like that.
00:09:05But it would be awful to start at the top and take the slide down with you.
00:09:13Oh, mister, please don't drink that. You mustn't.
00:09:17What's the matter, lady?
00:09:18That's medicine for my throat. Doctor's orders.
00:09:21Oh, I'm sorry. I thought...
00:09:28Why, you...
00:09:37Okay, you stay on the job.
00:09:41Hello. Hold it.
00:09:42Jackson, you and the boys hurry down to City Hall. Dave Turner's just been shot and is on his way to the grand jury.
00:09:46Dave Turner? Holy mackerel, he's a state star witness in this new crime ring investigation.
00:09:50Not anymore he isn't. Dixie Nelson got him first. Now get going.
00:09:53Yes, sir.
00:09:54Hello?
00:09:57What's all the excitement?
00:09:58You'll read it in the Gazette.
00:10:12Hey!
00:10:43Aah!
00:11:07Aah!
00:11:12Aah!
00:11:35I saw your picture in the Society section today, Mr. Andrews. You're getting to be quite important.
00:11:40It was nothing at all. I was just a fill-in between a wedding and a tea.
00:11:43Oh, go on. I'll bet you'll be getting a lot of publicity from now on.
00:11:46Well, if I can help it, I won't.
00:11:54Good graces! I wonder who that man is that unlocked all these clothes out of my hand.
00:11:57I wonder what a nice woman said.
00:12:00Aah!
00:12:05My goodness, look at all these clothes and all over.
00:12:08Hey!
00:12:26Look at that!
00:12:30Aah!
00:12:43Nice work, young fellow. Do you know who this is?
00:12:45No.
00:12:46Well, he's one of the most dangerous gunmen in the country.
00:12:48Dixie Nelson?
00:12:51All right, come on, you.
00:12:54Oh!
00:13:14Come on, Mrs. Riley, tell us something about him. What does he like for breakfast?
00:13:17Yeah, what college did he go to?
00:13:18Did he ever play football?
00:13:19Oh, please, you'll have to ask him. I don't know.
00:13:21Well, where is he?
00:13:22He's not at home. Come back tomorrow.
00:13:24The hottest story of the year, and she tells us to come back tomorrow.
00:13:26Scott, go on. Get out of here before I lose my temper. I'm a busy woman.
00:13:30Now, Mrs. Riley, just a minute. Can't you give us one or two words?
00:13:33It's no use, Ann. She's a busy woman.
00:13:35Oh, come in, Ann. Glory be. I never knew such a good man.
00:13:39Mrs. Riley, where's Roger? What's happened to him?
00:13:41He's upstairs with me, assigned to the job of showing away the reporter.
00:13:44Is he all right?
00:13:45Is he all right? Of course he's all right.
00:13:47And I could stake my life here as a drop of Irish blood in his veins.
00:13:50Why, no one but a Mick could tackle the like of Dixie Nelson and come out of it without a scratch.
00:13:56Oh, I'm so glad.
00:13:57Oh, it'll do his heart good to know you're here.
00:14:00Roger, Ann is here to see you.
00:14:03I'll be right down.
00:14:04I hate to disturb you, but my editor thinks you're worth a whole column.
00:14:07Human interest. Hero stuff.
00:14:11Okay, Ann. Anything to accommodate?
00:14:18You ain't kidding Bridget, Riley, Ann.
00:14:21What do you mean?
00:14:22Oh, you know what I mean.
00:14:24As you came through the door, I could hear your heart pounding like a kettle drum.
00:14:28It was no editor sent you here, Ann. It was love.
00:14:31You thought maybe Roger was hurt, and you were ready and willing to hold his head.
00:14:36Maybe you're right, Mrs. Riley.
00:14:37Sure, I'm right.
00:14:38You know, us women can kid the men, and sometimes we can kid ourselves.
00:14:43But there's nearly one of us smart enough to kid each other.
00:15:13Hello, Ann.
00:15:24I know how obnoxious all of this publicity will be to you,
00:15:27but the boss is absolutely set on a thousand words.
00:15:30So we might as well get it over with.
00:15:32I'll try to, but I don't know if I can make it.
00:15:35Good.
00:15:36What?
00:15:37Let's make this as short as possible.
00:15:38Oh.
00:15:44Now, what were your thoughts as you dashed into the face of possible death?
00:15:49Just a minute.
00:15:53My lungs are...
00:15:54How did you feel?
00:15:55Were you frightened?
00:15:56Nervous?
00:15:57Blind with fury?
00:15:59Oh, my arm.
00:16:01My right one, you know.
00:16:03I'm afraid I'll have to learn to write with my left.
00:16:06Oh, an inspirational thought.
00:16:08Hero overcomes handicap.
00:16:12And how about a few more words to the youth of the country?
00:16:15Dizzy.
00:16:17Room's going round.
00:16:19Everything's getting dark.
00:16:21Oh, hold on just another minute, please.
00:16:23I can handle a lot of this stuff, but after all that...
00:16:25Say, what kind of a woman are you?
00:16:27What have you got for a heart?
00:16:28A printing press.
00:16:29One that's been taught to ask questions and get answers.
00:16:31Mrs. Riley spoke to me before you did.
00:16:34Oh.
00:16:35Oh, wait a minute, Ann.
00:16:37Please.
00:16:38The reason I did it was...
00:16:39I think that'll be all for now, Mr. Andrew.
00:16:41But how about the article?
00:16:42You haven't got the story yet.
00:16:43I know enough about you to write a book
00:16:45if there's any way of getting it past the censors.
00:16:47Hello, this is Andrews.
00:17:00This is the district attorney.
00:17:02I want to congratulate you, Andrews.
