- 6 days ago
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🎈
FunTranscript
00:01:55Is that a nut?
00:01:59Hmm.
00:02:02I'd be glad it's not a dead animal.
00:02:04We had a whale a few years ago.
00:02:07I've seen sharks, too.
00:02:09I don't like a shark.
00:02:11No, it's pretty gross.
00:02:13It's just a rotting, stinking carcass.
00:02:16I'd still like to see it.
00:02:22I should think about going to the store.
00:02:24Any requests for dinner, Emma?
00:02:28No.
00:02:31She likes that purinesca you make.
00:02:34Sound good?
00:02:36Yeah, whatever.
00:02:39I like your enthusiasm.
00:02:56I should get going.
00:02:58What's the rush?
00:02:59We're running out of everything.
00:03:00That's actually your last beer.
00:03:02Well, you better make it quick, then.
00:03:05What's the rush, right?
00:03:07But beer.
00:03:08Here it is.
00:03:10There you go.
00:03:47Did you hear about finals yet?
00:03:49Yeah, grades have been up for a week.
00:03:51And you didn't even mention it?
00:03:53Oh, you didn't mean to go for school.
00:03:55Yeah, we noticed.
00:03:57Mom, you don't have to worry.
00:03:59I totally killed it.
00:04:02So, so then what's this thing about living with Simone anyway?
00:04:05I mean, I'm sure you'd have fun, but why take the time off when you're doing so well?
00:04:10Well, I'm not doing that well.
00:04:11I mean, I haven't written anything decent all year.
00:04:15Oh, I hear they have classes to help you with that.
00:04:17Mom, classes don't teach you how to write.
00:04:19You just have to do it.
00:04:20Well, do you have to do it in Berlin?
00:04:22I mean, it's not like you haven't written a story before.
00:04:24Yeah, that was high school, and I can't even read those without cringing.
00:04:27No, you're too harsh a critic.
00:04:28Those stories were good.
00:04:29No, they're not.
00:04:30They're boring, and the next one's going to be boring, too, unless something happens.
00:04:34Yeah, like what?
00:04:36I don't know.
00:04:37Something that's not just one more year of the same.
00:04:41So what happens if inspiration doesn't come?
00:04:43And you just get to hang out with Simone all year?
00:04:46At least she knows interesting people.
00:04:52What about the kids at school?
00:04:53You don't find them too impressive?
00:04:55I don't think she gives them a chance.
00:04:57Okay, are you just saying no?
00:04:58No, no, of course not.
00:05:00If you're dead set on it, then no one's going to stop you.
00:05:03We might.
00:05:04We just need to come to an understanding, and you'd have to figure out what it is you want
00:05:08to accomplish when you're over there.
00:05:10I can do that.
00:05:12Wait, aren't we getting a little ahead of ourselves here?
00:05:13I mean, hasn't Simone extended her gap year already?
00:05:17I mean, when is she finally going to go back to school?
00:05:18Well, I think she's probably going to take off less time than you did.
00:05:27I think I'm done.
00:05:29Already?
00:05:30Yeah.
00:05:35She's not the only one who's done.
00:05:59She's not the only one who's done.
00:06:29She's not the only one who's done.
00:06:37She's not the only one who's done.
00:06:37She's not the only one who's done.
00:06:42She's not the only one who's done.
00:06:45She's not the only one who's done.
00:06:48She's not the only one who's done.
00:06:48She's not the only one who's done.
00:06:49She's not the only one who's done.
00:06:49She's not the only one who's done.
00:06:50She's not the only one who's done.
00:06:50She's not the only one who's done.
00:06:51She's not the only one who's done.
00:06:51She's not the only one who's done.
00:06:52She's not the only one who's done.
00:06:55She's not the only one who's done.
00:07:29Hello? Hey, Paul. How are you? Yeah, I'm good. Yeah, we're here. That'd be great.
00:08:18Look who's up early. Come on. Really? Most people have their first cup of coffee
00:08:23before noon. Most old people. Well, this old person could use some more. How about we
00:08:34make another pot? Thank you. She can make it. You need to take a shower before Paul gets
00:08:38here. Who's Paul? An old friend. I bumped into him at an event last week. How come
00:08:45I've never heard of him? I hadn't seen him in ages. He does conceptual photographs. Apparently
00:08:51they're quite edgy. He's going to stay for a night or two. In the bedroom next to mine?
00:08:57Uh, where else? And he's going to use my bathroom? He will not last long in a Berlin squat with
00:09:03your attitude. Does that mean she's letting me go? I'm working on her.
00:09:32Oh, it's so great to see you. Good to see you too. Wow. So good to see you. Hello? Hello?
00:09:38Hello? Hello? This is my husband, Henry. This is Paul. Hi, Henry. Hi, Paul. Nice to meet you.
00:09:42Here we are. Thanks. You're well, are you? I see. Yeah. Did you find it okay? Yeah, yeah. It was
00:09:48a pretty, it's kind of a straight shot. It is a very straight shot.
