#Jailer2 #Rajnikanth #Rajni #Rajini #Jailer #trailer #movie #Film #Cinema #Kollywood #Bollywood #SuperStar
Music Credits:
Original Background Score Composed by
ANIRUDH RAVICHANDER
Jailer 2 Theme
Lyrics - Super Subu
Vocals by Anirudh Ravichander, MS Krsna
Putaapu Gang
Rap Written & Sung by Tamizh Aadhavan
Acoustic Guitar, Electric Guitar - Keba Jeremiah
Bass Guitar – Sajith Satya
Piano, Keyboard, Synth, Rhythm & Orchestral Programmed by Anirudh Ravichander
Additional Orchestral & Keyboard Programmed by IC, Dan Kristen, Smith Asher, Arish, Narendar S, Anand Kashinathan
Cinematic Percussions & Electronic Rhythm Design by Shashank Vijay
Ethnic Percussions Programmed by Karthik Vamsi
Music Advisor :Ananthakrrishnan
Creative Consultant :Sajith Satya
Session Assistant :Shivakiran S
Audio Supervision & Studio Operations: Srinivasan M
Head of Audio - Albuquerque Records
Vinay Sridhar, Srinivasan M
Recorded at Albuquerque Records, Chennai, Engineered by Shivakiran S, Plural
Music Coordinator - Velavan B
--------------------------------------------------------------
Movie Credits:
Produced by Sun Pictures
Written And Directed By Nelson
An Anirudh Musical
DOP: Vijay Kartik Kannan
Editor: R.Nirmal
Production Designer: Drk.Kiran
Action: Chethan D'Souza
Costume Designers: Pallavi Singh, Muthul Hafeez
Sound Mix: Suren.G
Sound Design: Suren G, S.Alagiakoothan
Colorist: Andreas Brückl
DI Lab: Annapurna Studios
VFX Producer: Santosh Raju
Makeup: Pattanam Rasheed, C.Harinath
Stills: V.Sittrarasu
Publicity Design: Kabilan Chelliah
PRO: Riaz K.Ahmed
Production Controller: D Ramesh Kuchirayar, R.S.Suresh Maniyan
Executive Producer: Sunil Reddy
-------------------------------------------------------------------------
Music Credits:
Original Background Score Composed by
ANIRUDH RAVICHANDER
Jailer 2 Theme
Lyrics - Super Subu
Vocals by Anirudh Ravichander, MS Krsna
Putaapu Gang
Rap Written & Sung by Tamizh Aadhavan
Acoustic Guitar, Electric Guitar - Keba Jeremiah
Bass Guitar – Sajith Satya
Piano, Keyboard, Synth, Rhythm & Orchestral Programmed by Anirudh Ravichander
Additional Orchestral & Keyboard Programmed by IC, Dan Kristen, Smith Asher, Arish, Narendar S, Anand Kashinathan
Cinematic Percussions & Electronic Rhythm Design by Shashank Vijay
Ethnic Percussions Programmed by Karthik Vamsi
Music Advisor :Ananthakrrishnan
Creative Consultant :Sajith Satya
Session Assistant :Shivakiran S
Audio Supervision & Studio Operations: Srinivasan M
Head of Audio - Albuquerque Records
Vinay Sridhar, Srinivasan M
Recorded at Albuquerque Records, Chennai, Engineered by Shivakiran S, Plural
Music Coordinator - Velavan B
--------------------------------------------------------------
Movie Credits:
Produced by Sun Pictures
Written And Directed By Nelson
An Anirudh Musical
DOP: Vijay Kartik Kannan
Editor: R.Nirmal
Production Designer: Drk.Kiran
Action: Chethan D'Souza
Costume Designers: Pallavi Singh, Muthul Hafeez
Sound Mix: Suren.G
Sound Design: Suren G, S.Alagiakoothan
Colorist: Andreas Brückl
DI Lab: Annapurna Studios
VFX Producer: Santosh Raju
Makeup: Pattanam Rasheed, C.Harinath
Stills: V.Sittrarasu
Publicity Design: Kabilan Chelliah
PRO: Riaz K.Ahmed
Production Controller: D Ramesh Kuchirayar, R.S.Suresh Maniyan
Executive Producer: Sunil Reddy
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Category
📺
TVTranscript
00:00Every time in Tamil cinema, there is a name that we all know in the world.
00:05His style, his eyes, his walk, his aura.
00:09Can I tell you?
00:11So yes, now it's time to welcome, the one and only, our dearest and favorite superstar Rajshuri Kaatthavar girl.
00:21Okay, everyone is a change maker, a visionary.
00:25You are watching the TV, you are watching the movies.
00:30You are watching the magic of the sun, the powerhouse.
