«I Pompieri» HD

Cinema Paradiso

La Squadra 17 è il fallimento totale del corpo dei pompieri cittadino. Un giorno, però, chiamati in soccorso da un ex collega, i suoi improbabili si riscattano davanti all'incredula troupe di una televisione locale.  #commedia #divertente

Transcript

00:00:00Music

00:00:58Music

00:01:27Music

00:01:53Music

00:01:59Here, Commander Pacini, immediately warn the traffic police that there is a caravan gone mad on Viale Kennedy.

00:02:05And get the driver's name, in case you ever want to apply to be a driver with us.

00:02:16Paolo, darling, are you really sure you've never been a firefighter?

00:02:22Excuse me, but do you realize what kind of question you're asking me? Do you think I could have been a firefighter?

00:02:27and I don't remember doing it?

00:02:29No, but Paolo, love, then why did they call you back?

00:02:33But they called me back because we live in Italy, a shitty country

00:02:38It must be a case of my own nevoli, for sure.

00:02:40But don't worry, I'll fix everything.

00:02:44Well, I have the impression that you exaggerated a bit, when you resigned you were younger than 25

00:02:50years old and 25 kilos thinner

00:02:53To dress like this, in this way

00:02:55Like this as a kid?

00:02:58I know, you exaggerated a bit, maybe I'm even being ridiculous

00:03:00But you see, love, the thing is that I left a piece of my life here, in this barracks.

00:03:05me, do you understand?

00:03:06Me, the fact that they called me back makes me feel like a 20-year-old kid. What do you want from me?

00:03:11I feel...

00:03:12Then, you see, in here they remind me of me as skinny, with lots of hair

00:03:15I want them to see me like this again

00:03:17Actually, let's do something nice, love

00:03:18You go home, because if you don't now you'll see me getting emotional, you'll see my friends crying

00:03:22And you feel bad too, huh?

00:03:25Do you promise?

00:03:25Promised

00:03:26HI

00:03:29HI

00:03:31But call me, okay?

00:03:33At half past seven, love

00:03:34Don't worry, I'll call you, okay?

00:03:36Leave your phone there because I have to tell you everything

00:03:38I owe you

00:03:38Excuse me

00:03:39That?

00:03:43It's a mobile studio

00:03:44Dile Cosmo

00:03:46And we go back and forth

00:03:47With the little bag

00:03:58But where is your head, you little wretches of misfortune?

00:04:03Hey

00:04:05Hey, Mr. Clean, come back, if you like it again, you'll see I'll do it for you, come here

00:04:09Hello

00:04:10Dear colleague, don't tell me anything

00:04:12Ducco Assyrisci the orderly room, on the right there is the half, in front there is the small room

00:04:17On the left is the archive, on the right the gym and over there the garage

00:04:20And we are not colleagues

00:04:23Very kind

00:04:24Very kind

00:04:30Eh, eh no mom, sorry

00:04:31You said, you hole up in there

00:04:33No, you said, you're going in there

00:04:35And with the recommendations we have, one day yes and one day no you're at home

00:04:40But what recommendations, but?

00:04:42But they make my ass look like a shack

00:04:44And tell dad

00:04:46Tell him

00:04:47What does he say?

00:04:49Does he have a little bit of a nose and straighten my back?

00:04:52So you know what?

00:04:53I'm killing myself!

00:04:55Eh, rather than continue like this for another six months I'll kill myself

00:04:58Look, I'm serious, okay?

00:04:59I'm starving myself!

00:05:01Here you are!

00:05:04How much is it?

00:05:05Did he get you?

00:05:06Eh, five condiments, two cappuccinos and a rice ball

00:05:13Alarm, alarm, fire spotted in the Sette Camini area

00:05:17Send all available resources to the scene

00:05:42But damn Judas, ready to go in thirty seconds

00:06:14One two three

00:06:15Here in the studio we hear you loud and clear

00:06:17Very good, everything's ok, let's go, let's go

00:06:19Three hundred seventy-one, three hundred seventy-two

00:06:21Move, move, snap

00:06:23Three hundred and seventy-three, let's go

00:06:24Three hundred and seventy-three, let's go

00:06:26Three hundred seventy-four, three hundred seventy-five

00:06:26Slowly, slowly, because here everything is calm

00:06:28Come on, come on, up, again, shoot

00:06:30Come on, let's shoot!

00:06:31Three hundred and seventy-three

00:06:32Excuse me

00:06:32But what an excuse, what the hell

00:06:34But you are good at beasts

00:06:35You broke it over a nail

00:06:36What ways

00:06:37Three hundred seventy-three, one hundred seventy-one, twenty-nine, thirty, go

00:06:42Go

00:06:47But damn, traversi, where is traversi?

00:07:03Oh, here it is, this barracks, damn it

00:07:06Here, are you listening?

00:07:08I'll stop here, okay?

00:07:10You wait for me in the car

00:07:11I'm going for ten minutes, I'll be back

00:07:14Everything is solved, don't worry

00:07:25Paul

00:07:25Huh?

00:07:26Listen to me

00:07:27Don't worry, I won't let you hold me back

00:07:30Wait for me here

00:07:32I'll be right back

00:07:35But are you sure?

00:07:36Colleague, I'm surprised at you, but you're a boy

00:07:38Look, I'm in 1936.

00:07:39In these little toys, I spent five years, night and day.

00:07:42I also have a coccidial fistula, I have

00:07:43If you want my resume, I'll give it to you. Do you want it?

00:07:45What do you give me?

00:07:46The curriculum

00:07:49You want to corrupt me with all your means

00:07:52Screw

00:07:53No, you're six lives, so come on, come on

00:07:54Screw, screw, French style, no, screw, screw

00:07:56Come on, come on, come on, I trust you, I trust you

00:07:58Thank you

00:08:14Oh, well

00:08:16I don't know, twenty years ago the first one was here, but

00:08:18Clear, you've shifted gears here.

00:08:21Anyway, let's try it

00:08:21But what would it be like? Let's try.

00:08:22Ah, there's the tone, but you're new, you

00:08:25Who did you say?

00:08:26Oh

00:08:28Yeah, well, new, now I'm doing the course, I'm doing the rotation

00:08:31No, but go on

00:08:34Please, do they know where the commander is?

00:08:43Excuse me

00:08:43Do you happen to know where the commander is here?

00:08:46Please, where is the commander of this place?

00:08:49We are just going to the commander, come, we will attack

00:08:51Yes, it is

00:08:51No

00:08:56Paul, where are you going?

00:08:59I've been dreaming of this moment for twenty years

00:09:10Paul

00:09:13I'm Max Filovano sucking the wheel of a VWF fire engine

00:09:16Dear friends, the catastrophic images that you will soon be able to see on your Telecosmo TV screens

00:09:22They are offered and sponsored by the Salamelec delicatessen

00:09:27Which reminds you of his mixed, shady and fly-like staccatos

00:09:30Tele Telecosmo

00:09:35Excuse me, do you ever know how...

00:09:36I'm wrong about everything

00:09:47What a beast!

00:09:48God, God, God what a thing

00:09:51But look at that fire!

00:09:52But this, this is arson

00:09:54But you're already finished

00:09:56Listen Mattoli

00:09:57Mr. Yes

00:09:58Here the situation is now under control.

00:10:01I'm returning to command with the helicopter

00:10:02When those slackers from fire engine 17 arrive

00:10:06I want them to report to me immediately, clear?

00:10:09Mr. Yes Commander

00:10:10Ready to direct

00:10:12Direction

00:10:13I'm Matti Rovano

00:10:14Ready to direct

00:10:15Ready

00:10:16Ready to direct

00:10:17This is Matti Rovano speaking to you from Telecosmo

00:10:19We have now arrived at the site of the massacre.

00:10:22And now please enjoy the images from the mobile camera

00:10:26Commander

00:10:27Excuse me

00:10:27An interview for Telecosmo

00:10:29Excuse me

00:10:29How many victims were there in this magnificent fire?

00:10:32One hundred victims?

00:10:32200 victims?

00:10:34400 victims?

00:10:35300 victims?

00:10:36400 victims?

00:10:36Another victim?

00:10:37A million victims?

00:10:38Yes there is the truth

00:10:39Are we joking?

00:10:39100 million victims

00:10:40Don't come

00:10:41Captain

00:10:42Help

00:10:42Give me the cable

00:10:43Give me the cable

00:10:44Captain

00:10:45It doesn't escape me

00:10:45That I take it back

00:10:46Give me the cable

00:10:47Give me the cable

00:10:48Give me the cable

00:10:51We are

00:10:53Come on

00:10:54Unroll the hoses

00:10:55On strength

00:10:57Bigots

00:10:57Look, it's all over

00:10:59We'll take care of that

00:11:00Commander Pacini wants you to report to the team

00:11:03Yes

00:11:04Yes

00:11:05He's taking a helicopter

00:11:06Counter-order from

00:11:07Roll it all up

00:11:08We have to go to Pacini

00:11:09Go

00:11:10And they can't do it to me like that though, eh?

00:11:11Look, I just need to give a phone call to whoever you are with.

00:11:13Yes let's go

00:11:14You still haven't understood that Alberto Spira

00:11:15I am the political connection

00:11:16Let's go up

00:11:17Today in life the only chance you have is political connections.

00:11:20Are you calling?

00:11:20I'm the yorker behind

00:11:22What's wrong?

00:11:22York for pleasure

00:11:23He's going to check his blood pressure.

00:11:25Cur

00:11:25Go

00:11:27Colleague, if you want, I can get the sleeve for you.

00:11:29I am familiar with the situation

00:11:33Give her water please everybody

00:11:35Give her water please everybody

00:11:36It's the phrase that Steve McQueen said in the crystal inferno

00:11:39You know when they called all the other firefighters?

00:11:41But you're American

00:11:42I do not

00:11:42I am from Canossia di Puglia

00:11:44My name is Nicola Ruopolo

00:11:45Three so many years ago I was a full-time firefighter, you know

00:11:46I'm taking a refresher course

00:11:48I'm with team 17

00:11:49The 17th has a report from the commander

00:11:51Oh

00:11:51Laci

00:11:52Rum we dance

00:11:53I don't have ferret

00:11:53Don't be a pain in the ass

00:11:55As?

