- 13 years ago
Guest appearance from Gary Barlow
Category
đ„
Short filmTranscript
00:00Good morning, good morning, some things will soon smile through.
00:04Good morning, good morning, to you and you and you and you.
00:10Look, toast spoons.
00:14Oh, I'm feeling good about today. It's got a sort of frisson about it.
00:19So, news. Mike and I are still together, all good,
00:23but when he tells me he loves me, I freak out. Can't say it back.
00:27I love you.
00:28Oh, well, well done, and you're welcome, and what a boost.
00:33It's a fan hat, forsooth, sir.
00:35I need to workshop the issue with Stevie, but we've fallen out.
00:39Apparently, I've ignored her since having a boyfriend.
00:41Objection, my lord!
00:43Although, disco karaoke finals.
00:46I can't hear you.
00:50So I tell you something.
00:53What else to impart?
01:03Oh, Mum's having a tennis club dinner tonight.
01:06She doesn't want me there.
01:07Apparently, I let her down last year.
01:09Side bar, my lord!
01:10Oh, I'll serve drinks.
01:17I don't know who this woman is.
01:20Right.
01:20I declare this cheeky little day.
01:23Ready and open for the business week or night.
01:25Gary, look at you and your own restaurant.
01:39Are you renaming it?
01:40What, Gary's?
01:41What's wrong with Gary's?
01:42It's like a greasy spoon.
01:44Yeah, it's like a chippy's, Gary's, isn't it?
01:46Yeah.
01:47No, seriously, what are you calling it?
01:52It's very...
01:53No, that's lovely.
01:54No, that's perfect.
01:54It's classy.
01:55It's a manly, yeah.
01:56Manly?
01:56Good, because now manning up to put sign up.
01:59Good luck, man.
02:00He gets nervous voting for Strictly and is scared of mice and geese.
02:04It's the hissing.
02:05They hiss.
02:06Good morning, Stevie.
02:07Do you want to join?
02:08Fine on my own.
02:11Struggling to get on the stool, are we?
02:12Pretending this isn't our second breakfast, are we?
02:16I won.
02:17Guys, I do not need this today.
02:19Our family dog, my dog, Daisy, might have to be put down.
02:22More importantly, hello, restaurant opening tonight.
02:24More importantly...
02:25OK, can we all just calm it, please?
02:27Everyone seems at odds.
02:28Just calm.
02:34Do you know what my favourite three little words are?
02:38All day breakfast.
02:41I'm going to start doing it.
02:42It's the best thing since sliced bread.
02:44It is sliced bread.
02:45Then it's toasted and an egg's popped on.
02:48Mike, please ask your girlfriend, who loves you so much she ignores best friends, if she
02:54would for once share her pancakes.
02:58Oh, sorry about this.
03:01Oh, no, I really am sorry.
03:02I mean, if I could stop, I would.
03:05Well, that is it.
03:07I will show you how angry I am by my exit march.
03:10See my physical anger.
03:14Strutting like an ageing majorette, are we?
03:17Oh, I'm going to have to dash.
03:19I will see you later.
03:20I love you.
03:22Oh, well, um...
03:24Hello?
03:31Thank you, Mike.
03:34I don't need a man who cries about a dog to show me how to use it.
03:36Actually, Daisy's been with us for 15 years.
03:39See, how do you turn this on?
03:43It's not just me that's finding this erotic, is it?
03:46Keep wielding, men.
03:51Stevie, Stevie, Stevie, Stevie, Stevie, Stevie, Stevie.
03:54Mike just told me he loved me again and I couldn't reply.
03:57Talk to the face, because the hand ain't listening.
04:00It's the wrong way around, yeah.
04:02Oh, come on, Stevie, I need you.
04:04We're like a sofa and a little puff.
04:08It's clean sheet night tonight.
04:09Who am I going to change my duvet with?
04:11We could play sheet overhead, guess what fruit's been thrown at you.
04:14You love that.
04:16Delicious to talk to you, darling.
04:18Lots of love.
04:20Bye.
04:21Ghastly woman.
