Horror movies are films designed to evoke fear, suspense, and tension through stories involving monsters, ghosts, serial killers, demons, supernatural creatures, or unexplained events. The genre includes many subgenres such as slasher, paranormal, zombie, psychological thriller, found footage, and survival horror, featuring both timeless classics and modern productions that have shaped the history of horror cinema.
#HorrorMovies #Horror #ScaryMovies #HorrorClassics #CultHorror #Slasher #SupernaturalHorror #PsychologicalHorror #ZombieMovies #GhostMovies #MonsterMovies #FoundFootage #HauntedHouse #Exorcism #SerialKiller #HorrorMovies #Horror #ScaryMovies #HorrorFilm #HorrorFilms #HorrorCinema #HorrorClassics #CultHorror #ClassicHorror #ModernHorror #VintageHorror #70sHorror #80sHorror #90sHorror #2000sHorror #AmericanHorror #ItalianHorror #JapaneseHorror #SupernaturalHorror #PsychologicalHorror #Slasher #ZombieMovies #VampireMovies #WerewolfMovies #DemonMovies #GhostMovies #ParanormalHorror #FoundFootage #ThrillerHorror #Splatter #Gore #MonsterMovies #CreatureFeature #SurvivalHorror #HauntedHouse #HauntedHouses #Possession #Exorcism #SerialKiller #ScaryFilms #CultMovies #HorrorCollection #HorrorStreaming #Scream
#Truecrime #Vampire #Frankenstein #Jason #Halloween
#HorrorMovies #Horror #ScaryMovies #HorrorClassics #CultHorror #Slasher #SupernaturalHorror #PsychologicalHorror #ZombieMovies #GhostMovies #MonsterMovies #FoundFootage #HauntedHouse #Exorcism #SerialKiller #HorrorMovies #Horror #ScaryMovies #HorrorFilm #HorrorFilms #HorrorCinema #HorrorClassics #CultHorror #ClassicHorror #ModernHorror #VintageHorror #70sHorror #80sHorror #90sHorror #2000sHorror #AmericanHorror #ItalianHorror #JapaneseHorror #SupernaturalHorror #PsychologicalHorror #Slasher #ZombieMovies #VampireMovies #WerewolfMovies #DemonMovies #GhostMovies #ParanormalHorror #FoundFootage #ThrillerHorror #Splatter #Gore #MonsterMovies #CreatureFeature #SurvivalHorror #HauntedHouse #HauntedHouses #Possession #Exorcism #SerialKiller #ScaryFilms #CultMovies #HorrorCollection #HorrorStreaming #Scream
#Truecrime #Vampire #Frankenstein #Jason #Halloween
Category
🎈
FunTranscript
00:00:30The last star of night that simply fades away, the crest of a wave as it washes out to sea.
00:00:42Where does it lead to and who knows why? The saddest melody is the sound of goodbye.
00:00:57The soft satin wind that leaves behind a chill, the last autumn bud as it withers on a hill.
00:01:08The distant drummer who tries to be like, the saddest melody is the sound of goodbye.
00:01:23The saddest melody is the sound of goodbye.
00:01:54I'm so glad you're here.
00:01:59It seems like it's been such a long time.
00:02:07I wasn't sure if you'd be coming.
00:02:10I got here as fast as I could.
00:02:16Sometimes I feel sorry for your wife.
00:02:30I'd better get back to the hotel.
00:02:32No, not yet.
00:02:33All right, please stay a little longer.
00:02:37Marie's not going to be back for another two hours.
00:02:40Call a taxi for me, will you?
00:02:42Please.
00:02:43Marie.
00:03:11Sure been raining a lot lately.
00:03:17It seems like it's been raining for a week.
00:03:22Well, he's been here two days.
00:03:32Would you mind driving around a little bit?
00:03:44Well, never mind.
00:03:45Just take me to the hotel.
00:03:48I have to call my wife.
00:04:17Hey, this is Rock Street.
00:04:23Hey!
00:04:38Excuse me.
00:04:39Could you tell me where the Ambassador Hotel is?
00:04:42I thought it was on this block.
00:04:43Oh, block over.
00:04:45See, the cab left me off, and I don't recognize it.
00:05:11Hey!
00:05:13Is anyone in there?
00:05:28I don't know.
00:05:29Come on, eh?
00:05:40Come on.
00:05:41Come on.