00:11:55Don't be a pain in the ass

00:11:57Oh very kind

00:11:58Thank you

00:11:59Real stains

00:12:09Bad?

00:12:10I don't have a scary short

00:12:11Oh sorry

00:12:12Excuse me

00:12:13Bobby Solo

00:12:14What is it?

00:12:15The ones from 17?

00:12:17We are all reporting to the commander.

00:12:18Everyone

00:12:18How are we?

00:12:20Excuse me

00:12:21There is the fireman

00:12:22Since we are all

00:12:23We're sorry

00:12:24We are also me

00:12:24No, I'll explain.

00:12:25I am the victim of a very painful misunderstanding

00:12:27I'm playing myself

00:12:28Cause this firefighting error

00:12:29Everyone at the meeting with my wife

00:12:31Eh

00:12:31We're sorry

00:12:32And I'm coming too

00:12:32What do I care?

00:12:33Let's go

00:12:34What do I care?

00:12:34Let's go

00:12:35So from tomorrow

00:12:36Tough exercise for everyone

00:12:37I want this team back in line

00:12:39The attitude of the body

00:12:40Clear?

00:12:41Yes

00:12:41Don't worry

00:12:43I will make real men out of them

00:12:44Tough Men

00:12:46Sir Commander

00:12:47AND

00:12:48Well, anyway

00:12:49We do what we can

00:12:50Here you are

00:12:50Remember foreman Bigotti

00:12:52I hold her personally responsible

00:12:54Okay

00:12:59Beware of the wind

00:13:00Keep your hats on

00:13:10We did everything

00:13:11Amalia

00:13:12The enthusiasm is incredible

00:13:13From everyone

00:13:14Yes

00:13:15I threw myself in

00:13:16At the return

00:13:1628 meters

00:13:17Hanging dead on the ground

00:13:18Hanging dead on the ground

00:13:19Yes

00:13:20No because as soon as I arrived

00:13:21From day one

00:13:22Capital that speaks a little American

00:13:23He told me

00:13:24You as a farmer

00:13:26He told me to me

00:13:26You who have the soul

00:13:27Of the true American bomber

00:13:29Take control of the situation

00:13:30I have it in my hand

00:13:31The situation

00:13:31Oh

00:13:31And enough with this bullshit

00:13:33My courtesy

00:13:34I'm talking

00:13:35I need the phone

00:13:36No

00:13:37Yes love

00:13:38Yes

00:13:39So much

00:13:40So much

00:13:41Tell me you miss me too

00:13:42Tell me you miss me too

00:13:43Do me a favor

00:13:44Call me

00:13:45Farme

00:13:47Handsome

00:13:47Yes yes

00:13:48I don't know what's happening to me

00:13:50You are a boy from Vendane to me

00:13:51My blood is boiling

00:13:53In the cortex of the brain

00:13:54Yes

00:13:55Oh

00:13:55At that time

00:13:56At that time

00:13:57First

00:13:58They are suspended from tomorrow

00:13:59All permissions

00:14:01Until further notice

00:14:03Second

00:14:03The team will go out for new interventions

00:14:06With mixed teams

00:14:07And third

00:14:07We all get it in the ass

00:14:09Exact

00:14:09I'm sorry too

00:14:10If you care

00:14:12No but

00:14:13Team leader

00:14:14Yes

00:14:14I have a very important commitment.

00:14:16I can't miss it

00:14:18How do I do it?

00:14:19Like everyone does

00:14:20Phone, I cancel

00:14:21The higher orders

00:14:22They are not discussed

00:14:23Exact

00:14:28Okay, but this is exaggerating now.

00:14:30But I let the team leader go out

00:14:32Azzo

00:14:33I was calling

00:14:34It seems you want to stay on the phone

00:14:35Ah but I'm not here anymore

00:14:37A phone call is enough for me

00:14:38A phone call to whoever I say

00:14:41But what are you worried about?

00:14:44Is there any fear that if he doesn't see us he'll plant it?

00:14:47From Alberto's perspective

00:14:48Listen to experience

00:14:50Born under the whip

00:14:51Spring

00:14:51Leaves

00:14:52Leave every

00:14:52You're a little on edge

00:14:54It's better

00:14:55Oh God, maybe it's just that we hang out with different types.

00:14:57Oh I only foreigners

00:14:58With a question of skin

00:14:59Of leather grain

00:15:02For example

00:15:03Tea

00:15:03Between a kiss with Margaret Thatcher

00:15:06And a night with the Mutt

00:15:07Honestly, who would you choose?

00:15:10Honestly?

00:15:10Oh

00:15:11The Mutt

00:15:12It is not

00:15:14Well yes me too

00:15:15Oh yes because here there is a real Sabò

00:15:17We will see each other

00:15:19Enlistment

00:15:20Can you call me?

00:15:34Eh

00:15:40Um

00:15:40Excuse me

00:15:41Because I was trying to communicate down

00:15:44Excuse me

00:15:44Does he know how to do it?

00:15:46There

00:15:46The G

00:15:51Please

00:15:51That is, she

00:15:52I would be

00:15:53But what did he understand?

00:15:54AND

00:15:54F

00:15:55G

00:15:56Oh

00:15:57No, you have to excuse me.

00:15:58You know, I'm not familiar with barracks.

00:15:59So I thought she was telling me that

00:16:01In short

00:16:02I will be careful that here the communions are

00:16:03But no no

00:16:04Don't worry

00:16:05Listen, can you do me a favor?

00:16:06Yes

00:16:07He holds this for me while I

00:16:08Oh well I know

00:16:10Yes

00:16:10And you'll see that sooner or later something will explode

00:16:12A strange wonder

00:16:14And it cuts

00:16:14Please I'm making one

00:16:16Yes one

00:16:17If a skyscraper catches fire

00:16:19Modero

00:16:21Rega strong

00:16:22Yes yes yes

00:16:22As for the commander

00:16:24But is it practical?

00:16:26Well

00:16:26The hands

00:16:27The hands

00:16:29Yes

00:16:29My God

00:16:30My God

00:16:31God

00:16:33God

00:16:34Casalotti

00:16:35Commander Basilio

00:16:36And he blew it

00:16:41No look, I have to make a phone call.

00:16:42So

00:16:43But how is there the telephone?

00:16:44Casucci

00:16:44I'm having fun

00:16:46I'm having fun

00:16:48Hi love

00:16:48HI

00:16:52Excuse me, please.

00:16:53Sir Commander

00:16:55Perfra

00:16:55Oh Casotti

00:16:56Casalotti

00:16:57And so Casucci

00:16:58Casucci

00:16:58If she has never been a firefighter

00:17:00The big brain will tell us

00:17:01Oh okay

00:17:02But now you're back in the organization chart

00:17:04Excuse me

00:17:04At that time

00:17:05Not to know

00:17:06So I

00:17:08Um

00:17:08Go

00:17:09Where are you going?

00:17:10Oh I'm coming back

00:17:12In the organizational chart

00:17:14Excuse me, but do you know what an organizational chart is?

00:17:18Yes or no?

00:17:19Yes

00:17:20Yes?

00:17:20Then tell me

00:17:23Now

00:17:24Now

00:17:25Couldn't it be possible?

00:17:26Now

00:17:27So in front of

00:17:28In front of everyone

00:17:28Oh

00:17:29One moment

00:17:30Two

00:17:30Force

00:17:31I'm going, eh

00:17:32Two

00:17:32He says yes

00:17:33Or

00:17:34Or

00:17:36Organizational chart

00:17:36Yes

00:17:37Eh

00:17:37A

00:17:38Where is it from?

00:17:39There is the little door

00:17:40You enter

00:17:40And they all put them there

00:17:42Yes

00:17:42In short then

00:17:43Yes, you enter

00:17:44Oh no

00:17:45Oh yes yes

00:17:46There is one

00:17:47It's one of those

00:17:51Animals

00:17:52From fur

00:17:53What's the matter with the thing?

00:17:54The organizational chart

00:17:55It's the painting

00:17:55Of our body

00:17:58Come on

00:17:58That the help to salt

00:18:01Excuse me

00:18:01Casotti what is the piece

00:18:03He wants me to change it for him

00:18:04Then the leg

00:18:05Look, it's in stock

00:18:06There are some again

00:18:07Go, go!

00:18:08All right

00:18:13From Antonucci to the central

00:18:14From Antonucci to the central

00:18:15The rescue simulation

00:18:16It's ready

00:18:17The teams have left

00:18:18For the exercise

00:18:19From central Antonucci

00:18:21Team 14

00:18:22It left at 10.23am

00:18:23It should already be there

00:18:24On site

00:18:24Step

00:18:26In fact I see the vehicles

00:18:27And the team 14

00:18:28Over and out

00:18:41Team 14

00:19:13Team 14

00:19:41Team 14

00:20:02Fire engine 14 completed the rescue exercise from the barracks

00:20:07Operation completed in 33 minutes

00:20:09Team 17 can leave

00:20:11Over and out

00:20:20Move

00:20:21Come on

00:20:23It's faster, come on, come on

00:20:34Casotto, what should I say?

00:20:36I don't know why

00:20:37Don't you know?

00:20:38No

00:20:38She says, we're at the circus, she's performing, she's a tightrope walker, eh, come on

00:20:42Eh, no, because I'm not very practical

00:20:45Yes, do you want to try again?

00:20:46Ninth

00:20:47Up to the ladder, up to the ladder

00:20:48Listen, doctor, I'd like to avoid this staircase.

00:20:52Let's put the elevator in, do you want the little elevator?

00:20:54No, no, because last time I was here at the stairs and in the curve, zup, I was absent

00:20:59Excuse me, how did it make the noise?

00:21:01Soup

00:21:01He made soup

00:21:02Yes, and I went into a shop window many years ago

00:21:04And when it attaches itself to the ladder, what noise does it make?

