- 11 years ago
Western (1945) 68 minutes (USA) ~ Black & White
Sue Farnum inherits a circus, but her dead father's partner is trying to take it away from her. Roy and Bob Nolan are filming a movie on location at the circus. They and a number of other western movie stars come to Sue's aid, putting on a show and catching the bad guys.
Director: Frank McDonald
Writer: Jack Townley (story)
Stars: Roy Rogers, Dale Evans, Trigger and George 'Gabby' Hayes
Sue Farnum inherits a circus, but her dead father's partner is trying to take it away from her. Roy and Bob Nolan are filming a movie on location at the circus. They and a number of other western movie stars come to Sue's aid, putting on a show and catching the bad guys.
Director: Frank McDonald
Writer: Jack Townley (story)
Stars: Roy Rogers, Dale Evans, Trigger and George 'Gabby' Hayes
Category
🎥
Short filmTranscript
00:00:00["Pomp and Circumstance March No. 1"]
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00:03:57I've been thinking, Gabby, maybe you'd better not tell Ripley why I'm here.
00:04:02I won't.
00:04:03Come to think of it, you didn't even tell me.
00:04:06You're figuring I'm not smart in that podcast, Slim.
00:04:09Well, I don't want to get Sue's hopes up until I'm sure, but I think we ought to be able
00:04:14to find that receipt somewhere.
00:04:15You know how Tom Farnham was about business.
00:04:18Probably didn't even have the payment recorded.
00:04:20Well, Sue and me's looked everywhere.
00:04:22Canceled, checked, papers, ain't nothing like that around the place.
00:04:26I've just got a hunch that we'll find it in the safety deposit box that Tom and I had
00:04:30in the Cabrilla bank.
00:04:31Hey, that's one place it might be.
00:04:33Can you still get in it?
00:04:34I think so.
00:04:35It was in both our names.
00:04:36Well, we can't get to the bank today.
00:04:38It'll be closed by the time we get in.
00:04:40Next stop, Cabrilla.
00:04:56Gee, California's a big place, isn't it, Mr. Ripley?
00:04:59You can't even see it all from here, Mr. Bishop.
00:05:08Found it!
00:05:56All right, cut it!
00:05:58Great work, boys.
00:06:02Movie cowboys.
00:06:04Why don't they turn and look where they're going?
00:06:07Movies?
00:06:18Hold it a minute!
00:06:20Hold it a minute!
00:06:21I'm sorry, folks.
00:06:22We didn't know anyone was on the road.
00:06:24Why didn't you stop traffic?
00:06:26Those riders might have killed someone.
00:06:28Get themselves killed?
00:06:30Masquerading as bandits.
00:06:32I had notion of reach from a 45 like I did that night.
00:06:35Daddy, you must tell them about it sometime.
00:06:37Don't think I won't.
00:06:39Well, you'll pardon me.
00:06:40We'll take it again, boys.
00:06:45Gee, that was pretty close.
00:06:46Is everybody all right?
00:06:47Oh, yes.
00:06:48We're just fine, thank you.
00:06:50Say, you're not Roy Rogers.
00:06:54That's right, ma'am.
00:06:55Oh, gee, I think you're wonderful, Mr. Rogers.
00:06:57I see all your pictures.
00:06:58Gee, the way you galloped in there and grabbed those horses.
00:07:00Oh, my gosh.
00:07:01Well, I'm glad nobody's hurt.
00:07:03You know, you never can tell about accidents.
00:07:05Sometimes the shock sets in later.
00:07:07Now, if there's anything I can do, I'd be...
00:07:09Thank you, Mr. Rogers.
00:07:10We need you.
00:07:11I'll let you know.
00:07:12Should we go?
00:07:19Oh, gosh.
00:07:22Shake it up, Roy.
00:07:23They want to take it again.
00:07:25What do you think of that?
00:07:26I never even got her name.
00:07:27You never...
00:07:28Oh, come on.
00:07:29We'll never finish.
00:07:43Gabby, I wonder who put the tent up.
00:07:45I don't know.
00:07:46Well, oh, thanks for the lift, Bill.
00:07:49It's always a pleasure.
00:07:51You gonna be with us long, Mr. Phillips?
00:07:53Well, I can't say as yet.
00:07:55Well, anyway, I'll see you before you go.
00:07:57You probably will.
00:07:59Well, I'll be seeing you.
00:08:00Goodbye.
00:08:01Bye.
00:08:02Bye.
00:08:03The sun has set low.
00:08:08Late in the moon, nowhere.
00:08:13It's evening, and the world has gone to rest.
00:08:21A million stars are in the sky.
00:08:28And one of you is lost.
00:08:37A little prayer I'll say for you.
00:08:45God bless you, and may all your dreams come true.
00:08:53A little song that cannot go on.
00:08:59A new world's long gone by.
00:09:05A new world's long gone by.
00:09:13The sun has set low.
00:09:16The sun has set low.
00:09:18Late in the moon, nowhere.
00:09:20Late in the moon, nowhere.
00:09:22It's evening, and the world has gone to rest.
00:09:29A million stars are in the sky.
00:09:36Time for the bugler's lullaby.
00:09:43A little prayer I'll say for you.
