Franco e Ciccio devono portare a termine una missione per conto di uno dei capi della mafia siciliana: vendere una grossa partita di vino a Milano. I due, dopo aver studiato le mosse della concorrenza, chiedono di essere accompagnati dalle consorti nel tentativo di sedurre i commercianti. Le donne però, una volte giunte a destinazione, abbandonano i rispettivi mariti.
#commedia #comico
#commedia #comico
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00:00:04In the animal kingdom, horns are a sign of virility, in fact males have them,
00:00:13Females either don't have them at all or have very small ones. Of course, there are some animals
00:00:21Completely hornless, the elephant, the bear, the seal, and many others. Man is an exception.
00:00:34which generally does not have them but sometimes has them even if they are not visible. In some
00:00:41horns are not a problem at all for people, in fact in the North Pole for example there is the custom of offering
00:00:46a cup of tea for the guest and also the wife who brings it. Even in some African tribes
00:00:53Lending one's wife is considered a graceful gesture. Different countries, different customs. Again
00:01:01Today, however, there are countries where horns cause endless trouble and where a simple
00:01:08A hint can send you straight to the cemetery. Gaetano, how did it go, Don Mimì? A little coffee.
00:01:16Thank you all.
00:01:48Horncar.
00:02:23Hey, who was it? Tell me the truth. But I wasn't there, and if I was, I was asleep.
00:02:31And you too, Don Mimì? Didn't you see anything? Don't you know anything?
00:02:35And what about? Oh, poor Don Calogero, I was reading.
00:03:13But how's your day going? But how's your day going? But how's your day going?
00:03:49But how's your day going?
00:03:59But how's your day going?
00:04:02But how's your day going?
00:04:05If I turn on the radio or television, but damn the world is going for hours.
00:04:09Do we love each other? Everyone says so, but tomorrow is further away.
00:04:14But how's your day going?
00:04:15But how's your day going?
00:04:20But we are sure that before tomorrow your day will come, you will see that it will change.
00:04:27All you need is your girl by your side and like the American you will see that she will change.
00:04:35Well, maybe, but...
00:04:38Going out into the street I meet two friends who are looking for happy evenings in hand.
00:04:41We wander around looking for two hours of tracks while we wander around the day is over.
00:04:46But how's your day going? But how's your day going?
00:04:52I crawl into bed and tell myself that maybe tomorrow I won't be the same.
00:04:56The sleep that comes makes me behave, it deludes me that I am alive and instead I am dead.
00:05:00But how's your day going?
00:05:03But how's your day going?
00:05:05But how's your day going?
00:05:06But how's your day going?
00:05:08But how's your day going?
00:05:10But how's your day going?
00:05:12But how's your day going?
00:05:16Well done, Saru.
00:05:18What if it weren't for those two unfortunates?
00:05:22Pacio, Cofu, why was he angry?
00:05:24And you ask me.
00:05:25But is it possible that someone like me to defend his honor?
00:05:28must pay a professional
00:05:31including paid holidays?
00:05:33If those two imbeciles of your husbands were real men
00:05:37this would not have happened.
00:05:39And how would they defend your honor here if you sent them to Milan?
00:05:42I sent them so as not to be laughed at by all of Sicily.
00:05:46But it's been a week now
00:05:48after that, gender or no gender
00:05:51I'll make you regret having met the guy here
00:05:54undersigned
00:05:55your father is mimic Anna Rota.
00:05:58Well, maybe it's not easy to sell your wine to the Milanese.
00:06:01The Milanese with our wine
00:06:03they will season the salad with it
00:06:05because he was already bad.
00:06:07And those two idiots have been there for three months
00:06:09by Franco and Ciccio
00:06:10they can't sell a single liter of wine.
00:06:25Nice, how much is it?
00:06:32the flights in Sudo della Romagna depart at three in two hours
00:06:34in troーーujące inflanzenzza.
00:06:35Thank you.
00:06:41At the,
00:06:42I am
00:06:43I want to say that frau, 2 plazze mit Sudan Airways, d'acce?
00:06:50Yes, sir?
00:06:50Yes, not at once, but at 5 o'clock with Sudan Airways.
00:06:55You are welcome.
00:06:58Working, taking down your supply city, getting a hunt, and hoping strikes in flower.
00:07:04But what do you know he says?
00:07:04Well, go ahead and speak your own language.
00:07:07Vinnimo for wine came.
00:07:08Please.
00:07:09We win to win wine.
00:07:11I understood better before.
00:07:12Not here, I you...
00:07:15Excuse me, we are looking for Mr. Muller.
00:07:17No, Mr. Muller is not in the hotel.
00:07:19But is it safe?
00:07:20Absolutely, I saw him coming out a little while ago.
00:07:22But we had an appointment with you.
00:07:24Eh, I understand.
00:07:24Can you tell us where we can find it?
00:07:26Absolutely not, first of all because I don't know.
00:07:29And then because when I'm not authorized, they understand, right?
00:07:33We understand.
00:07:34Try with the tip.
00:07:35Here in Milan we love tipping, we don't use it.
00:07:37But you try, you never know.
00:07:39But why do I always have to make three very bad impressions?
00:07:41Yes, hello, concierge.
00:07:43Oh, yes.
00:07:44Ah, yes, Mr. Muller.
00:07:46He left a note for her.
00:07:48Please.
00:07:49From nine o'clock onwards you can find him at the Mocambo.
00:07:52Yes, yes, Mr. Muller.
00:07:54Please.
00:07:57I was authorized.
00:07:59Thank you, gentlemen, but there was no need.
00:08:01Yes, brother.
00:08:03You heard, we'll find him at the Mocambo.
00:08:05In Asherah.
00:08:05Yes, in Japan.
00:08:06Walk.
00:08:10The door.
00:08:26The door.
00:08:29Good evening.
00:08:30Are the gentlemen alone?
00:08:31Better just go with me.
00:08:33We don't have to have dinner.
00:08:34We are looking for Mr. Muller.
00:08:35Ah, there it is.
00:08:37He is dancing with a woman.
00:08:41Fat head that is blonde.
00:08:42Beautiful, beautiful.
00:08:44Blonde with red.
00:08:45Well, Mr. Muller can afford it.
00:08:47Do you think he'll introduce her to us?
00:08:49And of course, if he invites us to his table, he's forced to introduce us.
00:08:51The Milanese custom.
00:08:53While you take care of business and dance around with her and ask her for the land number.
00:08:57What are you, palace?
00:08:57Mr. Muller notices it fresh, I joked.
00:09:06Look, look how he's holding it.
00:09:08Lucky him.
00:09:09Stay calm.
00:09:10We are here to sell the batch of wine.
00:09:12700 and 8 liters.
00:09:14Here we decide what to do with Pipitone Magri's life.
00:09:17Right.
00:09:18Either he sells himself or he dies.
00:09:23Pipitone Magri.
00:09:24What a surprise.
00:09:26Damn, we just had to meet him.
00:09:28Let's not let him understand that Mr. Muller, I am far-sighted, is the one who steals our business.
00:09:32I know, Luca.
00:09:33Let's get rid of it right away.
00:09:35Come here.
00:09:39How's it going, huh?
00:09:41Ah, long live my dearest enemies.
00:09:43These gentlemen are my competitors, two fearsome Mau competitors and also two nice guys.
00:09:49Pleasure.
00:09:50Hey, you're alone, make yourself comfortable here with us.
00:09:52Actually, we don't want to disturb you.
00:09:53Hey, what are you bothering me about?
00:09:54At the table, we don't talk business, we're happy, we celebrate, dear.
00:09:59We're not talking about business.
00:10:01You see that gentleman dancing with that beautiful blonde.
00:10:06Also.
00:10:07Who?
00:10:08The one who dances in that scandalous way.
00:10:10Come on, we're not in Sicily, we're in Milan, right?
00:10:13You know him.
00:10:13Eh, no, and you?
00:10:15Never seen it, eh.
00:10:15Anyway, Mr. Muller, I thought you knew him, is in our business.
00:10:20Hey, waiter, please, two chairs for my friends, eh?
00:10:23Mr. Muller, I was telling you, is our guest of honor.
00:10:26We're celebrating a big deal I made with him.
00:10:30Seven hundred hectoliters of Apulian blending wine.
00:10:33It doesn't happen every day.
00:10:43Please.
00:10:45My friends.
00:10:46Ah, Pipitoni and Magri.
00:10:49Oh, right you.
00:10:52Sorry about Oshima, I couldn't wait for you at the hotel.
00:10:56because I had already bought wine from Mr. Fismara.
00:11:00It will be for another time.
00:11:03Ah, do you know my lady?
00:11:08Mr. Pipitone and Mr. Magri.
00:11:10Pleasure.
00:11:11Very much there.
00:11:12Can I go for a ride with my wife?
00:11:13If the lord is happy.
00:11:15You're welcome, you're welcome.
00:11:18You allow it, right?
00:11:19Of course.
00:11:24Sago mecca wad.
00:11:26Hard-boiled mecca, like Pipitoni and Magri.
00:11:29Ah, they were partners.
00:11:31I knew it.
00:11:34He's been insisting all evening.
00:11:36Tomorrow he wants to take me to the live shows.
00:11:37But as far as I'm concerned, do as you like.
00:11:39He doesn't have the contract, he signed it.
00:11:42Listen, what could happen?
00:11:43what if you find out I'm not your wife?
00:11:45And how do you find out?
00:11:46He lives in Switzerland and comes to Milan twice a year.
00:11:49In the meantime, we two keep in touch, right?
00:11:51Yes, dear, but next time I want much more, you know?
00:11:55All right.
00:11:56Okay, we'll talk about it next time, okay, dear?
00:12:00Chizzo, I'm letting you know that all the barrels are full.
00:12:04And empty pockets.
00:12:05The reality is this, that since we came to Milan
00:12:07to trade wine we have not sold even a single barrel,
00:12:10in fact, not even a bottle.
00:12:12Only fiascos.
00:12:14Eh, why are we selling flasks?
00:12:16No, we make the failures, it's our fault
00:12:18because it's the system that's wrong.
00:12:20And what system should we adopt?
00:12:22But do you want to get it into your head that we are in Milan here?
00:12:24and the Milanese have a knack for commerce, like Bismara.
00:12:28And do you think I should have a bump like Bismara?
00:12:32Here, typically the tassicula.
00:12:34Excuse me, Mr. Bergamasco.
00:12:36No, I'm not from Bergamo, but I adapt.
