- 11 years ago
Category
🎥
Short filmTranscript
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00:06:39Stick around a minute, I think I can help you.
00:06:45Hey, who's that mug?
00:06:47Who knows, I never saw him before.
00:06:49Anything else?
00:06:50Yeah, give me another coffee.
00:06:52Coming right up.
00:06:54Say, you must like coffee.
00:06:56I do, but I wouldn't drink so much hot water just to get a little.
00:06:59Stay here, Mr. Martin.
00:07:01Take it easy.
00:07:02Okay, buddy, I got just what you're looking for.
00:07:06Come on, let's take a walk.
00:07:08Swell.
00:07:09How much do I owe you?
00:07:10Save it.
00:07:12Thanks.
00:07:13Gee, if you can get me out of this jam,
00:07:15I'll be a friend of yours for life, right after here.
00:07:17You haven't got a thing to worry about.
00:07:19Everything is taken care of nice and pretty.
00:07:20Union Station.
00:07:22Yes, sir.
00:07:24Oh, it's beautiful.
00:07:27Wonderful.
00:07:28Superb.
00:07:30This will give you what you need.
00:07:32Not that jitterbug kind of love, that oomph business.
00:07:34Visualize yourself in your own little bungalow
00:07:37before your flickering fireplace.
00:07:39It's a wonderful place.
00:07:41It's a wonderful place.
00:07:43It's a wonderful place.
00:07:45It's a wonderful place.
00:07:47It's a wonderful place.
00:07:48Your flickering fireplace.
00:07:51Your little baby in your arms.
00:07:53Your young husband by your side.
00:07:55This is the love of real people.
00:07:57Honest, sincere, down-to-earth.
00:07:59Believe me, darling, this is basic, fundamental.
00:08:02The life nations are built on it.
00:08:07Thank you very much.
00:08:11Soft smile with warmth.
00:08:18That's enough, gentlemen, that's enough.
00:08:20Thank you very much.
00:08:21Thank you very kindly.
00:08:23It's wonderful.
00:08:24It's beautiful.
00:08:25All right.
00:08:26Goodbye.
00:08:28Well, there you are.
00:08:30OK.
00:08:32Thanks.
00:08:33Lots of luck.
00:08:36Please, gentlemen, please, Mr. Maine is tired.
00:08:39What are you going to New York for this trip, Mr. Maine?
00:08:41Oh, it's just the usual thing, you know,
00:08:43a little vacation before her next trip.
00:08:45How about it, Mr. Maine?
00:08:46Thank you very much, gentlemen.
00:08:47We'll be seeing you.
00:08:47As before, I love your fair city.
00:08:51Chicago, I do.
00:08:53All right, Mr. Ivanky, thank you very much.
00:09:43You'll be on your own after we hit Fort Wayne.
00:09:45What do you mean?
00:09:47I ain't going back with you.
00:09:49I'm going through.
00:09:50Yeah?
00:09:53Through to where?
00:09:54New York.
00:09:57How come?
00:09:58I'm taking my vacation.
00:10:01What number you going in on?
00:10:03What do you mean?
00:10:05I'm going to ride right here on this tube train.
00:10:08You take that head on the limit.
00:10:12Who's that heading?
00:10:12I've got a ticket and my girl's on the train.
00:10:16Your what?
00:10:17Am I supposed to take that as a crack?
00:10:20I said my girl.
00:10:21And she's from Hollywood.
00:10:23It ain't Garbo, is it?
00:10:25No, it ain't Garbo.
00:10:27I don't go for blunts.
00:10:38Pardon me.
00:10:40Certainly.
00:10:40Well, maybe if I went back the other...
00:10:43No, you just...
00:10:44Well, I'll just...
00:10:45No, it's perfectly all right.
00:10:46All right.
00:10:47You just wait a minute.
00:10:51I don't know how, ever.
00:10:53No, there, I'll just...
00:10:57If you want...
00:10:59Well, I guess you can't...
00:11:02No, I just...
00:11:04Thank you, lady, very much.
00:11:06You're welcome.
00:11:07Woo-hoo!
00:11:12Wilbur, this is no place to play ball.
00:11:15Why not?
00:11:16I'm so sorry.
00:11:17That's all right.
00:11:20Pardon me.
00:11:21Oh, janitor.
00:11:24Do you see many motion pictures?
00:11:26Yes, whenever I can.
00:11:27Did you see The Scarlet Lady?
00:11:29Yes, ma'am.
00:11:30Do you remember who the star was in it?
00:11:32Yes, Miss April Tulane, the hoof girl.
00:11:34She's on this train, isn't she?
00:11:35Yes, ma'am, she sure is.
00:11:36Right in there.
00:11:38Oh, thank you so much.
00:11:39What a small world this is.
00:11:42Yes.
00:11:44Oh, why, Miss Butler?
00:11:47Well, you've had us a little worried.
00:11:48We thought possibly you'd miss the train.
00:11:50Oh, no, I wanted to catch a train all my life
00:11:52and finally did.
00:11:53Is Miss Tulane here?
00:11:54Yes, she's being prettied up.
00:11:56By the way, have you met Mr. Ryvansky yet?
00:11:59Oh, no, but I'd like to.
00:12:01Hell, believe it or not, he can't wait to meet you.
00:12:03Oh, for you?
00:12:04Oh, Patsy.
00:12:05Oh, just a moment.
00:12:05Look, Miss Potts, well, this is Mr. Ryvansky's compartment.
00:12:09You just go in and take a seat, and I won't be a minute.
00:12:11Oh, well, thank you, thank you.
00:12:12You're welcome.
00:12:26Bum, bum, bum, bum, bum, bum.
00:12:30So?
00:12:31Oh, excuse me.
00:12:32She told me to...
00:12:33Excuse you?
00:12:34I don't even know who you are.
00:12:34I'm...
00:12:36Never mind, don't...
00:12:37Why should I care who you are?
00:12:38Get out.
00:12:39Oh, dear, but I'm Miss Pottle.
00:12:41Pottle, what to, what to, what do I care?
00:12:43Get out.
00:12:44I...
00:12:45Please get out.
00:12:47I never...
00:12:48Out.
00:12:50I...
00:12:51Oh, dear, I never...
00:12:54Oh, Miss Pottle.
00:12:56Oh, I'm so sorry I had to leave you,
00:12:58but you should have gone right in.
00:13:00Oh, that's all right.
00:13:01Oh, now you simply must meet Mr. Ryvansky.
00:13:02Why, he'd never forgive me if you did.
00:13:04Oh, but I...
00:13:05Now, please, go ahead.
00:13:06Oh, but I was just in here.
00:13:07Oh, he won't mind a bit.
00:13:08Now you just sit right down there and make yourself comfortable.
00:13:11I wonder where he went.
00:13:12Oh, I'll have a quick look and be back in a jiffy.
00:13:14Oh, dear, but I...
00:13:15That's all right.
00:13:16I...
00:13:17La, la, la, la, la, la, la.
00:13:20I...
00:13:21Why do you make my life miserable?
00:13:23She...
00:13:24Why are you haunting me?
00:13:25Well, I...
00:13:26Get out again.
00:13:27Out, please.
00:13:28I'm...
00:13:29Oh, there you are.
00:13:30Oh, I see you two have met.
00:13:31I've met nobody.
00:13:31This woman...
00:13:33Yeah, yes, this is Miss Pottle.
00:13:34Do you remember?
00:13:35The president of the Chicago April Tremaine Club.
00:13:37No.
00:13:38Yeah.
00:13:39Not the Miss Pottle.
00:13:40Uh-huh.
00:13:41Well, it's impossible.
00:13:42This lovely young creature.
00:13:43Oh, it's impossible.
00:13:45Oh, that isn't all.
00:13:46She's going to write the story of this trip
00:13:48for the Chicago Post.
00:13:49You know, a sort of my day by Mara Pottle.
00:13:52Aye, aye, aye, aye, aye, aye.
00:13:54But why doesn't somebody told me those things?
00:13:56Miss Pottle, a thousand pardons.
00:13:58How will you ever forgive her?
00:14:00How will you ever forgive that woman?
00:14:00Who, me?
00:14:02But it wasn't her fault, you see.
00:14:04Such generosity, such big heartedness.
