- il y a 8 heures
Watch Campus Drivers Asian TV, Episode 2 with English subtitles on Dailymotion (2026).
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00:06Sous-titrage Société Radio-Canada
00:41Sous-titrage Société Radio-Canada
01:03Sous-titrage Société Radio-Canada
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03:59Sous-titrage Société Radio-Canada
04:07Oh, c'est ça, c'est ça.
04:32C'est bon, c'est bon, c'est bon.
05:02C'est bon, c'est bon.
06:00C'est bon, c'est bon.
06:02C'est bon.
06:04C'est bon, c'est bon.
06:33C'est bon.
06:36C'est bon.
06:37C'est bon.
06:39C'est bon.
07:07C'est bon.
07:36C'est bon.
07:38C'est bon.
08:08C'est bon.
08:10C'est bon.
08:11C'est bon.
08:13C'est bon.
08:13C'est bon.
08:21C'est bon.
08:21C'est bon.
08:21C'est bon.
08:23C'est bon.
08:24C'est bon.
08:24C'est bon.
08:27C'est bon.
08:30C'est bon.
08:32C'est bon.
08:33C'est bon.
08:35C'est bon.
08:36C'est bon.
08:37C'est bon.
08:38C'est bon.
08:39C'est bon.
08:47C'est bon.
09:06C'est bon.
09:28C'est bon.
09:30C'est bon.
09:38C'est bon.
09:49Just kidding.
09:50C'est bon.
09:52C'est bon.
10:05Sous-titrage Société Radio-Canada
10:44Sous-titrage Société Radio-Canada
11:12Sous-titrage Société Radio-Canada
11:15Sous-titrage Société Radio-Canada
11:18Sous-titrage Société Radio-Canada
11:23Sous-titrage Société Radio-Canada
11:30Sous-titrage Société Radio-Canada
11:48Are you all right, Lois?
12:01Sous-titrage Société Radio-Canada
12:29Sous-titrage Société Radio-Canada
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15:11Sous-titrage Société Radio-Canada
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15:20Sous-titrage Société Radio-Canada
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15:44mais nous nous devons être en train de faire.
15:45On est dans le ER.
15:46Nous allons rencontrer sur la campus.
15:48Quoi ?
15:49Quoi ?
15:49Il s'est mis en train de jouer mid-game.
15:51Fait.
15:52Je savais qu'il ne devait pas jouer.
15:54Je devais être plus insistant.
16:10C'est bien, bro ?
16:12Oui, je suis bien, vous savez.
16:15C'est bon ?
16:15Qu'est-ce que le docteur dit ?
16:16Ils m'ont mis sur un tas de painkillers pour maintenant, mais ils m'ont dit que...
16:20Il juste besoin de un week off, il va bien. Il n'y a rien de sérieux.
16:22Ils veulent qu'il y a une semaine pour une semaine, sérieusement ?
16:24Oui, c'est vrai.
16:25Il y a un jeu très important.
16:30C'est ici. Un ruptured anterior cruciate ligament
16:33ne nécessite une mobilisation total pour un mois.
16:36All right, j'ai entendu assez.
16:37Let's go.
16:38Non, non, non, non.
16:39C'est pas assez.
16:41C'est pas assez.
16:41Vous avez raison.
16:42Vous avez raison pour l'adresse de l'adresse, mais vous ne savez pas, vous ?
16:44Don ne va jamais jouer sur une équipe professionnelle, ok ?
16:46En cinq ans, il va sentir la raine qui vient grâce à l'arthritis.
16:49En dix ans, il va être avec une cane.
16:50C'est vraiment le futur que vous voulez pour votre fils ?
16:54Tu dois marier her, or I will.
16:58Don, sort this out later.
17:01Don said que les choses en classe sont tense.
17:03Oui, si je fais demain's exam, je perds mes scolaires.
17:06Mais je pense que ça me aident.
17:07C'est un problème.
17:13Vous pouvez rester ici si vous voulez.
17:15Until vous figurezz les choses.
17:18Vous voulez être roommates ?
17:20Non, non, non.
17:21Not roommates.
17:21C'est juste temporaire.
17:22Juste pour un petit peu.
17:23Oui, mais vous savez que je ne peux pas payer votre rent.
17:26Nous pouvons travailler quelque chose.
17:27Par exemple, vous pouvez acheter des vêtements.
17:29Does ça work ?
17:31Just...
17:32Vous avez envie de manger plus que des vêtements.
17:40Madame ?
17:42Où si vous avez des dates ?
17:43Takez les keys avant que change ma minde.
17:44Ok ?
17:50Merci, vraiment.
18:23Hey Max, you mean right now?
18:27Uh, ok.
