- 12 years ago
Thriller / Foreign (2004) 76 minutes ~ Color
It's the 2nd of November in Italy, "All souls day", when an old woman finds the corpse of young, Father Salvatore inside the church. He was young, but very sick, and the coroner says he died due to heart failure. But the young, Inspector Santi, having just arrived in the small village, from Naples, has a lot of questions he can't answer about the death of the priest. There is a legend in the village: when a man has to die, his dead relatives awake from the cemetery and go to collect his soul... Everyone in the village is sure Father Salvatore was killed by this 'procession of dead', because the evening before, Armando, the cemetery guard, had seen the procession outside the cemetery. Ada, Father Salvatore's sister, instead believes, that her brother was killed in envy, by the other priests, and the village people. They didn't understand his work for the village. Moreover, Father Salvatore had some problem with the mayor of the village. And the niece of the mayor, Martina, can see dead people, like her mother and grandmother, before her. Inspector Santi has a lot to investigate in that small village, but the mayor doesn't like this investigation -- and he is not the only one. Another death -- Armando's! Let begin, the ultimate investigation, to solve Father Salvatore's, and Armando's deaths.
Director: Bruno di Marcello
Writer: Bruno di Marcello
Stars: Riccardo Calvanese, Antonio di Nota, Marianna Confessore
It's the 2nd of November in Italy, "All souls day", when an old woman finds the corpse of young, Father Salvatore inside the church. He was young, but very sick, and the coroner says he died due to heart failure. But the young, Inspector Santi, having just arrived in the small village, from Naples, has a lot of questions he can't answer about the death of the priest. There is a legend in the village: when a man has to die, his dead relatives awake from the cemetery and go to collect his soul... Everyone in the village is sure Father Salvatore was killed by this 'procession of dead', because the evening before, Armando, the cemetery guard, had seen the procession outside the cemetery. Ada, Father Salvatore's sister, instead believes, that her brother was killed in envy, by the other priests, and the village people. They didn't understand his work for the village. Moreover, Father Salvatore had some problem with the mayor of the village. And the niece of the mayor, Martina, can see dead people, like her mother and grandmother, before her. Inspector Santi has a lot to investigate in that small village, but the mayor doesn't like this investigation -- and he is not the only one. Another death -- Armando's! Let begin, the ultimate investigation, to solve Father Salvatore's, and Armando's deaths.
Director: Bruno di Marcello
Writer: Bruno di Marcello
Stars: Riccardo Calvanese, Antonio di Nota, Marianna Confessore
Category
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Short filmTranscript
00:00:00The following video is a work of fiction. Any resemblance to real persons, living or dead, is entirely coincidental.
00:00:26What are you doing? Don't you know how to play?
00:00:28It's the first grade. Give me the helmet, I'll tell you.
00:00:30I'll give you two.
00:00:58What happened, Armando?
00:01:19What happened?
00:01:20I don't know.
00:01:21Armando, look at the firecrackers.
00:01:23Oh, the firecrackers.
00:01:25Can you help me? It's cold.
00:01:45It's always closed.
00:01:48You have to keep it.
00:01:49No, you don't have to.
00:01:51Who asked you to do this?
00:01:53It seems like an excuse.
00:01:57One moment, please.
00:02:00Hello? Yes.
00:02:01Hi, tell me.
00:02:04Don't you hear me?
00:02:06Yes, I hear you.
00:02:08Yes.
00:02:10Okay.
00:02:14I think we should close.
00:02:18Something happened.
00:02:20You all go home and then I'll let you know.
00:02:24I'll call you directly at home.
00:02:26I'll call you at home and I'll let you know what happened.
00:02:29It's a useless thing to do.
00:02:31Yes, we don't want to know.
00:02:33When are you coming back?
00:02:35In the evening.
00:02:37Okay.
00:03:07THE END
00:03:37THE END
00:04:07THE END
00:04:37THE END
00:05:08Hello, Mr. Salvatore?
00:05:11Mr. Salvatore?
00:05:13Mr. Salvatore?
00:05:15Mr. Salvatore?
00:05:37Mr. Salvatore?
00:06:07THE END
00:06:37THE END
00:07:08Inspector, this is the woman who found the body.
00:07:11Do you hear her talking?
00:07:13Yes, Inspector. It's better if she talks, so I don't have to think.
00:07:16Please, please, sit down.
00:07:19Inspector, maybe you don't know because you don't live here,
00:07:23but they were killed, Mr. Salvatore.
00:07:25Killed?
00:07:26What do you mean?
00:07:27When a woman died, she died in this village.
00:07:30They took her and took her away.
00:07:33What is it about? Is it a legend?
00:07:34It's a legend, Inspector.
00:07:35It's a legend.
00:07:36They caused all this.
00:07:39You don't know because you don't live here.
00:07:42I'm sorry.
00:07:43Heart attack.
00:07:44Nothing inexplicable.
00:07:45She was young, but she was very sick.
00:07:47It looks like she had her first heart attack when she was 20.
00:07:50A congenital malformation.
00:07:51What do you want to do?
00:07:52These things happen.
00:07:53So, in your opinion, is it a natural death?
00:07:57Well, you have to say that.
00:07:59But from my point of view, there were no external manipulations.
00:08:02That's all.
00:08:04Goodbye.
00:08:15Good morning, Inspector.
00:08:17What have you done?
00:08:18Have you started cooking again?
00:08:20But I told you what men who cook think of the country.
00:08:24And then you make me look bad too.
00:08:26I come to work for you and you don't even let me cook.
00:08:31Did Mr. Salvatore know anything?
00:08:33Heart attack.
00:08:35But you don't agree, is that so?
00:08:37But I'm not a medical doctor.
00:08:39Come on, what do you have to do, so mysterious?
00:08:42Are you sure that tomorrow he won't know the whole country?
00:08:44But he has to wait until tomorrow.
00:08:47You see, the problem is not the heart attack, but the way it happened.
00:08:52If you were heart sick and you felt bad,
00:08:54would you run to get the medicine or would you kneel to pray?
00:08:58I would go to get the medicine, but that was a priest.
00:09:01But it's not that priests want to die,
00:09:03especially if they are 28 years old like Don Salvatore.
00:09:07Then he took the medicine every day and had it nearby.
00:09:11And this is your doubt?
00:09:13Not only, many other small details.
00:09:16For example, if someone is sick, he calls someone, right?
00:09:18The phone worked, but the call didn't come.
00:09:21It may seem like all nonsense, but you can explain it to me.
00:09:24In short, that poor guy died of heart attack.
00:09:26You worry about him.
00:09:27He died kneeling like a good priest.
00:09:29What else can you find?
00:09:31Inspector Santi, we are not in Naples.
00:09:33I have been working in this country for 30 years.
00:09:35I was born here and I hope that as soon as possible I will die.
00:09:41And there are no murderers here.
00:09:44Anyway, you are the inspector, if you want to investigate.
00:09:53My brother had many enemies.
00:09:55Enemies of what kind?
00:09:56Of all kinds.
00:09:57They said everything about him.
00:10:00About what?
00:10:01Everything.
00:10:02From having a lover to pedophilia.
00:10:04Obviously, no one of these voices could have followed him.
00:10:07I am atheist and I have always been against the fact that he gets votes.
00:10:11But his commitment went well beyond the mass day.
00:10:13He was interested in everything in the parish.
00:10:15Always the best way to make enemies.
00:10:17Indeed.
00:10:18The last scourge was about two months ago.
00:10:21With the mayor.
00:10:23Because of an old convent.
00:10:25My brother wanted to restore it and entrust it to scholars.
00:10:28The mayor, on the other hand, wanted to take it down.
