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A mysterious space mission returns to Earth, but only one astronaut survives. Soon, Victor Carroon begins to undergo a terrifying transformation after becoming infected by an alien organism. As Professor Bernard Quatermass investigates the strange incident, a deadly creature emerges and threatens everyone in its path.

The Quatermass Xperiment (1955) is a classic British science fiction horror film directed by Val Guest and starring Brian Donlevy, Richard Wordsworth, and Jack Warner. Experience the suspense, chilling atmosphere, and legendary monster horror of this iconic Hammer Films production.

Enjoy this classic science fiction horror movie

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Transcript
00:00:18I'll see you next time.
00:00:30You
00:01:16I love you.
00:01:34What's that?
00:01:35Sounds like a jet, doesn't it?
00:01:37That's no jet.
00:01:38Mackie, look!
00:01:40Why is it?
00:01:41Mackie!
00:01:42Get down!
00:01:43Go!
00:01:44Mackie!
00:01:45Mackie!
00:01:51Get inside!
00:01:53Get inside!
00:02:04Go!
00:02:07Go!
00:02:09Go!
00:02:09Mackie!
00:02:11I know where I did that.
00:02:13We saw it coming out of the sky!
00:02:15It was glowing!
00:02:15You should stay over there!
00:02:16Keep away from the windows!
00:02:20It's probably a meteor, isn't it?
00:02:23That's right, it is.
00:02:24Dad, don't go up there!
00:02:26Please!
00:02:26Dad, don't go up there!
00:02:27Get out there!
00:02:27It's a telephone station!
00:02:28Call the police!
00:03:15Will you all please return to your home?
00:03:18Your only hampering operation by crowding the streets.
00:03:21Please return to your home.
00:03:23Please get back out of the road.
00:03:25Under the pavement, please.
00:03:27Under the pavement, please.
00:03:28Please return to your home.
00:03:56Get back, get back.
00:03:58People in here.
00:03:59Right back, please.
00:04:00Right back.
00:04:00Right back.
00:04:01Good care.
00:04:03Keep care.
00:04:10All right.
00:04:26You'll be all right.
00:04:27They'll take care of you.
00:04:28Okay, George.
00:04:29Just have a look at you.
00:04:30Oh, don't you start fussing too.
00:04:31I've got singed, that's all.
00:04:34It's still too hot to put water on.
00:04:36It could do with another pump.
00:04:38It should be heavily green now.
00:04:40What's all this about, Dick?
00:04:41It's perfectly anything.
00:04:56The object was first sighted at about 9.15 this evening, and its approach was widely observed
00:05:02over the southern counties.
00:05:04A statement just issued by the Home Office stresses that there is no general danger.
00:05:10Members of the public, however, are warned to stay away from the area.
00:05:14I will repeat that.
00:05:19The Home Office stresses that there's no immediate danger.
00:05:21Do you realize what you're left to face if this turns out to be a disaster, Quatermass?
00:05:24How much further?
00:05:25Well, if you realize I'm talking to you.
00:05:27For the last 20 miles, I've been painfully aware of that.
00:05:29Well, then answer, man.
00:05:30How did it happen?
00:05:30What went wrong?
00:05:31For the first time in the history of the world, man has sent a rocket 1,500 miles into space.
00:05:36You can't expect such an experiment to be perfect.
00:05:38Well, you must have had some idea.
00:05:39I'm a scientist, not a fortune teller, who predicts what will happen.
00:05:42Well, you had instruments, radio contact.
00:05:44We lost it for over 57 hours, sir.
00:05:46It broke loose, and we don't even know how far it's been.
00:05:48It had no further contact even when it returned to the orbit.
00:05:50Yet you brought it down by your own control.
00:05:52Well, that's something to tell your ministry.
00:05:54Quatermass set it up, and he brought it back.
00:05:56Please, oh, please.
00:05:57Couldn't you fix another time for this?
00:05:59I'm sorry, Mrs. Crewe.
00:06:00I happen to be concerned with the Ministry of Defence.
00:06:02Well, I'm not a civil servant.
00:06:03I'm a doctor, and I happen to be concerned with three men.
00:06:06The three men who are in that rocket.
00:06:07Oakley Green.
00:06:08This is it.
00:06:10Certainly no secret.
00:06:16Sorry, no one allowed past this point.
00:06:18All right.
00:06:18The Ministry of Defence.
00:06:20Oh, yes, sir.
00:06:21All right there, open up.
00:06:36Hey.
00:06:37Sorry, Miss.
00:06:37You have to keep back.
00:06:39Oi, Miss.
00:06:40Hey, Justin, will you please?
00:06:42Chris!
00:06:44Aye, aye.
00:06:45Chasing the girls again.
00:06:46Aye, I think it was a bank holiday the way they come flocking out.
00:06:49I'd like a flock home.
00:06:50You stay put, my lad, until that thing cools off.
00:06:53Or blows up.
00:06:54Now, don't start that story going around.
00:06:56They said it's not a bomb.
00:06:57So why can't we put water on it?
00:06:58Listen, Charlie, we've had instructions.
00:07:00Yes, sir.
00:07:00Don't ask me why, because they didn't tell us.
00:07:02Hey!
00:07:03Hey, just a minute.
00:07:04Mr. Blank, get us free of defense.