00:21:07CT scan

00:21:07It goes to the sound

00:21:08Then click, loud, up, to the ladder

00:21:10CT scan

00:21:11CT scan

00:21:13CT scan

00:21:13You want, while here

00:21:30She has the carabiner, there is no danger

00:21:36I would answer everything

00:21:43I announce it to the station and after an hour from departure I don't see the fire engine 17

00:21:49I'll correct them, they've arrived, over and out

00:21:53cross be more careful no come on ready for the exercise sorry

00:21:58you are very late to complete the exercise in time

00:22:02you have one thousand four hundred seconds left, the four hundred seconds, but damn it then

00:22:07in minutes 60 20 how much is it I don't know exactly perfect then guys plug

00:22:13join the mobsters but I had breakfast you're afraid of the

00:22:17congestion spine unisite sommostatori you are going bad group you who are experienced in

00:22:21everything go to the crane I wouldn't say that you don't know how to operate a crane yes but since

00:22:26then go to the crane what I said go to the casarotti

00:22:31what are you doing, ask me where is Casarotti, let's go look

00:22:36so you go this way I'll go this way dear TV addicts we're coming

00:22:41from Paris Dacara when we heard about this huge disaster of

00:22:44biblical proportions I remember that this disaster is under offered by the

00:22:48sorbet ice cream shop where you can remember its blue Smurf-flavored ice creams

00:22:56No

00:22:57no take take take take out the boat license if not

00:23:04oh cool cove ready director call studio director call studio ready

00:23:09director call studio if they hear you from studio studio studio studio studio studio

00:23:15study

00:23:16all in order

00:23:18people are over there on the lake what are we going through in one part no it's that I know the

00:23:22shortcut you know please move from here we are working it's one thing

00:23:25very serious

00:23:26but I had to take it from the showcase, he's very good, he's very good, we're here that

00:23:32we are working and she comes in a taxi very good with the taxi to go to me

00:23:35take the self-confident or walk or do I have to go kick my ass

00:23:39go please let's go

00:23:40you know that this water reminds me a lot of the Costa Smeralda because it has the

00:23:46same shit point

00:23:48in fact there we do a lot of fishing on papa many lobsters but now the word

00:23:55of order for the group is corsica corsica corsica

00:23:59go

00:24:05I close to open the door where where where where where where where where where where where where where where where

00:24:09ah here it is

00:24:10I close, set the time and pull the handle

00:24:22the garage is in the moment

00:24:29Goodbye

00:24:30Casarotti

00:24:30the inflatable

00:24:31there he is

00:24:33but what does he do

00:24:35Casarotti

00:24:36yes be careful

00:24:37It has an unheard-of strength

00:24:38but what about the inflatable in the van eh

00:24:39but look

00:24:40take it there

00:24:42I didn't shoot

00:24:43but what's blowing inside eh

00:24:44it's blown inside

00:24:45I have to apologize but I am

00:24:46a total exorbitant

00:24:47Yes

00:24:49please listen

00:24:49Excuse me

00:24:50a statement for the telecosmos

00:24:52listen

00:24:53he wants to tell me something

00:24:55but he doesn't want to jump I understand I understand he doesn't want to jump

00:24:59don't worry

00:25:02don't do this, I want everything

00:25:03don't do that

00:25:05here I see

00:25:06another hopeless case there

00:25:07here he is investigating thoroughly

00:25:09is investigating thoroughly

00:25:16the gun goes off

00:25:17below

00:25:19roppolo

00:25:19give it to yourself in the balls again

00:25:22murderer

00:25:22that is, perhaps modern systems

00:25:26dear friends

00:25:27I see someone who can tell us something about this immense and biblical tragedy

00:25:31what are you saying?

00:25:32Miss was she driving or was she driving a beast

00:25:34you don't have to be afraid

00:25:36all these brave men are working for her

00:25:39but it's an exercise

00:25:41then we are broadcasting

00:25:44how bad

00:25:45I didn't hear anything

00:25:46ah

00:25:49help

00:25:50let it drive

00:25:57weighs

00:25:58oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh ohah

00:26:10ok charlie you juggle suiguare

00:26:12guys what exercises

00:26:13Did it take us this long? Not long, no, because when... I mean, when there's the...

00:26:28We are the guys from l'azzo!

00:26:32We are the guys from l'azzo!

00:26:34Pass the soap I'm feeling, please!

00:26:36Flight!

00:26:37One two three!

00:26:38Hulk!

00:26:43What happened?

00:26:45I reached out to grab the soap like this...

00:26:49and he alone has nuclear weapons instead of arms...

00:26:54It's my cross, listen but...

00:26:55I'm a beast, listen, but... I can't control myself!

00:27:00But since you're so sorry, do you know who you've knocked out?

00:27:02This is Hulk!

00:27:04The boxing champion!

00:27:05The commander's protégé!

00:27:06But we'll bring it back to life!

00:27:08Do we want to stretch mouse-to-mouse breathing?

00:27:11Huh?

00:27:12Mouth to mouth!

00:27:13Hey, you're crazy!

00:27:14This is how you kill him!

00:27:16I mean, I think I studied medicine!

00:27:18What an idiot you are!

00:27:19If this guy wakes up he'll kick everyone's ass!

00:27:21Then he goes to the commander and even takes away our leave!

00:27:24Look, the best thing to do is lock him in here and cover up!

00:27:28You can't!

00:27:28I'm the team leader!

00:27:30That's right!

00:27:30So where is it better for you to stay here?

00:27:31I?

00:27:32But for God's sake I'm not even thinking about it!

00:27:34It comes back to itself without mouse to mouse and...

00:27:37Please no!

00:27:37What are you doing?

00:27:54The cats!

00:27:55Roppolo!

00:27:56There's nobody there!

00:27:58Cavalino goes!

00:27:59Go!

00:28:00Go!

00:28:02Go!

00:28:03Go!

00:28:06Little horse...

00:28:07Who is?

00:28:09Day!

00:28:11Day!

00:28:12You see?

00:28:14There is!

00:28:18There's a dead body!

00:28:20There's a dead body!

00:28:21There's a dead body!

00:28:22There's a dead body!

00:28:23There's a dead body!

00:28:23A corpse!

00:28:25A lot and three three three three three three three three three three three three three three three three three three three three

00:28:32three three three three three three three three three three three three three three three three three three

00:28:37three three three three three three three three three three three three three three three three three three

00:28:41three three three three three three three three three three three three three three three three three three

00:28:43three three three three three three three three three three three three three three three three three three

00:28:58Hello, Letizia? They're bigots!

00:29:01Armando, come on! Your little puffball!

00:29:07How come you don't remember? Come on, it would be the first time I've been with a woman and I didn't leave a mark.

00:29:11Eight months ago at Luna Park!

00:29:13Yes, we have given you that all night you blessed to be a woman!

00:29:18Beautiful pig that...

00:29:24And even this one, which was the last one, we played it.

00:29:32But who taught you? Who taught you to treat women like this?

00:29:36I learned on my own, self-taught, who taught you?

00:29:39You see, you can't improvise with the female, there's a whole ritual made up of techniques and tricks.

00:29:48Do you know what Lady Di told me in '79 before meeting Carlo?

00:29:52Lady Di? But who? Lady Diana?

00:29:54Eh, do you know what he told me?

00:29:57Alberto, when you kiss you don't have a tongue, you have a brush, damn you.

00:30:02In fact, I always divide kissing into two categories.

00:30:05Like Raffaello, which really gives a sense of thrill.

00:30:10And to Picasso.

00:30:11The Picasso.

00:30:12And what is the language like on Picasso?

00:30:14The tongue is a drill.

00:30:17But be careful, eh.

00:30:18I am against it.

00:30:20I always opt for class.

00:30:21Never attack them, you'll get in trouble.

00:30:23Trouble.

00:30:24A direct, nuanced curtain, with an attitude of ironic detachment.

00:30:28Is that okay?

00:30:29What?

00:30:30The ironic detachment.

00:30:32The ironic...

00:30:38Abigotti, we're not there yet.

00:30:40And that's a shitty face, huh?

00:30:42I wasn't even detached from myself.

00:30:46Get up, get up.

00:30:47Come, come here.

00:30:49Here you are, the hand.

00:30:50Where do you put it?

00:30:54Well...

00:30:54But you see that you're a beast, huh?

00:30:56The hand here, on the hip, just resting.

00:31:00Then you stare and tell him.

00:31:02We make a mistake and you tell him.

00:31:03No, they always say no.

00:31:05But this time he says yes.

00:31:06Then you take it.

00:31:07Yes.

00:31:07Not overbearingly, damascening, soft.

00:31:10And you start working on the pelvis.

00:31:13So, casual.

00:31:15It's practically yours.

00:31:16So much the hand slides, slides, down.

00:31:18Wrap your hand.

00:31:18There, there.

00:31:19There, standing there.

00:31:20You are so beautiful.

00:31:22Yes, I'm getting all excited, you beautiful slut.

00:31:25Bigots, don't joke, I'll piss you off, you know?

00:31:27And at this point...

00:31:30There...

00:31:30You turn it over and kiss it.

00:31:34There he is.

00:31:36And then?

00:31:37And then you make do.

00:31:38If not, the commander will give me free rein.

00:31:41Done late.

00:31:51Mary of life, who laughs.

00:31:53But who is laughing and laughing?

00:31:54You don't see how late it is.

00:31:55Come on, don't sulk at me.

00:31:56Okay, I'm a little late, but it's not my fault.

00:31:59I swear.

00:31:59Give me a kiss.

00:32:00Always the same story.

00:32:01Always the same story.

00:32:02Maria, I am the cloth on the chest.

00:32:04Maria, eh, sorry.

00:32:05Either you raise your umbrella, you don't put on your heels.

00:32:08Annaggia, I'm getting my hair wet.

00:32:23Amalia, it's me, Nicola.

00:32:25The whole campaign is there.

00:32:26Open.

00:32:37Love, why did you come to meet me?

00:32:39Oh, honey, I'm sorry, but I was just going out.

00:32:42Oh my God, it's so late.

00:32:43But how late is it?

00:32:44I've been looking forward to coming to see you for 15 days.

00:32:48I have a lot of things to tell you.

00:32:49You know I was sent 38 meters from the third by a ladder.

00:32:51I know, I know, but you didn't warn me.

00:32:53And then you know that on Thursday evenings I have the Brigi tournament.

00:32:55But I'll be back at midnight, so tell me everything, okay?

00:32:59HI.

00:33:03But I'd like to go home at midnight.

00:33:06Grass.

00:33:12Sorry for the delay, love.

00:33:18Mom.

00:33:20Like mom?

00:33:21Dad, eh, dad.

