00:00This movie begins with the thoughts of a man, Max, who narrates his likes and dislikes, his beliefs and disbeliefs,
00:07while underwater visuals show a man drowning, gasping beneath a river known for taking men when time and chance leave them behind.
00:15Things take a bad turn exactly one week earlier, when life still has structure and the lonely man still has a job.
00:22He works at the closing office department, handling files that come with impossible cases and messy endings.
00:28A new detective is shown around. He's introduced to Max, the man whose whole family was taken in one brutal moment.
00:35The detective gets advised not to try small talk with Max again, as there's no point, and no one really gets close to a man stuck in the past.
00:42Later, he walks the railway's edge without reacting to the three men in hoodies, who are clearly waiting for trouble to clock in.
00:49They pick him as tonight's target, following him into the men's restroom where they corner him for a wristwatch, but he already knows what's coming.
00:56As in fact, he's been watching Doug for a while now.
00:59Next, they accuse him of stealing the accessory.
01:02But Max doesn't argue because he's more interested in what they'll do when he doesn't flinch.
01:06Doug's crew makes a move and our protagonist retaliates by punching the armed one straight in the face,
01:12sending them all scrambling into bathroom stalls while he fires shots after them like he's checking plumbly bullets.
01:18The leader tries to act unbothered, putting on the crazy, but when his victim catches him, he starts mumbling some weird prayer for help like he's summoning backup from a god who's just as shady.
01:28He pulls out a photo of his wife, and suddenly it's clear this isn't random because no one carries that picture by accident.
01:35Doug keeps rambling and giving nothing useful, but his voice just adds to Max's rage until even the silence would have been more helpful.
01:43One of his boys wanders down the train tracks, but he isn't alone because a shadow-like figure begins stalking him,
01:49and when he tries to fight it off, an oncoming train barrels into him.
01:53Max returns to Trevor, interrupting the mood without concern because he wants more information about who might be behind his family's disappearance,
02:02though Trevor wishes he would leave it alone.
02:04Trevor had mentioned Bill before, but the requester still isn't convinced,
02:08and when the informant refuses to say anything new, his ear gets twisted as a warning, making it clear the intruder is not done asking.
02:16The poor guy looks stuck, like someone holding on to more than he's saying,
02:20but before things can go further, Natasha steps in from the side, having watched the scene and choosing to end it before it escalates.
02:27She tries to keep things calm, but Mona shows up soon after and wastes no time putting her sister in her place,
02:33showing no softness, even though they're related.
02:35The reason behind Mona's attitude isn't clear, but Max speaks up, asking her to let Natasha be,
02:41and while the dominant one usually doesn't listen to anyone, this time she backs off and walks away with her suited men.
02:46Trevor's continued pleas to leave are ignored, and the stubborn man follows his hunch deeper into the building,
02:52until he enters a private room with several women around in various states of undress,
02:57touching and kissing each other without concern.
02:59He watches from the doorway without hiding, but then Jack appears beside him, bald, silent, and covered in tattoos along his arm,
03:07and he stares at Max with a fixed look that doesn't break, no words are exchanged, and neither makes a move,
03:14as the moment settles between them like a line that might be crossed at any second.
03:18It's a silent face-off between both men, but it doesn't last long, because Natasha, one of the women from the room,
03:25steps out and cuts through the tension.
03:28She walks up to her target and leans in close, whispering something suggestive in his ear,
03:33something that plants a thought she knows how to stir.
03:36He follows her without saying a word, and Jack watches them go while letting out a faint smirk,
03:41that fades into something more uncertain, like maybe even regret,
03:45because if there's one thing about the woman, it's that she's hard to resist.
03:49Somewhere else in the party, a woman drinks from a small vial,
03:52and not long after, she begins to feel a presence above her,
03:56a shadow that creeps over her, and sends a cold wave down her spine.
