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00:04:46Good morning, Inspector.
00:04:47Hello, Maurice.
00:04:48Well, what's new?
00:04:49Not much that was particularly pleasant.
00:04:50What is this about?
00:04:51The commissioner wants to see you.
00:04:53Oh dear, the peace and quiet is already over.
00:04:55Yes, indeed.
00:04:56What is this mess?
00:04:58Nobody touched anything here.
00:04:59Everything is exactly as you left it when you left.
00:05:02You're going to put that away right away.
00:05:03Heard.
00:05:03And what does this cat mean?
00:05:05Nothing at all, Inspector.
00:05:06It's the concierge's cat.
00:05:08Tidy up, make sure everything is clean and neat.
00:05:10Starting tomorrow, I want flowers.
00:05:12Did you say flowers?
00:05:13Yes, flowers.
00:05:14I thought I had misunderstood.
00:05:15What's going on? You seem different.
00:05:17It is happiness and love that will change.
00:05:19I'm getting married in a month.
00:05:20Do the same, marry a pretty girl.
00:05:22Well, I'd like that.
00:05:23It's my wife who doesn't want to.
00:05:25It makes me sad to see you so happy.
00:05:27For what ?
00:05:27The boss is waiting for you, inspector.
00:05:29And when you've spoken to him, I don't think you'll be in such a good mood.
00:05:32Do you believe that?
00:05:33I have a feeling you're mistaken.
00:05:36Oh.
00:05:37I am satisfied with your work, Tenant.
00:05:39Especially with regard to the Martin case.
00:05:41It was quite easy.
00:05:43Simple routine.
00:05:44Yes, probably.
00:05:46But I believe the time has come to entrust you with a mission that matches your talents.
00:05:49I am very honored.
00:05:50You won't regret it.
00:05:51This is a matter that could bring you glory and renown.
00:05:54This is case number 3253.
00:05:59The case of the four young women who disappeared, right?
00:06:01No, five.
00:06:02We are now at five disappearances.
00:06:04Is there a new one?
00:06:05Here is the situation.
00:06:07Five women disappeared within a three-month period, and all under identical circumstances.
00:06:12One evening, they flew away without a trace.
00:06:15Not by the slightest lead, nor the smallest clue.
00:06:18The first two reported cases did not alarm us much.
00:06:20They were women of loose morals.
00:06:23We assumed they had left with a passing lover and that we would see them again.
00:06:27But they never gave any sign of life again.
00:06:29After three months of relative calm, the disappearances have started again: two women in twenty days.
00:06:34And this time, there are traces of violence in the victims' apartments.
00:06:37The broken man, overturned pedestal table.
00:06:39For what ?
00:06:40My full name.
00:06:42Genie, Albert, Marianne, France, Schneider.
00:06:45Age ?
00:06:4622 years old.
00:06:46Bride ?
00:06:47No, still single.
00:06:49There is certainly no shortage of contenders, but the choice is so difficult.
00:06:53Please, just answer my questions.
00:06:56Oh, but that's what I do.
00:06:57But when I talk, I don't stop.
00:06:59Go ahead, ask me.
00:07:01On the night of the incident, you were...
00:07:02About the incident?
00:07:03You call that an incident, sir?
00:07:05It was a night of dread and horror.
00:07:07Have you seen his face?
00:07:09Not bad at all, it was dark.
00:07:10Yet it seems to me that he was very pale, very white, cadaverous.
00:07:14Would you recognize him if you saw him again?
00:07:17Yes, in the way he walks, among other things.
00:07:20What was so special about her?
00:07:21Well, he walked with measured steps, placing his feet heavily,
00:07:25as if he were following a funeral, in a way.
00:07:28You've certainly been following along.
00:07:29Was he an ordinary man?
00:07:32Extraordinary !
00:07:47Love, love.
00:07:49Love, love.
00:07:50Amor, ven junto a mí.
00:07:52Ven junto a mí.
00:07:54Don't abandon me anymore.
00:08:12Love, love.
00:08:13Vivirá.