00:12:39Will you adapt to me?
00:12:39Different countries, different customs.
00:12:41Here in Milan women work like men
00:12:44and wives collaborate with their husbands
00:12:46and their husbands do business like Mr. Bismara.
00:12:50If one hundred hectors and three hundred and fifty pounds of cutting in our face he sold.
00:12:53Yes, but did you see how his wife danced with Mr. Muller in his face?
00:12:58You collaborated.
00:12:59And he called it collaboration.
00:13:01But dancing is a sin.
00:13:02And then didn't you see that the husband was there too?
00:13:04Yes, yes, I saw, I saw them doing the threesome, I saw.
00:13:08Oh, don't exaggerate.
00:13:09But Renzi, do I count him as a cheerful sardine, a dance, a meal like this in friendship?
00:13:13But where do you find this malice?
00:13:14But the food!
00:13:15Yes, I'm going to Maria's phone!
00:13:17On the phone!
00:13:22Ready!
00:13:24Imbecile, fetuous.
00:13:25Dear ones!
00:13:26Dad has a cone!
00:13:28Listen to me carefully.
00:13:30This is the last time I'll please you.
00:13:32But what nostalgia for gold!
00:13:35Cammelina and Santuzza have already left for Milan.
00:13:38Please remember to always keep them at home.
00:13:41Milan, a sprawling city.
00:13:43And sell the wine!
00:13:44Where you were hiding!
00:13:45The mimic's word to Naruto!
00:13:48Things?
00:13:50You have found two buyers from Bologna.
00:13:52They found two buyers.
00:13:53Bolognese?
00:13:54No, miss, I'm not doubling!
00:13:55Let me talk!
00:13:57Where do you take them to convince them?
00:13:58To the Mocambo!
00:13:59Yes, yes, to dinner!
00:14:00A cheerful evening in good company, as is the custom here in Milan.
00:14:03Well!
00:14:04Very good!
00:14:06Until we meet again!
00:14:08Have a fun evening!
00:14:10In company!
00:14:11And with whom?
00:14:11And who do we have to adapt to?
00:14:13The two of us!
00:14:14The two of them and two beautiful ladies!
00:14:16Females!
00:14:17Eh!
00:14:17And where do we find these females?
00:14:19Hey, I'm far-sighted!
00:14:20Aren't we married?
00:14:22Our women!
00:14:24Eh!
00:14:24They don't cooperate!
00:14:25700 hectoliters!
00:14:27I collaborate!
00:14:27Bravo!
00:14:29Infatuated people!
00:14:29Dude!
00:14:30Tell me you were joking!
00:14:32You laugh!
00:14:33What a joke!
00:14:34What a joke!
00:14:35Here in Milan we are!
00:14:37Different countries have different tools!
00:14:40We must adapt!
00:14:41Here in Milan, women collaborate with their husbands!
00:14:44Right?
00:14:45Thank you!
00:14:46Please!
00:14:46Ah!
00:14:47But we are honest women!
00:14:49Get out of the house!
00:14:50We cook, knit, embroider!
00:14:53This is what we like to do!
00:14:55And then in the evening, you know, we have to say the Holy Rosary!
00:14:57The Rosary, the Rosary!
00:15:00You'll tell us later!
00:15:01In due time!
00:15:02Right?
00:15:03Thank you!
00:15:04Please!
00:15:05You will have fun at Mucardo!
00:15:06It is a fine, luxurious and elegant Mucale!
00:15:09Shameless girls go to those places!
00:15:12And if the real thing is knowing the canon uncle, think about it!
00:15:15Enough!
00:15:16Listen to me, women!
00:15:17Listen to it!
00:15:18What is the first virtue of a wife?
00:15:19Purity!
00:15:21No!
00:15:24The economy!
00:15:25No!
00:15:26Geometry!
00:15:27No!
00:15:28The first virtue of a wife is obedience to her husband!
00:15:32Right!
00:15:32Thank you!
00:15:33Please!
00:15:33So we gave you an order!
00:15:35And you must obey!
00:15:38Thank you!
00:15:39Excuse me!
00:15:39Please!
00:15:40Damn!
00:15:41Damn!
00:15:44We obey!
00:15:46I don't like!
00:15:48I'm worried!
00:15:49I don't like!
00:15:51My daughters entrusted to those two imbeciles
00:15:53in a sinful city like Malano!
00:15:55My task and Don Mimì!
00:15:57Yes!
00:15:57Ah!
00:15:58Cacquale!
00:15:59The police are under surveillance after Don Calocero's death!
00:16:02And you are the well-known idiot!
00:16:04As soon as you step on the ferribot and they arrest you!
00:16:06Annaccio!
00:16:07Let me think!
00:16:08I don't like!
00:16:10Don Mimi!
00:16:11What's up?
00:16:12With the bag allowed!
00:16:13I would have come right!
00:16:15Oh yeah?
00:16:15Come to the window!
00:16:16Look!
00:16:24Now now they have arrived!
00:16:25The Palermo mafia recommended them!
00:16:27Ah!
00:16:28Lupara and Cannamozza are their names!
00:16:31Silent, discreet and, when necessary, even terrifying!
00:16:53Very big city and how do we find the address?
00:16:57What can I ask for?
00:17:00What the hell?
00:17:01Should we go to Cologno or Monzese?
00:17:03Can you tell us where it is?
00:17:04Oh!
00:17:04I'll bring them there!
00:17:05Ah!
00:17:05Thank you!
00:17:06Thank you!
00:17:06Thank you!
00:17:17Thank you!
00:17:17These continentals are kind!
00:17:20I think they told us what rubbish and cement were, ah!
00:17:26Shotgun!
00:17:27And what happened?
00:17:27You don't make a tenth!
00:17:29The castle I was talking about!
00:17:31Look!
00:17:34Look!
00:17:37And it's also a tenth of Etna!
00:17:52Here we are!
00:17:55Get angry!
00:17:58Thank you very much!
00:17:59A thousand thanks!
00:18:00Nineteen hundred and ninety!
00:18:02Even tia cimila if it pleases us!
00:18:03Even a hundred apples thanks!
00:18:04It costs us nothing!
00:18:05Hey, Forbetti!
00:18:06Nineteen hundred and ninety!
00:18:08And she runs!
00:18:08Want price!
00:18:09You kindly invited us!
00:18:11Certain!
00:18:12You alone, poor cousin, we ask of you from Monza!
00:18:15And now!
00:18:16But how good!
00:18:17What spontaneity!
00:18:17Eh, a few tones and out with the gana!
00:18:19I'll send you back to Sicily with your shit in your ass!
00:18:21I'm shooting this one!
00:18:22But she brags about me!
00:18:23Oh, oh, go!
00:18:24But what flag do I throw it away!
00:18:25I'll shoot you!
00:18:27Get the gana out!
00:18:28One moment, hold on!
00:18:34There are two apple liras here!
00:18:35Thank you!
00:18:37Keep the rest!
00:18:38Tarullo of the host!
00:18:40Oh, para!
00:18:40My friend!
00:18:41What are you doing?
00:18:46They were right!
00:18:47These continentals are rude and false!
00:18:50You're right!
00:18:51Amonenne!
00:18:53Amonenne!
00:18:54Just in case, don't put that meat nearby face with...
00:18:56Yes, yes, but now calm down, calm down, calm down!
00:18:58But I'm shooting, but you have to shoot!
00:18:59No, no, I won't compromise you!
00:19:00And I'll shoot!
00:19:01Amonenne!
00:19:02I'm shooting at him because I don't think about anything, I'm shooting at him!
00:19:05But it's a good stealing, think about your family!
00:19:06And I also have to shoot!
00:19:11Let's go in, Santuzza!
00:19:14We must obey!
00:19:16We obey!
00:19:23Yet the beauties are right!
00:19:25But...
00:19:26Oh!
00:19:27It must be here!
00:19:28The Mari Brianti Beauty Institute!
00:19:31Inter 5!
00:19:32Yes, it's 1,004!
00:19:33Ah!
00:19:34Let's go in!
00:19:34But are we going in?
00:19:35They told us to wait outside!
00:19:37Ah!
00:19:37Blackberry, wait a minute...
00:19:38But!
00:19:40Come on!
00:20:00Me...
00:20:01Me...
00:20:02You have me...
00:20:03You have me...
00:20:08Beautiful, beautiful
00:20:10Everyone is the opposite of Carmelina and Santuzza
00:20:13Ciccio, you won't believe me
00:20:14But for those I would do stupid things, stupid things
00:20:17I would also spend females
00:20:19Crazy, crazy you are
00:20:20You've always had your hands in the holes
00:20:22They are my kind
00:20:23Femminalese not the bone I am
00:20:25Here we have to go on a joke
00:20:27Huh?
00:20:28Teru
00:20:29You have to hook them up
00:20:31We need to tow them away
00:20:33But if we wait for our wives
00:20:36You're a boussa
00:20:37We only need to ask for the phone number
00:20:39And this evening
00:20:42We throw them away
00:20:44But
00:20:49Hermetton, Miss Bermelan
00:20:50We are here with our hearts in our hands
00:20:54Are you laughing?
00:20:56But why do you speak foreign?
00:20:59Carmelina
00:21:01Santuzza
00:21:02But how did you buy it?
00:21:04As you ordered Ciccio
00:21:06And we obeyed
00:21:12Ciccio, too good and they went well
00:21:14It's good
00:21:19Incredible
00:21:20Scandalous as it is
00:21:21Look at that hair
00:21:22But how did those two get married?
00:21:24Always with two women of ill repute
00:21:26The sidewalks are feminine
00:21:28Who would have ever believed it?
00:21:29But who has it in for us?
00:21:30Come you
00:21:31But what do they have against us?
00:21:32Come you
00:21:32If you have any with his
00:21:33What do you have with his?
00:21:35What do you have with mine?
00:21:36If you have any with mine
00:21:37If you have any with his
00:21:45You are right.
00:21:52This is a beautiful lady.
00:21:55Look, the farmer's collection.
00:21:57Don't you know her?
00:21:58No, no, no.
00:21:59No, no, there are ladies here.
00:22:00What does that mean? I'm married.
00:22:02I bet they tell themselves a joke about it,
00:22:04the other four of us here feel as red as shrimp.
00:22:07Isn't that true, Mrs. Carmelina?
00:22:09Don't tell her one.
00:22:11Listen, the lady's name isn't Camberina.
00:22:13She's my wife, her name is Camberina.
00:22:15What are you saying, Turiddu?