00:17:04Your heroic conduct this afternoon
00:17:06will be an inspiration to the youth of the country.
00:17:09Yeah, I'd like to get your version of the incident
00:17:11as soon as convenient.
00:17:13Could you come over to my office in...
00:17:15well, say, about an hour?
00:17:17Certainly, I'd be glad to.
00:17:20Fine, goodbye.
00:17:33Still, it took a lot of courage to tackle a man with a gun.
00:17:37Well, it all happened so fast
00:17:39I didn't have much chance to think about it.
00:17:44Yes?
00:17:45Mr. Brooks is here to see you.
00:17:47Oh, send him in.
00:17:53Hello, Roger.
00:17:54How are you, Stephen?
00:17:55Good.
00:17:56Roger, I've been intending to telephone you.
00:17:57Fine piece of work you did this afternoon.
00:17:59An inspiration to the youth of the country.
00:18:02Thank you, Mr. Brooks.
00:18:03Well, I see I don't have to introduce you to...
00:18:05Oh, no, my daughter Mona attended to that.
00:18:07Sit down.
00:18:10Well, what about it, Stephen?
00:18:13About what?
00:18:14Letting our star witness get killed.
00:18:16The Civic League wants to know what...
00:18:17But, William, we thought that we had taken every precaution.
00:18:20That's the trouble with you and your whole administration.
00:18:22You're always thinking, but not as fast as the hoodlums.
00:18:26Well, perhaps I'd better go.
00:18:27No, wait a minute.
00:18:28I'm here in the interests of the Civic League.
00:18:30That means the interests of every good citizen.
00:18:33Stay where you are.
00:18:34You're one of them.
00:18:35You knew our whole case hinged on Dave Turner,
00:18:38and yet you let the newspapers publish the very day
00:18:40he was to testify before the grand jury.
00:18:42I didn't let them.
00:18:43I don't know how they found it out.
00:18:45You know, I've always respected your...
00:18:47your good intention, Stephen.
00:18:49But it looks as if the job's too big for you.
00:18:52Well, others seem to have that same opinion.
00:18:54This afternoon, the grand jury voted
00:18:56to ask the governor for a special prosecutor.
00:18:58Special prosecutor?
00:18:59Who?
00:19:00I believe they're leaving that up to the governor.
00:19:02So maybe you'd better wait
00:19:03and have your talk with his appointee.
00:19:05I'm sorry, Stephen.
00:19:07Perhaps if you started stepping on the gas...
00:19:09What gas?
00:19:10Well, there's still Dixie Nelson.
00:19:12He must know as much as Turner did.
00:19:14Yeah, the difference is that Turner was ready to talk.
00:19:17Nelson isn't.
00:19:18Then make him.
00:19:19I'd be glad to if you and your Civic League would show me how.
00:19:22Does that sound like a challenge, Andrews?
00:19:24Well, could be.
00:19:26You think we're a lot of idealists, don't you, Stephen?
00:19:29Good at second-guessing, but impractical.
00:19:31You've read my mind.
00:19:33Well, maybe you're right, but I don't think so.
00:19:36You think Nelson can't be made to talk?
00:19:38I'd gamble if I had a chance.
00:19:40You've got it.
00:19:42Get me the sheriff.
00:19:44If you have any luck with Nelson,
00:19:47you might put Turner's daughter, Carol, on your list.
00:19:50Sheriff,
00:19:52I'm sending Mr. Brooks over to jail
00:19:55to see Dixie Nelson.
00:19:59All right, Mr. Brooks, I'll be back in ten minutes.
00:20:12Why, you stupid.
00:20:14Why didn't you hire the stadium and sell tickets for your gun play?
00:20:17What could I do?
00:20:18They were guarding him closer than the mint.
00:20:20It was just tough luck I got caught.
00:20:22It would have been a miracle if you hadn't been caught.
00:20:25I only followed your orders.
00:20:27I did my job, and now you're going to do yours.
00:20:30Besides, I'm getting lonely in this place.
00:20:32Either you're going to get me out of here or come in with me.
00:20:35Don't be a fool, Dixie.
00:20:37I don't intend to be.
00:20:39Sit down. Sit down. Let's talk this thing over.
00:20:46You know, getting you out of here isn't going to be easy.
00:20:49Right now, the city's boiling like a teakettle.
00:20:52I've just been over to the D.A.'s office
00:20:54and found out the governor's going to appoint a special prosecutor.
00:20:57That doesn't look so good.
00:20:59On the contrary, it may be just what we're asking for.
00:21:02Now, all you've got to do is sit tight.
00:21:04Let me work this out my way.
00:21:06I'll sell the Civic League.
00:21:08The Civic League will sell the governor.
00:21:10That's not bad.
00:21:13The governor appoints our own mafias.
00:21:15No, that'd be asking too much,
00:21:17but we'll pick somebody dumb enough to handle.
00:21:19Someone the public will fall for.
00:21:21Got anybody in mind?
00:21:25Yeah.
00:21:27Thanks to you, Dixie, we're going to borrow a hero.
00:21:30Huh?
00:21:32Thank you, sir.
00:21:38Roger, a telegram.
00:21:49Bad news, Roger?
00:21:51I should say not.
00:21:53Listen, the grand jury of your city
00:21:55has requested me to appoint a special prosecutor.
00:21:58You'll be expected to prosecute those in custody
00:22:00and, more particularly, to conduct a thorough investigation
00:22:02and find out who is behind the criminal outrages.
00:22:05The recommendation of numerous forthright citizens
00:22:07prompts me to offer the appointment to you!
00:22:09It's signed by the governor!
00:22:11Oh, good God!
00:22:13Oh!
00:22:20I think it needs oiling.