04:00The man brings his companion home, and before they're even fully inside,
04:04she starts kissing him, while he remains still, and detached.
04:08She keeps going anyway, removing her dress and lying on the bed with her legs parted,
04:13offering herself without hesitation.
04:14She knows her potential love interest is struggling,
04:18and she thinks this might be what he needs, someone who can play the part,
04:22becoming a placeholder for what he's lost and promised to give him what he's been craving for.
04:27But that offer only disgusts him, so the illusion breaks,
04:31and his frustration rises as he tells her to get out immediately,
04:34his face hard and unforgiving.
04:37Natasha is caught off guard, clearly not expecting rejection,
04:40and when she asks if he means it, he doesn't waver.
04:43The blow is undeniable, and though she tries to cover it by laughing it off,
04:48there's no hiding how deeply her pride's been hit.
04:50She walks out, mocking him with her laughter as if to save face,
04:53but Max knows it's bitterness masked as amusement,
04:57and he watches her leave,
04:58angered by how she tried to cheapen something he's been grieving for.
05:02Out on the street, the lady walks alone, still on the phone with Owen,
05:05speaking casually without realizing Jack is following her from above,
05:09jumping from rooftop to rooftop, and staying just out of sight.
05:13Then her night takes a turn,
05:14as two large, bat-like demons appear and begin to chase her,
05:18using the same trick they're known for by sending their shadows ahead to stir fear before striking.
05:24Natasha runs, but panic overwhelms her, and she trips, landing hard.
05:28Gathering herself is tough, and soon they're on her,
05:32tearing through the silence while she screams in terror.
05:35Morning comes, and the cold office Max works in is buzzing more than usual.
05:40He doesn't know what exactly is going on,
05:42but across the street, a familiar car honks,
05:44and inside, it is Alex, his old partner, bringing with him the hope of answers.
05:50The driver takes him on a ride to a crime scene,
05:52and he doesn't know why he's been brought there,
05:54but the former colleague reaches into his pocket
05:57and pulls out the missing driver's license, which was found at the scene.
06:00The tattoo on Natasha's wrist is all the confirmation the grieving man needs,
06:04and now another person he's had contact with has turned up deceased.
06:08Meanwhile, Jack stays on the rooftops watching them as they make their assumptions.
06:12Alex drives the passenger to another part of town and steps out under the rain,
06:16because he wants answers.
06:18The girl who was with Max the previous night has been mauled,
06:21and although he's clearly affected by Natasha's passing,
06:24he insists he has nothing to answer for.
06:27The investigator is running out of patience,
06:29because he expects his former partner to open up to him about what's bothering him.
06:33But the other man doesn't think Alex has done enough about his missing family,
06:37so there's no trust, just a wall of silence.
06:41This gets to the officer, because he's been doing all he can.
06:44But Max is too clouded by rage to accept anything that doesn't bring him closer to whoever is responsible.
06:51He walks away, ignoring Alex's calls.
06:54Mona hasn't heard the news yet, but she's informed while in the middle of a high-profile meeting,
06:58showing no emotion as she listens, and simply nodding and keeping her chin up.
07:02Meanwhile, Alex is willing to do everything within his power to help his old partner.
07:07So, he flips through Natasha's case file and spots something interesting,
07:11a mark on the wrist of the deceased.
07:14He quickly checks Michelle Payne's case file and finds that exact same mark on her wrist too.
07:19And now, something is beginning to make sense.
07:22The detective tries calling his former colleague to share this theory,
07:26but the call doesn't go through.
07:27Mona, being someone of high profile,
07:29is handed all the details and evidence related to her sister's demise.
07:33Two names stand out.
07:35Owen, the man Natasha called just before her attacker arrived,
07:38and the brooding investigator whose wallet was in her possession.
07:41Eventually, the message reaches its intended recipient,
07:44stating there's a link between the two cases,
07:46and Alex wants to tell him more about it.