00:07:06I'll get the inspection.
00:07:17Try and get through, little Mark.
00:07:19What's up?
00:07:19Give me a temperature reading.
00:07:24Why don't you go and wait in the car, Judith?
00:07:25It's funny.
00:07:27It looks exactly the same.
00:07:29Yet it's been...
00:07:30Who knows how far?
00:07:33There isn't a word.
00:07:34Hello, Q1, hello.
00:07:42Q1, Q1.
00:07:43This is Marsh.
00:07:44Hello, Karun, Green, Reichenheim.
00:07:47You receive me.
00:07:48Over.
00:07:50Keep trying.
00:07:51Mr. Blank?
00:07:52I'm quite a mess.
00:07:53I'll be in charge from Iran, Inspector.
00:07:54Can't say I'm sorry about that.
00:07:55What's the next move?
00:07:56We can't do anything right now.
00:07:58Not until that cools off.
00:07:59How long will it be, sir?
00:08:00I would say three or four hours at least.
00:08:02Q1.
00:08:03Q1.
00:08:04This is Marsh.
00:08:05Do you hear me?
00:08:05Do you hear me?
00:08:06Over.
00:08:20Q1.
00:08:24Q1.
00:08:25Q1.
00:08:25Over.
00:08:35You know, if I ever gave them all the facts, you'd find one or two of them difficult to explain.
00:08:38Don't try and drag me through the mud, Blake.
00:08:40You might splash a little bit on yourself, you and your committee.
00:08:42You deliberately launch that rocket without waiting for official sanction.
00:08:45If the whole world waited for official sanction, it'd be standing still.
00:08:49You took too long.
00:08:50I made my own decision.
00:08:50To gamble with three men's lives.
00:08:52Every experiment is a gamble.
00:08:53The unknown is always a risk.
00:08:55They should know that.
00:08:55Did she know that?
00:08:56That woman over there waiting, hoping, and praying.
00:08:58Trump's another hundred degrees since we arrived.
00:09:00Still got a long way to go.
00:09:02Let's have that insulation lining that's cracking up.
00:09:03Yes, that's what we did.
00:09:04Because if it did, Quatermass, and those three men in there are dead or alive, they'll be heroes.
00:09:08Let me tell you something, Blake.
00:09:10They'll fire the imagination so that there'll be a hundred men begging for the same privilege when we launch the
00:09:15second rocket.
00:09:15You can't stop it now.
00:09:17You mean I can't stop you now?
00:09:19That's right.
00:09:21This is Marge calling Q1.
00:09:23Marge calling Q1.
00:09:24Do you hear me?
00:09:25Do you hear me?
00:09:26Over.
00:09:31There's nothing, sir.
00:09:32Nothing, Quatermass.
00:09:33You know what you've done.
00:09:34I launched it and I brought it back.
00:09:35That's quite an achievement, I think.
00:09:37And those three men in there were...
00:09:38What?
00:09:39What is it, Marge?
00:09:40Something came through.
00:09:43Pull up.
00:09:44Volume, pull up.
00:09:47It's a tapping.
00:09:48Coming from inside.
00:09:50By the hull, near the transmitter.
00:09:52Q1.
00:09:53Q1.
00:09:54Green.
00:09:55Reichenheim.
00:09:55Karun.
00:09:56This is Quatermass.
00:09:58We can hear you.
00:09:59Can you hear us?
00:10:00Over.
00:10:02I'm sorry.
00:10:03I'm sorry.
00:10:06I'm sorry.
00:10:11Q1.
00:10:11Q1.
00:10:12Can you hear me?
00:10:13You've landed in England.
00:10:14We're here not 50 yards from you.
00:10:16Are you all right?
00:10:17Over.
00:10:23Tapping stopped.
00:10:25We can't wait.
00:10:26We've got to get them out of there now.
00:10:27Bring me the fire key.
00:10:28Right away, sir.
00:10:29Set the remote control.
00:10:30Are you mad?
00:10:30You know what will happen if you open that rocket door now?
00:10:32We've got to take that risk.
00:10:33We know one of them is alive in there in an hour.
00:10:35He may not be.
00:10:35But you said that would incinerate them.
00:10:37You can't do a thing like that.
00:10:37Don't tell me what I can do what I can't do.
00:10:39That shell temperature is still 300 degrees.
00:10:41All right.
00:10:41What would you suggest?
00:10:42Wait till it's absolutely safe and then bring them out?
00:10:44Dead?
00:10:45Door control set, sir.
00:10:46Hold it.
00:10:47Where's that fire chief?
00:10:48Get an ambulance moved in.
00:10:49Stand by.
00:10:52You want me, sir?
00:10:53Yes.
00:10:54Round up every man and piece of machinery you've got.
00:10:56Move it in there as close as possible.
00:10:57We're going to open the rocket door from here by remote control.
00:11:00When the door opens, when I give you the signal,
00:11:02I want every hose turned full force around that entrance.
00:11:05Now, you got it?
00:11:06Well, that thing still is off of the bases.
00:11:07I don't know.
00:11:08You start pumping water.
00:11:09Don't argue with me.
00:11:10I know what I'm doing.
00:11:11I hope so, sir.
00:11:12Major.
00:11:13Sir.
00:11:14I want this whole field cleared.