00:22:23Miss Thompson of the Gazette to see you, Mr. Andrews.
00:22:26I'll be just a minute.
00:22:28Then you can go back to your merry-go-round.
00:22:30Sit down, Ann.
00:22:32I've been trying to get in touch with you.
00:22:34I'm glad you came.
00:22:36Look, Roger, I was sent here by a friend of mine.
00:22:38I'm afraid I can't make it.
00:22:40I'm afraid I can't make it.
00:22:42I'm afraid I can't make it.
00:22:44I'm afraid I can't make it.
00:22:46I'm afraid I can't make it.
00:22:48Look, Roger, I was sent here by my editor.
00:22:50He thinks the world wants news of its hero
00:22:52on the breakfast table each morning.
00:22:54Oh, that's very nice of him.
00:22:56I thought perhaps you'd come here to congratulate me.
00:22:58Congratulations.
00:23:00My editor doesn't think you have much chance of making good on the job,
00:23:02but you're good copy.
00:23:04And you don't think I'll make good either.
00:23:06That's beside the point.
00:23:08My job is to furnish news to your dear public.
00:23:10I'll be around a lot, and I may get in your hair,
00:23:12but only with paper and pencil.
00:23:14I'm a reporter, and you're my story. That's all there is to it.
00:23:16The one person in the world
00:23:18whose opinion I really care about
00:23:20doesn't believe in me.
00:23:22Say, I'd be cheering louder than anybody
00:23:24if I thought you could fill that chair.
00:23:26I know I'm here by an accident.
00:23:28Knocking over Dixie Nelson
00:23:30doesn't anymore make me a paragon of wisdom
00:23:32than flying a plane to Timbuktu.
00:23:34But there's something about this job
00:23:36that makes me feel I belong to it.
00:23:38It's like...
00:23:40well, like walking into a strange room
00:23:42and being certain you've been there before.
00:23:44Roger, I'm afraid.
00:23:46Awfully afraid I'm still in love with you.
00:23:48But you're like a little boy
00:23:50shouting in the wilderness,
00:23:52trying to put out the stars with a toy gun.
00:23:54Look, Ann,
00:23:56this is the break I've been waiting for.
00:23:58I've got to make good.
00:24:00Roger, you don't know what you're up against, and I do.
00:24:02You're up against a vicious syndicate
00:24:04hiding in the dark, bleeding this city from the inside,
00:24:06stabbing it in the back.
00:24:08What chance do you think you've got?
00:24:10Well, there's a chance I might get Dixie Nelson to talk.
00:24:12And, uh, there's another angle.
00:24:14What?
00:24:16The district attorney mentioned that David Turner had a daughter.
00:24:18That's not much to go on.
00:24:20Well, what do you expect?
00:24:22I've only been in the office, uh, two hours.
00:24:24That's the trouble.
00:24:26If it had been two years, you might be halfway ready for it.
00:24:28Now, two hours in because of a freak.
00:24:30Barnum started as a freak,
00:24:32and look what happened to him.
00:24:34How do you know where I'll wind up?
00:24:36In a cage, dear.
00:24:38A sign will tell people not to feed you peanuts.
00:24:40Roger!
00:24:42Oh, darling!
00:24:44Isn't it thrilling?
00:24:46Really, you're going places.
00:24:48I think it's all perfectly wonderful.
00:24:50Your... your secretary?
00:24:52Sorry, I didn't fit his lap.
00:24:54Well, just a minute, Ann.
00:24:56This is Miss Brooks, Miss Thompson.
00:24:58Not the Ann Thompson.
00:25:00Yes, and you must be the Mona Brooks.
00:25:02Oh, I'm sure there's nothing extraordinary
00:25:04about me being the Mona Brooks.
00:25:06Well, I'm sure there's nothing extraordinary
00:25:08Oh, I'm sure there's nothing extraordinary
00:25:10about me, but you, Miss Thompson.
00:25:12Of course.
00:25:14I've read your column.
00:25:16It's quite interesting.
00:25:18In spots, thank you.
00:25:20If I ever do a story about you, Miss Brooks,
00:25:22I'll try to clean up the spots.
00:25:26Amusing creature, isn't she?
00:25:28Well, at least she's got
00:25:30one of her own.
00:25:32Why don't you?
00:25:34Don't I what?
00:25:36Tell me what you know.
00:25:38First place, I haven't said anything.
00:25:40And in the second place,
00:25:42I don't trust coppers.
00:25:44Oh, but I'm not a cop.
00:25:46Cops, DAs, guys like you.
00:25:48There's no difference.
00:25:50You ask who's really responsible
00:25:52for my father getting bumped.
00:25:54Is that what you want to know?
00:25:56That's it exactly.
00:25:58All right.
00:26:00All right, I'll tell you.
00:26:02Fine. Go ahead.
00:26:04It's people like you
00:26:06coming around here
00:26:08and promising him protection
00:26:10if he named the guys higher up.
00:26:12Protection.
00:26:14That's why he's dead.
00:26:16Because you guys lied to him.
00:26:18You sold him a bill of goods,
00:26:20and he was fool enough to listen.
00:26:22But not me, copper. I'm no fool.
00:26:24So that's it.
00:26:26You're afraid.
00:26:28Am I?
00:26:30When the time comes, I'll show you how afraid I am.
00:26:32And I won't be asking anybody's help.
00:26:36I don't want you to get any wild ideas
00:26:38in your head, Miss Turner.
00:26:40They never work out.
00:26:42So you think it over very carefully.
00:26:44If you happen to change your mind,
00:26:46you can always reach my office by calling City Hall.
00:26:48And tonight I'll be
00:26:50this number.
00:26:52Did Brooks know you were coming here tonight?
00:26:54Why, no.