07:49The recipient is sharp enough to realize something about the timing doesn't sit right.
07:53His former partner should have reached out much earlier,
07:55so he rushes to his place.
07:57When he gets there and finds the doorknob broken,
08:00he senses something is wrong, so he arms himself.
08:02He gains access and starts calling out,
08:05but there's no answer, which makes him more anxious.
08:08All he can hear is the creaking sound of a door swinging open and shut.
08:13Just by the exit, the detective's body lies lifeless,
08:16with sound coming from that same door,
08:18and a bright light flashing on Max's face with each swing.
08:21Before he can react, he's attacked by a masked figure
08:24who kicks him in the face and clearly intends to end him.
08:27He loses a lot of blood in seconds and drops his gun,
08:30but he manages to escape a final blow by pulling out the backup weapon from his ankle holster and firing.
08:35The attacker may have been hit, but as the shot rings out, the sky turns red.
08:39He wakes up in a hospital bed and finds BB,
08:41an old associate who's now retired, sitting by him.
08:45The visitor explains what the authorities think went down at Alex's place,
08:48and from their point of view, suspicion is already falling on Max.
08:53But he doesn't care what anyone thinks.
08:56He'll show up in person and wait for whoever has the guts to say it to his face.
09:00The loss in town has been nothing short of disturbing,
09:03and the news outlets keep tossing theories around,
09:05but no one really knows what's going on.
09:08Everyone's just guessing.
09:09BB takes Max over to Acer Pharmaceutical, his former workplace,
09:13and also where Michelle used to work.
09:15Ms. Horn, the boss, welcomes them at the entrance and offers whatever help she can,
09:20especially regarding Alex's case.
09:22Later in BB's office, he tells his guest about the company's plan to honor Michelle
09:26with an art scholarship in her name.
09:27The man doesn't say much as he's not exactly moved,
09:30but still, it's a decent gesture.
09:33BB then hands over a funeral suit, and the two head out for the service.
09:36Krista, Alex's wife, is drowning in grief,
09:38and the presence of her husband's closest friend only makes things worse.
09:43Her sorrow quickly turns to anger,
09:45and she walks up to her target,
09:47slapping him across the face,
09:49before unloading everything she's been holding in.
09:51She blames Max for pushing her husband too far,
09:54says he never once appreciated him,
09:56and she's convinced that he might still be alive
09:59if the man had just shown a bit of gratitude.
10:02Krista makes it clear that she never wants to see him again.
10:05After the funeral, the former agent gets an unexpected visit
10:08from Jim, the guy from Internal Affairs.
10:11At the office, the investigator tries to ask questions
10:14about everything that's been going on,
10:15and the man in black plays it cool,
10:18answering like it's no big deal.
10:20Jim points out how both Natasha and Alex died
10:22shortly after being around the same person,
10:24but the ex-cop has heard enough.
10:26He gets up and walks out mid-conversation
10:28like he's clocked out for the day.
10:30That doesn't sit well with Jim,
10:31who later pulls BB aside
10:32and basically puts him in charge of keeping tabs on his friend.
10:35He wants BB to keep an eye on him,
10:37dig a little, and maybe get him to open up.
10:40According to Jim, the guy needs serious help.
10:43Leaving the building, the former partner
10:44lets BB think they're leaving together,
10:47but ditches him at the elevator
10:48and heads to the homicide division,
10:51which used to be Alex's old turf.
10:53Everyone there can't believe he showed up.
10:55To them, he's the guy responsible
10:57for the fallen detective's demise,
10:59and they don't hide how they feel,
11:01throwing insults and shade,
11:02while the lone wolf keeps walking straight to the office
11:06that once belonged to his colleague.
11:07He locks the door and starts turning the place upside down,
11:11searching for anything the late officer might have left behind.
11:14Outside, the others are shouting and banging on the door,
11:17completely fed up with his audacity.
