- 2 months ago
- #belle
- #affairsoftheheart
- #enchantedapril
#belle #affairsoftheheart #enchantedapril
Freddie and Belle learn the truth about Marcel in their own ways, which leads to a trap for each as Marcel tries to keep his secret. Starring: Daniel Ainsleigh, Rachelle Arthey, Colin Buchanan.
Freddie and Belle learn the truth about Marcel in their own ways, which leads to a trap for each as Marcel tries to keep his secret. Starring: Daniel Ainsleigh, Rachelle Arthey, Colin Buchanan.
Category
🎥
Short filmTranscript
00:00Read our verdicts, die and woman confesses to murder!
00:20Read our verdicts, die and woman confesses to murder!
00:30Read our verdicts, die and woman confesses to murder!
00:44Read our verdicts, die and woman confesses to murder!
01:00Oh, Freddie!
01:17You shouldn't have done it.
01:19I can't make me pay now.
01:21And, you know, I thought of writing something of the kind years ago, but I was too frightened.
01:27I shouldn't have put it off.
01:29Suppose I'd had a stroke like Connie's father.
01:31What might have happened then?
01:33The thought has made me sick all day.
01:36But they should leave you alone now.
01:40There's no news from Connie, I'm afraid.
01:43Have you heard from Belle?
01:45No, it's strange.
01:47How's the pain?
01:49Not to worry.
01:51I want it to pull a face when your mother pours more laudanum into me.
01:56Now, go on.
01:57Ginny's making you a meal.
01:59And it could do with a wash by the look of you.
02:19Welcome home, my dear.
02:23How was London?
02:24Like London, Grandmama.
02:38It's good to be home.
02:40I have to go away soon.
02:42Almost immediately.
02:43What's wrong?
02:46Wrong?
02:47Nothing's wrong.
02:48Why should anything be wrong?
02:50Why should I stay?
03:00Please, Dor, try.
03:02Come on.
03:03You can do it.
03:05I have to find them, Dor.
03:07Come on! You can do it!
03:10I have to find them, duh!
03:14Come on, that's it!
03:17Come on!
03:20Oh, God!
03:28I'm sorry, Freddie, but I didn't get the letter.
03:30We wrote three letters. Three.
03:32Well, I wrote to you both on Sunday.
03:34Aye, and we got it.
03:36All I'm saying is that not many letters get lost in the post these days.
03:40Three. On the trot.
03:42If you didn't get them, then who did?
03:44I know what you're insinuating,
03:46but I'm not going to quarrel with you at a time like this. I'm just not.
03:49The point is, I'd have come straight home if I had known Maggie was in danger,
03:52and you know it! You know it!
03:56I can see you're angry with me for not being here, all right?
03:59Be angry.
04:01I'm not going to defend myself or Marcel.
04:06You've changed.
04:08I'm a married woman.
04:10And where is your husband at the moment?
04:14He's had to go away on family business.
04:16To Harrogate.
04:18There seems to be a lot of family business in Harrogate.
04:21I believe there is.
04:23I believe there is.
04:27Freddie, please.
04:30Tell me.
04:33How much longer has she got?
04:35I don't know.
04:39Days.
04:44Hours.
04:45I don't know.
04:49God forgive me for saying it, but the sooner the better.
04:52The Lord never isn't touching the pain anymore.
04:54I know it's worse for you.
04:59Maggie loves me, of course, but it's a kind of everyday love.
05:05With you, it's something different.
05:10It goes so deep.
05:11Freddie, please don't be angry.
05:26I miss you so much.
05:31What does that mean?
05:33What the devil does that mean?
05:34You should have thought about that before you married him.
05:37Freddie, I didn't mean that...
05:38Well, what did you mean?
05:40You know what I could do right now?
05:41I could take this hand and sweat you from the face of the earth with it.
05:48I'm going to lose Maggie, but I want to lose you as well.
05:53Do you hear?
06:04No problem.
06:07Yes.
06:19Hello.
06:20Goodbye, Maggie.
06:50She's gone.
07:13I'll go and find Ma.
07:20Are you all right, sir?
07:35Bregan?