00:14:06Get out.
00:14:07Go, go, go, before I lost my temper.
00:14:09All right, all right, I'm sorry.
00:14:10Oh, Miss Pottle, when you want a change of scenery,
00:14:12you're with me in compartment A, just down the hall.
00:14:15Go, go, go, go, go, go, go.
00:14:17Miss Pottle.
00:14:19Pottle.
00:14:20What a lovely name.
00:14:22Oh, do you like it?
00:14:23Please sit down.
00:14:25Please.
00:14:28Oh.
00:14:29Oh, what's the matter now?
00:14:32Oh, that's the trouble, I don't know.
00:14:34How do you turn him off?
00:14:36I don't know, too.
00:14:37I never turned off one in my life.
00:14:39Poor little dear.
00:14:40Say, maybe he's hungry.
00:14:42Could be.
00:14:43Well, you take care of him for a minute, will you?
00:14:45I'll see what I can find.
00:14:49Next time your baby cries, William, give him some of this.
00:14:53Ought to fix him up.
00:14:54Yes, sir, doctor.
00:14:56Thank you, sir.
00:14:57May I have a glass of milk, please?
00:14:58Well.
00:15:03Might I have your autograph?
00:15:07Why, Harvey.
00:15:09Sure.
00:15:10Remember me?
00:15:11The lad that used to breathe down the back of your neck
00:15:13during math class?
00:15:14You mean the short, fat one with the curly hair?
00:15:16That's the same one.
00:15:18How are you, Mary?
00:15:19I'm fine, Harv, but...
00:15:21Come on, let's sit down.
00:15:23I want to take a good look at you.
00:15:25Well, I might let you have a little peek.
00:15:26Tell me, Harv, how's the doctor business?
00:15:27Picking up.
00:15:29Appendix here, tonsil there, it all adds up.
00:15:31Say, why didn't you ever write to me?
00:15:35You know how it is.
00:15:38Well, after all, you're the famous April Tremaine,
00:15:41and me, well...
00:15:43I'm just a struggling young doctor
00:15:45with too much future and not enough present.
00:15:47You know, just plain folks.
00:15:50And what difference does that make?
00:15:53Hey, what are you doing?
00:15:54Whipping up a nine-course dinner?
00:15:55Oh, dear, the baby.
00:15:56I forgot.
00:15:56The baby?
00:15:58Yeah, come on, maybe you can help.
00:16:02What's the matter with her?
00:16:04Well, you're the doctor.
00:16:08Oh, I can't see.
00:16:10Do you feel all right?
00:16:11Not anymore, I don't.
00:16:13Well, what are you doing that for?
00:16:15Every time I quit, he howls.
00:16:17Yeah.
00:16:20Here, let me have him.
00:16:23Yeah, come on.
00:16:24This is Dr. North.
00:16:25Dr. North?
00:16:27Oh, how do you do?
00:16:28How do you do?
00:16:29I, uh...
00:16:30Pardon me.
00:16:31Certainly.
00:16:32Dr. North, huh?
00:16:34Is that the fellow you were telling me about?
00:16:36That's the one.
00:16:37He's kind of cute, isn't he?
00:16:39Well, I think so.
00:16:40Still go for him?
00:16:42Can't say anyhow.
00:16:44You know...
00:16:45You know what?
00:16:46Well, I think Yvonne has something there.
00:16:49Home, babies, young husband.
00:16:52Yeah?
00:16:53Did you say husband?
00:16:55That's what I thought you said.
00:16:58Well, excuse me.
00:17:00I got...
00:17:01Excuse me.
00:17:02That is, uh, well, uh...
00:17:04Oh, excuse me.
00:17:06Excuse me.
00:17:11Oh, Mr. Ivanski.
00:17:14Really?
00:17:15Yeah.
00:17:21Come in.
00:17:22Come in.
00:17:24And then, in the third reel, he gives her a kiss.
00:17:27Deep, with war, with feelings.
00:17:30A kiss like only I, Ivan Mikhailovich Ivanski, can direct.
00:17:35Well, what do you want?
00:17:37I have to see you.
00:17:38It's very important.
00:17:39There's nothing so important as my art.
00:17:42Oh, yes, there is.
00:17:44April.
00:17:45April?
00:17:46Oh, will you excuse me?
00:17:49We'll resume later when we're left off.
00:17:51Yes, I have to tie it here, but...
00:17:51Yes, you go, Tania.
00:17:53Such generosity.
00:17:54Come on.
00:17:56So what's with April?
00:17:58Do you know that she's got a boyfriend?
00:17:59So what?
00:18:00All the best people have boyfriends.
00:18:01I forgive her.
00:18:03Did you say boyfriend?
00:18:04Yes, the one she almost married before you came along.
00:18:07Stop worrying.
00:18:08I pushed him out of her life.
00:18:09Well, somebody's pushed him back in again.
00:18:11And if you're interested, he's in there with her now.
00:18:13Impossible.
00:18:14She's in there?
00:18:15Yes, and that isn't all.
00:18:16You remember that stuff you told her in the taxi
00:18:18about a home and babies, a young husband?
00:18:20Yes, yes, yes, yes.
00:18:20So what?
00:18:22Well, she's beginning to believe you.
00:18:23Believe me?
00:18:24Nonsense.
00:18:25She can't do that to me.
00:18:26But right says he got to be in there.
00:18:27Think of my next picture.
00:18:28Think of my pride.
00:18:29If I were you, I'd start thinking about my pocketbook.
00:18:32What's with the pocketbook?
00:18:33What's that got to do with it?
00:18:34Oh, well, maybe I'm wrong.
00:18:35But if she happens to marry the guy,
00:18:37you wouldn't have any star to direct.
00:18:40You mean you think it's possible?
00:18:42Could be.
00:18:43Fantastic.
00:18:45I've heard enough.
00:18:46We've got to get him out, but definitely.
00:18:48Come on.
00:18:49This time I'll do it.
00:18:51And when I do it, I've done it.
00:18:53Just think what we've been missing all these years.
00:18:56Uh-huh.
00:18:58Come on, darling, just once more.
00:19:03Oh, Harvey, isn't it wonderful?
00:19:06It sure is.
00:19:10It's a blitzkrieg!
00:19:15I wish his mother had come by.
00:19:17Well, that wasn't his mother.
00:19:17Oh, wasn't it?
00:19:19Hey, you know something?
00:19:21He's got eyes just like yours.
00:19:23You think so?
00:19:24Uh-huh.
00:19:27Say, whose baby is this?
00:19:31Oh, I don't know.
00:19:32It's just a press stunt.
00:19:33Press stunt?
00:19:35Yeah, a blitzkrieg.
00:19:37What's the matter?
00:19:39Don't you believe me?
00:19:41Well, there's nothing to believe.
00:19:43Why, he even looks like you.
00:19:45Now, wait a minute.
00:19:45This isn't my idea.
00:19:47Mr. Ivansky thought it up.
00:19:49It's just a gag.
00:19:50A gag?
00:19:51Yes.
00:19:52Oh, now, look, honey.
00:19:53Let's just start all over again now.
00:19:55Tell me the truth.
00:19:57Hello, darling, and how do you feel
00:19:59after your strenuous day?
00:20:01Well, here's somebody that'll tell you the truth.
00:20:03Yvonne, this is Dr. North.
00:20:05Pleasure.
00:20:06How do you do?
00:20:07I just told Dr. North that this baby is a publicity stunt.
00:20:10He doesn't seem to believe me.
00:20:12Publicity stunt?
00:20:13Well, now, my darling,
00:20:14after all,
00:20:16you put me in a very embarrassing position.
00:20:19Why?
00:20:20Why, this is ridiculous!
00:20:22No, no, no, no.
00:20:23Please don't excite yourself.
00:20:24Oh, a publicity stunt, eh?
00:20:26If you don't mind,
00:20:27I'll go back and finish my drink.
00:20:29Why?
00:20:30I never heard of such a thing.
00:20:31Now, believe me, darling,
00:20:32this is for your own good,
00:20:33but positively.
00:20:34One day, you'll thank me.
00:20:36I'll thank you right now
00:20:37to get out of my life.
00:20:38And stay out!
00:20:40Well, the situation is saved.
00:20:43I did it again.