00:26:56How did you know that was Brooks' telephone number?
00:26:58Oh, well, I don't,
00:27:00but that is for sure.
00:27:02You see, there was a guy who used to work for Brooks,
00:27:04and he and I, the guy, I mean,
00:27:06used to hit it off together once in a while, and...
00:27:08And that's how you knew the number?
00:27:10Sure. How else could I?
00:27:12If that isn't why you asked
00:27:14if Brooks knew I was coming here tonight,
00:27:16I don't know.
00:27:18I don't know.
00:27:20If that isn't why you asked if Brooks knew I was coming here tonight...
00:27:22No, of course not.
00:27:24It, uh...
00:27:26Well, Brooks is tied up
00:27:28with that Civic League, isn't he?
00:27:30Do you think I want that bunch sticking their blue nose...
00:27:36Good night, Miss Turner.
00:27:40Remember, if you change your mind...
00:27:42Sure. I'll give you a call.
00:27:44Not that I know anything, but there's always a chance
00:27:46I might find something out, and if I do...
00:27:48Good night, Mr. Andrews.
00:27:50I'll be expecting to hear from you.
00:27:52Sure.
00:28:00Maybe sooner than you think.
00:28:12I have an idea to work out, Judge.
00:28:14He's young, aggressive,
00:28:16and inexperienced enough not to be tied down
00:28:18by too many set rules.
00:28:20Darling, we had simply a wonderful time.
00:28:22You really should have been there.
00:28:24You know the Blakes, don't you?
00:28:26Betty and Derek? Well, they came...
00:28:32Oh, pardon me.
00:28:34Roger!
00:28:36Hello, Amana.
00:28:38How do you do, Mr. Brooks? I'm sorry to be late.
00:28:40Oh, I know. I wanted to make an entrance.
00:28:42You know Judge Hargrave, don't you, Andrews?
00:28:44Oh, yes, indeed. I'll never forget you, Judge.
00:28:46You threw my first case out of court.
00:28:48Oh, I'm afraid I've forgotten.
00:28:50What was wrong?
00:28:52Everything. Complaint inadequately drawn,
00:28:54evidence insufficient, and as for irrelevance
00:28:56in materials and objections sustained...
00:29:00You've traveled a long way since then, Andrews.
00:29:02Congratulations. Thank you.
00:29:04How do you do?
00:29:06We want to drink a toast to our special prosecutor.
00:29:10Oh, and make Mr. Andrews a Manhattan.
00:29:12He likes his short on vermouth.
00:29:16Seems to be pretty familiar with his likes and dislikes.
00:29:20Oh, uh, two bourbons and soda, please.
00:29:22Come along, Roger.
00:29:24I have the honored spot reserved for you.
00:29:28Oh, suppose you give the toast, Judge Hargrave.
00:29:32Well, I propose this toast to Roger Andrews,
00:29:34not only because he holds a position of trust,
00:29:38but because he has proven himself a hero
00:29:40in the best American sense of the word.
00:29:42An inspiration to the youth of the country.
00:29:46Well, uh, thank you.
00:29:48Be careful what you say, darling.
00:29:50The press is snooping.
00:29:52Oh.
00:29:54Why, hello, Ann.
00:29:56Congratulations, Andrews.
00:30:00Big job you have on your hands.
00:30:02I think it's up to every citizen to cooperate.
00:30:04I'm glad to hear you say so.
00:30:06And I'll try to do my bit by keeping Ann out of your hair.
00:30:08That'll give you nothing to worry about
00:30:10but spanking the bad boys.
00:30:12There's no necessity of being a martyr, Johnny,
00:30:14as far as ever wanting to get in anyone's hair.
00:30:16And particularly Mr. Andrews.
00:30:18Uh, uh, Mona, darling,
00:30:20may I borrow Roger for a moment?
00:30:22I want him to meet Grover Duncan, a friend of mine.
00:30:24You sure it's all right with you?
00:30:26Why, of course, darling.
00:30:28Why, I've been waiting all evening
00:30:30to dance with Mr. Gray.
00:30:32You don't mind, do you?
00:30:34Help yourself.
00:30:36You don't belong to me, sweet of you.
00:30:38Shall we go?
00:30:54This is Grover Duncan.
00:30:56Roger Andrews.
00:30:58How do you do?
00:31:00Very happy to make your acquaintance, I'm sure.
00:31:02I've heard a great deal about you.
00:31:12You know, Duncan, I've always claimed
00:31:14that new blood like Roger here
00:31:16is what we need to get the city out of a rut.
00:31:18The trouble is...
00:31:26Father!
00:31:28Father!
00:31:30Father, what happened?
00:31:32Come on, dear son of mine.
00:31:36Come on.
00:31:52A woman's footprints.
00:31:54Are you sure?
00:31:56Positive.
00:32:06Mr. Andrews, what did you find?
00:32:08A book of matches.
00:32:10I'm afraid it won't be of much help.
00:32:22That's right, boss.
00:32:24The shot was fired from the outside.
00:32:26Yes, but maybe it wasn't meant for Brooks.
00:32:28Roger was standing beside him and the windowpane
00:32:30might have deflected the bullet.
00:32:32That's a humdinger, Ann.
00:32:34It's a special prosecutor.
00:32:36Now, wait a minute, Chief. There's no reason for making it tough on Roger.
00:32:38I beg your pardon.
00:32:40That's all right, I'm through.
00:32:42I'll call you back just as soon as I have a talk with the police.
00:32:44It's all yours.
00:32:58Hello, this is Duncan.
00:33:00Brooks has just been shot.
00:33:02Hold on, there's nothing serious. It's just his arm.
00:33:04Now, listen.