04:23Alice!
04:24Still on speaker.
04:25She's still there.
04:26She's still there.
04:27Ghastly woman, I see before me.
04:30Uh, yes, Miranda.
04:33Bye, Belinda.
04:36She's convinced that my tennis dinner won't be nearly as good as hers last year.
04:41Over my yoga-plated, flab-free, super-firm, what I call buttocks.
04:46Now, do you think that Mike would...
04:49What's happening?
04:56Oh, Raymond Blanc.
04:59You look like the Jim Riverdance.
05:00You'd be the same if your pin-up suddenly walked in.
05:04Is Gary Barrow here?
05:05It's Theo Brutus here.
05:08Theopapetus.
05:11I could ask Raymond to the dinner if I got a celeb to the do.
05:16In your face, Belinda.
05:19Bonjour, monsieur Blanc.
05:21Bonjour, mademoiselle.
05:21Um, je suis avoir un soirée.
05:30Je voudrais vous, uh, tout...
05:34Sorry, spat.
05:37Or le mingling.
05:40Um, I can give you a good function.
05:43No, no, no, I don't mean, uh, unless, uh...
05:49Pardon.
05:53He's going.
05:55Don't go stalking again.
05:57I'll observe.
05:58With binoculars.
05:59At the minimum distance as laid down by Barry Manilow's lawyers.
06:05I presume you're still not speaking to me?
06:07So, as your superior, I would like you to send off this letter to British Gas.
06:12Thank you, you.
06:14Tricked.
06:15I meant to.
06:16I meant to go up the stairs like this.
06:22Right.
06:23OK.
06:23Now, I can change a duvet cover on my own.
06:25Don't need her help.
06:26It's fine.
06:30Stevie!
06:30I can't find the right corners!
06:36Stevie, be my friend again.
06:39If somebody's pulling a duvet cover on, she's the one.
06:43She's the one.
06:48Wallet.
06:48Wallet.
06:49Wallet.
06:49Where, where, where, where?
06:49Table.
06:50Table.
06:50Table.
06:51Everyone's at odds.
06:52Odds.
06:52Odds.
06:53Seriously now, Stevie.
06:55What happens if he says I love you again?
06:56OK.
06:57This is code red.
06:58Amber alert.
06:59Rising to pink.
07:00Dogger moving each.
07:00Showers later.
07:01That's a shipping forecast.
07:04You.
07:04How do I tell someone I love them?
07:06Oh, um, write it on a muffin and give it to him.
07:08Well, even if I knew how to make a muffin, I wouldn't have time to make a muffin.
07:12He's upstairs.
07:13I didn't know that.
07:14Think!
07:15Sorry I shouted.
07:16Crazy day.
07:18Um, I...
07:19No, I'll tell you later.
07:20I love you.
07:21Well, I, um, I, uh...
07:24Eyes are to see with, noses are to smell with.
07:29That was your fault.
07:36Right.
07:36Help me workshop why I can't say I love you.
07:38Stay and hang.
07:39No, I really should be.
07:39Stay and hang!
07:40Right.
07:41Okay, well, uh, what springs to mind when I say, what do you love?
07:44Good.
07:45Liking this.
07:46Don't worry, Stevie.
07:46I've got a new friend.
07:50Strutting like a toddler modeling baby gap, are we?
07:54Right.
07:55Okay, what do you love?
07:58Donuts.
07:58Again, what was your first love?
08:01Donuts.
08:01More emotional.
08:03What makes your heart skip?
08:05Donuts.
08:05I think I know what this means.
08:07You're not in love with your boyfriend.
08:08It's only fair you split up with him.
08:10What?
08:11What?
08:11No, no, no, no, you can't leave me with that.
08:14Oh, my lovely Mike.
08:16I'm going to beanbag.
08:20Stevie!
08:21Stevie!
08:23Miranda?
08:24He said...
08:25All right.
08:26Come on, now step back.
08:28I'm Miranda's number one workshopper.
08:30She's emotionally constipated and I'm her metaphorical prune.
08:34She's back.
