Carl Andre: Sculpture as Place, 1958–2010 at Dia Beacon is the first retrospective to consider the full spectrum of Carl Andre’s art. The exhibition is grouped into three parts: sculpture, poetry, and Carl Andre’s unclassifiable productions, from the enigmatic assemblages known as Dada Forgeries to his wide-ranging ephemera. In this video, Yasmil Raymond (Curator, Dia […]
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