00:08:17Pero, amor mío, si me abandonas,
00:08:21My passion will be apaved.
00:08:30Love, love.
00:08:34Love, love.
00:08:36For what ?
00:08:36I didn't think you would come.
00:08:38Yesterday, I gave you my word.
00:08:40Yes, that's true, but that was yesterday.
00:08:42We know men.
00:08:44They promise to return.
00:08:45But the next day, they remember nothing.
00:08:48I remembered you.
00:08:50Because you are so pretty.
00:08:57Oh, is that for me?
00:09:00When the Dios de Mi separated you,
00:09:04de mi vida te alejó,
00:09:09yo fui muy feliz
00:09:10to be free at the end
00:09:13of your poor and old love.
00:09:25You are so beautiful.
00:09:28Your hair,
00:09:29your mouth,
00:09:32your skin is so white.
00:09:34What's wrong with my skin?
00:09:36It is silky,
00:09:38So sweet, so fresh.
00:09:41It looks like velvet.
00:09:46Do you like it?
00:09:49I must be dreaming.
00:09:51My darling Pielhomme, the most wonderful
00:09:52whom I knew.
00:09:53And I would like you to keep me
00:09:55for as long as possible.
00:09:57You are pretty.
00:10:00How sad to think
00:10:01that youthful grace,
00:10:03this freshness
00:10:04may be desiccated by death.
00:10:06Why think about these things?
00:10:11Forgive me.
00:10:12At my age,
00:10:13men sometimes have
00:10:14absurd thoughts.
00:10:16You're not old,
00:10:17You are in the prime of life.
00:10:20And you look very handsome.
00:10:22If you were old,
00:10:23You wouldn't appeal to me anyway.
00:10:26Do you like me?
00:10:28Yes.
00:10:33What's going on?
00:10:35Why are you looking at me like that?
00:10:38Nothing is happening.
00:10:40A little champagne?
00:10:41Oh yes.
00:10:42Lots of champagne.
00:10:43Today, I want to drink.
00:10:54I am...
00:10:54Good evening.
00:10:56You should wait
00:10:57that we escort you back.
00:10:57You're really not
00:10:58able to return home alone.
00:10:59Oh, but I'm not alone.
00:11:00They're waiting for me.
00:11:01Look at this carriage.
00:11:02It's the duke
00:11:03who is waiting for me in his car.
00:11:04And he was generous.
00:11:06Wow, what a necklace.
00:11:07You are very lucky.
00:11:19I didn't keep you waiting too long, darling.
00:11:23Where are you taking me?
00:11:25It's me.
00:11:25Have a glass of champagne.
00:11:27All right ?
00:11:28Yes, darling.
00:11:29Anything you want.
00:11:30But I'm warning you right now,
00:11:32you're going to have a lot of trouble
00:11:33to get rid of me.
00:11:34You know,
00:11:35Denis clings on
00:11:36and you will be forced
00:11:37to kill me.
00:11:50Denis.
00:12:08Thank you, sir.
00:12:09I had never come before
00:12:10in this neighborhood.
00:12:11It is said that there is
00:12:12very large palaces here.
00:12:15Saint-Dios,
00:12:15What did I do?
00:12:16From my bag?
00:12:18Ah, there he is.
00:12:21Hey !
00:12:22You don't know how to open it?
00:12:24Me neither.
00:12:49It must all be so beautiful.
00:12:51It's a shame we can't see anything.
00:12:53Oh, crackle a breath,
00:12:54please.
00:12:58THANKS.
00:13:02Oh, it's beautiful.
00:13:05All this greenery.
00:13:07About,
00:13:07Do you like greenery?
00:13:34You scare me.
00:13:38Open.
00:13:43Open!
00:13:45Why a little fear?
00:13:47Open!
00:13:54You are here ?
00:13:57You are here ?
00:14:01You are here ?
00:14:05Don't be an idiot!
00:14:07Come on, show yourself, we have a series like that.
00:14:10You'll see if I catch you.
00:14:13You'll see, just wait.