07:36You seen Belle back home?
07:38What?
07:39Steady on, lad.
07:40He said you'd see her back home.
07:43Oh, aye.
07:47Glad you're doing that.
07:48She looked very low in church just now.
07:53Got anywhere finding out what sort of business that husband of hers is up to?
07:57No.
07:58I'm still trying.
08:01Any luck at your end?
08:02Nah.
08:04Nobody seemed to have heard of any sort of business it's involved with.
08:08I wondered if you might have a little...
08:10little tart set up in a love nest somewhere.
08:14My God, I hadn't thought of that.
08:16May I be?
08:20May I be?
08:23Not sure I'd want to know if he has, mind.
08:26That's what you might call poisonous knowledge, isn't it?
08:30You won't abandon her, will you, Freddie?
08:31What the hell does he want now?
08:36No.
08:48So it was your Maggie Hewitt all the time.
08:51And nobody pointed a finger until that anonymous letter.
08:55After all these years.
08:57Very discreet of the party concerned, wouldn't you say?
09:00Clear off, Freeman.
09:02This isn't the time or the place.
09:03I beg to differ, Musgrave.
09:06Maggie's dead, and Wheatley's blown his boiler, and that leaves you.
09:10And don't tell me you were only a lad.
09:11I knew that lad.
09:13And he was smarter than half the skippers on the river.
09:15So I want to know what happened to that consignment, do you?
09:19Well, find somebody who knows, then.
09:23Maybe you should visit Taylor in hospital sometime.
09:27He tried lying to me in all.
09:28Freddy.
09:47What?
09:49Please don't be angry with me.
09:52Please.
09:53I beg you.
09:56I'm so unhappy at the moment.
09:59Why is that?
10:00I think it's just that everything is so unfamiliar.
10:03It's so strange.
10:04I feel as if I'm on trial in that house all the time.
10:07The only person I can talk to is my maid.
10:10And now that Aunt Maggie's gone.
10:12What about your husband?
10:13He's the one that matters, isn't he?
10:15Yes, of course.
10:17It's just he's not there.
10:20You see, if only I could know that I was still welcome across the river.
10:23As if Aunt Maggie was still there.
10:26I think I would feel much happier.
10:28If that's all that's worrying you, you're out of trouble.
10:35Do you mean that?
10:37There'll always be a welcome there for you.
10:40It's Maggie's house.
10:42She took us both in.
10:43So, in our different ways, we're both her children.
10:46And not of her body, but her soul.
10:51Sometimes I think ties like that are stronger than any other.
10:54Yes, they are.
10:59Maggie's house is your home whenever you want it to be.
11:02I'll not let go of it.
11:04It means too much to me.
11:06Because of Maggie and...
11:08Because...
11:09Well, it was me that brought you to that house.
11:13Me that held you while Maggie had to commit murder to save us both.
11:16So, in a way, you belong to me.
11:22I've never told you this before.
11:25But that's how I feel about you.
11:27That you belong to me.
11:32So, that's for you to put in the bank whenever you're feeling like this.
11:36Whatever happens, I'm there over the river.
11:51Arnott, come with you.
11:55All right.
12:00I feel better now.
12:06The towers.
12:17So, you have buried her, have you?
12:19The woman who murdered my son-in-law.
12:21Self-defense, madam.
12:22Have you seen what the papers say?
12:25It is quite disgusting.
12:27I don't know how Marcel is going to take this.
12:29He knew all about it.
12:31Mr. Musgrave insisted that he should know everything in case the facts were made public.
12:34Marcel can be no more embarrassed than I am, madam.
12:38Believe me.
12:39I dare say not.
12:41So, what has she left you?
12:42I understand she left a considerable amount.
12:45She left it all to Freddy.
12:48Mr. Musgrave.
12:49She left me nothing.
12:51Nothing?
12:51But you were her ward.
12:54How can you be so indifferent about it?
12:56She thought that being married, I would be provided for.
12:59Well, that is hardly the point.
13:00She has denied you in favor of this young fellow she plucked from nowhere,
13:06whom Marcel tells me is a very common fellow indeed.
