00:01One is a box office collection, which is for every film.
00:08There are also 50,000,000 films.
00:13There are also many films like that.
00:15There are also many films like that.
00:21The second is Ramayana.
00:24If you become Ramayana, how much is Ramayana more important than how much is it?
00:33Today, there is no film flopped on Ramayana.
00:36Except that the one who has tried to do it is Adipurash.
00:40Today, there is no Ramayana flopped on Ramayana.
00:45People are watching Ramayana as well.
00:57If you have seen Ramayana in Ramayana as well, how do you know that?
01:04First, see that.
01:05Are you watching Ramayana the way I know Ramayana? No.
01:09I mean, if you ask me, what did you think?
01:12I thought that in your film, there is no shame.
01:18There is no emotion.
01:21There is no emotion.
01:22There is no emotion.
01:23Except that the beginning of the emotion has been touched.
01:25The one who wants to not touch it is Ravan's glorification.
01:30The reason for Which is Ramayana is your spirit,
01:31the one who has swayed the law of Ramayana.
01:37The reason for that is Ramayana is the love.
01:42The fact that this is Ramayana was just because of Ramayana's people,
01:46the men who resisted the law of Ramayana,
01:47the reason for that is the right to rule.
01:50Isn't this right to be said,
01:51The interesting thing is Ramayana is that Ramayana is wanted to be a hero.
01:53Now…
01:54Donald Trump always gets over 500 crore or 700 crore.
01:57Even what film was in Giuliani, Adipurish?
02:05The other one just got 400 crore then he rejected.
02:08So you have to watch films and get hit in this season.
02:14Now every one of them comes up here, just watch films.
02:18They buy 12VPN tickets then, it's going to make them get into account...
02:22So now I am going to tell you what I am going to tell you about the film.
02:31So if you want to ask me about the box office collection, I am impressed.
02:38Box office collection is not the first priority.
02:43It is more how much Ramayan has Ram and Sita, how much Ram Sita is there in Ramayan?
02:49How much not there? How much you have been close to the people of Ramayan?
02:56That is our own. I will see that.
02:59How much is Ramayan Sagar's Ramayan?
03:02It is not entirely different.
03:05But in the name of Bhavita, if I am going to be in November,
03:14In November, there are 5,000 people in the background.
03:18In the public, there is a place in the background.
03:24It is a place in the background.
03:27It is a place in the background.
03:28It is a place in the background.
03:30The whole look itself is something which did not touch me at all.
03:35...
03:36The other, the other, the other, the other people in the background.
03:40And people sit there and see emotions the same way.
03:44Even in the Maha Bátka area, there are 25 people.
03:48You will sit there and sit there and sit here.
03:51The other 5,000 people are 나타�ed in the background.
03:53That is where you are seeing what you are looking at.
03:55Even the reaction of Dhanush is the same as Dhanush.
03:58He is the same as the whole thing.
04:00He is not the same as anyone's face.
04:01Because you have created it from AI or you have made it special.
04:06He is all the classic characters.
04:08He is watching a cartoon film.
04:10He is watching a cartoon.
04:11There are emotions when someone is closing.
04:15He is touching us.
04:17He has only seen the reaction of the main characters.
04:18He has also seen the reaction.
04:20However, whatever the crowd is.
04:21I am watching it.
04:23I am watching it.
04:25One person has not touched it.
04:28And the story of Ramanan Chagar has affected it.
04:34This is not the effect of Ramanan Chagar.
04:37Even Arjun's face in his eyes.
04:43That was done in a closed door.
04:46It touched.
04:48Because you are showing everybody's close-up.
04:50You are showing only six people's close-up.
04:52And twenty and two thousand people.
04:54Oh, yeah.
04:57So, Bhavveta take over.
05:00Emotions say.
05:01This is why I didn't have a vote scene touched.
05:05I didn't have a vote scene touched.
05:06I didn't have a vote scene touched.
05:07I didn't have a vote scene touched.
05:11I didn't have a vote scene touched.
05:15I didn't have a vote scene touched.
05:17I didn't have a vote scene touched.
05:20I didn't have a vote scene touched.
05:21I didn't have a vote scene touched.
05:22Yes.
05:23And suddenly, one of the three people would say,
05:24TNK, TNK!
05:25The heroines of Karate and Karate would also be doing fine.
05:27Is it the right position?
05:28It will be fine if I don't mind doing that.