00:05:42Oh, yeah!
00:05:44I don't know.
00:05:45Come on, Mary.
00:05:46Come on.
00:05:46Come on, Mary.
00:05:47Come on, Mary.
00:05:47Come on.
00:05:48Come on.
00:06:02No need to stand out in it, friend.
00:06:05Why not warm up a little?
00:06:08Dry out.
00:06:45This way.
00:06:48This way.
00:07:38I was looking for my hotel, the ambassador.
00:07:43I thought I was in the right neighborhood.
00:07:46I asked the cab to let me out.
00:07:48Yes, I know.
00:07:52What?
00:07:54I know what you mean.
00:07:57The rain is a deceiver.
00:08:00A veil over reality.
00:08:06Things don't look the same in the rain.
00:08:09In fact, it's quite easy to get lost in these streets.
00:08:13I do it all the time.
00:08:17So you lost your hotel, huh?
00:08:20Yeah.
00:08:25Maybe the hotel lost me.
00:08:30Anyway, I can't find it.
00:08:35Professional transient, are you?
00:08:39I'm here for the plumber's convention.
00:08:43Universal plumbers, national sales reps from all over.
00:08:47We come here several times a year to catch up, you know.
00:08:50You were out seeing the sights, were you?
00:08:53I was visiting a friend.
00:08:56A friend, eh?
00:09:00We all need friends now, don't we?
00:09:03Want some coffee?
00:09:05Uh, no, no thanks.
00:09:13Maybe I will have a little if you don't mind.
00:09:16Coffee?
00:09:17Yeah.
00:09:20It's kind of cold out there in the rain.
00:09:24Grown men shouldn't be out walking around in the rain.
00:09:31Even to see friends.
00:09:41Do you live here?
00:09:43Live.
00:09:44Work.
00:09:46This is where I do my work.
00:09:48What kind of work?
00:09:50I don't think you'd be interested, really.
00:09:54Just my work.
00:09:56Oh.
00:09:59Embalming, actually.
00:10:04Embalming and such.
00:10:06I'm a mortician.
00:10:08I take care of the deceased.
00:10:12After they're dead, I get them.
00:10:15That's my work.
00:10:18I do get some of the more interesting cases.
00:10:21In fact, the most interesting.
00:10:24Unique.
00:10:27Grotesque, actually.
00:10:30At least some of them.
00:10:31Unique.
00:10:36Come with me.
00:10:37I'd like to show you something.
00:10:41I think I'd better get back to the hotel.
00:10:44Oh, yes.
00:10:44The one you lost.
00:10:46Meeting another friend, perhaps?
00:10:48No.
00:10:49I just...
00:10:49Oh, you must have a business meeting.
00:10:51A seminar on pipes and fitting.
00:10:53No.
00:10:54One thousand and one leaks, you should know.
00:10:59Better get back to the hotel.
00:11:00I have to call my wife.
00:11:02Well, I was kind enough to bring you in out of the rain,
00:11:04give you a hot cup of coffee.
00:11:07Why not stay just a few more minutes and let me show you around.
00:11:11I think you'll be interested.
00:11:18All right.
00:11:19Good.
00:11:24Good.
00:11:52My latest clients.
00:11:58This one, for instance.
00:12:00So very interesting.
00:12:02Please, let's not be an ungrateful guest.
00:12:04I really should be going.
00:12:06I've just begun to show you around.
00:12:08There's much, much more.
00:12:13Very...
00:12:16Interesting...
00:12:18Very bizarre case.
00:12:20Yes.
00:12:23Her name was...
00:12:26Miss Sibler.
00:12:30She was a teacher.
00:12:49Hi, Miss Sibler.
00:12:51Hi, Miss Sibler.
00:12:53Hi, Miss Sibler.
00:12:53Hi, Miss Sibler.
00:12:53Isn't she sweet?
00:12:54Little brat.
00:12:58Stop running!
00:13:14Get away from my car!
00:13:40Damn kids!
00:13:42Disgusting little litterbugs!
00:13:43Nice!
00:13:46Thank you, Miss Sibler.
00:13:47Let it go.
00:13:53Thanks.
00:14:10Oh, my goodness.
00:21:10Come on.
00:21:41Oh my God, children, just children, what kind of a stupid prank is this?
00:21:53What is the matter with you? Don't you know any better?
00:21:58Stupid prank.
00:22:04More of you?