08:36Love who?
08:37Love who?
08:37Love who?
08:38No!
08:39Now, as this suggests, Mike is not what makes your heart skip.
08:45I mean, you love him, but you're not in love with him.
08:48That's why you can't say it.
08:50I'm right, aren't I?
08:52Yes.
08:53Oh, my Marple.
08:55Now, we need to work out how you'll end it.
08:57So, and she just tell him?
08:58Just tell him this guy.
09:00Miranda can't be direct.
09:01It's a condition.
09:02I call it pushy mother-itis and acute English-ness-ness-ness-ness.
09:07She had to write a letter to switch gas suppliers.
09:10Too scared to ring.
09:11They make me feel guilty.
09:12I end up signed to all protection plans and offering them a place to stay if they have
09:15a visit from Mumbai.
09:17I mean, to be fair, Raj and Miri were very nice.
09:19Oh, they were lovely.
09:21I'm going to have to write Mike a letter.
09:23It's the only way.
09:24Too mean.
09:25Come on, think and pace.
09:27No, I really shouldn't...
09:27Think and pace!
09:34Well, we've run out of options.
09:35Well, I've written him that letter.
09:37You can't send that.
09:38Why can't you be less mimsy?
09:41What's going on?
09:42She can't be direct because of a pushy mother.
09:44Oh!
09:46She loves very much.
09:47That's my mother.
09:48Oh, heavens above.
09:50Who is this?
09:51We don't know.
09:52I'm not pushy.
09:54Now, Miranda, you are to drop everything and order Mike to help me tonight.
09:58I can't find Raymond, but Mike could get us news coverage for the dinner.
10:01Isn't that Raymond Blanc?
10:03Where?
10:04Where?
10:04Oh, get out of the way.
10:09What's going on?
10:10We're workshopping because she realises she doesn't love Mike.
10:13Mike Cohen!
10:14Mike Cohen!
10:15Mark Cohen!
10:16I don't love Mark Cohen.
10:18Nor do I.
10:18I love Gary Parlow.
10:20That's Mike!
10:21This is a nightmare.
10:23She loves Gary Parlow.
10:24I love Mark Cohen.
10:25He loves Mark Cohen.
10:26I love Robbie Williams.
10:27We're setting up a Take That tribute band.
10:29Never forget where you're coming from.
10:35Never pretend that it's all real.
10:41Right.
10:42I forgot I need a tyre.
10:43I left one here.
10:44And, uh, we need to have a talk at some point.
10:47Ah, but what does he need to talk about?
10:50If I'm not mistaken, he's got proposey eyes.
10:52Don't be ridiculous.
10:54She's splitting up with him.
10:55Oh, but I'm still mimsy.
10:56The thought of telling him he's so gorgeous.
10:59Oh, my goodness.
11:01And the other thing that I think...
11:03Well, now it looks like I'm talking to no one.
11:06Mike, listen.
11:07I need to talk too, actually.
11:09I love being with you, but, um, I just feel that I need a breather...
11:15Breeder.
11:16Breeder.
11:16Dog breeder.
11:17Horses.
11:18Horse dogs.
11:19I'm going to breed horse dogs.
11:20Yeah.
11:21Dogs that you can ride.
11:22Dog dressage.
11:24This is...
11:24Hey, woof!
11:25Sorry.
11:28I'm all over the place, like soap in a shower.
11:31Where is it?
11:31Where's the soap?
11:32Where is it?
11:33Right, OK, hang on.
11:37It says it all there.
11:42OK.
11:43Well, it's a bold decision, but I understand.
11:47You do?
11:48Yeah, if you want to lead British Gas, it's your call.
11:50Run letter!
11:51Run letter!
11:52Run letter!
11:53Run letter!
11:54Follow him!
11:54Emergency walk!
11:55Go!
11:56Go!
12:04Hi.
12:05Hi.
12:05Hi.
12:06Yes, sir.
12:07You know you were talking about working abroad?
12:08Mm-hmm.
12:09Well, maybe that's a good idea.
12:11Oh.