13:09He is not.
13:10He is nothing of the kind.
13:12Please remember to whom you are speaking.
13:15If Marcel tells me he is a common fellow, then he is.
13:19And it is not right that he should have come into that fortune.
13:23As I see it, he has every right.
13:25For years, he loved and cared for her, as he did for me.
13:28Hey, you were looking good.
13:38Well, that helps keep your mind off things.
13:40Well, well, Maggie.
13:43Any news on Birkstead?
13:45No, me contact in Harrogate came up with nothing.
13:47Oh, well, you'll just have to ask him then.
13:50Now, why didn't I get that?
13:51So, when are you and I doing it?
14:18What do you mean?
14:21So, what's he like then?
14:24Oh, he takes us off to heaven.
14:28We can only wait till we're wed,
14:30because then we can do it whenever we want, can't we?
14:33He's lovely.
14:34Can I only keep our hands off him?
14:36Oh, dear host, you should not have killed me.
15:06Come back so soon.
15:07You know you shouldn't.
15:09I had to.
15:10It was torture being away.
15:11She is so beautiful.
15:13Come here, my darling.
15:16And she is truly fond of you.
15:20She loves you.
15:22Well, who would not?
15:25But I'm not sure about your being here.
15:28I'm all right, Nana, truly.
15:30You should have given yourself more time.
15:33He said it was all right.
15:35Honestly, he did.
15:36Nevertheless, my dearest boy,
15:38you must be very careful with yourself.
15:41Really, you must.
15:43I know.
15:45I know.
15:46Belle?
15:50Where are you?
15:53Belle, my love?
16:00Belle?
16:05I'm not here.
16:06What's the matter?
16:07The servants.
16:08Are you in servants?
16:10What do they care?
16:11Have you missed me?
16:12Yes, I have.
16:14Was your business very pressing?
16:16Certainly it was.
16:16Hateful.
16:17It does go on.
16:18You look pale.
16:19You're not ill.
16:20No.
16:23Harassed.
16:24The whole thing is very harassing.
16:33Marcel.
16:33You're hurting me.
16:37Oh, come now.
16:37You're not so delicate.
16:43What is it?
16:46You know Aunt Maggie died.
16:49Oh, yes.
16:50Yes, I do.
16:52Just as well, don't you think?
16:54That she was too ill to suffer the consequences
16:56of being a confessed murderer.
16:58She wasn't a murderer, Marcel.
17:00She saved my life.
17:01She killed my father.
17:02He was going to kill me and Freddy.
17:03Oh, yes.
17:04Freddy is, of course, the other witness.
17:05Well, how very convenient.
17:07No wonder they went into business together.
17:09Freddy wouldn't have lied about it.
17:11He's always told the truth.
17:13Always.
17:14He is the most truthful person I have ever met.
17:16No.
17:16Don't quarrel with me.
17:17I can't breathe when you quarrel with me.
17:19I've missed you so much and I come back
17:21and you start quarreling.
17:23Please.
17:25Please.
17:26I need you to be gentle and sweet.
17:34And then I can be too.
17:39I can truly be myself.
17:40Right, darling, I don't want to quarrel.
17:48I want to understand.
17:52But I don't.
17:54Why do you have to go away so much?
17:57Couldn't I come with you?
17:59You obviously hate doing it.
18:09Perhaps I could make it easier for you.
18:13I feel sometimes that
18:14there's something very sad at the heart of you.
18:17Do you tell me what it is?
18:23Marcel.
18:26My love.
18:30I know what we must do.
18:34We must teach you to ride.
18:37The tailor must come over
18:39and make you the prettiest riding habit ever seen
18:41and I shall teach you how to be elegant in it.
18:44Yes.
18:46That's it.
18:47Come on.
18:49Come on.
19:06All right, darling.
19:13Come on.
19:14Come on.
19:17Talk!
19:20Talk!
19:22Talk.
19:23Oh, my God.
19:53Oh, my God.
20:23Oh, my God.
20:31I maligned you, Musgrave.
20:34For which I'm sorry.
20:36I never meant to make an enemy of you.
