- 12 minutes ago
From ice-cold hitmen to civilization-threatening oil tycoons, Tom Cruise has played them all. Join us as we rank his most iconic film characters from unnervingly composed to completely off the rails! We're judging temperament, recklessness, and decision-making across classics like "Collateral," "Top Gun," "Magnolia," "Interview with the Vampire," and more. Which Cruise character would YOU trust in a crisis?
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00:00Do you really think that she's gonna be there when things go bad, huh guys?
00:04When things go wrong, do you think they're gonna be there for us?
00:07Oh, you think again.
00:09Welcome to WatchMojo, and today we're ranking Tom Cruise characters from unnervingly composed
00:14to completely off the rails.
00:16We don't negotiate with terrorists.
00:19We're judging temperament, recklessness, and decision-making, not morality.
00:24Otherwise, the professional hitman wouldn't be hanging around the calm end.
00:28Yo, homie.
00:33Is that my briefcase?
00:34Number 19. Jack Reacher.
00:36Jack Reacher and Jack Reacher never go back.
00:39There are four types of people who join the military.
00:41For some, it's a family trade.
00:44Others are patriots, eager to serve.
00:46Next, you have those who just need a job.
00:49Then there's the kind who want illegal means of killing other people.
00:52Calmest does not mean gentlest.
00:55Jack Reacher dismantles a five-man ambush, investigates a mass shooting, infiltrates a quarry,
01:01and eliminates nearly everyone responsible without noticeably changing his tone of voice.
01:06Even when the police suspect him of murder, he treats the situation like an administrative inconvenience.
01:11Detective Emerson, is somebody dead?
01:13And if someone is?
01:16They died of shame.
01:18That was being gentle.
01:20Reacher rarely loses control because control is basically his entire personality.
01:24He observes, calculates, and delivers threats with the energy of someone confirming a dental appointment.
01:30After exposing the conspiracy, he quietly boards a bus and immediately prepares to confront a man abusing a woman.
01:38Apparently, relaxation for Jack Reacher means finding a smaller crime to solve.
01:42Were you really going to shoot him?
01:45I knew I wouldn't have to.
01:48One look at this guy and you know he'll do anything to survive.
01:53One look at me and you know I'm not bluffing.
01:55Number 18. Vincent. Collateral.
01:57I read about this guy who gets on the MTA here.
01:59He dies.
02:02Six hours he's riding the subway before anybody notices.
02:05Like we said a little earlier, if this were a morality ranking,
02:08Vincent would be nowhere near the calm end.
02:12Temperamentally, however, he is ice with a silver haircut.
02:15The contract killer hires cab driver Max for what he calls several meetings,
02:19then carries out a five-person hit list with the discipline of a tightly scheduled business trip.
02:24We're into plan B.
02:26Still breathing?
02:28Now we got to make the best of it.
02:29Improvise, adapt to the environment.
02:31No matter how absurd the situation becomes,
02:34Vincent remains disturbingly conversational.
02:36He can discuss jazz immediately before killing someone
02:39and deliver nihilistic philosophy between destinations.
02:42His composure finally cracks when Max actively resists him.
02:46But even their climactic train shootout feels less like a frenzy
02:49than an aggressively disputed fare.
02:51Why didn't you just kill me and get a little cab driver?
02:55Because you're good.
02:56We're just together.
02:57Number 17.
02:58Ethan Hunt.
02:59The Mission Impossible franchise.
03:01That does.
03:02Pressure sensitive.
03:03Not enough time.
03:03Elevator shaft.
03:04Infrared sensors.
03:05Not enough time.
03:09How am I supposed to do this?
03:11Across eight missions,
03:12the word impossible becomes less of a warning than Ethan Hunt's regular workload.
03:17He breaks into CIA headquarters,
03:19scales the Burj Khalifa,
03:21clings to a departing plane,
03:22performs a halo jump through a thunderstorm,
03:25rides a motorcycle off a cliff,
03:27dives into a sunken submarine,
03:29and climbs between two biplanes.