00:20:43Well, now, if you'll excuse me,
00:20:46I must relax.
00:20:47Here.
00:20:48Here, you double-crosser.
00:20:49This was your idea.
00:20:50Now you take care of it.
00:20:53Well,
00:20:55stop relaxing.
00:20:58What did you say?
00:21:00No, never mind.
00:21:10Read on top.
00:21:12Read on top.
00:21:12Read on top.
00:21:14643.
00:21:16Right on the nose.
00:21:18Yard limit.
00:21:19Yard limit.
00:21:38Oh, uh,
00:21:40when you get back to Chicago,
00:21:41throw these in my locker.
00:21:41Okay, Romeo.
00:21:43That's me.
00:21:45See you in a couple of weeks.
00:21:46Take it easy.
00:21:47Hey,
00:21:48you might need your other shirt.
00:21:51Hey, ain't you getting
00:21:53kind of fancy there?
00:21:54I'm on the dirt for a couple of weeks.
00:21:56I'm riding up through to New York
00:21:57with this girl.
00:21:59With this what?
00:22:02My girl.
00:22:04Do you want to make something of it?
00:22:06All aboard!
00:22:08Thanks.
00:22:10All aboard!
00:22:24There you are, sir.
00:22:26Hi.
00:22:27This is swell.
00:22:32Menu, sir.
00:22:38I'll order later.
00:22:40I'm waiting for a lady.
00:22:42Yes, sir.
00:22:44Class.
00:22:47Hi.
00:23:08Hello, sonny.
00:23:17What's your name?
00:23:23I'm a man.
00:23:25I'm a man.
00:23:27I'm a man.
00:23:29I'm a man.
00:23:31I'm a man.
00:23:33I'm a man.
00:23:35I'm a man.
00:23:38I'm a man.
00:23:43Bait it, will ya?
00:23:45Bait it!
00:23:51Come along, Wilbert.
00:24:03Is this satisfactory, sir?
00:24:04It'll be fine, thanks.
00:24:05Sorry.
00:24:22He wants to push me around for the last time.
00:24:24Next time you want to cut your own throat, remember Pop.
00:24:27Oh, isn't this lovely?
00:24:29Lovely isn't the word.
00:24:30Pardon me.
00:24:36Look, Harvey, you're being absolutely childish.
00:24:39I don't see what's childish about it.
00:24:40You just don't like being fooled, that's all.
00:24:42Pardon?
00:24:43But I'm not trying to fool you.
00:24:44There's two schools of thought on that subject.
00:24:46Listen, Harvey, I told you what this was.
00:24:48What else can I do?
00:24:49Would you mind...
00:24:50You might try telling the truth for a change.
00:24:52But I have told you the truth.
00:24:54Okay, that's your story.
00:24:55You stick to it.
00:24:56Listen, would you mind letting me out of this argument?
00:24:58Well, go ahead, go ahead.
00:24:59Who's stopping you?
00:25:01Let's just forget about the whole thing.
00:25:03I don't want to forget it.
00:25:05I'm not the baby's mother.
00:25:11I'm not the mother.
00:25:12I told you that a dozen times.
00:25:13Now, won't you believe me?
00:25:14No.
00:25:16All right, have it your way.
00:25:18I am the mother.
00:25:24Now, are you happy?
00:25:26No.
00:25:28Who's the father?
00:25:30Oh, you know.
00:25:31The father.
00:25:33Oh, you make me so...
00:25:36He is.
00:25:40Good evening, Mr. Rivaski.
00:25:42My friends are over there.
00:25:46Hello, darling.
00:25:48Hello, darling.
00:25:49Why, I'll darling you.
00:25:50It's a baby.
00:25:51I'll take care of you later.
00:25:52Knock those store teeth right down your throat.
00:25:57So, what's with him?
00:25:58Oh, he's...
00:25:59He's a little bit upset.
00:26:01You know, you told him I was the baby's mother.
00:26:04Well, I told him you were the father.
00:26:06Me, the father?
00:26:08Oh, yeah, yeah, yeah.
00:26:09Excuse me.
00:26:10I'm going to my room.
00:26:11Contact me in New York.
00:26:13You can't order, Mr. Rivaski.
00:26:14I must not breathe.
00:26:15Anything wrong?
00:26:16Nothing is wrong.
00:26:17Everything is wrong.
00:26:20Well, I guess we took care of him, didn't we?
00:26:28He's going to knock my teeth down my throat.
00:26:30Where is that porter?
00:26:33My store teeth down my throat.
00:26:34I like to see him do...
00:26:38Where is that porter?
00:26:44Who is it?
00:26:45It's the porter, sir.
00:26:49You must stop this train.
00:26:50I'm getting out.
00:26:51Sir?
00:26:52I'm getting out.
00:26:53Stop the train.
00:26:54But this train don't stop no more until we get out of...
00:26:56Listen, listen.
00:26:57For a red light, you'll stop the train, don't you?
00:26:59Well, yes, sir.
00:27:01Well, ain't I as important as the red light?
00:27:03I guess so.
00:27:04Well?
00:27:05Well, maybe I'd better talk to your doctor about this.
00:27:07Well, come in.
00:27:08Yes, sir.
00:27:09Come in.
00:27:14Pardon me.
00:27:19Who is it?
00:27:20This is Dr. North.
00:27:21I want to see you.
00:27:23He ain't in.
00:27:25Besides, he's very sick.
00:27:27I said I wanted to see you.
00:27:28Open this door.
00:27:29I'll tell him when he comes back.
00:27:31If you don't open this door, I'm going to break it in.
00:27:35It won't be necessary.
00:27:37Can't you see I'm coming?
00:27:42Don't strike me.
00:27:43About time you and I had a little talk.
00:27:46Talk?
00:27:47Certainly.
00:27:48Besides, I have something to tell you, too.
00:27:51There's something I want to tell you, too.
00:27:52No, no, please, me first.
00:27:53I, Ivan Mikhail Chivansky, will tell you the truth.
00:27:55And this is official.
00:27:57I am the one which arranged it.
00:27:58That's just what I heard.
00:27:59No, no, no, no, no, no.
00:28:00You don't understand.
00:28:01I am not the baby's father, and she is not the baby's mother.
00:28:05For publicity, for her next picture.
00:28:13I guess I've been an awful sap.
00:28:14No question about it.
00:28:17Does somebody want to get off this train?
00:28:18Get off?
00:28:20Now, who would want to get off a beautiful train like this?
00:28:23Thank you very much, Mr. Conductor.
00:28:24Thank you very kindly.
00:28:25See you later.
00:28:27Nice fellow.
00:28:28But how did you know there was a freight car on the track?
00:28:32Because I looked out the window and saw a paddle.
00:28:34A paddle?
00:28:36A paddle's a light signal.
00:28:38A light signal?
00:28:39Why didn't you say so?
00:28:46Hey, Jerry!
00:28:52That was Jerry Mulligan, driving the 281.
00:28:55I don't think he saw me.
00:28:56He probably heard you.
00:28:57I don't think he could have, do you?
00:29:00Look, Miss Pothole, let's go in and see if we can help April with the baby.
00:29:04Oh, dear, yes. I just love babies.
00:29:08You must tell me more about the railroad business.
00:29:11There ain't any more.
00:29:12Look, come along, dear. Come.
00:29:15I'll see you in the observation car later.
00:29:16Yes, but put that quiz program to bed first, will you?
00:29:19I think you got something there.
00:29:25This seat's reserved.
00:29:26Yes, sir.
00:29:27Do you wish to order?
00:29:29Oh, I'll take care of that later.
00:29:31I'm waiting for a lady.
00:29:32Yes, sir.
00:29:38Hey, buddy.
00:29:40Buddy.
00:29:43How'd he know the tape'd come out?
00:29:46I don't know.
00:29:47I don't know.
00:29:48I don't know.
00:29:49I don't know.
00:29:50I don't know.
00:29:51I don't know.
00:29:52I don't know.
00:29:53I don't know.
00:30:00They won.
00:30:06What score?
00:30:13Six to nothing.
00:30:21Who made the touchdown?
00:30:24I don't know.
00:30:27Here.
00:30:28You take it.
00:30:38I'll lay odds that it won't take long to get the guy that pulled that snatch.
00:30:41What?