11:20By the time Alex's boss finally breaks through,
11:22the man has already gone out the window
11:23with whatever evidence the deceased had been saving for him.
11:26Later that night, BB finds him brooding at the back of a bar.
11:29The ex-agent has already made up his mind
11:31that his friend definitely knew something.
11:33BB, however, isn't entirely convinced.
11:36He figures the other man might have stumbled on something,
11:38but the grieving soul is past theories.
11:41He's certain the truth seeker was snuffed
11:43because of what he knew,
11:44and he doesn't have the patience to argue.
11:46Without another word, the lone figure walks off,
11:48leaving BB.
11:49Eventually, with nowhere else to go,
11:51the ex-cop finds himself wandering dimly lit streets.
11:55That's when he notices a group
11:56moving strangely in the distance,
11:58and he senses something's off.
12:00They look too calculated, like hitmen maybe.
12:03So the wanderer grips his weapon,
12:05already anticipating a fight.
12:07Unfortunately, it's not enough.
12:09As he backs up toward a building,
12:11trying to create space,
12:13he walks straight into Mona's gun.
12:15She doesn't waste time.
12:17Known to be tough,
12:18not exactly the patient type,
12:20and since her sister Natasha's last known contact
12:22was standing right in front of her,
12:24she's not about to let things slide.
12:26So he kneels,
12:28and every question she asks is followed by a punch,
12:31as if the answers depend on how much damage his jaw can take.
12:34But the man honestly doesn't know
12:36how his wallet ended up with her sister.
12:39Eventually, he gets a few words in.
12:40He says Natasha's casualty is connected to Michelle's and Alex's, too,
12:44but he's proposing a partnership to solve the cases.
12:47The new allies stop at an abandoned building,
12:50and as they make their way to the third floor,
12:52they hear someone screaming in a high pitch that's guttural
12:55and definitely not okay.
12:57It's Owen,
12:58the last person Natasha called before she died,
13:01and he's in total chaos,
13:03clawing at the air and muttering nonsense,
13:05also covered in sweat,
13:07terrified out of his mind,
13:08and barely aware that the two even stepped in.
13:11They try to talk to him,
13:12but he keeps going on about what happened to the woman.
13:15Then, without warning,
13:16it's like something takes over him
13:18and makes him start walking backwards,
13:21mumbling about wings and salvation,
13:23heading straight for an opening at the edge of the building,
13:25where he falls straight down
13:26and lands hard on a car below.
13:29Unbeknownst to them,
13:30Jack is nearby, watching.
13:31Later, the reluctant duo visit a tattoo artist
13:34and inquire about the strange symbol found on Owen.
13:37The artist identifies it as a Norse Valkyr myth tattoo,
13:41and according to legend,
13:42the only way to reach heaven is through a violent sacrifice.
13:45Back in the old days,
13:46large birds supposedly circled over battlefields,
13:49choosing who deserved salvation.
13:51Meanwhile, Jack is having his own fun.
13:53Somewhere far from moral decency,
13:55he's presiding over the torture of a man tied to a chair.
13:58He taunts the poor guy with a vial,
14:00letting him taste just a drop,
14:02and it's enough to supercharge him,
14:04enough to make him tear out of the chair.
14:06The rest of the liquid was spilled earlier,
14:08and Jack has a plan.
14:09While the man laps up what's left of the liquid gold,
14:12the sadist pulls out a machete,
14:14and what follows is brutal and very final.
14:17The journey continues for the unlikely team,
14:19and although the former detective drives them to an old building,
14:23he's not even allowed to hang around because it's Lincoln's turf,
14:26and Lincoln doesn't exactly do visitors.
14:29Mona heads in while the ex-detective waits,
14:31and once inside,
14:32she wastes no time asking what they're up against.
14:35With her sister gone,
14:36and more deaths piling up,
14:38she needs clarity.
14:39Lincoln doesn't hesitate,
14:40and he tells her the tattoos they've seen
14:42aren't just creepy symbols,
14:44but are devil's marks.