18:29Yeah sure, I can come by and grab a few things.
18:32See you soon.
18:42Hey there.
18:43Hi.
18:44Um, thanks for coming over.
19:15Is there somewhere you wanna go?
19:17No.
19:18Hmm.
19:21Ah.
19:21Ah.
19:22Ah.
19:22Ah.
19:27Ah.
19:42Ah.
20:07Ah.
20:09Ah.
20:09Ah.
20:09Ah.
20:11Ah.
20:14Ah.
20:15Ah.
20:16Ah.
20:16Ah.
20:17Ah.
20:18Fucking disgusting.
20:19Ah.
20:21Really?
20:21What the hell is wrong with you?
20:22You can't fuck them in your room like a normal person.
20:25Jesus.
20:26Ah.
20:36Ah.
20:37Ah.
20:38Ah.
20:38Ah.
20:38Ah.
20:43Ah.
20:44Ah.
20:44Ah.
20:46Ah.
20:48Ah.
20:53Ah.
20:54Ah.
20:55Ah.
20:56Ah.
20:57Ah.
21:07Ah.
21:20Ah.
21:21Ah.
21:25Ah.
21:25Ah.
21:25Ah.
21:29Ah.
21:30Ah.
21:31Ah.
21:33Ah.
21:34Ah.
21:35Ah.
21:35Ah.
21:36Ah.
21:43Ah.
21:44...
21:48...
21:49...
21:51...
21:52...
21:52...
21:52...
21:53...
21:53respect the natural pathways of the blood vessels
22:23I take it you two know each other?
22:27He's my ex.
22:30I know I should have said something.
22:32It's an unfair advantage since I know him so well.
22:34Your technique was exemplary, and you stayed professional throughout.
22:39Be sure to keep this up.
22:50So, did it go well?
22:53Yeah.
22:54I told you, you're great at this.
22:58Here.
23:02Do you have time for a walk?
23:06The value of the business is reflected in its finances.
23:08A company's cash flow corresponds to its current and future liquidity at any given time.
23:13Therefore, to calculate this, we measure net flow of funds according to income expenditures of current assets.
23:20There's definitely still something between us.
23:23But, uh, I just think I don't know right now.
23:27Right now?
23:28Come on, look around you.
23:30We're a couple of kids from nowhere.
23:32We've never tried anything, never experienced anything.
23:37And what makes you so sure?
23:39Hmm?
23:41I'm the one.
23:42That's what I thought was so great about us.
23:44It was obvious.
23:46I want it to be you.
23:49I really do.
23:50But if we look back in ten years and find out, we made a mistake.
23:56You understand me?
23:58What?
24:04What?
24:08What?
24:16Sous-titrage Société Radio-Canada
24:43Sous-titrage Société Radio-Canada
25:14Sous-titrage Société Radio-Canada
25:16Sous-titrage Société Radio-Canada
25:18Okay, another guy then. You're not lacking choices here.
25:22Yeah, right.
25:22I know. But I can't. I'm in love with Max.
25:25This is Belle Rose, Lois. Come on. Take advantage of what's right in front of you.
25:29You know what? We're going to the campus driver's party tonight.
25:32We'll see if there's anyone who catches your eye.
25:35If you ask me, I think you're fooling yourself.
25:38You know this break thing is just postponing the inevitable.
25:42I'm sorry, but I've never met anyone who got back together after this kind of break.
25:50Interior.
25:51Night.
25:51Okay.
25:52Her husband enters.
25:54Right, and he sees them.
25:56He sees them. Does he surprise them?
25:57He surprises them.
25:58He surprises them.
26:01And so he starts to take them.
26:04Yeah, he takes them from behind. Takes her.
26:08Hello.
26:10I heard everything you were saying. You're writing something?
26:12No.
26:13It's nothing.
26:14It's a script for a...
26:19For a porno.
26:20A porno.
26:21But we're not writing it for us.
26:22It's for this producer, I know.
26:23He said he'd get us invites to...
26:25Right.
26:25To Cannes.
26:26To next year's Cannes Film Festival.
26:27Why does he need a script for a porn?
26:29Aren't they all pretty much the same?
26:31Aren't they the same?
26:32What?
26:32That's outrageous. Why would you say that?
26:34Yeah.
26:34Not all porns have the same stories.
26:36What's the matter with you?
26:38Yes, Dad?
26:40I know. I'm sorry. I was planning on calling you back.
26:42Hey, no, no, no. What are you doing?
26:43Oh, hey.
26:43We're not finished yet.
26:44Please, please. It's not finished yet.
26:45Let me read it.
26:46We're not done writing yet.
26:50There are still some things we need to rework.
26:52Stuff we were going back over.