00:09:50And traffic shouldn't have been bad, right? No. Ah, good. Let's do your round. Okay. Awesome.
00:10:02I apologize for inviting myself. When I saw Kathy last week and she told me you were out here, I
00:10:07couldn't help myself.
00:10:08And I finally figured out after 20 years in the city that you should never miss an opportunity to get
00:10:13the hell out.
00:10:15Well, you should have taken the train. The station is so close.
00:10:18No, I like driving. No, I'm with you. I always drive out here.
00:10:21Anyway, I'm happy to cook and clean to earn my keep.
00:10:26I can have you cook dinner tonight if you like.
00:10:28Oh, that'd be lovely. Be nice to have an extra hand in the kitchen.
00:10:32Seeing as my original helper seems to have retired.
00:10:35I can't be at your break and call all the time.
00:10:37Emma has it really hard. She's thinking of high-tailing it to Berlin.
00:10:42Yes, I have a friend in Quatesburg.
00:10:44Oh, Berlin's cool. It's a bit subdued compared to New York.
00:10:48See? Not going there to party.
00:10:50Well, we think it would be a better idea to finish school, but, uh, you know.
00:10:55Might be nice to learn something useful in the meantime.
00:10:57Mom, I'm a literature major. It's not trade school.
00:11:00I can't say my undergrad education was particularly useful.
00:11:03Uh, Paul's job is spending the day lighting beautiful women.
00:11:07So, I think maybe his definition of useful is a little unusual.
00:11:12Harsh, but not wrong.
00:11:16Speaking of beautiful women, what happened to that woman at the gallery?
00:11:19I thought you'd bring her along.
00:11:21Um, Hannah and I actually just broke up.
00:11:26Oh.
00:11:27Oh, sorry to hear that.
00:11:28No, it's all right. It was going badly, and I just had to end it.
00:11:36Well, I'm glad you came out here.
00:11:38It's the perfect place to relax and clear your head.
00:11:41Yeah, that's what I thought.
00:11:47Hey, why don't we take a look at that new series?
00:11:48You said it was online, right?
00:11:50Yeah.
00:11:50Yeah, I think you'd like to see this too, Ellen?
00:11:55Cool.
00:11:57Yeah, yeah, here we go.
00:11:58This is, uh, this is the latest work I'm exhibiting.
00:12:02Wow.
00:12:07That's Hannah.
00:12:09Mm-hmm, that's her.
00:12:11Oh, we don't have to look at these if...
00:12:12No, it's fine.
00:12:14Yeah?
00:12:14Yeah.
00:12:15So this is, this series is, uh, inspired by the death of Jean-Paul Marat.
00:12:21And the story goes that Charlotte Gordet showed up at his house,
00:12:27talked away inside, and killed him in the bath.
00:12:32And I was interested in the intimacy of the killing,
00:12:37uh, someone that he didn't know got close enough to do the job.
00:12:44Well, it helps to be young and gorgeous.
00:12:47Well, yeah.
00:12:50What do you think, Emma?
00:12:54Uh, it's not boring.
00:12:58Well, I'm glad you like it.
00:13:01Are you a mezcal guy, Paul?
00:13:03I drink everything.
00:13:05I think I can work with that.
00:13:07Careful, if you drink his concoctions, he'll never have you leave.
00:13:10Well, I suppose I'll just have to move in there.
00:13:13Ha ha ha.
00:13:26It's beautiful.
00:13:28Yeah, we love it.
00:13:31Catherine insists we make regular use of the place.
00:13:35That's funny.
00:13:35I always think of her as a downtown girl.
00:13:38Oh, she still is, in her way.
00:13:41I mean, she'd already changed a lot, even before we'd lost touch.
00:13:47Well, the kid will do that to you.
00:13:50Especially if the idiot dad disappears on you.
00:13:53Is that what happened?
00:13:55I always thought that Catherine's ever died.
00:14:00No, Andy was never really dad material.
00:14:04Well, no one's really dad material till he has to be.
00:14:08I guess I'm lucky I never had to be.
00:14:12I wouldn't call that lucky.
00:14:15I think so.
00:14:19Well, watch out.
00:14:21She might still be out there.
00:14:23Who?
00:14:25The girl who does you in.
00:14:33I don't know.
00:14:41Emma?
00:14:45Would you mind making up Paul's bed for me?
00:14:47Okay.
00:15:17I don't know.
00:15:57Do you think that's overkill?
00:16:00I don't know.
00:16:03Gets a little chilly at night.
00:16:05I guess.
00:16:07I guess.
00:16:18What's up with Mom?
00:16:19Since when does she invite strangers to come stay with us?
00:16:24It's good for her to have friends.
00:16:27They're harder to come by when you're older.
00:16:31Paul doesn't seem old.
00:16:36He's still living the same life you lived when your mom knew him in her 20s.