00:33:23Come on, Tonino, come on, try, okay?

00:33:26Dad.

00:33:27Dad.

00:33:29Okay, come on, let's go home.

00:33:31Let's go home, let's go home.

00:33:35Well, you're all wet.

00:33:37You peed on yourself again.

00:33:39You have to say it when you have to pee.

00:33:41You have to say, pee, pee, eh, what do you say?

00:33:45Dad.

00:33:47Dad, so you're doing this on purpose, right?

00:33:49But then you're a scoundrel.

00:33:51You're a scoundrel, you're doing this on purpose, aren't you?

00:33:53Wretched, wretched.

00:33:55Wretched, wretched, wretched, wretched, wretched.

00:34:00Hey, Mr. Traversi.

00:34:05Excuse me, miss, I was a little late again today, but I swear that...

00:34:10This isn't a question of a few minutes more or less, Mr. Traversi.

00:34:14Try to understand. The situation is much more serious.

00:34:18There's a social worker over there who wants to talk to you.

00:34:21As?

00:34:23Born?

00:34:24August 8, 1957.

00:34:27But no, she, the child Tonino.

00:34:29Tonino?

00:34:31So, August 21, 1983, in fact it's two years ago in a few months.

00:34:37Mother?

00:34:39Let's swell, it's better.

00:34:41No, you can't.

00:34:45It was Albertini, Virginia.

00:34:49Paternal, maternal parents?

00:34:52Decided.

00:34:56But that's enough now, eh?

00:34:59Your case was brought to our attention by Miss Parenti, director of Inido.

00:35:04Now you will realize, Mr. Traversi, that the situation is quite particular.

00:35:09I see what's special.

00:35:11Tonino is my legitimate son, I am perfectly capable of taking care of his needs, so...

00:35:16Well, I don't think so.

00:35:18Her job as a firefighter, if I'm not mistaken, forces her to take long absences, even at night,

00:35:23during which the child Tonino is entrusted to a certain lady...

00:35:28Landi, his neighbor, who is elderly and sick.

00:35:32Sick?

00:35:32Come on, there's a bit of rheumatism.

00:35:34And then, excuse me, what do I have to answer to you?

00:35:36Unfortunately, yes.

00:35:37And instead, no?

00:35:38Look, this is all a joke, there's no law that forces me to sit here and listen, okay?

00:35:43Tonino is my son and that's it, okay? I'm the one who has to decide.

00:35:47Did you see what he did? He made me cry now.

00:35:49Oh, me?

00:35:50Here, keep your sleep separate.

00:35:52He always calms down when he listens to Duran Duran.

00:36:00I swear I've never seen this one before.

00:36:03Listen.

00:36:04Listen.

00:36:06Okay, what does it usually take to calm her down?

00:36:11A pizza.

00:36:13Team Leader Bigotti, I would like a detailed report on the accident that happened today in the showers.

00:36:21What accident?

00:36:22I understand that around 5.30pm you knocked out Giancarlo Bedetti with a wide right jab,

00:36:29our heavyweight boxing champion.

00:36:32It is not true?

00:36:34Eh, isn't that right?

00:36:36It is true.

00:36:38That's true, Commander.

00:36:40I don't know what to do anymore.

00:36:41I would cut off this arm like Mucius Scaevola.

00:36:44That beats me.

00:36:45This one has a charge of dynamite, see?

00:36:47Well!

00:36:48It's an atomic thruster.

00:36:50But good!

00:36:51He is an unforgiving killer.

00:36:54Very good!

00:36:55So she coached well and could help us win the national military championship!

00:37:00No.

00:37:01No.

00:37:02The championship no.

00:37:03But no one even talks about it.

00:37:05Why not?

00:37:05But do you think about the benefits to your and my personal detachment if all this could happen?

00:37:11Look, I can't, sir.

00:37:13And the reasons for my refusal are written in my past.

00:37:16Past?

00:37:17Yes.

00:37:19Amateur boxer, ten fights, ten bosses, ten opponents.

00:37:22Dead!

00:37:25Let's not reopen this wound, I enlisted to forget.

00:37:28I understand her.

00:37:30Bigots, but think about it.

00:37:32A punch like his would be precious to us.

00:37:35This would be invaluable to us.

00:37:37Eh, I know.

00:37:38Do it for me, I would be personally grateful.

00:37:41I don't want to force it, Bigots.

00:37:43I don't feel like it, I don't feel like it, I'm too strong.

00:37:45I'm too strong, I'm too strong, I'm...

00:37:50But Bigots, we are soldiers, after all.

00:38:08Alberto, I've been there, enough, let's go!

00:38:21Maria, is there something wrong?

00:38:23You're so weird.

00:38:24Lady?

00:38:25No thanks, we don't need anything.

00:38:27Oh, what a drag he's flying, he's going here too, breaking things.

00:38:30Tell me.

00:38:31Alberto, I have to tell you something very important and very serious.

00:38:37What's up?

00:38:38Excuse me, please, are you sorry?

00:38:40Eh, on something miserable.

00:38:43Tonight I valued who brought me here, because I have a man I need you to meet.

00:38:49A man?

00:38:51Him, Ramon.

00:38:53Ramon, and who?

00:38:54Ramon Gutierrez Los Santos.

00:38:56I met him 10 days ago, we are in love.

00:39:00What are you kidding?

00:39:02If I have space, Ramon, they'll hire me as a housekeeper, a million a month where he works.

00:39:07It's very convenient.

00:39:09It's very convenient.

00:39:10Mary of Christmas.

00:39:11And me?

00:39:12But how?

00:39:13Are you with someone like me?

00:39:14And do you love Hernanetto?

00:39:15I'm sorry, Alberto.

00:39:17But Ramon is Filipino like me.

00:39:19Who cares, huh?

00:39:20But this is racism, sorry.

00:39:22Then say you're racist.

00:39:24Let's go, Maria.

00:39:26Oh no, what are we going for?

00:39:27What are you doing?

00:39:27I'm sorry, Alberto.

00:39:29I feel very much.

00:39:30You understand it.

00:39:39Mary of Christmas.

00:39:41But how do I understand it?

00:39:42But what if I leave a person like this?

00:39:44I ask you, you're the only one I truly have.

00:39:46Mary of Christmas.

00:39:48If you surpass me, my soul breaks at the thought that I should leave soon.

00:39:52Hi, Alberto.

00:39:53But what do you want?

00:39:54And leave me.

00:39:55Mary!

00:40:01That's good, I'm going.

00:40:16HI.

00:40:18You must have had a lot of women, I'm going here.

00:40:21Oh, I dumped her.

00:40:22I couldn't take it anymore, but they were getting bored.

00:40:24He was an oriental.

00:40:26Princess.

00:40:27But...

00:40:28Yes, me too...

00:40:30You're like, but...

00:40:31But isn't this Ruopolo?

00:40:32I would say...

00:40:33Peratto, sorry.

00:40:34Roopolo!

00:40:35Oh, hello.

00:40:37Maps.

00:40:38We have women in bunches, huh?

00:40:39Well, you know what?

00:40:40That my wife had a bridge trio.

00:40:42To me, bridge is nothing but...

00:40:43Method, damn it?

00:40:44And now you're going to be like one of those things...

00:40:46Yes.

00:40:49It should also be sideways, then.

00:40:51No, he really has that one for women, I'm telling you.

00:40:57Listen, this movie is a drag, he's offering me a pizza, are you there?

00:41:00Huh?

00:41:00Yes.

00:41:00Let's go?

00:41:01Let's go?

00:41:02Now a second ambulance.

00:41:04Listen, what if they told you, if you don't do it, you'll die, huh?

00:41:07You have to give a kiss on the mouth with your tongue to what is Luis Moreno or Daniele Piombi.

00:41:11Honestly, who would you choose?

00:41:15Well, I put Piombi in a tight spot.

00:41:24GON!

00:41:24But who is he?

00:41:25But what is it?

00:41:26You're lucky the GON caught you, because he slammed you with this right.

00:41:30My hook will love you and then it will be for you.

00:41:33Throw it away, I'll tear your hair out, throw it away.

00:41:36No, not the hair.

00:41:37Wake up.

00:41:38Throw it away.

00:41:38Wake up.

00:41:39But who, are you?

00:41:40But if you wake him up, you kill her.

00:41:41Eh, but if you don't wake him up, he'll kill me, though.

00:41:43But he's a sleepwalker, I tell you, I'm almost a doctor, stop serving.

00:41:46And then I role it, but halfway, but halfway.

00:41:49Eh, don't bother me.

00:41:50Give me three.

00:41:51Give me sleep.

00:41:54And I'll tear you apart if you don't...

00:41:56Oh!

00:41:57Ah!

00:41:58Ah!

00:42:21Come on, guys!

00:42:23Ruopolo, come on, come on!

00:42:25Come on, Alberto!

00:42:29On!

00:42:35Permit!

00:42:36I!

00:42:40Extremely dangerous!

00:42:41Rotate!

00:42:42Roopolo!

00:42:44Rotate, turn, turn, turn, turn, turn, we are stuck, please, senda.

00:42:49I say two and three, let's take a deep breath, both of us.

00:42:51All right.

00:42:52One, two and three.

00:43:21This, this is the house of my dearest love.

00:43:23a good friend, a good guy who won the brigio tournament in Barletta.

00:43:26Mitchell?

00:43:28No, no, brigia, the paper, eh, yes.

00:43:30The fire!

00:43:32The fire!

00:43:33The fire where?

00:43:34So where are you going with that fire extinguisher there?

00:43:36What are you turning off?

00:43:36The water?

00:43:37But how?

00:43:38Hey, look, can't you see there's some leakage?

00:43:40Water goes for everything.

00:43:42There is a small infiltration itself.

00:43:43The water!

00:43:46Come here, it's full.

00:43:47Oh, that's enough, there's a small leak.

00:43:49Enough with the water!

00:43:50Enough!

00:43:52Enough with the water, it's not a fire!

00:43:54Bring the vacuum cleaners!

00:43:57Did you say water first?

00:43:59And are you clearer?

00:43:59Did you say water?

00:44:00So vacuum cleaners.

00:44:01What are you, Bri?

00:44:02Coppolo, hurry up with the ladder!

00:44:05Fast!

00:44:06What a mess!