00:10:31He already had the opportunity to make us a shopping center.
00:10:34My brother put the stick between his wheels.
00:10:36So many people would have taken advantage of his brother's death.
00:10:40On the other hand, mine is just a formal investigation.
00:10:42The legal doctor said that death is attributed to a heart attack.
00:10:45So I have no reason to believe that ...
00:10:47Inspector, let's not fool around.
00:10:49If you are doing this investigation, it means that you don't have very clear ideas.
00:10:53And I would advise you to start with your dear brothers, Salvatore.
00:10:57Why? What did they have with his brother?
00:10:59As I said, I don't care about church affairs.
00:11:01But surely when someone does his job well, it arouses envy.
00:11:07Especially in those who are just singing mass.
00:11:10The young people of the other parishes came to Salvatore.
00:11:13And he involved them in many activities.
00:11:16He was a good friend for them.
00:11:21You have been very helpful to give me an idea of ​​the situation.
00:11:24I was informed.
00:11:26My husband, Inspector.
00:11:28Nice to meet you.
00:11:31Wait, I know the way.
00:11:33Go ahead.
00:11:38I expect you to stay alive.
00:11:40My mother is also the perpetrator of what she did.
00:11:43I didn't get married.
00:11:45I fell in love and I fell in love.
00:11:47Just like Don Salvatore.
00:11:50Did you agree with Don Salvatore?
00:11:53Of course I agreed with everyone.
00:11:56Since I've been here, you know how much I've seen the priests.
00:11:59I don't have problems with anyone.
00:12:01I do my own business.
00:12:03But the priests today don't talk to me like that.
00:12:07They talk to me like crazy.
00:12:10I don't know what to do with them.
00:12:12It's not right that the priests think of certain things.
00:12:15I hope it's not right.
00:12:17How can I tell you?
00:12:19We are used to seeing the priests on the altar of the mass.
00:12:23Don Salvatore was young.
00:12:25He was interested.
00:12:27He said he had a lot of money.
00:12:29He didn't know what to do.
00:12:32Did you have any problems with the mayor?
00:12:35Problems, Inspector? Problems?
00:12:38I always said that.
00:12:40If he didn't care about many things, he didn't make many enemies.
00:12:43And you know that.
00:12:45The mayor has money.
00:12:47And people understand me.
00:12:49You know how he does it.
00:12:51Did you see each other often with your sister?
00:12:54That was another concern of Don Salvatore.
00:12:58So they didn't get along?
00:13:00She's not a good woman, Inspector.
00:13:02I don't know what I'm trying to say.
00:13:04But she had a husband.
00:13:06But she didn't believe anything, Inspector.
00:13:08And because of this, Don Salvatore suffered alone.
00:13:11So they weren't on good terms?
00:13:14No, they weren't on good terms.
00:13:16They called him every night.
00:13:18He called him every night?
00:13:20Every night, Inspector. Every night.
00:13:23And now he can't call anyone.
00:13:26Everyone is his destiny.
00:13:28But in your opinion, how did Don Salvatore die?
00:13:32How did he die?
00:13:34They came to get him.
00:13:36Who? The dead in the cemetery?
00:13:38Yes, yes, just like that.
00:13:40Inspector, don't make fun of me.
00:13:42The nephew of the mayor is sick.
00:13:44This year he died in the cemetery.
00:13:47I also knew his grandmother.
00:13:49I knew his grandmother.
00:13:51The dead are real.
00:13:57Hi, I was looking for the mayor.
00:13:59The mayor is not at home. Who are you?
00:14:01I'm Inspector Santi, from the police.
00:14:03Oh, sorry, Inspector, I didn't recognize you.
00:14:05Miss Martina, the niece, is here.
00:14:08If you want to talk to her.
00:14:09Yes, thank you.
00:14:10Come in, come in.
00:14:12Miss Martina is over there. I'll call her.
00:14:15Please, sit down.
00:14:17Thank you. But the mayor is not here?
00:14:19He is at the store at this time.
00:14:21He is the owner of the ten employees.
00:14:23He goes there every morning at 7 and returns home at 10 in the evening.
00:14:26But what do you have to ask him?
00:14:28No, I have questions about the administration.
00:14:30Because of the investigation on Don Salvatore.
00:14:32But they told me that Miss Martina is a kind of peasant.
00:14:36Don't talk to me about the trial, Inspector.
00:14:38I'm still all impressed by that evening.
00:14:40When they told me...
00:14:41Who told you?
00:14:42Some friends of mine.
00:14:43But the whole town knew it.
00:14:45Even the guard of the cemetery saw her.
00:14:47And then after a lot of other people.
00:14:49But have you ever seen her?
00:14:50No, no, I've never seen her.
00:14:51But now I have to tell you something that I've never told anyone.
00:14:54That evening, the trial also happened here.
00:14:57Here where?
00:14:58Here at home, Inspector.
00:15:00But I stayed still and quiet.
00:15:02Who knows who they wanted to catch.
00:15:03Anna, what's going on?
00:15:04Ah, we have visitors.
00:15:06Who do you want to arrest, Inspector?
00:15:07Ah, you know me?
00:15:08Of course.
00:15:09Now everyone in town knows you.
00:15:10And then I always see you passing by here in front of the window when you get home.
00:15:14Do you spend a lot of time in front of the window?
00:15:16No, I only do it at that time.
00:15:18But did you come to interrogate me?
00:15:20Well, in town they only made me talk about your extrasensory powers, so...
00:15:24I wouldn't call them that.
00:15:25Well, I don't know the technical terms.
00:15:27Maybe you prefer...
00:15:28Perceptions, clairvoyance...
00:15:30I call him Dono.
00:15:31He's a Dono who also had my grandmother.
00:15:33She was famous in town for this.
00:15:35They say she also had my mother, but I didn't get to know her very well.
00:15:38She died in an accident with my father.
00:15:40So I was nine years old.
00:15:42And your uncle?
00:15:43My uncle remained a widow shortly after the marriage.
00:15:45And since then I have done nothing but think about my shop.
00:15:48But I have to consider myself accused of some crime for this third-degree that you are doing to me.
00:15:52I apologize.
00:15:53I didn't want to seem invasive.
00:15:55It's just that I've been in town for a short time and they talked a lot about you.
00:15:58Don't worry.
00:15:59I'm used to this kind of attention.
00:16:01In short, to conclude the story,
00:16:03not having children and with such a big house,
00:16:05my uncle didn't have a hard time adopting me, let's say.
00:16:08He never made me miss anything.
00:16:10So even if I can't consider him a very affectionate man, I'm grateful to him.
00:16:13And don't you sit down?
00:16:15No, thank you. I prefer to go home.
00:16:17I've been in town for two months and I haven't been able to finish the transfer yet, so...
00:16:27All right, Inspector?
00:16:28How much is it?
00:16:29We don't even talk about it.
00:16:31It's a joke.
00:16:32Come on, let's go. How much is it?
00:16:33Don't worry about it.
00:16:34What newspaper do you read?
00:16:36I don't know. It depends. Why?
00:16:38Have you read this article?
00:16:40I wrote it. I'm a journalist.
00:16:42And sooner or later I'll leave here and I'll do it as a profession.
00:16:46On the contrary, when you have some interesting news,
00:16:50I need to make a single good shot.
00:16:52Roberto!
00:16:53I'm coming, uncle.
00:16:54Excuse me.
00:17:29I'm coming.
00:17:59I'm coming.
00:18:29I'm coming.
00:18:59COUGHS
00:19:02COUGHS
00:19:07COUGHS
00:19:10COUGHS
00:19:30KNOCK ON DOOR
00:19:32Inspector, Mr. Mayor is here.