00:14:15You'll see.
00:14:18So.
00:14:21Where are you?
00:14:26Wow!
00:14:31Wow!
00:14:32Wow!
00:14:46I saw you!
00:14:48Wait.
00:14:56Where are you getting stuck?
00:14:59Ha-ha-ha-ha!
00:15:01Ha-ha-ha!
00:15:02Let's get this going!
00:15:12Ah!
00:15:13Ha-ha-ha-ha!
00:15:14Ha-ha-ha!
00:15:16Ha-ha!
00:15:17Ha-ha-ha-ha!
00:15:18Ha-ha!
00:15:19Oh !
00:32:03The big mistake
00:32:04I need to graft skin from a living woman
00:32:06from now on
00:32:07and then my triumph will be absolute
00:32:10You will subject him to torture
00:32:11one of those poor girls
00:32:12Will you dare?
00:32:14But it will be over very soon.
00:32:16And what will you do with them afterwards?
00:32:19They will have to die
00:32:20?
00:32:22Or maybe not?
00:32:25Yes, that's it. I will use them to continue my experiments.
00:32:29I'm leaving. I can't stay here any longer.
00:32:32You fill me with horror with your eyes and your bloody hands.
00:32:34You will stay here. I will kill you if you dare to flee, Arnais.
00:32:39But so slowly that you'll beg me to finish you off right now.
00:32:45Why would I stay with you, then?
00:32:47Because I don't want you to reveal my secrets.
00:32:50I won't say anything, I swear.
00:32:51I cannot take that risk, I regret it.
00:32:54And besides, you belong to me.
00:32:59I got you out of prison, I rescued you from life imprisonment.
00:33:03You would have been better off leaving me where I was.
00:33:07You spoke a completely different language back then.
00:33:11Remember, when you were in the infirmary, the prison inmates.
00:33:16You weren't like you are now either?
00:33:21No.
00:33:23I was just a poor doctor, a prison doctor.
00:33:28Perhaps I was in love with you.
00:33:31Yes, definitely.
00:33:33Otherwise, you wouldn't have saved me by risking your situation.
00:33:36How many nights I spent thinking about the best way to get you out of your cell.
00:33:42Luckily for you, I finally found it.
00:33:45It was very simple.
00:33:46One single insulin injection and you fell into a coma.
00:33:49All I had to do was sign the death certificate.
00:33:53I spent terrible hours until I managed to get you out of your coffin before
00:33:58the funeral.
00:34:01I carried you in my arms for miles, through the night.
00:34:09I wonder what prompted you to act that way, by the way.
00:34:12Perhaps it was to bury me in that awful castle, like poor Morpho.
00:34:16Oh, poor Morpho!
00:34:19An assassin, a sadist at 20, already a parricide.
00:34:23I helped him escape too.
00:34:25I stole his body to examine it and to study his brain at my leisure.
00:34:28And you made him blind, devoid of reason.
00:34:31A perverse animal that obeys your orders, which are more criminal than its own actions.
00:34:38I always fought to do good until fate set that fire in the lab
00:34:44who disfigured my daughter.
00:34:47Today, my only goal is to restore its beauty.
00:34:52For three months I have been fighting against death with all my might.
00:34:56But I will prevail.
00:34:58I know my time is running out.
00:35:00That's what makes me ruthless.
00:35:02Now, thanks to the help of a few young living beings,
00:35:06I know I will heal Melissa.
00:35:21Wait for me a moment.
00:35:24I will give the officer the two portraits of the assassin so that he can investigate in the neighborhood.
00:35:28Don't linger, these streets don't appeal to me.
00:35:41Good day sir.
00:35:42The two sketches of the murderer.
00:35:43Ask people, I want to know if anyone recognizes him.
00:35:45Understood, Inspector.
00:35:46GOOD.
00:35:47Inspector, you are urgently requested at the prefecture.
00:35:49Let's go.
00:35:58THANKS.
00:36:02THANKS.
00:36:04THANKS.
00:36:05THANKS.
00:36:20What... what do you want?