00:09:51God bless you, and may all your dreams come true.
00:09:58A little song that cannot die.
00:10:06A bugler's lullaby.
00:10:11Lullaby.
00:10:21We're glad to be back, but what is this all about?
00:10:35We rented the show to a movie outfit.
00:10:37Yeah, they're making a picture right here.
00:10:38Yeah, and we're all working at it.
00:10:40And who do you think the star is?
00:10:41Roy Rogers.
00:10:42Yeah, we figured you wouldn't mind.
00:10:44They're paying us pretty good.
00:10:45Gosh, what's the name of the picture?
00:10:47Bells of Rosarita.
00:10:49You ought to see that big Spanish set they built alongside the creek.
00:10:52Ah, them phony movie cowboys.
00:10:55Even muscling in on us here.
00:10:57Yeah, but they're finishing up today.
00:10:59That's why we're rehearsing.
00:11:00We've got to get the last scene in the picture.
00:11:02Oh, Gabby, I suppose it's all right.
00:11:04Oh, this is Mr. Phillips and his niece, Patty.
00:11:07Hello, Patty.
00:11:09We'd better go in and clean up.
00:11:11We'll see you later.
00:11:12Come on over and watch Zack.
00:11:13Might do that.
00:11:14Bye.
00:11:15Bye.
00:11:16Bye.
00:11:17What a gang.
00:11:19They all work for you?
00:11:20No, they're part of the family.
00:11:22Dad sort of adopted the kids one by one.
00:11:24Orphans?
00:11:25Every one of them.
00:11:27Their folks were all in show business with Dad.
00:11:29Do you remember Joey Long, the clown?
00:11:31That little freckle-faced kid is his boy.
00:11:33The one on the end is Tommy Lewis.
00:11:35His folks did the high wire act.
00:11:36Remember?
00:11:37Why, of course.
00:11:38I remember them.
00:11:39Say, you two have responsibilities.
00:11:41Yes, but they're a wonderful responsibility.
00:11:43Any homeless kid is welcome.
00:11:45We figure there just ain't a bad American boy.
00:11:47That's right.
00:11:48All right.
00:11:49In a little bit.
00:11:50That's good.
00:11:51Now, move that other reflector over.
00:11:53Hey, Lou, get it hotter on the doorway.
00:11:55Where'd that playback guy go?
00:11:57I don't know.
00:11:58I don't know.
00:11:59I don't know.
00:12:00I don't know.
00:12:01I don't know.
00:12:02I don't know.
00:12:03I don't know.
00:12:04I don't know.
00:12:05I don't know.
00:12:06I don't know.
00:12:07I don't know.
00:12:08I don't know.
00:12:09I don't know.
00:12:10I don't know.
00:12:11I don't know.
00:12:13Where'd that playback guy go?
00:12:24Get on over here, will you?
00:12:25Hurry up.
00:12:34It's all yours.
00:12:35We're ready.
00:12:36OK.
00:12:37Places, please, everybody.
00:12:38Now, this is a surprise.
00:12:39Hello, Mr. Rogers.
00:12:40Hello, Miss, uh...
00:12:41That's Sue Farnham.
00:12:42And I'm Patty Phillips.
00:12:43Gee, we're glad you met us.
00:12:44I mean, we're glad to meet you.
00:12:45We just came out here to watch.
00:12:46I hope you don't mind.
00:12:47We're tickled to death.
00:12:48Glad to have you.
00:12:49Now, Miss Farnham, if you...
00:12:50Come on, Roy.
00:12:51Oh, hiya.
00:12:52Hello.
00:12:53Mr. McDonald is yelling...
00:12:54Take it easy, Bob.
00:12:55We're having a barbecue tonight, and it sure would be swell if you could come over.
00:12:56Oh, sure.
00:12:57We'll be glad to.
00:12:58Won't we, Sue?
00:12:59Of course.
00:13:00We'll be glad to.
00:13:01We'll be glad to.
00:13:02We'll be glad to.
00:13:04All right.
00:13:05Roll it.
00:13:06Action.
00:13:07Ding, ding, dong.
00:13:08Ding, ding, dong.
00:13:09Hear what the bells have to say.
00:13:10Ding, ding, dong.
00:13:11Ding, ding, dong.
00:13:12Ding, ding, dong.
00:13:13Ding, ding, dong.
00:13:14Ding, ding, dong.
00:13:15Ding, ding, dong.
00:13:16Ding, ding, dong.
00:13:17Ding, ding, dong.
00:13:18Ding, ding, dong.
00:13:19Ding, ding, dong.
00:13:20Ding, ding, dong.
00:13:21Ding, ding, dong.
00:13:22Ding, ding, dong.
00:13:23Ding, ding, dong.
00:13:24Ding, ding, dong.
00:13:25Ding, ding, dong.
00:13:26Ding, ding, dong.
00:13:27Ding, ding, dong.
00:13:28Ding, ding, dong.
00:13:29Ding, ding, dong.
00:13:30Ding, ding, dong.
00:13:31Ding, ding, dong.
00:13:32Ding, ding, dong.
00:13:33Ding, ding, dong.
00:13:34Ding, ding, dong.