00:19:37Good morning, Inspector Santi.
00:19:39Good morning, Mr. Mayor. Please, have a seat.
00:19:41I heard you came to see me yesterday.
00:19:43You shouldn't have. You should have come this afternoon.
00:19:46I heard that the poor Don Salvatore...
00:19:48Two coffees, please.
00:19:50Gregoretti!
00:19:51Gregoretti, two coffees, please.
00:19:54As I was saying, the poor Don Salvatore is still working for the police.
00:19:58I thought it was obvious that it was a natural death.
00:20:01But somehow I have to earn my salary, don't I?
00:20:04Just like you do,
00:20:05that you come here to ask me questions to keep your citizens informed.
00:20:08Actually, if I may take the opportunity to ask you a few questions.
00:20:11Certainly.
00:20:12What kind of relationship did you have with the victim?
00:20:14A cordial relationship, as far as the mayor is concerned.
00:20:16Although the age difference was such
00:20:18that sometimes the relationship became almost father-son.
00:20:21But they told me about some mischief.
00:20:24My superiors have the bad habit of working in fantasy.
00:20:30Gregoretti.
00:20:33Besides, if the death was natural,
00:20:35then I don't understand why all this happened.
00:20:38What can I tell you, Mayor?
00:20:40It won't be my business anymore.
00:20:42Without a doubt, I also think that Don Salvatore
00:20:44died certainly for natural causes.
00:20:46So I don't want to pull the string too much
00:20:48and as soon as I have solved those last doubts that remain,
00:20:50I will definitely file the case.
00:20:52So, are there any doubts?
00:20:53Doubts are important for civil coexistence.
00:20:56Unbreakable certainties are very dangerous.
00:20:59All right, Inspector.
00:21:00I leave you to your work.
00:21:01And the coffee?
00:21:03I'll talk about it another time.
00:21:10But won't all these coffees hurt you?
00:21:12You're welcome.
00:21:15We were saying, important visits.
00:21:17But you in this country don't know that
00:21:19who makes his own camp for a hundred years?
00:21:21In Naples, it was a rule.
00:21:23And why did you leave Naples?
00:21:25Because we worked too much here.
00:21:26I'm a pig.
00:21:40Sorry I'm late.
00:21:41My colleague, when he attacks,
00:21:43I made him pull his neck.
00:21:44No, no.
00:21:45More than anything, I don't want to ruin your break, Franz.
00:21:47Don't worry.
00:21:48For me it's a diversion.
00:21:49I don't know how alienating it is to work in a bank.
00:21:53Hello.
00:21:55As usual, thank you.
00:21:57I'll take what the lady takes.
00:21:59Do you trust her?
00:22:00Well, I'm a librarian.
00:22:01And I have a lot of faith in her good taste.
00:22:03So, what's new?
00:22:05Well, there's not much new.
00:22:07More than anything else, I'm trying to focus on
00:22:09not too clear points.
00:22:10I wanted to ask you,
00:22:11but even on the night of the murder,
00:22:13did you call your brother?
00:22:14Yes, of course.
00:22:15And did he answer?
00:22:16No, unfortunately not.
00:22:17In fact, it's strange.
00:22:18The phone was free, but...
00:22:20No, he didn't answer.
00:22:30I interrogated some barbers in the area.
00:22:32The most senior ones were annoyed,
00:22:34but nothing relevant.
00:22:35Even with the mayor.
00:22:36Enmity has been confirmed,
00:22:38but the political track...
00:22:39So we're out of the woods.
00:22:41Well, it's still early to say that.
00:22:43Rather, I wanted to ask you,
00:22:44but did your brother ever talk to you
00:22:46about some barbers
00:22:47a little too affectionate, let's say?
00:22:49In love, he says.
00:22:51My brother had dozens of admirers in the parish.
00:22:54Surely many of them had a feeling
00:22:56that could go well beyond
00:22:57the simple admiration.
00:22:59But...
00:23:00No, he never told me the precise name.
00:23:14I don't know.
00:23:15But he's my brother.
00:23:16I've got everything I need.
00:23:17I'll leave this to you.
00:23:18I'll call you later.
00:23:19I'll call you.
00:23:20Bye.
00:23:21Bye.
00:23:22Bye.
00:23:23Bye.
00:23:24Bye.
00:23:25Bye.
00:23:26Bye.
00:23:27Bye.
00:23:28Bye.
00:23:29Bye.
00:23:30Bye.
00:23:31Bye.
00:23:32Bye.
00:23:33Bye.
00:23:34Bye.
00:23:35Bye.
00:23:36Bye.
00:23:37Bye.
00:23:38Bye.
00:23:39Bye.
00:23:40Bye.
00:23:41Bye.
00:23:42Bye.
00:23:43I'll call you when I get there.
00:23:44Wait for me here.
00:23:48Inspector!
00:23:52What an electrifying job! It must be his, right, Inspector?
00:23:55How many volumes do you have insured for justice today?
00:23:58Well, sometimes I would like to have his gift too.
00:24:00It would be much easier.
00:24:02Good evening, Inspector.
00:24:03Miss, the Mayor has asked you to come up for a moment.
00:24:06Well, I don't want to disturb you.
00:24:08Tell my uncle that I'm going out. I'm going to the pub.
00:24:13Magris has always been unfaithful to me.
00:24:15He's a son. It's not pleasant to have him among admirers.
00:24:18Do you have many?
00:24:19I can't imagine how many.
00:24:20But maybe we've found the killer, Magris.
00:24:22Maybe it was him who killed Don Salvatore.
00:24:24A moment?
00:24:25Personal fun. Or maybe to create the sculpture he's been looking for so long.
00:24:31Interesting hypothesis.
00:24:33But what did you think of Don Salvatore?
00:24:38Well, he was a good boy.
00:24:39But predictable and a bit boring like all priests.
00:24:42He didn't even believe in the fact that he saw the dead.
00:24:44I didn't like that.
00:24:45He said, why should the two worlds meet? God wouldn't allow it.
00:24:49So I asked myself if God was uncomfortable to go and tell him himself.
00:24:53What do you think, Inspector?
00:24:55I've never had the problem.
00:24:57How long have you been dating Don Salvatore?
00:24:59I don't know the job.
00:25:01Since he arrived, three years ago.
00:25:03He didn't collaborate at all with the previous parish, because he was the usual priest.
00:25:06And more or less he would do all the dirty things around him.
00:25:10Do you call your friends like that?
00:25:11What friends?
00:25:12I prefer to be alone than to be with him.
00:25:15Anyway, the story of the celibate has always seemed to me a big bluff.
00:25:18I told Don Salvatore openly that I would do it willingly.
00:25:22But he laughed.
00:25:24And I considered myself a spoiled girl.
00:25:28But do you know that if my uncle sees us here alone, he will send me to Turin?
00:25:31Is he that bad?
00:25:32I don't know how bad.
00:25:34Aren't you afraid of him?
00:25:35Of course I'm afraid.
00:25:36I'm from Naples, from the south.
00:25:38In Turin there are factories, in the fog.
00:25:40Come on, let's go.
00:25:55Sit down, sit down.
00:25:57Don't worry, I don't have to ask you anything in particular.
00:25:59Just, what did you do in the parish?
00:26:02How did you help Don Salvatore?
00:26:05We had weekly meetings, prayer meetings.
00:26:09And sometimes Don Salvatore and I did a little bit of each other.
00:26:11But why do you ask us these questions?
00:26:13It's a question of ordinary administration.
00:26:15You know, when someone dies without a witness.
00:26:17A bit like what happens on television, in the movies.
00:26:20But how was Don Salvatore?