05:30But the Ramanan has never seen it.
05:32When he is a man in the prison,
05:35he is only so strong.
05:36When the truth is, Lakshman never hit him.
05:40He says not to cross him.
05:44Because he knows that there is a man in the inside.
05:46He says that there is a ten-bed dawn,
05:49then what is he going to do?
05:51He will kill him.
05:53But it has been done that way.
05:55You are telling him that there are three people
05:59who are fighting with the rakhshan.
06:02When Raman came, you don't do anything.
06:03He will resist him.
06:08If he doesn't do anything,
06:09he will kill him.
06:11This is his own problem.
06:14He says that we have given him the rakhshan.
06:17What is rakhshan?
06:19I want to ask you to ask about casting.
06:22We live in the country.
06:25We have also had our sentiments.
06:27We have seen the films.
06:28We have seen that when Santoshi Matar's film came,
06:32people were closed.
06:34They were closed and ran into the theatre.
06:36We have seen that Ramanansagar have been seen on the rakhshan.
06:42In the kovid,
06:44we have seen that many people have seen their views.
06:45We have seen that millions of millions of millions of views.
06:46What the madures have become so rich?
06:51He has been connected to 45 years and has not been connected to people. What is the difference?
06:58You have given me a question for casting. Faulty casting.
07:05I'm not a shakti man's name. I'm not a shakti man's name.
07:10I'm not a shakti man's name. I'm not a shakti man's name.
07:17Sir, Ram has thousands of people in the face.
07:24Those are the first criteria.
07:29When you have thousands of crores, why do you need an actor?
07:32If you take a big actor, you will return.
07:35Ramayana's story is not the person who is becoming Ram.
07:39If you want to think about it, people will criticize me.
07:46Sir, I've done a good actor.
07:49Sir, he's a good actor.
07:51Sir, he's a good actor.
07:52But I'm a shakti man.
07:55I'm a shakti man.
07:58I'm a shakti man.
08:09I'm not a shakti man.
08:11I'm not a shakti man.
08:12I'm a shakti man.
08:12I'm so sorry.
08:13I'm not shakti man.
08:15I'm not shakti man.
08:17I'm shakti man.
08:17From the very first frame, shakti man.
08:19I said, shakti man, shakti man.
08:22When did you happen?
08:23When did you happen?
08:23When did you happen?
08:23When did you happen to casting.
08:25In our whole world of casting, there was a studio book.
08:292000 people came to casting.
08:31For every role.
08:32There was a rejection.
08:35I changed my three roles.
08:37Sir, the first reaction is that she sees her.
08:42What do you think?
08:46I'm not doing casting.
08:49I'm not doing casting.
08:49But I'm doing casting.
08:50It's hard to react to her.
08:52Sir, I'm a shakti man.
08:55I was doing casting for the last action.
08:58I always had a soft-hearted information to Shima and Anita Gua.
09:01I would have used historical characters to do them.
09:05And you have to have the characters to show the people.
09:08You are not bringing them to the people together.
09:09When you have to make these characters multiple characters,
09:10you will not bring them to the people.
09:15If you look in the people with them and see them from the people,
09:17for people with them and to see them,
09:18If they are animals doing the same picture,
09:45It is not going with the…
09:49With the…
09:50With the…
09:51With the…
09:52With the…
09:52With the look of the film.
09:56So, film's biggest problem is casting is wrong.
09:59What I've said before.
10:02Someone asked me, sir, beef, what do you think?
10:04I said, leave it.
10:07But, when I was talking about animal,
10:10I said, look, this will come.
10:15Because, Jairaj Ji had so many historical characters.
10:17Jairaj Ji, you remember?
10:19Yes, yes.
10:21He was talking about Nirpa Raya,
10:24mother, heroine.
10:25Sir, their faces were mythological looking or historical looking.
10:30Pranth Sahib, Pranth Sahib,
10:33if I want to do historical character,
10:36wait, cast it.
10:37If you look at his face,
10:39you're looking at modern.
10:40You should not look at modern,
10:41you should look at historical.
10:42In historical,
10:43you have such a big case,
10:45in front of Pranth Sahib,
10:47they didn't have to work.
10:48It's a great actor,
10:49my friend,
10:49I've done 6 films.
10:55But, Pranth Sahib,
11:07the person,
11:09the cast,
11:10who you're doing,
11:12they should look at historical characters.
11:16Some actors fit.
11:17Some actors fit.