14:45According to him,
14:47something dark is moving through the town,
14:49and unfortunately,
14:50it's not done yet.
14:51He even names the person behind it all,
14:53and apparently,
14:54Jack's hideout is called the Ragnarok.
14:56Naturally,
14:57Mona wants to know how her new partner fits into all this,
15:00but Lincoln doesn't have good news.
15:02He warns her that the man she came with
15:03has uncovered things he was never supposed to,
15:06and because of that,
15:07strange things keep happening around him.
15:09He's convinced that anyone who stays close to Max
15:11might end up like Natasha.
15:13Meanwhile,
15:14the haunted man is already on the move again
15:15because he can't shake the voices playing in his head,
15:18as there's Doug's riddles,
15:19and Owen's madness.
15:21Soon,
15:21he pulls into Asir Pharmaceutical
15:23and heads straight to the records section,
15:26flipping through his wife's file
15:27until something stops him.
15:29It's Asir's brand logo,
15:30and it's got a wing in it,
15:32the same wing linked to that Norse Valkyr mythology
15:34the tattoo artist mentioned.
15:36So,
15:36the former officer finds BB
15:38and lays it all out,
15:39but things get tense
15:40when he starts pointing fingers.
15:42He's sure Michelle's supervisor,
15:44Jason,
15:44has something to do with this,
15:46especially since her file's incomplete.
15:48BB tries to defend Jason,
15:50but Max isn't buying it,
15:51and because of this,
15:52the older man decides
15:53it's time to get Jim involved,
15:55so he tells him everything.
15:56He starts from the beginning
15:57about how the ex-partner
15:59walked into his house one night
16:00to find men with machetes waiting,
16:02and how he had to fight for his life.
16:04He got two,
16:05but one slipped,
16:06and even though he survived,
16:08it didn't matter
16:08because Michelle didn't.
16:09Eventually,
16:10the shaken supervisor,
16:11Crax,
16:12revealing the deceased's last project
16:14was a top-secret government assignment.
16:16Scientists were ordered
16:17to develop a formula
16:18that would make soldiers superhuman,
16:20but the project went south,
16:22with 99% of the test subjects
16:24biting dust.
16:25The few who did survive
16:27were left with hallucinations
16:28and violent cravings,
16:30and the government shut it down,
16:32but that wasn't the end of it.
16:34The late biochemist
16:35had become a target
16:36after one of the test subjects escaped,
16:39the same one that brutally ended her.
16:41Now, the man in the office
16:42is terrified
16:43and begs her husband to protect him,
16:46promising to spill everything.
16:48This time,
16:49the threat is coming from inside.
16:51Max leads him outside,
16:53but they're met by Aesir's armed security,
16:55and the whistleblower barely gets a word out
16:57before one of them
16:58shoots him clean in the chest.
17:00Caught off guard,
17:01the protaganist fires back
17:02and drops one assailant
17:04before ducking behind a wall.
17:06Bullets start flying across the compound,
17:08hitting everything
17:09but their intended target.
17:11The men aren't just reckless,
17:12it's like they've been ordered
17:13to shoot on sight,
17:15no matter who gets in the way.
17:17The marked man makes a run for it
17:18while taking out a few more,
17:19but he gets clipped in the arm.
17:21Still, he keeps moving
17:22until he runs straight into Jim,
17:24who locks the door behind them
17:25and tells him to turn himself in.
17:27Max refuses,
17:29and for him,
17:30being locked up
17:31just means silencing the truth.
17:32Before the internal affairs officer can argue,
17:35the door bursts open from the other side.
17:37The chaos gives the fugitive
17:38just enough of a window
17:40to slip away from the guards
17:42and from Jim,
17:43who's now furious.
17:44Later,
17:45Mona finds him in hiding
17:46and is stunned by what he's uncovered.