00:26:22How did he treat you?
00:26:24Good. He was nice, he always joked.
00:26:26Sometimes he came to eat pizza with the whole group.
00:26:29Instead, he left an hour earlier.
00:26:30I understand.
00:26:31And when did you meet?
00:26:33Twice a week, on Tuesdays and Thursdays in the afternoon.
00:26:36And in the morning, or outside the parish?
00:26:39No, in the morning we are at school, only on Sundays.
00:26:41I'm also in the choir.
00:26:42For the blessings of Easter we came home.
00:26:44Here, in the village, people don't like the kind of preaching that is always done by everyone.
00:26:49And for this, at least for the houses, we come once a year.
00:26:52But, between us, did Don Salvatore like you, let's say, as a man?
00:26:59Inspector!
00:27:00But that was the priest!
00:27:01He did strange things, Don Salvatore.
00:27:03Let's say, strange for a priest.
00:27:05What do you mean?
00:27:06I don't think so.
00:27:07He was a serious and jovial person, like all priests should be.
00:27:10No, because I heard him say strange things.
00:27:12You don't have to believe it.
00:27:13Don Salvatore was a serious person.
00:27:17Who were his most assiduous collaborators?
00:27:19Apart from her, of course.
00:27:20And his wife, the wife of St. Cristano.
00:27:23But only women?
00:27:24No, no, all, all.
00:27:25There were all the scouts.
00:27:27And then, every now and then, the mayor's niece would come.
00:27:30But, of course, not to collaborate with him, but to organize the evening outings.
00:27:36Did Don Salvatore have the habit of staying late in the sacristy, as usual?
00:27:41No.
00:27:42Like all young people, he didn't like going to bed early.
00:27:44He stayed in the sacristy, precisely, to organize the things he had to do the next day.
00:27:50If there were boys, he would hang out with them.
00:27:53If one of them had a problem, he would confess it.
00:28:00Come in.
00:28:02Inspector, there is...
00:28:03I'm pretending that I'm doing something against these scribblers.
00:28:06He's a scoundrel.
00:28:07Please.
00:28:08They were also talking about her, you know?
00:28:10And not certainly in a jovial way.
00:28:12Yes, yes, I read it.
00:28:13I read this article.
00:28:14But I don't care about it anymore.
00:28:16For the police, this is normal administration.
00:28:18Moreover...
00:28:19Please, please, please.
00:28:21Moreover, I know the journalist who wrote it.
00:28:23He's a boy from this area who is looking for the scoop.
00:28:25As soon as I see him, I'll tell him everything.
00:28:27That's not enough. I'll tell him everything.
00:28:28But I don't think it's a good idea.
00:28:30Moreover, I don't think there are lawyers who would take his case for granted.
00:28:34You know, these newspapers have several lawyers available,
00:28:36just for the things they say every day.
00:28:38And then?
00:28:39Everything will be clear at the end of the investigation.
00:28:41Trust me.
00:28:42For now, I can only offer you a coffee.
00:28:44Actually, let's go get it together at the bar, if you want.
00:28:47So I can take a break too.
00:28:48What do you say?
00:28:51Good morning, guys.
00:28:52Good morning, Inspector.
00:28:53Yes, just a moment.
00:28:55They left this for you a while ago.
00:28:59What is it about?
00:29:01Honestly, I don't know. They took it from the municipality.
00:29:03It's from Inspector Santi.
00:29:09Samuel!
00:29:10The usual coffee.
00:29:11Right away, Inspector.
00:29:20Here they make the best coffee in the whole country.
00:29:22And maybe even in the province.
00:29:23I would like to apologize for what happened earlier.
00:29:25No, it's not a problem.
00:29:26It can happen to everyone.
00:29:28Of course, I'm very angry about what I read.
00:29:31They revoked all the invoices made on my brother in these three years.
00:29:35But I wouldn't have reacted like that
00:29:37if I hadn't argued with my husband every time.
00:29:41He really left this time.
00:29:43Yes, it had already happened other times,
00:29:45but I think this is the last time.
00:29:47And the strange thing is that
00:29:49maybe I don't regret it that much anymore.
00:29:52Of course, after 15 years.
00:29:55The reasons why we argued with my husband were many.
00:29:58But the worst thing is that we couldn't have children.
00:30:01We both wanted them so much.
00:30:03We even thought about adopting them.
00:30:05But it wasn't the same thing.
00:30:08In short, I think you understand me.
00:30:10I have this pleasant feeling.
00:30:12You don't know how important you are to me right now.
00:30:15First there was Salvatore who supported me in these moments of discomfort.
00:30:18Now that he is no longer there,
00:30:20he will believe me to be a weak woman.
00:30:22No more than anyone else, including me.
00:30:24But let's talk a little about her.
00:30:25Why didn't you ever get married?
00:30:27I have a good partner like her.
00:30:28Some women are so attracted to the dress.
00:30:31You can see that I'm not attracted to that kind of woman.
00:30:34But I don't know what to tell you.
00:30:35You can see that it never happened.
00:30:36In the end, I have given up on being alone.
00:30:39It's a matter of habit.
00:30:40I think I understand.
00:30:41She must be that classic romantic man
00:30:43who suffered a disappointment in his youth.
00:30:46Otherwise, he would have become a brother.
00:30:57I want to go up and get something.
00:30:59Now I'm single too.
00:31:01It would make me happy if you made me some company.
00:31:05Come on.
00:31:06Just for a quick dinner.
00:31:08I thought a little boy like her would have more courage.
00:31:34Good morning, Inspector.
00:31:35Did you wake up at night this morning?
00:31:37I see you with a slightly beaten air.
00:31:40You don't have to spend the night out of your minds.
00:31:44It's cold.
00:31:45You're not a little boy anymore.
00:31:47I'm sorry.
00:31:48I'm sorry.
00:31:49I'm sorry.
00:31:50I'm sorry.
00:31:51I'm sorry.
00:31:52I'm sorry.
00:31:53I'm sorry.
00:31:54I'm sorry.
00:31:55I'm sorry.
00:31:56I'm sorry.
00:31:57I'm sorry.
00:31:58I'm sorry.
00:31:59I'm sorry.
00:32:00I'm sorry.
00:32:01I'm sorry.
00:32:02I'm sorry.
00:32:04I'm sorry.
00:32:11Did someone call me?
00:32:12Yes, from your colleague, ane.
00:32:15Yes, what did you want?
00:32:16He said that you could go to the office as soon as possible, it's urgent.
00:32:33What does it mean?
00:32:56It means that it is not true that you left Naples of your own free will.
00:33:00They sent me a complaint for abuse of power.
00:33:04I don't care, I don't care.
00:33:07Because I know very well all the political beliefs that are behind such low blows.
00:33:12The problem is another.
00:33:14And if this thing ends where it shouldn't,
00:33:17you make the second exit of the scene.
00:33:20How did they get to you?
00:33:22Your friend, Roberto Magris, the nice journalist,
00:33:26maybe on someone's order.
00:33:30In short, Inspector, they want to scare me
00:33:33because you gave the heat to the wrong people.
00:33:45What are you doing around making fun of people?
00:33:47You are immediately putting me in an aggressive game.
00:33:50All right, all right, I'll talk, but let me be.
00:33:53They were some friends of the mayor.
00:33:55They promised me things.
00:33:57And then because Gianmartino has always taken them seriously.
00:34:00While I immediately started making fun of you.
00:34:07Thank you, goodbye.
00:34:08Goodbye.
00:34:12I have to talk urgently with the director.
00:34:14I'll help you.
00:34:17What do you want from the director?
00:34:19I have to talk to him immediately.