00:13:35Ding, ding, dong.
00:13:36Ding, ding, dong.
00:13:37Ding, ding, dong.
00:13:38Ding, ding, dong.
00:13:39Ding, ding, dong.
00:13:40Ding, ding, dong.
00:13:41Ding, ding, dong.
00:13:42Ding, ding, dong.
00:13:43Ding, ding, dong.
00:13:44Ding, ding, dong.
00:13:45Ding, ding, dong.
00:13:46Ding, ding, dong.
00:13:47Ding, ding, dong.
00:13:48Ding, ding, dong.
00:13:49Ding, ding, dong.
00:13:50Ding, ding, dong.
00:13:51Ding, ding, dong.
00:13:52Ding, ding, dong.
00:13:53Ding, ding, dong.
00:13:54Ding, ding, dong.
00:13:55Ding, ding, dong.
00:13:56Ding, ding, dong.
00:13:57Ding, ding, dong.
00:13:58Ding, ding, dong.
00:13:59Ding, ding, dong.
00:14:00Ding, ding, dong.
00:14:01Ding, ding, dong.
00:14:02Ding, ding, dong.
00:14:03Ding, ding, dong.
00:14:04Ding, ding, dong.
00:14:05Ding, ding, dong.
00:14:06Ding, ding, dong.
00:14:07Ding, ding, dong.
00:14:08Ding, ding, dong.
00:14:09Ding, ding, dong.
00:14:10Ding, ding, dong.
00:14:11Ding, ding, dong.
00:14:12Ding, ding, dong.
00:14:13Ding, ding, dong.
00:14:14Ding, ding, dong.
00:14:15Ding, ding, dong.
00:14:16Ding, ding, dong.
00:14:17Ding, ding, dong.
00:14:18Ding, ding, dong.
00:14:19Ding, ding, dong.
00:14:20Ding, ding, dong.
00:14:21Ding, ding, dong.
00:14:22Ding, ding, dong.
00:14:23Ding, ding, dong.
00:14:24Ding, ding, dong.
00:14:25Ding, ding, dong.
00:14:26The bride dressed in lace, with a breath of heaven on her face, sweet as an angel from
00:14:33the skies.
00:14:34Her lips hold a smile, but her heart is breaking all the while, and teardrops fill her eyes.
00:14:35The bells of Rome are ringing, the bells of Rome are ringing, the bells of Rome are ringing,
00:14:36the bells of Rome are ringing, the bells of Rome are ringing, the bells of Rome are ringing,
00:14:37the bells of Rome are ringing, the bells of Rome are ringing, the bells of Rome are ringing,
00:14:38the bells of Rome are ringing, the bells of Rome are ringing, the bells of Rome are ringing,
00:14:39the bells of Rome are ringing, the bells of Rome are ringing, the bells of Rome are ringing,
00:14:40the bells of Rome are ringing, the bells of Rome are ringing, the bells of Rome are ringing,
00:14:41the bells of Rome are ringing, the bells of Rome are ringing, the bells of Rome are ringing,
00:14:42Her lips hold a smile, but her heart is breaking all the while, and teardrops fill her eyes.
00:14:53The bells of Rosalisa keep her secrets for their own.
00:15:05They know she loves a mother, and her heart is his alone.
00:15:16Though time doesn't wait, still perhaps before it is too late, she may find what she is dreaming of.
00:15:32The bells of Rosalisa keep her secrets for their own.
00:15:51Cut it.
00:15:52Is that okay, boss?
00:15:54All right, boys, that's it. Wrap them up.
00:15:57That's it. Wrap it up.
00:16:02How'd we do, Mr. Rogers?
00:16:04You were all fine, boys. I'm a fan, too, Rogers.
00:16:07That was a good scene. I'll have to see this picture.
00:16:09Oh, thanks. I hope you do.
00:16:10By the way, I understand one of your men said you were interested in some ranch property in this neighborhood.
00:16:15Well, I've always wanted a ranch. I thought while I was up here I'd gotta look around.
00:16:19Well, I'm gonna put this place on the market in a couple of weeks.
00:16:21Oh, is this your place?
00:16:22Well, practically. I'm gonna take it over.
00:16:24Oh, now, now, Roy, what do you want with a ranch?
00:16:26You know I'm allergic to horses, and besides, you got a nice place already.
00:16:30Well, in case you're interested.
00:16:33Well, thanks. I'll take it over.
00:16:36Excuse me.
00:16:44Say, what does he mean about selling this place anyway?
00:16:47Gosh, I hope it ain't true.
00:16:50Oh, Miss Farnham, you're not leaving, are you?
00:16:52I should say not.
00:16:53Roy, will you come...
00:16:54You know, I love that scene. You were wonderful. Just wonderful.
00:16:58You were wonderful, too.
00:17:00Oh, I was... I mean, I was?
00:17:02Uh-huh. The way you galloped in there. Oh, it was just...
00:17:05Oh, that was nothing. In the first part of the picture, I have some swell scenes.
00:17:09I come right... See, now, I come right down...
00:17:11Don't worry about it, Bob.
00:17:12Well, I will. Yes, I will.
00:17:15In the first part of the picture, I come riding into town, see?