00:11:15When they come out of the rocket,
00:11:17I want absolutely no one on the field.
00:11:18You understand?
00:11:19No one.
00:11:19Don't worry, sir.
00:11:33There's someone alive in there.
00:11:34We don't know what condition they'll be in,
00:11:35so you better get everything out.
00:11:36Oxygen, morphine, glucose.
00:11:48Well, now it's up to you.
00:11:49Keep your eye on me.
00:11:50I'll give you the signal.
00:11:52All set?
00:11:53Set, sir.
00:11:54Set it up.
00:11:55Let me know when you're minus ten to pressure.
00:11:57Right, sir.
00:12:00Minus ten.
00:12:03Nine.
00:12:06Eight.
00:12:08Seven.
00:12:11Six.
00:12:14Five.
00:12:17Four.
00:12:19Three.
00:12:20Three.
00:12:22Two.
00:12:25One.
00:12:28Zero.
00:12:50Winter.
00:13:01We've got two people.
00:13:02Two.
00:13:03Three.
00:13:12One.
00:13:13Three.
00:13:15One.
00:13:17Two.
00:13:18One.
00:13:19One.
00:13:19One.
00:13:20Two.
00:13:29It's Mr. Caroon.
00:13:31Victor, Victor.
00:13:32Get him in jail.
00:13:33What about the others?
00:13:36What about the others?
00:13:42Green.
00:13:44I can't hide.
00:13:45What happened to you, son?
00:13:51The access came to the motors.
00:13:53Go.
00:13:58Quick, the manual control.
00:14:01Where are the others for?
00:14:03Think it'll work?
00:14:05It's free, son.
00:14:25They're not there.
00:14:26They're not there.
00:14:26What do you mean they're not there?
00:14:28I mean they're not on the rocket, either one of them.
00:14:29But that's impossible, they must.
00:14:31He's right, sir.
00:14:31They've gone.
00:14:32The pressure suits.
00:14:33Empty.
00:14:34They're still linked.
00:14:35Cummets are still attached.
00:14:37But they're empty.
00:14:39But how could they possibly have gone out?
00:14:41If I knew that, I wouldn't be wasting my time trying to find out.
00:14:44Go bring the camera down.
00:14:46Do you think the door opened and they were special?
00:14:48If the door had opened, it would be registered here.
00:14:50No, that door has not been opened.
00:14:52Till now.
00:14:57Is it you're trying to tell me?
00:14:58I'm not trying to tell you anything.
00:15:00Let the camera do that.
00:15:02I'm afraid the camera won't tell us anything.
00:15:20Is there anything?
00:15:21They're not there.
00:15:27Victor?
00:15:28Where's Green?
00:15:30Where's Reichenheim?
00:15:31What happened?
00:15:31Please, not now.
00:15:32Wait for us.
00:15:34He's in no condition to talk.
00:15:36He's in due to the other state of shock.
00:15:37He must be treated.
00:15:38He's got to talk first.
00:15:39He's got to tell me what happened.
00:15:40Gordon?
00:15:44What is it, Victor? What is it?
00:16:05He said, help me. That's all he said.
00:16:09Help me.
00:16:11Help me.
00:16:12Help me.
00:16:23Help me.
00:16:26Help me.
00:16:27Help me.
00:16:39Help me.
00:16:41Help me.
00:17:11Help me.
00:17:11Help me.
00:17:40Help me.
00:17:43Help me.
00:17:44Help me.
00:17:45Help me.
00:17:56Help me.
00:18:14Help me.
00:19:26Help me.
00:19:28Help me.
00:19:43Help me.
00:20:11Help me.
00:20:14Help me.
00:20:44Help me.
00:21:11Help me.
00:21:22Help me.
00:21:33Help me.
00:22:01Help me.
00:22:04Help me.
00:22:28Help me.
00:22:28Help me.
00:22:29Help me.
00:22:31Help me.
00:22:32Help me.
00:22:58Help me.
00:23:06Help me.
00:23:07Help me.
00:23:30Help me.
00:23:36Help me.
00:24:09Help me.
00:24:09Help me.
00:24:09Help me.
00:24:09Help me.
00:24:19Help me.
00:24:22Help me.
00:24:24Help me.
00:24:36Help me.
00:25:04Help me.
00:25:05Help me.
00:25:06Help me.
00:25:26Help me.
00:25:29Any more of her?
00:25:31Yes sir.
00:25:32Lots.
00:25:33On the left.
00:25:35By the rivet, sir.
00:25:37Mind if I have a sample for our people?
00:25:39Sure, we'll give you a sample.
00:25:46Briscoe, what do you think it is?
00:25:49I don't think. I'm not sure.
00:25:52I've been in this thing all night.
00:25:54I just know that stuff's been around the whole time.
00:25:56Have you got the same bright thoughts that I have?
00:26:05Something happened in here.
00:26:07Something beyond our understanding at the moment.
00:26:10I only knew where to begin.
00:26:12Maybe the film will help.
00:26:14Film?
00:26:14Yes, the lab should have developed it by now.
00:26:16I thought you told me the camera was smashed.
00:26:18It was badly damaged, but I managed to get the film out.
00:26:20Why didn't you tell me?
00:26:21Well, the lab said they didn't know if they could develop it or not.
00:26:23They've got to develop it.
00:26:25You get right down to that laboratory and tell them they've got to develop that film.