00:35Here, let's go to Kalanadhi Maran.
00:40Okay ladies and gentlemen, can we please put our hands together and welcome, the one and only, our superstar!
00:47Along with, let's go to Kalanadhi Maran.
00:55foreign
01:12foreign
01:13foreign
01:25Fadei a barra, putta dinosola
01:27Chiedi la nica yara, che raguita
01:29Instappable, unbreakable, tala i vanderan zaro
01:33MVP1, name to move the game
01:39He got that fire, got the flame
01:44Sera secuzera, al secuzera, al secuzera, al secuzera, al secuzera, al secuzera
01:54Sera secuzera
02:03Sera secuzera
02:04Okay, Tamil cinema, when you are the most important part of the world
02:08One song called Kodi Kanakana Makkal
02:10Here we are, we are so happy to be here
02:14Can we wait for a moment? Can we wait for a moment?
02:17Okay, so one of the most important parts of the world
02:20Can we please have the one and only superstar Rajini Khan
02:30Thank you
02:31Okay, we are so happy to see you
02:43We are so happy to have the one and only superb
02:44Sera secuzera
02:48Okay, so one of the most important parts of the world
02:48Ni, master, Ramya, Nidia ji, Surya
02:53Usually, everyone has an audio launch in the indoor stadium.
02:58That's a routine.
03:02The format changed in the production house.
03:05It's different.
03:07Now, everyone has a stage in the theater center.
03:11That's what we released.
03:13Then, the artists have been separated and interviewed.
03:16When we started doing the indoor stadium, we started to talk about 4-3 minutes.
03:25We didn't talk about the detail.
03:27We started to separate the indoor stadiums.
03:29Then, we started doing the format.
03:33Even though, the artists have been in the background.
03:36Even if they are in the background, they can correct me.
03:43So, we are going to do it.
03:46Jailer 2 is actually a sequel to this sequel.
03:51When I was talking about a sequel, I was talking about a lot of creativity.
03:58I was talking about what I was doing.
03:59I was doing something like that.
04:03That's how I got an impression.
04:06That's why I was talking about this language.
04:09It's not true.
04:10I was talking about what I was talking about.
04:16Anyway, I was talking about a gangster.
04:19I was talking about an actor.
04:23I was talking about a gangster.
04:26I was talking about a gangster.
04:32At the same time, the police.
04:34When I was talking about a gangster, there were a lot of murders and cases.
04:40How did the police go?
04:42So, there was a happy, adorable driver, that he couldn't find his work.
04:46There was a police, a gangster, and there was a place.
04:49So, when I was talking about it, I didn't get to know what I was talking about.
04:53Then, I was talking about his son.
04:55I wanted banks.
04:56He used to help anremlin.
04:58Also, he was talking aboutussia where he landed.
05:00Then, our wife was telling us, you can become a perfect idea.
05:01Then, he had taken out of his reconstruction.
05:07That's to bild and be imposed by encima of Jeeva.
05:18He sat through his Goldie and stole from him.
05:21So, he was‌ .
05:22Then, I was looking for Jeeva's
05:25So, we are going to do it.
05:27We are going to do it.
05:30I will not be able to read it.
05:34Then the jailer came to finish.
05:39He came to the jailer.
05:42He came to the jailer.
05:43He came to the jailer.
05:50He said,
05:51He said,
05:53He is a very international group.
05:58He is a very network.
05:59I told him,
06:00He came to the jailer.
06:02Same.
06:03He said,
06:05He is a very international business.
06:10Now,
06:10He said,
06:12He already came to the jailer.
06:16And towards the end also,
06:17He said,
06:18He said,
06:19He said,
06:21He said,
06:25Three containers.
06:28Thousands of crores.
06:30Three containers.
06:31The jailer is a jailer.
06:32Why are they here?
06:35So,
06:36The jailer is already clear.
06:38So,
06:38If you look at that,
06:39Now,
06:40The jailer.
06:41The jailer said,
06:42One bond,
06:43One completely international government,
06:45The support.
06:47So,
06:48Now,
06:48Now,
06:49The jailer is completely
06:49The jailer character.
06:53He is a very hero.
06:55He is a very supporter.
06:57Because,
06:57In the jail,
06:59There are many criminals,
07:01Dadas,
07:02They are very different.
07:04They are very different.
07:06They are very different.
07:06They are very different.
07:09They are very different.
07:11Few people,
07:12They are very different.
07:13They are very different.
07:14There are very different.
07:18Some people,
07:18They are very different.
07:19I think,
07:20I will tell you one more thing.
07:21I thought,
07:24As you said,
07:24My legal point is,
07:25The year,
07:26It is 70 plus 75 years.
07:28I have traveled full in the life.