12:12My.
12:13I'm so sorry.
12:14It's Raymond Blanc.
12:14I'm a massive fan.
12:16Listen, I'm...
12:16I'm...
12:17Hello.
12:17It's Michael Jacksonville.
12:18Um...
12:19Today was meant to be a good day.
12:29It had a free song about it.
12:31I should go.
12:32I don't even know I'm still here.
12:34Hi.
12:35Oh, are you OK?
12:36Oh, I'm all stressed.
12:38Um, cooking, deliveries.
12:40Rose keeps texting, even though we're not together.
12:41She still wants to come tonight.
12:42Listen, I really, really need your help.
12:45Um, do you think you could spare a few hours this afternoon?
12:47Yeah, sure.
12:47I'll come over later.
12:48Oh, thank you.
12:51Oh, and by the way, a man has put up signs.
12:58Don't laugh.
12:59I wouldn't laugh.
13:02It's one of the reasons I love you.
13:03Uh, what did you just say?
13:05I just said I love you.
13:06But, I mean, just flippantly, like I say it to you.
13:08Well, that's why you're mistaken, my massive friend.
13:11We say it in a silly way.
13:13But tell me you love me.
13:14Love you.
13:15Can you say you're finally getting this?
13:18What truly makes your heart skip?
13:21Gary.
13:23How do you see Mike?
13:26There we go.
13:29How do you see Gary?
13:44Who do you love?
13:47Gary.
13:48I'm in love with Gary.
13:49Yes, I did three years for this.
13:52She said I love you.
13:53To who?
13:54Gary.
13:54I love Gary.
13:56I'm in love with Gary.
13:57Who's Gary?
13:59I'm on the top of the world looking down on creation.
14:03Who's Gary?
14:04And the only explanation I can find.
14:07I think I want to know who Gary is.
14:09He's an old friend from uni.
14:10She's always loved him.
14:12I want to tell him.
14:12Do you think he feels the same?
14:13Of course he does.
14:14The minute Mike told you he loved you, I clocked Gary's face.
14:17It's a love.
14:18Wait, wait.
14:19You have to split up with Mike before you tell Gary.
14:22Oh, how?
14:23Focus.
14:24Knock out your mimsy.
14:25Hope that's not a euphemism.
14:27Concentrate.
14:28Love is at stake.
14:29This is serious now.
14:30I am a direct woman.
14:34I am soft, strong and very, very long.
14:36No, that's Lou Paper.
14:38Hi, I got your text.
14:39Great.
14:39Listen, I need to speak to you.
14:41Um, OK.
14:42Right.
14:43Here is the thing, Mike.
14:45You are an amazing man and a wonderful boyfriend, but I have to end...
14:50Oh, sorry.
14:52Oh, it's Dad.
14:53Oh, no.
14:54Daisy's gone.
14:55Oh.
14:56Sorry, I know she's only a dog, but I'm going to have to go.
14:59Sorry, what were you saying?
15:00Oh, it's not important now.
15:02It's something about having to end.
15:03Having to end a contract with BT and move to a new broadband package.
15:09That's what you wanted to tell me?
15:10It's been very difficult, Mike.
15:14This is getting out of control.
15:15I'm having to act.
15:19Oh, Mike, she's told you.
15:21About moving to a new broadband package, yes?
15:23Oh, yes, yes.
15:24Tough times.
15:25Mike's upset because his dog just died just now.
15:28Oh, that is so annoying.
15:30Typical.
15:31Isn't that annoying?
15:32Who's this?
15:33We don't know.
15:34I was about to say it.
15:36I'm ready to explode like an emotional balloon.
15:39Calm.
15:39You don't need to tell Gary now.
15:40The only reason to panic was if Rose was getting a clause in.
15:43She's been texting.
15:44He's not interested, so wait till Mike feels better.
15:47Who's Rose?
15:48Is everything all right?
15:49She's an emotional balloon because she's in love with Gary.
15:52Gary Barlow!
15:54She loves Gary Barlow.
15:55I love Gary Barlow.