20:39You see, once I knew an item from that consignment was around,
20:43I couldn't believe you didn't have the rest.
20:46I couldn't see someone as astute as you passing up the opportunity.
20:50So what's me cut?
20:52Your cut?
20:55I'll tell you what your cut is.
20:57It's come to my ears that you've been inquiring about a certain party's business activities.
21:02Is that so?
21:03Maybe.
21:05So.
21:05There's an address on that in Harrogate.
21:11You asked there about a Mr. Marcel Berkstead.
21:13I don't think you'll be disappointed.
21:17You look so beautiful.
21:37Tell me you'll always love me.
21:38Of course I will.
21:41Then tell me.
21:44Say it.
21:45Go on.
21:48You're hurting me.
21:51Sorry.
21:52Sorry.
21:53Just tell me you'll always love me.
21:56Say it.
21:57Say it.
21:58I want to hear you say it.
22:00Always is a long time.
22:03We've only just begun our life together.
22:06I hope I shall.
22:07It depends on how...
22:08I don't want philosophy.
22:12I want love.
22:18Forgive me.
22:19Forgive me.
22:23I'd do anything not to hurt you.
22:27I love you so much.
22:30That's what aggravates me.
22:31Believe me.
22:32It's love.
22:33It's love.
22:35Always.
22:38And you have my love too.
22:42Good.
22:49You're looking surly.
22:57Why do you look surly?
22:59I didn't know I looked surly.
23:02Have we not made you comfortable?
23:05Yes of course.
23:07It's just that I'm a little bored.
23:10I understood I would be seeing to the household.
23:12Let me make things quite clear.
23:18This is my establishment.
23:20I order it.
23:21I have always ordered it and I shall go on doing so.
23:24Do we understand each other?
23:27Yes madam.
23:29I think we understand each other very well.
23:33In which case perhaps you could advise me what I am supposed to do with my time.
23:36Well you could start by being a good wife to my grandson.
23:39You have upset him.
23:43Did you know that?
23:45I don't know what he told you but he upset himself.
23:49In fact I managed to calm him down and then he went away.
23:52That is not what I heard.
23:55You must handle him most carefully.
23:58I don't need to be told these things.
24:00Clearly you do.
24:02It is a wife's duty to offer companionship and support
24:05and to sublimate her own interests in those of her husband.
24:08That is not why I'm married.
24:10It is.
24:11You took vows.
24:13Marriage is a contract.
24:14Your grandson took vows too.
24:17With my body IV worship.
24:20There is nothing holy or sacred about what he does to me.
24:22Let me tell you.
24:24How dare you.
24:27Leave me.
24:28Leave.
24:30Go on.
24:30Get out.
24:31Get out.
24:31Get out.
24:38You've upset Grandmama.
24:51Your Grandmama upset me.
24:54Can't you understand?
24:56She's an old lady.
24:59And quite a grand old lady at that.
25:01She's been used to running her own establishment since she was a young woman.
25:05She's not used to being contradicted and bullied.
25:08Nor am I.
25:10The way she spoke to me was outrageous.
25:12She is in a position to be as outrageous as she likes.
25:16You are not.
25:18So as long as you are in this house, you will be subservient to her.
25:21What?
25:22You're lucky that she received you into this house at all.
25:25Am I?
25:26And why is that?
25:27Because you are a nobody.
25:29You are a bastard.
25:30Do you realize that?
25:30You are a bastard.
25:33Oh my God.
25:34You're upsetting me.
25:35I'm sorry.
25:36You're making me say these things.
25:39You've changed.
25:41You were so sweet.
25:43And docile.
25:44You've changed.
25:45I have.
25:47Have you seen yourself?
25:52And today I had an argument, a serious one, with the old lady.
26:02She's very pathetic in some ways, but she is also frightening and used to her own way in all things.
26:10To be honest, I do not know how we are to continue in the same house.
26:18Yes, Mary, what is it?
26:19I haven't quite finished the letter yet.
26:22No, it's not that.
26:24I brought Janie to see you.
26:26You see, it's her Julie to clean in here and do the desk.
26:31It was here when you talk about Mr. Freddie Musgrave.
