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Maria Marten, or The Murder In The Red Barn (1935)
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00:00:39THE END
00:01:07Good evening ladies and gentlemen
00:01:08The management of this magnificent theatre
00:01:11Take great pleasure in presenting for your approval
00:01:13That sterling drama Mariah Martin
00:01:16Or The Murder in the Red Barn
00:01:20Thank you, thank you
00:01:22Now ladies and gentlemen
00:01:24Allow me to introduce our prayers
00:01:26First we have Farmer Martin
00:01:29And his wife, Day Martin
00:01:31Whose grey hairs are well nigh brought
00:01:34In sorrow to the grave
00:01:37Mariah's parents
00:01:44Next we have Carlos
00:01:46The gypsy lover of Mariah
00:01:48Whose ragged shirt conceals a heart of gold
00:02:02Next comes Mariah
00:02:04Oh poor Mariah
00:02:06How little she dreams
00:02:08Of the awful fate that awaits her
00:02:21Oh Mariah, why did you discard his honest love
00:02:24For the flattery of that scoundrel corner
00:02:29Squire court
00:02:30Lord of the manner of hopeless
00:02:32And of villainy
00:02:34Whose blood may be blue
00:02:35Whose heart is black as night
00:02:41That's Todd's slaughter himself
00:02:45But what dark and sinister figure is this
00:02:48Great heaven
00:02:49The hangman
00:03:00These and a host of other players
00:03:02Have all been retained at enormous expense
00:03:05To thrill and delight you
00:03:07And now ladies and gentlemen
00:03:09We will transport you to the village of Bolstead
00:03:12Where all is merrymaking
00:03:14In the Red Barn
00:03:40The hangman
00:03:46Let it be!
00:03:55And I or the fellow behind in which I swear it.
00:03:59You are upon myself, you are!
00:04:43You're as light as a feather, Mariah, I swear you are.
00:04:46I must go back to the now.
00:04:47No, not yet.
00:04:48I must.
00:04:49Oh, very well, then. I'll go with you.
00:04:52Great night, Martin.
00:04:53Indeed it is, squire. Thanks to you for giving us the use of your phrase.
00:04:57Oh, it's too far away from everywhere. Too lonely.
00:04:59I must see about building you a proper hall in the village.
00:05:01You're too good to us as it is, squire.
00:05:04You must dance the next wheel with me, Mrs. Martin.
00:05:06Well, I couldn't.
00:05:07Come, come, I insist.
00:05:09Martin, put a word in for me.
00:05:10I'll go and talk to the rest of the folk.
00:05:12I'll come back presently.
00:05:15Ah, behave.
00:05:17That's the nobody like it.
00:05:20That was real music, Mr. Winnie.
00:05:22Aye, none of your modern claptops.
00:05:28Well, lads, enjoy yourselves.
00:05:32Well, come, empty your mugs and I'll fill them up again for you.
00:05:36Thank you. Give me one.
00:05:38Squire's in fine fettle tonight.
00:05:40Where are you going, Miss?
00:05:41Oh, it's hot in here.
00:05:43Yes, it is.
00:05:44Why don't you drink?
00:05:46You come.
00:05:47You don't want to.
00:05:49Beautiful, I mean, if you.
00:05:51You're always playing like it.
00:05:52I don't even.
00:05:53Great players, you have the dance with you.
00:05:56I'm sure you, Mr. Martin.
00:06:03Mariah.
00:06:04Well?
00:06:05Why do you treat me like this?
00:06:06Like what?
00:06:07You know very well what I mean.
00:06:08Dancing with that gentleman, Korda.
00:06:11Well, why shouldn't I?
00:06:12After all, he was good enough for me to want to.
00:06:15I saw him whispering.
00:06:17Wouldn't you like to know what he said?
00:06:18Oh, I can guess well enough.
00:06:20How dare you talk to me like that?
00:06:21Because you're mine.
00:06:22You promised.
00:06:22I did nothing of the kind.
00:06:24Let go of me.
00:06:25I won't.
00:06:27Mariah.
00:06:29I love you.
00:06:32But you're a gypsy.
00:06:34Thou worked for your father like any other man.
00:06:37One day I shall be a farmer, same as him.
00:06:39Well, when you are.
00:06:41Mariah.
00:06:46And I see a handsome young man.
00:06:53Handsome.
00:06:57Then what?
00:06:59You'll have to cross my farm with a silver frepony piece.
00:07:04Go on, Tim.
00:07:06Give her a coin.
00:07:07Oh, I knew this was gone after.
00:07:12Ed.
00:07:14Yes.
00:07:15Good.
00:07:16Again.
00:07:20Ah, a fortune tellery.
00:07:21Can you tell me mine?
00:07:23First, cross my farm with silver.
00:07:26Silver, eh?
00:07:27Oh, thanks, Tim.
00:07:28That's handy of you.
00:07:29Don't let me forget.
00:07:31I won't, squire.
00:07:32Well, what do you see?
00:07:36Do you really want to know?
00:07:38Of course, woman.
00:07:38Of course.
00:07:40Then run away, you two.
00:07:47Now.
00:07:52I see death.
00:07:55That needs no gift to foretell.
00:07:58But what of the future?
00:08:01Don't ask me more.
00:08:03Tell me what you see, or I'll have that coin back.
00:08:07I see a figure on the end of a rope-corder.
00:08:12Your figure.
00:08:13Why, you old fraud you up.
00:08:15Have you whipped out?
00:08:16Be off with you.
00:08:17Out you go.
00:08:18Out you go.
00:08:20Throw this old hag out.
00:08:22Leave her alone.
00:08:23Watch.
00:08:23How low's.
00:08:24One of your men, Martin?
00:08:26Leave him to me, squire.
00:08:27How dare you speak to squire like this.
00:08:29It's no more than he deserves.
00:08:30Take yourself off.
00:08:31The whole lot of you.
00:08:32Yes, and keep out of Polsted.
00:08:34Unless you want me to put the dogs on you.
00:08:35All right, we'll go on gladly.
00:08:37But remember, an eye for an eye, a tooth for a tooth,
00:08:40and blood for blood.
00:08:41What, you?
00:08:41Why don't you go when squire bids you?
00:08:46You'll see me again.
00:08:52You shan't escape what I foretold, Corder.
00:08:55The fates never lie.
00:09:02I'm sorry, squire.
00:09:04He's made this upset.
00:09:05Oh, he's like the rest of his kind.
00:09:06Once a gypsy, always a gypsy.
00:09:09For goodness sake, strike up Mr. Widdy.
00:09:11Give him another dance.
00:09:17Ah, there go the fiddles.