00:22:17It's me, Holy One.
00:22:18Oh, sorry.
00:22:20With this hair dye
00:22:22I made a mess, confusion.
00:22:24Yes, they have turned around freshly.
00:22:27Well, if I may, I would like to take a little walk in the meantime.
00:22:30with Mrs. Santutta.
00:22:31I wouldn't do it.
00:22:32I wouldn't do it.
00:22:32I wouldn't do it.
00:22:32I wouldn't do it.
00:22:33I wouldn't do it.
00:22:33I wouldn't do it.
00:22:33I wouldn't do it.
00:22:34Amorile, come, madam.
00:22:35Come on, come on.
00:22:37Come on.
00:22:37Come on.
00:22:42Come on.
00:22:43But that one went my way.
00:22:45Ah, these Bolognese are in the grottos.
00:22:47Yes.
00:22:47But I have too much confidence if inside.
00:22:49But we are in Milan.
00:22:50So let Bologna go away
00:22:52to do these things with their wife.
00:22:54Calm down, God I am Provident.
00:22:56Remember 700 Ettore Previdino.
00:22:59All right.
00:23:08Ah, he's with Paolo.
00:23:12Gentlemen, you must leave your hat in the cloakroom.
00:23:15We look after our own stuff.
00:23:17Excuse me, gentlemen, but their stuff in the cloakroom
00:23:20nobody can steal it from him.
00:23:21It doesn't matter.
00:23:22There's a shot at this.
00:23:23Next time.
00:23:24Waiter.
00:23:25Here I am, sir.
00:23:27Changed too.
00:23:30What a cuff.
00:23:37Look.
00:23:46Look at that bosse.
00:23:49Bare shoulders, bare stockings,
00:23:52the lipstick is as if it wasn't enough
00:23:55camomile-colored hair.
00:23:57And me?
00:23:57But why?
00:23:58But why?
00:23:58But why?
00:23:59But why are they condemned with me?
00:24:00Because we ordered him to comply.
00:24:02And they will see.
00:24:09and we friends, what is this stuff?
00:24:14It's a load of shit.
00:24:16Horns are, yes.
00:24:23Look, he's at home.
00:24:24Eh, they're from Bologna.
00:24:26But I'm not referring to the people of Bologna.
00:24:28I am referring to our women.
00:24:30Our women are not from Bologna.
00:24:32They are shameless.
00:24:33Ah, I'll do it, faces.
00:24:43And there's another thing they need to explain to us.
00:24:45How do they know that dance?
00:24:47Go to dance school.
00:24:48At dance school?
00:24:49Eh, Carmelina told me.
00:24:50I will learn the twist,
00:24:51the madisons and the surfs.
00:24:52And the move?
00:24:53The move maybe that one...
00:24:55Ah, but that's optional.
00:24:57Ah, but that's a dancer.
00:25:03Here's the day.
00:25:05And now you guys go have a dance with your wives.
00:25:08But no, let's not stay in company.
00:25:10No, we're not jealous.
00:25:11But what an idea.
00:25:12He's not jealous at all.
00:25:14Eh, okay.
00:25:16Oh, you don't take advantage of this to pay the bill, do you?
00:25:17I?
00:25:18Ah, I don't have it anymore.
00:25:19Don't worry.
00:25:21And the valleys are more peaceful.
00:25:22The Mary.
00:25:24Lambrusco.
00:25:24Eh, well, listen carefully now.
00:25:49Please.
00:25:50You, the two of the quarters must...
00:25:52I'm up to this point and you remove those Valazzo and out.
00:25:55Eh, this is surfing.
00:25:56And go medical surfing with your wife.
00:25:59No.
00:26:03My loin doesn't freeze me.
00:26:06Go away, Sanduzza, I'm not a cuckold.
00:26:08You're always the dirty neighbor.
00:26:10It's symbolic.
00:26:11Symbolic, not symbolic.
00:26:13She puts them back on you.
00:26:14Oh, what a big head.
00:26:26But what is he doing?
00:26:28But what is he doing?
00:26:45Seen, are you seen?
00:26:46Are you crazy?
00:26:47We who are wrong with their news.
00:26:49But I'm talking about the Sicilian ones, above all, period.
00:26:51But precisely.
00:26:52How exactly?
00:26:53But do you think that two Sicilies, if I say two Sicilians, would bring their wives to the tavern?
00:26:58So what?
00:26:58And then the wives, the real wives, the ones in a house, locked up, with the belt in justice.
00:27:04And who are those there?
00:27:05But they are two little things bought just for the occasion.
00:27:08But have you seen that they don't recognize my own?
00:27:10It is true.
00:27:11It's an old trick used here in Milan.
00:27:13It happened to me again.
00:27:22That's where they come out.
00:27:23Franco Montano is in the car.
00:27:25And the wives in the friends' ones, I don't understand?
00:27:27But I understand.
00:27:27You have to follow them.
00:27:28And with Daxi.
00:27:29Daxi.
00:27:30Daxi.
00:27:30Daxi, quickly, follow those two cars.
00:27:32Maybe as far as Cologno Monzese, but I'll take you to Musocco and Mambello.
00:27:35And what are they, huh?
00:27:36The cemetery, the asylum, go away, I'll reduce you to my mouth.
00:27:39Daxi.
00:27:39Daxi.
00:27:40Always these troops.
00:27:49Dude, speed up, I can't see them anymore.
00:27:51Oh, they're not running away, let's all go to the tambareno.
00:27:53But are you sure we should have sent them with them, Sanduzzi and Carmelina?
00:27:56Ah, they're more comfortable in the best one.
00:27:58If you see how they are in Bolognese.
00:28:00They used the guards to protect us.
00:28:01Let's hope so.
00:28:05But have you really never been in a tambareno?
00:28:07No.
00:28:08But, but, but, but, didn't your mommy explain it to you?
00:28:10No.
00:28:11No?
00:28:12And not even the husbands.
00:28:13But...
00:28:14Well, well, I'll explain it to you, okay?
00:28:15The tambareno is a large building with many rooms.
00:28:19Ah, I get it.
00:28:20Like a hotel.
00:28:22So you stayed at the hotel, huh?
00:28:25Certain.
00:28:25When do we make the night trip?
00:28:27Well, the Tambareno is a big hotel, it seems.
00:28:30Look, it's just, it's really hot in the Tambareno.
00:28:32But a heat?
00:28:34It's so hot that as soon as you get there you have to undress immediately.
00:28:38Here you are.
00:29:17Excuse me, am I reporting two ladies and two gentlemen?
00:29:19Or two females with two males?
00:29:21And here there are many ladies with two gentlemen.
00:29:23Thank you.
00:29:24Please.
00:29:27Do the gentlemen want a table?
00:29:29Do the gentlemen want a table?
00:29:31Eh, later, later.
00:29:33All right.
00:29:34Let's sit down.
00:29:39Bette.
00:30:25But what does he do?
00:30:26Carmè, Carmè, but yes, if we've succeeded, it's better to make these two little morsels right away.
00:30:33Carmè, what are they saying?
00:30:35But are they talking about morsels?
00:30:39But do these Bolognese people always think about eating?
00:30:42But I don't think they're talking about eating.
00:30:47Carmela, but are we sure that this is exactly what our husbands told us to do?
00:30:54But...
00:30:55Let's go to my house.
00:30:56Enterprising.
00:31:03Ciccio.
00:31:05Had something happened?
00:31:07No, but you always think about misfortunes.
00:31:09I don't think about the misfortunes, I think about the two Bolognese who...
00:31:13But don't think about it, honest woman, I am.
00:31:15She is very virtuous.
00:31:16But sorry, but they don't know that they are our wives.
00:31:18They know it, they know it.
00:31:19And they also know that we are Sicilians.
00:31:21They would never linger.
00:31:22Of course.
00:31:24Ciccio, look.
00:31:30Good evening, madam.
00:31:31Good evening.
00:31:31How is your husband?
00:31:33My husband?
00:31:33Yes.
00:31:34Who?
00:31:34And Mr. Bismara.
00:31:35Hey.
00:31:36Oh, Bismara!
00:31:37He's not my husband.
00:31:39How was it?
00:31:40But how?
00:31:40Don't you know the game?
00:31:42Aren't they all here in Milan?
00:31:44My husband, yes.
00:31:54I can't stomach this whole thing about CHOCOLASLOVAKIA.
00:31:57But how does she know how things really happened?
00:31:59But I know that perfectly well too, pug.
00:32:01Yes, but you are looking at it from the wrong perspective.
00:32:03But not at all, not at all.
00:32:03You're idiots who don't know exactly what you want.
00:32:06So what?
00:32:07But did she put the newspapers?
00:32:09It's two hours ago.
00:32:10It's that Carmelina and Santozza went up with those two foreigners.
00:32:13Ceccio and Franco don't see each other.
00:32:15But what cuckolds and groomsmen they became.
00:32:17No, but sure, deep down.
00:32:19Moscow, what did he say to the Chocoslovaks?
00:32:21Dishonored.
00:32:24Look over there.
00:32:26There's a shot.
00:32:27Dust off the redogo.
00:32:30I'll go, I'll kill him and you.
00:32:32Oh, he pisses sword.
00:32:33He told me to keep watch, not to shoot.
00:32:35What are you shooting?
00:32:37No, on this issue our opinion is unequivocal.
00:32:40Yes, you idiot.
00:32:43Oh, but who are you angry with?
00:32:45Was he with me?
00:32:45But I'll take you.
00:32:47Yes, but what are you doing?
00:32:49But what are you doing?
00:32:49But what are you doing?
00:32:49But what are you doing?
00:32:49But what are you doing?
00:32:51Leave it, you bastard.
00:32:52That they are starving.
00:32:53What are we going to do?
00:32:54I really don't understand these continentals.
00:32:56What a blow.
00:32:57What a blow.
00:33:08He looked up.
00:33:10He looked up.
00:33:11Gioretto.
00:33:13Of five.
00:33:14What do we do?
00:33:14What do we do then?
00:33:15What do we do?
00:33:16We searched hospitals, tobacco shops, and police stations.
00:33:19But we didn't look in the hotels.
00:33:21Toriddo.
00:33:22Did you hear the one we thought was Besmara's wife?
00:33:25Huh?
00:33:26Here in Milan everyone knows the game.
00:33:28I wouldn't want the two Bolognese to mistake our two very virtuous wives for two of those...
00:33:34how do you say?
00:33:36Let's say female of mercenary pleasure.
