00:00Grating, well, back then we didn't know, but grating is like when you take the cassava and grate it, the
00:09"raspa," I don't know how to say it here, like that, or a really close little dance, but that's how it is, and the madness without
00:18Knowing was what hit the spot.
00:20One day while on tour with that group, we were in Russia, in Moscow, and we were in a disco.
00:31They were dancing and they put on a Sandy Papa song and all the Russians were dancing to Sandy Papa and I said, wow, and
00:41rapier?
00:42And that's how the idea came about, you know what? Something has to be done, we're Latinos, we have to do something
00:48something for, and when he got there he invented something with the accordion, the accordion man who is a
00:55He was a master in his art, and what emerged was "guayando," and many record labels rejected him at that time.
01:05So, because, uh, uh, uh, they were told that the accordion with rapping and all that was very folkloric,
01:12no, no, no, no, no, no, we don't want, we don't want, we don't want that, excuse me, no, this, ah, well, then one
01:20It was the independent record label that said, "You know what? I like the novel, but let's go, let's see what happens."
01:30With this one, we're going to let it go, and that's it, I won't tell you anything else from there, you already know the challenge.
01:42Thank you!