00:09:19Come on, young woman.
00:09:20We'll show the old uns how to kick up our heels.
00:09:57Mother, it's eight o'clock already. I'll be late for choir practice.
00:10:01Oh, my dear, don't be that. You know how Mr. Whitty goes on.
00:10:04Yes, yes, I must hurry.
00:10:06Yes, yes, hurry.
00:10:11Goodbye.
00:10:12Goodbye. Bless you.
00:10:20Oh!
00:10:21Oh!
00:10:24Oh!
00:10:27Timothy Winterbottom! How you frighten me!
00:10:30Oi, it takes a Winterbottom to make a noise like that.
00:10:32But why aren't you at choir practice?
00:10:34It be put off tonight. Old Whitty be sitting up with a sick pig
00:10:37and say he hasn't time to attend to us others.
00:10:42Give us a kiss.
00:10:43Not before you buy me a ring.
00:10:45Aye, aye, by earring or a...
00:10:49Jiminy, I can't.
00:10:50Oh, why not?
00:10:51Squire owes me three pence.
00:11:16Mariah!
00:11:16What are you doing here?
00:11:18I saw the light in your window.
00:11:20So you thought you'd pay for a lonely quarter of visit, eh?
00:11:22Yes.
00:11:23You asked me to, you know.
00:11:25Of course I did.
00:11:26More than once.
00:11:28Well, I... I've come.
00:11:30That was very Christian of you.
00:11:33No one knows, do they?
00:11:34Oh, no.
00:11:35No.
00:11:36Come in then.
00:11:38Come and sit down, my dear.
00:11:44I'm supposed to be at choir practice.
00:11:46Minx.
00:11:47Instead you prefer to see me, eh?
00:11:49That was very pleasant and sociable of you.
00:11:54Oh, just one moment.
00:12:06Why are you locking the doors?
00:12:08The servants, my pretty.
00:12:09It wouldn't look well if they found you here, would it?
00:12:12Oh.
00:12:13Come here, Mariah.
00:12:22Can't be brave.
00:12:23Do you know, it was very brave of you to come here.
00:12:26Oh, I get so sick of this dull place.
00:12:28Always the same.
00:12:29Nothing to do.
00:12:31Nowhere to go.
00:12:31Yes, you're wasted here.
00:12:33How would you like to see the world?
00:12:35London.
00:12:36London?
00:12:37Yes, a lass like you would go far in London.
00:12:39But how would a poor girl like me get to London?
00:12:41I might help you.
00:12:43But what should I do there, all alone?
00:12:45I might go with you.
00:12:47You?
00:12:47Oh, squire.
00:12:49Come, drink it up.
00:12:51Why, you're cold.
00:12:54It'll go to my head.
00:12:55London will go to your head.
00:12:57The lights, Covent Garden, the mail on Sundays.
00:13:00Oh, so different to this.
00:13:04I wouldn't know what to do among all those fine people.
00:13:07Fine feathers make fine birds, Mariah.
00:13:09If I dressed you as elegantly as they, you'd be the finest of them all.
00:13:14Sit down.
00:13:17But why should you do this for me, a village girl?
00:13:20You're a very beautiful woman, Mariah.
00:13:22And I'm a very lonely man.
00:13:24You lonely?
00:13:26Why, you must have all the ladies in London at your feet.
00:13:29I don't want all the ladies in London.
00:13:32There's a certain village maiden that I'd give them all for.
00:13:36Oh, Mr. Corder.
00:13:37Come.
00:13:38We'll drink a toast together.
00:13:40To the pretty little woman who's won my heart.
00:13:50Nan.
00:13:53Yes, ma'am?
00:13:55You'd better warm a bowl of soup.
00:13:57Miss Millar will be home from choir practice soon.
00:13:59But there ain't no choir.
00:14:02Hello, mother.
00:14:03Yes, ma'am.
00:14:16Where's Mariah?
00:14:18At choir practice.
00:14:20Choir practice?
00:14:21But there isn't any.
00:14:22No choir practice.
00:14:23Nobody put it off.
00:14:25Did you say she was going?
00:14:26Yes.
00:14:28How long has she been gone?
00:14:30Since eight o'clock.
00:14:31Then what you've been up to all this time?
00:14:33Oh, I can't think.
00:14:34You know, mother,
00:14:35I don't like the way she's been acting since the night of the barn dance.
00:14:39You don't think she's still the...
00:14:40Meeting with that gypsy fellow?
00:14:42That's just what I do think.
00:14:43Oh, dear. Oh, dear.
00:14:44She's too flaky, that girl.
00:14:46She needs the curb.
00:14:48Life will put the curb on her soon enough, Thomas.
00:14:50Let her laugh while she can.
00:14:56There, there, there.
00:14:58There's nothing to cry about.
00:15:00It's not much of a compliment to me, is it?
00:15:02It's not the same for you.
00:15:03There's nothing to be afraid of.
00:15:06You do love me.
00:15:07Yes, yes.
00:15:09And you meant what you said.
00:15:10Eh?
00:15:12About being wed.
00:15:13Oh, yes, of course, of course.
00:15:16Am I to tell my father?
00:15:17No, no.
00:15:18I'll tell your father.
00:15:19When?
00:15:20Hmm.
00:15:22Tomorrow.
00:15:23We must bide our time.
00:15:25For why?
00:15:26There's so many things to be considered.
00:15:28You must leave it to me to do what's best.
00:15:30Won't they be wondering where you are?
00:15:33I'm afraid.
00:15:34Nonsense.
00:15:35Mustn't let your parents see that you've been crying?
00:15:37They'll want to know the reason.
00:15:38I don't face my father after this.
00:15:41Rubbish.
00:15:41He won't know.
00:15:42Nobody saw you come in.
00:15:44No one will see you go out.
00:15:45Come.
00:15:46No, no.
00:15:47Don't send me away yet.
00:15:48My dear.
00:15:49The time.
00:15:50Your parents will be getting anxious at home.
00:15:52You must make some excuse.
00:15:54I've never lied to them before.
00:15:55Well, well.
00:15:56The world hasn't come to an end.
00:15:58No.
00:15:59No, no, no, no.
00:16:00This way.
00:16:02Come.
00:16:03Take yourself in hand.
00:16:04You'll ruin us both.
00:16:05Oh, you.
00:16:06Think of the wagging tongues.
00:16:08Yes.
00:16:09Yes, I know.
00:16:13Goodbye.
00:16:13Good girl.
00:16:15Aren't you going to give me a kiss?
00:16:17No.
00:16:17I...
00:16:18I don't want to.
00:16:20Goodbye.
00:16:34I'll take the whip to that girl when she does get back.