00:36:23Excuse me, but...
00:36:25I mistook you for someone else.
00:36:28A person who is very ill.
00:36:31It's incredible, but you really do look a lot like her.
00:36:41Maurice found the necklace in Hartog, at an auction, 40 km from here.
00:36:45I'm going there immediately.
00:36:48Maurice is already there.
00:36:49I sent it in order to stop the seller.
00:36:50He is a vagabond with a bad reputation.
00:36:53Who did he sell?
00:36:54You are upset.
00:36:56I saw it.
00:36:57I am absolutely certain of it.
00:36:59Who did you see?
00:37:00The assassin.
00:37:01His gaze literally froze me with terror.
00:37:03How do you know it's him?
00:37:04He was like the man in the first portrait.
00:37:08What did he tell you?
00:37:09That... that he had mistaken me for another person who is seriously ill.
00:37:13That's him, Edgar.
00:37:15The hat and the cape.
00:37:17Look, there it is.
00:37:20Stop, stop, check the box.
00:37:33What would you like, sir?
00:37:38Oh, forgive me.
00:37:39I mistook all my apologies for someone else.
00:37:42You are all excused.
00:37:44Good day sir.
00:37:57I hope you're not going to start recognizing the murderer on every street corner.
00:38:01The city has no shortage of men who wear capes and top hats.
00:38:04You may be right.
00:38:05I think I'm obsessed.
00:38:07Where are we going now, Edgar?
00:38:09I'll drive you home and then I'll go back to my place.
00:38:11I'll change my clothes and then I'm off to Arthog.
00:38:13When will you return?
00:38:14I don't know. Tomorrow, probably.
00:38:17For what ?
00:38:18For nothing.
00:38:31I will try to get back earlier, if possible.
00:38:33Think of me.
00:38:34I think of you more than you realize.
00:38:36If everything goes as I hope, this matter will be over in a short time.
00:38:40Then we can get married and go on our honeymoon.
00:38:44Yes, darling.
00:38:45I think we need to part ways.
00:38:46You have so much to do.
00:38:48Vanda, you still love me just as much.
00:38:50No, much more.
00:39:14I think of you more than you realize.
00:39:43What time did you get home? I didn't hear you.
00:39:46What are you doing with that dress?
00:39:48Are you going to a masquerade ball tonight?
00:39:50You put your finger here, aunt.
00:39:52And which transvestite did you choose?
00:39:54That of... one of the shamed ones.
00:40:05It's not raining anymore.
00:40:05That's something, at least.
00:40:06And tchoo!
00:40:08If I don't have a bad case of chest inflammation, I'll be lucky.
00:40:15This is it, boss.
00:40:27Good evening.
00:40:33That's him, Hogan.
00:40:35The antique dealer who bought the necklace from the vagrant who was arrested.
00:40:40Here, take the necklace.
00:40:42Do you want me to open the shop?
00:40:43No, no, thank you.
00:40:45Where did you get this necklace?
00:40:46I've already told your deputy about it.
00:40:48You will start again, however.
00:40:51How many times should I repeat my story?
00:40:53As many times as I tell you.
00:40:56Where did you get this necklace?
00:40:57Néan sold it to me.
00:40:58Who ?
00:40:59Jeannot.
00:41:00Jeannot, how come?
00:41:01I think his name is Rousseau.
00:41:02But everyone calls him Jeannot-Tonneau.
00:41:04Why? Because he drinks it dry?
00:41:06Yes, that's correct, sir.
00:41:07You are very perceptive.
00:41:09I'll spare you your irony.
00:41:10Do you know where this Jeannot is?
00:41:12He is at home, at the cabaret, like every night.
00:41:16Let's go.
00:41:21Your name?
00:41:22Jean Rousseau.
00:41:23Listen to me carefully, Rousseau.
00:41:25I'm warning you, be careful what you say.
00:41:27This could be used against you.
00:41:29I don't know what that means, but it doesn't matter.
00:41:31Ask me, go ahead.
00:41:32Who gave you this necklace?