00:30:42The Pearson kidnappers.
00:30:44Oh.
00:30:46There's mold on his left shoulder.
00:30:48Blond hair, blue eyes.
00:30:52I believe he's heading east.
00:30:54You know, the last snatch case they had in Chicago,
00:30:57they got the guy in three weeks.
00:30:59They hung him.
00:31:01They gave 177 years to his accomplice.
00:31:05His what?
00:31:06His accomplice.
00:31:07You know, the guy that helped them.
00:31:09Course, he said he was just driving the car and didn't know that the kid was hot.
00:31:12But they made it stick.
00:31:13And they'll bring in this mark, too.
00:31:16177 years.
00:31:18Yeah.
00:31:20Oh, uh, you'll get a match.
00:31:30Don't think so.
00:31:31Don't smoke.
00:31:43Oh, come in.
00:31:44Thank you, Patsy. I was wondering...
00:31:46Uh, well, uh, we'll be running along now, Miss Pottle.
00:31:49You must be tired.
00:31:50Oh, no, it's only three minutes to nine.
00:31:52What time do you get tired?
00:31:54I never do until I've heard Ren through of the mountain.
00:31:57He's on the radio at nine o'clock.
00:31:59I haven't missed him in 47 weeks.
00:32:01But, lady, there's a swell radio in the cocktail lounge.
00:32:03Oh, yeah.
00:32:04Oh, but I couldn't go there alone with all those men.
00:32:07Well, she can go with you.
00:32:09Oh, that would be lovely.
00:32:11Oh, yes.
00:32:12I've always wanted to meet Ren through.
00:32:14Well, hurry.
00:32:15We've only got one minute.
00:32:16Yeah, but, uh, somebody's got to take care of the baby.
00:32:18I'll take care of him.
00:32:19Say, what about our date?
00:32:21Yeah, yeah.
00:32:22Go ahead.
00:32:23Have a good time.
00:32:24Yeah.
00:32:25Have a good time.
00:32:26With, uh, Ren through?
00:32:27That's right.
00:32:34Kind of a cute kid, ain't he?
00:32:37I was just trying to cover him up.
00:32:39So I noticed.
00:32:40If you need any help, I'll be right out here.
00:32:58It's Ren through.
00:32:59Oh, thank goodness.
00:33:00You're right.
00:33:01It is Ren through.
00:33:07Stand where you are, Jack Dalton, and you'd better reach for the sky.
00:33:10No, you don't, Ren through.
00:33:12I've been saving this .45 slug just for you.
00:33:16Oh, Ren through, are you hurt?
00:33:18It never touched me.
00:33:19Oh, Ren through, darling, you've saved me from a fate too horrible to think about.
00:33:23I don't know how to reward you.
00:33:25Ridding the country of a skunk like that is reward enough, Melinda.
00:33:28But surely...
00:33:29That soft light I see dancing in your eyes.
00:33:32Ren through, darling, you may kiss me.
00:33:35Will Ren through kiss Melinda?
00:33:37Listen in at the same time tomorrow night, ladies and gentlemen,
00:33:40for the further adventures of Ren through of the Mounted,
00:33:43presented each weekday evening by the makers of...
00:33:51Do you think he'll kiss her?
00:33:53I really don't know.
00:33:54Honest, I don't.
00:33:55Well, we'll know tomorrow night anyway.
00:33:58I can hardly wait.
00:34:00Say, what are you doing here?
00:34:02A baby.
00:34:03Is it all right?
00:34:04That's what I've come to tell you about.
00:34:05You mean you walked out on him?
00:34:07Well, I'll take care of him.
00:34:08I really ought to go to bed anyway.
00:34:10Oh, I wouldn't think of it, Miss Potbubble.
00:34:12Good night.
00:34:13Good night.
00:34:14Thanks.
00:34:15Say, what ails you?
00:34:17I was just thinking.
00:34:18Do you always perspire when you think?
00:34:20No, no, no, Pat.
00:34:21Look, it's about that kid.
00:34:23Ah, you were a sweetheart to get that baby for us.
00:34:25You know, I think I'm beginning to go for you.
00:34:27Yes, yes, yes.
00:34:28That's nice, that's sweet.
00:34:29But the baby is a mole.
00:34:30What's that got to do with my going for you?
00:34:32Or aren't you interested?
00:34:33Sure I am.
00:34:34You know I am.
00:34:35I was reading in the papers.
00:34:36Oh, if you want to keep this conversation strictly
00:34:38impersonal, all right.
00:34:39Oh, no, no, no.
00:34:40Don't get me wrong.
00:34:41I'm worried.
00:34:42About what?
00:34:43177 years.
00:34:45What are you mumbling about?
00:34:47A guy don't live to be any more than 60 or 70, does he?
00:34:49Well, how could he serve 177 years?
00:34:51For what?
00:34:52That's what I've been trying to tell you.
00:34:54Well, I've been trying to tell you something too,
00:34:56Mr. Monaghan.
00:34:57Pardon if you're not in the mood.
00:34:58I guess you're not in the mood.
00:34:59Good night.
00:35:00Patsy.
00:35:04What do you want?
00:35:05Is that really your face?
00:35:15Excuse me, buddy.
00:35:16I left this.
00:35:17Do you mind?
00:35:18Ah, friendship is a wonderful thing.
00:35:20Now that we have a perfect understanding,
00:35:22you feel better and I feel better.
00:35:24Sure, sure.
00:35:25How about a drink?
00:35:26No, no, no.
00:35:28I don't drink after dinner.
00:35:29But don't let it stop you.
00:35:30Oh, no, no.
00:35:31Thanks.
00:35:32I don't drink after dinner either.
00:35:33Oh.
00:35:36Excuse me.
00:35:48This is ridiculous.
00:35:51Oh, but listen, kiddo.
00:35:52I've apologized.
00:35:53Oh, sure.
00:35:54Sure, you've apologized.
00:35:56I don't know what I could have been thinking about.
00:35:59It's been so long that...
00:36:01Well, just seeing you again sort of...
00:36:03Pardon me if I seem to intrude.
00:36:04That's quite all right.
00:36:05I was leaving anyway.
00:36:06Oh, but honey, please.
00:36:07Oh, wait.
00:36:08Now, now, wait.
00:36:09Now, wait, my old friend.
00:36:10We must have a talk.
00:36:11Yeah, about what?
00:36:12About Miss Tremaine and you.
00:36:13Sit down, please.
00:36:14Sit down.
00:36:16Who are you?
00:36:17What do you mean, who am I?
00:36:19Dr. Harvey North, that's who.
00:36:21And what does that mean?
00:36:22I don't expect you to understand.
00:36:24But it means ten years of study and sweat.
00:36:26And sacrifice.
00:36:27Of working for humanity instead of for audiences.
00:36:29It means that someday I'm going to have the finest clinic that science can dream up.
00:36:33A place where I can patch up youngsters the way you patch up film.
00:36:36Hmm.
00:36:37Nice.
00:36:38It's very nice.
00:36:39And what would such a clinic cost?
00:36:42Fifty thousand dollars.
00:36:43I could build a pit.
00:36:44Mm-hmm.
00:36:45And how much have you got now?
00:36:47If somebody would suddenly hand me seventy-five dollars, I'd have an even hundred.
00:36:51So, you would ask her to give up her future, her career, for this silly thing you call love.
00:36:57Hmm?
00:36:58Would you do that to her?
00:37:00Believe me, my young friend.
00:37:02You too?
00:37:04It won't work.
00:37:05Oh, all right, all right.
00:37:06You don't have to blueprint it for me.
00:37:08I can figure it out for myself.
00:37:10I don't know.
00:37:11Oh, all right, all right.
00:37:12You don't have to blueprint it for me.
00:37:14I can figure it out for myself.
00:37:17Giving up a girl like that isn't so easy.
00:37:21But I guess you're right.
00:37:22When was I wrong?
00:37:24She's not for me.
00:37:25Believe me, my young friend.
00:37:27It is best you do not see her anymore.
00:37:29That will make it easier for her.
00:37:31You must stay out of her life, but completely.
00:37:37Okay, you win.
00:37:38Good.
00:37:39We'll shake on that.
00:37:41One thing.
00:37:42Just don't you try any tricks.