26:53We weren't really in the zone for some of that.
26:55Mm-hmm.
26:58I swear only a man would write this.
27:00Well, uh...
27:00I mean, this position is not even possible.
27:02Between us, which one has more experience in this area?
27:04Hmm?
27:05I'll have you know a good writer takes inspiration from their own life.
27:08You think that because I've only been with one guy, I don't have experience?
27:12One guy?
27:14Wait, you've only been with Max?
27:19Okay.
27:20Fine. On your back.
27:22Pardon?
27:22I said get on your back.
27:24Lie all the way flat.
27:26Come on.
27:27Wait.
27:28Okay.
27:29Great.
27:30Okay.
27:31So if I sit here on your lap like this, that's reverse cowgirl.
27:35Everyone knows that.
27:36It's a classic.
27:36It works.
27:37Okay?
27:37But if I try to do this thing that you have here in the script...
27:42Here.
27:43This thing with my feet is not possible.
27:46Look.
27:46See, if I...
27:47Wait.
27:48If I put my...
27:49Yeah?
27:50Yeah.
27:51See, if I have my feet up here, it's impossible, Lane.
27:54I told you.
27:55That's not how it's done.
27:56That's what you wrote.
27:57No.
27:58Imagine it more like this.
27:59And now it works.
28:02Yeah, except from this position, you won't be able to get her off.
28:05Oh, yeah?
28:06It's true.
28:07You sure?
28:14Now imagine if we shifted.
28:17If, for example, we kept this position.
28:21Imagine it like this.
28:24This way works, too.
28:28Now is usually the time where she moans, Lane.
28:31Oh, yeah.
28:32Like this.
28:33Lane.
28:35Lane.
28:36Oh, Lane.
28:38Oh, yes.
28:39Oh, yes.
28:41Oh.
28:42Mm.
28:43Oh.
28:44Oh.
28:45Oh.
28:46Oh, Lane.
28:48Lane.
28:49Lane.
28:50I'm sorry.
28:51Just because she screams your name doesn't mean she's enjoying it.
28:54Is that right?
28:55Hmm?
28:58Okay.
28:59You were right.
29:00I was wrong.
29:01That position works.
29:04It works really well.
29:06Here, hide that little devil.
29:07Ow.
29:19The script is really coming along.
29:21Should we keep going?
29:22Yeah, yeah, yeah.
29:23Let's get to it.
29:23It's good to test out the real world.
29:25Shut up, Besson, huh?
29:30So, where did we leave off?
29:32Our main character was sitting here on the couch.
29:35Mm-hmm.
29:36In a position that doesn't have a name.
29:39You dog.
29:49I won't have a breath charger.
29:53I won't have a breath charger.
30:11C'est parti.
30:35C'est parti.
31:03C'est parti.
31:05C'est parti.
31:07C'est parti.
31:07C'est parti.
31:07C'est parti.
31:09C'est parti.
31:09C'est parti.
31:11C'est parti.
31:15C'est parti.
31:17C'est parti.
31:18C'est parti.
31:43C'est parti.
31:46C'est parti.
31:48C'est parti.
31:49C'est parti.
31:50Oh, hey, you cheated.
31:54Oh, hey, you cheated.
31:56Oh, oh, oh.
31:59Oh, oh, oh, oh, oh.
32:03Oh, oh, oh.
32:07Go!
32:08I'm going to go try to talk to her.
32:13Oh, oh, oh.
32:18Hey, what's up?
32:19Oh, oh, oh.
32:24I did my monologue for the class today.
32:28Your professor didn't even let me finish it.
32:31Becca, do you call that acting?
32:32What an asshole.
32:33Where's the lived experience?
32:35There's no spontaneity, nothing.
32:37There's nothing.
32:38Sorry.
32:39It's OK.
32:40It's my fault.
32:41I always have to be in control.
32:42I'm such a fucking control freak.
32:43I can't even just let go, Lois.
32:45Hang on.
32:47Excuse me.
32:48Did I just hear professor, theater, an asshole?
32:52Are we talking Kowalski?
32:54I had him my first year.
32:55Does that to everyone.
32:57I don't believe you're grounded.
32:59Where's the gravity?
33:00There's nothing there.
33:01Nothing.
33:02You call that theater.
33:04All you're doing there is hand me it up.
33:06Stop showing off.
33:07That guy's insane.
33:10Lois, show off.
33:12Becca, talentless actress.
33:15Becca, would you explore the physicality of theater with me?
33:20Uh, no.
33:24I insist.
33:31OK.
33:32Go, go, go.
33:35Good job.
33:36I confess I'm not that first until I say I'm good.
33:41Thought it might be an end.
33:43Thin' all takes one call and then I'm done through the luck.