00:16:45What's with the master?
00:16:47He's in a towering rage about Miss Mariah being so late home.
00:16:51Dang it.
00:16:52And tonight I was going to ask him if I could wear you.
00:16:54Oh.
00:16:55Don't put it off, Tim.
00:16:58I don't think I'll ask him tonight.
00:17:01Mariah.
00:17:02What do you want?
00:17:03I must speak to you.
00:17:04I...
00:17:05I can't stop now, Carlos.
00:17:06Don't go.
00:17:07I haven't seen you for over a week.
00:17:09But I...
00:17:10I can't stop and talk now, really, Carlos.
00:17:12Then I want to talk to you.
00:17:18No, Carlos.
00:17:19Not now.
00:17:29You'd better go now, Carlos.
00:17:30My father may see you.
00:17:31What if he does?
00:17:33I love you, Mariah.
00:17:35I'm afraid, Carlos.
00:17:37Ah.
00:17:40By heaven, she is with a gypsy.
00:17:49Oh!
00:17:51So this is how you attend your choir practice, is it, milady?
00:17:54You lie to us.
00:17:55You've been with this man all the evening.
00:17:57But I've only just...
00:18:03What if she has?
00:18:05Aren't I as good as any other man?
00:18:08I've a mind to leave me with about you.
00:18:10Her, too.
00:18:11You'd best not.
00:18:12Why, you filthy gypsy, I'll...
00:18:15Oh!
00:18:23Well, gypsy?
00:18:25Why don't you draw your knife?
00:18:32All right.
00:18:34I understand.
00:18:39Goodbye.
00:18:48I'll get you home.
00:18:50I'll attend to you after I see Squire Corder.
00:18:53Corder?
00:18:54I'll put up for this no longer.
00:18:56He's a magistrate.
00:18:57He shall deal with these riffraff.
00:18:58But, Father...
00:18:59Get you home.
00:19:00Off with you.
00:19:11Here.
00:19:13Did you see me, Tim?
00:19:14Yes.
00:19:16Do you suppose he was asking the master, too?
00:19:18Maybe.
00:19:19I don't think I'd ask him tonight, Tim.
00:19:22Oh, I don't think I'll ask him at all.
00:19:44Who put that mark on you?
00:19:49So they wouldn't let you forget you were a gypsy?
00:19:54Why don't you put that girl out of your heart?
00:19:56She'll bring you nothing but trouble.
00:19:59Trouble and despair.
00:20:00Oh, leave me alone.
00:20:07Bills.
00:20:08Bills.
00:20:09Do they think I'm made of money?
00:20:12I tell you, I must see the Squire.
00:20:14Who is it?
00:20:16Farmer Martin, sir.
00:20:17Says he must see you, sir.
00:20:18I don't want to see him.
00:20:20I...
00:20:22Show him in.
00:20:24This way, sir.
00:20:30Well, Martin, what brings you here at this time of night?
00:20:35A painful matter enough, sir.
00:20:38Well?
00:20:40Well?
00:20:42It's about Mariah.
00:20:44Mariah?
00:20:45Really, Martin, I don't understand.
00:20:46She's making a fool of herself.
00:20:48I don't see how this concerns me.
00:20:49With that gypsy, Carlos.
00:20:50Mariah with a gypsy.
00:20:53Aye.
00:20:54She deceived us about going to a choir practice, and she spent the evening with him.
00:20:58The whole evening?
00:21:01How can it be possible?
00:21:04I knew you'd be paying, Squire.
00:21:06I can't think how she could have done it.
00:21:09A trifle high-spirited, eh, Martin?
00:21:10Difficult to keep to heel.
00:21:12I've noticed it.
00:21:13Yes, sir.
00:21:14I've been meaning to have a word with you on the matter for some time.
00:21:17Just a hint.
00:21:19Good of you to take so much interest, sir.
00:21:20Of course, there may be nothing in it, but all the same.
00:21:23God help the man who trifles with my lass.
00:21:25I'd kill him like a rat.
00:21:27Very proper, my dear Martin.
00:21:30Very proper.
00:21:31But what do you want me to do?
00:21:33You're a magistrate, Squire.
00:21:35We look to you for help.
00:21:37A word from you to the consulman, he'd run these gypsies on a posted lock, stock and barrel.
00:21:42I'm afraid that's more than I have the power to do.
00:21:44But I'll see to this Carlos fellow.
00:21:47Thank you, Squire.
00:21:48Our village lasses want all the protection we can give them.
00:21:52I'll see that my lass gets it, too.
00:21:54If I catch that gypsies out of the Mariah again...
00:21:58Exactly.
00:21:58In that case, you can rely upon my discretion absolutely.
00:22:02Thank you, Squire.
00:22:02Don't mention it.
00:22:07Good night.
00:22:08Good night, Martin.
00:22:20You rang, sir?
00:22:21Yes.
00:22:21Tell the groom to have the chaise ready first thing in the morning.
00:22:23I'm leaving for London.
00:22:24Yes, sir.
00:22:24And pack all my things.
00:22:25I shall be away some time.
00:22:27Yes, sir.
00:22:35Six.
00:22:39That's another fifty you owe me, Carter.
00:22:41Egan, sir.
00:22:41That's hard luck.
00:22:43Well, I'll leave another hundred guineas.
00:22:48I'll take you.
00:22:49A sportsman, a sportsman.
00:22:51Make it two.
00:22:55With pleasure.
00:22:57Good.
00:23:01Six.
00:23:02Not too good.
00:23:05A seven.
00:23:08Very, very lucky, sir.
00:23:10That's three thousand you owe me, Carter.
00:23:12Well, I'll leave another rule of the dice.
00:23:13Double or quits.
00:23:21Well?
00:23:22The luck's with me tonight.
00:23:24I'll take your wager.
00:23:25Carter, you're mad.
00:23:26If you lose, you're ruined.
00:23:28I'd play him if the devil himself were perched on his shoulder.
00:23:33Through, sir.
00:23:37Good girl.
00:23:38Good girl.
00:23:39Good girl.
00:23:41Oh.
00:23:47Oh.
00:23:47Carter.
00:23:49That is six thousand you owe me.
00:23:53Too bad.
00:23:54Too bad.
00:23:54Another game.
00:23:55Another game, Carter.
00:23:58Not at all, sir, John.
00:24:00Oh, Carter.
00:24:00Yes?
00:24:01I'm not in a hurry for the money.
00:24:02Shall we say a month?
00:24:04It's all one to me.
00:24:05Very well.
00:24:06Good night to you.
00:24:06Good night to you.
00:24:07Good night, sir, Robert.
00:24:08Good night.