00:44:08Look down for any water leaks,

00:44:10if there is any damage, come on.

00:44:10As?

00:44:11Look, look if there's any damage down here, yeah.

00:44:13But there is no damage because the floor is very solid.

00:44:15Look, eh.

00:44:16Bombproof, calm down!

00:44:21Where am I?

00:44:22You're sticking me in the ass, huh?

00:44:23Help!

00:44:24Help!

00:44:28Calm down, calm down guys!

00:44:29Yes, bombproof, eh!

00:44:32Comfortable, comfortable, no fear, we're firefighters!

00:44:35Firefighters?

00:44:36Yes, Sette Camini barracks, team 17!

00:44:38Oh my God, my husband Ruopole, with you!

00:44:40Yes, I'll call him, wait!

00:44:42Oh no, no, please don't ruin me if my husband finds out!

00:44:44Not at all, ma'am, I'll stop him!

00:44:47Here I am, eh, I'm coming!

00:44:58Here we are!

00:44:59Ninth.

00:45:00What happened?

00:45:01Huh?

00:45:01Who?

00:45:01No, so!

00:45:02Absolutely!

00:45:04Everything is fine!

00:45:05Well, good, right?

00:45:06How much of a mess there is over a flood!

00:45:07Nothing happened here!

00:45:08Everyone!

00:45:09No, no, no!

00:45:11Not at all!

00:45:12There is no...

00:45:15No...

00:45:16But this...

00:45:17But this is my friend Cosimo Branziletti's apartment!

00:45:19The one who plays bridge with my wife!

00:45:21The apartment itself...

00:45:22No!

00:45:23No!

00:45:24This guy who was here is not a brigand...

00:45:27Do you know Cosimo Branziletti?

00:45:30Branziletti?

00:45:31You know him, right?

00:45:32Him, yes, I don't...

00:45:33You know him, right?

00:45:34Yes!

00:45:35Oh, no!

00:45:35No, no, no!

00:45:36But it's not here!

00:45:38He can't live here!

00:45:39He doesn't live here!

00:45:40But what do you know, sorry!

00:45:41I've been here a lot of times, a very dear friend of mine!

00:45:43Cosimo!

00:45:44There's nobody here!

00:45:45There's nobody there!

00:45:46There's nobody there!

00:45:47There isn't!

00:45:47No, it's not...

00:45:48Roopolo!

00:45:48That's enough!

00:45:49Orders are orders, you understand?

00:45:50Now go away!

00:45:51Let him go!

00:45:52I'm going away!

00:45:52Force!

00:45:53Go!

00:45:53But I don't understand why you're always yelling, sorry!

00:45:55Yes!

00:45:56Now...

00:45:57Now he's leaving it!

00:45:58She leaves it like this!

00:45:59He's leaving it!

00:46:00But I don't understand why you're shouting!

00:46:01Because I'm deaf!

00:46:03Oh!

00:46:03He wants to know the truth!

00:46:04Who cares!

00:46:05You do everything!

00:46:06But remember that Steve McQueen would have a spire in here...

00:46:10Ah!

00:46:12Roopolo!

00:46:13HI!

00:46:16Come, come here, madam, I'll help you get dressed!

00:46:19Oh!

00:46:20What's the conversation going on?

00:46:21I've been calling you from downstairs for an hour!

00:46:22Eh!

00:46:22We were helping the lady who has some problems!

00:46:25But what are you doing?

00:46:26Don't tell me anything, you filth!

00:46:27But this is a partusa!

00:46:30Plug!

00:46:30Alberto Spina!

00:46:31Pleasure!

00:46:33Fire, fire, little fire!

00:46:34Water, water!

00:46:35Waterfall!

00:46:36So, now, what happened!

00:46:37He's a fireman who can tell us how you can get rid of the water!

00:46:42Above!

00:46:42You were on top!

00:46:43Yes!

00:46:44You were on top!

00:46:44I understood why Commander Pacini, my next commander, is up there!

00:46:48Ruopolo's wife!

00:46:50This one!

00:46:51Don't touch the leg!

00:46:54Going with it was a struggle!

00:46:56Ok, you're gone!

00:46:57Don't worry ma'am, everything's fine!

00:46:58I don't know how to thank you!

00:47:01One, two and three!

00:47:02Me tutu!

00:47:03Surprise!

00:47:04Here I am!

00:47:06Madam, madam, listen!

00:47:07Oh, what a beautiful lady!

00:47:08But, it looks good!

00:47:10Listen, give us a smile!

00:47:11Say cheese!

00:47:13Or say cheese, if I don't know how to say cheese!

00:47:15But no, you don't have to be a little quiet!

00:47:17Do you feel it?

00:47:18What is a camera!

00:47:18American camera, Japanese!

00:47:20Very nice!

00:47:21Oh, what the fuck!

00:47:22They don't give a damn!

00:47:22And now...

00:47:23Look at these beautiful problems!

00:47:24But it doesn't stick!

00:47:25Perfect what is it!

00:47:27Um...

00:47:28What is it!

00:47:42Guys, the first person who lets a word slip to Ruoppo, you're going to count him as such, okay?

00:47:46Clear?

00:47:47More than a busone, she's a big slut!

00:47:49Here you are!

00:47:51Whore, whore, whore, whore!

00:47:53We have to hear this all night long!

00:47:55Ah, sleepy!

00:47:56His wife is a bussiness!

00:47:58And Ruoppo doesn't know it!

00:48:03What did Ruoppo say?

00:48:04No!

00:48:05He said gosh I don't know!

00:48:07Meat sauce!

00:48:09What the heck, I don't know what Ruoppo is called in Bolognese?

00:48:12But he didn't say Ruoppo!

00:48:13And I heard right, you know!

00:48:15And I heard right!

00:48:17That one said before...

00:48:19Whores, busona, sluttiness...

00:48:22Ruoppo doesn't know!

00:48:23Well, play on, come on!

00:48:25Eh!

00:48:27Casalotti!

00:48:27Ruoppo said!

00:48:28Come on, Gata, play, come on!

00:48:29Casalotti!

00:48:31Casalotti!

00:48:32Eh!

00:48:32No, yes, it's not Salotti!

00:48:34Total alarm!

00:48:35Everyone get down!

00:48:36Go!

00:48:37Not like that!

00:48:44Beautiful pig!

00:48:46Ruoppo I don't know!

00:48:47The wife!

00:48:49What are you doing?

00:48:51We must wake him up, he's dangerous!

00:48:52But how?

00:48:53When he was killing me myself?

00:48:54You said we shouldn't have woken him up!

00:48:55Now that you're telling me something important!

00:48:56Bigots, wake up, come on!

00:48:58Wake up, come on!

00:48:58Go on!

00:48:59Oh, oh, oh!

00:49:00But what is it, huh?

00:49:01Eh, nothing, go to sleep!

00:49:03Ah, you wake me up like this to say nothing, go to sleep, okay?

00:49:08What is this big bus you were talking about?

00:49:10You know, I'll explain to you what a sister is!

00:49:12But look if Daniele...

00:49:13Oh, have you ever slept in the barracks by mistake, never!

00:49:16Come and play, come on, yes!

00:49:17And don't think about it, come and play, come on, let's go!

00:49:23Ruoppolo, do you want to come and play?

00:49:24That cow!

00:49:26That cow!

00:49:27You can't play anymore!

00:49:31But mom!

00:49:37Isn't that Mom?

00:49:40Isn't that Mom?

00:49:41It's Cristina!

00:49:43Huh?

00:49:44Do you like Cristina?

00:49:45Well, well!

00:49:47But...

00:49:47Well, well, daddy likes it a lot too.

00:49:53But now I'll get you the pacifier, I'll get you the pacifier and you can go to sleep, okay?

00:49:59Huh?

00:50:00Yes my love.

00:50:01Where did you put the pacifier?

00:50:02Where did you put it?

00:50:04There is?

00:50:05Why?

00:50:12But what is it?

00:50:13The pacifier, Tonino's pacifier, where is it?

00:50:16Maybe I don't have maybe.

00:50:20You weren't sleeping.

00:50:31Dad!

00:50:33Dad!

00:50:36I'm coming, I'm coming, you're a pain in the ass.

00:50:48Here it is.

00:50:51There it is.

00:50:52There it is.

00:50:53There it is.

00:51:01Consequently, we recommend entrusting the child to little Tonino Traversi, the most suitable person.

00:51:14Come on, Tonino.

00:51:20Cristina.

00:51:21What's up?

00:51:23You really suck.

00:51:51Madonna, Madonna, blessed be she.

00:52:02I'm coming to Traversi, but it won't be a...

00:52:04A kidnapping.

00:52:06What kidnapping is kidnapping?

00:52:07This is my son.

00:52:08It's Tonino.

00:52:10Tonino.

00:52:12Tonino.

00:52:12Guys, you have to help me.

00:52:13I'm in deep trouble.

00:52:21But Traversi, what are you doing to me?

00:52:23But how do you bring a child to the barracks?

00:52:25But it's bad stuff.

00:52:26Since Tonino's mother is no longer here.

00:52:29I was forced to make do, I went up and down, just like that, as best I could.

00:52:34Then suddenly some bastard of a social worker shows up and wants to take him away from me.

00:52:39I don't know what to do and I brought him here.

00:52:42But there are rules.

00:52:44We cannot ignore the regulation.

00:52:46There is?

00:52:46You cannot keep children.

00:52:48It is written like this in the regulation.

00:52:49I understand the mother issue, the social worker issue, whatever you want.

00:52:53It's not my fault.

00:52:54If I could help you, I would help you because it's not like...

00:53:01How beautiful, beautiful, beautiful, beautiful, beautiful, beautiful, beautiful, beautiful, beautiful you are, Gis.

00:53:05How beautiful.

00:53:08It's not possible, I would help you indirectly, but...

00:53:11It's true that...

00:53:12Which tell us that it can't be done.

00:53:21A child here, but that's not possible, I would have noticed it later against the rules.

00:53:25Come, come, I want you to see for yourself that you are in control and that you realize.

00:53:29If he didn't bring it here, I don't know where it could have gone.

00:53:31It was all a misunderstanding that I would like to clear up with Daniele Traversi.

00:53:34The child will not be fathered by anyone without other consent.