00:26:28Yes, sir.
00:26:28And I'll have no delays or excuses.
00:26:30Tell them to get the best processed man in the company.
00:26:32Tell them to get anybody they want, but I've got to have that film.
00:26:34Right, sir.
00:26:36This is one premier I don't want to miss.
00:27:02So.
00:27:05It seems so.......
00:27:08...
00:27:08...
00:27:15You're...
00:27:19And here...
00:27:21Yes. Yes.
00:27:23Oh gosh...
00:27:24It's true...
00:27:26It's true...
00:27:30It's true...
00:27:50Well, it's harmless, it's organic, it's jelly. End of analysis. No definite
00:27:56identification? It might conceivably represent the dead remnants of Seltis, huh?
00:28:00What sort of cell tissue? Could be animal, could be human. Human? Good then. Do you know what you're saying?
00:28:11I know what I'm thinking. Are you sure it's not some sort of plant cell? Positive. You mean to say
00:28:19that you're asking me to believe that that is the remains of two human beings? I'm not asking you to
00:28:23believe anything. You asked a question, I answered it.
00:28:29Does she know? No, this is the first sleep she's had in nights. What about the police analysts? What do
00:28:33they say? I report through yet, but I don't doubt it would have been the same.
00:28:37It's almost beyond human understanding. Some fantastic, invisible force converted two men into jelly. Is that the slide?
00:28:50That's the slide. I'm about to call it a day, Equatomus. Beyond this, I'm a baby now.
00:28:55Gordon. Gordon. All right, get him up. Now, wait a minute. His hand. Another change. Get him back to bed.
00:29:19Look what's happening to his skin. In just the last few moments, I'll go and get him acidity.
00:29:27You've done this to him. He'd have been better off if he'd been killed or stayed out there.
00:29:31Do this.
00:29:31You've destroyed him like you've destroyed everything else you've touched.
00:29:33Destroyed him? I've brought him back. I've saved him.
00:29:35Saved him? For what? For further experiments? I can help him more than you or anyone else can.
00:29:40There's no room for personal feelings in science, Judith. Some of us have a mission.
00:29:44You should be very proud to have a husband who's willing to risk his life for the betterment of the
00:29:48whole world.
00:29:48What world? Your world? The world of Quatermass.
00:29:52I've sent him an ambulance. He's going to the central clinic.
00:29:58All right, Brisco. Send him to the clinic.
00:30:02But I want him to have complete isolation. You understand? Complete isolation.
00:30:07No one is to see him.
00:30:09No one.
00:30:10Until I say so.
00:30:23We've tried three different grades of stock.
00:30:25Developed each one to as high a gamma as possible, and still it's made no difference.
00:30:29Look at this. It's grainy and dull.
00:30:31All I want is a print.
00:30:32Well, we don't like any print that isn't up to standard.
00:30:34Is there a picture of it?
00:30:35Oh, there's a picture, all right, but you can see how dull and grainy...
00:30:37I don't care how dull and grainy it is. I must have this now.
00:30:39It could be altitude, or an extreme change of temperature, or penetration of cosmic rays.
00:30:44Fine, fine. I'll tell him that.
00:30:45Well, I don't know what the old man will say.
00:30:46Listen, you tell your old man that our old man said, if he didn't get this print, he'd dynamite the
00:30:50building.
00:30:53I can't tell the Ministry this. They'll think I've lost my senses.
00:30:56That's exactly why you must tell them nothing.
00:30:58Now you see why I must have absolute authority to isolate Garun.
00:31:01But every newspaper in town has got a story on him being admitted into the clinic.
00:31:04They'll want to know why, and what's happened to him, and what's happened to the others.
00:31:06All right, do you want to tell them?
00:31:07Well, not telling them won't stop the panic.
00:31:09What they don't know won't start a panic.
00:31:11Inspector, what about the police analysis?
00:31:13The same, Mr. Bray.
00:31:15What's the next move?
00:31:15Well, we've agreed to isolation. It's the only thing we can do until we know more.
00:31:22Yeah?
00:31:28The phone is ready.
00:31:34The phone is ready.
00:32:11See that, Mark? It works.
00:32:13Yes, sir. What works?
00:32:14Automatic prism. It touches on the panel reading.
00:32:16Okay, sure.
00:32:23Okay.
00:33:15What's that all?
00:33:16Once in the observations on the cameras geared to cut out at regular intervals.
00:33:20This would be the 0.16 billion.
00:33:26That must be why we lost them.
00:33:41What on earth could have happened?
00:33:43Look at that fantastic temperature, Doc.
00:33:45Let's go.
00:33:46I don't know.
00:35:35What's the name, please?
00:35:37Oh.
00:35:39That's two T's?
00:35:40Uh-huh.
00:35:42Uh-uh.
00:35:44Uh.
00:35:45Yes.
00:35:46I'll see if he gets it.
00:35:47Yes.
00:35:50Sorry, miss.
00:35:51The visiting hour is over.
00:35:53I just wanted to know how my husband is.
00:35:55Well, I'll try and find out for you, miss.
00:35:57What would the name be?
00:35:58Caroon.
00:35:59Victor Caroon.
00:36:00Oh.
00:36:01He's all right, isn't he?
00:36:03Miss Caroon, I wish I could let you go up, but we'd stick to all of them about you.