00:37:44Me?
00:37:45With me, it's strictly business.
00:38:10Thanks.
00:38:17Hey, what's the idea?
00:38:20I...
00:38:22Red Cross.
00:38:23Well, I'm not through with that yet.
00:38:25Oh.
00:38:27I beg your pardon.
00:38:32Pardon me.
00:38:39Pardon me.
00:39:09Oh.
00:39:10Oh.
00:39:11Oh.
00:39:12Oh.
00:39:13Oh.
00:39:14Oh.
00:39:15Oh.
00:39:16Oh.
00:39:17Oh.
00:39:18Oh.
00:39:19Oh.
00:39:20Oh.
00:39:21Oh.
00:39:22Oh.
00:39:23Oh.
00:39:24Oh.
00:39:25Oh.
00:39:26Oh.
00:39:27Oh.
00:39:28Oh.
00:39:29Oh.
00:39:30Oh.
00:39:31Oh.
00:39:32Oh.
00:39:33Oh.
00:39:34Oh.
00:39:35Oh.
00:39:36Oh.
00:39:37Oh.
00:39:39Cigarette?
00:39:40Cigarette.
00:40:07I was wondering if I could borrow your paper.
00:40:09Oh, sure. Help yourself.
00:40:10Oh.
00:40:11Say, Mike, would you mind giving me a hand with my suitcase?
00:40:13I can't get it open.
00:40:14Why, sure. Sure.
00:40:40Zzzz.
00:40:43Zzzz.
00:40:46Thanks a lot, Mike. That was swell of you.
00:40:48Oh, that's all right. I didn't tell him at all.
00:41:05Oh, dear.
00:41:06Oh, please.
00:41:08Oh, you mustn't.
00:41:10Oh, not here.
00:41:12After all, I hardly know you.
00:41:16Oh, dear.
00:41:18Oh, please.
00:41:21Oh, well, if you insist.
00:41:24You may kiss me, Renfrew.
00:41:30Oh!
00:41:35Which way did he go?
00:41:37He went that way.
00:41:39Oh.
00:41:41I hardly know what to say.
00:41:43Oh, I know just how you feel.
00:41:45Confidentially, I'm that way about Donald Duck.
00:41:49Really?
00:41:50Mm-hmm.
00:41:51Oh.
00:41:56Well, it's so high up there.
00:41:58Well, you come right in here. There's plenty of room.
00:42:00Besides, if Renfrew comes back, you won't have so far to fall.
00:42:03Well, that's right.
00:42:04Well, thank you.
00:42:05Perfectly welcome.
00:42:07I'm not used to sleeping alone.
00:42:09Back home, I always sleep with Richard.
00:42:11Richard?
00:42:12Yes, Richard's the cat.
00:42:13It's really a girl cat, but we always call it Richard.
00:42:16Oh, you do.
00:42:19Well, good night.
00:42:20Good night.
00:42:22I hope I'm not crowding the baby.
00:42:24Oh, no.
00:42:25Why, when I was his age, we used to sleep 13 in a bed.
00:42:28Weren't you superstitious?
00:42:30No, we...
00:42:32Good night, Miss Pottle.
00:42:34Good night.
00:43:04Good night.
00:43:34Good night.
00:43:50Miss Pottle, would you please get rid of that bottle?
00:43:54Oh.
00:43:56Oh, of course.
00:44:04Oh.
00:44:07Patsy.
00:44:09Patsy.
00:44:13What do you want?
00:44:14I've got to talk to you.
00:44:16Shh.
00:44:24Shh.
00:44:30Oh, Patsy.
00:44:31Shh.
00:44:32Say, what's the matter?
00:44:33Have you got owl's blood in you?
00:44:35Why don't you go to bed?
00:44:36I can't sleep.
00:44:37It's about that baby.
00:44:39It's hot.
00:44:40What am I supposed to do, stay up all night and fan it?
00:44:42Oh, it's not that kind of hot.
00:44:44It's been snatched.
00:44:45Oh, stop it.
00:44:46Kidnapped.
00:44:47Oh, don't be...
00:44:48Are you telling me that you stole that baby?
00:44:50Not me.
00:44:51But I'm an accomplice.
00:44:53Accomplice?
00:44:54Do you know what that means?
00:44:55Yeah.
00:44:57177 years.
00:44:59Oh.
00:45:00Well, what are we going to do about it?
00:45:02We?
00:45:03Include me out?
00:45:05Wait a minute.
00:45:06I think I've got an idea.
00:45:09Good.
00:45:10Shh.
00:45:22Here.
00:45:23You take it from here.
00:45:24Patsy.
00:45:30Shh.
00:45:40Shh.
00:45:43Shh.
00:45:44You don't want to get me in a jam, do you?
00:45:51Give me a break, will you?
00:45:52Please.
00:46:00Shh.
00:46:02Hey.
00:46:03How would you like to hear the story about the three bears?
00:46:08Oh.
00:46:10Huh.
00:46:11Now we're going somewheres.
00:46:14Well, now.
00:46:15Let me see.
00:46:19Once upon a time,
00:46:22there was three bears.
00:46:24A papa bear, a great big bear like that.
00:46:27And a mummy bear about that size.
00:46:29And a teeny weeny little bear,
00:46:32well,
00:46:34about your size.
00:46:35Well,
00:46:36one day,
00:46:38they decided to go out for a little stroll.
00:46:41You know,
00:46:42just like bears always do.
00:46:45You understand, don't you?
00:46:47Sure.
00:46:48Well,
00:46:49little Goldilocks came along.
00:46:51Now there was a swirl girl.
00:46:54She had everything.
00:46:56You know the kind of a girl I mean, don't you?
00:46:58Sure you do.
00:46:59Well,
00:47:00she spots this joint over there,
00:47:03and she makes for it.
00:47:16What's the hitch, superintendent?
00:47:18It's a flood up the valley.
00:47:19We've got to get these gondolas up there in a hurry
00:47:21or the whole town will go up.
00:47:22That 1600 won't make it fast enough,
00:47:24so I'm taking the kettle off the limit.
00:47:32The baby bull porridge.
00:47:36She,
00:47:38she,
00:47:39she ate it all up.
00:47:41And then she wanted to go upstairs.
00:47:45She goes upstairs,
00:47:47and,
00:47:49and she,
00:47:52goes to sleep.
00:47:55She,
00:47:57she,
00:48:02Hey, Mike.
00:48:06Come on, Mike, open up.
00:48:10Listen,
00:48:11I'm trying to stop,
00:48:12and this is our chance to get the baby back to its family.
00:48:14How?
00:48:15I got it all figured out.
00:48:17There you are.
00:48:22Oh,
00:48:23what are we stopping for, Cap?
00:48:25We don't know yet, ma'am.
00:48:26Must be some trouble up ahead.
00:48:27Oh, I see.
00:48:28Well,
00:48:29how long are we going to be here?
00:48:30Well, that's hard to say.
00:48:31A conductor's just gone up front now to find out.
00:48:53Goodbye, pumpkins.
00:48:54You'll be all right now.
00:49:24Everything's okay.
00:49:25Okay?
00:49:26That's what you think.
00:49:27I just heard from the sergeant
00:49:28we have to lay over here for two and a half hours.
00:49:30Lay over?
00:49:31But, but we can't.
00:49:32Yeah, but they don't know that.
00:49:34Maybe I'd better find out what the trouble is.
00:49:36I know what the trouble is.
00:49:37I want you to go and see what you can do about it.
00:49:39Yeah.
00:49:40Yeah.
00:49:41Roller coaster.
00:49:42Roller coaster.
00:49:43Roller coaster.
00:49:44Roller coaster.
00:49:45Roller coaster.
00:49:46Roller coaster.
00:49:47Roller coaster.
00:49:48Roller coaster.
00:49:49Roller coaster.
00:49:50Roller coaster.
00:49:51Roller coaster.
00:49:52Roller coaster.
00:49:53As soon as you're ready.
00:49:54Say, super.
00:49:55Is this on the level about us laying over for two hours and a half?
00:49:57Right, and that's figuring close, Monahan.
00:49:59Well, why don't you run in on the 1600?
00:50:01What's that supposed to be, a gag?
00:50:03There ain't a chance.
00:50:04Why ain't there?