00:33:06The shot was fired through the French doors by a woman.
00:33:08A woman? Did anybody see her?
00:33:10No. It ought to be easy enough for you to guess.
00:33:12Certainly.
00:33:14Get hold of some of the boys right away.
00:33:16They'll have to get her before the cops do.
00:33:18She knows too much.
00:33:32Well?
00:33:34What do you want?
00:33:36Miss Turner, where is she?
00:33:38I don't know.
00:33:40She left not more than an hour ago.
00:33:42You don't belong to that crowd that was here just ahead of you.
00:33:44What?
00:33:46We're on guard duty.
00:33:48I don't know where she is.
00:33:50You don't belong to us.
00:33:52You don't belong to us.
00:33:54We're on guard duty.
00:33:56We're on guard duty.
00:33:58You don't belong to us.
00:34:00belong to that crowd that was here just ahead of you know I don't what crowd is
00:34:03that they said they were from the special prosecutor's office looking for evidence
00:34:08either you're lying or someone's been lying to you now look here Mr because I'm
00:34:12the special prosecutor what evidence were they looking for I don't know they just
00:34:18turn things upside down and left did you tell them where they could find Mr No I
00:34:25already told you I don't know where she is she must have left
00:34:28a forwarding address well she didn't she just dropped her key on the desk and
00:34:32went all in all things are beginning to add up well I will be surprised when we
00:34:38get the correct answer in the first place the Turner girl recognized the
00:34:43telephone number but maybe she was telling the truth maybe she did have a
00:34:47boyfriend that still doesn't explain why she should take a shot at Brooks how do
00:34:51you know she wasn't taking a shot at you that doesn't make sense she knows I want
00:34:55to help her but why should she try to kill a guy like him that's what I intend
00:35:01to find out listen Andrews isn't as dumb as we thought he's just about worked out
00:35:06the whole pattern stop worrying well you he has no case against us if he'd pull us
00:35:12in on that kind of evidence would make
00:35:13a laughing stock out of him I'm not so sure that boy knows his way around suppose
00:35:19he finds Carol Turner.
00:35:25The. Time
00:35:37of Roger Andrews appointment we suggested that the public had better show its
00:35:40appreciation of his heroism by awarding him a medal and to place him in a position
00:35:43that he's in no way qualified to fill the reason attempt on William Brooks life
00:35:47proves our point not only is the underworld show is contempt of our special
00:35:50prosecutor but. You must be very proud of yourself less than I am running
00:35:56a newspaper and my job is to give people facts that's no reason for skinning him
00:35:59alive wait
00:36:01a minute what's gotten into you you didn't think you'd make good either why this
00:36:04almost quote you know that's just it you'll think you were quoting me. I didn't
00:36:09think it would make any difference and I thought you two were all washed out if we
00:36:13weren't we are now thanks to you. There's nobody outside to say I
00:36:20couldn't sell it. I came right on that seems to be the privilege of the press I
00:36:26want to congratulate you on your analysis of me it doesn't leave much to the
00:36:29imagination it wasn't my analysis Roger that's why I came here I wanted to tell
00:36:33you that I didn't know there was any more to tell I thought you'd given me both
00:36:37barrels I know what you're thinking and I don't blame you. Thanks but I'd be the
00:36:41last person in the world to deny the press its freedom. You're going to insist on
00:36:46thinking I wrote. Perhaps you didn't actually type it you believe I had
00:36:50something to do. What are you trying to start and I haven't asked for any
00:36:54apologies but if you must know of course I think you had something to do with it.
00:37:00I remember you told me once that I was
00:37:02a little boy shouting in the wilderness trying to put out the stars with a toy
00:37:05gun. Well a little boy is grown up you're wasting your time.
00:37:10I. Guess there's nothing more to say.
00:37:22And always Thompson. What's wrong with her nothing you've read this I suppose
00:37:29here they've certainly got us on the fire and they'll burn us to a crisp if we
00:37:34don't find Carol Turner funny about her isn't it do you think they really grabbed
00:37:39I don't know I've got
00:37:41a hunch she may be hiding somewhere we've got to find her and make her talk. That's
00:37:47not going to be easy. I'm
00:37:51a great idea boss wait a minute this is about Andrews again that's all over about
00:37:55these pictures I photographed of the David Turner murder while every other newspaper
00:37:59was asleep on the job there are no good we've used them they're still good if we
00:38:02don't let them die in the morgue we'll print them up and say artistic sepia give
00:38:06them away for coupons wait a minute what coupons the ones we're going to print
00:38:10in the Gazette front page lower right hand corner no good too morbid maybe some of
00:38:15them are but how about this one just before the shot was fired the last living
00:38:19likeness of Turner will play it up you know good nobody will want it oh yes they
00:38:23will at least somebody will who Turner's daughter Carol well that's fine then
00:38:28print up a set and take them to her that's just the point I can't I have
00:38:32a hunch she's hiding out nobody knows where she is the authorities are going crazy
00:38:35trying to locate it that's why it's
00:38:37a great idea a party's baffle can't find key witness because that finds a father
00:38:42no and if she's hiding out she isn't going to stick her nose in here with any
00:38:45coupons course not she'll mail in with
00:38:48a present address and ten cents for postage maybe but you use
00:38:51a phony name exactly what I thought so I got
00:38:55a sample of her handwriting from the land where she used to stay.
00:39:35I. Get
00:39:51me like five oh seven eight two.
00:39:52Hello.
00:40:01Who wants to. Hold on. Or just
00:40:05a moment. Roger telephone. She didn't say that she says it's about
00:40:12a half ton Carol Turner. Hello yes what is it.