00:34:20What I have to tell you is none of your business.
00:34:22At the moment the director is busy.
00:34:23Well, now tell him to receive my colleagues from the Tribunal.
00:34:26No, no, Palliero, let him in.
00:34:31I don't want to lose my mind because I don't have a head.
00:34:33I heard that some cards that concern me and me only
00:34:36have been requested by some of yours to that kind of journalist.
00:34:40Sir, what game are we playing?
00:34:41Inspector, I don't know what you're talking about.
00:34:43I'm really sorry because you are nice to me.
00:34:46I see you in trouble and I would like to help you.
00:34:48Thank you, but your help doesn't interest me.
00:34:49Speaking of things that don't concern us,
00:34:51I take this opportunity, as they say,
00:34:52to let you know that my nephew is a fact that doesn't concern you.
00:34:55I speak to you from the bottom of my heart,
00:34:57as a friend, as well as as a mayor who knows his superiors.
00:35:00It could cost to live this open mentality
00:35:03in a small country like ours.
00:35:05Here we are not in Naples.
00:35:06Mayor, the only problem of your nephew is perhaps his uncle.
00:35:09Martino is already strange of him.
00:35:11He would only need a little normality.
00:35:13Is that all you have to tell me?
00:35:15Then wait.
00:35:16I'll call one of my guys and I'll have him accompany you to the door.
00:35:19As is done with guests of concern.
00:35:21No, no.
00:35:22Leave those good workers where they are.
00:35:24I'll find it on my own.
00:35:32I enjoy playing with the kids,
00:35:34also because when it's time I haven't even done it yet.
00:35:37No, I did something in my time,
00:35:38even if there weren't many places like that.
00:35:41But I have to get on with it now
00:35:43because I don't think my liver is ready yet for very similar tests.
00:36:02What's going on?
00:36:03It's my husband's car, he's back.
00:36:05I have to go, if you find us together.
00:36:13Bye.
00:36:23Cuckoo, coffee.
00:36:36At least she was a nice lady.
00:36:43Let's go.
00:37:00Hello?
00:37:02Ah, Mrs. Achille, good morning.
00:37:04No, no, I'm a little cold.
00:37:06Yes, but I didn't get up, but I'll pass it to you in a moment.
00:37:10It's Mrs. Achille.
00:37:18Good morning, Achille.
00:37:20Not so much, because...
00:37:30Get out!
00:37:31Get out!
00:37:33Get out!
00:37:34Get out!
00:37:36Gentlemen, stay back!
00:37:37Get out!
00:37:38Get out!
00:37:39Get out!
00:37:40Get out!
00:37:41Get out!
00:37:42Get out!
00:37:43Get out!
00:37:44Get out!
00:37:45Get out!
00:37:46Get out!
00:37:47Get out!
00:38:00Oh, you.
00:38:02Well, as you can see,
00:38:03this time there are no doubts about the cause of death.
00:38:07The body was found no more than four hours ago.
00:38:09The body with teeth
00:38:11and the hammer lying on the ground.
00:38:13This is Paesiano Armando,
00:38:1438 years old.
00:38:16He is the guard of the cemetery.
00:38:18He has no children,
00:38:19and no relatives.
00:38:20He lives alone.
00:38:21What happened?
00:38:22What do we know?
00:38:23Not much, Inspector.
00:38:24Not much, as always.
00:38:26From the way he was beaten
00:38:27and from the position,
00:38:28he must have known his killer well,
00:38:30because he turned his back on him calmly.
00:38:33Then, rather, be careful.
00:38:35Don't turn your back on those who are out there.
00:38:38I think there is someone
00:38:39who wants to skin you too.
00:38:40But why?
00:38:41You killed him.
00:38:42For God's sake,
00:38:43I'm not saying that you killed him.
00:38:45But for sure,
00:38:46you brought him here, Inspector.
00:38:48You see,
00:38:49people in this country
00:38:50always died quietly in their own beds.
00:38:53You seem to have smelled
00:38:54murder everywhere.
00:38:56And this is the result.
00:39:06Come in.
00:39:19Well done, Gregoretti.
00:39:20It should always be like this.
00:39:22They don't even finish killing him,
00:39:23and we already have the killer.
00:39:25I'll be right there.
00:39:26Have a patrol on the spot.
00:39:35I'll be right there.
00:39:48Good morning, Achille.
00:39:49Good morning, Gregoretti.
00:39:50What's new?
00:39:51It's about Picone Ciro.
00:39:52He came out of jail two weeks ago.
00:39:54He turned two years old.
00:39:55But he doesn't seem to be at home.
00:39:56But what did they report to us?
00:39:58A neighbor told us
00:39:59that he came home late last night,
00:40:01upset.
00:40:02He had dark spots on him.
00:40:03Maybe blood.
00:40:05I don't know.
00:40:11Di Marino is hurt.
00:40:12We don't know where he came from.
00:40:14Call the ambulance
00:40:15and tell them to come in.
00:40:31Achille!
00:40:32Picone Ciro.
00:40:33He turned two years old.
00:40:36911, we are following the case of Picone Ciro.
00:40:41There was a shooter,
00:40:42an agent, and it's over.
00:40:43We'll need backup.
00:41:06We are following the case of Picone Ciro.
00:41:09There was a shooter, an agent, and it's over.
00:41:12We'll need backup.
00:41:13We'll need backup.
00:41:17I'm going to kill you!
00:41:25Damn!
00:41:30I'm going to kill you!
00:41:33Mommy!
00:41:51Stop! Stop!
00:42:03I'm going to kill you!
00:42:04I'm going to kill you!
00:42:06Stop!
00:42:30That's me.
00:42:32Here I am.
00:42:33Anyway, Picone,
00:42:35after this gymnastics you made us do,
00:42:38what do you have against the poor guardian of the cemetery?
00:42:41The guardian of the cemetery?
00:42:42Yes.
00:42:43How do I know this guardian of the cemetery?
00:42:45There's a misunderstanding here.
00:42:46Picone, you're the only misunderstanding here.
00:42:48So why did you run away when we got here?
00:42:50Where was Pierino?
00:42:51One at a time.
00:42:53Otherwise, who would have thought?
00:42:54I understand.
00:42:55You want to frame me.
00:42:57Look, I've already paid my debt to justice.
00:43:00I've been in jail for two years and I got out last week.
00:43:03I'm innocent.
00:43:04I'm a good person.
00:43:09Well done.
00:43:10Congratulations on the timing of the reinforcements.
00:43:12We've already done what we had to do.
00:43:14There's news, Inspector.
00:43:16The homicide of a prostitute in the truck shed in Pia Pondicelli has been reported.
00:43:20And the attribute is prejudiced.
00:43:22What game are we playing?
00:43:25Everything in peace.
00:43:26Even his fingerprints.
00:43:27But you're wrong.
00:43:28You're wrong about what he's saying.
00:43:30Look, I'm innocent.
00:43:31I don't know anything.
00:43:32I'm a good person.
00:43:34Picone, you've made another mess like the last time.
00:43:37How dare you?
00:43:38Inspector!
00:43:39You're a scoundrel.
00:43:40Take him away.
00:43:41No.
00:43:42I'm innocent.
00:43:43Let me go.
00:43:44I'm innocent.
00:43:45Look what I've done.
00:43:46Let me go.
00:43:47Interrogated on the possible link between the homicide and the death of Don Salvatore Veneruso,
00:43:52happened a few days ago,
00:43:54Inspector Santi has answered evasively.
00:43:57Meanwhile, the facts about his expulsion from the Napoli police station
00:44:01are now in the public domain.