00:50:05That little boiler couldn't pull that new train in a million years.
00:50:08You couldn't get up enough head on that
00:50:09to hollow limit it around the block.
00:50:11Oh, you don't know what you're talking about.
00:50:13Give me a farmer with a pair of arms and some shoulders
00:50:16and I'll show you what's what.
00:50:18What's the matter with you, Mulcahy?
00:50:19You used to be the best smoke agent that ever had this mountain runs.
00:50:23Maybe you're a little too old and fat.
00:50:24What do you mean old and fat?
00:50:26I can still show you young guys a thing or two.
00:50:29I'll fire for you if that's all you're worrying about.
00:50:31Well, what are we waiting for?
00:50:32Come on.
00:50:49Miss Riley?
00:51:11Yeah?
00:51:12Monahan says he'll see you in Harrisburg.
00:51:14He's taking the limited in.
00:51:15He's taking it in?
00:51:16That's right.
00:51:19Say, there's a handy little fellow to have around the house.
00:51:22Yes, ma'am.
00:51:26Okay, here.
00:51:45Too big a load, I'm telling you.
00:51:46You're wasting your time.
00:51:48I'm going to have a lot of time to waste if we don't get going soon.
00:51:51Fill her up, will you?
00:51:54Now give her some sand.
00:52:13Too big a load, huh?
00:52:3370, do you hear me?
00:52:35We'll make it 70.
00:52:36All right, all right.
00:52:37I'll take it for you.
00:52:39You're the only man on this line that knows enough about this kettle to coax her through.
00:52:42Coax her through?
00:52:43We'll be all done if you don't press that on me first.
00:52:46Come on, come on.
00:52:47Fill her up.
00:52:48Fill her up.
00:52:49You've got a full head on her now.
00:52:50She'll blow her plate.
00:52:51So what?
00:52:52You're in short, ain't you?
00:53:07Where is everybody?
00:53:11There you are.
00:53:15Well, where's the baby?
00:53:17Baby!
00:53:19Baby!
00:53:21The baby!
00:53:25Oh, dear.
00:53:26Oh, Mr. Rebansky, we must do something.
00:53:29Please, please, Miss Pottle, this is not time.
00:53:32Yes, but the baby's gone.
00:53:33Somebody's taken the baby.
00:53:34Somebody's taken the baby?
00:53:35Something wrong.
00:53:36Something wrong?
00:53:37What are you standing here for?
00:53:38Do something.
00:53:39You heard her.
00:53:40Where?
00:53:41Where?
00:53:42When?
00:53:43How?
00:53:44What's the difference?
00:53:45I demand action.
00:53:46Go.
00:53:47Call the police quickly.
00:53:48I'll get a message off at the next station.
00:53:49We pass there in a minute.
00:53:50Oh, wait.
00:53:51Wait nothing.
00:53:52Go.
00:53:53All right.
00:53:54I demand action.
00:53:55You don't understand.
00:53:56Oh, this is dreadful.
00:53:57Oh, look, Miss Pottle, it's awfully late.
00:53:58Oh, but I got tired.
00:53:59Well, try and get tired.
00:54:00And if it isn't something, it's something else.
00:54:01Wait.
00:54:02Grace, I've got to talk to you.
00:54:03Talk, talk, talk.
00:54:04Tonight I sleep.
00:54:05Tomorrow I talk.
00:54:06Please, you must listen.
00:54:07That baby is hot.
00:54:08What do I care about his temperature?
00:54:09I don't know, kid, but it had been kidnapped.
00:54:10Snatched.
00:54:11Ay-ay-ay.
00:54:12Kidnapped.
00:54:13Snitched.
00:54:14You mean you're...
00:54:15Tell me, what are you standing here for?
00:54:16Let's stop the conductor.
00:54:17Don't let him stand for the police.
00:54:18Come on.
00:54:19What do you think I've been trying to tell you?
00:54:20Ay-ay-ay.
00:54:21Ay-ay-ay.
00:54:22Ay-ay-ay.
00:54:23Mr. Conductor.
00:54:24Mr. Conductor.
00:54:25I thought it over.
00:54:26I changed my mind.
00:54:27Yes.
00:54:28You what?
00:54:29We'll decide that it's better we do not call the police.
00:54:30Yes.
00:54:31You know, Miss Tremaine being such a famous person, isn't
00:54:32all...
00:54:33Oh, it's too late.
00:54:34I just put the message off.
00:54:35But you don't understand.
00:54:36I'm telling you, we do not want the police.
00:54:37Then I'm telling you, you've got them.
00:54:38They get on at Harrisburg.
00:54:39Ay-ay-ay.
00:54:40Oh, but they can't.
00:54:41Oh, please.
00:54:42What are we going to do?
00:54:43What are we going to do?
00:54:44It's terrific.
00:54:45Sensational.
00:54:46Is it?
00:54:47Ay, Ivan Mikhailchvansky solved the whole thing.
00:54:48That's fine.
00:54:49Solved what?
00:54:50The baby's hot, no?
00:54:51Yes.
00:54:52Snitched, no?
00:54:53Yes.
00:54:54Well, we haven't got it, so what are we worrying about?
00:54:55What are we worrying about?
00:54:56Well, we haven't got it, so what are we worrying about?
00:54:57Well, we haven't got it, so what are we worrying about?
00:54:59That's right.
00:55:06Say, how did you get in here?
00:55:14Why aren't you asleep?
00:55:18I don't know.
00:55:23Why don't you get in here?
00:55:26Why aren't you asleep?
00:55:45Will you please get Dr. North right away?
00:55:47Yes, ma'am.
00:55:49Come on, you better sit up and take these things off.
00:55:52We've got to make this thing go bright.
00:55:59That's right.
00:56:11Something the matter?
00:56:13Oh, Harvey, it isn't me.
00:56:15It's... it's the baby.
00:56:21Well, there must be something wrong.
00:56:24He's... he's so wide awake.
00:56:26I don't see anything so wrong in that.
00:56:28Well, it's... it's late.
00:56:30He... he should be asleep.
00:56:32Shouldn't he?
00:56:34Maybe he isn't tired.
00:56:39Babies are just like grown folks.
00:56:41And in sleep they wake up.
00:56:43Isn't that right?
00:56:45Oh, but I'll stick around and make sure that he gets back to sleep.
00:56:49Oh, please don't close that.
00:56:51I had to call Mikey and open it for me.
00:56:53You mean that Mike came in here to open...
00:56:55Uh-huh.
00:56:57Oh.
00:56:59What's the matter?
00:57:01Oh, nothing, nothing. Everything is just dandy.
00:57:05It's a lovely bag.
00:57:07And don't you worry about the baby either.
00:57:09He's going to be fine.
00:57:11Oh, I'm so glad.
00:57:18Isn't he beautiful?
00:57:20Yeah, they all are.
00:57:22Gee, Harvey, I'd love to have a little fellow just like that.
00:57:25Wouldn't you?
00:57:27Yes, of course.
00:57:29Anybody would.
00:57:31But on a staff doctor's salary?
00:57:33Why, Harvey, do you think that would make any difference to...
00:57:36to him?
00:57:38No, it probably wouldn't make any difference to him.
00:57:41No, I still think it would make a heck of a lot of difference to April Tremaine.
00:57:45Oh, listen, Harvey, I'm never going back to Hollywood again.
00:57:48I want to be just plain Mary Potter or Mrs. Jones or...
00:57:52or Mrs. Dr. North.
00:57:56You really mean that?
00:58:09Mary, you sure you know what you're talking about?
00:58:12I was never so sure of anything in my whole life.
00:58:15You come with me. I'll prove it to you.
00:58:19But, honey, wait.
00:58:21I have waited. I've waited for three years, and that's much too long.
00:58:25Say, did I tell you that I love you?
00:58:28You know, I'm not quite sure.
00:58:30Maybe you'd better tell me again.
00:58:35Hello. Hello.
00:58:37You snake in the bush. You double-crosser. You triple-crosser.
00:58:40Oh, no, he's not.
00:58:42I love him. And I love her.
00:58:44Now, you figure out an answer for that.
00:58:46It's impossible. Oh, no, it isn't.
00:58:48You were right about it.
00:58:50And I'm very grateful to you for opening my eyes.