00:16:40That'll keep you young.
00:16:46That washed up the other day.
00:16:54Are you feeling up for a dip, Paul?
00:16:58How's the water?
00:17:00Oh, I'm sure you can handle it.
00:17:24What are you reading, anyway?
00:17:26What are you reading, anyway?
00:17:34Not much of a beach book.
00:17:36Not much of a beach.
00:17:39Not like those glam beaches in Germany, that's for sure.
00:17:48You know, I'm a little bit surprised about our guest.
00:17:54I thought that you closed the door in your star of the United States.
00:17:59I don't know about that.
00:18:10So that, uh, the girl in the photos, that was Hannah, right?
00:18:15The ex?
00:18:17Yep.
00:18:18Yeah, she's on all my recent work.
00:18:21Oh, she's a good-looking girl.
00:18:23Too bad things didn't work out.
00:18:26Well, I imagine it can be really difficult dating a model.
00:18:33The problem is when I start wanting to be more than models.
00:18:39Now, what Hannah didn't get is that a muse isn't a life partner.
00:18:46You know, a muse is just a phase.
00:18:49Oh, I see.
00:18:50Muse them and lose them, huh?
00:18:54Oh, that's rough.
00:18:57Sheesh, artists.
00:18:59Oh, yeah, we're all screwed up.
00:19:04At least we know what we're getting into.
00:19:07Women always want the kind of man who's going to use them and discard them,
00:19:11and then they get all clingy and childish when you finally do it.
00:19:15I've never felt that way.
00:19:18I'm sure you've had to toss out your first share.
00:19:20You know what it's like.
00:19:25Maybe this, but...
00:19:27Moments.
00:19:28Yeah, there you go.
00:19:30Moments.
00:19:32That's what I'm talking about, man.
00:19:41That's where you're at for living in an amazing loft, years and years in court.
00:19:47But after all the changed locks and the legal battles, you're still living there.
00:19:54And the lesson, Emma, is that it's virtually impossible to evict someone in New York.
00:20:00All right, I'll keep that in mind.
00:20:03It's also one of the reasons that the rent keeps going up.
00:20:06All the more reason to hang on to a cheap place if you have one.
00:20:09Well, I hear things have picked up for you since then.
00:20:12Monetarily speaking?
00:20:13Hmm.
00:20:15Yeah, a little.
00:20:16Well, come on.
00:20:17More than that.
00:20:17Catherine tells me the new show is huge.
00:20:19For whatever reason, the art-buying public has taken a liking to me.
00:20:25Well, working as an artist for years now, you've been growing your reputation and honing your craft.
00:20:31Well, it makes sense.
00:20:31I don't know, maybe I've just been lucky.
00:20:33I wouldn't be surprised if the whole scene turned on me tomorrow.
00:20:37So you don't see this as an opportunity?
00:20:39For what?
00:20:41Well, to continue at a higher level.
00:20:44To sell more at higher prices.
00:20:48I mean, I'll certainly take the money, but I don't think there is a high level.
00:20:56I loved taking those pictures.
00:20:59And I loved the performance I got out of Hannah.
00:21:04I loved the whole experience.
00:21:06And if the Philistines who buy art like it, that's nice.
00:21:10But I don't kid myself that it means much of anything.
00:21:16Wow, I'm surprised how dismissive you are of your audience.
00:21:19Oh, I don't know.
00:21:20Spend a little more time with rich art collectors.
00:21:22I think you might feel differently.
00:21:25Hmm?
00:21:26I think, actually, I'd be happy that I was reaching somebody.
00:21:29No, no, no.
00:21:29I hear you.
00:21:30It's just, I don't know.
00:21:32Maybe it's strange for an artist.
00:21:39But, to be honest, there's only been a handful of people in my life that I really wanted to reach.
00:21:47Fair enough.
00:21:48Fair enough.
00:21:49Fair enough.
00:21:52Fair enough.
00:21:57Fair enough.
00:21:57Fair enough.
00:21:58Fair enough.
00:21:58Fair enough.
00:21:58Fair enough.
00:21:59Fair enough.
00:22:59Oh shit, you okay?
00:23:00Uh, yeah.
00:23:02Not where it should be.
00:23:04Looks heavy.
00:23:08What are you doing out here?
00:23:11I was thinking about having a swim.
00:23:14Right now?
00:23:16Yeah.
00:23:17Never been night swimming?
00:23:19No.
00:23:21Where's your bathing suit?
00:23:26Oh, you really haven't been night swimming, have you?
00:23:33Come on in.
00:23:34I thought you just said you were going swimming.
00:23:37Yeah, it's actually a bit cold.
00:23:40I want to want a drink though.
00:23:41You want one?
00:23:45I'm okay.
00:23:47You going to bed?
00:23:48No.
00:23:50So have a drink with me?
00:23:53Okay.
00:23:55God, what is all this shit?
00:23:59Catherine.
00:24:05Bourbon?