15:57That's Gary.
15:58Why does it keep happening?
15:59She loves Robbie Williams.
16:00I love Mark Owen.
16:01We're a Take That Tribute band.
16:04We love my fire.
16:06Your love is my only desire.
16:11Lovely.
16:12Miranda, just a quick one.
16:13Yes, please.
16:17I thought you were coming to help.
16:19You clearly didn't mean it.
16:20So do you know what?
16:20Don't bother.
16:21Rose is coming.
16:21Oh!
16:22What?
16:28I couldn't love him more.
16:30Stupid Rose.
16:31I demand to know who Rose is.
16:34Gary's ex.
16:35Keep up.
16:37Well, you have to tell Gary now.
16:38Rose can't get there first.
16:39You can't miss the one thing that makes you happiest in the world.
16:43If I had a chance with my Gary, I'd have...
16:46One night.
16:47One night in heaven.
16:48Oh, oh, well.
16:50You have done yourself proud with this.
16:53I know.
16:54OK, I'm going to tell him.
16:56Febreze me out.
17:05I will open till seven, sorry.
17:07It's me.
17:08Oh, hi.
17:09Hi.
17:10Listen, I'm so sorry I let you down earlier,
17:12but by way of an apology, I want to tell you that...
17:16Well, Gary, I know I've been seeing Mike,
17:18but I realise now that...
17:20Gary Preston...
17:22Oh, my.
17:24Miranda.
17:25I don't believe it.
17:27Well, let me say it.
17:28It's Raymond Blanc!
17:31Raymond bloody Blanc!
17:34I'm Michelle Rue the day I ever met you!
17:36That was quite clever, wasn't it?
17:39You keep messing up my life!
17:41And I am hiding from a crazy woman.
17:45Mr Blanc, Mr Blanc, hello.
17:47Oh, sorry, a bit starstruck.
17:49It's actually my restaurant opening tonight.
17:51Do you think you might be able to come?
17:52Actually, I'm looking for a restaurant to meet a friend tonight.
17:55Amazing!
17:56No, no!
17:59Raymond!
18:02I have no idea who this woman is.
18:11Such fun!
18:15Ray Ruddy White.
18:17I have to get in there before Rose.
18:19She romances Gary.
18:20She gets in with sweeping gestures.
18:23Think!
18:23Oh, you've got to out-rose-rose.
18:27Oh, yes, romance is my area.
18:29I'm thinking picnic, champers, doves.
18:32Such is my allure.
18:34I naturally woo with every sense.
18:36The smell of my skin, the touch of my clothes,
18:39the sight of my cleavage.
18:41Excuse me, I am the wooer here.
18:42I thought you were desperate for my help, but do go on.
18:45Fine, I will.
18:46I can do this.
18:46I can woo with my every sense.
18:48The touch of my clothes, the...
18:50What was it?
18:50The smell of my underwear,
18:52the sound of my cleavage.
18:54OK, that's wrong.
18:55You do it.
18:55Meet Gary in the park in two hours.
18:57This is the best day of my life.
19:00Bit weird.
19:03When did it get so hard to sit on the floor?
19:06Oh.
19:09Hi.
19:09What's on this?
19:11I thought it was me and Stevie.
19:12It's a gesture.
19:14From me.
19:15Not Stevie's.
19:16Well, that's very kind, but I'm really busy.
19:19No, Gary, wait, wait.
19:21Well, I thought you might need a break,
19:23and I wanted to say I'm so sorry about not helping.
19:28OK.
19:29All right, thank you.
19:30Do you know your music?
19:39No.
19:40No, look down.
19:41Come, look down.
19:42Look at this cream.
19:44What?
19:44No, what's a look at?
19:45I'm really tired of sleeping.
19:48Sorry.
19:51Cream news.
19:51Where did the geese come from?
20:01No.
20:05Oh, they are scary.
20:08Stevie!
20:09I couldn't get that, Dad!
20:11It's just a right day of a joke!
20:12They've gone.
20:22Oh.
20:23Come on!
20:24No!
20:24No!