00:33:38Let's have a quick chat.
00:33:39Oh, let's say it.
00:33:40Let's say it, let's say it, let's say it.
00:33:41And what do you mean by that?
00:33:43Perhaps Carmela and Santuzza don't know their duties.
00:33:46Yep, we were the ones who said to be kind, nice.
00:33:49Even complacent, but not to that extent.
00:33:51I know.
00:33:52Ceccio, I have some bad things going on right now.
00:33:55Who knows what they're doing right now.
00:33:57But what does he do then?
00:33:58Maybe they're hugging, kissing, throwing sugar at each other.
00:34:04The sweet life they're living, Ceccio, the sweet life.
00:34:10Let's go.
00:34:14And come.
00:34:23Of course, it's always five o'clock.
00:34:25Always five o'clock.
00:34:26Hey!
00:34:27Hey!
00:34:28What do you want?
00:34:29Would you like two fresh croissants?
00:34:32What a crazy mother!
00:34:34But do you want to do good to people?
00:34:38Keep calm, keep calm!
00:34:39Word has spread!
00:34:41You say?
00:34:42I say, I say!
00:34:46The flesh of doubt has entered the crack of jealousy.
00:34:49So what?
00:34:50Towers and two mothers.
00:34:52As soon as I arrive with our wives, the four days in Naples become a nightmare
00:34:56family dance.
00:34:58That's how things are.
00:34:59Ceccio, papadoni, the five days of Milan become a little Sunday.
00:35:18And your Bolognese knights?
00:35:22We all got along with them.
00:35:24You command and we obey.
00:35:31From Almerina!
00:35:33From Almerina!
00:35:34Thank you.
00:35:55Let's go and call Don Mimia.
00:35:58Amen!
00:35:59Yes.
00:35:59Run!
00:36:00Run!
00:36:01Thanks to caroglie!
00:36:03He did this to us, but hey presto!
00:36:05Don't bother me!
00:36:07Shitty face for ruminating on work!
00:36:09what a vяниamm!
00:36:11Run!
00:36:13I believe!
00:36:14Run!
00:36:15Don't break everything!
00:36:15And here?
00:36:15Calumite!
00:36:17And here?
00:36:18Don't break her face!
00:36:21And here?
00:36:23And here?
00:36:26And here?
00:36:27And here?
00:36:31And here?
00:36:37And here?
00:36:41Scandalous
00:36:46Rome is also a very large and beautiful city, very beautiful
00:36:50Let's hope that the Romans are better than the Milanese
00:36:55I swear he's the first one to touch me
00:36:57I let him taste the lead in front of the shotgun
00:36:59Calm down, calm down, save the lead for Frankie
00:37:04But what do we do now?
00:37:06A from which we pray to reach them in Ostia
00:37:08But what quality? Either you go under, or this will happen to me.
00:37:11And who is he?
00:37:13The underground, ignorant
00:37:16And what do you know about becoming moles?
00:37:21They are sunbathing on the beach, at the seaside
00:37:28Holy cow, this guy is ignorant to the core.
00:37:33But how will you travel the world?
00:37:37I love nenne, I love nenne
00:37:40Fetuji, caroglie
00:37:41Dishonoured, I eat them alive
00:37:44Dishonoring one's wives steps
00:37:45But not my daughters
00:37:47You have to make them for me
00:37:49You must destroy them
00:37:50A knife here, here, you understand?
00:37:53Don't worry, Don Mimì
00:37:55I cut them into little pieces
00:37:56Imbecile
00:37:58No, no, he wasn't telling you, Don Mimì
00:38:00And of course it would be missing
00:38:01Of course we are in Rome
00:38:03Ciccio and Franco follow
00:38:05As?
00:38:06Your daughters?
00:38:09Carmelino took a bad ski
00:38:11He does the good...
00:38:11Oh, Santuzza
00:38:12Ah, thank goodness
00:38:13We saved one
00:38:15What do you say?
00:38:16Santuzza
00:38:17Count it Razio Rossi has put himself
00:38:18Serious person
00:38:20Married man
00:38:21Now he calls himself Babbara
00:38:23And helps the business husband
00:38:25Even my daughters have ruined me
00:38:27You have to take them out, understand?
00:38:28Of course, Don Mimì
00:38:29We'll take care of Ciccio and Franco
00:38:31Come on, tie them up and kill them
00:38:34Desolate
00:38:39I will be
00:38:39But they know how to do this sawn-off shot
00:38:42This shotgun?
00:38:43The Valemmo mafia recommended him to us
00:38:45Then that's enough
00:39:08We can't make a bad impression
00:39:11Finally
00:39:11I didn't like this job much.
00:39:13Always look, look
00:39:14And never shoot
00:39:16But now the order came
00:39:17And you have to hit
00:39:19Cofo
00:39:20Oh ball
00:39:26Excuse me
00:39:27Was it you?
00:39:28I didn't do it on purpose
00:39:29I am sorry
00:39:30I'm making myself feel sorry now
00:39:33Thank you
00:39:33You shouldn't have disturbed me
00:39:34Understood?
00:39:35For the next time
00:39:36Imagine it
00:39:37Federico
00:39:37Good morning
00:39:39Good morning
00:39:52Very abundant
00:39:53And don't tell yourself
00:39:54Why did you see them?
00:39:55Where?
00:39:56Maybe they were blocked by Ciafego
00:39:58Darnit
00:39:59Who would have ever thought?
00:40:00That the world
00:40:01It was small things
00:40:02And who would have thought?
00:40:04Allow me to represent
00:40:05My little family
00:40:06My wife Assuntino
00:40:09Enchanted
00:40:09Pleasure
00:40:10And this is my brat
00:40:12Mimi
00:40:13Mimi
00:40:14HI
00:40:14Do you know who the gentleman is?
00:40:16Certain
00:40:17You always say it at home
00:40:18It's that sardine
00:40:19With a mustache
00:40:20Who acts like a bully
00:40:21Because he is the son-in-law
00:40:22Of the owner
00:40:23It is hoped
00:40:24It's joking
00:40:25All right
00:40:26Don't let us go home
00:40:26He is an intelligent child
00:40:27For coci
00:40:28Look, I have to
00:40:29He is very intelligent
00:40:31Truly
00:40:31He is a man of letters
00:40:32All right
00:40:33Tantale churches near him
00:40:34Become another person
00:40:35Yes yes yes
00:40:36Tell the doctor the poem
00:40:37Oh no
00:40:37There is no need
00:40:38Then then
00:40:38Excuse me, doctor.
00:40:39But there isn't
00:40:40But then
00:40:41But then I'll tell it
00:40:41But it is to say
00:40:42The say
00:40:43The heart fills with joy
00:40:45This meeting with the doctor
00:40:47We will have a very good time
00:40:49All day together
00:40:51Oh no
00:40:52There is an error here
00:40:53I'm sorry doctor
00:40:54But there is no mistake
00:40:55This is poetic license
00:40:57Well
00:40:57Together
00:40:58Look
00:40:59Leave the licenses alone
00:41:00But I
00:41:01Yes yes
00:41:02Francis
00:41:03His lady
00:41:05Yes
00:41:07Very honored madam
00:41:09I was left speechless
00:41:11Imbecile
00:41:12Repentant
00:41:13This will be my employee
00:41:14He's a little guy
00:41:15For now
00:41:16It's true doctor
00:41:17Yes for now
00:41:18But the time never comes
00:41:18In the place
00:41:19Right
00:41:19Allow me sir
00:41:20Let me introduce you to my little family
00:41:22This is my other half
00:41:23Well I would say three quarters
00:41:25A little too much
00:41:26It looks like the black corzaro
00:41:27But it isn't
00:41:28And this is my brat
00:41:30Mimi
00:41:31Very nice to meet you
00:41:32And we're leaving
00:41:33Until we meet again
00:41:34But what are they doing if they leave?
00:41:37Doctor
00:41:38Doctor
00:41:38Doctor, where are you going?
00:41:40I'm going to look for some shade
00:41:42Why does the sun hurt me?
00:41:43He's right
00:41:44I say it without my lady
00:41:46The sun hurts
00:41:47You have to go to the seaside
00:41:49Looking for some shade
00:41:50Bravo
00:41:50With that there is no
00:41:51It's no longer there
00:41:52Are you coming for a swim?
00:41:53Are you in?
00:41:54But if we go
00:41:54Let's go
00:41:55Let's go
00:41:56Let's go
00:41:58There they are
00:41:58But the indecare
00:41:59If we are swallowed meat
00:42:01Cannamò
00:42:02It turns out that Franco
00:42:03Let's sing
00:42:04No
00:42:05So what?
00:42:06Who is that fat girl?
00:42:07With the baby?
00:42:07What is he doing there?
00:42:09Blind cat
00:42:10He will do it
00:42:10I'll shoot at it
00:42:11Imbecile
00:42:11You are dear
00:42:12And we are dumbfounded
00:42:13But what mystery?
00:42:14If we get closer to those
00:42:15They recognize us
00:42:17You're right.
00:42:17But an idea sells me
00:42:20Let's go
00:42:24But what an impossible individual
00:42:26At some point
00:42:26I was scared
00:42:27That you would never free yourself again
00:42:28I?
00:42:29It's obvious you don't know me dear
00:42:30Me with my employees
00:42:32I am correct but energetic
00:42:33Oh, don't worry
00:42:35That to that one here
00:42:35You won't see him again
00:42:36Excuse me, doctor?
00:42:38Turn on
00:42:39Turn on
00:42:40But what?
00:42:41Then I'll turn it on
00:42:47Do you want another doctor?
00:42:49Listen, Grin
00:42:50I demand
00:42:51I claim
00:42:52Let her go and find
00:42:53Immediately
00:42:53His wife
00:42:54And his son
00:42:55My wife and my son
00:42:56Here they are
00:42:57Doctor
00:42:58But look at the combination
00:43:00We are also shadow neighbors
00:43:05Ice cream
00:43:07Ice cream
00:43:07Ice cream
00:43:08Ice cream
00:43:09Beautiful and fresh
00:43:09Contenna there is something for everyone
00:43:11The years
00:43:11Dario piano
00:43:12Hitman, do you see them?
00:43:14Where am I?
00:43:16Let's see each other
00:43:17Contenna
00:43:27Hey you!
00:43:31Do you have the license?
00:43:33But what license is he talking about, huh?
00:43:35Please don't be funny.
00:43:37The license to sell ice cream. Do you have it?