00:40:18Yes I'm very much interested you know where she is nine oh four Spruce Sunnyvale
00:40:23she's using the name of Sally Saunders thanks. Say who is this what did this is
00:40:29a make this and brother I told you all I'm going I don't want to get mixed up in
00:40:32this no further so suit yourself take it or leave it.
00:40:48I don't want to have to get
00:41:02rough Mr Turner but this time you're going to tell me everything you know OK copper
00:41:05go ahead force it out of me if you can there isn't going to be any forcing we're
00:41:09going to sit down over there and have
00:41:10a talk I don't know copper not me that's too bad because it leaves me no alternative
00:41:16but to call the police and place you under arrest and you will have to talk loud
00:41:20and fast. What are you talking about you haven't got anything on me I'd call
00:41:25attempted murder something. What murder. Attempted murder of William Brooks.
00:41:35Who do you think you're bluffing smart guy no bluff Mr Turner you left your
00:41:40calling card outside the French doors. But if they thought it was there is no day.
00:41:46Only I know where this card came from and I'd hoped it wouldn't be necessary to do
00:41:49anything about it. Well so we have
00:41:52a little chat. Maybe we'd better.
00:42:04So after Brooks tried to double cross and my father got into his files not that he
00:42:07didn't know enough to cook him anyway but he wanted to lowdown and Brooks's own
00:42:11handwriting what kind of lowdown all the deals who got the payoff see Brooks
00:42:16wrote it down in his black book how much the cuts were and why where is this book.
00:42:22Maybe I could find it for you but if I do I wouldn't dare stay in this neck of the
00:42:26woods. Would you go. I've got an ant in Kansas City.
00:42:34If this book is as complete as you say there isn't much more you could do for us
00:42:38and you won't try to haul me before any grand jury like they did my dad your
00:42:42testimony wouldn't be much good anyway to be ruled out as hearsay.
00:42:46Then it's a deal. If you're telling the truth I won't bother you until I have
00:42:51Brooks and the others behind bars and after that I don't think any jury would be
00:42:55very hard on you have
00:42:57a chance to start with
00:42:58a clean slate OK.
00:43:18Here it is Mr Andrews my father thought something might happen to him that's why
00:43:24he gave it to me to keep.
00:43:28.
00:43:29Ladies and gentlemen of the jury,
00:43:59it is customary to look for crime in low places.
00:44:02We search the alleys for petty thieves.
00:44:06Sometimes we do invade ornate apartments when looking for a racketeer.
00:44:10But there is a line of respectability beyond which we seldom expect to find a criminal.
00:44:17Respectability is in itself ambition.
00:44:20Add to this a position of trust among honest men who have organized themselves for the
00:44:25promotion of law and justice, and you have some conception of the despicable hypocrisy
00:44:30with which the law enforcement agencies of this city have had to contend.
00:44:35Ladies and gentlemen of the jury, the state charges that William Brooks, while posing
00:44:40as the champion of justice, has conducted one of the most outrageous crime syndicates
00:44:44this country has ever known.
00:44:51Your Honor, with your permission, the state will call its first witness, Richard Allen.
00:44:58Mr. Allen, you may take the witness stand.
00:45:08And after you collected the money from this so-called protective association, Mr. Allen,
00:45:12you took it to Mr. Brooks' office?
00:45:14Well, not exactly, to an office next door to his, in the same building.
00:45:17Who owned that office?
00:45:18I'm not sure I know.
00:45:21Well, who was in charge of it?
00:45:22Mr. Brooks' secretary, usually.
00:45:25And you were accustomed to giving this money to his secretary?
00:45:27Yes, sir.
00:45:28Was Mr. Brooks ever present when you turned over this money?
00:45:32I don't remember.
00:45:35You know him, don't you, when you see him?
00:45:36Yes.
00:45:37Well, look about you, Mr. Allen.
00:45:38Do you see Mr. Brooks in this courtroom?
00:45:41There he is.
00:45:45Your witness.
00:45:55You gave testimony before the grand jury, did you not?
00:45:58Yes, sir.
00:45:59As a matter of fact, it was primarily on your testimony that the indictment was voted.
00:46:03Well, I'm not so sure about that.
00:46:05Well, it was.
00:46:07Mr. Allen, you testified before the grand jury on June 16th.
00:46:12How long was it before that, since you've had a regular job?
00:46:14I object, Your Honor.
00:46:16When the witness had or didn't have a job is entirely irrelevant.
00:46:19Objection sustained.
00:46:21I crave your indulgence, Your Honor.
00:46:23This question is in no way irrelevant to what the defense proposes to prove.
00:46:27We propose to show that a great crime is being committed in this courtroom today.
00:46:31I object.
00:46:32And will you, Mr. Andrews?
00:46:33For we propose to show you that the ethics of truth and friendship are still held sacred
00:46:38here.
00:46:39And before this trial is over, we're going to show you what it means to betray the trust
00:46:42of a great friend and a great confidant.
00:46:44It looks like Taylor's out to crucify Rogers.
00:46:53If there's a recurrence of this disturbance, I'll order the courtroom cleared.
00:46:59Proceed with the witness.
00:47:02How long has it been since you've had a steady job?
00:47:04I object.
00:47:05Objection overruled.
00:47:07The witness will answer the question.
00:47:10I don't know.
00:47:11I should say about six months.
00:47:13And perhaps you can explain to the court how it happened that you deposited $500 in a bank
00:47:19the day before you testified before the grand jury.
00:47:21I object.
00:47:22Objection overruled.
00:47:23The witness will answer the question.
00:47:27Well, it was payment of a debt.
00:47:30What debt?
00:47:32I can't answer that.
00:47:33Isn't it true, Mr. Allen, that that $500 was given you to testify in this case?
00:47:37If you please, Your Honor.