00:36:07All I want to know is how is he?
00:36:08Is there any change?
00:36:10Just a minute.
00:36:14Hello, Mabel.
00:36:16Oh, yes.
00:36:17Listen.
00:36:17How is 4B?
00:36:20I know all about the orders, but I only want you to think out loud.
00:36:24Thank you, Mabel.
00:36:27Is it going a bit the same, Miss Caroon?
00:36:29No change, but no worse.
00:36:31If I could see him.
00:36:32Just for a few minutes.
00:36:33I should be shot at dawn.
00:36:35But don't you worry.
00:36:36He's in good hands.
00:36:37They don't leave him alone, do they?
00:36:39Oh, not for a moment.
00:36:40Tucker, his night nurse, is with him now.
00:36:42And Perkins comes on in about half an hour.
00:36:45Both as good as any doctor.
00:36:46Could I wait for the night nurse when he comes off duty?
00:36:48If only to talk to someone who's been with him.
00:36:51Please.
00:36:52Tucker comes off in about half an hour.
00:36:54He usually dips out through the staff entrance.
00:36:56Turn left through the doors and he's on the right.
00:36:59Wait for him outside.
00:37:00And if they asked me, I never told you nothing.
00:37:26There's only the nurse with him.
00:37:27And his name's Tucker.
00:37:28His name?
00:37:28You mean I've got a plant with a heat nurse?
00:37:30Sleep, hurry.
00:37:31He's only about half an hour before the relief nurse comes on duty.
00:37:33Another one in plants?
00:37:34His name's Perkins.
00:37:35It's money, money, money.
00:37:37Cash report, admittedly.
00:37:38It always gives me more confidence.
00:37:39Especially when my investigating is this private.
00:37:41Room 4B.
00:37:434B.
00:37:49There'll be 15 minutes.
00:37:50Give me 15 minutes.
00:37:51I'll put him in the lift and send him back.
00:37:52Then he's all in yours.
00:37:53I never saw no money.
00:37:54Please, hurry.
00:37:55Hey, very sick.
00:37:56Come on, hurry.
00:37:57I'm money.
00:37:57I'm like a baby.
00:37:59What?
00:38:19You've got to get
00:38:46Good evening, I'm from casualty. Perkins is sick. They sent me to take over his night shift.
00:38:58It's fine. Well, I know I'm too honest, but you're not due for another half hour.
00:39:01Who cares? Night shift is night shift. What's a half an hour here or there?
00:39:04Yeah, you go to heaven for this. At our rate of pay, we should get some fun out of life.
00:39:07What's his trouble? He doesn't seem to know. He's the star patient.
00:39:11He just lies and stares. Never opens his mouth. But if he does, press that bell and quick.
00:39:16Well, happy nightmare. Any special instructions?
00:39:19No, I'll have the chart. Good night. Good night.
00:39:25News, my friend. Your wife is waiting for you downstairs. I'm the man who's going to get you out of
00:39:30here.
00:39:31Does that make you happy? It does? Good.
00:39:33Look, we don't have too much time, so up we get.
00:39:48Hello. Hello. What time are you off?
00:39:50Ask him whether he's going to the Dibble House. Operating?
00:39:53About three and a half hours at least. You too? Me too.
00:39:56Chinese restaurants. Open for midnight. Take you both. Beautiful sweet and sour pork. Roast duck. Fried shrimp.
00:40:02You've talked us into it. There we are. Now the jacket.
00:40:14There's a good boy. Can't meet the lady looking sloppy. You know, it's funny.
00:40:19Wives usually employ me to get them away from their husbands. Oh, you're a sad one.
00:40:25Well, to each his own. Hey. Steady. Steady.
00:40:29Now you stay here while Christy goes and gets the lift. Won't be a minute.
00:41:00All clear. Hey, come on, Harry. That's the boy. Christy's got you.
00:41:30What do you got there? Where are you hiding? What is it?
00:41:56Victor. Oh, Victor, darling. I've got the car outside. Please try and be quick. You can make it, dear.
00:42:17Everything's going to be all right, Victor. I'll get you the best treatment. The finest doctors.
00:42:23I'll get you well and strong. We'll make a new life for ourselves. Away from all this. Away from him.
00:42:32Our life will be our own.
00:42:41Would you like one? Victor, darling. Victor, darling.
00:42:57Victor, darling. Victor, darling.
00:42:59Victor, darling.
00:43:06Victor, darling. I don't care.
00:43:10Victor, darling. I don't care.
00:43:13Victor, darling.
00:43:31It looks as though the life was drawn right out of him.
00:43:33Have the body examined by your head pathologist. I'd like a report as soon as possible.
00:43:37You wouldn't mind if the homeopsy pathologist also took a little peep.
00:43:40I don't care if he dunks his head into a ring.
00:43:42The other side of town. Car full of luggage.
00:43:44And Caroon? No sign of him.
00:43:45Stupid idiot. Trying to take the whole thing in her own hands.
00:43:48Where did he go? What did she say?
00:43:49She didn't say anything. Anything about him. She's in a pretty bad state of shock.
00:43:52She thought about him, then about what?
00:43:53The doctor said she may even go out of her mind.
00:43:54Out of her mind about what? What did she say? Come on, talk, man.