11:18They didn't fit.
11:18Some actors fit.
11:19They didn't fit.
11:20In the time of the film,
11:21Santho Shimababa,
11:22who cast them,
11:23Anita Gua,
11:24Anita Gua,
11:25Anita Gua,
11:26Anita Gua,
11:26Anita Gua,
11:26Anita Gua,
11:26Anita Gua,
11:27Anita Gua,
11:28Anita Gua,
11:33who doesn't look at the film,
11:34then it will be bad.
11:37I'm against casting.
11:39I'm sorry,
11:39I don't want to say anything,
11:40because I'm wrong.
11:42But,
11:43Raman,
11:44Raman,
11:44I didn't see Raman.
11:45I didn't see Raman.
11:49Raman,
11:49yes, Raman.
11:50Yes, Raman.
11:50Is that the better film for Raman?
11:54Raman?
11:55Raman.
11:56I don't have to give Raman
12:00for four marks.
12:01I don't have to give that.
12:03Why are you so big
12:04and you are so big,
12:05why are you so big?
12:06The Ramis will come every year
12:08without money.
12:09They will see that.
12:10That's the thing.
12:11People will see that.
12:13it's going to be 4,000 crores
12:15and you have to give it
12:16to the same story
12:19that you have to earn.
12:21If you are the same
12:23of the same story,
12:24you will earn the money.
12:24If you think that the money will come,
12:26you will be wrong and the negative reaction.
12:29It's not so weak in Ramayana's story that there are so many special effects that we have seen in the
12:37childhood of Ramayana.
12:38If you want to make this film or Avatar film or God, you don't waste money there.
12:59The same story, because Ramayana's story is locked in the same way, because Ramayana's story is locked in the same
13:03way.
13:04I have studied which writer, tell me. I don't know the name of the writer, but the screenplay is the
13:08name of the writer.
13:09I have known as the writer, but I was called a Raman.
13:17What's the name of the writer?
13:19The screenplay is clear.
13:23You will be able to change the main story of Ramayana's story.
13:28What is the meaning of the screenplay?
13:30The scene is made of the screenplay.
13:35The scene is made of the imagination.
13:38The scene will come and meet a girl, and the police will come.
13:43It's not happening in the story.
13:44But the screenplay is important.
13:47Ramayana's main story is that you have done the screenplay.
13:51You have made a fight for Sita.
13:53You have made a lot of drama in Ramayana's fight.
13:56This is not happening in the screenplay.
13:57This is not happening in the story.
13:59Why did you play in the screenplay?
14:02Why do you play in the screenplay?
14:03Because you have made a fight for the film.
14:07Today's women will be happy.
14:09Sita was also good.
14:10Okay.
14:11You will be able to say that you have not read the film.
14:13But you are not doing the film.
14:16You are doing the film.
14:18You are doing the film.
14:20You are doing the film.
14:27You are doing the film.
14:33You are doing the film.
14:35Is it true?
14:46You don't know the film.
14:48You have a story.
14:50You have a story.
14:51You got a story.
14:52You have a story.
14:54What can I call it?
14:54You don't mind the film.
14:57This is an excellent story.
15:00It might be a good story about something behind his scenes.
15:02It might be anything that can happen and shoot him.
15:04But the one thing is not a sensor board or no other thing left here.
15:07In the same way, there is a ramaean story that runs out.
15:14A trudging video gave not the result of the drama that ever came across.
15:22If you are a hit zone, Ramayana will make a good film, then you won't do any gimmicks.
15:32If Ramayana should be confident that Ramayana won't do anything wrong, then you won't do anything wrong.
15:42If you are a hit zone, then you won't do anything wrong.
15:47This audience is about 2 crore of films.
15:552 crore?
15:56350 crore.
15:59Why do you put it in a moment?
16:03Why do you put it in a moment?
16:05If you put it in a moment, you will stand up and stand up.
16:10You will stand up and stand up and stand up.
16:11If you put it in a moment, you will stand up and stand up.
16:13Why do you risk it?
16:18Do you have confidence in Ramayana's story?
16:21The Ramayana has written that you put it in 600 versions, put it in commercial, put it in a cabaret,
16:28put it in a song.
16:28If you put it in a song, put it in a song, put it in a song.
16:33If you put it in a song, then you will have confidence in the producer.
16:37He sacrificed the real thing in the spirit of the world.
16:42Thank you sir.
16:44Thank you sir.