26:34What's all this about, Mary?
26:35Can I show her in, please?
26:37Yes, all right.
26:44You've got to.
26:45You can't back out now.
26:47Where does that put me?
26:47All right, all right.
26:49Well, first thing is, I saw Mr. Marcel come out of this room.
26:55I think Mrs. B had called for him.
26:57He was in a hurry anyway.
26:58So I come in to clean.
27:00It was the time that I usually clean in here, so I don't think there was any harm in it.
27:04I'm sure there wasn't.
27:05When was this, Janie?
27:07A few months ago.
27:08Long before you come here, madam.
27:10Very well.
27:10Well, I'm supposed to change the paper and the blotter every day.
27:16So I come over to do it and I see this letter line on the blotter.
27:20So I read it, see?
27:23Well, it was there and I had only meant a glance at it, but then I saw it was for the police.
27:28So I got interested.
27:29It said the police should question Mr. Musgrave regarding the murder of Mr. Gallagher, because Mr. Musgrave was there.
27:43Janie, you must be mistaken.
27:46No, miss.
27:49Look, this is what I took from the blotter.
28:10Does anyone else know about this?
28:12No, madam.
28:13Why did you keep this?
28:14It's a very strange thing to do.
28:16In case?
28:17In case what?
28:19Mr. Marcel can be, well...
28:22Unkind.
28:23Very unkind.
28:25And sometimes he says things.
28:27He makes things out as if they're true and aren't.
28:30I didn't want to be accused of something I hadn't done and then get stuck with it.
28:34I thought if I had that...
28:35I see.
28:38Then you had better keep it.
28:40Thank you, madam.
28:42You won't tell, madam?
28:45No.
28:46No, of course not.
28:50I'm sorry, madam.
28:53Indeed.
28:53business.
28:57No, Mr. Musgrave.
28:59No, no, no, no, no.
29:15Marcel's visits to us.
29:17How shall I put it?
29:18Keep him on an even queue.
29:20I'm not with you.
29:24Barclay House is a sanatorium for those who have difficulties with life in the outside world.
29:31Difficulties?
29:31Well, you've seen him.
29:34He's a very plausible young man.
29:36Quite charming, really.
29:38That's how he thinks of himself and how the world takes him.
29:42The problem is, Marcel's not really in control.
29:45It's impossible to predict his violence.
29:47And those who are close to him are most at risk.
29:50That's why I find it hard to believe that Mrs. Burkstead allowed him to marry.
29:54So Bell could be in danger?
29:56Oh, I'd be lying to you if I said no.
29:57Well, I understand your concern, though.
30:01That shouldn't have been allowed to happen.
30:03I'll write to Mrs. Burkstead today.
30:12You were late for your riding lesson.
30:14But I'm...
30:14This is the time for your riding lesson.
30:19I want your acknowledgement that this is the time for your riding lesson.
30:22Very well.
30:24Since it means so much to you, this is the time for my riding lesson.
30:27Good.
30:28You're learning.
30:29Get on the horse.
30:30But, Marcel, I'm not dressed for riding.
30:31Get on the horse!
30:32Marcel!
30:33Get on it!
30:35Go on!
30:36No!
30:39Marcel, I can't!
30:44Please stop, Marcel!
30:48Whoa!
30:49Whoa!
30:50There!
30:51You see?
30:53It's simple.
30:54Another couple of hours and you'll get the hang of it.
30:56Yeah!
31:01Marcel, go!
31:02No, I can't!
31:15No, no!
31:18No!
31:20Wait.
31:21No, no!
31:22No, no!
31:23No, no!
31:23No, no!
31:24No, no!
31:25No!
31:25No, no!
31:27You were gone for such a time, Miss.
31:40I thought you might like a hot bath.
31:49Well, Cummings?
31:51Young Mrs. Bergstead says please to excuse her.
31:53She's tired and unwell and doesn't wish to take dinner, Mum.
31:57Not good enough.
32:00Not good enough by any means.
32:07Benedict.
32:26Oh, fuck.
32:27For God's sake.
32:29I thought you were unwell.