00:58:53I'm going to marry Harvey.
00:58:55Marry? Uh-huh.
00:58:57I'm through with pictures. I'm never going back to Hollywood.
00:59:00You're quitting pictures? She's quitting pictures.
00:59:03Darling, listen. Listen to me. Maybe you're fired up.
00:59:06Maybe you're excited. Maybe you go to bed.
00:59:08And in the morning, I'll settle everything.
00:59:10Oh, I'm sorry, old-timer, but you see, it seems that we settled everything tonight.
00:59:15Toodle-oo.
00:59:17Toodle-oo?
00:59:36Toodle-oo.
00:59:56May I come in?
00:59:58Now, what do you want?
01:00:00My friend, last night you told me that if you had $50,000,
01:00:03You could build a great clinic, a place where you can do fine things for little children.
01:00:08Yes, and I also told you that I didn't have the $50,000.
01:00:11Exactly. You have the skill, but you haven't got the money.
01:00:15I have the money, but not the skill. So, together.
01:00:18Yeah, I know. You put them all together and they spell Magnolia.
01:00:22No, no, no, no. I, Ivan Ivansky, will give you the money.
01:00:26I'm going to build for you the finest clinic that money can buy.
01:00:30Now, look, who do you think you're kidding?
01:00:31Kidding? But I'm not kidding. In Hollywood, we do those things in a businesslike way.
01:00:34I'm going to give you a contract before you leave this train.
01:00:38And just why are you doing all of this for me?
01:00:41For you. But I'm doing this for me, too.
01:00:43You've opened my eyes. I've been selfish, cold, perhaps, perhaps a little bit heartless.
01:00:50But, say, you have a nice robe. But now I see the light.
01:01:02All right, Monaghan. I'm proud of you for selling the robe.
01:01:05You know your business. I sure do.
01:01:07I have a little bit of everybody else's.
01:01:10Well, good luck. Good luck to you.
01:01:13Hope you have a nice vacation. I think I will now.
01:01:16Yes.
01:01:18Have you found the baby yet? Not a sign of it.
01:01:21Go up front and work your way back. Look everywhere.
01:01:23Right, Sergeant.
01:01:25You know, maybe I've had you all wrong.
01:01:28Maybe. But of course you got Miro.
01:01:31I assure you that...
01:01:34Come in.
01:01:36Sorry to disturb you, gentlemen, but we're looking for a missing baby.
01:01:39Missing baby? That's right.
01:01:41Well, I guess you haven't got him in here.
01:01:43We haven't got him. We haven't even seen him.
01:01:45Sorry to have troubled you. That's all right, that's all right.
01:01:47What do you suppose that's all about?
01:01:49Shh. I sent for them.
01:01:51You? Yes, you see, Mr. Maine little adopted baby is missing.
01:01:54But now I've changed my mind. I wish to say nothing about it.
01:01:56Besides, how can I tell anything about it when I don't know where it is?
01:01:59Well, if you don't, I do.
01:02:01Do you know where the baby is? Oh, certainly.
01:02:03I just left him a little while ago. He's in April's room.
01:02:05Oh, yeah, yeah. Excuse me, please.
01:02:07Excuse me, please. It's a matter of life or maybe death.
01:02:10Good morning, Mr. Cupid.
01:02:13And how do you feel?
01:02:15That's right. Smile.
01:02:17You've got something to smile about.
01:02:21Yvonne.
01:02:23So it is the truth. He's here.
01:02:25The baby? Where should he be?
01:02:27Anyplace, anyplace but here.
01:02:29But why?
01:02:31Listen, darling. I'll try to tell it to you gently.
01:02:34Think of everything, the most terrible that ever happened in your life.
01:02:37And this, this is worse.
01:02:39This baby is kidnapped.
01:02:41Kidnapped?
01:02:43But why?
01:02:45I don't know.
01:02:48Kidnapped?
01:02:50But I thought that...
01:02:52You thought? I thought. Patsy thought.
01:02:54Only that big, half-wit engineer, he didn't think.
01:02:57May I come in?
01:02:59Certainly come in. What are you waiting for?
01:03:01Good morning. Good night.
01:03:03So, we haven't got the baby.
01:03:05So what have we got to lose, huh?
01:03:07Well, where did he come from, huh?
01:03:09Come from, come from. Could the baby that size come from someplace?
01:03:12Where is she going? That's important.
01:03:14Now what do we do?
01:03:15It's all yours. I'm fired.
01:03:16You're hired again?
01:03:20Who is there?
01:03:21The police.
01:03:24What are we going to do?
01:03:25I'm leaving. Hurry, open the window.
01:03:29Just one minute, please.
01:03:31We are in the conference.
01:03:35Now, you take care of him. Take him in there.
01:03:37Me?
01:03:38Yai, yai, yai.
01:03:43Now, remember your big scene in the Scarlet Lady?
01:03:47The one where the sister dies?
01:03:48Exactly.
01:03:49Of course I do, but...
01:03:50We've got no time for buts. Come.
01:03:54Come in.
01:03:56What a baby, my darling. You shouldn't worry.
01:04:00Ah, good morning, officer.
01:04:02You must excuse me, Mr. Lane. You know, it was quite a shock.
01:04:05Of course. I wish I had better news to report.
01:04:07I know, I know, but what can we do?
01:04:10Please, relax. Relax, my darling.
01:04:16Now, if I could get one or two detainees.
01:04:18Of course, of course. But please, be seated.
01:04:21This case reminds me very much of one similar in Russia.
01:04:25Wintertime. It was snowing.
01:04:28It always snows in Russia.
01:04:33Oh, shh. Quiet. Quiet.
01:04:38Shh. Who is it?
01:04:40It's Maurice.
01:04:42Good morning.
01:04:43Shh, Miss Potts.
01:04:44I got you.
01:04:45I've just come to tell you that everything's okay.
01:04:47Oh, a trainload full of police and everything's okay.
01:04:50You mean they're looking for the kid?
01:04:51What do you think they're looking for?
01:04:52Well, what's the difference? They'll never find him.
01:04:54Because he ain't on the train.
01:04:55Oh, he isn't.
01:04:56What do you think that is? A singer's midget?
01:05:02Impossible. It can't be.
01:05:05But it is.
01:05:06Uh, who is it?
01:05:07The police.
01:05:08Oh, just a moment, please.
01:05:11Shh, here.
01:05:13Take the baby. Get in there and keep quiet.
01:05:15Shh, shh, shh.
01:05:18Coming.
01:05:19Is that someone knocking?
01:05:20Yes, and it's no woodpecker.
01:05:22Good morning.
01:05:23Good morning.
01:05:24Oh, it's him.
01:05:25Who?
01:05:26Renfrew.
01:05:28Oh, don't mind her, officer. It's the uniform.
01:05:30Her uncle used to be a fireman.
01:05:32Oh. Do you mind answering a few questions?
01:05:34Not at all, Renfrew. Sit down.
01:05:36Where'd you leave your horse?
01:05:38My horse?
01:05:39Mm-hmm.
01:05:40Look, lady, all I want's a little information. Do you mind?
01:05:43No, I don't mind, if that's the way you feel about it.
01:05:46I've been listening to you for 47 weeks.
01:05:49But now I don't care whether you kiss her or not.
01:05:51Look, lady, one question.
01:05:54Did you kiss her?
01:05:57Do you mind?
01:05:58Oh, no, not at all. Go right ahead.
01:06:01What am I gonna do now?
01:06:03What you gonna do now, it's not important.
01:06:05Where you do it, that's the thing.
01:06:07And you are not going to do it here.
01:06:09You must go out, but quick.
01:06:11Carol, please, please. Hurry.
01:06:23Well, I'm sorry to have troubled you, ladies.
01:06:25Oh, it was no trouble at all.
01:06:27Well, goodbye.
01:06:28Must you go, Renfrew?
01:06:30Yes, he must.
01:06:31Well, do you think he'll be back?
01:06:32That's what I'm afraid of.
01:06:39Well, thanks very much.
01:06:46I haven't found a thing, sir.
01:06:47Well, all we can do is fill out the report.
01:06:49Right.
01:06:51All aboard!
01:07:02All aboard!
01:07:13How are you?
01:07:14Okay.
01:07:28What did I ever do to you?