07:31So,
07:31I am very more than aware that
07:35That's why many artists are correct, correct characterisation, correct Nelson is a director, correct Sun Peaches is a production.
07:44That's why I couldn't do that.
07:47So, I was told that I was told that.
07:50That's why I was told that Nelson said, naturally, what a demand is nationally.
07:56In Hindi, Telugu, Tamil, Tamil, Tamil, Tamil, Tamil. All the great artists, production sources, they're all in the queue.
08:06They're all in the same position. They're all in the same position.
08:08We have a lot of opportunities, they're all ready.
08:11They're all in the same position. They're all in the same position.
08:14The best thing is that it's not greedy.
08:18It's a very good Buddhist.
08:19It's a very good Buddhist.
08:21They found a lot of customers.
08:23They got a beautiful apartment in 18, where they went up in the same time.
08:28I saw here because I have enough room for myself.
08:31I was told that they'd be twoMPs here.
08:33They'd say, there's like this, like this, like this, like this.
08:36This is the middle of it. Full ground, full free.
08:39I'm not showing up for a second.
08:42That's why He was told.
08:44When you were in school, you would have done some good sandwiches in the bank.
08:48Where did you go to the bank? Super football.
08:51That's one of my habits.
08:52There's no drinks, no cigarettes, no nothing.
08:56He's gone and he's gone and he's gone.
09:00He's gone and he's gone and he's gone and he's gone and he's gone.
09:04He's gone and he's gone and he's gone and he's gone and he's gone.
09:07He's gone and there's no-one in the works.
09:12He's gone and he's gone and he's gone and he's gone.
09:14So, he said to him, he asked to see the idea of this story.
09:17What's up sir?
09:18What's up sir?
09:19What did he do and he did everything that he did?
09:21Everyone said he was gone and he was gone.
09:24So I said, okay?
09:25Then he told me, I was gone and said, I've gone and came.
09:27I've gone and he was done and he was done for that.
09:29One month later, he said, you were gone and said, where are you?
09:33I'd be gone and shot a girl in the car.
09:35So, go and meet, meet.
09:38Sir, in this situation, you know, when I went to meet you, Sir, what I'm doing is I'm going to
09:44do a good job.
09:46That's what we can do, Sir.
09:49What's that, Sir?
09:50Then you can tell me, Sir, that's no problem.
09:53That's what I'm doing with you.
09:54You can tell me, Sir.
09:56That's good, Sir.
09:57Do you have time for me?
10:00Time?
10:00Sir, I'm waiting for you.
10:03Then I'm going to go to the city of Lal Shah Rama.
10:06Then I'm going to be a guest.
10:07Then I'm going to go to Sun Pictures, Sir.
10:09I'm not sure, sir.
10:11I'm going to go to the city of St. Jailer to the city.
10:17You can see that.
10:19Then I'm going to go to the city of Nelson.
10:24But, he's not going to do any work.
10:26We know that he's not going to do any work.
10:29We don't know who to go,
10:30so as we're going to go to the first director,
10:32we're going to go to the first direction of the straight line.
10:34If there's no reason for this,
10:35one other brother thinks he's a jailer,
10:37he's a hit.
10:39If he's one equal or one higher,
10:41so we will go to the same direction.
10:42Okay, we're going to say that we can have a side introduction,
10:47interval point,
10:48we can have a claim,
10:50we can have a villain group,
10:52but it's a challenge.
10:53It's a challenge.
10:55Even if it's not just a challenge,
10:55it's the only one case.
10:57You don't have to say anything, you don't have to say anything.
10:59Look at this, I don't see anything like this.
11:09But we don't understand the right thing.
11:12He is telling us correctly.
11:14He says, how do you say correctly.
11:20That's what he said, how do you say correctly.
11:22So, this is one of the thing.
11:26I thought about that at a time I would have told you something like that.
11:30You can tell me, there's no character, no actor.
11:34If you look at that, you can see that.
11:35Usually when I shoot a comedy scene like that,
11:39you can talk about the Goundarmand,
11:40you can do it.
11:42You could do it with just a few minutes,
11:45if you look at it,
11:45you can see it.
11:48The acting is like a huge change.
11:51I don't think that's a bit too low.
11:53That's not the case of the forme, and because I thought he was doing so himself, he is made a
11:59lot of love.
12:01That's why I am at Suraj, who are doing it.
12:04That's why I feel Vidhyaji.
12:07Vidhyaji is like a pretty lady.
12:10And what a human being.
12:12He is all innocent. What a talent and the man who is going to be in full picture of that.
12:18He is a man, he is a man, he is a man.
12:18He is a man, he is a man.
12:22So nice.
12:24That's a gang.
12:26When we come to the house,
12:27I'm doing the music.
12:30You can show me the music.