32:30Get into bed.
32:32I am unwell.
32:34I can hardly move.
32:36I'm afraid all that riding was too much for me.
32:39Nonsense.
32:39You've got to learn.
32:41And the sooner the better.
32:41I am very disappointed.
32:42I am very disappointed.
32:44If you are going to insult Grandmama by not coming down for supper, you could at least have a decent excuse.
32:51Now, get into bed.
32:52Marcel, would you do something for me?
32:58What do you want?
33:01Would you mind if I slept alone tonight?
33:03Who the hell do you think you are?
33:05Who the hell do you think you are?
33:08My wife telling me where to sleep.
33:10Come on.
33:11Get in bed.
33:12No, Marcel, I won't.
33:14How dare you?
33:14You filthy whore.
33:22I'm leaving.
33:23I'm going home.
33:24Are you really?
33:25This is your home.
33:34And don't you forget it.
33:42Good evening, Mrs. Cummings.
33:44Good evening, sir.
33:55He's mad.
33:58I can't stay here.
34:00Will you help me?
34:01How, miss?
34:02I'm going to write to Mr. Musgrave.
34:05Will you send it as before?
34:06All right, miss.
34:07It is urgent.
34:09Can't you see how urgent it is?
34:11Yes, miss.
34:12Mary, if you get into trouble for helping me, Mr. Musgrave will make sure you've found a post.
34:18I promise you.
34:19But begging your pardon, miss, how do you know he will?
34:25Because he loves me.
34:35My dearest Freddy, things have gone from bad to worse.
34:39I beg you to come and take me away from this place.
34:42As you love me, come here soon.
34:45My husband is so cruel and violent, I doubt his sanity.
34:49Yesterday he assaulted me.
34:51I beg you to...
34:52Where?
34:52What have you got to say for yourself, you silly girl?
34:56All that nonsense about not coming down for supper and sleeping by yourself?
35:02But don't worry.
35:04You're too beautiful to be angry with for long.
35:09Good Lord.
35:16What have you done to your face?
35:19Come on.
35:21Cheer up.
35:22It's a perfect morning.
35:29What are you writing?
35:31I hope it's an apology to Grandmama for your behaviour yesterday.
35:36You'd better read it to me.
35:38You really have no idea about these things.
35:40Come on.
35:42My dear Grandmama...
35:43No, no, no, no, no, no, no, no.
35:45Dear Mrs. Burkstead, you can't be intimate when you've upset her.
35:52Dear Mrs. Burkstead, I hope you will forgive me for my absence from your dinner table last evening.
35:57So, where would you like to meet him?
36:12What?
36:14You find it surprising that I should allow him to come and fetch you.
36:17I told you, Belle, I want your love.
36:21There is nothing improper between Freddy and me.
36:24All of it.
36:25I won't share it.
36:26It's not in my nature.
36:27It is better that Freddy should come and take you away.
36:30Until you can find it within yourself to love me as I want.
36:33Come.
36:33Come.
36:40Right.
36:44Yesterday he assaulted me.
36:47I beg you to...
36:49to come to the towers tonight.
36:56Meet me by the lake at midnight.
37:00You really are prepared to let me go.
37:03Of course I am.
37:05I've explained.
37:06I just don't want that man in my house, that's all.
37:10You can take a bag and meet him there.
37:15Do you doubt me?
37:17No, Marcel, of course not.
37:20Sign it.
37:22Sign it.
37:28Good.
37:30There we are.
37:31We'll get that off soon.
37:33Now.
37:35I want to show you something.
37:39You remember you once said to me...
37:42Actually, no.
37:43I don't want to spoil it for you.
37:45Marcel, I'm not sure.
37:47Shouldn't we go downstairs and talk to your Grand Mama?
37:50Yeah, silly.
37:51Grand Mama doesn't want to be bothered with us at this time of day.
37:54Come on.
37:54You look like I took up this place.
38:09Get off me.
38:09No.
38:10No.
38:11Come on.
38:11You little bitch!
38:28You could make a fool of me, did you?
38:36I'll see to your precious Freddy, don't you worry.
38:39I'll see to him all right.