00:22:09What do you want?
00:22:37No.
00:22:50I have to stay.
00:22:53I have to stay.
00:22:55I have to stay.
00:23:08Oh, my God!
00:23:40you don't expect me to believe that story it's ridiculous perhaps yet it's all very true
00:23:48but being bitten to death by by children I never said children what I've no idea I don't think anyone
00:24:08really knows what or why she was very much a mess quite a challenge to me something acceptable
00:24:29this is just too hard to believe possibly as I told you I do get the most interesting cases
00:24:43you sound like you select these people everyone should be selective in what they do don't you
00:24:49agree take mr. Groski here for instance he was selective what he did though I must say he was
00:25:00somewhat strange he had a rather abnormal predilection for cameras photography all
00:25:08that sort of thing did some very nasty things
00:25:23look at this a movie camera looks like Billy's tip paid off it's running this creep's got a camera
00:25:32here he comes is it true you killed six women mr. Groski this one is Julie I met her at
00:25:39the library
00:25:41she's good looking but you know she doesn't have too much upstairs
00:25:52no I'm home I was just busy come on in thank you oh oh it's so cute what your apartment
00:26:04I mean
00:26:06it's really neat and it's so cute try to keep it clean sit down oh not there
00:26:14uh why not here sit here okay um I brought you some wine I don't drink oh uh well see
00:26:26I don't
00:26:26really drink too much anyway either but I didn't know if you like any or not so I'll be sweet
00:26:31doesn't matter
00:26:34um
00:26:35oh
00:26:39thank you
00:26:47it was really nice of you to invite me for dinner I mean I don't usually accept blind dates
00:26:55how come you filmed them oh well um uh
00:27:05what are you interested in
00:27:12photography
00:27:15photography
00:27:16oh wow
00:27:20boy that's they're really great
00:27:23mm-hmm
00:27:25yeah um do you have an ashtray I could use
00:27:28I don't smoke I don't smoke oh um um uh photography well I mean of course there's one of your
00:27:42cameras
00:27:42right now um uh just like a a model airplane or something kind of mounted right on its own stand
00:27:50a model airplane it it it's it's more important and expensive than any model airplane it's
00:28:00photography is a serious endeavor
00:28:03uh hey I didn't mean anything bad really see I like to take snapshots too I this is a motion
00:28:10picture
00:28:10camera you do not take snapshots with it or any other camera photography is not just a game
00:28:18um Hayley I'm sorry see I just didn't know that I also study magic
00:28:26magic would you like to see a magic trick
00:28:31sure you would yes okay yeah I would need a silk or a nylon
00:28:40you wouldn't happen to have a nylon stocking would you well just the ones I'm wearing I mean I don't
00:28:46carry extras darn it I mean I I really need a silk stocking to do this trick
00:28:56could I borrow one of yours I wouldn't ruin it or anything
00:28:59you know I mean I to do this trick I really need a silk stocking
00:29:06um how about another trick no you would really like this trick
00:29:13well see um actually they're attached you know they're pantyhose
00:29:17so you'd end up having to use both stockings anyway that's all right I mean that'll that'll work
00:29:23fine even better um uh well uh I feel silly no no that's all right don't don't worry about a
00:29:37thing
00:29:37I'll turn my back and you can slip them off
00:29:42okay um
00:29:45now you promise you're not going to look or anything
00:29:48I won't look on my honor
00:29:52um all right well
00:29:54well you know I've um I've always been fascinated by by magic because I always like to try to to
00:30:02figure out how they do the trick you know what the secret is to it and I've been to to
00:30:08Vegas you
00:30:09know I go there and I've seen some of the magicians there and uh it's really it's really interesting to
00:30:16me but I you know I haven't been there um too recently uh you're not going to ruin it oh
00:30:24promise
00:30:27okay
00:30:32okay now
00:30:35this is a disappearing trick a marvel of prestitigitation
00:30:43I like that kind you do yeah okay you you just look straight ahead
00:30:50I'm going to figure out how you do it too okay straight ahead that's right towards the camera
00:30:58right okay now this takes complete concentration to get the full effect now you have to close your
00:31:08eyes you cannot see this part um all right um abra wait okay
00:31:33your life is gone it's disappeared
00:31:39I waited until now I decided to skip all the boring formalities
