Mendelssohn: Hebrides Overture (Czech National Symphony Orchestra)
- 6 years ago
Mendelssohn’s “concert overture” The Hebrides (German: Die Hebriden) was composed in 1830, revised in 1832, and published the next year as his Opus 26. Some consider it an early tone poem.
It was inspired by one of his trips to the British Isles, specifically an 1829 excursion to the Scottish island of Staffa, with its basalt sea cave known as “Fingal’s Cave.” It is not known whether Mendelssohn set foot on the island, the cave being best visible from the water, but the composer himself reported that he immediately jotted down the opening theme for his composition. He at first called the work “To the Lonely Island,” or “Zur einsamen Insel,” then settled on the present title. However, in 1834, the year after the first publication, Breitkopf & Härtel issued an edition with the name “Fingalshöhle,” or “Fingal’s Cave,” and this title stuck, causing some confusion.
Being a concert overture, The Hebrides does not precede a play or opera but is instead a standalone composition in a form common for the Romantic period. Dedicated to King Frederick William IV of Prussia, then Crown Prince of Prussia, the B-minor work became part of the standard orchestral repertoire and retains this position to the present day.
Mendelssohn's first visit to England in 1829 resulted from invitations by Sir George Smart and the Philharmonic Society. Following his tour of England, Mendelssohn proceeded to Scotland, where he began work on his Symphony No. 3, Scottish. He was engaged on a tour of Scotland with his travelling companion Karl Klingemann when he sent a postcard to his family with the opening phrase of the overture written on it. In a note to his sister, Fanny Mendelssohn he said: "In order to make you understand how extraordinarily the Hebrides affected me, I send you the following, which came into my head there." The cave at that time was approximately 35 feet (11 m) high and over 200 feet (61 m) deep, and contained black basalt pillars.
The work was completed on 16 December 1830 and was originally entitled Die einsame Insel (The Lonely Island). However, Mendelssohn later revised the score, completing it by 20 June 1832, and renamed the piece Die Hebriden (The Hebrides). Despite this, the title of Fingal's Cave was also used: on the orchestral parts he labelled the music The Hebrides, but on the score Mendelssohn labelled the music Fingal's Cave. The overture was premiered on 14 May 1832 in London, in a concert that also featured Mendelssohn's Overture to A Midsummer Night's Dream.
The music, though labelled as an overture, is intended to stand as a complete work. Although programme music, it does not tell a specific story and is not "about" anything; instead, the piece depicts a mood and "sets a scene", making it an early example of such musical tone poems. The overture consists of two primary themes; the opening notes of the overture state the theme Mendelssohn wrote while visiting the cave, and is played initially by the violas, cellos, and bassoons. This l
It was inspired by one of his trips to the British Isles, specifically an 1829 excursion to the Scottish island of Staffa, with its basalt sea cave known as “Fingal’s Cave.” It is not known whether Mendelssohn set foot on the island, the cave being best visible from the water, but the composer himself reported that he immediately jotted down the opening theme for his composition. He at first called the work “To the Lonely Island,” or “Zur einsamen Insel,” then settled on the present title. However, in 1834, the year after the first publication, Breitkopf & Härtel issued an edition with the name “Fingalshöhle,” or “Fingal’s Cave,” and this title stuck, causing some confusion.
Being a concert overture, The Hebrides does not precede a play or opera but is instead a standalone composition in a form common for the Romantic period. Dedicated to King Frederick William IV of Prussia, then Crown Prince of Prussia, the B-minor work became part of the standard orchestral repertoire and retains this position to the present day.
Mendelssohn's first visit to England in 1829 resulted from invitations by Sir George Smart and the Philharmonic Society. Following his tour of England, Mendelssohn proceeded to Scotland, where he began work on his Symphony No. 3, Scottish. He was engaged on a tour of Scotland with his travelling companion Karl Klingemann when he sent a postcard to his family with the opening phrase of the overture written on it. In a note to his sister, Fanny Mendelssohn he said: "In order to make you understand how extraordinarily the Hebrides affected me, I send you the following, which came into my head there." The cave at that time was approximately 35 feet (11 m) high and over 200 feet (61 m) deep, and contained black basalt pillars.
The work was completed on 16 December 1830 and was originally entitled Die einsame Insel (The Lonely Island). However, Mendelssohn later revised the score, completing it by 20 June 1832, and renamed the piece Die Hebriden (The Hebrides). Despite this, the title of Fingal's Cave was also used: on the orchestral parts he labelled the music The Hebrides, but on the score Mendelssohn labelled the music Fingal's Cave. The overture was premiered on 14 May 1832 in London, in a concert that also featured Mendelssohn's Overture to A Midsummer Night's Dream.
The music, though labelled as an overture, is intended to stand as a complete work. Although programme music, it does not tell a specific story and is not "about" anything; instead, the piece depicts a mood and "sets a scene", making it an early example of such musical tone poems. The overture consists of two primary themes; the opening notes of the overture state the theme Mendelssohn wrote while visiting the cave, and is played initially by the violas, cellos, and bassoons. This l