17:48The folder contains everything
17:50about the failed experiment,
17:52Project Valkyr.
17:53There's even a video archive
17:54showing the early trials
17:55with footage of both the supervisors
17:58and the specimens.
17:59The first test subject on screen
18:01is none other than Jack.
18:02He's calm,
18:03smiling,
18:04and clearly enjoying the attention,
18:06talking openly about the drug,
18:08and he says he likes how fearless it makes him,
18:10how the enemy looks when they're terrified.
18:13Max doesn't need any more convincing,
18:15and he's done waiting
18:16because the monster is going down.
18:18Mona warns him to think twice,
18:19but it's no use.
18:21She suspects he isn't afraid of going down,
18:23not if it means being with Michelle
18:25and their daughter again.
18:26And really,
18:27that's the end he's been chasing all along.
18:29Now, he's on the offensive,
18:30storming Ragnarok.
18:32He knocks out the first man at the door
18:34with a blow from his gun,
18:35and when two more guards come charging,
18:37he guns them down without breaking stride.
18:39The Avenger gains access to the storeroom,
18:41where all the drugs are kept in millions of vials
18:44and also produced in-house.
18:46And although it's silent at first,
18:48Jack's men are already on high alert.
18:49They burst in and start firing without aim,
18:52and instead of strategy,
18:54they rely on sheer luck,
18:56hoping at least one stray bullet hits the target.
18:59But the fugitive stays low and hides perfectly,
19:02and when the noise settles for just a second,
19:04he reappears,
19:05and drops the two men with back-to-back shots
19:08from his pump action.
19:09However, he's nearly caught off guard
19:11when a soldier,
19:12positioned at a higher level,
19:13spots him and quietly takes aim.
19:15Yet a small sound betrays the marksman's location,
19:18and the ex-cop falls backward
19:20while firing up,
19:21and with two clean shots,
19:22the sniper eats dust.
19:24Just when things calm down,
19:26the mastermind enters the scene
19:27like he's been waiting for this exact moment.
19:30With his machete in hand,
19:32he charges at the former detective
19:33and pins him to the ground.
19:35And while the man struggles beneath him,
19:38the assailant starts muttering references
19:40to Norse mythology,
19:41almost like a ritual.
19:43The villain raises the blade
19:44and is inches away from striking,
19:46but before it lands,
19:47a sudden gunshot rips through the tension.
19:49BB shows up and fires straight
19:51into the attacker's chest.
19:53The protagonist is shocked,
19:54and although he's grateful,
19:56he immediately asks how BB even knew
19:58he was at Ragnarok.
19:59BB says a few words,
20:01and before the hero can get any answers,
20:03Joe, BB's trusted colleague,
20:05steps in and knocks him out.
20:06Eventually, the lead character regains consciousness,
20:08and when he does,
20:09he finds himself limping ahead,
20:11with handcuffs digging into his wrists
20:13and a gun trained against his back.
20:15The mood is quiet,
20:17and then BB begins to talk.
20:19He explains that Michelle had gotten too close
20:21by poking around and stumbling onto something
20:23that was meant to stay buried.
20:25And so, for BB,
20:27eliminating her wasn't emotional,
20:29but necessary.
20:30After that night,
20:31BB changed completely,
20:33and from that point on,
20:34he decided he would always protect himself first,
20:37even if it meant betraying those
20:39he once called family.
20:40The villain was just another pawn,
20:42and BB hadn't hesitated to take him out either.
20:45After all,
20:46he still has dozens of soldiers at his disposal,
20:48and more waiting if needed.
20:49And then he admits that,
20:50on the night Michelle lost her life,
20:53the lead man had barely missed him.
20:55BB was already there,
20:56watching the entire thing unfold,
20:58standing between the deceased
20:59and the one who still had to live with it.
21:02Max can't stop the tears,
21:03because the one person he trusted,
21:05the one who stuck with him through everything,
21:07is the same one who's been behind all the pain.