20:24No!
20:25No, you didn't!
20:26They were staring!
20:28They were staring!
20:29They were staring!
20:29They were staring!
20:32I was trying to tell you something.
20:34Oh, Miranda, only you.
20:36Just tell me.
20:37OK.
20:38Oh, I can't look at you.
20:39What?
20:40Oh, this is important, isn't it?
20:42Just let me get this cream out from my nose.
20:49Hi.
20:50OK, listen.
20:51Here's the thing.
20:52And I'm sorry I've been going about it in such a roundabout way.
20:55Particularly as I've never been so certain of anything in my life.
21:00I am absolutely, ridiculously, embarrassingly in love with you.
21:08Oh!
21:08Oh!
21:10Oh!
21:11Oh!
21:12And I was only going to say, guess who?
21:14OK, what is it?
21:15Moment's gone.
21:16I've been waiting to hear that.
21:18Well, it's lucky you were here then.
21:19Why were you here then?
21:21Oh, Mike.
21:22Now, about my dinner.
21:23Oh, Mother!
21:24Kenny, there's something I need to ask Miranda's father.
21:27Proposal!
21:28Oh!
21:28Hey, Mum!
21:29Just lay back!
21:30He wants to speak to your father.
21:32Oh, darling!
21:33Oh, no!
21:35It's Rose!
21:36Do something!
21:36Do something!
21:39How does that help?
21:45Well, I'm clearly in the way.
21:47I didn't realise you two were...
21:48Yeah, so, you know, bye.
21:50Wait, I don't even know why she kissed me.
21:52Well, it looked pretty passionate to me.
21:54You lingered.
21:55Agreed, milord.
21:55There was lingering.
21:56I thought there was lingering.
21:58Who were you?
21:59I don't know.
21:59You both lingered.
22:03We did not linger.
22:05Rose.
22:06Miranda.
22:06Sweeping out.
22:09Oh, nice.
22:10You know when you nearly go, I nearly went.
22:12Oh, God!
22:15You kissed my Gary.
22:17How would you like it if I kissed yours?
22:18I'm going to get my own back and snog Gary Barlow.
22:21OK, that's never going to happen.
22:22I was trying to get rid of her.
22:24Well, you shouldn't have interfered.
22:25I didn't want to, but Stevie, I can't cope.
22:27Wear a sofa and a little poof.
22:29Oh, je me suis...
22:31Right, you, whatever your name is,
22:44I bequeath you the status of my new best friend.
22:46Oh, it's too much.
22:48Change the duvet with me, please.
22:50Oh, no!
22:53Darling, darling, Mike's just spoken to your father.
22:56He's going to propose.
22:57You will say yes.
22:59No, she can't marry a man she doesn't really love.
23:01What she needs is someone who knows her and gets her.
23:04What she needs is someone who doesn't know her
23:06and will only know what he's getting when it's too late.
23:09Am I here?
23:10I think I'm here.
23:11Miranda?
23:12Hide!
23:13Hide!
23:14Hide!
23:15Hide!
23:16Hidey, hide!
23:18Can we talk?
23:19Yeah, sure.
23:20Um, what would you like to talk about?
23:22I'm worried about the Greek economy.
23:24Discuss.
23:25What are you doing?
23:39Tying my shoelace.
23:41Few sugar.
23:42What?
23:43Few sugars I shall make in your tea now for you, yes.
23:47Is that a barn owl?
23:53Look, just forget about the tea.
23:55Will you just sit for one moment?
23:57You're so skittish today.
23:59Like a little pony.
24:02So, listen.
24:03I know we've only been seeing each other for a few weeks,
24:05but I've been thinking about the future.
24:08Oh.
24:09Hi.
24:10Uh, can I speak to Miranda, please?
24:11Yes.
24:12Oh, hi.
24:12I'm from BT.
24:13Hi.
24:13I'm really sorry you're not happy at the moment.
24:15Oh, listen.
24:16I did mean it.
24:17It's not you.
24:18It's me.
24:18I just want to be with someone else.
24:19Bye.