00:17:18Now, the, uh, the heavy, that's the villain in the picture, has stolen the boar, it's words, away from the girl.
00:17:24Now, the girl... Hey, Rogers, where are you going?
00:17:27The villain stole the boar, it's words. Oh, that's wonderful. And then what happened?
00:17:32Uh, it's up to me to get the boar, it's words, back to the girl.
00:17:35Uh, couldn't we... Couldn't we go out and sit in a swing?
00:17:38I'm just dying to hear what happened next.
00:17:40Why, sure. That is, uh... I guess so.
00:17:45Now, uh, where were we?
00:17:46Well, you were just about to get the words.
00:17:48I'm just about to get the words. I...
00:17:53I'm just about to get the words. So...
00:17:58You still got them pictures?
00:18:00Yes, sir, right in my bag. I'll go and get them.
00:18:02Why, I've even got one of you, Gabby, without a hair on your face.
00:18:07Hello, boy.
00:18:08Say, Gabby, that Ripley fellow don't own this place, does he?
00:18:11No, of course not. Why'd you say that?
00:18:14Well, he was telling Roy Rogers that he was gonna own it pretty soon. He was trying to sell it to him.
00:18:18Oh, he was, eh?
00:18:20Well, kids, if that sidewinder...
00:18:22Hello!
00:18:24Look here, young fella.
00:18:26Don't go try selling something you don't own, and you ain't never gonna own this here property.
00:18:31I wouldn't be too sure of that, old-timer.
00:18:43Looks like he means business.
00:18:45He's up to something, all right.
00:18:47You mean he's gonna take the place away from us, Gabby?
00:18:49Oh, what are you talking about?
00:18:51All right, now, go on. Get out of here, the whole kit and caboodle of you.
00:19:10Under a black little moon
00:19:16Just you and I beneath the stars
00:19:22Wrapped in the arms of sweet romance
00:19:28The night is ours
00:19:32Under a blanket of blue
00:19:38Let me be thrilled by all your charms
00:19:44Darling, I know my heart will dance
00:19:50Within your arms
00:19:55Oh, a summer night's magic
00:20:01Enthralling me so
00:20:07The night would be tragic
00:20:12If you weren't here to share it, my dear
00:20:18Covered with heaven above
00:20:23Let's dream a dream of love for two
00:20:29Wrapped in the arms of sweet romance
00:20:35Under a blanket of blue
00:20:41La-da-da-da-da-da-da-da-do
00:20:54Mom, you sure can play that guitar.
00:20:57How about a little titty-buggin', boy?
00:20:59Well, of course, Daddy.
00:21:01There's nothing like the mornin' feelin' fresh as a dew
00:21:11When you're goin' where there's taters to behold
00:21:15The cows are in the meadow and they give me the moo
00:21:18As I go singin' down the road
00:21:21My little dog is taggin' right along at my heel
00:21:24He's so happy that he's hoppin' like a toad
00:21:28And Trigger, he's a prancing cause, he knows how I feel
00:21:31As I go singin' down the road
00:21:34The sun is grand, my face is tan
00:21:38And I'm so carefree and gay
00:21:41And as I hike, I feel just like a school kid for a day
00:21:48And when my day is over, there's a girl I'm to meet
00:21:51You see, but that's another episode
00:21:54My heart and I are stackin' up a dream kinda neat
00:21:57As I go singin', singin' down the road
00:22:21What happened, Charlie?
00:22:22I got Mr. Phillips.
00:22:23What's the matter?
00:22:24What's the matter?
00:22:25Who were they, Charlie?
00:22:26I didn't get a good look at them, but I was comin' around the corner
00:22:28just as they was draggin' him out of the house.
00:22:29I run after them, but they started shootin'.
00:22:31Come on, boys.
00:22:42Somebody give me this one.
00:22:44Same here.
00:22:46Let's get the horses.
00:22:47Come on.
00:22:48Let's get the car parties.
00:22:49Let's head to the pub.
00:22:50We'll never catch them now.
00:22:51We might if we get them before they reach the highway.
00:22:54Why would anyone want to kidnap my uncle?
00:22:56I don't know, Patty.
00:23:25Well, that's that.
00:23:26We might as well go back and let the sheriff handle it.
00:23:28Yeah, might as well.
00:23:29Well, thanks for trying, anyway, boys.
00:23:35Well, that's a serious charge, Sue.
00:23:37Bill Ripley ain't exactly the kidnapping type.
00:23:40I've got him.
00:23:41I've got him.
00:23:42I've got him.
00:23:43He's a cop.
00:23:44He's a cop.
00:23:45He's a cop.
00:23:46He's a cop.
00:23:47He's a cop.
00:23:48He's a cop.
00:23:49He's a cop.
00:23:50He's a cop.
00:23:51He's a cop.
00:23:52He's a cop.
00:23:53I didn't say he did it sheriff, but he's the only one who had a motive well
00:23:58It'll make you feel any better. I'll have a talk with him. Thank you, sir
00:24:02Shove you sure they didn't get Gabby. Well when Charlie saw him, they only had mr. Phillips. I only had Gabby here to talk
00:24:08Oh
00:24:22They got me somebody get a doctor look I'm bleeding to death looks to me like strawberry jam
00:24:33Strawberry jam
00:24:34Well, don't stand there like a bunch of idiots give me a handful of crackers
00:24:45Me Gabby Whitaker known as a killer of the Klondike
00:24:52Wildcat of the West me
00:24:54Tied up by everybody who how do I know who?