00:24:09Good night, gentlemen.
00:24:10Good night to you.
00:24:11Where the devil can you raise six thousand pounds in a month?
00:24:14From that senate woman.
00:24:15She has thirty thousand pounds of her own in the funds.
00:24:17What?
00:24:18Do you marry into that psalm-singing family?
00:24:20Impossible.
00:24:21I'll wager you a hundred guineas.
00:24:23She's mine within the month.
00:24:24And I can sing a psalm with the best of her.
00:24:27I can.
00:24:27I'll take you.
00:24:28Dumb.
00:24:31The more you are.
00:24:32Now in the end, the never.
00:24:33Now when the day passed slowly came,
00:24:39Come on, towards each end,
00:24:45With peace and calmness once again,
00:24:52Come to our yellow stand.
00:25:06For these and all other mercies, may we be truly thankful. Amen.
00:25:11What's the matter, girl?
00:25:14I feel rather tired, Father.
00:25:17I think I'll go to bed.
00:25:33What's the matter with her?
00:25:34She's fretting.
00:25:35What about?
00:25:36The gypsy.
00:25:38Wilder, some ginger wine.
00:25:40You were in very fine voice this evening, my dear Miss Sennett.
00:25:43Oh, Mr. Corder.
00:25:44Oh, come, come.
00:25:45There's nothing to be ashamed of.
00:25:47Eh, sir?
00:25:47So long as the voice is lifted in thanksgiving, Mr. Corder.
00:25:51It matters not about the quality.
00:25:54Quite, sir, quite.
00:25:55It's the spirit that counts.
00:26:00Ah, Miss Maud.
00:26:01Pictures of the world a hundred years ago, eh?
00:26:04What fright they must have looked in those old-fashioned frocks.
00:26:08Yes.
00:26:09Have you been long up from the country, Mr. Corder?
00:26:11About a month.
00:26:12A month?
00:26:13And you've only just now come to see us.
00:26:15Oh, for shame, Mr. Corder.
00:26:17Believe me, Miss Maud, you've been in my thoughts every moment of the time.
00:26:22Oh, Mr. Corder.
00:26:34Jiminy, I'll never get me trippany piece now.
00:26:37Why not?
00:26:38And him with a wife to keep.
00:26:39Don't be a fool, Timothy Winterbottom.
00:26:42Ask Squire as soon as he comes back today.
00:26:44What, me go up to the hall?
00:26:45You'll be sure.
00:26:46He'll be in good spirit.
00:26:48Not I.
00:26:49You will.
00:26:50Not I.
00:26:51You will this very minute.
00:26:53And don't you dare come back without it.
00:26:56Not I.
00:26:56Who?
00:26:57Me?
00:26:58Yes.
00:26:58You.
00:27:01Oh, hurry, hurry.
00:27:02Master's coming.
00:27:03May as well give him some comfort before his wedding.
00:27:06If I know anything, he won't get much after.
00:27:08Stop grumbling and get out of here.
00:27:10Well, Jabez, cheerful as usual, eh?
00:27:12Glad to see you back, sir.
00:27:13Yes, you look it.
00:27:14Annie, you're looking younger than ever, I swear.
00:27:17We've heard the good news, sir.
00:27:18Yes, you're going to have a mistress soon to stir you about.
00:27:22May I wish you every happiness, sir?
00:27:23Thank you, Annie.
00:27:24Better polish up your psalms.
00:27:26We're going to have some musical evenings.
00:27:29Ah.
00:27:30It's been a dirty journey from London.
00:27:32Any special orders, sir?
00:27:34Orders, dozens of them.
00:27:35The whole place has been polished from the top to the bottom.
00:27:37Tell the mage to bustle about a bit.
00:27:38Yes, sir.
00:27:39Begging your pardon, sir.
00:27:41Winterbottom says he must see you, sir.
00:27:42Winter, winter.
00:27:43Bottom, sir.
00:27:44Oh, Winterbottom, show him in.
00:27:45Come in, Tim.
00:27:46Come in, my lad.
00:27:47Come in.
00:27:48Come in, my man.
00:27:50Well, Tim, what's to do?
00:27:52I'd like to see you, squire.
00:27:54Dang it, man, you're looking at me.
00:27:56Yes, I know, squire, but I've seen you before.
00:27:58What are you gaving about?
00:28:00A throppiny piece, sir.
00:28:01A throppiny piece?
00:28:03Of course I remember.
00:28:04I tell you what, Tim, I'll toss you double or quits.
00:28:07You want me to gamble with you, squire?
00:28:09That's it?
00:28:10Aye, that do sound grand.
00:28:12You got a coin on you?
00:28:12Oh, if I have that, an old shilling.
00:28:14Well, you give it to me.
00:28:15Now, what should it be?
00:28:17Heads or tails, eh?
00:28:18Do you mind if I've heads, sir?
00:28:20Heads it is.
00:28:22By God, Tim, you've won.
00:28:24That's sixpence I owe you.
00:28:25This air gambling be better than working.
00:28:27Now you've got to give me sixpence.
00:28:29Eh?
00:28:29Yes, I owe you sixpence.
00:28:31Here's a shilling.
00:28:31You've got to give me sixpence change.
00:28:34Oy, to be sure.
00:28:35Isn't it amazing what book larn it'll do for you?
00:28:38I suppose that do be right.
00:28:39Satisfied, aren't you?
00:28:40Oy, that be grand.
00:28:41Well, you go home and work it out carefully.
00:28:43If anything's wrong, come back and we'll gamble again, eh?
00:28:47Thank you, squire.
00:28:49By gum, it's better than working.
00:29:01Mariah, what ails you?
00:29:04Nothing, Mother.
00:29:07You've been crying.
00:29:09No, Mother, no.
00:29:12You've not been laughing.
00:29:15Swollen eyes don't come from happiness.
00:29:17Mother, leave me be.
00:29:19Oh, Mariah, child, that's not like you'd speak so.
00:29:25Here, sit by me like you used to when you were a little one
00:29:30to tell me your troubles and say your prayers.
00:29:36Now, child, what is it?
00:29:40Nothing, Mother.
00:29:42My dear, ever since you saw the light of day,
00:29:47I've watched over you and cared for you.
00:29:51Won't you tell me?
00:29:53I can't, Mother.
00:29:56Oh, I wish I were dead.
00:29:58You don't mean.
00:30:01Does the man know?
00:30:08He wouldn't care, now, if he did.
00:30:10And heaven have mercy on him.
00:30:13And on us when your father finds out.
00:30:16Father.
00:30:17Oh, Mother, he must never hear of this.
00:30:21Too late.
00:30:22He has heard.