00:53:37And then when he wrote that letter, he wasn't aware of the situation.

00:53:41Tell her, but I categorically exclude it.

00:53:44that Daniele Traversi brought his son here.

00:53:46But what the hell, his comrades would have handed him in too.

00:53:49They are all responsible, grown men.

00:53:51All!

00:53:57Get on the train and run!

00:53:59Set up!

00:54:00Come, miss, you can see for yourself.

00:54:03Dismantle, dismantle.

00:54:03Wait.

00:54:07Squad Leader Bigotti, what are you doing?

00:54:11The young lady here told me that one of you, in order to hide it, had brought to the barracks a

00:54:17child.

00:54:18A child?

00:54:21Absolutely not... I've never seen the children in here.

00:54:27Look, there's no child here.

00:54:29And you have nothing to tell me?

00:54:31Do you agree with the others?

00:54:32I?

00:54:33Yes, her.

00:54:34Daniel, listen.

00:54:35But how could you think that after everything that happened I could take your son away from you?

00:54:39You don't know me at all, do you?

00:54:40So...

00:54:41Eh, no.

00:54:41Excuse me, miss, but this is now my sole responsibility.

00:54:45And I make it a question of principle that is based on a specific regulation.

00:54:54Good morning.

00:54:55Good morning.

00:54:56I was going over there.

00:54:57And what are these?

00:54:59Which?

00:54:59Who says?

00:55:03Ah, they eat.

00:55:05But to be honest, they look like diapers to me.

00:55:08Cloth?

00:55:09Diapers?

00:55:10Ah, ah, yes.

00:55:11Commander, perhaps you don't know this, but I suffer from very mild incontinence problems.

00:55:16That is, very light, very serious.

00:55:18It was rather a shock.

00:55:19But they are baby diapers.

00:55:21As children?

00:55:22Children?

00:55:23Ah, yes, because I have dimensions...

00:55:26In short, I have a pleasure equipment.

00:55:28It's very limited, very humiliating.

00:55:30Just like a doll.

00:55:33And my wife is always very sorry for this mistake she made.

00:55:37But do me a favour, Casetti.

00:55:39Casalotti.

00:55:40Casotti.

00:55:41Casotti.

00:55:42Do you want to pop this baby out?

00:55:43And the violin?

00:55:44We didn't bring it, I don't play it.

00:55:46No, no, the violin, the child.

00:55:49So, Spina.

00:55:50You don't know anything about it?

00:55:52Squad Leader Bigotti, are we getting this kid out, yes or no?

00:55:56Guys, this is going to cost you dearly, very, very dearly.

00:56:01Crosspieces.

00:56:01So, this child, the infant.

00:56:03It seems to her that I'm telling her a lie.

00:56:06No, no, no, where are you going?

00:56:07Where are you going?

00:56:07Ooh, ooh, ooh, ooh, who bit me?

00:56:09Oh, oh, oh, I'm sorry, he's changing his teeth.

00:56:11The teeth?

00:56:16Who, Nicola Ruopo, is getting his teeth into it?

00:56:18I mean, no, it's...

00:56:21So, what has happened?

00:56:21He came back.

00:56:23Guys, that's enough, okay?

00:56:25I don't feel like joking anymore, there's a limit to everything.

00:56:28So we close the door and give ourselves a good search.

00:56:32Since nobody has anything to tell me, eh?

00:56:37I, sir commander.

00:56:39Ah, finally a reasonable person.

00:56:49I wanted to know when training starts, I decided to attend the meeting.

00:56:53Have you decided to attend the meeting?

00:56:55Yes, I have decided to unleash this killer beast.

00:56:58Well done Bigotti, you are wise.

00:57:00May God bless us.

00:57:00Make your decision, you'll see that you won't regret it.

00:57:17Cristina.

00:57:20Sorry, I was such an idiot.

00:57:22Well yes.

00:57:24You keep it, Tonio, I think it's better.

00:57:26Okay.

00:57:27Of trust?

00:57:28Well, well.

00:57:30Listen, I'll see you at home tonight, how's that good?

00:57:32I can't tonight, the bigots' training is starting.

00:57:35But the important thing is that Tonino is in good hands.

00:57:38Will you give yourself a kiss, dad?

00:57:40Will you give him a kiss, dad?

00:57:43See you at the meeting, both of you, mind you.

00:57:46Agree.

00:57:47Hi, good luck, huh?

00:57:48Baby.

00:57:49HI.

00:57:51Hi, good luck, huh?

00:57:54Vincella!

00:57:56Carolina!

00:57:57From today!

00:57:58Cosper was there!

00:57:59From today!

00:58:00A lot of that for...

00:58:01Vincella!

00:58:03Carolina!

00:58:04From today!

00:58:05Cosper was there!

00:58:19It's too much momentum..

00:58:21Got it!

00:58:21Stoned!

00:58:21Try, one, two, stone.

00:58:23This is firefighter Alberto Spina speaking to you.

00:58:29Okay, if you start out like this, you're real beasts.

00:58:32And now, for the super heavyweight category, over 95 kg...

00:58:38Now comes the heart, the evening.

00:58:40It's our best element.

00:58:42Really Pacino?

00:58:43There's no doubt about it, he's an exceptional guy, he's part of the seventeenth team.

00:58:48I feel sorry for your chicken, but Bigots are always Bigots.

00:58:52Go, you're a beast, go.

00:58:56But what is it you're giving me?

00:58:58Tonino's Vix, I had nothing else.

00:59:01The Vix?

00:59:01The Vix, the Vix, it's good for you.

00:59:02But I don't have a cold.

00:59:03It's good for you, it's good for you.

00:59:05I told you, he has no physique, he has no length.

00:59:08It's yours, use study tactics.

00:59:10It will be mine.

00:59:11Which study tactic?

00:59:12There's a nice scab in the middle of the gums, you kill it directly.

00:59:16Yes, a nice hook in the teeth, there's the little windmill.

00:59:19But kiss me.

00:59:22Sorry, I got carried away.

00:59:24Excuse me.

00:59:27Don't drink, don't drink, spit.

00:59:30Spit!

00:59:33Don't drink, spit.

00:59:35There's the Vix that...

00:59:37It's mine, it's mine.

00:59:44So please remember, no low blows, no headbutts.

00:59:48And when I say break, separate.

00:59:51Say hello.

00:59:51At the corners.

00:59:52No, no, no, no, no.

01:00:01Sorry, I'm impulsive.

01:00:05Good seconds.

01:00:16Oh, bigots, what are you, ma?

01:00:19Are you kidding me?

01:00:20Are you kidding me?

01:00:21But she's dead, are you kidding?

01:00:22No, it's all an act, bigots, come on, come on, come on!

01:00:24One, unleash the verba on, scene, bigots!

01:00:27Come on, come on!

01:00:28Oh, four, five, seven, come on, come on, bigots!

01:00:35Yes, nine, and die, bigots!

01:00:41Am I a champion?

01:00:42You're a jerk!

01:00:44Views for the KO in the first second of the first round,

01:00:47Policeman Gallina of the Navy!

01:00:56Did we win?

01:00:57And Carolina we won!

01:00:59Well done, well done!

01:01:00I congratulate you on making a good fool of yourself, team leader, bigots!

01:01:04If I'm not mistaken, ten fights all won by knockout, eh?

01:01:07No, no, I said ten KO fights lost!

01:01:10Otherwise they would make the micro-firefighter pulse!

01:01:12Anyway, starting tomorrow, leave is cancelled and double shifts for everyone!

01:01:16Happy?

01:01:17Exact!

01:01:18Thank you!

01:01:18White!

01:01:20Very dead!

01:01:21Excellent!

01:01:22Yes!

01:01:22What a beautiful figure!

01:01:24Ah, what a beautiful team!

01:01:25Excellent!

01:01:26Excellent!

01:01:28Well done!

01:01:34Eh, excuse me?

01:01:35Eh, can I say a word?

01:01:37Yes!

01:01:43Who takes the order?

01:01:45I'm going, I'm going!

01:01:46Flecca!

01:01:48What's up?

01:01:49This is the address of the illegal house to be demolished!

01:01:51Thank you very much, boy!

01:01:55But damn it, I say!

01:01:57These things don't happen in American barracks!

01:02:00Because he doesn't know how to move there today!

01:02:01Yes, okay?

01:02:02The younger you are, the more you always get into trouble!

01:02:03Okay, got it!

01:02:04Crazy!

01:02:10A little slut, a house to be demolished!

01:02:13Let's go!

01:02:16Hey, I got it!

01:02:17If you're wrong, me!

01:02:28Come on guys, let's show them who Team 17 is, okay?

01:02:31Okay!

01:02:32Hey, we need to rehabilitate the commander phase, come on!

01:02:36Fire engine 17, fire engine 17, this is Sette Camini command!

01:02:39Answer!

01:02:40Hey, what's up?

01:02:41Head towards Corso Francia!

01:02:43You had an order...

01:02:50Fire engine 17, have you understood everything?

01:02:53Fire engine 17, okay, all clear, I'm closing!

01:02:55How is everything clear?

01:02:56Okay, everything's clear!

01:02:57But yes, they are cool, preferential paths!

01:03:00But we're already here, here's the lava at home, see?

01:03:01Via dei Faggi, I know because Claudia lived there!

01:03:05Cardinal?

01:03:05No, Padana, it's a friend of mine from elementary school!

01:03:08Here, I'll turn right after the rookie and we're there!

01:03:10All done, they have been notified, don't worry!

01:03:13Never less!

01:03:14Do you know what they were about to demolish?

01:03:20Good price, Commander!

01:03:21Thank you!

01:03:24Ah, finally home!

01:03:37Bigots!

01:03:41But at my house!

01:03:44As?

01:03:52So, let's get everything in order, just a little cleaning!

01:03:58Close it, then close the door, maybe it's a good idea!

01:04:00This is perfect, we'll put this here!

01:04:05I want the person responsible immediately!

01:04:33Robolo, what do you care, come on!

01:04:38Massi, but who cares, I'm really taking it personally!

01:04:40But I do like the system they have!

01:04:42You better go, Mr. Ruopolo, before you cause any more trouble!

01:04:45My update period here isn't even over yet!

01:04:48You don't do this to someone who's been calling us crazy for twenty years in here!