00:24:58Snuck up behind me when I want looking they know two men alive
00:25:03They know five men alive could hug tight Gabby Whitaker
00:25:07Lesson, he would have knocked unconscious when they done it. I
00:25:10Remember the time I was holding a pork bone. There was 50 wild Indians around me
00:25:16There I was both guns blazing. I looked around
00:25:27I
00:25:34Was just thinking about last night Bob, there's something funny about those men making off with Phillips. I
00:25:40Wonder why they took him
00:25:42Who knows whatever it was. It's none of our business. Well, I'm not so sure about that
00:25:51Hello young fellas, come on in. Oh, hi. Hello Jimmy. What can we do for you gentlemen?
00:25:57We just heard you were leaving and dropped over to say goodbye. Oh, gee, that's mighty nice of you. Well, bye Roy. Oh, bye
00:26:05Go on Eddie. Bye. Bye Tommy. So long fellas
00:26:14Is there anything else we can do for you
00:26:17well
00:26:19Yes, we just wonder if you sing that song about Texas before you go. You mean now? Yes, sir, right now
00:26:25All right, give me a guitar Bob
00:26:34Gonna build a big fence around Texas around Texas way around Texas gonna build a big fence around
00:26:41Texas so they can't steal my baby away
00:26:45She's the lovingest baby around Texas around Texas around Texas and the fellas all know what in Texas
00:26:52That's the reason I worry each day
00:27:00That's that lumber pilot I gonna build it to the sky
00:27:11Big job to do I know
00:27:13But she's mighty sweet and so gonna build a big fence around Texas around Texas way around
00:27:20Texas gonna build a big fence around Texas so they can't steal my baby away
00:27:25Oh
00:27:49She's got that
00:27:55Cowboy
00:27:59She's got those
00:28:06See what I'm up against my troubles have just come in
00:28:25Well, thanks a lot boys that was fine so long
00:28:33Uh-huh. I knew you were up to something. Bye. Bye. So long fellas. Goodbye
00:28:41What's on your minds boys
00:28:43Well, we've seen all your pictures Roy. They're super especially that last one
00:28:48No, you mean the one where I come crashing through the roof and I yeah, that's the one
00:28:52That was your sweat when you go out and capture the guys trying to take the ranch away from the girls boy
00:28:57If you hadn't come along, I guess you lost the ranch, wouldn't she? Well, I guess you would all right
00:29:02Yeah, well, it's been nice seeing you fellas. Now if you'll let the wait for us downstairs
00:29:06So if you if you've been thinking Roy
00:29:09Come on out with the Jimmy. Well, as long as you're already here, we're thinking maybe if you'd help suing us
00:29:15She wouldn't lose her ranch just like in the picture. Look fellas. That's the that's just in the picture
00:29:21It's all make-believe Roy and I are actors. We only saved the ranch because because the script says so now I told her Bob
00:29:28You mean that somebody really is trying to take her ranch away from her the ranch and the circus and everything
00:29:34Roy, would you please you boys run on back to the ranch Bob and I'll come up later
00:29:38I don't know what we can do for you. But we'll sure try anyway, you mean you'll help you mean you try to do something
00:29:43Sure
00:29:52Now look what you've done we've got to be heroes what can we lose I kind of like it
00:29:57Yes, I could tell the way you looked at her. Oh, come on Roy. Let's go home
00:30:00You know, I'm allergic to horses. You'll pull through. All right, we better tell the gang not to wait for us
00:30:21Oh
00:30:51Oh
00:31:22I
00:31:24Didn't use from Slim Phillips
00:31:26I'm sorry, Sue
00:31:27But we've been over every foot of the desert within 10 miles of here and there isn't a trace of him sure beats me
00:31:32How he got swallowed up like that
00:31:34Well, thank you. Anyway, Roy, I
00:31:36Guess it just isn't much anyone can do
00:31:41Mr. Rogers, I owe you an apology
00:31:44Kids told me what you've done. Now. I know you ain't just a hero on the screen
00:31:49You fellas will have me I'd I'd kind of like shine up. Thanks Gabby. We'd be glad to have it
00:31:54You know, I'm a rootin tootin shooting cow hands and my trigger fingers just itching to get even with them varmints
00:32:02Careful, Scotty. You'll tear that canvas. I watch the difference. We won't own it after this week
00:32:07Is it as bad as that? I'm afraid it is Roy
00:32:11Sue I wish you'd let me thank you Roy
00:32:13We'll pull through somehow
00:32:15These was the good old days we get heist a big top up anywhere and make money enough to pay off that skunk Ripley
00:32:21Why don't you?
00:32:23These aren't the good old days then we had more than just a tent and a few props
00:32:27We had a show to go with it big names big act say could you have this pin up in Cabrillo by tomorrow night?
00:32:34What do you mean? I mean, could you be ready to put on a show if you had a show and someone to attract customers?