01:07:33This is a fine time to be laughing.
01:07:37177 years.
01:07:40And you're so healthy.
01:07:42Come on.
01:08:01What's this we're coming to?
01:08:02Philadelphia.
01:08:03Philadelphia. Philadelphia.
01:08:05That's an inspiration.
01:08:06What?
01:08:07Well, get off!
01:08:08But I thought we were going to New York.
01:08:10Philadelphia. How can we go to New York?
01:08:12With batteries of newspaper men waiting to photograph Miss April Tremaine with her adopted baby.
01:08:16And what happens?
01:08:17Her adopted baby ain't legal.
01:08:19It's kidnapped.
01:08:21But you said we were getting off the train without the baby.
01:08:23Listen, darling, listen.
01:08:25Fifty million newspaper readers know that Miss April Tremaine got on a Broadway limited in Chicago with an adopted baby.
01:08:33And what are we going to tell them when we get off to New York without the baby?
01:08:36And what are we going to tell to the police?
01:08:38Don't forget there are police in Philadelphia, too.
01:08:40Shh. Wait.
01:08:50Philadelphia.
01:08:56I was afraid you weren't going to make it.
01:08:57I would miss it.
01:08:58Where's the kid? Is he okay?
01:09:00Everything is okay. It worked like a charm. Come on.
01:09:02All aboard.
01:09:09Stop worrying, everybody.
01:09:11There is a solution to all this.
01:09:13All we have to do is to think of it.
01:09:15I don't know why you're all so glum and worried.
01:09:18Personally, I'm quite thrilled.
01:09:20She's thrilled yet, huh?
01:09:21Excuse me, please.
01:09:22Miss Buckle, I assure you, the electric chair is no chair's loan.
01:09:27Besides, personally, you are not connected to the electric chair.
01:09:31I know. I just wish I were.
01:09:33Why, you're all heroes.
01:09:35Heroes?
01:09:36That's not what they call them in Sing Sing.
01:09:38Oh.
01:09:39Why, Miss Powell's absolutely right.
01:09:42Why, of course she is.
01:09:44Here, the whole world is searching for the baby, and we have it right here, safe and sound.
01:09:48Yeah.
01:09:49Why, this is the biggest story that ever broke.
01:09:52It's a miracle.
01:09:53It's a miracle.
01:09:54It's a miracle.
01:09:55It's a miracle.
01:09:56It's a miracle.
01:09:57It's a miracle.
01:09:58It's a miracle.
01:09:59Why, this is the biggest story that ever broke.
01:10:01We've got it right in the palm of our hands.
01:10:03Of course.
01:10:04Why, certainly, it'll put April Tremaine on the front page of every newspaper in the world.
01:10:07Now, listen.
01:10:08Excuse me.
01:10:09I made up my mind.
01:10:10As soon as I get to New York, I'm going to surrender.
01:10:13Surrender?
01:10:14Why, Mike, you're a hero.
01:10:15You certainly are.
01:10:16May be the first one to shake your hand.
01:10:19Pleased to meet you.
01:10:20All right, save it, save it.
01:10:21Now, go get the baby.
01:10:22When we get off this train, they'll carry us around on their shoulders.
01:10:25Sure, sure.
01:10:26Hurry up.
01:10:27Hurry up.
01:10:29My friends, I've cleared up everything.
01:10:32Well, come in, come in, come in.
01:10:34Pardon me, you weren't in your compartment, so I...
01:10:36Thank you very much, thank you very much.
01:10:37You may go.
01:10:41And Ivansky always keeps his word.
01:10:43Well, nearly always.
01:10:45My friend, your check for $50,000.
01:10:48$50,000 in real money?
01:10:51It ain't no hay.
01:10:52And your contract for the clinic.
01:10:54Please sign on the document.
01:10:56Your contract for the clinic?
01:10:57You mean that Ivan...
01:10:58That's right.
01:10:59You see, I didn't want to tell you until I was sure.
01:11:02Why, Ivan, that's the nicest thing you've done in your whole life.
01:11:07Listen, what do you think?
01:11:08The baby's gone.
01:11:09Gone?
01:11:10Yeah, when I got there, the baby was gone.
01:11:12Oh, but he must still be on the train.
01:11:14Exactly.
01:11:15Search every place.
01:11:16Call the conductor.
01:11:17Get the police.
01:11:18Come on, let's get going.
01:11:19Spread out.
01:11:20Search every place.
01:11:21I'll go this way.
01:11:22Then may I go too?
01:11:23Yeah, you may go too.
01:11:25Pennsylvania Station, New York.
01:11:34Pulling a fast one, huh?
01:11:36Give me that kid.
01:11:37Wait, that's a mistake.
01:11:38Now, listen.
01:11:39Listen nothing.
01:11:40Take it easy.
01:11:41Oh, so you want to play, huh?
01:11:46Now, listen.
01:11:47Now, wait a minute.
01:11:48I ain't got no time.
01:11:49Now, wait a minute, mister.
01:11:50Hey, Mike, where are you?
01:11:51I'm right in here.
01:11:53What's going on?
01:11:55Everything's taken care of.
01:11:57There's the kid, and these are the guys that took him.
01:11:59Now, wait a minute.
01:12:00Listen, this is a mistake, I tell you.
01:12:01Oh, yeah?
01:12:02Well, this is no mistake, you baby snatcher.
01:12:04Here, you gather them up, and I'll meet you on the platform.
01:12:07Right.
01:12:08Wait a minute, lady.
01:12:09You're not going anywhere with that kid.
01:12:10Oh, yes, she is.
01:12:17Nothing.
01:12:18Nothing to it at all.
01:12:19See you later.
01:12:20OK.
01:12:21Come on, kiddies.
01:12:22Come on, step right up and get a load of the greatest story that ever broke.
01:12:27We have the Pearson kids play some sound, and that ain't all.
01:12:30We've got the kidnappers, too.
01:12:32The Pearson kids?
01:12:33What do you mean, the kidnappers?
01:12:34Why, the Pearson kids have been home since 9 o'clock last night.
01:12:37You mean this isn't the Pearson baby?
01:12:39That's what I've been trying to tell you.
01:12:41That's my baby.
01:12:42I'm the baby's father.
01:12:43I'm the baby's father.
01:12:44You, well, who are these two mugs?
01:12:46Mugs?
01:12:47This is my brother and brother-in-law from Philadelphia.
01:12:49I only let you have the baby when I heard you were going to New York.
01:12:51I figured I could use the $500 to have a family reunion.
01:12:54My relatives have never seen the baby.
01:12:56Well, what about the baby's mold?
01:12:58My baby hasn't got a mold.
01:12:59What do you call this?
01:13:00What, this thing here?
01:13:01Oh, dear, that's my beauty mark.
01:13:03I've been looking all over for it all morning.
01:13:05Beauty mark?
01:13:06Come on, let's get out of here.
01:13:09So, well, I guess I'd better be going.
01:13:12Yeah, me too.
01:13:13Just a moment, Miss Riley.
01:13:14Come on, honey, let's get out of here before something else happens.
01:13:17So long, Yvonne.
01:13:18Goodbye, Vanna.
01:13:19Goodbye, Mr. Maynard.
01:13:20Goodbye.
01:13:21Goodbye, children.
01:13:22Bye.
01:13:23Miss Riley, we're leaving for the coast this afternoon.
01:13:25Oh, no more orders, my friend.
01:13:27I am leaving for Niagara Falls this morning.
01:13:29Or am I?
01:13:30But definitely.
01:13:32You mean you'll be happy with him?
01:13:34Aye, yi, yi.
01:13:37Aye, yi, yi?
01:13:39She means it.
01:13:41Say, I just thought of something.
01:13:42Where's the client going to be?
01:13:44You know, in all the excitement, I forgot to look.
01:13:46It must say in here someplace, though.
01:13:48Let's see.
01:13:49Probably the first part says the part.
01:13:52Yes, it is right here.
01:13:54To be located at 3685 Hollywood Boulevard, Hollywood, California.
01:14:00Why, that's right across the street from the studio.
01:14:05I'll be seeing you.
01:14:09I'll be seeing you.
01:14:10Toodle-oo.
01:14:11Goodbye.
01:14:16Oh, Redfoo.
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