00:43:57Well, when they found her, she was just sitting at the wheel of a car.
00:44:01And moaning. Something about a hand being all grey.
00:44:07With thorns, like a... like a cactus.
00:44:24I remember there was a cactus in this room, in this pot. Can I get a direct line through this?
00:44:27Yes.
00:44:30Hello?
00:44:32Hello?
00:44:33Hello?
00:44:34Look, get this car on the yard.
00:44:37Car 3-9. Car 3-9. Proceed immediately to 34 Bainham Street.
00:44:44And investigate the port of Trowler by residence.
00:44:46B.B. Caroon. Proceed with caution.
00:44:49Car 3-9.
00:44:50Car 3-9.
00:44:53Join River Police at Hayes Wharf to search area bounded by...
00:44:59Toony Street, Hayes Lane, and Strad Thames.
00:45:13River Patrol 4, roger. Out.
00:45:19Harawatt.
00:45:32Caused снимens.
00:45:34In this part, I entered the gate to sight.
00:45:34The werden, I actually entered the gate.
00:45:43In this part, I decided to walk away.
00:45:47This growth on the face. Half plant, half... Look at this. Look what it's done.
00:45:54The whole tissue structure's eaten away. The bone's powder.
00:45:59Well, it takes care of my supper tonight.
00:46:03Brisco, what if there is a form of life in space? Not on some planet, but just drifting?
00:46:10God knows.
00:46:15Not life as we know it. With intelligence, yes, but pure energy. With no organic structure. Invisible.
00:46:21Invisible?
00:46:22Now, the rocket passed through its path. It entered the rocket. It found living specimens of our form of life.
00:46:27Cell organisms. Human. Green and Rachenheim.
00:46:31And Karun, exactly. Now, if even by accident it could enter one of those structures, what a way to invade
00:46:39the Earth.
00:46:40Now, look, sir, I'm not over-intelligent.
00:46:42If you saw the film, you know what happened. Only God knows where and how far that rocket traveled.
00:46:47But only two of them died.
00:46:49Something got into that rocket. Took the blood out of the other two, and now it's using Karun.
00:46:54And it's found other forms of life. The cactus.
00:46:58Good grief. You mean Karun's a carrier. He's now into the shell of a man being transformed.
00:47:04If one of these cactus plants were subject to the same mutation, there could be an affinity, a union between
00:47:09plant and animal, with the ability to destroy.
00:47:13And possess.
00:47:14And multiply.
00:47:18At will.
00:47:20Multiply?
00:47:22Yes.
00:47:22Yes, but to multiply, first it has to live.
00:47:25And like any living thing, to live...
00:47:28To live, it must have food.
00:47:31Oh.
00:47:57I'm sorry we're close.
00:47:59those. All right, just a minute. Oh, dear. Look, we only open till... Hey, wait a minute.
00:48:08You can't come into a place like this. Leave those things alone. What do you think you're
00:48:17not doing? Are you in pain? Hmm? Is it something to do with your arm? Look, I'll just take a
00:48:30look. I won't hurt it, I promise.
00:48:40No! No!
00:48:51Well, love, I'll get it.
00:48:56Hello? Yes, Bist? What? When?
00:49:03Right. Cardinal the whole area. Tell Quenemus and Briscoe to meet us there.
00:49:07Far.
00:49:10Now what? I've got to go back. But you've only just come in. You just can't do without me, love.
00:49:15I don't know why you don't move into the office. You'd never believe I was there.
00:49:19What makes you think I do now? Have your tea, at least. I haven't got time, love.
00:49:24The things you do to that poor stomach of yours. I ought to get you a picnic basket.
00:49:29What I'm going on is no picnic.
00:49:31What about dinner?
00:49:33Cooking, keep your fingers crossed.
00:49:35Goodbye, love.
00:49:42What do you think he was trying to do?
00:49:44I'd like to think, kill himself. The fears were mixed to normal as after the death in five minutes.
00:49:48What? What is it?
00:49:50I had a pretty sick feeling. It was something to speed up a change going on inside him.
00:49:54But Caroon was an engineer. He didn't know anything about chemistry.
00:49:56Caroon didn't know.
00:49:58There's a kettle still on and there's no sign of the chemist anywhere.
00:50:01What do you think he was doing here?
00:50:02Well, one thing he was doing, we're not certain.
00:50:04Not certain about anything with this customer.
00:50:07Well, nobody in the street heard anything.
00:50:09We're all at church or in the local.
00:50:10He must have...
00:50:21Evans, come in quick.
00:50:23Unquiet.
00:51:01Perhaps they could do what, no.
00:51:02But don't talk at all.
00:52:23And there's just some tools today.
00:52:25We'll have our own tea party.
00:52:27I don't like those other girls anyway.
00:52:29All they do is talk about their new clothes and dolls.
00:52:33You don't care about those things, do you?
00:52:35You don't care about new clothes or anything.
00:52:37We're friends.
00:52:42I use it there and be a good girl while I make the tea.
00:52:47There's the tea pot.
00:52:49There's the cups.
00:52:56And I brought the most delicious cakes and biscuits.
00:53:00The others never serve anything, but we do.
00:53:04Look, aren't they lovely?
00:53:07Don't be frightened.
00:53:08That's only the old rats that live in this old boat.
00:53:12Now, tea is ready.