00:43:39But why? You need a license too, right? So, speak up.
00:43:43But you know, madam, your costume is very cute.
00:43:48Finds?
00:43:49Yes, yes, I'd like to make one just like that too, you know?
00:43:52But my husband is so jealous, huh?
00:43:55These Sicilians, so jealous, so impetuous, and so passionate.
00:44:03But stay still, you!
00:44:07Mimì, bang me!
00:44:10Doctor, would you mind holding my glass for me?
00:44:13Hold it for me, hold it for me!
00:44:17Drink some of this stuff, you'll taste how fancy it is.
00:44:20But I can't drink this stuff, but I have stomach problems.
00:44:22But what a stomach, but what a stomach!
00:44:24Drink it, it's original, homemade stuff, made with my wife's sweat.
00:44:28It doesn't suit her.
00:44:30Madam, do you like the sea?
00:44:32Yes a lot.
00:44:33Yes, I like it a lot too, but unfortunately we can't come often
00:44:38because my husband suffers so much from rheumatism, you know?
00:44:41And doesn't your husband suffer from rheumatism?
00:44:44Eh, maybe yes.
00:44:46Frank!
00:44:47What's up?
00:44:47His father suffers from rheumatism.
00:44:49But what do you say to yourself?
00:44:50Hey, hey, who said that?
00:44:52His mother.
00:44:52Eh, my...
00:44:54Yes, that's fine, but it's not a serious thing.
00:44:57Don't be ashamed, doctor, don't be ashamed!
00:44:59There is a proverb that says
00:45:01the rheumatic man is half saved.
00:45:04And I have a system that cures her in two hours.
00:45:07Eh, no need, Malvi.
00:45:08Huh?
00:45:09We have to help each other, we are peasants.
00:45:11We are, we are not, countrymen.
00:45:13Huh?
00:45:14Mimi, let's go.
00:45:15Let's go.
00:45:16But where is he going?
00:45:17But where?
00:45:17Hey, madam, where is your husband going?
00:45:19Oh yes, wait for me, I'm good at it.
00:45:25We are too far away, we must get closer.
00:45:28Caguali, there are two eyewitnesses.
00:45:31You're right, Don Mimì Prudenza recommended us,
00:45:34we have to get used to it again.
00:45:35Will you warn us?
00:45:36Are you crazy?
00:45:37Did you hear what a policeman said?
00:45:39If he still fishes in, he'll take us.
00:45:41True, and it gives me the shivers.
00:45:43Are you afraid of the traffic warden?
00:45:44But what a policeman!
00:45:45I think if it was known that two people recommended by the mafia
00:45:47they were arrested for illegal trading of crimes.
00:45:51Ignorant!
00:45:55There you go, doctor.
00:45:57She'll tell me how she feels soon.
00:45:59Would you be so kind as to let me out?
00:46:01But how come the treatment hasn't started yet and he already wants to leave?
00:46:04You must be patient, doctor.
00:46:05Now we're going to go swimming,
00:46:07then we'll dry ourselves,
00:46:08we'll come here, we'll take it out
00:46:10and she will feel like iron.
00:46:13Lord, the sea awaits us.
00:46:15Do you want to go?
00:46:16Assuntina, take a look at the doctor.
00:46:18Let me out!
00:46:20Come on, I want to go out!
00:46:23Good, good!
00:46:27That's a lot!
00:46:29It's better.
00:46:36Go over there, don't make a fuss.
00:46:40Sir, you stay there, but I let you swim.
00:46:43It doesn't let you swim.
00:46:44I'm here.
00:46:46Come, I'll teach you everything.
00:46:48But no, I'm scared!
00:46:49But don't be afraid!
00:46:50But do you know what they called me in Sicily?
00:46:52The dogfish of Taormina!
00:46:55Look.
00:46:56One, two, three, four, four, six...
00:47:00Capato, which dogfish from Taormina?
00:47:03Did they call me the cod of the Trevi Fountain?
00:47:06This son, this my son!
00:47:09Son of a mother I see, but go away!
00:47:11It's a joke!
00:47:13Come, madam!
00:47:14But I don't even know why I'm starting!
00:47:17Hey, I'm an old sea dog!
00:47:19What should I do?
00:47:20Let's go!
00:47:23Say 33!
00:47:25But what does 33 have to do with it?
00:47:26I was joking!
00:47:29It's exciting!
00:47:30The tent, the emotion!
00:47:32Dad, dad, dad!
00:47:34What does it do so much?
00:47:35What does it do so much?
00:47:36Go away!
00:47:37Go away!
00:47:39Go away!
00:47:39Go away!
00:47:40Go away!
00:47:40But why do you want to go, that lady gets emotional and never learns from me?
00:47:44Sometimes I speak in dialect!
00:47:49I don't know!
00:47:50And vitti!
00:47:51From there, from there, from there, I crash into the water and...
00:47:54And I see Ciccio too!
00:47:56If I turn!
00:47:57Maybe someone is ahead of us!
00:47:58Pescelle, can't you see he's sandblasting!
00:48:01Listen, ma'am, now move your little feet!
00:48:03Yes!
00:48:04Oh, how good!
00:48:05And now move your little hands!
00:48:08How good!
00:48:09She doesn't know she's a peach!
00:48:11How I'd love to float!
00:48:14Here, I'll have it done right away!
00:48:16You see, floating dead is done the other way around!
00:48:20Here, at ease, at ease, at ease!
00:48:24But what are you doing?
00:48:27And you, yes!
00:48:28He's seen how you do it, yes?
00:48:30I'm not very good at floating dead, eh?
00:48:32Well, because a dead person was a seriously ill person!
00:48:36But we must continue!
00:48:37He who stops is lost!
00:48:39Please!
00:48:42The location!
00:48:46How is it going?
00:48:47This is the right position!
00:48:50Let's continue, sir, as you learned!
00:48:54Lord Macri!
00:48:56But what's happening?
00:48:57Lord Macri!
00:48:58But what happened?
00:49:00But what's happening?
00:49:03I was spearfishing!
00:49:05But all the dead, dad, what spearfishing?
00:49:10Let me out!
00:49:13Let me out!
00:49:21Doctor, why do you believe?
00:49:22I want you to release me immediately!
00:49:24Of course we'll free her!
00:49:26It's lunch time!
00:49:27Do you know what my lunch lady prepared?
00:49:30I don't care, I'm going to eat at the restaurant!
00:49:32I cooked it with my own hands, look, it's a lovely lunch!
00:49:35I said I eat at the restaurant!
00:49:36He made meatballs that were magnificent!
00:49:39I eat at the restaurant!
00:49:41Assundina!
00:49:42Don't insist!
00:49:44My boss has already made up his mind!
00:49:46He will eat with his kind wife at the restaurant!
00:49:49Voice!
00:49:50Voice!
00:49:51Voice!
00:49:52Voice!
00:49:52Voice!
00:49:53Voice!
00:49:54Voca cola!
00:49:55Voca cola!
00:49:55Voice!
00:49:56Voice!
00:49:58There they are!
00:49:59Excuse me!
00:50:00Please!
00:50:02There's nothing to...
00:50:02There's nothing to...
00:50:03There's nothing to...
00:50:03With says, look!
00:50:04If he's going to make the fat lady's lunch go bad, maybe she'll die!
00:50:06Please, it's easy to kill him!
00:50:08He breathes it!
00:50:08It's true!
00:50:09We only have one left!
00:50:11Look here!
00:50:11You see the license to kill!
00:50:13But wow!
00:50:14What do you say, little pecciotto?
00:50:15Give me two Cokes!
00:50:16Hurry up, eh, please!
00:50:17Immediately!
00:50:18Here you go, ma'am!
00:50:19Here you are!
00:50:20Thank you!
00:50:20Come on, Marco!
00:50:21Do you know, mommy?
00:50:22Those poor people want to kill a guy!
00:50:24Of course, Marco!
00:50:25This beach is full of murderers!
00:50:27You don't know what to know!
00:50:31Caramelo, what do we do?
00:50:33You know what I tell you!
00:50:34Hey, you!
00:50:36Oh, watchman!
00:50:36But don't joke!
00:50:37Oh, watchman!
00:50:38What a boon!
00:50:39Oh, watchman!
00:50:40So, do you have the license?
00:50:42Oh, no, I have the license!
00:50:44You feel it, you feel it!
00:50:54So bad, darling!
00:50:57It's getting better!
00:50:59But I can't help but be angry thinking about that pain in the ass who ruined my day!
00:51:03Keep calm!
00:51:04The day isn't over yet!
00:51:06Huh?
00:51:07They look like they're sleeping!
00:51:09Let's go to the cabin!
00:51:10Are you crazy?
00:51:11But there are people!
00:51:13Crazy about you!
00:51:14Let's go!
00:51:18Go slowly, eh!
00:51:25Doctor!
00:51:26Where you go?
00:51:28Do I need something?
00:51:30No, thanks, I'm going to the cabin to get my butt.
00:51:32If I give you mine for this, export.
00:51:34But I smoke muratti with a filter.
00:51:36These also have the filter.
00:51:38Muratti, but what is Muratti?
00:51:40But on the minus side, the doctor smokes muratti.
00:52:02Love.
00:52:07Carmo, what are you doing?
00:52:09Dear, don't disturb me when I'm working.
00:52:14Doctor, I'm going to raise your cigarettes badly!
00:52:16No!
00:52:17You see it's dangerous!
00:52:20Is he gone?
00:52:22Is he gone?
00:52:27Doctor, the walls!
00:52:30I don't want to smoke!
00:52:32I'm sick, it's okay!
00:52:33I apologize.
00:52:35Darling, maybe we'd better go, you know?
00:52:36Shut up!
00:52:37You'll see that this time he won't come back.
00:52:39Are you sure?
00:52:40Certain!
00:52:42Do you love me?
00:52:43Yes!
00:52:45How much you love me!
00:52:53Doctor, I even brought you the digestive!
00:52:57No!
00:52:59No!
00:53:00But why didn't I kill him?
00:53:03Why?
00:53:13Lopara!
00:53:15Lopara!
00:53:16Here I am!
00:53:17Here you are!
00:53:18Put this stuff on!
00:53:19And I don't know, there was you!
00:53:21But who says you have to notice?
00:53:22With this lopara you would make noise, with this one you wouldn't!
00:53:25Let's put on masks, so that no one recognizes us when we're already dressed!
00:53:28Oh no, did you hear what the deputy said?
00:53:30I know what he said!