21:09And just when it feels like he's already at rock bottom,
21:12BB says he didn't even mind when his dad died,
21:14which is cruel,
21:15and it's pointless.
21:16And it's exactly the kind of thing
21:18you don't say to someone who's already drowning.
21:20While the man is still trying to process that,
21:22BB says everything's already set up,
21:24and the world's not likely to ask questions.
21:27Not when everyone already thinks
21:28he hasn't exactly been doing well lately.
21:30Joe fires,
21:31but Max acts fast and knocks him sideways,
21:34so the bullet misses,
21:35and he throws himself into both opponents,
21:37so they go down,
21:38while he takes off.
21:40He dodges the next wave of gunfire,
21:42and leaps into the freezing river,
21:44cold enough to stop a heart.
21:45So the new villain just assumes that's it,
21:48and the man is done for.
21:49And honestly,
21:50maybe he is,
21:51because the man sinks,
21:53and the cold gets into everything.
21:54His thoughts start fading,
21:56until there's just one thing left,
21:58Michelle.
21:58The whole memory of what used to be
22:00is enough to make him fight again,
22:01even though his body is numb,
22:03and the current is dragging him,
22:04and he's barely able to move.
22:05But he reaches into his pocket,
22:07and he grabs one vial of Valkyr to gulp down.
22:09Something shifts,
22:10and he roars from under the water,
22:12like something wild,
22:13and angry,
22:14and alive.
22:15And a storm of huge black birds answers,
22:18like they've been waiting for him to wake up.
22:20Meanwhile,
22:20Jim is getting grilled by his boss,
22:22for not handling the Max situation,
22:23but he's done pretending everything is fine.
22:25So he calls in the FBI,
22:27because maybe they can do what no one else could.
22:29Now that the FBI is involved,
22:31BB and Joe start panicking properly,
22:33and they come up with a quick escape plan.
22:35While they're moving through the parking lot,
22:37Max shows up and wipes out every single guard without blinking.
22:40But the main culprits still manage to slip away.
22:44Then BB grabs his phone,
22:45and calls Miss Horn because he needs a chopper.
22:48Now,
22:48the betrayed man keeps coming,
22:50but the birds come back too,
22:51and this time,
22:52they're circling with the shape of Michelle in their center.
22:55And her voice is calling to him.
22:57For a second,
22:58he just stands there,
22:59like none of the chaos matters,
23:01and then he screams.
23:02Not just out of rage,
23:03but out of something deeper.
23:05That energy blasts outward,
23:06sends the birds flying high into the sky.
23:09A guard tries to shoot,
23:10but Mona jumps in just in time,
23:12and tells her partner to stop looking back,
23:14and start ending what needs to be ended.
23:16Then she's off again,
23:17and she finds the sidekick,
23:18who tries to talk slick,
23:20like he always does,
23:21but Mona handles it quickly and smartly,
23:22and runs off again before Aesir's goons can show up.
23:25He still manages to hit one last button
23:27before giving up the ghost,
23:29activating a bomb that goes off
23:30and blows a whole side of the building.
23:32And honestly,
23:33that explosion feels right on cue for Jim and the team.
23:36Max finally corners his nemesis on the rooftop,
23:39but the opponent shoots him first with the defender,
23:42taking the hit,
23:42and now the other man is suddenly out of bullets now.
23:45He then tries talking again,
23:46trying to smooth his way out of it like the old days,
23:49but his former friend isn't here for speeches.
23:52So he shoots the retiree right in the heart,
23:54and it's quite simple and final.
23:57When it's done,
23:58the troubled guy just falls to his knees,
24:00because he's got nothing left,
24:02while the guards surround him.
24:03He starts mumbling those same weird likes and dislikes
24:06from the beginning,
24:07like the whole nightmare just looped right back
24:10to where it all started.
24:11So he's got nothing left.
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