00:30:26Come you here.
00:30:28Thomas, let me speak.
00:30:30Be silent, wife.
00:30:31I'm speaking to her.
00:30:32You, wanton.
00:30:34For shame.
00:30:35The shame is hers.
00:30:35Your own child.
00:30:37She's no longer a child of mine.
00:30:39Leave the house.
00:30:40You can't turn her out of doors when she needs us most.
00:30:43Aye, that I can.
00:30:44Oh, Father, you can't.
00:30:46I've lived here all my life.
00:30:49My father before me, God-fearing men,
00:30:52honored, respected,
00:30:53till you disgraced us.
00:30:55I disown you.
00:30:57Go, and never come back.
00:31:00You mean it?
00:31:02Go to the man who betrayed you.
00:31:04Come on.
00:31:11Hurrah, hurrah.
00:31:13Black wife.
00:31:14Never speak of her again.
00:31:21Nan.
00:31:22Oh, did you get it?
00:31:24I did and all, and more.
00:31:26Did he?
00:31:27I gambled with him.
00:31:28Timothy Winterbottom,
00:31:30you ain't never gambled in your life.
00:31:32Haven't I?
00:31:33There's lots you don't know about me, me gal.
00:31:35I'm a wild one, I am.
00:31:37Well, what happened?
00:31:39Well, I goes to Squire,
00:31:40and I says,
00:31:40I've come about me trippany piece.
00:31:42Very bold I was, too.
00:31:44No.
00:31:45Well, Sir Squire,
00:31:46I'm afraid you'll have to excuse me, Tim.
00:31:48I'm hard up.
00:31:49No.
00:31:50Well, I said,
00:31:51Squire,
00:31:52I don't want to be too hard on you.
00:31:54I'll tell you what I gamble with.
00:31:56Doubles or quits.
00:31:58No.
00:31:59I did and I won.
00:32:00Just like this.
00:32:02Showed him a trick or two, I did.
00:32:06That's funny.
00:32:07What's funny?
00:32:08I had a sixpence apiece.
00:32:11Jiminy, I gave it to Squire.
00:32:13You gave him sixpence?
00:32:15Aye, but he gave me shilling.
00:32:17Oh, then that's all right.
00:32:19Aye, but it were my shilling.
00:32:21Dang me if I ain't been done.
00:32:24That man owes me ninepence.
00:32:31You're mad to come here before dark.
00:32:33I must.
00:32:37I've nowhere else to go.
00:32:39Tell me what's happened.
00:32:41My father.
00:32:43He knows.
00:32:44About me?
00:32:45You told him?
00:32:46No.
00:32:48What do you expect me to do?
00:32:52Is there any need for me to tell you?
00:32:58You're sure no one was in the grounds when you came in.
00:33:00One never knows who's watching.
00:33:01You said you'd help me if I needed help.
00:33:04I need it now.
00:33:08Raya, I meant what I said at the time.
00:33:09I swear it.
00:33:10Is that why your bans are on the church door?
00:33:13Things have changed with me.
00:33:14I'm faced with ruin.
00:33:16Prison.
00:33:16And what good will I be to you without a penny?
00:33:19I'd be respectable.
00:33:20This marriage is the only way out for me.
00:33:22And what of me?
00:33:23Why did you let your father find out?
00:33:26Some things can't be hidden forever.
00:33:28Does he know who the man is?
00:33:29I don't know.
00:33:31Wait.
00:33:32Let me think.
00:33:33I may be in help.
00:33:38Wasn't there a young gypsy fellow whom you rather favoured?
00:33:41And what of him?
00:33:42And didn't he make a fool of himself over you?
00:33:44He loved me.
00:33:45And with a hundred guineas, he might love you again, eh?
00:33:47What do you mean?
00:33:48The day you and he wed, I'll give you a dowry of a hundred guineas.
00:33:52I, in a gad, I'll give him a wedding present of twenty guineas into the bargain.
00:33:55You'd have me marry Carlos now?
00:33:58It would be an easy solution to both our problems.
00:34:00And if afterwards you still pine for my society, well, Bury St. Edmunds is not a continent away.
00:34:06A rendezvous might be arranged, eh?
00:34:08Oh, I hate you.
00:34:10Where are you going?
00:34:11To my father.
00:34:12I'll tell the truth.
00:34:14You shan't marry that woman.
00:34:15You shan't kick me into the gutter.
00:34:17Or when he knows, squire or no squire, gentleman or no gentleman, he'll kill you.
00:34:23Mariah, stop.
00:34:24Now I'm satisfied.
00:34:26Now I know the strength of your love.
00:34:28So many women have sworn to love me, but when it came to risking aught for love, not they.
00:34:33And so I had come to distrust all women.
00:34:36But you are different.
00:34:37You would risk everything for love.
00:34:39No, don't speak.
00:34:40Words are so poor.
00:34:42Deeds.
00:34:42We must never be parted.
00:34:44You mean you...
00:34:45This very night, my wife.
00:34:48Listen, you must leave me now.
00:34:50I have much to prepare.
00:34:52Meet me in two hours' time at Ponder's Oak.
00:34:54Let no one see you.
00:34:55Speak to no one.
00:34:56I'll have the chaise waiting.
00:34:58And then away together.
00:35:00For wife?
00:35:01My bride, I swear.
00:35:08Nan.
00:35:09Nan.
00:35:12You mustn't come here in broad daylight, Carlos.
00:35:14There'd be great trouble.
00:35:15And...
00:35:16What do you mean?
00:35:16Master.
00:35:17He'd be like a madman.
00:35:18Over what?
00:35:19I don't know, but it seems you'd be mixed up in it.
00:35:22Where's Mariah?
00:35:22She's gone.
00:35:24Gone?
00:35:25Where?
00:35:25He's turned her out.
00:35:27What do you say?
00:35:27She's been gone for hours.
00:35:28And I heard the master say that he'd kill you.
00:35:32Listen, Nan.
00:35:32I'm going to find her.
00:35:34If she comes back, tell her that I've returned and I must see her.
00:35:36You promise?
00:35:37Yes, I promise.
00:35:38But don't let anyone see you.
00:35:39It's not safe.
00:35:40Oh, I can take care of myself.
00:35:42It's her.
00:35:44Her.
00:35:45Oh.
00:35:51Oh.
00:35:51Oh.
00:35:59You.
00:36:01Mariah, I searched everywhere for you.
00:36:03Carlos, you mustn't stay here.
00:36:05I won't leave you till you've answered my question.
00:36:08What do you mean?
00:36:11Mariah, I love you.
00:36:13I want you to marry me.
00:36:14Oh, no.
00:36:15I can't.