00:31:43I said her name is carol and she's some sort of a secretary or something you know
00:31:57I buy all the photography books for myself
00:32:03and oh look at that camera boy does that look complicated
00:32:08look at all the switches and gadgets and buttons
00:32:18hey that's funny
00:32:21what it sounds like it's buzzing or something kind of worrying
00:32:24do you hear it no it's your imagination no listen it's running isn't it no it's not
00:32:38yes it is it's running isn't it come on what are you doing are you filming us
00:32:44what kind of thing is that now wait a minute it's no you wait a minute I don't go for
00:32:48that kind of
00:32:48thing now what did you think you're going to get me drunk we're going to get on the couch
00:32:55no way I've known creeps like you you are nuts
00:33:15it's been three days but I finally found another one she's a real dandy now society type
00:33:25upper crust very rich and snooty
00:33:30kind of got acquainted with the uh Audubon society
00:33:36she's got the hots for me I can tell
00:33:41probably because I I bowled her over with my clever wits and uh subtle sexuality
00:33:49uh anyway she's she's coming to see me soon and and I have to prepare and there's only about
00:33:59there's only about a hundred feet of film left so I'm going to have to work fast on this one
00:34:05mr groski
00:34:08I am afraid that I'm going to have to ask you if I may borrow your telephone to call a
00:34:13taxi
00:34:13no I mean that won't be necessary mrs lundquist
00:34:22I'm afraid it's rubbish
00:34:25don't call you shouldn't call please don't call
00:34:32mr grasky you have no reason to speak to me in that manner whatsoever
00:34:37mr grasky you have no reason to speak to me in that manner
00:34:41please don't call
00:34:43please don't call
00:34:46no
00:34:46no
00:34:47no
00:34:48no
00:35:02a year later he was executed the state didn't allow any pictures to be taken
00:35:10oh he begged them
00:35:12how do you know all about him i mean how did you find out the details of what he did
00:35:16and how
00:35:17i have uh police records doctors files that sort of thing
00:35:23my disposal
00:35:25i'm a professional these are my customers my clients
00:35:31i have to know all about them to take care of them properly
00:35:35like this
00:35:37i have to know all about them
00:35:39one of my faith
00:35:41very intriguing situation
00:36:08i'm
00:36:33i have to know all of uh
00:36:38Let's go.
00:37:25Oh, Lord.
00:37:43Yes.
00:37:48Well.
00:37:49Well.
00:37:51From the top.
00:37:55First of all, Mr. Castellucci did not hang himself.
00:37:59He was murdered.
00:38:01I found a few small clipped hairs on his collar and the fresh scent of a tonic on his face
00:38:09and neck.
00:38:09A tonic which Mr. Castellucci doesn't happen to possess in his vast assortment of aftershaves and colognes.
00:38:18Now, this would lead me to believe that Mr. Castellucci had recently obtained a haircut, and in my experience, it
00:38:28is very rare for a man to get a trim immediately prior to doing away with himself.
00:38:35I also found some vaguely distinguishable rope burns on his wrists and a few strands of that very rope on
00:38:46his coat sleeves strongly suggesting that Mr. Castellucci had no control of the method of scheduling of his premature demise.
00:38:56Mr. Castellucci also found this airline ticket dated today in his coat pocket scheduled to leave for Rome, Italy by
00:39:04way of New York, departing a little less than seven minutes ago.
00:39:16I strongly believe that the deceased really wouldn't have passed up the opportunity of a trip like that.
00:39:25Now, for the killer, his name is Savio Molinski, a rather well-known, low-life type character, and the only
00:39:35man in this town vaguely degenerate enough to smoke a revolting brand of cigar known as El Amigo.
00:39:43The ashes of which may be found in that dresser top or this table over here.
00:39:51He can usually be found at this time of day at a filthy little dive known as Frenchy's Pool Parlor
00:39:58at Sixth and Franklin.
00:40:06Well, pick him up and book him.
00:40:08First degree murder.
00:40:17Nothing.
00:40:18You can take him down now.
00:40:21He's had his hour in the public eye.
00:40:33Congratulations. An excellent piece of work.
00:40:35Oh, thank you, thank you. I rather thought so myself.
00:40:41It is not too difficult, really.
00:40:43A rather routine case, obvious clues,
00:40:47but it does keep the senses keen and the mind alerted,
00:40:50something like a baseball player taking batting practice.
00:40:53Or a champion oarsman chopping about in a rowboat on a Sunday afternoon in the park.