00:32:40Well, I don't Gabby, what do you think you're darn tootin we could we'll hold everything
00:32:50Hello operator, could you get me the Republic Studios in North Hollywood, please?
00:32:55You
00:33:08Do the public
00:33:10All right
00:33:11Fine. Thank you
00:33:13Yes, they're all here except John Wayne
00:33:15Yes, Don Barry's here. He's on stage 10. I can't ring there now. Oh
00:33:20Sure, hold on and I'll send a messenger
00:33:23All right
00:33:33All right, I think we can shoot it now, can I talk to mr. Berry please what at a time like this mr
00:33:38Berry Roy Rogers is on the phone. He's calling long-distance Roy Rogers. Yeah, be right with you
00:33:46Hello on that long-distance call Don Barry is ready
00:33:49Uh-huh. Yeah. Hi Roy. Sure. What's up?
00:33:54Well, I got a couple more scenes and I'm gonna leave on my vacation. Uh-huh
00:34:00Sure, I'd be glad to
00:34:02All right, I'll get there as quick as I can
00:34:04Hold it Ferguson cut. Okay boys right over here. Oh sunset telephone. It's Roy Roy Rogers. Yeah, right over here
00:34:17I think that he would
00:34:21Yes
00:34:23I
00:34:25Think I
00:34:27Think I
00:34:29Think I
00:34:31Think
00:34:34It's for you Ellen
00:34:37Thanks
00:34:41Yes, oh hello Roy
00:34:45No, I don't start for a couple of weeks
00:34:49Sure, I'll be right up
00:34:53Republic studio front gate. Oh
00:34:55Hello, Roy
00:34:57How about Livingston just left?
00:34:59He said he was on his way to his ranch
00:35:02Yes, Roy, I'll see if I can catch him well George
00:35:07See if you can catch Bob Livingston, he's on his way home, right?
00:35:10All right
00:35:31Hello George, what's the matter got a message for you Bob the office says it's important good
00:35:37What's up read it
00:35:41I guess the boys need some help. You're right
00:35:47Say Annie get me bill Elliot's ranch, will you?
00:35:55That's fine now spin the rope spin it big spin
00:36:00Big spin Wow big spin
00:36:03Come on, big spin
00:36:06That's fine
00:36:07Excuse me Thunder. I'll answer the phone
00:36:11I
00:36:17Don't know hello bill say do you suppose you could get up here right away? Oh
00:36:22fine
00:36:23Get in touch with the casting office and have them send up some circus acts and a lot of equipment
00:36:27I'll put Thunder in the trailer and leave right away
00:36:31Come on Thunder we gotta help Roy
00:36:40I
00:36:59Mean you say
00:37:01Not a thing. Oh, so I don't know what to do. Keep your chin up on it
00:37:07I wait patrols been looking to and not a sign of them
00:37:13No news of Phillips
00:37:15Pull cat Ripley's got him corral summers. I had my way. I wouldn't monkey with no law
00:37:20I'd stick my 45 on his ribs and let him have it. We got trouble enough around here without this happening
00:37:28Well, you've got the show already I guess you think we can get any customers on this short notice pray to do it
00:37:34Well, we get through dragging them bandwagons through town and telling about all them Western stars we got coming
00:37:41Boy, we'll sell twice as many tickets. We got seats
00:37:45Hey show
00:37:47Hurry up with that paint. Come in Gabby
00:37:55And we should get busy and do a little work around this place
00:37:58Oh, I can't do any work and poor Oscar on my mind. He ain't had a bite in two days
00:38:03Keep your mind off that overgrown canary and get out the painters and get them posters
00:38:08And I want you to start plastering up all over town
00:38:13All right, but my heart ain't in it
00:38:28Hey, look at this
00:38:34Watch for a huge Street Parade
00:38:38Say isn't there some old city ordinance that prohibits circus parades
00:38:42Yeah, I believe there is now that you mention it. I'm pretty sure there is
00:39:03I
00:39:11Think we're all set big parade is about to start. Let's see now everybody here. Yeah, everybody the show can't find it
00:39:18Sure, it you never read around when you want it
00:39:20Oh
00:39:26Sure
00:39:30What tarnation wrong with you now, it's Oscar matter
00:39:35Turned up his toes. Yes up. He's dead
00:39:39Dead in a doornail. Now, that's too bad. Sure, but you know the show must go on
00:39:44Now you get up there with the rest of fellas. I'm gonna miss that credit. Sure. Sure. We are
00:39:51I
00:40:02Miss Barnum, but if you folks are planning on a street parade, you can't go through with it. We can't do what sheriff?
00:40:08Well, just a minute. Why can't we listen Tom?
00:40:11Don't put on a show. We're gonna put on a parade. That's your only way we can sell tickets
00:40:15I know but law is law. We have a town ordinance here that says circus parades are prohibited
00:40:21Sheriff, don't you realize we've got to have a parade and if we do decide to parade who's gonna stop us?