00:36:16Why not?
00:36:19Is it Corder?
00:36:22No, it's not him.
00:36:24It's not.
00:36:25Is it?
00:36:28Someone else?
00:36:30Yes.
00:36:34Mariah.
00:36:37I can't see into your heart, but I know you're unhappy.
00:36:42For the last time I ask you, will you come with me?
00:36:46We'll start life anew.
00:36:47No, it's too late.
00:36:51You mean that?
00:36:53I mean it.
00:36:55Is that your last word?
00:36:58Yes.
00:37:00Oh, go at once and forget me.
00:37:04Very well, I'll go.
00:37:06But this time it's for good.
00:37:08Go.
00:37:09Go.
00:37:20Go.
00:37:21Carlos.
00:37:22Carlos.
00:37:24Carlos.
00:37:40Has anyone seen you?
00:37:41No.
00:37:42Good.
00:37:43Come with me quickly.
00:37:46Better take cover or the storm grows worse.
00:37:49But where can we go?
00:37:52The Red Barn.
00:37:54The Red Barn.
00:37:54The Red Barn.
00:37:57It's the nearest shelter.
00:37:59Not to that desolate place.
00:38:01I'm frightened.
00:38:02Of what, child?
00:38:04I don't know.
00:38:05But you're with me.
00:38:07Don't you trust me, Mariah?
00:38:09Yes.
00:38:11Yes, I must.
00:38:12My life is yours.
00:38:14Yes.
00:38:17That's what I mean.
00:38:19Come.
00:38:35Heavens, what a night.
00:38:44Why do you bar the door?
00:38:45Keep the others out and you in, my beauty.
00:38:49But we can't stay here.
00:38:50This place.
00:38:52Can't we go on?
00:38:53Go where?
00:38:55Why, London.
00:38:56You'll never see London, Mariah.
00:38:59You think I'm going to sacrifice myself for a common village wench like you?
00:39:05Order!
00:39:06Didn't I make you a promise, Mariah?
00:39:09I promised to make you a bride.
00:39:12Don't be afraid, Mariah.
00:39:14You shall be a bride.
00:39:17A bride of death.
00:39:24Oh, you're not going to kill me.
00:39:26You'll force me to it, girl.
00:39:27No, no.
00:39:27Have pity on me.
00:39:28I won't tell.
00:39:29I won't tell.
00:39:30I'll see to that.
00:39:31I swear I won't tell.
00:39:33Yes, and break your roof within the hour.
00:39:35No, no.
00:39:39No, no.
00:39:40No, no.
00:39:40No, no.
00:39:46No, no.
00:39:48No, no.
00:39:52My, my little one.
00:39:54Something's happened to her.
00:39:55Something's happened to her.
00:40:23Come on, Margaret.
00:40:53Come on, Margaret.
00:41:23Come on, Margaret.
00:41:51Come on, Margaret.
00:42:22Come on, Margaret.
00:42:43Wake her.
00:42:44Wake her now, if you can.
00:43:09Come on, Margaret.
00:43:14Come on, Margaret.
00:43:16Come on, Margaret.
00:43:17Come on, Margaret.
00:43:44Come on, Margaret.
00:43:46I can't!
00:43:57Find them.
00:43:59But where? Where?
00:44:00Go to the gypsies. Ask them.
00:44:03Oh, for my sake.
00:44:05For the sake of the little one.
00:44:08We both love.
00:44:10To that scoundrel?
00:44:11Yes, yes. To anyone.
00:44:14Anyone.
00:44:16Tell her to come home.
00:44:20Bring her home.
00:44:27Very well, mother.
00:44:33I'll find her.
00:44:35I must find her, squire.
00:44:37Or my wife will die.
00:44:39This is dreadful news, Martin.
00:44:40You should have come to me at once.
00:44:41It was a shame of the thing that held me back.
00:44:43Yes, but as your magistrate, who more proper?
00:44:46You think she's gone with this gypsy Carlos?
00:44:48With whom else?
00:44:49You've been to the camp?
00:44:50Aye, they swear that Carlos had not been seen since the night she left.
00:44:54He must have taken her.
00:44:56You're right, Martin. You're right.
00:44:57And if a crime has been committed, it must not go unpunished.
00:45:00We owe it to society to fix the guilt on someone.
00:45:03How else should innocent men sleep soundly in their beds?
00:45:06I'll send to London for the Bow Street winners.
00:45:09I'll fix a price upon his head.
00:45:10I'll offer a reward.
00:45:15Karlo.
00:45:27Karlo.
00:45:28Karlo.
00:45:29Karlo.
00:45:30Go get you up.
00:45:31Karlo.
00:45:32Karlo.
00:45:32Karlo.
00:45:34Karlo.
00:45:35Karlo por.
00:45:36Karlo.
00:45:40Karlo.
00:45:41What girl the girl Martin? No, why should she be? It said you bewitched her. Aye, that's true. Aye
00:45:47There's a hundred guineas for anyone taking you. They're hunting for you have been ever since she disappeared
00:45:54disappeared
00:45:55When did she disappear the same night as you did the night of the storm the storm
00:46:01Why that was when she was waiting at
00:46:05Corder
00:46:07Oh
00:46:08I don't even go away. I'm away you fool. I stop stop. I've arrested it. Yeah, I've arrested him
00:46:14I want my reward you'll get your award in heaven my lad
00:46:18Terms of a marriage settlement as arranged between William Corder Esquire Lord of the manor of Posted and Matthew
00:46:25Sennett Esquire of the parish of St. Marylebone. Yes, yes, but let's get down to the meat of the thing.
00:46:30Oh, certainly
00:46:32Well, as the St. William Corder does agree to take Maud Sennett in marriage and to bestow upon her his
00:46:37name and titles and to cherish her lovingly
00:46:39The aforesaid Matthew Sennett, father of the bride does bestow upon the St. William Corder the sum of six thousand
00:46:46guineas
00:46:47as a dower together with all her goods and chattels as may be possessed by Maud his daughter
00:46:51Yes, let's forget the storied details. We have guests waiting and the fiddles are tuning up
00:47:00Oh
00:47:00Come gentlemen, I'll give you a toast
00:47:03Oh, here's a toast
00:47:04To my lovely bride
00:47:05Oh
00:47:08Oh
00:47:08Oh
00:47:09Miss Sennett Esquire I called her
00:47:10May you both be very happy
00:47:12Thank you sir, thank you
00:47:15Oh
00:47:15But come, the fiddles are waiting
00:47:18Oh
00:47:21What is it, what is it?
00:47:23My hat and coat
00:47:52Oh, yes
00:48:19Six thousand guineas.