00:41:33Well, I caught it.
00:41:34It's likely in a cute girl's bag.
00:41:36I swear it's not true, I fished it out of the river.
00:41:38And where exactly?
00:41:39Next to the country.
00:41:41I am a fisherman.
00:41:42Oh, not for pleasure, no, for eating, that's all.
00:41:44So, I'm going fishing that day.
00:41:45I throw my line into the water and immediately, the bobber sinks.
00:41:48And I shoot, I shoot, I shoot.
00:41:49And you're taking out the necklace?
00:41:50Yes, indeed.
00:41:51Are you working right now?
00:41:52No, I'm on vacation at the moment.
00:41:55I'm taking a walk.
00:41:56I'm fishing.
00:41:57Yes, a good binge every night.
00:41:59Yes, to forget.
00:42:00To forget what?
00:42:01Well, pretty much everything in general.
00:42:02You also forgot what you were doing on the night of February 23rd to 24th.
00:42:06Uh, the night of the 23rd.
00:42:09And tell me, does that go back a long way?
00:42:11In ten days.
00:42:12Ah, so that's easy.
00:42:13Go fishing.
00:42:14We're going to check your statements.
00:42:16I'd like to, but it's pointless.
00:42:18Ask the hedge fish instead.
00:42:20Those birds have an elephant's memory.
00:42:22Thank you, Jean.
00:42:23In the meantime, and until we have verified the veracity of your statements,
00:42:27You're going to go for a walk around the depot.
00:42:28I'll come pick you up in an hour.
00:42:30That works.
00:42:31The cabin isn't so bad.
00:42:32I've already taken a quick look around there.
00:42:34No, what's ugly is the food.
00:42:36But we can't have chicken every day, can we?
00:42:38Hey, hey, wait.
00:42:42Listen, I like you.
00:42:44But not him.
00:42:46You seem like a good guy.
00:42:48Thank you, that's kind of you.
00:42:49No kidding.
00:42:50And I know you're in trouble.
00:42:52Oh yes ?
00:42:53You shouldn't look in the village.
00:42:54People are too honest.
00:42:55But outside of that, there are non-Catholic citizens.
00:42:58Ah, and why is that?
00:42:59Because...
00:43:01That place scares me.
00:43:03It smells a bit too much like a cemetery.
00:43:05And don't think I've had a drink.
00:43:07I know the place, I've been there a hundred times following the water's edge.
00:43:11That impresses me.
00:43:12Honestly, you'd swear it was a place made for crime.
00:43:14Yes, if I were you, I would go and take a look around there.
00:43:17You wouldn't break something on me, would you?
00:43:19Ah, if I knew something, I would have told you, come on.
00:43:22It's true, it's just a simple idea.
00:43:27Hey, buddy, come with me, I want my toothbrush.
00:43:30Come on, old man.
00:43:32Advance.
00:43:57So, my pretty, where are we going like this?
00:43:59What do you want?
00:44:06Miss, are you consuming or not?
00:44:09What do you advise me to do?
00:44:11A little drop of accumulation, that's what I'm getting.
00:44:13Okay, Accumel, then.
00:44:15So, beautiful, you know how to sing?
00:44:17Sung.
00:44:17Bravo, we're going to sing together, the two of us.
00:44:20She sings it in the garden in the morning.
00:44:24She will sing too.
00:44:26Leave me alone.
00:44:27On the other hand, miss, I want him to serve them to me.
00:44:31Give me that.
00:44:32It will grow even more.
00:44:49And she is so beautiful.
00:44:51Stay with me.
00:44:51Ah, you said I'd leave you alone.
00:44:53She sings with me and I follow you.
00:44:55Anything you want.
00:44:56Okay, but with two voices, then.
00:44:57Women, they're all a bit crazy.
00:44:59I really don't know what they see in that guy.
00:45:08Come on, let's get a car.
00:45:10Ah, but I couldn't ask for anything better, yes.
00:45:11Are you free?
00:45:12No.
00:45:14Are you free?