00:40:27I'm afraid you'll all be arrested if you try it. Mr. Rogers
00:40:31I'm sorry, but I don't make the laws
00:40:33Hey
00:40:42What's going on we got an ID
00:41:03Got away
00:41:17The acrobats gave us a fright you closed your eyes and held me tight
00:41:22Someone left we turned to see the crowd was laughing at you and me, but we didn't even care
00:41:28When they all began to stare we hugged and squeezed the elephant's knees and the man in the back
00:41:35Lemonade
00:41:54What's the matter sheriff you're all under arrest Rogers I told you there were no circus parades allowed in this town
00:42:02But this isn't a circus parade and what do you call it this year's a funeral procession you're trying to be funny
00:42:08You're a procession. Who's dead?
00:42:11poor Oscar
00:42:13back there in the bandwagon I
00:42:17Suppose you've got a burial certificate. Yes, sir. Sign your seal with the doctor. Everything's in order
00:42:23a
00:42:28Duck
00:42:29So you see sheriff?
00:42:30This isn't a circus parade after all the only reason we were playing this kind of music is because well Oscar loved it. So well
00:42:37It was the poor critters dying wish it says to me just for a laid-down
00:42:42Gabby says
00:42:44Suzy no sad
00:42:46Sorrowful music when I'm gone. I want folks to be happy and gay like
00:42:51Them was his very words, Tom
00:42:56So go ahead with the very ceremony
00:43:21I
00:43:35Think I better wait outside and keep watch nobody be around they're all up to the circus grounds
00:43:51Oh
00:44:02Gonna be a sweet job trying to find a receipt in here. Never mind that check the trunk. I'll go through the desk
00:44:07Oh
00:44:17Gabby a car looks familiar. That looks like the one them fellers use when they snatch Phillips say Gabby
00:44:23How did you see it? You told me you were knocked out in hog time
00:44:27Who me? Oh, yeah, that's right. That's right
00:44:37Somebody's coming
00:44:55Hello hello there
00:44:59We were just looking for you
00:45:01How'd you know we were here? Well if the circus grounds and they told us that I see
00:45:07Rogers wondered if you're still interested in the place heard you're gonna leave in a couple of days and thought we'd better drop down
00:45:12Oh, this is mr. Maxwell. Howdy. Hi there. As a matter of fact, mr. Ripley
00:45:16I have been thinking about this ranch. If you've got a couple of minutes
00:45:19I'd like to talk to you about all the time in the world
00:45:21We're going in the house and pick up a couple of things to be back in a minute right ahead
00:45:25Oh
00:45:33What are you talking about you're not thinking of Bob I've got a hunch they're up to something
00:45:37When they leave here, there are sense to talk about it and you're gonna listen in to what they have to say
00:45:41How am I gonna do that? Get into the back of the car and ride with him
00:45:46Well, you've been seeing too many movies now. Listen Bob. I thought you wanted to help. Well, sure. I want to help. Okay
00:45:53I'll get him away from the car. Have you give him a hand?
00:46:00Boys are getting that thing together
00:46:02Mr. Ripley, what kind of a dealer are you prepared to offer?
00:46:05Well, I haven't exactly set a price like show you around. Well, let's go on
00:46:13Let me go see you Bob I'm more fit I tell you no no Roy wouldn't like it
00:46:18Besides this is a job for a young man. Well, I'm younger than I look I got a love fire of flaming youth
00:46:25Sorry, Gabby. I'm gonna have to refuse you. You can't refuse me me Gabby Whitaker
00:46:29It stopped her heard the stampede and cattle all by myself
00:46:33They were thousands of coming right at me in front of them was a wild bull. What do you suppose it done?
00:46:39What did you do get I just stood there calm like and sold the bull you thought I got it
00:46:48I'll choose you fair and square
00:46:50now
00:46:53The one that gets strong stays here look Roy told me that I had to do it and I'm going I'm going to give you
00:46:59The best of it. I'm going to give you the first choice. Go ahead. Go on
00:47:03Man gets straw states
00:47:18I
00:47:29Didn't realize it was too late. I'm afraid we're gonna have to make it another time
00:47:32Suppose I get in touch with you in the morning. That'll be fine. All right
00:47:42Well, see you in the morning and thanks for coming over
00:47:48I
00:48:13Look out
00:48:18I
00:48:48I
00:48:50Have lost hello boss. Where you got him. He's out in the back tied up
00:48:56How long we got to keep this guy here till I find the paper I'm looking for if this Phillips knows where it is
00:49:01Maybe we can make him talk. That's just what I don't want you to do
00:49:04If he finds out why he was snatched it'll tie me in with it
00:49:07I've got to be kept out of this thing understand. Sure
00:49:10We understand but what are you gonna do with him after you find what you're looking for?
00:49:13I don't know yet, but all you got to worry about is keeping them here. I'll let you know later
00:49:17That's the way I want it
00:49:47I
00:50:17Don't know
00:50:28Hey the cars gone must be some crooks around here, yeah, how do you like that?