00:40:58I don't believe I've had the pleasure.
00:40:59I don't believe you have. Inspector Wendell McDowell, Scotland Yard.
00:41:03Ah, England, right?
00:41:05Last time I checked, yes.
00:41:07Then you must be the famous Inspector McDowell,
00:41:12Britain's number one sleuth, isn't that what you call it?
00:41:15There have been people that have phrased it that way, yes.
00:41:18Well, in that case, you probably know that I am...
00:41:23Chief Detective Malcolm Tolliver,
00:41:25America's greatest detective and master of criminal investigation.
00:41:29You honor me, sir?
00:41:30No, I respect you. I don't think I could ever honor you.
00:41:34All right.
00:41:35We're supposed to be rivals, aren't we?
00:41:37Oh, incorrigibly so.
00:41:40Well, how in the world did you ever find me in this squalid setting?
00:41:47I just asked at the station house in your dispatcher, a nice chap, Barney...
00:41:53Bernie.
00:41:54Bernie, that's right. He told me where I could find you.
00:41:56You mean you didn't deduce my whereabouts through calculated assemblage of relevant clues?
00:42:02No, this time I just stooped to plain old common sense and asked.
00:42:05I do that quite often, actually.
00:42:07It's less dramatic, I suppose, but much more direct.
00:42:10Oh.
00:42:12Well, are you visiting here in America,
00:42:15or are you on the track of some ruthless international lawbreaker?
00:42:20Oh, a bit of both, as a matter of fact,
00:42:22so I thought I may as well drop off and observe the master of detection at work.
00:42:27Sort of fun. Absorb a few tricks.
00:42:29Oh, Inspector, you are stretching your efforts in the art of flattery.
00:42:35Oh, hardly. Hardly.
00:42:37I honestly believe it couldn't hurt me to pick up a few pointers.
00:42:40After all, we are competing for the title of world's leading criminologist.
00:42:45Yes, I believe someone did phrase it that way, didn't they?
00:42:49A journalist.
00:42:50Yes, I think it was Time magazine.
00:42:52Rolling Stone.
00:42:53No, I'm certain it was Time.
00:42:55Rolling Stone.
00:42:55It was January 7th, page 3, column 2, and the headline was in full capitals.
00:43:02Yes, yes.
00:43:04Well, Mr. McDowell,
00:43:06shall we adjourn these premises to a more pleasant environment?
00:43:10Yeah, I do have to dash off for an appointment right now, but perhaps later...
00:43:13We could have dinner together.
00:43:15You're two steps ahead of me.
00:43:16Brilliant deduction.
00:43:17After you.
00:43:18After you.
00:43:18Oh, I insist.
00:43:20Well, I insist.
00:43:42Do that.
00:43:58Ah, that's a really excellent vintage, don't you agree?
00:44:03Most assuredly, uh, fragrant.
00:44:06Softly smooth, yet, uh, distinctly, uh, melodious.
00:44:14A very refreshing analysis.
00:44:18Beaujolais, Les Bienvenus, um, 1968 or 69.
00:44:30No, definitely 69.
00:44:34Correct.
00:44:36You're very good at that.
00:44:38That's my job, being good at what I do.
00:44:40Being the best.
00:44:42Well, we all try to be the best, Inspector.
00:44:46Ah, spirit of competition is what keeps us going, I suppose.
00:44:51Absolutely.
00:44:52Sort of, uh, if at first you don't succeed.
00:44:54Well, speaking of, uh, success, or lack of it,
00:45:03I've always wanted to ask you, uh, about that infamous mail train robbery.
00:45:11How in the world did you ever crack that miserable fiasco
00:45:17after letting it drag on for all those weeks with no results?
00:45:21Yes, actually, you see, I, uh, I had it cracked, as you say, months before.
00:45:25I was simply waiting for my pigeons to move into position
00:45:30and implicate themselves with irrefutable evidence.
00:45:33You know what I'm saying?
00:45:34Well, I, I couldn't run around naming names
00:45:37and allow them to, uh, dig in with clever attorneys
00:45:41and, uh, neatly constructed alibis.
00:45:44Uh, something like that appalling situation
00:45:47you yourself experienced
00:45:49on that unfortunate jewel robbery investigation last year.
00:45:53Oh, wait, wait, uh, that's not exactly right, Inspector.