00:53:16Sugar?
00:53:17One, two.
00:53:18All right.
00:53:20Now we may have a cake.
00:53:22This one.
00:53:22It's filled with cherries.
00:53:24But anyway, I like grab one because it's full of chocolate.
00:53:29Oh, we thought you were rats.
00:53:33Won't you stay and have tea with us?
00:53:37We'd very much like you to stay.
00:53:39You look so tired.
00:53:42There's plenty if that's what you're worried about.
00:53:44And cakes, too.
00:53:47Go on, Dolly.
00:53:48You ask him.
00:53:49Please, won't you have tea and cakes with us?
00:53:53Don't be frightened.
00:53:54We would like you to stay very much.
00:53:57And you may have the cake that has all the chocolate inside.
00:54:00Get in, Dolly.
00:54:03No.
00:54:03No.
00:54:26Mm-hmm
00:54:27What time was this?
00:54:29Was it an eyewitness? I
00:54:33They're doing fine. He's been fatherfully seen in Liverpool, Margate, Us, Bend and the Orkneys. Yes
00:54:39Yes
00:54:40Deptford area. What? A kid told her mother. Yes
00:54:44About two hours ago. Hold it, please
00:54:47A kid got a doll broken by a man down by some derelict boats near Deptford. So it had to
00:54:51be Caroon?
00:54:52No, the mother's complaining about molesting kids. Deptford said the description could fit Caroon. All right. Well, that's why there's
00:54:57a police station at Deptford
00:54:59Thank you, Deptford. Keep us informed. Bye-bye
00:55:02Well, there's a Deptford alert on Caroon. Yes, I know it is, so your boys can have another little drive.
00:55:09Cover derelict boats, warehouses and bomb shelters.
00:55:12All right, so do it again.
00:55:15Where's he getting food? That's what I'd like to know.
00:55:19Now, now, shut up, Simba. You're right in here. It's time to go to bed. Go on, off you go.
00:55:23Go on, don't stand there gaping at me. Off you go to bed.
00:55:37Good night, fellas. Sleep well. Hello, Joey. You know something? Could have sworn I saw you having tea in a
00:55:44cafe this afternoon. Turned out to be a customer, though.
00:55:47Okay.
00:55:48Yeah.
00:55:56Okay.
00:56:06Bye-bye.
00:56:09Ah, yeah, yeah.
00:56:12Yeah.
00:56:13Okay.
00:56:13Bye-bye.
00:56:14Bye-bye.
00:56:19I don't know.
00:57:01I don't know.
00:57:18I don't know.
00:57:32I don't know.
00:57:36I don't know.
00:57:39I don't know.
00:57:39I don't know.
00:57:46I don't know.
00:58:10I don't know.
00:58:13I don't know.
00:58:26I don't know.
00:58:30I don't know.
00:58:32I don't know.
00:58:35I don't know.
00:58:42I don't know.
00:58:46I don't know.
00:59:24I don't know.
01:00:01I don't know.
01:00:07I don't know.
01:00:53I don't know.
01:01:01I don't know.
01:01:31I don't know.
01:02:01I don't know.
01:02:05I don't know.
01:02:29I don't know.
01:02:31I don't know.
01:02:59I don't know.
01:03:29I don't know.
01:03:31I don't know.
01:03:43I don't know.
01:04:09I don't know.
01:04:28I don't know.
01:04:28I don't know.
01:04:36I don't know.
01:04:41I don't know.
01:04:41I don't know.
01:04:55I don't know.
01:05:11I don't know.
01:05:41I don't know.
01:05:54I don't know.
01:05:56I don't know.
01:06:13I don't know.
01:06:36I don't know.
01:06:44I don't know.
01:06:49I don't know.
01:06:53I don't know.
01:07:13I don't know.
01:07:17I don't know.
01:07:48I don't know.
01:07:48I don't know.
01:07:56I don't know.
01:08:13I don't know.
01:08:14I don't know.
01:08:15I don't know.
01:08:16Right up.
01:09:03Now, this is all we need to start the program with a swing.
01:09:06What are you talking about?
01:09:07Oh, no one must touch anything unusual they find in the streets.
01:09:10Don't panic.
01:09:11Just inform the nearest police station.
01:09:12They've been putting that out all day on the radio.
01:09:15Westminster Abbey?
01:09:16Yeah?
01:09:18Standing by.
01:09:20Opening announcement coming up.
01:09:21Okay.
01:09:22Stand by, cameras.
01:09:29All right, camera one.
01:09:31Titles are in.
01:09:32We'll be on you in five seconds.
01:09:34Four, three, two, one.
01:09:44On you, camera one.
01:09:45Where are you?
01:09:47All right, quick.
01:09:47Take over camera two.
01:09:48On you instead.
01:09:53What's that?
01:09:55What's happened?
01:09:55Looks like a body.
01:09:57Kill transmission.
01:09:59Line glove.
01:10:00Fill in, will you?
01:10:01I'll get back as soon as possible.
01:10:02Tell presentation.
01:10:04Hello.
01:10:23What goes on here?
01:10:25He fell from the scaffold.
01:10:26He slipped.
01:10:26Dead before he fell.
01:10:28Dead before he fell?
01:10:29Yeah.
01:10:29Don't mess up.
01:10:30I shouldn't have done this.