00:24:07No.
00:24:13Red wine?
00:24:15Yes.
00:24:16You don't like the hard stuff.
00:24:19Not really.
00:24:22You're missing out.
00:24:26Shall we?
00:24:27Where are you going?
00:24:29Well, I don't want to wake everyone up.
00:24:32Okay.
00:24:51I'm surprised you're up this late.
00:24:56I like being the only one up.
00:24:58It's a good time to write.
00:25:00Ah.
00:25:01Getting in your way then.
00:25:04I'll survive.
00:25:07So your idea to live in Germany next year, the idea is to write?
00:25:12Yeah.
00:25:13I mean, I'm going to get a job.
00:25:14I'm not going to just sit in cafes all day with my laptop.
00:25:17Why?
00:25:18I'm sure Henry would subsidize you.
00:25:21I'm sure that he would.
00:25:23But then I'd just be another parasite playing artist.
00:25:26It does run in the family.
00:25:30You're talking about Andy.
00:25:32Did you know him?
00:25:35A little.
00:25:37Hmm.
00:25:41Whatever happened to him?
00:25:43Uh, he's in Portland.
00:25:46And he's painting.
00:25:48Not that anyone has ever taken any notice.
00:26:01It's settled then.
00:26:03You'll spend all day in cafes as a barista instead of a customer.
00:26:09Seriously, if you're going to be an artist, you need to learn to take other people's money.
00:26:14You have to have it before you know if you can do anything good with it.
00:26:19What?
00:26:20Nothing.
00:26:21No, it's just you've really got this whole,
00:26:24I'm an artist and I don't give a fuck what anyone thinks thing down.
00:26:27It's impressive.
00:26:28Oh, thanks.
00:26:30I think.
00:26:49You know, the truth is, I don't know if I have anything to write about.
00:26:53I mean, whatever happened in my parents' life, my life ended up being very privileged and very boring.
00:27:03Well, is privilege boring?
00:27:08I don't know, it seems like most 19th century novels are about the landed gentry.
00:27:13Well, yeah, those novels are great because they're set in the 19th century.
00:27:19How do you mean?
00:27:21I mean, back then, privilege came with actual rules.
00:27:24I mean, you know, a girl falls in love with, has an affair, or even flirts with the wrong guy,
00:27:30and that's what people fought duels over.
00:27:32Yeah, but we still have rules about what sorts of relationships are acceptable and which ones are off limits.
00:27:39Well, yes.
00:27:40I mean, of course, we have rules, but...
00:27:43Maybe you just don't know what it's like to break them.
00:27:51Why? What's funny?
00:27:53Nothing.
00:27:55Nothing.
00:27:58I guess I almost did something off limits last semester.
00:28:02Yeah?
00:28:03Mm-hmm.
00:28:07Lit 150, the medieval and 19th century literature.
00:28:13Ooh.
00:28:15The professor?
00:28:16No.
00:28:17No, the TA.
00:28:19He was 33.
00:28:21So what was the problem?
00:28:23I don't know.
00:28:25I chickened out.
00:28:28By the time he finally got the guts to ask me to hang out, I was nervous, and I don't
00:28:34know.
00:28:35He got scared.
00:28:36He thought I was going to accuse him of something, maybe.
00:28:40Which offends me, actually.
00:28:44So, not exactly Anna Karenina.
00:28:55Do you have anything good in there?
00:29:00A bit nosy, aren't you?
00:29:04Do you mind?
00:29:06Well, if I did, I think it's a bit late.
00:29:29It's my take on a genre of Italian horror films.
00:29:35The killer always wears black gloves.
00:29:38This is Hannah.
00:29:39Mm-hmm.
00:29:41Our last project together.
00:29:48Will you exhibit that?
00:29:51I haven't made up my mind yet.
00:30:10It's different when they are there at work.
00:30:18Yeah, this time the man kills the woman.
00:30:21No, I mean it doesn't feel staged.
00:30:24It feels real.
00:30:26It is real.
00:30:28What I mean is, if you're going to show something, you have to really put yourself in the situation.
00:30:38Imagine what it would be like to actually do it.
00:30:44You know, you might enjoy it.
00:30:48Did Hannah enjoy it?
00:31:02I haven't got a chance to ask her.
00:31:05It was our last night together.
00:31:10There she go.
00:31:13Okay.
00:31:16I hope I haven't given you any nightmares.
00:31:21Isn't that the point?
00:31:32Isn't that the point?
00:31:56It's what he needs.
00:31:57I'll see you next time.
00:31:58Okay.
00:32:10I'll see you next time.
00:32:11And I'll see you next time.
00:32:11Bye.
00:32:11Bye.
00:32:11Bye.
00:32:11Bye.
00:32:11Bye.
00:32:12Bye.
00:32:13Bye.
00:32:17Bye.
00:32:23I don't know.
00:32:56I mean, no pressure.
00:32:57Really?
00:32:59Says the chef.