00:47:38That is a leading question, and I object.
00:47:41Well, so would I if I were you.
00:47:47Order!
00:47:48Order in the courtroom!
00:47:51Objection sustained.
00:47:52Your Honor, how am I to get at the truth?
00:47:54The witness admits that he received $500, quite coincidentally, on the same day that
00:47:59he gave very valuable testimony, yet when I asked him where he got it, he speaks vaguely
00:48:04of some debt.
00:48:05Why can't you tell what debt was his charge when you received the money, Mr. Allen?
00:48:10Because it was, uh, just one of those deals.
00:48:13Haven't I the right to refuse to answer any question that might incriminate me, such as
00:48:17receiving a bribe for perjured testimony?
00:48:19The bench is questioning the witness, Mr. Taylor.
00:48:23You have that legal right, Mr. Allen.
00:48:26Well, I'm through.
00:48:30Your Honor, I have certain evidence which I found it unnecessary to present to the grand
00:48:38jury.
00:48:39I intended to hold it in abeyance, but since the defense implies that my last witness's
00:48:43testimony might be perjured, I wish, with your permission, to offer it now.
00:48:53I have here, Your Honor, a notebook, which once reposed in the defendant's files.
00:48:58It is filled with facts and figures, dates and amounts of payoffs, names and places,
00:49:04which will substantiate the testimony not only of my last witness, but of those that
00:49:08follow.
00:49:09Your Honor, I object.
00:49:10What proof have we that that book came from the defendant's files?
00:49:13Such proof is scarcely necessary, since all the entries are in the defendant's handwriting.
00:49:19And we have expert testimony to substantiate that.
00:49:23With your permission, Your Honor.
00:49:29If this is a hoax, Mr. Andrews, the court isn't amused.
00:49:58Your Honor, that data...
00:49:59What data?
00:50:00These pages are all blank.
00:50:01Your Honor.
00:50:02Your Honor.
00:50:03Your Honor.
00:50:04Your Honor.
00:50:05Your Honor.
00:50:06Your Honor.
00:50:07Your Honor.
00:50:08Your Honor.
00:50:09Your Honor.
00:50:10Your Honor.
00:50:11Your Honor.
00:50:12Your Honor.
00:50:13Your Honor.
00:50:14Your Honor.
00:50:15Your Honor.
00:50:16Your Honor.
00:50:17Your Honor.
00:50:18Your Honor.
00:50:19Your Honor.
00:50:20Your Honor.
00:50:21Your Honor.
00:50:22Your Honor.
00:50:23Your Honor.
00:50:24Your Honor.
00:50:25Your Honor.
00:50:26Your Honor.
00:50:27Your Honor, that's enough.
00:50:28Call the bar.
00:50:32Extra, Extra, read all about it, case against Brooks thrown out of court!
00:50:53Extra, Get your Extra, right over here case against Brooks thrown out of court...
00:50:54You've come to say, I told ya so, you can spell it in neon lights.
00:50:56Isn't there something I can do?
00:50:58You've done a pretty good job.
00:50:59I'm just about where you said I'd be.
00:51:01Roger, you can't give up now.
00:51:03It isn't giving up.
00:51:04It's washed up.
00:51:05First official act of the governor in the morning
00:51:07will be to kick me out.
00:51:08You were right.
00:51:10I didn't belong here.
00:51:11The job was too big for me.
00:51:12No, it wasn't, Roger.
00:51:13You proved that this afternoon.
00:51:15This afternoon?
00:51:16Yes, you were on the verge of accomplishing
00:51:17what no one else has even approached.
00:51:19You, Roger, you've got to listen to me.
00:51:21You were wonderful.
00:51:22You've started a job.
00:51:23Finishing it means everything to the little people
00:51:25of this city.
00:51:26You're their one hope.
00:51:27You can't let them down.
00:51:28You mean the little people that jeered at me
00:51:30as I left court today?
00:51:31Now, Brooks has me where he wants me.
00:51:33I'm through.
00:51:33Through?
00:51:34You had Brooks where you wanted him, but he wasn't through.
00:51:36If you let him walk over you now,
00:51:38men like Dixie Nelson will be walking the streets free,
00:51:40unafraid to kill anyone who stands in their way.
00:51:43I'll bet he's over there in jail right
00:51:44now laughing up his sleeve.
00:51:46Nelson.
00:51:48Dixie Nelson.
00:51:50Maybe if he weren't laughing.
00:51:52Maybe if he were frightened.
00:51:54Rats frighten easily.
00:52:05Give me the sheriff's office.
00:52:07Hello, Sheriff, this is Andrews.
00:52:09Yes, the special prosecutor.
00:52:11I want a couple of your men to bring
00:52:12Dixie Nelson to my office.
00:52:15That's right.
00:52:16I think I've got a lead that'll make him talk.
00:52:24Come on, Dixie.
00:52:26What's the idea?
00:52:27Where are we going this time of night?
00:52:28You've been invited to a little party.
00:52:35Come in.
00:52:40Here he is, Mr. Andrews.
00:52:41Fine.
00:52:42Sit down, Nelson.
00:52:45You boys will plant yourselves in the reception room
00:52:48and see that nobody enters the office.
00:52:49I'll give him back to you as soon as possible.
00:52:54What do you got up your sleeve this time, smart guy?
00:52:58This.
00:53:01Why don't you get wise to yourself?
00:53:04That's the oldest gag in the book.
00:53:06I've looked down too many rods to let that one scare me.
00:53:09Get up and walk, huh?
00:53:11I said, get up and walk.
00:53:15What's the idea?
00:53:17We're going for a ride.
00:53:22OK.
00:53:24Be sure the scenery's good.