01:10:31He's got a stunned stomach.
01:10:34It's pretty good.
01:10:35Better get the police.
01:10:36Better get the police.
01:10:37Yes, get the police.
01:10:38Well, go on with the program?
01:10:40It's up to you, sir.
01:10:41I'm all right.
01:10:42I think we'd better carry on on another part of the ambulance.
01:10:44Right.
01:10:45Pull that lot in over here, will you?
01:10:47There's a blanket.
01:10:48Something to cover him up.
01:10:49Come on, quick.
01:10:56It's great about.
01:10:57Right.
01:11:08All right.
01:11:08I want the whole area to be cleared.
01:11:09Public clergy, everyone.
01:11:10And quick.
01:11:11Jesus.
01:11:12Not so loud.
01:11:12There's a transmission going on.
01:11:13There's a transmission coming off.
01:11:14I want you all out of this place.
01:11:16Every second may count.
01:11:17Remind.
01:11:25It's an emergency.
01:11:26Get me started.
01:11:27Stop it.
01:11:27I can't stop it.
01:11:28Where's your producer?
01:11:30Hidden under layers of faith.
01:11:33And aged by the dust of time.
01:11:45Send you over the enforcement.
01:11:50Stand by and steam glass window.
01:11:53Camera three and scaffolding.
01:11:54Hold it.
01:11:55I'm Inspector Long.
01:11:56You've got to get your people out of the alley.
01:11:57Please.
01:11:57Come on to you, camera three.
01:11:59Everyone in that building may be in deadly danger.
01:12:01We're on transmission.
01:12:02Come on to you, camera one.
01:12:03Turn up as high as you can.
01:12:04No.
01:12:08What's the name of him?
01:12:09It must be 20 feet across.
01:12:13Q transmission.
01:12:15Camera one, hold that shot and walk off and everybody out.
01:12:20Hello.
01:12:20Hello, plantation.
01:12:21Yes.
01:12:22You'll just have to carry on as best you can.
01:12:23We can't go on here.
01:12:25Yes.
01:12:25Yes.
01:12:26Fill in, will you?
01:12:30Great of us, quick.
01:12:31In the south.
01:12:32There's another abbey here.
01:12:38There's an emergency.
01:12:39You saw it?
01:12:40We don't know what it is.
01:12:42Same pattern as the one in the lab.
01:12:43It was 30 times the pattern of reproduction.
01:12:45Those nodules, if they get to spore this time, nothing will stop them.
01:12:48They'll break up.
01:12:49They'll spread by the million, whatever there's air and wind.
01:12:51How long before it starts reproducing in case?
01:12:53On the last cycle of 80 or 90 minutes.
01:12:55And then within the hours, for every one, there'll be a miracle.
01:12:56Stop it now.
01:13:00We'll get flamethrowers.
01:13:01Parts of it might still escape the whole of it, Mr. Kills.
01:13:04Dynamite.
01:13:04That would only spread it further.
01:13:05Stop stopping.
01:13:08It's barely pulsating now.
01:13:11My timing was high.
01:13:12It's in its last dormant stage, just before it reproduces.
01:13:15It's changing again.
01:13:16The beginning of new sparkages in terms of dust.
01:13:18Boy, it's hanging there, wrapped around the scaffolding.
01:13:22Let's go.
01:13:22I think we can stop it.
01:13:28Now, Professor, that scaffolding inside.
01:13:31I want to rent cables to it.
01:13:32Then tap the main power line.
01:13:33I want to send enough current into that steel to burn it up.
01:13:35We've got to keep pouring current to it.
01:13:37We have to melt it right down to the ground.
01:13:38Yeah.
01:13:39It's our only chance.
01:13:40I want every bit of current and wonder diverted to here.
01:13:42You'll bring the city to a standstill.
01:13:43If that thing's poured before we kill it, you won't have any city.
01:13:46I just hope you're right, that's all right.
01:13:47I just hope you're right.
01:13:48Hey!
01:13:54Hey!
01:14:09Attention everybody.
01:14:11Attention everybody.
01:14:13There is no corner for a man.
01:14:15I repeat, there is no corner for a man.
01:14:19Please do not ramen, and thank you,
01:14:22can you?
01:14:23In this facility, please distance. Go back your home. There is nothing to see. Go back your home.
01:15:03The microwave probe hosts the left and forth to open the upesh hardware.
01:15:12It has changed quite a bit.
01:15:42Hello, Battleseed.
01:15:43Standby.
01:15:49Switch on.
01:16:26Standby.
01:16:29Standby.
01:16:31Standby.
01:16:32Standby.
01:16:34Standby.
01:16:45Standby.
01:16:50Standby.
01:17:07Standby.
01:17:09Standby.
01:17:09You won.
01:17:10In my simple Bible way I did a lot of praying.
01:17:13One world at the time is good enough for me.
01:17:24Can we use it all up now, sir?
01:17:32Is it all right, sir?
01:17:46Wait a minute, why wasn't I involved about all this?
01:17:52I've only just heard, sir.
01:17:53Might have been here sooner.
01:17:54Is there anything I can do?
01:17:56Yes, Marsh.
01:17:57Then I need some help.
01:17:58Help, sir?
01:17:59What are you going to do?
01:18:00I'm going to start again.
01:18:23I'm going to start again.

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