00:45:59I had good reason to handle that case in an unorthodox manner.
00:46:04Really?
00:46:05And, uh, is this unorthodox manner an American trait?
00:46:09Well, I suppose so.
00:46:11The Americans are, uh, unorthodox,
00:46:14Japanese, inscrutable,
00:46:16uh, Italians, lusty, French, passionate,
00:46:20British, stuffy.
00:46:24Stuffy but precise.
00:46:26A message for you, sir.
00:46:28Oh, thank you, Leon.
00:46:52Yes, Mr. Tucker.
00:46:57Who gave this to you?
00:46:58Why, no one, sir.
00:46:59I found it next to the reservation book.
00:47:01Your name was on it, so I assume that, uh,
00:47:04of course, of course,
00:47:05you didn't happen to see someone placing it there, did you?
00:47:09No, sir.
00:47:10I left to check the kitchen,
00:47:11and when I came back, I found it there.
00:47:13Very good, Leon.
00:47:15My pleasure, sir.
00:47:17Uh, something mysterious?
00:47:19Yeah.
00:47:20It's a note.
00:47:23Unsigned.
00:47:25A cryptic note.
00:47:26Ah.
00:47:27They're the best kind.
00:47:28Mr. Tolliver, in three days,
00:47:31someone you know will
00:47:34die a horrible death.
00:47:36You are the only one who
00:47:38can prevent this tragic occurrence.
00:47:42Don't you think you should?
00:47:43Now, it's written
00:47:46by pasting up, uh, letters
00:47:48from newspaper headlines.
00:47:50That's a very amateurish trait.
00:47:53Hmm.
00:47:53It does, uh, seem to get the message across, however.
00:47:59Elmer's glue, very middle-class.
00:48:06Bremerton paper mills, New York.
00:48:0920-pound flat bond, uh, 80% straight pulp, 15% dye, 5% nylon fiber.
00:48:18They're common.
00:48:22A little too common, really.
00:48:26Now, this is going to take a bit of looking into.
00:48:31I, uh, I do have to return to London in a few days, but I'd like to, uh, tag along
00:48:37on this case, sort of observe your methods.
00:48:40Would you, uh, would you mind terribly?
00:48:42Still attempting flattery, Inspector?
00:48:45Not at all.
00:48:46I'm just, uh, immensely interested.
00:48:49Uh, you wouldn't feel threatened by my presence, would you?
00:48:53Now you flatter yourself, Inspector.
00:48:57You know, maybe there is only room for one foremost criminologist in the world.
00:49:04But being that one is not just a matter of methods.
00:49:09It's the man.
00:49:10The man and his methods.
00:49:14Now, certainly I wouldn't feel threatened.
00:49:17Tag along if you like.
00:49:19I'd love to have you.
00:49:20Maybe you will learn something.
00:49:23Perhaps I will.
00:49:56All right, uh, Inspector.
00:50:01Apparently, the letters were cut from the following four newspapers.
00:50:07San Francisco Chronicle, the London Times, the St. Louis Post-Dispatch.
00:50:12And strangely enough, strangely enough, just these two letters, N, T, are cut from the New York Times.
00:50:29Rather a slap in the face for the Times, isn't it?
00:50:40Would you like to take a look at this, Inspector?
00:50:42The electrolysis test for hair construction identification?
00:50:45Not really.
00:50:46I prefer the magnetic analysis myself.
00:50:49It's considerably more accurate.
00:51:10Find anything?
00:51:12Nothing significant.
00:51:14No fingerprints on the envelope or the letter?
00:51:18No prints.
00:51:20Just mine and Leon's.
00:51:22Obviously, we are dealing with a professional.
00:51:26And, uh, no convenient cigar ash or burnt rope's end to lead you to the identity of the fellow?
00:51:34Well, now, let's see.
00:51:36What have you got?
00:51:36You have the intended murder, and you know when.
00:51:39That's tomorrow.
00:51:40So, uh, all you have to know now is, uh, where and, uh, how.
00:51:44And, uh, possibly why, uh, just to jolly things along a little.
00:51:50Now, look, Inspector, you asked if you could observe, not participate.
00:51:56Now, if you want to speculate or theorize, why don't you get yourself into another room
00:52:02and shout all your wins and your what's and your how's to your heart's content?
00:52:08Now, if you don't mind, I am trying to work,
00:52:12and I don't need all your amateur Dick Tracy suppositions
00:52:17and a hypothetical poppycock rattling around this laboratory!