00:33:00I'm happy to make it.
00:33:00Says the chef.
00:33:01You're not making anything.
00:33:03I mean, don't last night.
00:33:04Well, possibly.
00:33:05Huh?
00:33:05You are going to relax.
00:33:07All right.
00:33:07Come on, I'm done with you.
00:33:09All right, good.
00:33:10I appreciate you.
00:33:40I appreciate you.
00:33:55You're going to be okay here tomorrow night, by yourself?
00:33:57I think we've roped Paul into joining us for the new American Nightmares opening.
00:34:01Yeah, she's fine.
00:34:04You can come if you want, of course.
00:34:06I think I'm a little bit over the Whitney.
00:34:10Have you ever seen the kettlebell?
00:34:13Your what?
00:34:14The weight with the loop at the top.
00:34:15Did someone move it?
00:34:17I don't know why anyone would.
00:34:20Emma, could you tell Paul that his breakfast is ready?
00:34:23I think I just saw him go up front.
00:34:25Okay.
00:34:28Is that too much to ask?
00:34:30I'm doing that.
00:34:47Paul?
00:34:50Mom says your breakfast is ready.
00:34:53Wonderful.
00:35:01Coming.
00:35:03Coming.
00:35:10Coming.
00:35:18Coming.
00:35:20Coming.
00:35:26Coming.
00:35:27Sure is your lunch.
00:35:29Go ahead.
00:35:35No!
00:35:48Nice here.
00:35:51Not anywhere, you're looking right now.
00:35:52Any literary breakthroughs since last night?
00:35:56I wish.
00:35:59What are you stopping?
00:36:07I have an idea. I'm just not sure which way to take it.
00:36:13Sounds like a good problem to have.
00:36:16You think?
00:36:16Huh. Just pick a direction and go with it. If it doesn't work, try another.
00:36:23Yeah, I want to. I just don't know what ideas are real life and which are bullshit.
00:36:29Don't worry about real life. Just find something that excites you.
00:36:37So I guess that it's sex and violence that excites you?
00:36:43Not only me.
00:36:46And is that drawn from real life?
00:36:49It is my life.
00:36:53What does that mean?
00:37:04I'm going to go to the beach.
00:37:11I'll see you down there.
00:37:26I'll see you down here.
00:37:26I'll see you down here.
00:37:26I'll see you down here.
00:37:27I'll see you down here.
00:37:27Where is my life?
00:37:29Yeah!
00:37:29This is your life.
00:37:30My life is cultivated.
00:38:39The number you have dialed cannot be reached at this time.
00:38:42If you feel you have reached this recording in error, please try your call again.
00:39:02Hey, we're going to head over to the fish market.
00:39:04Both of you?
00:39:05Your mom doesn't trust me to shop unsupervised.
00:39:07You can take over once we get back home.
00:39:11I need help with something.
00:39:12Can you remind me when we get back?
00:39:14Can we just do it really quick?
00:39:17Sure.
00:39:18Okay.
00:39:19Could you give us a minute?
00:39:20No.
00:39:22Okay, this is going to sound stupid, but how well do you actually know Paul?
00:39:26I know that you guys were friends a long time ago.
00:39:28It's just...
00:39:30Don't you think it's weird that he calls you up out of nowhere and wants to stay with us?
00:39:36Oh, no.
00:39:37No, Paul's always been like that.
00:39:39I mean, he'd be talking to somebody at a party, and before you know it, he'd be on some week
00:39:44-long adventure somewhere.
00:39:45We wouldn't even know what had happened.
00:39:47I guess you knew him pretty well.
00:39:51Yeah.
00:39:53I did.
00:39:54It's just, I've been looking at his photos, and I know that they're supposed to be edgy and everything,
00:39:59but I can't help feeling that he enjoys violence.
00:40:03Especially against women.
00:40:08Let me share something with you.
00:40:12Back in the 90s, Paul did a series inspired by Vatican's Lulu, where a prostitute from London picks up Jack
00:40:19the Ripper.
00:40:21He kills her, and then he cuts out her womb.
00:40:25In trademark Paul style, it was pretty gruesome.
00:40:29Were people offended?
00:40:31Not anyone that mattered.
00:40:33Everyone loved it.
00:40:35In fact, it was a really fun shoot.
00:40:37And Paul was perfectly gentle.
00:40:40The whole time.
00:40:41It only looked violent.
00:40:43You were there.
00:40:45I was the girl who got murdered.
00:40:53Wow.
00:40:54You must think I am really uptight.
00:40:57No.
00:40:59I just think I have a bit more experience with these kind of people, that's all.
00:41:03Yeah.
00:41:04I guess that is true.
00:41:09So, you okay with Paul hanging around?
00:41:12Mm-hmm.
00:41:13Yeah.
00:41:14It's fine.
00:41:17Maybe I can see if he can dredge up some of those photos.
00:41:22He might have digital copies or something.