00:44:03And this can only go to the advantage of his detractors,
00:44:06who now have all the support bases
00:44:09to ask him not to lead the investigation
00:44:12on this homicide, on this crime,
00:44:15is fenced and apparently senseless.
00:44:19I'm starting to believe in the history of the trial.
00:44:22The gardener of the cemetery who sees her is killed.
00:44:25Don Salvatore, who dies on the night of November 2nd.
00:44:28Apart from the death trial, which I don't believe in,
00:44:31but I prefer to stay at a safe distance,
00:44:33we don't know if the two crimes are connected.
00:44:36Especially because, contrary to what you think,
00:44:39there is no evidence that Don Salvatore's death was a homicide.
00:44:43One thing I know for sure, Inspector,
00:44:46is that things are going badly for you.
00:44:48What are you telling me?
00:44:50If they send you away from Napoli, it would be bad,
00:44:52because that's the big center, a real breakthrough.
00:44:55But if they send you away from here, what can I do?
00:44:57At most I end up in another small town.
00:44:59So what? I'm a curious guy by nature.
00:45:01And you think I'm scared right now?
00:45:03Glorious poop.
00:45:05And then, in Don Salvatore's murder,
00:45:07there are too many things that don't convince me.
00:45:10What I miss is that spark,
00:45:12that stroke of luck, as you say,
00:45:14to understand how you can make a heart attack occur with absolute certainty.
00:45:28What kind of work was it?
00:45:30A friend, I expect a good friend.
00:45:33We all loved him, he was a man of history, he was a monster.
00:45:37Yes, he was a good man,
00:45:39but he certainly wasn't a saint.
00:45:41Do you remember when he died at the age of 15?
00:45:44He died at the age of 15, but no one knows.
00:45:46But Don Armando, there are certain things that are close to death.
00:45:49Yes, they made him enter life,
00:45:51but death can never be as good as a man.
00:45:54Okay, okay, but do you know if he had enemies?
00:45:57If he had done any harm to anyone?
00:45:59No, not at all.
00:46:00He made his whole life a retreat,
00:46:02home and work.
00:46:04And then his work didn't allow him a social life.
00:46:07Let's talk about it.
00:46:09Don Armando was never married, was he?
00:46:15Gentlemen, I would like to remind you that Don Armando is dead,
00:46:18and this is an official investigation on a murder.
00:46:21So all the details, even those that may seem more significant,
00:46:24can become important.
00:46:26What are you laughing at?
00:46:33I saw it, Pasquale, I saw it.
00:46:36We can also know what you saw.
00:46:38I saw it because he worked more at night than during the day.
00:46:42Yes, he was never married because he had fun at night
00:46:46bringing women to the guardhouse.
00:46:48But it was a small vice, as we all think,
00:46:51and he was fed up with it.
00:46:52If he had taken her home today,
00:46:54he would have been fine.
00:46:56At the guardhouse of the cemetery, an office of the municipality.
00:47:01Hello?
00:47:02Inspector, how happy I am that you called me.
00:47:05Are we going out tonight?
00:47:06Don't worry, I'll pick you up.
00:47:08Use your phone so you can download all the money.
00:47:11You give me money at the end of the month, don't you?
00:47:14That's also true.
00:47:18Try the phone.
00:47:23Well, what does it do?
00:47:24It calls, but the phone doesn't ring.
00:47:27I wanted to see this.
00:47:29Because, you see, when the plug is unplugged,
00:47:32the phone gives the signal of free.
00:47:34Not busy, like when the bell is out of place.
00:47:37So it means that when Ada called to talk to her brother,
00:47:41she found the phone free,
00:47:43but the secretary didn't leave.
00:47:45This is because the killer must have unplugged the plug
00:47:48of the phone in the next room
00:47:50and then locked the door from the outside.
00:47:54Then, after making sure that Don Salvatore was dead,
00:47:57he put the plug back in and reopened the door.
00:48:00Ada, Ada.
00:48:02Maybe we have understood who is the woman
00:48:04who made Inspector Santi lose his mind.
00:48:07But she is 40 years old.
00:48:09Men don't like younger girls.
00:48:11Marisa, instead of making love to me,
00:48:13why don't you make love to girls your age?
00:48:16Because it's hard to find real men among them.
00:48:19The last one, for example, had a lot of girls.
00:48:23Even the one that...
00:48:25What's the name of the one when you're afraid of being locked up?
00:48:28The claustrophobia?
00:48:29Yes, that one.
00:48:33What's wrong?
00:48:34The claustrophobia.
00:48:36Marina, do you understand?
00:48:37You know how I think, everything is explained.
00:48:39The key outside the door, the fingerprints left.
00:48:43I'm sorry, I have no idea.
00:48:45My brother was a sick, reasonable boy.
00:48:48But the claustrophobia...
00:48:50I don't know, as a boy he didn't suffer from it.
00:48:53If you can develop it even as an adult,
00:48:55you don't know how much I would like to help you.
00:48:57No, no, it doesn't matter, there's no problem.
00:48:59Why are you asking these questions?
00:49:01For now, simple conjectures.
00:49:03But if I know something more concrete,
00:49:05I will be the first to be informed, no doubt.
00:49:07May I?
00:49:08Yes, of course.
00:49:09But I want to keep her still.
00:49:13Inspector, what are you saying?
00:49:14I don't know this disease at all.
00:49:17This is the truth.
00:49:18I made this Salvador use it, even the disease.
00:49:21But I've never heard of this one.
00:49:23And you don't remember any other strange episode?
00:49:26I don't know, in the car, in the elevator?
00:49:28Eh, wait, elevator?
00:49:30You know well that in these countries there are no strange elevators.
00:49:33And the cases are old and low.
00:49:36By the way, do you know who lived with my mother?
00:49:39Angelina, yes, yes.
00:49:41She always organized the trips in the bus with Don Salvatore.
00:49:44Maybe she saw something strange.
00:49:46Actually, now that you make me think about it,
00:49:49Don Salvatore always sat in the first place.
00:49:52And he never went back to socialize with the boys when they sang.
00:49:56And it's strange, because he loved being with the boys.
00:50:00But as soon as we got off the bus,
00:50:03he got in with the boys and was always with them,
00:50:06singing, joking, laughing.
00:50:08But never on the bus.
00:50:09And you don't remember anything else?
00:50:11I don't know.
00:50:12Have you ever taken a longer trip, for example?
00:50:14A longer trip, let's see.
00:50:16Ah, yes, we've been to Lourdes several times.
00:50:19Actually, Don Salvatore was a little agitated on the plane, a little nervous.
00:50:24And this is strange, because he was not afraid to fly.
00:50:27This thing was also noticed by the lady with whom I organize these trips.
00:50:32The place near the window had happened to him, but he was not happy.
00:50:36And this is strange, because everyone wants
00:50:39the place near the window to look at the sky, right?
00:50:42And he was also a priest.
00:50:45When we got off at the arrival, he stayed still,
00:50:48waiting for everyone to get off.
00:50:51And he had his eyes closed, he prayed, he was pale.
00:50:55In short, it's strange.
00:50:58Yes, there are new buildings over there, and there are also elevators,
00:51:02but Don Salvatore never wanted to take them.
00:51:04He was heart sick, and I knew it, it seemed strange to me.
00:51:09Wait, poor Don Salvatore never wanted to go up here.
00:51:13I remember that the only time he came
00:51:15was when I took him by force.
00:51:17But it was a quick thing, he was nervous.
00:51:20It was just to come and see that crack in the wall that had been made
00:51:24and that Don Agostino had left him in heredity.
00:51:27Imagine that for three years he has been here, he has not set foot on us.
00:51:31Not even when the workers came to fix the crack.