00:45:15I am as free as my purse and flat.
00:45:17Come on, get in.
00:45:23She looks so beautiful there.
00:45:52She is so beautiful, like a rose.
00:46:03And we've arrived!
00:46:04Me, yes.
00:46:05So, me too?
00:46:06No, you go to choir, to sing in unison with other girls all night.
00:46:10Ah, to sing?
00:46:11Take him wherever he wants.
00:46:13Okay, thank you.
00:46:13Farewell.
00:46:14Wait, give me the address of that choir, will you?
00:46:22Okay, that's all worked out for tonight.
00:46:24Okay, then, I'm going to change my clothes.
00:46:25Wait for me five minutes.
00:46:26Ah, just five minutes.
00:46:27I'm falling asleep.
00:46:40Who is here?
00:46:45Irma?
00:46:47Who is here?
00:46:51Who is here?
00:47:01Raymond?
00:47:04Raymond?
00:47:06Raymond?
00:47:07Raymond?
00:47:08Raymond!
00:47:13Raymond.
00:47:15Raymond.
00:47:15Raymond.
00:48:11Are you okay, Manson?
00:48:25Subtitling by Radio-Canada
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00:58:25by committing new crimes.
00:58:29I will try, if I can, to make use of this woman again.
00:58:34If she dies, I will continue with others.
00:58:37When you are wanted by all the police forces,
00:58:39when your report has just been broadcast everywhere
00:58:41And since the whole city is on alert, you'll be caught.
00:58:44If necessary, I will take that last risk.
00:58:48I so desperately want to find a certain woman again.
00:58:52What a woman!
00:58:54She looks so much like Melissa.
00:58:57She is as beautiful as my daughter was.
00:59:00If I could shoot her at the castle,
00:59:03I am certain that I will not create any more victims.
00:59:07You're crazy, you're irrational.
00:59:09You are possessed by the demon of torture and murder.
00:59:11I will prevent you from committing any further crimes.
00:59:16I have her, she's responsible for everything.
00:59:33Arnais.
00:59:35Arnais.
00:59:39Arnais.
00:59:58You loved it very much, Melissa.
01:00:01Would you be able to hear his voice?
01:00:05She was good to you.
01:00:09She wasn't afraid of you.
01:00:11You don't want her to be happy again.
01:00:16Arnais will not be returning for some time.
01:00:20She will only return to witness our triumph.
01:00:24In a few days, a woman who looks like Melissa might come here.
01:00:29I'm counting on your help.
01:00:32And if it works, she'll be yours, Morpho.
01:00:49Have you read the newspapers?
01:00:50Yes.
01:00:52Even what is said about me in the mail?
01:00:54Of course. I hope they'll be more lenient with me.
01:00:57But they will recognize your merits.
01:01:04And yours. That's why I love you, Edgar.
01:01:08It's your turn, Mrs. Pondac.
01:01:10Go quickly to your seat. We'll see each other at the break.
01:01:14Good luck.
01:01:15I don't like seeing you sad.
01:01:16Why does that upset you?
01:01:18No, but I love you.
01:01:36Inspector.
01:01:46An urgent matter. I must leave immediately.
01:01:48You will return as soon as the show is over.
01:01:50Excuse me, Prenfanta.
01:01:56The two fingerprints are exactly identical.
01:01:59They both belong to the same person.
01:02:01This one was picked up at the pier.
01:02:03It's a brand new imprint.
01:02:04By consulting the archives, we found the character and here is what is most important.
01:02:12Morpho Lautner, sentenced to death for murder and repeated acts of violence, as of the date of
01:02:19May 21, 1905.
01:02:21He died in Halseyne prison of a heart attack three days before his scheduled execution.
01:02:28That was seven years ago.
01:02:31Are you sure these are the same fingerprints?
01:02:33Here, see for yourself, sir.
01:02:35That's why I printed such enlarged proofs.
01:02:38Yes, that makes sense.
01:02:40Find me immediately in the archives, the Morpho Lautner file.
01:02:43Right away.
01:03:12Right away.