00:48:26Six thousand guineas.
00:48:31Sit down.
00:48:34Gordy, if you move or cry out, I'll kill you.
00:48:36What's the meaning of this outrage?
00:48:38Do you think you can break into my house and threaten me like this?
00:48:42There's a price upon your head, my friend.
00:48:44I've only to ring that bell.
00:48:45But you won't.
00:48:47Till you've heard me.
00:48:48Go on, but take care.
00:48:51Where's Mariah?
00:48:51Who the devil's Mariah?
00:48:54Control your memory, Mariah Martin.
00:48:55What have you done with her?
00:48:56What have I done with her?
00:48:57You'll have to answer that question and before a judge.
00:49:01Gordy, you tell me before you leave this room alive.
00:49:08Put your hand on the table.
00:49:12Now, the truth.
00:49:14Wait, my friend.
00:49:16Let's keep our tempers.
00:49:17This house is full of your friends.
00:49:19Your runners are close at hand.
00:49:21The chains are ready.
00:49:23The gallows may be for me.
00:49:25Quick.
00:49:26What have you done with Mariah?
00:49:28Why come to me to tell you?
00:49:29You stole her, but you're going to give her back.
00:49:31You jealous fool.
00:49:32I know nothing of the girl.
00:49:33I care nothing.
00:49:34I look higher.
00:49:35Do you think I'd soil my hands with a common village slut who makes secret meetings with a dirty gypsy
00:49:41at Ponder's Oak in the dark?
00:49:44How do you know that?
00:49:45I saw you both there.
00:49:46Where?
00:49:46At Ponder's Oak, I tell you.
00:49:48What were you doing there?
00:49:49Tell me that.
00:49:50I went to help her.
00:49:52Out of kindness.
00:49:53Why?
00:49:54I can't help it.
00:49:55I'm like that.
00:49:56Go on.
00:49:56Her father had turned her out.
00:49:58We can guess why, poor child.
00:50:00How do you know that?
00:50:00She came to you.
00:50:01No, wrote me.
00:50:02Where's the letter?
00:50:03I destroyed it.
00:50:04I sent her a message telling her to meet me unseen.
00:50:07I took the money to help to make her on her way to London.
00:50:10Saw her there with her lover.
00:50:11With you, Carlos.
00:50:13That night she vanished.
00:50:15Do you think you can afford to threaten now?
00:50:17No.
00:50:20Who's that?
00:50:20A friend.
00:50:21Let him in.
00:50:22Get rid of him quickly.
00:50:23Don't move from your chair.
00:50:24One word or sign and I...
00:50:26I don't miss.
00:50:28Are you there, Porter?
00:50:31Come in.
00:50:33Ah, there you are.
00:50:34We were wondering what had become of you.
00:50:36I had some business in hand.
00:50:38Business on a night like this?
00:50:40By the way, John, I'd as well discharge my debt while I'm about it.
00:50:44Already?
00:50:45Well, I won't say no.
00:50:47I'll make you out a draft on my bankers.
00:50:50Six thousand, I believe.
00:50:52This is very handsome of you, William.
00:50:54You'd better read it.
00:50:56Thanks, my boy.
00:51:00Do you mind if I put this through quickly?
00:51:03Quicker the better.
00:51:05Hmm.
00:51:06Well, let's get back enjoying the fun.
00:51:08I'll be along shortly.
00:51:10All right, I'm for the ladies.
00:51:21Now, the rest of your tale.
00:51:23Come on, quick.
00:51:23Answer no more of your insolent questions.
00:51:25Because you don't.
00:51:25Because your neck is in my hands, my friend.
00:51:28You fool, you're in a trap.
00:51:30Say what you will, you stand condemned.
00:51:32What do you mean?
00:51:32Is it not clear as day for the whole world to see?
00:51:35Mariah cast you off.
00:51:36Discovered by her father, she flies.
00:51:38Not to you, but to her latest lover.
00:51:40She is surprised by you in his arms.
00:51:42You bide your time.
00:51:43Lure her to some lonely spot.
00:51:45And there, at your hands, she meets her death.
00:51:48You lie, you lie.
00:51:49In every word you lie, except one.
00:51:50And that?
00:51:51How come you to know, Mariah Martin is dead?
00:51:55It's a trap.
00:51:56Corda, I'll kill you for this.
00:51:57You'll have to be quick then.
00:52:03Round the doors.
00:52:04There he goes.
00:52:05Ah, there he is.
00:52:06Come on, come on.
00:52:08See?
00:52:08There he is.
00:52:12Dad is away.
00:52:13Come, let's go back through the front door.
00:52:17Look out.
00:52:17Drop his knife.
00:52:18I found him.
00:52:18He was too quick for us.
00:52:19He got his hat.
00:52:20We'll put the dog on his train.
00:52:21We load the pistols.
00:52:22Bring me my boots.
00:52:23Right, sir.
00:52:24Hurry up, James.
00:52:25Yes, sir.
00:52:25Yes, sir.
00:52:28Ah, the Bow Street runners.
00:52:29Just in time to be in at the death.
00:52:31We packed the gypsy here, your honor.
00:52:33Here.
00:52:33You did.
00:52:34I did.
00:52:35All right, Steele.
00:52:36We'll be ready in a moment.
00:52:37Why the hell, sir?
00:52:40Fifty pounds, I wing him first, Corda.
00:52:41Is that a running shot, mind?
00:52:43I'll take him on the rise.
00:52:44Let's power the pistols.
00:52:45You join us, Mr. Sennett.
00:52:46Shoot on sight.
00:52:47With great pressure.
00:52:48The dog.
00:52:49Good.
00:52:49Here.
00:52:50Test him, Gerrish.
00:52:51Gad, he wins him.
00:53:11There he is.
00:53:30There he is.
00:53:31There he is.
00:53:32There he is.
00:53:32There he is.
00:53:36Open the door.
00:53:37Oh, never mind that.
00:53:39Burn the place down and him with it.
00:53:40Certainly not.
00:53:41Certainly not.
00:53:41Do not be for 50 yen on this.
00:53:43Break the door down and...
00:53:45Open the door.
00:53:46Come on.
00:53:48Give me it.
00:53:50Come on.
00:53:51Come on.
00:53:54Break it down.
00:53:56All right, son.
00:54:06Once again, Steele, then we're through.
00:54:08Tell the 50 guineas I bring him first.
00:54:09Scott!
00:54:10Square!
00:54:11Go deep again.
00:54:11I found him first.
00:54:12What are you babbling about?
00:54:13A hundred pounds reward.
00:54:15Aye, and that's beside the nine-punch you owe me.
00:54:19Come on, Steele.