00:51:34And I always told him,
00:51:36Don Salvatore, don't be fooled, see for yourself.
00:51:40And you know what he answered me?
00:51:42Don't worry, I'll take care of it, I'll go there.
00:51:46But he never went there.
00:51:47And this, together with all the rest, is proof, isn't it?
00:51:50It can be, Inspector, it can be.
00:51:52But what is it that doesn't convince you?
00:51:54The reconstruction is perfect,
00:51:56only that I find all the films of Lieutenant Colombo to be boring.
00:51:59You see, Inspector, I, the policeman,
00:52:01I'm used to doing it as an employee of the Ministry.
00:52:04In the morning I go to the office, I don't have coffee,
00:52:06sometimes I answer the phone.
00:52:08And then I'm thinking about my wife,
00:52:10that if she doesn't come on time,
00:52:11who knows what the hell I'm going to do,
00:52:12that I'm going to beat her up.
00:52:14Okay, okay, but don't think about it, don't worry,
00:52:16I'll talk to your wife.
00:52:18Rather, let's try to reconstruct the facts.
00:52:20So, the night of November 1st,
00:52:23someone he knew well, but very well, Don Salvatore,
00:52:26closed it in sacristy.
00:52:28Then...
00:53:08DOOR CLOSES
00:53:39DOOR CREAKS
00:53:52DOOR CREAKS
00:54:08DOOR CREAKS
00:54:19DOOR CREAKS
00:54:23So, the field is narrowed down to someone
00:54:25who enjoyed Don Salvatore's full trust,
00:54:27one of his closest collaborators.
00:54:29Who is he? I told you he was Serena,
00:54:31if you can explain it to me.
00:54:32He's the guy I'm coming to.
00:54:34I was amazed, I can explain it to you.
00:54:36Exactly, someone who, unlike everyone else,
00:54:39knew about his claustrophobia
00:54:41and didn't go to church early in the morning.
00:54:43A collaborator for the activity with the kids.
00:54:46In short, the reconstruction is hard, but effective.
00:54:49But there is only one problem.
00:54:51The killer, who is he?
00:54:52Take a moment and you will discover the killer.
00:54:55But what is this moment?
00:54:57Political crime?
00:54:59The contrasts were there,
00:55:00but to kill a man in such a complicated way,
00:55:03you need more serious reasons.
00:55:05In my opinion, the only reason to kill such a young priest
00:55:08and in that way, is jealousy.
00:55:11I bet you don't even know who was so jealous of Don Salvatore.
00:55:14I don't know anything,
00:55:16but if you talk so much to talk,
00:55:18in my opinion, the killer is a woman.
00:55:20A crazy woman for love.
00:55:22I'm crazy and that's it, given what he did.
00:55:28Listen, what was the name of the waitress?
00:55:31So, precisely, what did you see
00:55:33the night between the 1st and the 2nd of November?
00:55:35I told you, Inspector, it was the procession entering the house.
00:55:38Yes, okay.
00:55:39It must be the procession, no doubt, as you say.
00:55:42But I'm interested to know exactly what you saw or heard.
00:55:45I don't know, noises, voices, anything.
00:55:47I was in the living room,
00:55:48I heard the door opening,
00:55:50I heard footsteps in the corridor,
00:55:52and then I got scared,
00:55:54because then everyone was sleeping.
00:55:56Did you see them go to sleep?
00:55:58Inspector, I'm a polite woman.
00:56:00They gave me a good night's sleep
00:56:02and then they all went to their rooms.
00:56:04What time was it when you heard these noises?
00:56:07It must have been early in the morning,
00:56:09because then you have to know that I have a problem with my hands.
00:56:13So, I wake up during the night
00:56:15and then I go to run again on the entrance armchair.
00:56:18And what time was it?
00:56:19Five thirty, six?
00:56:20It's not possible that just that morning
00:56:22someone else got up in the morning.
00:56:24The young lady certainly not.
00:56:26Indeed, if I remember correctly,
00:56:27the young lady that morning
00:56:29woke up later than usual.
00:56:31It was about eleven o'clock
00:56:33and the mayor, as usual, at seven thirty.
00:56:36But she didn't even come for a moment
00:56:38out of curiosity to see, I don't know,
00:56:39from the hole of the lock with this procession.
00:56:41Inspector, curiosity was there too,
00:56:43but it was about dying.
00:56:45And then, I knew it was the procession.
00:56:48In the country they talked about it.
00:56:50As they say, fear makes ninety.
00:56:58The elements are all there.
00:57:00And the connection between the two crimes?
00:57:02Did we find it or not?
00:57:04I think so.
00:57:05For me, however, the two crimes are very different.
00:57:07So, to be sure,
00:57:08you have to first understand well
00:57:10who was the second dead.
00:57:20So, this procession
00:57:22you would have seen it only in the past.
00:57:25In short, Don Armando was one
00:57:27who had fun at night
00:57:29and had a good taste in women.
00:57:31We need to ask the inspector.
00:57:33If he was afraid of all that disorder,
00:57:35he would say that it was worth his life.
00:57:37And what did he think of Maradona?
00:57:41The inspector asked a question.
00:57:42Martino?
00:57:43The nephew of the mayor.
00:57:45But what does it have to do with so many mysteries?
00:57:47Are we one or not?
00:57:49Inspector, what do you think?
00:57:51I don't know.
00:57:53Maradona?
00:57:54Inspector, what do you think?
00:57:56What all the boys in the country think.
00:57:58It was a bit strange.
00:58:00But it would have been taken to bed very willingly.
00:58:02But he never did it, did he?
00:58:07And did he usually get up
00:58:08to get a breath of fresh air
00:58:09during your games?
00:58:12No.
00:58:23No.
00:58:31Psst!
00:58:32What's up?
00:58:33I got caught.
00:58:35He talked about the cemetery, about the dead.
00:58:38Inspector, I have to tell you something.
00:58:44Inside I couldn't talk in front of everyone.
00:58:46And I couldn't show what I was doing with the dead spy.
00:58:49The night before the murder,
00:58:51I talked to Bonanima.
00:58:53She was all excited.
00:58:55And I understood that she had to meet with Martino,
00:58:57the nephew of the mayor.
00:58:59But did she tell you?
00:59:00No, no, she didn't tell me.
00:59:01But she made me understand clearly.
00:59:03Those were years that were coming.
00:59:05That was her fixation.
00:59:07Inspector,
00:59:08please,
00:59:09keep your mouth shut.
00:59:11I understand.
00:59:14Yes, of course.
00:59:16Thank you very much.
00:59:18I owe you.
00:59:20You know very well that I don't let myself be fooled.
00:59:23I assure you that you have done a great service to our country.
00:59:27A hug.
00:59:38Inspector,
00:59:39these people are no joke.
00:59:41They make wonderful travelers.
00:59:43This time even more so.
00:59:45I'm never sorry to travel.
00:59:47And I'm not sorry to leave a country
00:59:49like this,
00:59:50a country where the dead rise up
00:59:52and kill the priests.
00:59:54Are you kidding me?
00:59:55Are you kidding me?
00:59:56A big country like this?
00:59:58Are you kidding me?
00:59:59Anyway, it's not time to leave yet, right?
01:00:01So, let's think about serious things.
01:00:03Serious things?
01:00:04Without hope.
01:00:06So, one thing is certain.
01:00:08Don Armando knew Don Salvatore's killer.
01:00:11Even if maybe he didn't think he would be part of a murder
01:00:14by spreading the word about the trial.
01:00:16The fact is that when he found out
01:00:18instead of going to warn the police
01:00:20he kidnapped his accomplice
01:00:22who then killed him
01:00:23because, as usual, in exchange he wanted sexual favors.