00:41:24Sure.
00:41:27Okay.
00:41:28I'll be back in a bit.
00:41:29Okay.
00:41:31Okay.
00:41:43Okay.
00:41:45Okay.
00:41:45Okay.
00:41:45Loud breeze.
00:42:10Please don't leave me, please don't go.
00:42:17Please don't leave me, down below, if you drop me, like a storm, I will never leave the bottom.
00:42:35What do you think?
00:42:37Who is it?
00:42:38It's my buddy Jay's band.
00:42:44It's nice.
00:42:51Yeah, you kind of want me up to it too.
00:42:57Give me your email, I'll send you the download, like...
00:43:00Yeah.
00:43:01Thanks.
00:43:10Thanks.
00:43:25Thanks.
00:43:26Thanks.
00:43:43Thanks.
00:43:44Thanks.
00:43:52Thanks.
00:43:55Thanks.
00:43:56Thanks.
00:44:09Thanks.
00:44:12Thanks.
00:44:14Thanks.
00:44:20Thanks.
00:44:27Thanks.
00:44:28Thanks.
00:44:28Thanks.
00:44:45Thanks.
00:44:50Thanks.
00:44:58Thanks.
00:45:03Thanks.
00:45:03Thanks.
00:45:03Thanks.
00:45:04Thanks.
00:45:10Thanks.
00:45:32Thanks.
00:45:34Thanks.
00:45:48Thanks.
00:46:06I need them to see.
00:46:09Really?
00:46:10Yes.
00:46:11I mean, you've been walking fine.
00:46:13It's not like you tripped over.
00:46:16Alright.
00:46:18One more.
00:46:25I feel like we're being watched.
00:46:32I read again.
00:46:34Let's see if I can help Catherine with the groceries, I guess.
00:47:09This is delicious.
00:47:11Great idea.
00:47:12Well, I figured that you should have the full beach house experience.
00:47:16I appreciate that.
00:47:19So, are you finding any inspiration around here?
00:47:22Paul finds inspiration everywhere.
00:47:26Taking any photos?
00:47:29One or two.
00:47:31Oh, you'll have to show us those.
00:47:33Could you give me some wine, Paul?
00:47:35Sure.
00:47:35Oh.
00:47:36Oh.
00:47:40Pleasure.
00:47:43What about me?
00:47:43Can I get some more?
00:47:49Oh, thank you, Henry.
00:47:56Mom, have you ever gone swimming at night?
00:47:59Yeah, when I was your age.
00:48:02Probably because it was dangerous.
00:48:05The water's a little cold for my liking, anyway.
00:48:14I'll say it again.
00:48:16You can say it again, you can pour me another glass.
00:48:18We're right.
00:48:19Thank you very much.
00:48:21Are you sure?
00:48:23Mmm, yes.
00:48:24Are you really sure?
00:48:27I'm very sure.
00:48:28You have to say it again.
00:48:30Because I don't want to just get it again.
00:48:33You can tell.
00:48:37You realize that's your daughter sitting there with your old fling.
00:48:44Okay.
00:48:46Yeah.
00:48:50Just the light.
00:48:55Time for bed.
00:48:58Really?
00:49:00Mom, it's so early.
00:49:02Yeah.
00:49:02Really.
00:49:08Yeah, I think you're right.
00:49:11Come on.
00:49:13What can I say?
00:49:15I've tragically aged into an early bedtime.
00:49:20Good night.
00:49:21Good night, Paul.
00:49:26Good night.
00:49:28Good night.
00:49:28Good night.
00:49:35Good night.
00:49:38Good night.
00:49:41Good night.
00:49:42Good night.
00:49:44Good night.
00:49:46Good night.
00:50:20I thought that you said that you were going to sleep.
00:50:24I am going to sleep.
00:50:28Really?
00:50:29Really.
00:50:35No glasses tonight?
00:50:37No, I only need them for distance.
00:50:40Oh, so you really just wear them to look smart?
00:50:43Yeah, and to ward off douchey guys.
00:50:45Oh, how's that working for you?
00:51:00Let me guess.
00:51:01Are you going to use this in a photo shoot?
00:51:05Impressing some naked model, perhaps?
00:51:07I was thinking about it.
00:51:08I just have to find the right model.
00:51:14I might pose for something.
00:51:17Really?
00:51:20But you're going to have to come up with something better than that.
00:51:23Yeah, you're probably right.
00:51:26What should I do?
00:51:31Well, with you it's got to be something gruesome so that, you know, it gets attention.
00:51:36But it also has to have some high cultural motifs so that everyone will think that it is very serious.
00:51:41Exactly.
00:51:42I mean, so it's the oldest trick in art.
00:51:45You know, when Moreau painted Salome, he was giving us a naked woman and a severed head, but it was
00:51:49also a Bible story.
00:51:52I know what we should do.
00:51:56Judith and Holofernes.
00:52:01Wow.