00:54:20Harder!
00:54:21Harder!
00:54:22Keep it going, Steele.
00:54:24Another one.
00:54:25I can't believe it.
00:54:26Hey!
00:54:36There he is.
00:54:37Hold your fire, sir.
00:54:38What the devil?
00:54:39We've got a bet on him.
00:54:40This is a matter for the law.
00:54:41Well...
00:54:42Are you Carlos the Gypsy?
00:54:46I am.
00:54:51Then I arrest you for the abduction of Maria Mario.
00:54:54Then arrest Corder, too.
00:54:55What do you mean?
00:54:56Pinot of the gun.
00:54:56Give attention to him.
00:54:57You were with Maria the night she disappeared.
00:54:59What's that he says?
00:55:02What do you say, Gypsy?
00:55:03He's lying.
00:55:04He's only trying to save himself.
00:55:06It's you who lie.
00:55:07Must we listen to all this?
00:55:08Are you satisfied, Martin?
00:55:11Quite.
00:55:14He's a liar.
00:55:16Steele, take him away.
00:55:18Come on.
00:55:33Quick!
00:55:34Let's go!
00:55:34Don't be back!
00:55:41Find a bolt, eh?
00:55:43I've no wish to run.
00:55:45I want to see why he's digging.
00:55:47Come on.
00:55:47It's up here.
00:55:48Tiger!
00:55:48Tiger!
00:55:49Corder!
00:55:51Your dog has found something.
00:55:52Well, what of that?
00:55:54We just stand about like loons while a dog digs off.
00:55:56for a rat tiger even boy supposing it were not a rat supposing it was something else see for
00:56:04yourself the earth has been disturbed why heavens he's right probably a mole or something come let's
00:56:12be going wait a moment and we better dig am i sure dig for what mariah martin mariah you don't
00:56:24mean
00:56:24that's exactly what i do mean are you afraid to dig afraid i must we stay and listen to this
00:56:36fool
00:56:37squire corder is a wrought of truth in what he hints of course not martin then let us dig
00:56:49very well then we will dig and i'll be the first give me a spade someone
00:56:59now we'll see who's the fool home tiger
00:57:23if i were guilty do you think i'd offer to do this
00:57:45must be wrong with this farce now are you satisfied no what you fail
00:57:54i hate to be insulted like this mr senate why don't you speak i i don't like the look of
00:58:01this
00:58:01quarter but you you doubt me me you can easily set our doubts at rest squire dig on yes squire
00:58:10quarter dig
00:58:23deeper
00:58:23cast you cast you all
00:58:27yea though i walk through the valley of the shadow of death i will fear no evil
00:58:33for thou art with me thy rod and thy staff comfort me
00:58:41for thou art with me thy father
00:59:02look
00:59:08Look!
00:59:10It's your pistol, Corder.
00:59:11Ah, it's not mine.
00:59:12It is, and here's the meat to it.
00:59:14Give it to me.
00:59:17Where did you get this?
00:59:18Squire Corder handed that pistol to me himself.
00:59:24You all right?
00:59:26Your name is on the handles.
00:59:29Well, sir?
00:59:30I know nothing about this, I tell you.
00:59:31Nothing.
00:59:32You lie, Corder.
00:59:34I can see it in your face.
00:59:37Dig on.
00:59:39Now.
00:59:41I say dig.
01:00:25Ah.
01:00:27Ah!
01:00:28Where's she move?
01:00:30My girl.
01:00:35I didn't do it, I tell you, I swear, I didn't do it.
01:00:38William Corder, I arrest you for the murder of Mariah Martin.
01:00:40Let me go, let me go.
01:00:43Now then, I'll drop the first man who tries to stop me.
01:00:48Not so brave, eh?
01:00:50There's only one charge in that pistol, Corder.
01:00:52At best you can but kill one of us.
01:00:54Then you'll be taken.
01:00:56Yes, but which will be the one?
01:00:58You, Martin, eh?
01:01:00Would you like to go and join your beautiful Mariah?
01:01:05Oh, don't stare at me like that, Mariah.
01:01:08You've trapped me.
01:01:09Your hands are reaching out from the grave, dragging me down, down.
01:01:14Oh, but you're too late.
01:01:16You're too late.
01:01:18He's mad.
01:01:20Close your eyes, Mariah.
01:01:22Close them.
01:01:23They haunt me.
01:01:26Oh, I...
01:01:27I didn't want to kill you.
01:01:29But you forced me to.
01:01:31You forced me to.
01:01:33You forced me to.
01:01:35She made me do it, I tell you.
01:01:37She made me do it.
01:01:38She made me do it.
01:01:40She made me do it.
01:01:52She made me do it.
01:01:54Stop hammering, you devils!
01:01:57Stop hammering!
01:02:16Stop hammering, you cursed!
01:02:18Those were still here!
01:02:19Stop hammering.
01:02:22There he is!
01:02:23Oh, my, my!
01:02:26Get him out of here!
01:02:30Go on!
01:02:31Get him down!
01:02:32Get him down!
01:02:35Get him down!
01:02:54Are you here it's not time yet all right cocky all right I know it ain't time and why have
01:03:01you come here
01:03:02I've got some news for you you mean that they're not going to hang me is that what you've come
01:03:07to
01:03:07say well not exactly I don't think you'll swing today the executioner's been took ill and his
01:03:16deputies up north giving their to another fellow and unless they can find a volunteer to take his
01:03:22place we'll have to ask you to wait if you don't mind they'll never find anybody for a job like
01:03:28that
01:03:28it's far too ghastly oh I don't know it's nice work if you can get it cheer up cocky don't
01:03:39worry
01:03:40they don't find anyone else back me I don't mind turning you off myself
01:04:04I'll beat you yet
01:04:31this past no one has come another week
01:04:36Another week to live. Another week to live.
01:05:03Prisoner, prepare.
01:05:05Do you know you can't hang me? The hour has come and the executioner is not here.
01:05:09We have a volunteer.
01:05:18Oh, here. Here. Stop the hanging. Here.
01:05:22You can't hang that man.
01:05:23Why not?
01:05:24Because he owed me nine cents.
01:05:43I can't hang my own.
01:05:48I can't hang that man.
01:05:51I can't hang it.
01:05:55But that is my husband.
01:05:56I can't hang it.
01:06:02You are the same.
01:06:05In this case, the reason he has gone and the running of the right is still not here.
01:06:06Would you like to look upon your executioner?
01:06:09Yes.
01:06:14You!
01:06:15I warned you, Corder.
01:06:17An eye for an eye, a tooth for a tooth, and blood for blood.
01:06:41Oh, my God.