01:00:26The fact is unique, Inspector.
01:00:28Yes, I know.
01:00:29We have no proof.
01:00:30But we have some clues
01:00:31and, above all, some testimony.
01:00:33The statement of the trial of the dead released by Giovanna, Inspector.
01:00:37Yes, that one, that one
01:00:38that alone may not mean much
01:00:40but put together with the other facts
01:00:42they become circumstances too complex
01:00:44to be treated as simple coincidences.
01:00:46The guard of the cemetery
01:00:48who never gets up from the table
01:00:50but he does it that night
01:00:51and assists in the procession of the dead without witnesses.
01:00:54And he knows very well that by saying such a thing in the country
01:00:57in an hour everyone will be barricaded inside.
01:00:59I'm not kidding.
01:01:00It's hard to believe it when
01:01:02the next morning
01:01:04there is a priest who died in sacristy.
01:01:06A priest who has many enemies
01:01:08and therefore in many moments
01:01:09you have to be on the lookout.
01:01:11And, above all, he is heart ill
01:01:13so it is easy to think that he died in natural circumstances.
01:01:16And the case is archived.
01:01:17And instead something goes wrong.
01:01:19First, because there are many small clues
01:01:21that lead to the investigation.
01:01:23Second, that while the investigation
01:01:25was fading away by itself
01:01:27a new fact occurs.
01:01:28A new murder.
01:01:29And the dead looks at home
01:01:30who is it this time?
01:01:31The guard of the cemetery.
01:01:33The guard who used to keep him
01:01:35even out of work
01:01:37and who knew his killer
01:01:39since he happily turned his back on him.
01:01:41And, above all, we know that he was used
01:01:43to use his bodyguard as a waitress.
01:01:46But the circumstances are too much.
01:01:48His lover must be the killer of Don Salvatore.
01:01:51The one who knew Don Salvatore well
01:01:53and who collaborated in the afternoon activities
01:01:55and precisely for this reason
01:01:57he did not know that the life of the priest
01:01:58began so early in the morning.
01:02:00A pleasure, a glass of water.
01:02:02In short, I expect that we must do.
01:02:04We must start a new investigation.
01:02:06No, I have another card to play.
01:02:08Since I already had the transfer
01:02:10I want to run the record.
01:02:20Ah, good evening, Inspector.
01:02:22What are you looking for today?
01:02:23Mr. Mayor, there is Inspector Santi
01:02:25who wants to talk to your nephew Martina.
01:02:28Good evening, Mayor.
01:02:29What do you want from my nephew?
01:02:31Didn't I tell you that you have to stop
01:02:33bothering that girl?
01:02:35Martina has her problems
01:02:37and you can't even play
01:02:39with a policeman like you.
01:02:41One who has been chased by two districts
01:02:42shouldn't be around anymore.
01:02:44What are you still doing here?
01:02:45I advise you to calm down
01:02:46because by tomorrow
01:02:47I am a police inspector
01:02:48in the exercise of his functions.
01:02:50An official audience
01:02:51in his territory of competence.
01:02:52I have very important questions
01:02:54to ask your nephew
01:02:55about a further investigation.
01:02:56I am the first citizen of this country.
01:02:59A respected man.
01:03:00And if you report me, I...
01:03:01What's going on?
01:03:02Ah, it's you, Inspector.
01:03:04You made my uncle angry again.
01:03:06Martina, don't answer
01:03:08this gentleman's questions.
01:03:10You have the right to do so.
01:03:11Why shouldn't I answer?
01:03:12Did you come for me?
01:03:14Martina!
01:03:15Martina, I have very important questions
01:03:17to ask you about Don Salvatore.
01:03:19It's a very serious matter
01:03:20so please reflect well
01:03:21before answering.
01:03:22Damn, Inspector,
01:03:23you're scaring me.
01:03:25Martina, where were you
01:03:27on the night of November 2
01:03:28between 11 and 5?
01:03:30Well, at that time
01:03:31I was definitely in bed.
01:03:32Why?
01:03:33Did you know Don Armando,
01:03:34the guard of the cemetery?
01:03:36Yes, like everyone else.
01:03:37It's a small town,
01:03:38we all know each other.
01:03:39Like a big family.
01:03:41Martina, were you the one
01:03:42who left the cemetery
01:03:43three days ago at 7?
01:03:45Yes.
01:03:46But at that time
01:03:47the cemetery was closed.
01:03:48What were you doing there?
01:03:49There was no time
01:03:50to go and find
01:03:51our loved ones who are no longer there.
01:03:53I often went to find
01:03:54my parents' grave
01:03:55and the guard let me in
01:03:57and congratulated me
01:03:58for how affectionate
01:03:59and nice I am.
01:04:00Did he open the gate for you
01:04:02on purpose?
01:04:03Yes.
01:04:04Martina,
01:04:05why did you make such a stupid proposal?
01:04:08Martina,
01:04:09you were in love with Don Salvatore.
01:04:14Well,
01:04:15I think things
01:04:16went this way.
01:04:17You killed Don Salvatore.
01:04:19You did it with premeditation,
01:04:21preparing the plan
01:04:22maybe for months,
01:04:24using all the knowledge
01:04:25you had
01:04:26about his private life.
01:04:27And this because
01:04:28you no longer accepted
01:04:29his last taxes.
01:04:36Don Salvatore's grave
01:04:49He laughed as always,
01:04:51even if you expected it.
01:04:53You even had an accomplice,
01:04:55a person you thought was good,
01:04:57to whom you told everything,
01:04:59a friend
01:05:00to whom that evening
01:05:01you asked to make a joke and no.
01:05:06Don Salvatore's grave
01:05:12You had prepared everything.
01:05:14You are a smart girl.
01:05:17You greeted him like every night,
01:05:20even if you were
01:05:21much angrier than usual
01:05:23and put in place
01:05:24the plan you had prepared.
01:05:35Don Salvatore's grave
01:05:52An excellent plan,
01:05:53even if dictated by passion.
01:05:55Just a few inaccuracies
01:05:57and then the accomplice's problem.
01:06:00A good person
01:06:02who now felt strong,
01:06:05and thought he could ask you everything,
01:06:07everything he had never had the courage
01:06:09to ask you.
01:06:12A friend of a time
01:06:14who had turned into a monster.
01:06:17Don Salvatore's grave
01:06:35No.
01:06:36They are all lies.
01:06:38It's not true.
01:06:39I didn't do anything.
01:06:40It's all this.
01:06:41I'm not a murderer.
01:06:43You are already here.
01:06:46How is it possible?
01:06:48This year you are really dead.
01:06:51But why did you come?
01:06:52Martina.
01:06:54Martina, calm down.
01:06:55There is no one.
01:06:56No.
01:06:57I am young.
01:06:58You can't.
01:06:59And you?
01:07:00You are a priest.
01:07:01You can't take revenge.
01:07:02It's not fair.
01:07:03Martina, listen to me.
01:07:04There is no one.
01:07:05Yes, but with Martina you'll get hurt.
01:07:06No.
01:07:07I don't want to come.
01:07:08No.
01:07:09Go away.
01:07:10Go away.
01:07:19What happened?
01:07:20I called an ambulance.
01:07:22My daughter.
01:07:27No.
01:07:34No.
01:08:05No.
01:08:15Yes, hello.
01:08:18Hello.
01:08:20Hello.
01:08:35No.
01:08:36No.
01:08:37No.
01:08:38No.
01:08:39No.
01:08:40No.
01:08:41No.
01:08:42No.
01:08:43No.
01:08:44No.
01:08:45No.
01:08:46No.
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01:11:27No.
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