00:52:05A girl walks into a man's tent, plies him with liquor and cuts off his head.
00:52:12I'm surprised I haven't used that already.
00:52:14I mean, you're probably going to want to sex it up, of course, the part before the decapitation.
00:52:18Yeah, probably.
00:52:22I have to warn you, though, my fees are exceptionally high.
00:52:26They should be.
00:52:28Really?
00:52:30Yeah, no matter how high, someone will be willing to pay them.
00:52:42Well, Judith, shall we start with a drink?
00:52:48Sure.
00:52:50Maybe a real drink this time?
00:52:52Okay.
00:52:53I can handle liquor.
00:52:57I'll be right back.
00:52:59Okay.
00:53:24You're going to get in a workout?
00:53:26What are you doing with this?
00:53:29Not much.
00:53:31It's harder to swing than I imagined.
00:53:33You know that Henry is looking for this, correct?
00:53:36I did not know that.
00:53:39I'm going to have to confiscate it.
00:53:41Well, don't hurt yourself.
00:53:44Where are you going?
00:53:49All right.
00:53:54And what is this?
00:53:56Is this bourbon?
00:53:59Cheers.
00:54:03Cheers.
00:54:10It's really nice.
00:54:12Right?
00:54:13A little heat.
00:54:15A little heat in the throat.
00:54:23So.
00:54:26So.
00:54:28Tell me about Hannah.
00:54:31What do you want to know?
00:54:34And why did it go wrong?
00:54:38Why does anything go wrong?
00:54:42You know, she inspired me for a while and then I got bored.
00:54:48And the more she clung to me, the more I loathe her.
00:54:53Well, that's not harsh at all.
00:54:56Relationships end.
00:54:56You know what it's like.
00:54:58Do I?
00:54:59Yeah.
00:55:00We've already established that you're a heartbreaker.
00:55:02How did we establish that?
00:55:04I told you that my life is boring.
00:55:10You're not a very good liar.
00:55:15If you're going to write fictions, you have to make them a bit more convincing than that.
00:55:22Okay.
00:55:26Okay.
00:55:30I lied to you.
00:55:32The other night.
00:55:34I said that, um, that nothing happened with the TA.
00:55:39But it did.
00:55:40Mm-hmm.
00:55:43So the whole thing about turning him down, that was...
00:55:47No, no.
00:55:48That happened.
00:55:49Um.
00:55:51But then a couple days later, I decided that I wanted to turn it around.
00:55:57And so I showed up at his office and I told him exactly what I wanted.
00:56:09And you can imagine the rest.
00:56:14Right there in the office.
00:56:18Maybe.
00:56:22And after?
00:56:27It was fun while it lasted.
00:56:32Ah, so you got bored with someone, too.
00:56:36Yes.
00:56:36I guess that is one way of saying it.
00:56:39That was good.
00:56:40I believe that story.
00:56:44Mm-hmm.
00:56:46Should I?
00:56:46Yeah.
00:56:48Mm-hmm.
00:56:54Mm-hmm.
00:56:58Mm-hmm.
00:57:04Mm-hmm.
00:57:07Mm-hmm.
00:57:23Wait, wait, wait, I don't, are you okay?
00:57:28I don't, I don't, I'm okay.
00:57:31You gotta be careful with whiskey.
00:57:32Yeah, you just, you just wake me up in like, like two minutes.
00:58:13I don't know.
00:58:16I don't know.
00:58:22I don't know.
00:58:35I don't know.
00:58:35I don't know.
00:58:40I don't know.
00:58:41I don't know.
00:58:41I don't know.
00:58:42I don't know.
00:58:46I don't know.
00:58:48I don't know.
00:58:49I don't know.
00:58:52I don't know.
00:59:18I don't know.
00:59:26I don't know.
00:59:27I don't know.
00:59:49Hey.
00:59:51Hey.
00:59:54How you doing?
00:59:57Uh, what happened last night?
01:00:02I don't remember anything.
01:00:05Oh, um, well I tried to wake you, but you weren't having it so I just carried you down the
01:00:13hallway to your bed.
01:00:15I don't know.
01:00:16And then I, I wouldn't crest out, so.
01:00:20A little anticlimactic, but.
01:00:28So you were in?
01:00:30Yeah.
01:00:31Hidden that way.
01:00:32Yeah, I can.
01:00:32Good for you.
01:00:33Fine.
01:00:34Okay.
01:00:43Come on, Paul.
01:00:53You know what's funny?
01:00:55I still can't find that kettlebell.
01:00:56Paul.
01:00:57You know, I think Paul actually stole it.
01:01:00I will go get it from his room.
01:01:01Paul's leaving soon.
01:01:03He was just telling us.
01:01:05What?
01:01:07Yeah.
01:01:09Yeah.
01:01:09Uh, gotta get back to the city.
01:01:11I thought all of you guys were going to an event tonight.
01:01:14Henry and I are still going.