12:31All of this, you can show me the music.
12:33You can show me the music.
12:35I'm a villain.
12:37You're a friend.
12:39You're a friend.
12:40You can show me the music.
12:43You can show me the music.
12:44So, go.
12:45Then, there is a wave.
12:48The premier star came in there at the bomb.
12:50I met someone.
12:52One said,
12:54That's what I said.
12:56You can show me the music.
12:58You can show me the music.
13:00You can show me the music.
13:02I should shoot me.
13:04Okay.
13:05I don't know the character.
13:08I should shoot me.
13:11I should shoot me.
13:11You can show me the music.
13:13That's what I would say. He would have given him the same character.
13:16That's the main character, S.J. Suryan.
13:21If you look at him, he will work too.
13:27My God! What kind of dedication?
13:31That's perfection.
13:33That's why I would say something like that.
13:37He would say something like that.
13:39If they said something, if he said something like that,
13:41that he was going to say something like that.
13:43If they said something like that,
13:45he would say something like that.
13:46That's right.
13:47That's right, S.J. Suryan.
13:48That's right.
13:49I said a second?
13:50That's right, sir.
13:52You're doing it.
13:54Sir, we're doing it.
13:56I was doing it.
13:57That's right?
13:58He said to me,
13:58you're doing it.
14:00I want you to.
14:00I want you to.
14:01At least we got 75 guys.
14:03You're and I had one, sir.
14:05No, no.
14:06No, no.
14:07You do not have to do anything.
14:09You go and you go and you go and you go and get it.
14:11How excellent performance.
14:14And Ramayakrishna did you hear that?
14:16You go and get it there in a frame.
14:18You can see Ramayakrishna is beautiful very beautiful.
14:22Very...
14:24And...
14:25My daughter-in-law, Mirna
14:27There are lots of Arimiyana actors.
14:30Very cooperative.
14:33You do very much.
14:34My Yogi Babu.
14:36In the jail, the Yogi Baba is very small.
14:40The situation is very small, so Yogi Baba is very strong.
14:44He is very strong and very strong.
14:47He is not a person.
14:48He is not a person, but he is very strong.
14:52If he is a person, he is not a person.
14:55He is not a person.
15:01So, he is very strong.
15:03Everyone is doing this thing and we are Jani, Shekhan, Fightmaster and Karthik.
15:11Excellent.
15:13Definitely.
15:14One of them is missing.
15:16One of them is Thamana.
15:18I told him about the two songs with Nelson.
15:21Sir, Thamana is playing with a song, Sir.
15:24Sir, can you tell me how to tell you, Sir?
15:27Sir, you don't tell me, Sir.
15:29You don't tell me, Sir.
15:31You don't tell me how to tell me,
15:33I'm going to go to Bangalore to Bangalore.
15:37You don't tell me how to tell me,
15:40I'm going to go to Bangalore to Bangalore.
15:42I told him,
15:44Sir, this is beautiful.
15:46It's a change.
15:48It's a change.
15:48It's one of them.
15:51There's a lot of expectations.
15:53Sir, he says,
15:55He says,
15:55He says,
15:56He says,
15:57He says,
15:58I'm going to go to the show.
16:00So,
16:01He says,
16:01He says,
16:02Yes,
16:03He says,
16:05He says,
16:12You're going to go to the show.
16:28If you have a concert in America, Canada, Singapore, etc.
16:36If you have a concert in the paradise, then you have to prepare it later.
16:40So, that concert ended.
16:42That paradise ended.
16:45If you have a concert in the paradise, then there is a tension.
16:49There is a lot of tension.
16:50There is a lot of tension.
16:57There is a lot of tension.
16:59You are so sorry.
17:01You are so sorry.
17:02When I said that, the song is a song.
17:09You are so sorry.
17:14You are so sorry.
17:15You are so sorry.
17:16You are so sorry.
17:17Do not worry.
17:19You are so sorry.
17:21You are so sorry.
17:21They are good.
17:23There are a lot of tension.
17:23A lot of tension.
17:24You are very concerned.
17:25You have to tell me where you are at the moment.
17:29You have a certificate.
17:30You want to give me a certificate.
17:32You are so sorry.
17:33If you are good,
17:34you have to appreciate it and love you.
17:37Well, you are so sorry.
17:39You can call your names, you can call him a hero, how do you say it?
17:44All my good friends are Rasika Marnumarkar.
17:50He is not a hero.
17:52I just like that. I am a little fan of him.
17:57You are the best.
17:59You are the best.
18:00Why is this production?
18:04You are the great director of Nelson Mari.
18:07I don't know how much I can tell you about it.
18:13I can tell you how much I can tell you about it.
18:14I can tell you how much I can tell you about it.