38:41You see this room, you filthy whore?
39:03No one knows about it except me.
39:06It's my secret.
39:07No one will hear you, no one will find you, ever.
39:17Only me, when I choose.
39:21When I choose.
39:39I'm sorry.
39:40No one will see you.
39:41I'll see you next time.
39:43No one will find me.
39:45I'll see you next time.
39:46I'm sorry.
39:46I'll see you next time.
39:48I'll see you next time.
39:49I don't know.
40:19Come in, sir. My wife is unwell.
40:26I'm sorry to hear that, sir.
40:28Yes, it is a war, but there we are.
40:30I'd be obliged if you'd tell the maids not to disturb her on any account.
40:33She's taken an analgesic and she needs to sleep.
40:36Very well, sir. I'll tell them.
40:49No, no. I'm just going to ride down to the quay with some letters.
41:02You're very tense, my dearest. What is it?
41:05I'm fine. Nothing that a good ride won't cure.
41:08Well, can we take luncheon a little late?
41:13Yes, of course. I'll wait for you.
41:21Belle has a bad headache, by the way.
41:25She won't be joining us.
41:26I shall enjoy having you to myself.
41:44Callum.
41:46Aye.
41:46Aye.
41:46I want this delivered, Callum.
41:53That's the address. Can you read it?
41:55I can't, sir.
41:56Good.
41:57This must be delivered to Mr. Musgrave in person.
42:01If he's not at home, you will wait.
42:02But it must be delivered to him personally.
42:06Do you understand?
42:08Aye, sir.
42:12Thank you, sir.
42:14If he asks who gave you this commission,
42:17you will say it was one of the servants from the towers.
42:30John!
42:31John!
42:32Belle's in trouble.
42:38What kind of trouble?
42:39Need you ask.
42:40That husband of hers.
42:43I'm going to the towers.
42:45She wants me to fetch you.
42:46Oh, that's crazy.
42:47What the hell's she thinking of?
42:48Freddie, don't go.
42:50If it's that bad, send for the police.
42:52I'm all she's got, Nancy.
42:54It's me she needs.
42:55Do you want some company?
42:57I know, but thanks for the offer.
42:59If I'm not back in the morning, call for the police.
43:01Oh, Freddie.
43:01Be careful.
43:03Aye.
43:04I will.
43:05I will.
43:05Al.
43:06Al.
43:07Al.
43:07Al.
43:07Al.
43:07Al.
43:08Al.
43:09Al.
43:10Al.
43:23Al.
43:25Al.
43:25Goodbye, Mr. Musgrave, and good bloody riddance.
43:55Oh, my God.
44:25Oh, my God.
44:55Why isn't she here?
45:05Where is she?
45:07Where?
45:10Where?
45:14Somewhere you will never find her.
45:18You shouldn't have told me that.
45:20I know where you mean.
45:22The attic, you bloody madman.
45:25The attic, you bloody madman.
45:55The attic, you bloody madman.
46:05Hey, hey.
46:07It's all right.
46:08It's Freddy.
46:09I'm here now.
46:11No one's going to hurt you.
46:16Freddy, I thought you were dead.
46:20There's my cellar.
46:24I need only to worry about him.
46:26He won't be troubling you again.
46:44Come on, let's get you out of here.
46:50Get out of here!
46:57Get out of here!
47:00No!
47:03Brittany!
47:06No!
47:07No!
47:08No!
47:09No!
47:10No!
47:11No!
47:12No!
47:13No!
47:14No!
47:15No!
47:16No!
47:17No!
47:18No!
47:19No!
47:21No!
47:22No!
47:29No!
47:31No!
47:32No!
47:37No!
47:39Oh no!
47:40Ah!
47:41Ah!
47:42Who are you?
48:07Where are you going?
48:12Oh, where is the bold man, my bonnie?
48:27Oh, where is the bold man, bring him to me
48:35To ferry me over the time to my honey
48:42And I will remember the bold man and thee
48:51Oh, bring me a bold man
48:55I'll give any money
48:59And you for your trouble
49:03Rewarded shall be
49:07To...
49:09
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