01:04:53The thing that pisses me off the most is that we didn't get the right opportunity!

01:04:56Otherwise we would have shown everyone who we are!

01:04:59There just wasn't the opportunity this time!

01:05:02If anything, a...

01:05:03No, not even anything else!

01:05:08And anyway...

01:05:09That...

01:05:10Hi, hey, guys, hi!

01:05:11If you know where I work, eh!

01:05:13If you stop by my hotel, dinner is paid for everyone!

01:05:17Let's go, eh!

01:05:18Of course not!

01:05:20HI!

01:05:21Bye bye!

01:05:22Ah!

01:05:24I don't feel like keeping this secret from you, you're too close to me!

01:05:28Anyone who keeps these secrets is an asshole!

01:05:33Because I wanted to rejuvenate the house...

01:05:39But you already knew that!

01:05:43I'm not twice as much of an asshole, you see...

01:05:45HI!

01:05:47Four different spaghetti!

01:05:50One with butter without parmesan, one with parmesan without butter,

01:05:52one tomato and basil without butter and without parmesan,

01:05:54and one without spaghetti...

01:05:55AND...

01:05:56Do it like the hell you do the other one, okay?

01:05:58But what are you saying?

01:05:59Look, I don't know, Mr. Gentilini, I don't understand anything anymore in here!

01:06:02This isn't my real job!

01:06:03She loves this job, I don't!

01:06:05That's okay, that's it!

01:06:06But what's up, strigli?

01:06:07But who is shouting?

01:06:08Are you the ones who cry out in the evening?

01:06:10I'm all reeling in my head!

01:06:13Well, let's give them something to be happy about!

01:06:14And I'm firing you, is that okay with you?

01:06:17And you fire me, what do I care, you fire me!

01:06:19How do you fire me?

01:06:20But excuse me, it's not like I'm exaggerating if I have Gentilini!

01:06:22I'm starting over and going to wash the dishes!

01:06:25Go get more tablecloths and don't break my ball!

01:06:29I didn't get it, sorry!

01:06:31He's not pissing me off!

01:06:33I get it very well, look!

01:06:37I was on the edge of my seat alone at the time!

01:06:39Ten years of hotel school, go get the tablecloths!

01:06:41Go get the tablecloths!

01:06:45Look, it's burning!

01:06:46Look!

01:06:48Nothing!

01:06:49The big opportunity!

01:06:51The big opportunity!

01:06:56Is that you, bigots?

01:06:58I recognized your voice, it's Nicola!

01:07:00Like Nicola Ruoppolo!

01:07:01Yes!

01:07:02Do you remember that big occasion thing I mentioned?

01:07:04Well, now is the time!

01:07:06Well, it's not that big in size!

01:07:08A little fire!

01:07:09A little fire!

01:07:10Closet!

01:07:11If it's on fire, I'm kind of excusing you, some cardboard shots!

01:07:13Mouth stuff, in short!

01:07:14Try to hurry though, you have to be here within a few minutes!

01:07:17Let's make a great impression, do you understand?

01:07:19A nothing!

01:07:40The soul of the fugitive is having dinner!

01:07:43This is the towering hell!

01:07:48Let's pump!

01:07:49Come on, let's go!

01:07:53Guys, this seems serious to me, maybe we should call for backup!

01:07:56Reinforcements?

01:07:57But we'll show it to him, we'll show it to him!

01:07:59Of you!

01:08:01All right, Casalotti, let's go then, come on!

01:08:03Diogo, diogo!

01:08:04Look here!

01:08:20Go, Spina, to the reel, Casalotti and the hose, come on!

01:08:24Casalotti comes to the reel, Spina and the hose, it's better!

01:08:26No, Spina on the reel, Casalotti and the hose, on the crosspiece, further on!

01:08:29Come on, let's get to it, further on!

01:08:31Spina, it's better if it's here, there's a handy one!

01:08:33Oh!

01:08:34But where was I supposed to go?

01:08:36On the hose, while you're crossing, I have to go further!

01:08:41But how did you dress?

01:08:43Fireman, I bought it in Massachusetts, is it beautiful?

01:08:45You explain it to yourself, come on, come on!

01:08:48Go!

01:08:50Halloween, us! Halloween!

01:08:54Come, come, don't crowd!

01:08:55Okay, calm down!

01:08:56You don't have to be afraid!

01:08:59Over here?

01:09:00Over here?

01:09:01Yes!

01:09:01The squeeze!

01:09:03You're not coming!

01:09:06Nothing!

01:09:07So he's got it in for us, huh?

01:09:10You can't get through here!

01:09:14The shifters!

01:09:15Yes, to the cargo changer!

01:09:17To the change of cargo!

01:09:18To the change of cargo!

01:09:20Come on, come on, me!

01:09:21Come on, get in!

01:09:22On!

01:09:23And what do I have to climb?

01:09:24It's the spray that does it, a sorrel!

01:09:28It's the spray that does it, sorbole!

01:09:30Come on!

01:09:32I'd better do it, huh?

01:09:33Yes, yes, it's better, I'm here now, eh!

01:09:39But what am I supposed to do here?

01:09:40Oh, sorry, I forgot about the seal!

01:09:45So, so, the gas cylinder!

01:09:47The canister, the canister with fire!

01:09:49Hey, is that possible?

01:09:50Down, down from me!

01:09:51Crossroads!

01:09:52Traversi, help!

01:09:53Help!

01:10:00Everything OK?

01:10:01Yes, that's fine!

01:10:02I want to know!

01:10:03Do you need anything?

01:10:04Yes, well done!

01:10:05Sell this canister and take it to the police station, thanks!

01:10:07Tell me the truth, Traversi won't be dangerous, maybe...

01:10:10But no, don't worry, it's completely harmless now...

01:10:16Eh, eh, sorry, Traversi, since there are 24 other cylinders, harmless...

01:10:2334?

01:10:24Oh, there are the others!

01:10:25Maybe we'd better go!

01:10:26Yes, let's go!

01:10:45And what is it?

01:10:47Is anyone there?

01:10:49Answer!

01:10:50Nobody!

01:10:53But look, what's my turn?

01:10:54Medical graduate!

01:10:56Is anyone there?

01:10:58Great, go here!

01:11:01Help!

01:11:03Help!

01:11:03Oh God, lady, Campiana, damn it, what's wrong?

01:11:05Camillo!

01:11:06No, but what Camillo?

01:11:07Come, come!

01:11:08Camillo!

01:11:08Come on, let's go!

01:11:10No!

01:11:11No!

01:11:12Lady!

01:11:12I'm not going without Camillo!

01:11:14I'm here to save her, not the rape of the Sabine women!

01:11:17Camillo!

01:11:18Camillo!

01:11:19I want my Camillo!

01:11:21Where is Camillo?

01:11:22Where?

01:11:23It's in the bathroom!

01:11:24Save him for goodness sake!

01:11:25Let's go get it!

01:11:26Camillo!

01:11:26Dear Camillo!

01:11:28Camillo, I've come to save you!

01:11:32Come on, who will save me?

01:11:38God God, puregani today!

01:11:42Camillo!

01:11:43Camillo, go to bed!

01:11:44He does this because he's happy!

01:11:46Oh yeah?

01:11:47And when he gets pissed off, what does he do?

01:11:48Camillo, come!

01:11:49The gentleman is taking us away!

01:11:51He's a fireman!

01:11:51Bravo!

01:11:52He's going to save himself!

01:11:53Come, come, come, young lady!

01:11:55Don't be afraid!

01:11:56I'm here!

01:11:58There's my sister, Luca!

01:11:59He doesn't want to come down!

01:12:00Don't worry!

01:12:00He's scared!

01:12:02I'll take care of his little sister!

01:12:03I'll take care of the little one!

01:12:09Where is the little one?

01:12:11Is anyone here?

01:12:13Then there is no one!

01:12:15And I repeat, eh!

01:12:16If there is no one, I would go!

01:12:19Help!

01:12:20Don't go away!

01:12:22Who spoke?

01:12:23I am afraid!

01:12:24I am here!

01:12:28Why did you lock yourself in?

01:12:30Open up please, come on!

01:12:32I am afraid!

01:12:33I don't want to get off!

01:12:34Wait!

01:12:34I'll open it, wait!

01:12:36Don't be afraid!

01:12:37Come, come little one!

01:12:38Don't be afraid!

01:12:39I'll carry you on my shoulders!

01:12:40Go!

01:12:40Come, on my shoulders!

01:12:42Come on, little one!

01:12:42Get down, come on!

01:12:43With out!

01:12:45But what?

01:12:46How many are you?

01:12:47But wait a moment!

01:12:48We need an autocru here!

01:12:50Typical autocru situation!

01:12:53Have, have, have, have, have, have!

01:12:54But who are you?

01:12:55A mountain!

01:12:56Wait, huh!

01:12:56I understand!

01:12:57I'll take you on my shoulders!

01:12:59I'll get you!

01:12:59Here I am!

01:12:59On your shoulders!

01:13:00Hand!

01:13:01But what is he doing?

01:13:02Sorry, I have it!

01:13:02I'm in a panic!

01:13:03Wait, huh!

01:13:04Here you are!

01:13:05With the bridge!

01:13:06Onward, with the bridge!

01:13:09Neighbor, the idea of a weight-loss cure has never crossed your mind, has it?

01:13:12Huh?

01:13:13Here you are!

01:13:13No!

01:13:13What a brilliant idea!

01:13:14Help!

01:13:15No!

01:13:15The arm, no!

01:13:16No, no, no!

01:13:17Because I thought maybe it would be easier to just tear you down, you know?

01:13:22No!

01:13:24No?

01:13:24Okay, up ahead!

01:13:35Cinemax and Tom Pilafano present an indirect fire of biblical proportions!

01:13:42Him, Commander Pacini in the role of Commander Pacini!

01:13:47Team 17 as Team 17!

01:13:51And what part do I play?

01:13:52You're acting like a beast!

01:13:57No!

01:13:58But go on, yes!

01:13:59But go on, yes!

01:14:03Ok, I'm going, okay!

01:14:07Little daughter, please have mercy!

01:14:09Try not to breathe!

01:14:10That...

01:14:11That one, I think, yes!

01:14:13But go on, yes!

01:14:14The serious one, but...