00:53:30This time I'll fine you no more, but next time I'll throw you in jail!
00:53:35So what?
00:53:35Are we going to sell something?
00:53:38You're right!
00:53:39So let's go, shall we?
00:53:45Miss, do you need anything?
00:53:47No thank you!
00:53:49Miss, I am always at your disposal!
00:53:51She's calling me!
00:53:52Don't forget me!
00:53:53If only he remembered mine!
00:53:57Doctor Uzzabella!
00:54:02Listen, Magrì!
00:54:04She has to stop worrying about my health, my cigarettes, my stomach,
00:54:09of the digestive, did you understand?
00:54:11But I do it towards myself!
00:54:12No, she does it because she wants to get promoted!
00:54:15Well, in a way!
00:54:16But you know what I say?
00:54:18What do you tell me?
00:54:19You know what I say?
00:54:21What do you tell me?
00:54:21I beg you!
00:54:22You know what I say?
00:54:24But are you telling me, yes or no?
00:54:27Let's go skating!
00:54:29Ah, nice!
00:54:30Let's go skating!
00:54:32No, no, we're going on the skates!
00:54:33Exactly, let's go skating!
00:54:36Come on, let's go skating together!
00:54:39Why do we leave the ladies here?
00:54:40The two of us!
00:54:41Me and my wife!
00:54:42Ah, not us!
00:54:44You!
00:54:45Oh, okay!
00:54:46But it won't hurt her!
00:54:49May he feel bad!
00:54:51May he feel bad!
00:54:52Francesco Magrì!
00:54:53Huh?
00:54:54Is that how things are?
00:54:55You know what I say?
00:54:56What do you tell me?
00:54:57What promotes me?
00:54:58No!
00:54:58You got fired!
00:54:59Ah!
00:55:00And you you you what?
00:55:01But what did I do?
00:55:03But what did I do?
00:55:04Oh!
00:55:04It's my ring!
00:55:05That?
00:55:06The ring!
00:55:07It will be in the cabin!
00:55:08Madam, where was the ring?
00:55:10It's here on your finger!
00:55:10And how come the finger is there and the ring is no longer there?
00:55:13Come with me!
00:55:14Not if we see it!
00:55:15We know!
00:55:19Stop everyone!
00:55:20Come, madam!
00:55:23What happened?
00:55:24I lost the ring!
00:55:26But where did you lose it?
00:55:26If I knew, I'd be looking for it!
00:55:29Mimì, let's get to work!
00:55:30But how do you look for the ring in the middle of the bag?
00:55:35I have an idea!
00:55:36I'm going to do something!
00:55:37Where are you going?
00:55:39It was a very valuable ring!
00:55:41What do you think he brings to Italy?
00:55:43Excuse me, ma'am, you didn't mean to imply that!
00:55:47It's allowed!
00:55:48It's allowed!
00:55:50Found anything?
00:55:52But nothing!
00:55:53Not even in the cabin!
00:55:54No!
00:55:55Let's try to tidy her up!
00:55:57So, the sad one goes here!
00:56:00Lady!
00:56:01Where is her husband?
00:56:03What do I know!
00:56:04I will have gone to play the ring!
00:56:06Attention!
00:56:07Attention!
00:56:08The wife of industrialist Francesco Patanè
00:56:11lost on the beach...
00:56:12All we need is Eurovision!
00:56:15Doctor!
00:56:15Doctor!
00:56:16I had a great idea!
00:56:17But Gris!
00:56:19You are not a man!
00:56:20How am I not a man?
00:56:21I miss him!
00:56:21She's a corpse because I park her!
00:56:27Can the mozza stop it!
00:56:34Let's go, quickly!
00:56:35What's up?
00:56:36You come!
00:56:37Doctor, where are you going?
00:56:38You'll see he'll run away!
00:56:40There, come!
00:56:41I don't see anything!
00:56:43I repeat!
00:56:44Take off this mask!
00:56:46We missed him too!
00:56:52Oh, but look, there is the era!
00:56:54All right, all right!
00:56:55When we see them, we get closer, four and four and zalla!
00:56:59And a fish is caught!
00:57:00Actually, two pisses!
00:57:02Well done, well done!
00:57:03Do you have a fishing license?
00:57:06But this licensing man has...
00:57:08Let's go, children!
00:57:09And where to?
00:57:10Where?
00:57:10Come on, let's go get the licenses!
00:57:12Let's go to the licenses!
00:57:16Then, we returned to Rome at full speed!
00:57:25In San Giovanni he stops in front of a café, he tells me tense or pike, I pop over to call,
00:57:30wait for me!
00:57:32Then you think, he puts his hand on my leg and gives me a kiss on the neck!
00:57:36On the neck?
00:57:37You're such a young commissioner, you can understand certain things!
00:57:40I'm writing this too, doctor!
00:57:41No, no, not this!
00:57:42Go ahead, madam!
00:57:43Well, there's not much more to say!
00:57:45He goes into a cafe, I...
00:57:46I'm waiting, I'm waiting!
00:57:48Did she see him again?
00:57:49I do not!
00:57:50Did you write everything down?
00:57:51All!
00:57:52Well!
00:57:52You must help us, ma'am!
00:57:54Say everything you remember!
00:57:55Even a small detail can help us!
00:57:58What was the car like?
00:58:00A grey Opel, with a Bologna license plate, 43, 11, 21!
00:58:06Bologna?
00:58:06But then it was his car!
00:58:08Oh yes!
00:58:08How stupid!
00:58:09It's mine!
00:58:11Did you write?
00:58:12Certain!
00:58:13Well done!
00:58:14Delete!
00:58:17It's clear she didn't notice the charade!
00:58:20The fear that the wife would find out!
00:58:21The sudden escape from the beach!
00:58:23The other, dear lady, was an accomplice!
00:58:27But what does he tell me?
00:58:29He also has that nice fat lady!
00:58:31And that dear child so good at school!
00:58:33That fat lady, as she says, is an old acquaintance of ours!
00:58:38Do you know how we caught her last time, dressed as a nun?
00:58:41And that dear child, as you always say, does he know where he studied?
00:58:44To reform school!
00:58:45But Commissioner, they took the loner away from me!
00:58:49Do you know it's worth 5 million?
00:58:50It's a little gift from Dodò!
00:58:52Dodò is my husband!
00:58:53Domenico Lamborghelli, Randola delicatessen!
00:58:56Do you see it, carousel?
00:58:58Happy lunches, sweet dreams, with salami, Lamborghelli!
00:59:03Sure, sure!
00:59:04So you want to file a complaint?
00:59:06Oh, of course!
00:59:08For the ring it's worth 5 million!
00:59:09If not, why should I tell Dodò?
00:59:11I understand!
00:59:13But if she files a complaint with Dodò, sorry, her husband, he finds out how she lost her...
00:59:20'ring?
00:59:21He's right!
00:59:22Dodò is so jealous!
00:59:24Tell him, he would understand that it was an innocent act!
00:59:26Please, madam, don't talk about innocence to me!
00:59:29From the way you described them, I think I know who they are!
00:59:42Are these?
00:59:43Franco Magri and Ciccio Pipitone!
00:59:46Of course it's them!
00:59:47Do you know them?
00:59:48We know them!
00:59:50We know them well!
00:59:55He never told me how he met those two!
00:59:58When I was in Sicily, deputy commissioner from Cireale, they did a dirty trick to their father-in-law, a powerful mafia boss!
01:00:05Oh!
01:00:06Excuse me!
01:00:07Please!
01:00:07Thank you!
01:00:09Since then, Ciccio and Franco have tried to make money to escape abroad to escape revenge.
01:00:13and with his brilliant it seems they succeeded!
01:00:18Am I writing, doctor?
01:00:19Yes, this yes!
01:00:21So, madam, did you notice here on the beach that your ring was missing?
01:00:25But do you know that she looks like a black man to me?
01:00:27The one on TV?
01:00:28He always goes to the crime scene too!
01:00:31Doctor, am I writing?
01:00:32No, no, don't write that!
01:00:34So, ma'am, let's recap the facts!
01:00:36Where exactly did she realize she no longer had the ring on her finger?
01:00:42Will you promise not to tell Dodò?
01:00:45Adotto, I don't hear anything here, shut up!
01:00:47Dear lady, Dodò, sorry, your husband, I don't even know him!
01:00:52That's why she can't know how jealous he is, but he's not a bad guy, you know?
01:00:55Poor Dodò!
01:00:57Maybe it doesn't do anything to me except tenderness!
01:01:00She understands at 60 and doesn't think about anything but her salary!
01:01:03Madam, the ring!
01:01:04He promised me he wouldn't say anything, huh?
01:01:06Come!
01:01:08Doctor!
01:01:13Look, it happened in here!
01:01:15If we go in I'll show you everything!
01:01:18That scoundrel was squeezing me so hard I can't even tell you!
01:01:20But these Sicilians are all so fiery!
01:01:28Shall I come in too, doctor?
01:01:30No, don't worry, I'll get back to you later!
01:01:33Dr. Berti is requested to call your office urgently!
01:01:37Dr. Berti is requested to call your office urgently!
01:01:51What do the gentlemen wish?
01:01:53Ah, let's see!
01:01:54How much does a cappuccino cost?
01:01:56One hundred lire!
01:01:57Then we need a cappuccino with two straws!
01:02:01Two who?
01:02:01Two straws!
01:02:03Yes!
01:02:03Oh, listen!
01:02:04Lots of sugar!
01:02:05Yes!
01:02:06Ah, ah!
01:02:06And the milk must be lukewarm!
01:02:08All right!
01:02:09Well!
01:02:10So!
01:02:10Read the letter!
01:02:12Dearest ones!
01:02:13It's for us!
01:02:14Just an imbecile!
01:02:16An ignoramus!
01:02:17A trusty one!
01:02:18It's pittia!
01:02:20He can give a job of trust to people like you!
01:02:23It's for him!
01:02:25Therefore, if within a week, whoever you know does not die, I will take action.
01:02:31of the case against you!
01:02:32But do you know?
01:02:33That guy will do it to Pelsettini if we don't kill them!
01:02:36Yes, you!
01:02:37We are six dear incognito, ah!
01:02:40He's quick to talk!
01:02:42He gave us little money!
01:02:44And we, between Milan and Rome, spent almost everything!
01:02:48And I don't even have the strength to pull the trigger!
01:02:52You're right!
01:02:53We haven't eaten since yesterday!
01:02:56That's right!
01:02:58Do gentlemen pay in cash or in installments?