00:50:34You mean that all the time you were in the back end of that car. You didn't hear a thing
00:50:38I don't hear the motor roar
00:50:41Still here that dad blame thing you haven't any idea where they took you let him alone Bob
00:50:47You had no business letting him go in the first place. I asked you to go
00:50:50I'm no Roy, but well, we drew straws for it fair and square
00:50:54Hey, it was one place where there must have been a 20-foot drop. That's where I got this bump on my noggin
00:51:02I'll bet that was the old dry wash. Yes, sir. That's the way they went
00:51:06Well, let's go and see if we can pick up their trail
00:51:08I ought to be able to do it. I can remember ever. Oh
00:51:11pop
00:51:21Here their tracks, all right
00:51:32It looks like the tracks paid out here
00:51:38Say Gabby, do you remember if the car went straight ahead after you came through the wash or did it make a turn?
00:51:42Oh, I couldn't say I bounce around to dirt much
00:51:47That's you know, I do remember a few minutes later. We must have passed close to a skunk and I mean close
00:51:55See you eat
00:51:57That ought to be an easy scent to pick up. Yeah. Well, let's fan out and see what we find
00:52:08Oh
00:52:15Hey Gabby
00:52:20Here's our spot
00:52:23Yeah
00:52:24Critters been here. All right, and reach
00:52:28Here's the tracks again
00:52:30Hey and for that right younger
00:52:39I
00:52:41Sue's it
00:52:44The old mine shaft around the corner why in tarnation didn't I think of that before
00:52:49Well, let's leave our horses here and go on foot. There may be trouble
00:53:08I
00:53:18We're in port looks like it I'm gonna try a shot through that winter
00:53:23Yes, first time hold it Gabby Phillips is in there. You might hit him
00:53:28Well, just can't stand around see all the shooting one-sided. Can we?
00:53:33Well, we're just in time for supper anyway, they got a fire going in there I would just notice in there
00:53:57I did that in the picture once
00:54:02Oh
00:54:11Fire before all smoked out of here
00:54:16Got that barrel fill it up and don't try to get away. We got you covered
00:54:24He's going for water
00:54:32I
00:54:48Might as well give up fellas. There's 20 men out there. They've got the place around it. We'll choke to death in here
00:55:02I
00:55:06Think the guns Gabby you all right, mr. Phillips. Yeah
00:55:17Well, what'd you find out?
00:55:19One thing Lawson and Goss haven't talked yet as far as the sheriff knows. It was just a kidnapping job
00:55:26It did a little snooping around that circus tent, too
00:55:29Phillips was talking to the girl from what I could make out that receipt you're looking for is in the ball over to bank
00:55:34That means they'll be at the bank the first thing in the morning
00:55:37unless we
00:55:46They'll hurt and cowboy up on your pony thing and
00:55:53Right now boy, we'll make salmon pony thing and
00:55:59Long weary days and the dusty road to travel but we'll make the boss pay for all this battle driving cattle
00:56:06I parted carefree trail herding cowboy singing
00:56:12Keep moving doggies time is a waste and singing
00:56:19I'm not impatient, but why don't you pay some singing?
00:56:22Oh
00:56:25You ought to know that a certain someone's waiting you ought to know that you captivate and confiscate
00:56:32Arms will unfold this trail herding cowboy singing
00:56:38One little doggy straight from his mother singing
00:56:52I
00:56:57Don't know why I should give more to you lazy. It's a nice-looking bracelet gun. You got
00:57:01Places packed and we're still selling tickets. I don't know where we're going to put them all. Well, gee, that's swell
00:57:09You don't know what this means to me
00:57:12Maybe after the excitement's all over I can
00:57:15Well think of some way to tell you how grateful I am. It's nice to be here, Sue
00:57:19Well, I'm glad Roy asked me it's like it's gonna be a lot of fun
00:57:34They just blow the bank vaults or about six of them
00:57:36They shot one of the sheriff's men and took off cross-country. Well, Daniel, but we're making a picture right here for somebody to holler
00:57:42Can't you get the show started and we'll be back as soon as we can. How do you know you'll be back?
00:57:46Start the show. They can't leave me behind somebody else to start the show. I'll bring them back single-handed
00:58:16I
00:58:46I
00:59:09Got our front tire
00:59:46I
01:00:02Got the gas tank
01:00:07Hey look we haven't a chance
01:00:16I
01:00:46I
01:01:11You're gonna do a lot of damage with those blanks
01:01:16I
01:01:25All right, come on out we got you covered
01:01:46I
01:02:16I
01:02:43Get up on your feet
01:02:47I'm sorry. I had to do that as a rule. I'm a peace-loving man. Get out of here
01:03:09Here's what I've been looking for
01:03:13Come on get up there on my horse
01:03:17I
01:03:29Like everybody got their man
01:03:39Well, here they are sheriff, well, I'll be doggone say Roy this is just like one of your movies
01:03:44Yeah, right, but your pictures always finishes music
01:03:47Holy mackerel the show come on boys
01:03:49I
01:03:51I
01:04:16Know blame well that receipt were somewhere. All right, stand by boys
01:04:22I
01:04:33Producing tonight's biggest attraction Republic's great Western stars and here they come
01:04:39Sunset Carson riding silver John Barry riding cyclone Bob Livingston riding shamrock
01:04:52I'm Wayne riding better
01:05:02While Bill Elliot riding thunder
01:05:11And Roy Rogers riding trigger
01:05:21Oh
01:05:51Get wet while and the man in the back
01:06:21I
01:06:51Oh
01:07:21You may find what he's dreaming
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