24:21Yay!
24:22It's Mickey Mouse!
24:23What are you doing here?
24:25They are here to wish me well, uh, for letting go of BT.
24:29So, why were you in the bathroom?
24:30We urgently needed the loo.
24:33We didn't go together.
24:34I went first.
24:35I followed through.
24:37Okay.
24:38Bye then, guys.
24:39Thanks so much for coming.
24:41Look, I don't know what's going on here,
24:42but will you just listen to me before I burst?
24:44Wait, Mike, listen.
24:45I've taken a job in Africa.
24:48What?
24:49But, I mean, after what you said in the restaurant,
24:51just say if you don't want me to go.
24:53Only you must go.
24:54It's what you've always wanted.
24:55What were you...
24:56You're in love with...
24:57In love with talk-talk for my new ISP.
25:01I have never known a family so emotional about service providers.
25:05Oh, I'll miss you, Marple.
25:06Oh, I'll miss you so much, Quirky, but let's talk, yeah?
25:10Yeah.
25:11Bye.
25:13Bye.
25:13Bye.
25:23Alone again?
25:24You got me!
25:25Whoa!
25:33Why are you at the tennis club?
25:34One glimpse of Belinda's smug face
25:37that it was a celeb and press-free mediocre event
25:40and I abandoned.
25:42Oh, Raymond's here.
25:44Evening, Mr Blanc.
25:45Uh, thank you for coming.
25:46Your table is over here.
25:47Yes, sir.
25:47Pretend you're enjoying yourself for Gary.
25:51No!
25:55What are you doing?
25:56We're creating ambiance.
25:58Can you just stay out of it, please?
26:00Why are you so angry with me?
26:01Shh!
26:02Raymond is behind you.
26:03I don't care about Raymond.
26:05He ruined my day.
26:06And you ruined mine.
26:07The one day I needed your help.
26:08Well, maybe I had urgent things to do.
26:10Oh, what, like rehearse a take-that tribute band?
26:12You know, there's always something with you, isn't there?
26:16Hey, on the one day that I was struggling
26:18and needed your help like you always do,
26:19your issues are still more important,
26:21although they very rarely are.
26:23They were more important!
26:24Oh, what?
26:25What was more important?
26:26Splitting up with my boyfriend
26:27and telling you I'm completely knuckily,
26:29head over heels in love with you, I love you!
26:31Oh!
26:38Oh, that's embarrassing.
26:40Do something more embarrassing
26:43so it won't seem so embarrassing.
26:47I'm a little coconut,
26:49ugly and hairy,
26:50but when you split me open,
26:52I use milk and nuts.
26:55No, that's worse.
26:57I have no idea who this woman is.
27:00Right.
27:01I'm just going to flush myself down a ploghole.
27:04You'll never guess who is here to meet Raymond.
27:10Mr. Gary Barlow,
27:21would you make an appearance at my tennis club dinner?
27:24For you, anything.
27:29Take that, Blanc!
27:30We've got Barlow!
27:33Mr. Gary Barlow...
27:34And Gary Barlow.
27:44I lingered!
27:50He didn't say it back.
27:52He could have said it back.
27:53You've got me.
27:55Love you.
27:56And me.
27:58And our band.
27:59Take that, some karaoke.
28:04Whatever I said,
28:05whatever I did,
28:06I didn't need it.
28:08I just want you back for good.
28:10I want you back.
28:12I want you back.
28:13I want you back for good.
28:16Whatever I've done,
28:17just tell him a song and I'll sing it.
28:20I don't understand.
28:22I want you back for good.
28:27I want you back for good.
28:28On the road,
28:30but on the line.
28:32Feel it out to start.
28:35I wasn't here.
28:37Oh, no!
28:39You will have to leave at one point.
28:42Oh, no!
28:42I celebrate the glory,
28:47but that was not to be.
28:51In the twist of separation,
28:55you excel to be free.
28:58And you find a little room inside me.
29:04Whatever I said,
29:06whatever I did,
29:07I didn't mean it.
29:09I just want you back for good.
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