01:01:21Alright, I'm gonna take a swim and I'll grab my stuff when I get back.
01:01:24Sure.
01:01:44Hmm.
01:01:54Oh.
01:01:56...
01:01:59...
01:02:00...
01:02:14We thought it would be better
01:02:15if just us three had some time together.
01:02:19I thought it was Paul's idea.
01:02:22It's mutual.
01:02:28I feel sick.
01:02:40Listen, I understand that a girl like you
01:02:43is going to be drawn to a more sophisticated crowd,
01:02:48but Paul's not the right kind of company.
01:02:56You know what he said to me the other day?
01:02:59He said women really want a man who will use them up
01:03:04and then throw them out.
01:03:06He said stuff like that.
01:03:07No, he meant it.
01:03:08He was talking very specifically about his ex.
01:03:12There's something...
01:03:14There's something wrong there.
01:03:33No.
01:03:39No.
01:03:43No.
01:03:45No.
01:03:46No.
01:03:53I don't know.
01:03:57I'm not sure what's going on.
01:03:58I'm not sure what it's going on.
01:04:00I'm not sure what it's going on.
01:04:06I put this together.
01:04:43So, let's get started.
01:04:49The number you have dialed cannot be reached at this time.
01:05:44The number you have dialed cannot be reached at this time.
01:05:51I was just looking for Henry's weight.
01:05:55Yeah, I returned it.
01:05:59I should let you back.
01:06:08You can be difficult to figure out.
01:06:13I can say the same thing about you.
01:06:20But you've figured me out, haven't you?
01:06:50I can say the same thing about you.
01:07:02Can I talk to you a minute?
01:07:13I just wanted to say sorry.
01:07:15For what?
01:07:17Yesterday you mentioned concerns about Paul staying here.
01:07:22You were right. It was a bad idea.
01:07:25Why?
01:07:28Because, despite our past, he's still a stranger.
01:07:33It's just been too long. I shouldn't have let him stay.
01:07:38Well, he's gone now.
01:07:42But you don't seem happy about it.
01:07:44No, I'm glad.
01:07:47Really?
01:07:50No, I'm glad.
01:07:54Good.
01:07:58I've got to get ready to go.
01:08:01Cool.
01:08:11I'm glad.
01:08:18We're going to stay in the city overnight. There's no sense in driving back late.
01:08:21You sure you don't want to come with us?
01:08:23I'm good.
01:08:24Between you and me, you're not missing much. There's some swordfish left if you get hungry.
01:08:29She will manage.
01:08:30Then.
01:10:34Hello?
01:11:13Emma.
01:11:20I didn't see your car outside?
01:11:23I walked from the train sessions.
01:11:26Why?
01:11:28So no one would see me?
01:11:33I was just going to the beach.
01:11:36Now?
01:11:37Now?
01:11:38Night's for me.
01:11:43Emma?
01:11:45Yeah?
01:11:46Are you afraid of me?
01:11:50I just keep thinking about last night.
01:11:52Me too.
01:11:54No, not like that.
01:11:56What then?
01:12:00What happened after you knocked me out with that drink?
01:12:04I think you did a pretty good job of knocking yourself out.
01:12:08I think I had some help.
01:12:10It was a strong pour.
01:12:13That's not what I mean.
01:12:28That's not what I mean.
01:12:34I don't really understand you.
01:12:38But I'm glad you're starting to be more creative.
01:12:59What's going on here?
01:13:00We both know.
01:13:02We both know what?
01:13:04She's out there.
01:13:05Who?
01:13:06Anna.
01:13:09Wrapped in the net.
01:13:11Held down by the weight that you took.
01:13:15You get it all figured out, don't you?
01:13:17That's where you came out of here, isn't it?
01:13:22Now I've come back to silence the girl who knows too much.
01:13:28I don't have to.
01:13:32It excites you, doesn't it?
01:13:36Will you let me go?
01:13:40You want to let you go?
01:13:41Mm-hmm.
01:13:48It's going to ruin your story.
01:13:56Ah.
01:14:13Oh, my God.
01:14:32Oh, my God.
01:15:17Oh, my God.
01:15:35Oh, my God.
01:16:03Oh, my God.
01:16:05Oh, my God.
01:16:43Oh, my God.
01:17:15Oh, my God.
01:17:27Oh, my God.
01:17:55Oh, my God.
01:18:25Oh, my God.
01:19:00Oh, my God.
01:19:09Oh, my God.
01:19:59Oh, my God.
01:20:02Oh, my God.
01:20:59Oh, my God.
01:21:19Oh, my God.
01:21:31Oh, my God.
01:21:52Oh, my God.
01:22:15Oh, my God.
01:22:53Oh, my God.
01:22:54Oh, my God.
01:23:24Oh, my God.
01:23:54Oh, my God.
01:24:24Oh, my God.
01:24:54Oh, my God.
01:25:46Oh, my God.
01:26:20Oh, my God.
01:26:31Oh, my God.