01:03:32Good evening.
01:03:35Hey, it's you again? Don't you remember me?
01:03:38Well, that's a shame.
01:03:40Shall I pour you a cumel?
01:03:41How did you guess?
01:03:43Because I recognized you.
01:03:54A gentleman asked me to give this to you.
01:03:58He booked a private room.
01:04:05He's a very distinguished gentleman, he would suit you.
01:04:10Take me there.
01:04:18Good evening, Paulette.
01:04:19Good evening, little one.
01:04:24It's here.
01:04:26If you want anything, call me.
01:04:28Do you have something to write with, please?
01:04:29Yes, of course.
01:04:32If I only had flower sales, I would already be dead.
01:04:35I used to sell a lot of them.
01:04:37Men are more romantic these days.
01:04:41THANKS.
01:05:00Did I frighten you, miss?
01:05:02A little, yes.
01:05:03I regret it.
01:05:09My name is Dr. Orloff.
01:05:11I am delighted to finally meet you.
01:05:14My name is Tania.
01:05:15Tania Feld.
01:05:17Tania.
01:05:18Please sit down.
01:05:19THANKS.
01:05:25That way, nobody will bother us.
01:05:28Champagne?
01:05:28Yes, with pleasure.
01:05:47An abnormal person, a monster, who killed for the pleasure of killing.
01:05:50He committed his first crime at the age of 17.
01:05:52He brutally murdered a 12-year-old child.
01:05:55Paricide at 18 years old.
01:05:56Obviously, he would be the ideal suspect.
01:05:58Unfortunately, there's a catch.
01:06:01Mr. Ormorpho has been dead for 7 years already.
01:06:13The trial certificate bears the signature of the prison doctor.
01:06:16Doctor Orloff.
01:06:18Yes, I know him.
01:06:21Orloff, Orloff.
01:06:23Still in operation?
01:06:24He retired about 7 years ago.
01:06:26This would therefore be his last medical act.
01:06:28He was a really intelligent man.
01:06:30A truly great doctor.
01:06:31It's definitely him.
01:06:33Orloff.
01:06:34Okay, find me Dr. Orloff's file.
01:06:36Yes.
01:06:40I'd like to point out that it's already 1 a.m.
01:06:42We need to go for a walk in the old town tonight.
01:06:44Yes, that's right, but it's less urgent.
01:06:45First, find me this sheet.
01:06:54I like you, Tania.
01:06:56No woman has ever pleased me as much as she has to this day.
01:06:59Let's go to my place, we'll be better off than here.
01:07:01I live in a quiet, secluded neighborhood.
01:07:02I have a lovely house.
01:07:04Come to my place.
01:07:06Let's go.
01:07:07Oh, yes, yes, of course.
01:07:10Oh, me, my hair looks like a crazy mess.
01:07:22You must think I'm very ugly, right?
01:07:25Lovely.
01:07:27Finish your drink.
01:07:27Yes, yes, yes.
01:07:34Give me some flowers.
01:07:47Come on, choose, the flower seller is here.
01:07:49Ah yes, the flower seller, thank you.
01:07:51That one.
01:07:53Oh, you'll see.
01:07:55A surprise, a surprise, a surprise.
01:07:57Wait for me a moment.
01:07:59I'm going to get a makeover, do you want to?
01:08:01But don't linger too long.
01:08:02Oh, no, no, I'll be back in a minute.
01:08:47Here, give that right away to the guard on duty, in the street, just opposite.
01:08:50I saw it when I came in.
01:08:51Tell him it's urgent, that the lives of several people are at stake.
01:08:58Here, I'll take a few more flowers.
01:09:11What do you think?
01:09:18You are more than pretty.
01:09:21Do you want us to leave now?
01:09:24I'd like that, we're being...
01:09:26At my place, okay?
01:09:27It's quite far from here.
01:09:29In any case, we'll be very peaceful there.
01:09:33A true corner of paradise and peace.
01:09:45Let's not delay any longer.
01:09:47The car is waiting for us.