00:52:25Well, uh, I tell you what, I, uh, I'll just sit over there and watch.
00:52:30Fine, Inspector, fine.
00:52:32You just do that.
00:52:38Oh.
00:53:08Oh, yes, I, uh, I got your message,
00:53:11I said just as I was leaving my hotel.
00:53:13Well, come in, come in.
00:53:15I'm glad I caught you.
00:53:16Yes, I, uh, I suppose I am, too.
00:53:22Um, my word.
00:53:26Your police department looks after you rather handsomely, doesn't it?
00:53:30Not at all like our poor impoverished bobbies.
00:53:34Don't be deceived, Inspector.
00:53:36My salary on the force couldn't even begin to pay for this house.
00:53:39Yes, my good fortune results from the fact that I have the time
00:53:44and the resources to take on private cases.
00:53:46A private eye?
00:53:48Well, you can call me that if you wish.
00:53:50I prefer a private investigator.
00:53:53And your, uh, superiors have no objection?
00:53:56I have no superiors.
00:53:59I have no superiors.
00:53:59Oh, yes.
00:54:01Why don't you have yourself a seat?
00:54:04I'm gracious.
00:54:10I called you here because I have managed to solve the mysterious case of our threatening murderer.
00:54:17I thought you might be interested.
00:54:18Ah, yes, of course.
00:54:19This is the day, isn't it?
00:54:22And I was beginning to think you were really stumped for once.
00:54:25Hardly.
00:54:27Although rather unique in its initial appearance,
00:54:30the case has actually turned out to be rather routine.
00:54:36Really?
00:54:39As you so, uh, aptly put it, uh, yesterday,
00:54:44the what is apparently murder,
00:54:47a horrible death, as it says in the note.
00:54:49The when is obviously today, three days after the note's delivery,
00:54:54and the victim of this unsavory piece of mayhem.
00:54:59As the note says,
00:55:02someone that I am supposed to know
00:55:05is,
00:55:07in fact,
00:55:10myself.
00:55:12Yes, me.
00:55:15Now for the perpetrator,
00:55:17the plotter,
00:55:18the instigator of this
00:55:20vicious scheme to commit cold-blooded, premeditated murder.
00:55:25After examining certain obvious elements,
00:55:28elements that reek of ego and pride and lust for power,
00:55:33I can only come to one conclusion.
00:55:36The case is solved.
00:55:39I am the victim.
00:55:41And you, my dear inspector,
00:55:45are the murderer.
00:55:47Bravo.
00:55:48Well done.
00:55:50An excellent piece of investigation.
00:55:53And the weapon, of course,
00:55:54a gun.
00:55:55the least likely weapon to be used
00:55:57by Britain's leading crime fighter.
00:56:00That's why no one could possibly suspect me
00:56:02of killing you.
00:56:16I forgot to tell you.
00:56:19I solved the case
00:56:21two days ago.
00:56:23I wouldn't do that.
00:56:31One, two.
00:56:59Oh, my God.
00:57:26Oh, my God.
00:57:59Oh, my God.
00:58:33Oh, my God.
00:59:07Oh, my God.
00:59:40Oh, my God.
00:59:40Oh, my God.
00:59:40What do you want?
00:59:42If there's anything you don't find, please let me know.
00:59:49Testy little thing.
00:59:51Thanks, Susan.
00:59:52Hey, Dennis.
00:59:54How about grabbing some lines?
00:59:56No, thanks, Dan.
00:59:58Come on.
00:59:59We're going down to that new hamburger joint.
01:00:01Twenty-three different kinds of hamburgers.
01:00:02No, really, I've got to run a few errands.
01:00:06I have to take care of a few things.
01:00:10Well, you're lost, Dan.
01:00:12Twenty-three different kinds of hamburgers.
01:00:18Why do they keep pestering me?
01:00:25Stupid jerk.
01:00:27Twenty-three different kinds of morons.
01:00:31Got to get out of here.
01:00:41Ten, twenty, twenty-five, fifty, seventy-five, one buck.
01:00:51Do you have any gum?
01:00:53Huh?
01:00:55Gum.
01:00:56Chewing gum.
01:00:57No.
01:01:00You really don't have any chewing gum.
01:01:02What do you think this is, a delicatessen?
01:01:08Slop.