00:53:38All right, Nelson.
00:53:39Step in.
00:53:53Come on.
00:53:54Let's go.
00:54:24Nice.
00:54:25I never heard of her.
00:54:27She's sitting right behind you.
00:54:29Maybe you'll remember her father.
00:54:31You killed him.
00:54:46Where are you taking me?
00:54:48What are you going to do to me?
00:54:57There's something funny here.
00:55:09They're gone.
00:55:17Get me the sheriff's office and hurry.
00:55:20Calling all cars.
00:55:21Calling all cars.
00:55:22Special Prosecutor Andrews has been kidnapped from his own
00:55:25office by Dixie Nelson.
00:55:26Nelson apparently forced Andrews in the building
00:55:28by the back stairs.
00:55:29Andrews' official car has disappeared.
00:55:31The license number is?
00:55:33The license number is 1-0-L-4-8-1.
00:55:36Yes.
00:55:37Now listen, you've got to find them before the cops do.
00:55:39Round up all the boys and start every available car cruising.
00:55:42What do you want us to do?
00:55:43We've got to find Andrews.
00:55:44Round up all the boys and start every available car cruising.
00:55:47What do you want us to do then?
00:55:48Do, shoot to kill.
00:55:50Andrews and Dixie too.
00:56:08All right, Nelson.
00:56:08This is as far as we go.
00:56:10You're not going to do anything to me.
00:56:12You can't do.
00:56:14You can't do that.
00:56:15It'd be murder.
00:56:16They'd hang you for it.
00:56:17They're going to try to escape, Nelson,
00:56:19and she's going to shoot you in the back,
00:56:20just like you did her father.
00:56:22Now start running.
00:56:23You're crazy.
00:56:24I didn't want to kill anybody.
00:56:25I didn't want to kill your father.
00:56:27It wasn't my fault.
00:56:28I had to.
00:56:29It's no use, Nelson.
00:56:30You can't hide behind Brooks.
00:56:32You don't know him.
00:56:33You don't know Brooks.
00:56:34I had to.
00:56:35He'd have killed me.
00:56:36Take me to him and I'll prove it to you.
00:56:38All right, we'll go there.
00:57:09We're wasting a lot of gasoline.
00:57:11Andrews could be out of town by now and gone.
00:57:13Let's drive over to Brooks and see what he has to say.
00:57:22It wasn't very smart of you, Andrews,
00:57:23taking Dixie out of jail.
00:57:25Perhaps.
00:57:26I seem to have been doing a lot of things
00:57:27lately that aren't smart.
00:57:28But Dixie here is smart.
00:57:30He talked.
00:57:31That doesn't interest me.
00:57:32If you want to talk, go ahead.
00:57:34I don't want to talk.
00:57:35I don't want to talk.
00:57:36I don't want to talk.
00:57:38That doesn't interest me.
00:57:39If you don't get out of here, I'll
00:57:40be forced to call the police.
00:57:41That won't be necessary.
00:57:42They're already on the way.
00:57:43On the way?
00:57:44Yes, we had a young lady with us.
00:57:45We let her out to call them.
00:57:47Go ahead, Nelson.
00:57:48Tell him what you told me.
00:57:49I warned you, Brooks.
00:57:50I said I was going to have company.
00:57:52I hope they put you in a death cell right alongside of me.
00:57:54I want to see you and-
00:57:55Shut up, you fool.
00:57:58Grab that gun.
00:57:59The car is parked outside.
00:58:04Better head for the highway.
00:58:08There's the car and license number we're looking for.
00:58:10Step on it.
00:58:38I think that car is tailing us.
00:58:39Step on it.
00:58:48They're headed for the highway.
00:59:07They're headed for the highway.
00:59:37Come on, don't let them get away from us.
01:00:08They're headed for the highway.
01:00:09Come on, don't let them get away from us.
01:00:11Step on it.
01:00:12Step on it.
01:00:13Step on it.
01:00:14Step on it.
01:00:15Step on it.
01:00:16Step on it.
01:00:17Step on it.
01:00:18Step on it.
01:00:19Step on it.
01:00:20Step on it.
01:00:21Step on it.
01:00:22Step on it.
01:00:23Step on it.
01:00:24Step on it.
01:00:25Step on it.
01:00:26Step on it.
01:00:27Step on it.
01:00:28Step on it.
01:00:29Step on it.
01:00:30Step on it.
01:00:31Step on it.
01:00:32Step on it.
01:00:33Step on it.
01:00:34Step on it.
01:00:35Step on it.
01:00:36Step on it.
01:00:37The行了
01:00:44Whoever it was did a good job.
01:00:47The special prosecutor announced today that Miss Turner returned voluntarily to the city,
01:00:51and surrendered herself to his office.
01:00:53However, it is difficult to believe that she will have much to fear form any American jury.
01:00:58Also, the two hoodlums that killed William Brooks and Dixie Nelson have been apprehended.
01:01:02Among other associates of Brooks who are on the grand jury indictment are Cubby Carson and Grover Duncan.
01:01:08All this has been accomplished in an amazing, whirlwind fashion by a young man whose name is on every tongue.
01:01:14Roger Andrews. His courage and honesty make him an inspiration to the youth of the country.
01:01:20If I ever hear that again.
01:01:22This is a great day for the little people, Roger.
01:01:25You're right, Mrs. Rowley. It was their fight and they won it.
01:01:28Such modesty, Mr. Andrews. I scarcely recognize you.
01:01:31That don't make no difference, lady. You don't know me and I don't know you.
01:01:35This is America. The land of opportunity. You'll get a break.
01:01:38This is the only break I want.
01:01:40I knew you could be nimble with the blimey, Roger. I better go and get busy with the wedding cake.