01:10:05Am I sleepy?
01:10:07I think I drank a little too much tonight.
01:10:09You're not angry?
01:10:12No, come on.
01:10:14Go to sleep.
01:10:16THANKS.
01:10:18You're very kind.
01:10:28Check the box.
01:10:29Faster.
01:10:30I don't know exactly where the ferry terminal you want to go to is, sir.
01:10:33Continue straight ahead.
01:10:34There is a detour.
01:10:35Then I will show you.
01:10:36So, this kidnapper lives in a sort of castle near Bartogne.
01:10:38Yes.
01:10:39He retired there a long time ago.
01:10:40It would be funny if our friend the vagabond was actually right.
01:10:43Officer, I am very pleased to meet you.
01:10:45The assassin is after me.
01:10:46A large knife in his right hand.
01:10:47And a hammer in my left hand, I know.
01:10:48What a mess.
01:10:49Everyone is disturbed.
01:10:59So, Croce.
01:11:01Good evening, inspector.
01:11:02Do you have any news?
01:11:03No, no, nothing.
01:11:03Oh, sorry, yes.
01:11:04I have a letter for you.
01:11:05Here.
01:11:05Who is it ?
01:11:06I don't know.
01:11:07It was the butcher who gave it to her on behalf of a girl who, according to the old woman,
01:11:10was a little tipsy.
01:11:13It is written with red ink exposed.
01:11:15Another crazy woman who knows the killer, no doubt.
01:11:18Shall we leave, Maurice?
01:11:19All right.
01:11:19I think we should have a coffee before going back to rummage through our paintings.
01:11:22I believe that too.
01:11:22Good evening and good luck.
01:11:23Thank you, boss.
01:11:24Good evening.
01:11:24Okay, good night.
01:11:41THANKS.
01:11:41Do you want me to help you?
01:11:42No, no, that's fine, thank you.
01:11:44Come.
01:11:45You arrive.
01:12:01Good evening.
01:12:04Good evening.
01:12:14Let's go!
01:12:36Let's go!
01:13:06I'm going to give him some serum before operating.
01:13:44Let's go!
01:14:18Is there still any coffee left?
01:14:20Yes, again.
01:14:21According to this file, Morpho Lautner was buried in the prison cemetery in grave 23, division 8.
01:14:28So what?
01:14:29It would be easy to find the place and see if Morpho Lautner is still there.
01:14:33Maurice, that's a brilliant idea, of great importance to the investigation.
01:14:38Let's go and pay this unpleasant visit.
01:14:39What? Now, boss?
01:14:40We are limited by time.
01:14:45Here.
01:14:46This is the madwoman's letter.
01:14:49Yes, well then, I'll tell her later.
01:14:53Let's go, I'm following you.
01:14:56This is the madwoman's letter.
01:15:24Let's go back and give the order to find and apprehend Morpho Lautner and Doctor Orloff.
01:15:28The latter for having drawn up a false burial certificate.
01:15:32In the meantime, let's go to sleep.
01:15:34And we're going to die.
01:16:02And we're going to die.
01:16:04Here we go.
01:16:45Here we go.
01:17:14Here we go.
01:17:48Here we go.
01:18:15Here we go.
01:18:25Here we go.
01:18:54Here we go.
01:19:25Here we go.
01:19:48Here we go.
01:20:24Here we go.
01:20:43Here we go.
01:21:14Here we go.
01:21:31Here we go.
01:21:51Here we go.
01:22:06Here we go.
01:22:09Here we go.
01:22:36Ah.
01:23:00Ah.
01:23:12Here we go.
01:23:33Here we go.
01:23:36Here we go.
01:23:38Here we go.
01:23:42Here we go.
01:24:23Here we go.
01:24:34Here we go.
01:25:03Here we go.
01:25:05Here we go.
01:25:33Here we go.
01:25:34Here we go.
01:25:58Here we go.
01:26:18Here we go.
01:26:20Here we go.
01:26:21the world's greatest detective.
01:26:23From this day forward, you will be my right-hand man.