01:01:29Sorry.
01:01:31Hey, look, look, I don't have any change.
01:01:33Why don't you get a job?
01:01:36Creep.
01:02:04Hey!
01:02:06You got me locked in!
01:02:12Is somebody back there?
01:02:24Hello?
01:02:36This Abbey it!
01:02:54Hey, David Asolo, who knows my child.
01:02:56might never use my child.
01:02:57Hey, what are you looking for?
01:03:01You look at me.
01:03:29Is somebody down there?
01:03:45Is somebody down there?
01:04:15Harry!
01:04:17Harry!
01:04:21Harry!
01:04:26Harry!
01:04:41Harry!
01:04:42Let me out of here!
01:04:51Hey!
01:04:53Hey!
01:04:54Stop! No!
01:04:56No, stop it!
01:04:57Hey! No!
01:04:58Stop! Stop it!
01:05:01No!
01:05:03No!
01:05:46No!
01:05:48No!
01:05:49No!
01:05:49No!
01:05:50No!
01:05:55No!
01:05:57No!
01:06:02No!
01:06:06No!
01:06:09No!
01:06:20No!
01:06:26No!
01:06:29No!
01:06:30No!
01:06:37No!
01:06:38No!
01:06:54No!
01:06:56No!
01:06:58No!
01:07:02No!
01:07:04No!
01:07:06No!
01:07:07No!
01:07:08No!
01:07:21No!
01:07:26No!
01:07:31Oh, my God.
01:08:14No!
01:08:26I do.
01:08:29I'm sorry.
01:12:19I told you I couldn't help you.
01:12:22Why don't you get a job?
01:12:28No!
01:12:32No!
01:12:37But you have his body.
01:13:07Eventually, he died.
01:13:09They had their own frailties, their own frailties, their own petty foibles.
01:13:12His sibling was selfish and cold and held a thoroughly uningratiating disdain for all people, especially children.
01:13:23And Mr. Groski, our errant camera bugger, who was a bit sadistic and contemptuous of other people's privacy.
01:13:34And our two sleuths, so vain and egotistical.
01:13:47Mr. Cantwell, Mr. Cantwell, Mr. Cantwell, he had no feelings at all.
01:14:09He was his father's happy with him.
01:14:10In another age, in another age, in another world.
01:14:13And his failing...
01:14:15He simply didn't care.
01:14:20He simply didn't care.
01:14:32Oh, infidelity, I suppose.
01:14:38I'd like to see.
01:14:54This is all very interesting.
01:14:57Everything.
01:14:59But I must go now.
01:15:02But yet there's so much more to see.
01:15:05I have to get to the hotel.
01:15:07I have to call my wife.
01:15:09Don't rush off, Mr. Talmadge.
01:15:12Why do you know my name?
01:15:14Every good businessman should know the names of his clients.
01:15:18Please.
01:15:29Oh!
01:15:29No!
01:15:31Hahaha!
01:15:35Hahaha!
01:15:37Hahaha!
01:15:38Hahaha!
01:15:38Ha, ha, ha!
01:16:10Let's go.
01:16:40Let's go.
01:17:16How long did you two think you could get away with your little game?
01:17:20I'm not stupid, you know.
01:17:28I can read Marie like a book.
01:17:32All it took was a little waiting, a little watching.
01:17:37And I knew I'd catch you both sooner or later.
01:17:40You stupid bastard.
01:17:43Don't you know any better?
01:17:44I knew I'd catch you both later.
01:18:14That simply fades away, the crest of a wave as it washes out to sea.
01:18:22Where does it lead to and who knows why?
01:18:27The saddest melody is the sound of goodbye.
01:18:37The end of a storm that leaves behind its tears, the hope in a face as it changes through the
01:18:48years.
01:18:48Where does it lead to and who knows why?
01:18:54The saddest melody is the sound of goodbye.
01:19:04Bond is the magic show.
01:19:10Bond is the april rose.
01:19:15Sleeping passions turn to ashes, nothing's real anymore.
01:19:25The soft satin wind that leaves behind its tears, the last autumn bud as it withers on a hill.
01:19:36The distant drummer who tries to be like the saddest melody is the sound of goodbye.
01:19:51The saddest melody is the sound of goodbye.
01:20:31The saddest melody is the sound of goodbye.
01:20:32The saddest melody is the sound of goodbye.
01:20:34You