00:00sir first of all welcome to ionis sir
00:03we have a lot of literature festivals
00:06but the first time you see crime literature festival
00:09how are you doing?
00:12we have some kind of things
00:17that we see from people that have nothing to do
00:24is Mumbai is a so true forolutions that you know this is Mumbai is a
00:29two-thirds.
00:31Most of the time, this is where you can do this in a
00:35In a city, we've got a new life, a new life, you know this box.
00:46If you think about it, you can get this center, it's like a cat which
00:54crime is the most favorite stories of all sections of people.
01:03For example, there is a journalist who wants to write a book, but where goes, who goes,
01:12there is no Clinton who knows who has been.
01:14So, they all present and tell,
01:16que we will try to get those boys who want to write a book, but they have no mentor,
01:20they have no support, they have no help,
01:23so that they are going to be forecast.
01:24Great list training, suits them and will laureate .
01:28came with a lessons,
01:31so again
01:40the main directors of that book or the ones who have written it,
01:45the people who have written it, they will adapt to the screen.
01:47So we thought that this is a thought,
01:51a story, a story, a story, a story, a story,
01:54or a story, or a series, or a theatrical movie,
01:57because we have done this earlier.
02:00I have seen a new child who had written a book
02:03and wrote a series,
02:05who had written a book,
02:10and we thought that this level of thought,
02:12a meeting, a meeting,
02:16which we have given the name of Mumbai International Crime Lit Fest,
02:20where all the people called us, journalists, writers, authors,
02:24series writers, producers, platforms,
02:27and those who have written it.
02:29That's all we have kind of thought about this.
02:31Sometimes, you have to adopt your story,
02:38but the changes that you have to do,
02:40you are not aware that you have to do changes that you have to do,
02:43and the other person who is adopting it in the OTT series,
02:48he said that these changes are very necessary,
02:50so how do you keep it so much?
02:51The problem is that a man who writes a book
02:54and writes a little bit about his story,
02:56a little bit about it,
02:58but these are different mediums.
02:59The problem is that it is a different,
03:03because it is a different type of book,
03:03and the script is different.
03:05We have to think differently in a script,
03:08so that is why it is not the same type of book.
03:10So we are not supposed to be in the book,
03:12we are not supposed to be a bit different,
03:14but then we kind of agree to a middle path,
03:16and then the story is become a story,
03:18so that is why you see the maximum story of the story,
03:24So despite differences, we do good job and we kind of work in coordination.
04:01So the fact that you have written about the story of the people in the world, the fear and fear
04:09of the people, the fear of the people, the fear of the people, the fear of the people and the
04:12people.
04:12foreign
04:44It shows that there is a certain incongruity, certain anomaly in this time and in today's
04:48time.
04:49Okay, because of this, you can't see that in the 90s, there is a lot of violence, with
04:54a lot.
04:55So, I don't agree with this point.
04:58Sir, one more thing, do you ever think you can write something like Lawrence Vishnoy
05:03or something like that?
05:06I think it's something like Lawrence Vishnoy.
05:09I think it's something like Lawrence Vishnoy.
05:13I should try to do new things, so Lawrence Vishnoy will write that book, and I will
05:17do it.
05:18But if I haven't written it, I will leave it.
05:20And if someone has forced me to make a film, then I will write it.