01:14:16There it is, there it is, there it is, look at it, look at it!

01:14:19I wonder if he'll make it, he'll make it, he won't make it, he'll make it, he won't make it...

01:14:23Hey, her!

01:14:24He'll make it!

01:14:28Right here!

01:14:29Cross the water!

01:14:34Dear viewers, Ambrogio Fogar and Armadou came to visit us in the studio this evening!

01:14:41How is it going?

01:14:43No, no...

01:14:44No, not good!

01:14:50Madam, what are you doing, pray?

01:14:52Oh, madam, come with me!

01:14:54And I have the fire inside that excites me and drives me crazy!

01:14:57Because outside, what do you think this is?

01:14:59Waterfall?

01:15:02You can't, ma'am, please, this isn't the time, we're in danger...

01:15:06This way you have to go, we're in danger, ma'am, but you can't!

01:15:09But madam, I can't even draw pictures!

01:15:11Just a minute, there's no danger here!

01:15:30But who's there? There's someone!

01:15:35Good, good, don't worry!

01:15:36Now we'll save you, eh!

01:15:38Don't worry, be good!

01:15:40What a night, guys!

01:15:42Twenty, I leave the child locked in saying he doesn't want to open!

01:15:45Let's break down the vault!

01:15:45You can't, you're printing behind, you can't, it's dangerous!

01:15:48Okay, what are you doing? You let him watch!

01:15:49Excuse me!

01:15:50Good, are you...

01:15:51Listen, maybe I have the era!

01:15:52Hurry, we're getting there!

01:15:53Run, run!

01:15:54Good, come on, open it, try to open it!

01:15:56So you want to play? All right, let's play!

01:15:59Okay!

01:16:00Yes!

01:16:00No, water!

01:16:02Fire!

01:16:03Fire!

01:16:04Little fire!

01:16:05Little fire!

01:16:06Help!

01:16:07Waterfall!

01:16:08With his mighty means!

01:16:10Okay, water!

01:16:10Hey, vatori!

01:16:11It's being carried!

01:16:12Towards, left, left, in!

01:16:14Here, let's see if we see any victims!

01:16:15This fire show was brought to you by the Hamburger Galletti company, which reminds you of its cockerels!

01:16:20But there's nobody here!

01:16:22Pain!

01:16:25Let's try to look here from another room, see if there are any other survivors!

01:16:28Enter!

01:16:29Here too!

01:16:30You idiot!

01:16:32Tac tac tac tac tac tac tac tac tac tac tac!

01:16:34Boy boys!

01:16:35Anza batma giù!

01:16:38Boy boys!

01:16:39Anza batma giù!

01:16:40Boy boys!

01:16:42Anza batma giù!

01:16:44Boy boys!

01:16:44What are you!

01:16:46come here here we are you saw that there was nothing to be afraid of and you like them too

01:16:52durandurane I'll take her down we'll go into the funeral chapel give me cable another nice overview

01:17:00so help help save me I can't swim

01:17:06there's still the knot above

01:17:35the very one

01:17:38no no no guys I'm going leave it alone I'm older you are guys you are not experts

01:17:43let's not start acting like the usual I was insidious ostriches no no leave it I'm going I'm going don't hold me back

01:17:47because I decided I'm going

01:17:53you cover my back

01:18:03I'm coming to save you

01:18:04I'm coming

01:18:19Don't worry grandpa we did it

01:18:32then you direct the look to the second floor

01:18:39fast with those fast scales

01:18:42gentlemen back please back

01:18:52but how can I tell you it can be dangerous

01:18:55stay back

01:18:56commander

01:18:57the hotel no longer sees anyone

01:18:58It seems the jassetti team saved everyone before we arrived

01:19:01but where are they?

01:19:02we are looking for them but they can't be found

01:19:04but how come they can't be found?

01:19:05I searched everywhere again

01:19:06strength to move fast

01:19:10the pressure on him increases

01:19:12commander are the three

01:19:13clean up for them

01:19:17I'll continue like this

01:19:23water towards that window

01:19:25there is the jassetti team

01:19:39Commander, is it true that an entire team is missing in the fire?

01:19:43let's not despair

01:19:44it was my best team

01:19:45men who have always known how to sacrifice themselves for their duty

01:19:48Armando Bigotti

01:19:50Daniele Traversi

01:19:51Alberto Spina

01:19:53and Paolo Casolotti

01:19:56Pirovano

01:19:57but what are you doing in that shithole?

01:20:04Pirovano, can you hear me?

01:20:05Excuse me

01:20:06a statement for the telecosmos

01:20:08Thank you

01:20:09come

01:20:10come up

01:20:11Pirovano

01:20:12my teams

01:20:13where are the others?

01:20:15why not?

01:20:15there

01:20:16there

01:20:18Bigots

01:20:18Everything OK?

01:20:20well done Bigotti

01:20:21come on guys

01:20:22on

01:20:22you do

01:20:24you cross

01:20:26You come

01:20:27Tantan

01:20:28Tantan

01:20:29Tantan

01:20:31Tantan

01:20:35Tantan

01:20:36plug

01:20:37plug

01:20:38plug

01:20:39on

01:20:39fuck

01:20:40Here you are

01:20:40plug

01:20:41everything's fine, thorn

01:20:51plug

01:20:54But here we are, it's Ruopolo, where is Ruopolo?

01:20:56Ruopolo, Ruopolo, here, where is he?

01:20:57Roopolo!

01:21:16But no mom, what recommendation?

01:21:18I don't need any recommendations

01:21:20I want to reconfirm myself, imagine that.

01:21:23I've made up my mind now

01:21:24Oh, hurry up and come, the awards ceremony is coming up soon, eh?

01:21:26Listen to me

01:21:27Guys, I've been reconfirmed

01:21:29I was the integrated in the body

01:21:31Actual stern, damn it

01:21:32Bravo, thank you

01:21:33Steve McRuopolo, fireman, active

01:21:36Holy shit

01:21:44You're better off this way, Latour.

01:21:49I'm sorry about your wife, you know Nicola

01:21:52Ah, figures, I hadn't noticed.

01:21:54Oh, I mix polenta

01:21:56From the South, you know, I've known that for a long time

01:21:58But unfortunately there is the unwieldiness of character, you know

01:22:00That's a woman of fire

01:22:01I'm a bomber, like

01:22:10Oh, there's some stuff

01:22:13Letizia, there's Letizia

01:22:14Joy

01:22:15Gianna, Gianna

01:22:17It's full of passerone like this

01:22:18Maria, there is Maria

01:22:20Cristina

01:22:21There is Cristina Pontonino

01:22:41Casalotti, you who have become an expert

01:22:43Come give me a hand

01:22:44Where?

01:22:49So guys, ready?

01:22:51It's time for the awards ceremony

01:22:53I got it for you, I just got it for you

01:22:55What's wrong?

01:22:57Nothing, I'm just vaguely excited

01:23:00Because I have never been awarded in my life

01:23:02I never even got a tiny medal

01:23:05Courage Casalotti, strength

01:23:07Casalotti

01:23:08Small houses

01:23:19Small houses

01:23:20Casotti

01:23:22She's exactly what I was looking for.

01:23:23Why?

01:23:24Finally his case has been processed

01:23:25And that is?

01:23:26She was right

01:23:27He has never been a firefighter

01:23:29Me, never, never

01:23:30But I've been telling everyone this all my life

01:23:31So he can go

01:23:33Obviously with the apologies of the body

01:23:34Thank you very much, Commander.

01:23:36So, right after the awards ceremony

01:23:38I...

01:23:38Nothing, no awards

01:23:40Mimi

01:23:40I already told him

01:23:41She is not a firefighter

01:23:43So he has no right

01:23:44All right

01:23:46Because I had told my wife

01:23:47Who gave me a medallion

01:23:49What was he putting on?

01:23:49You can also leave the barracks immediately

01:23:51Or if you want to remain as a civilian guest

01:23:54Well, he doesn't have a medal.

01:23:55All right

01:23:57Goodbye, Commander

01:23:58Until we meet again

01:23:59As...

01:24:00As a civilian

01:24:03Thank you very much

01:24:07Thank you, eh

01:24:08As a civilian

01:24:10She is very human

01:24:13A medallion

01:24:19Goodbye

01:24:19Go, go, go

01:24:20We are the best in bed

01:24:23TomaisYin, noh is

01:24:25Never give in

01:24:26Go, go, go

01:24:28Come with me

01:24:30Peeze, neolcribe

01:24:32Like me, come with me

01:24:37Go, go, go

01:24:39We are the best in bed

01:24:55The team that I have the honor of awarding today has particularly distinguished itself in an action

01:25:00where he highlighted contempt for danger.

01:25:03The particular efficiency and precise knowledge of the means and techniques

01:25:07make our body one of the most advanced in the world.

01:25:20I'll try, Miquel.

01:25:26I'll try, Spina.

01:25:32I'll try, Rebs.

01:25:46Proppolo, are you happy?

01:25:53Dear comrades, dear friends, dear Grant, dear Cooper and dear Baldini,

01:25:59I'm your Max Pirovano speaking to you in skin and bones.

01:26:04And now we will be together, think, day and night.

01:26:07Paul.

01:26:09HI.

01:26:09Paul.

01:26:11Are you happy?

01:26:12Very.

01:26:13Are we going home now?

01:26:14Yes, yes, I know.

01:26:16Who is?

01:26:18There they are.

01:26:19Look, those are us over there.

01:26:21I mean, I mean, that's my team.

01:26:24See, up front, that's Bigotti, your team.

01:26:26The one that drives through instead.

01:26:28Behind instead there is Spina and Ruopi.

01:26:33And behind, behind there is me.

01:26:35No, I'm here.

01:26:36It was my place, it was now, now there's someone else.

01:26:39Well, let's go home.

01:26:43Ready?

01:26:44One two three.

01:26:46Come on!

01:26:47Paul!

01:26:50What a pain!

01:26:53Paul!

01:26:54Come on, go on!

01:26:55Paul!

01:26:55What are you doing?

01:26:57Oh no, Paul!

01:26:58Where are you going, Paul?

01:27:00But why are you making me a fireman at the edattoa?

01:27:05Okay.

01:27:20Beast, what a figure!

01:28:17Thank you all.

01:28:21Thank you all.

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