01:03:01Witty!
01:03:01They pay in cash!
01:03:03And what are you, an assistant!
01:03:10And come on, capiano!
01:03:16And now we have to write to Don Emilio!
01:03:18Eh, well done!
01:03:19And who's going to give us the money for the postage stamp?
01:03:20But we have to tell that Don Emilio that we found those two cuckolds Cicciafranco!
01:03:24Oh yes, that's true too!
01:03:26So what?
01:03:29The money!
01:03:31Verduzzo!
01:03:31The expense fund sent us 50,000 lire!
01:03:34Come on, you see 50,000 lire all at once!
01:03:37I'm the cashier, ah!
01:03:37Give them to me!
01:04:03But we only have to shoot at Frangheciccio!
01:04:06Right!
01:04:07Who's first?
01:04:08I!
01:04:08But I don't make him suffer!
01:04:11I suffered so much as bronchopneumonia!
01:04:13Were you unable to heal?
01:04:14No!
01:04:15I did everything, everything!
01:04:17Don't worry, ma'am!
01:04:18Our system is instant and painless!
01:04:205,000 lire!
01:04:25Thank you!
01:04:27Don't worry, ma'am, it's all bad!
01:04:28Go badly!
01:04:32Who is the second?
01:04:33Us!
01:04:34Us!
01:04:35Oh my God, my Fuffino!
01:04:36I love you so much!
01:04:37You'll see if it's nothing!
01:04:38Listen to me!
01:04:39What are you doing, you're the one!
01:04:40Don't worry, ma'am!
01:04:41Fuffino won't notice anything!
01:04:43Please!
01:04:4310,000!
01:04:44Oh!
01:04:46Calm down, lady!
01:04:47We'll take care of it!
01:04:48Fuffino!
01:04:49Once again!
01:04:50Fuffino!
01:04:50My dear!
01:04:51Look!
01:04:51Look!
01:04:51Look!
01:04:51Look!
01:04:52Look!
01:04:52Look!
01:04:52Look!
01:04:52Look!
01:04:53Look!
01:04:53Look!
01:04:53Look!
01:04:54Look!
01:04:55Look!
01:04:58Look!
01:05:05Ready?
01:05:07Ready?
01:05:08Is that you Barbara?
01:05:10Sorry yes!
01:05:11Yes, you're right, but even today it didn't give me a moment to breathe!
01:05:14Nice way!
01:05:15To leave me hanging like this all day!
01:05:17If you think I'm willing to let you treat me like this, you're wrong!
01:05:21But please calm down!
01:05:22It's not my fault, you know!
01:05:24Ninth!
01:05:25It's your fault that you didn't rebel against that harpy!
01:05:27You've been promising for two months that you'll take me with you forever!
01:05:30I've also been waiting for two years to convince her to give me a few million but before I do that
01:05:34drop a lira on that one!
01:05:35So what do you think I should do?
01:05:38Just a little more patience, my love!
01:05:40You know he named me his universal heir!
01:05:43Ah!
01:05:44We have to wait, he'll die of old age!
01:05:46But dear, how much do you think he has at his age?
01:05:49With all the hard work and treatments she goes through to rejuvenate herself, I don't know!
01:05:53At most it could last a couple of years!
01:05:55Oh, yes, but I wouldn't, I'd die before I got jabbia!
01:05:58No no dear, get it out of your head!
01:06:01Either you decide to do something right now or I'll leave you!
01:06:04Did you understand?
01:06:05Onward, forward!
01:06:12Please have a seat!
01:06:14Pleasure!
01:06:14Pleasure!
01:06:15What can we serve you with?
01:06:18Well actually it's not about me but about my wife yes!
01:06:21Ah I understand, she didn't have the courage!
01:06:24Exactly, but it's a bit difficult!
01:06:27I don't know if this is within your capabilities!
01:06:29But imagine, here we are dealing with suppression of all kinds, maximum confidentiality, service to murder!
01:06:34Enal discount!
01:06:35Discount as they say!
01:06:36The lady knows you came here!
01:06:38Of course, there would be trouble if he knew!
01:06:40No no no no!
01:06:40Hey delegate!
01:06:42What a suppression of the wife!
01:06:44So we have to act without his knowledge?
01:06:46Exactly like that!
01:06:49Sly guy!
01:06:50And you want the elimination to happen randomly here in the clinic?
01:06:55It's the same as long as there are no traces left!
01:06:57It must appear to be a natural death!
01:07:00Whose wife is he?
01:07:01No to the police!
01:07:02Oh, the police!
01:07:03Yes!
01:07:04Did he say police?
01:07:06Yes!
01:07:07Excuse me, it's a police dog!
01:07:09But what a dog of Egypt!
01:07:11Ah Egypt!
01:07:12Pharaoh dog!
01:07:13So who said anything about dogs?
01:07:15You talked about dogs!
01:07:16But he's the one who talked about dogs!
01:07:17No no no no!
01:07:17Let's not digress, eh!
01:07:19Here you are!
01:07:19This!
01:07:20This is the subject to eliminate!
01:07:24But this is a bobotavo!
01:07:25No, she's my wife!
01:07:26Take courage!
01:07:29But I'm wrong!
01:07:30Or did you come here to eliminate your wife?
01:07:32But I've been trying to tell you for an hour!
01:07:35Oh I'm sorry!
01:07:36Our industry is only about killing animals!
01:07:38But my wife is a beast!
01:07:40Well then!
01:07:41Not at all!
01:07:42But I pay well!
01:07:44Any amount!
01:07:45Any rate!
01:07:46All you have to do is talk, that's it!
01:07:48Payment in advance!
01:07:49Yes, of course, an advance right away!
01:07:52And the rest after the burial!
01:07:54Oh I'm sorry!
01:07:56Our company is serious!
01:07:57We only work on a cash order basis!
01:08:00Precisely!
01:08:01As soon as the cash register is ready I'll pay!
01:08:04I am his universal heir!
01:08:06How much?
01:08:0720 thousand now and 20 million on delivery!
01:08:16Excuse me!
01:08:17Shadow districts!
01:08:18Please!
01:08:30Well!
01:08:31Your desire has stopped suffering!
01:08:32Agree!
01:08:33So do you have a plan?
01:08:35Do you have a plan?
01:08:36No!
01:08:36I have a guitar!
01:08:37I don't know if it's enough!
01:08:37Is the guitar okay?
01:08:38It does not matter!
01:08:39I have the plan!
01:08:40Here you are!
01:08:41This is the battlefield!
01:08:51I am!
01:08:52Are you sure?
01:08:53Absolutely sure!
01:08:53I'll shoot it!
01:08:54And right away!
01:08:55Bravo!
01:08:56In the midst of people in broad daylight!
01:08:58But why don't we notice the television?
01:09:00You're right!
01:09:00But I don't understand!
01:09:01Horny business for the Solanians!
01:09:03But what are these continentals meddling in?
01:09:06The idea is that when they come out we follow them!
01:09:09Sooner or later they'll have to go somewhere quiet!
01:09:11And then we'll have to use the shotgun!
01:09:21Come on over there!
01:09:24But where could she have gone?
01:09:26Yet it should be around here!
01:09:29It looks like a desert to me!
01:09:31Ditto!
01:09:32But there's nobody there!
01:09:35Here's a man!
01:09:37Who?
01:09:38We're sending it to him!
01:09:44Excuse me, good man!
01:09:46And where are the goals scored here?
01:09:47Yes sweater!
01:09:48And the enemy wanted to ask if this is where the best game is played!
01:09:51And sweaters!
01:09:52Goal!
01:09:53I really don't know!
01:09:54Don't know!
01:09:55Excuse me, sir!
01:09:56So why make a hole for a ball?
01:09:58No!
01:09:59This being a hole!
01:10:00Pitiomba!
01:10:01Ah tomb!
01:10:02First we wake her up and then we bury her!
01:10:05I thought it was our job!
01:10:08Excuse me!
01:10:09But what is a cemetery?
01:10:10No!
01:10:11This is the archaeological area!
01:10:13Etruscan!
01:10:15Etruscan!
01:10:16Etrological!
01:10:17Premetrological!
01:10:19I think another one!
01:10:20Archaeological!
01:10:22Come on, walk!
01:10:25There you are!
01:10:26Speaks!
01:10:28Speaks!
01:10:28Now I'm talking!
01:10:30Come on, speak!
01:10:31Despise yourself!
01:10:33Despise yourself!
01:10:34Despise yourself!
01:10:34Despise yourself!
01:10:35There you are!
01:10:35Do you know what it is?
01:10:36Oh no!
01:10:37Where is it done?
01:10:37For with the terracotta pots!
01:10:40Excuse me!
01:10:41Thank you!
01:10:41It's there!
01:10:42It's there!
01:10:43It's that way!
01:10:44It's that way!
01:10:46Oh what a beautiful day!
01:10:47Let's all go!
01:10:48Let's not pray!
01:10:49You can't see the word!
01:10:50You can't see the word!
01:10:52Be very careful!
01:10:54Do you remember the plan?
01:10:55Of course I remember!
01:10:56What should I do?
01:10:57Nothing for now!
01:10:58Let's pretend to play!
01:11:05Play golf!
01:11:07Take the bad and give me the crazy!
01:11:09Take the crazy girl and give me the ball!
01:11:11Here's the crazy one!
01:11:12He places the ball for you!
01:11:19Excuse me!
01:11:19Five or six more hits and then I'll learn!
01:11:22A little patience!
01:11:23I have only two legs!
01:11:24Oh oh oh!
01:11:25He arrives!
01:11:25He's not coming!
01:11:26Take the crazy girl and give me the pizza!
01:11:27And here you go, take the pizza!
01:11:28Let's go!
01:11:33Hurry up, boy!
01:11:34You should see how I treat my husband when I bring my clubs!
01:11:37Why didn't you bring it?
01:11:38Oh poor thing!
01:11:39This morning he was in a mess!
01:11:41He asked for twenty-four hours off to get back on his feet!
01:11:46What's the deal, sir?
01:11:48This is nothing!
01:11:49You'll see what a shot I'll make next time!
01:11:54How lucky we are!
01:11:55Replace the with the explosive one!
01:11:57I'll take care of it!
01:11:59Where?
01:12:00Where did he go?
01:12:03Here you are!
01:12:04And then soon!
01:12:05And what is that explosive?
01:12:08And what is it?
01:12:09Wait!
01:12:10Now let's see!
01:12:13No!
01:12:14This is it!
01:12:16Wretch!
01:12:18Let's go quickly!
01:12:18Go!
01:12:20Go!
01:12:23Down, down, down!
01:12:27Below!
01:12:30How strange!
01:12:31It should be here!
01:12:32Near!
01:12:33I don't see anything!
01:12:36Move!
01:12:37Move!
01:12:38Look, they're still escaping us!
01:12:39Don't move, I can't do it!
01:12:41Shoot!
01:12:41What does he want to do if you don't move?
01:12:43But how come I'm not moving?
01:12:44And you now!
01:12:45To the!
01:12:45I was up there!
01:12:47I'm moving!
01:12:48I can't come!
01:12:49Put the salami on!
01:12:51I'm going!
01:12:51I have to do everything!
01:12:52Not the salami!
01:12:53I'll do it all!
01:12:53No!
01:12:53Not the salami!
01:12:54I didn't shoot it!
01:12:55I didn't shoot it!
01:12:56I didn't shoot it!
01:12:57Oh God!
01:13:01Ah!
01:13:02We did it!
01:13:04Compliments!
01:13:04Right back at you!
01:13:09And now you have 20 million!
01:13:13I don't want to understand!
01:13:14Does that sound right?
01:13:16Does it ring?
01:13:17Yes!
01:13:25What do the gentlemen wish?
01:13:28Excuse me!
01:13:29We're on the wrong floor!
01:13:31I told you the plan was wrong!
01:13:34Please!
01:13:36And let them be more careful next time!
01:13:39No doubt!
01:13:40We're leaving!
01:13:41Good morning!
01:13:53Good for nothing!
01:13:54Foetus!
01:13:55Like the mountain pipers did!
01:13:57They went to play and were played!
01:13:59And you!
01:13:59You who guaranteed them to me!
01:14:01They are terrible!
01:14:02These!
01:14:03Sorry Don Mimì!
01:14:04The Palermo mafia recommended them!
01:14:05Yes, gentlemen, Don Mimì!
01:14:07The Palermo mafia!
01:14:09The Palermo mafia, eh!
01:14:11Cavalierta Tuzzo the mafia!
01:14:13Our uncle, eh!
01:14:16The mafiosi!
01:14:18The zemendi!
01:14:19I understand!
01:14:20I have the honor of avenging the family horns!
01:14:23Let's go to Rome and take out Franco and Ciccio!
01:14:25Let's go in!
01:14:26Me too!
01:14:27No, not you!
01:14:28Yes you are right!
01:14:29Then it's our fault!
01:14:30It was a disaster!
01:14:33Yes I understand!
01:14:34Next time it will end well!
01:14:36In fact, it will end badly!
01:14:37The plan will work perfectly!
01:14:40As?
01:14:41Should we jump into the river?
01:14:43Well!
01:14:44Rest assured!
01:14:44Until we meet again!
01:14:46What are you drinking?
01:14:46Jealous Fenea!
01:14:47But who did you understand?
01:14:48The river is our new battlefield!
01:14:56River!
01:14:57But what river or sailor?
01:14:58This is from the river!
01:15:01Good morning, gentlemen!
01:15:02Good morning!
01:15:03Quick service!
01:15:04We spare no expense!
01:15:05Do you want negligence?
01:15:06Oh my!
01:15:07No, we don't have time!
01:15:08Do you want disgusting things?
01:15:09Oh, keep the disgusting thing to yourself!
01:15:11So what do you want?
01:15:12We would like a berry!
01:15:13Here you are!
01:15:13But what?
01:15:14A berry!
01:15:15Yes what?
01:15:15And the berry is a lonely woman!
01:15:18And the berry?
01:15:20Because I said a little sum!
01:15:22With or without?
01:15:23I prefer it smooth!
01:15:24Smooth?
01:15:25But without a helmsman!
01:15:26Ah, without a helmsman!
01:15:27Without anyone!
01:15:28Without witnesses!
01:15:29Let me explain!
01:15:30We explained ourselves!
01:15:31Oh what a life!
01:15:31Let's go get the weapons!
01:15:33Weapons?
01:15:33And that is our accomplice!
01:15:34But what weapons?
01:15:35The king me!
01:15:36The king me!
01:15:41Roberto!
01:15:42Roberto!
01:15:42Yes?
01:15:42Put water on the boat and I'll be right there!
01:15:44All right ma'am!
01:15:45Ah, you fuck!
01:15:46See you soon.
01:16:36See you soon.
01:16:51See you soon.
01:17:05See you soon.
01:17:32See you soon.
01:17:57See you soon.
01:18:00See you soon.
01:18:25See you soon.
01:18:28See you soon.
01:18:30See you soon.
01:18:32See you soon.
01:18:34See you soon.
01:18:55See you soon.
01:18:58See you soon.
01:19:16See you soon.
01:19:33See you soon.
01:19:35See you soon.
01:19:36See you soon.
01:19:36See you soon.
01:19:38See you soon.
01:19:41See you soon.
01:19:42See you soon.
01:19:43See you soon.
01:19:44See you soon.
01:19:47See you soon.
01:19:59See you soon.
01:20:02See you soon.
01:20:11See you soon.
01:20:12See you soon.
01:20:20See you soon.
01:20:20See you soon.
01:20:23See you soon.
01:20:24See you soon.
01:20:26See you soon.
01:20:36See you soon.
01:20:40See you soon.
01:20:42See you soon.
01:20:56See you soon.
01:20:58See you soon.
01:21:01See you soon.
01:21:01See you soon.
01:21:14See you soon.
01:21:25See you soon.
01:21:37See you soon.
01:21:38See you soon.
01:21:40See you soon.
01:21:41See you soon.
01:21:44See you soon.
01:21:45See you soon.
01:21:49See you soon.
01:21:51See you soon.
01:21:52See you soon.
01:21:53See you soon.
01:21:55See you soon.
01:21:56See you soon.
01:21:56See you soon.
01:22:06But what don't you have here?
01:22:07But there is no work in progress on this road
01:22:09But get to this stuff, there's a dangerous ravine
01:22:11See, see
01:22:14And what is this guy doing?
01:22:16Come here
01:22:16But who is here?
01:22:18What are you?
01:22:20What do you want?
01:22:20Leave me alone
01:22:22But anyway
01:22:24Stop
01:22:25Leave me alone, I am a free worker
01:22:27We got him, brigadier.
01:22:28Car deposited, then the police station after two victims in the city
01:22:31I will appeal to the Chamber of Commerce
01:23:07But anyway
01:23:08Can I know who ordered this work in progress?
01:23:12I already told you
01:23:13My principal
01:23:14I understand, I understand
01:23:16But I want the name of misery
01:23:19All right
01:23:20If he really cares
01:23:22It is the surveyor Orazio Bolletti
01:23:24Oh yes, ah yes
01:23:26Now let's see if he recognizes you
01:23:27Give me the number
01:23:35Ready?
01:23:37Yes, it's me
01:23:38What does he say?
01:23:41Local police?
01:23:43Oh well
01:23:44This is a recognition
01:23:47I have to recognize the corpse
01:23:49Yes, I have to come right away
01:23:51Yes, I'm coming
01:23:52I'll be there asap
01:23:53Goodbye, goodbye
01:23:54Did you hear?
01:23:55They called me to identify the body
01:23:57This time we're there, love
01:23:58Let's see the corpse first
01:24:08Goodbye Avelina
01:24:09We'll see each other again in a thousand years
01:24:16But what happened?
01:24:17Why this deviation?
01:24:36Thank you
01:24:37Please
01:24:37Tardone many, commissioner
01:24:38But
01:24:39It should have already been here
01:24:41Ah here it is
01:24:42Oh good morning
01:24:43Good morning doctor
01:24:45How are you, madam?
01:24:46Fine thanks
01:24:48Don't tell me something bad happened to you again.
01:24:50No, no, I came to say something.
01:24:51Oh
01:24:53And you bring these paperwork to the office
01:24:55I'm going right away, doctor.
01:24:58The ring was fake
01:24:59Or rather a reproduction
01:25:01I learned it from Dodò
01:25:03And so those two didn't gain anything from it.
01:25:06This is why Ciccio and Franco didn't flee abroad
01:25:09Luckily her husband is a prudent man.
01:25:11Oh, too much
01:25:13But it's so boring
01:25:14He's watching over me
01:25:15He bombards me with phone calls
01:25:17I, poor thing, understand it.
01:25:18At his age
01:25:21Do you know why he had the jewels reproduced?
01:25:23To keep the real ones in the safe I guess
01:25:26Just say for this
01:25:27Dodò says I'm so distracted
01:25:29That I always go out with friends
01:25:32He alludes, he knows
01:25:33With all due respect
01:25:35And he's obsessed with the idea of...
01:25:37Shall I explain?
01:25:39Yes, it explains itself.
01:25:42Commissioner, what do you want to do about it?
01:25:43Life
01:25:45By the way, when are we going to finish the investigation?
01:25:47Eh, I don't know
01:25:49We see?
01:25:50Well, he's not going to tell me he doesn't want to do his duty.
01:25:53I have the car outside here
01:25:55Let's take a trip to the beach
01:25:57A bath, breakfast
01:25:58And then...
01:26:00And then we pick up where we left off last time, huh?
01:26:04Let's decide, come on
01:26:06All right
01:26:07He convinced me
01:26:09Let's go
01:26:13Where am I going?
01:26:14To the beach, why?
01:26:15They reported Dominique's presence in the city to Naruto from Ascireale
01:26:21Do you see, ma'am?
01:26:22It's just destiny
01:26:24I can't do an investigation in peace
01:26:47Bravo
01:26:48I have to admit you were great
01:26:51Modestly
01:26:52If it weren't for me
01:26:53When will we get to the moon?
01:27:10I'm at Mimì's
01:27:12Put it on go
01:27:12With wolves
01:27:13With very wolves
01:27:16Saro, shoot
01:27:18And that before tomorrow
01:27:20Shoot, dear
01:27:21And that will change
01:27:24It will only get me wet
01:27:26The team that's with you
01:27:28And with America
01:27:29Where are you going that will change
01:27:31And that will change
01:27:33And that will change
01:27:44And that will change
01:27:52The same
01:27:52The same
01:27:53The sleep that comes
01:27:53It takes me
01:27:54With port
01:27:54He deludes me that he lives
01:27:55Instead
01:27:55I'm dead
01:28:02And that will change
01:28:26Thank you all.
01:29:11Thank you all.
01:29:30Thank you all.