03:31Ethan, for God's sake, abort!
03:33We'll figure this out.
03:34Not a problem yet.
03:35Yet his pulse apparently requires written permission to rise,
03:39and world-ending threats rarely disrupt his focus.
03:42His recklessness is almost unmatched,
03:44but usually calculated and driven by his refusal to sacrifice someone else for the mission.
03:49You have something I want.
03:51Right now, that makes me the only person you can trust to get you out of here alive.
03:55To the extent Ethan panics at all,
03:57he mostly expresses it through sprinting.
04:00Unlike Ethan Hunt,
04:02you won't have to jump a motorcycle off a cliff to keep the action going.
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04:09for non-stop movies, TV, music, and more.
04:12Are you okay?
04:13I'm trying to get away from this, now, guys!
04:17Number 16.
04:18Lieutenant Daniel Caffey.
04:19A Few Good Men.
04:20Lieutenant, how long have you been in the Navy?
04:24Going on nine months now.
04:26And how long have you been in a law school?
04:29A little over a year.
04:30At first, the courtroom is exactly where this plea-bargain-loving Navy lawyer does not want to be.
04:36Defending two Marines accused of killing a fellow serviceman forces Caffey into his first trial,
04:40where his easygoing attitude gradually gives way to obsession.
04:44He remains verbally controlled, but his final strategy is astonishingly risky.
04:49Accuse a decorated colonel of ordering an illegal disciplinary action without possessing decisive evidence.
04:56If Jack Nicholson's Colonel Jessup refuses to crack, Caffey's career is essentially over.
05:01Fortunately, he knows exactly what buttons to push.
05:04He provokes Jessup into admitting the order,
05:07proving that sometimes the boldest legal strategy is simply making the angriest man in the room,
05:12well, even angrier.
05:14Colonel Jessup, did you order the Code Red?
05:16You don't have to answer that question.
05:18I'll answer the question.
05:20You want answers?
05:21I think I'm entitled to you.
05:22You want answers!
05:24I want the truth!
05:25You can't handle the truth!
05:27Number 15.
05:28Major William Bill Cage.
05:30Edge of Tomorrow.
05:46Few heroes have a less heroic starting point.
05:50A military public relations officer, Bill Cage tries to blackmail a general in order to get out of participating in
05:56combat.
05:57He is promptly demoted, thrown onto a battlefield, killed within minutes, and forced to relive the same day, over and
06:05over again.
06:06Sergeant Farrell!
06:07Sergeant Farrell!
06:09Can I help you, son?
06:10My name is Major Bill Cage.
06:11I'm of U.S. Army Media Relations.
06:13I was at a bachelor party or a poker game.
06:15You have an order in your left pocket that says I'm a deserter caught impersonating an officer.
06:18But what it doesn't say is that your name is Master Sergeant Farrell from Science Hill, Kentucky.
06:23Understandably, his initial reaction is not serene acceptance.
06:28Cage spends countless loops dying, gradually transforming himself into an effective soldier.
06:34Eventually, he leads a mission into occupied Paris and destroys the alien Omega despite losing his ability to reset the
06:40day.
06:41He earns hero status by the time the credits roll, but the road there is an exceptionally frantic pile of
06:46explosive misfortune.
06:48Have you seen anything strange?
06:51She s***ed me.
06:54Let me just say, as I ease out of the office, I helped build.
07:02I'm sorry, but it's a fact that there is such a thing as manners.
07:09When life becomes complicated, Jerry's preferred solution is to deliver a speech in a room full of witnesses.
07:14After an ethical awakening, the charismatic sports agent writes a lengthy mission statement arguing for fewer clients and more personal
07:21attention.
07:22His company responds by firing him, prompting Jerry to announce his new agency to the entire office and leave with
07:29one employee and one client.
07:31From there, he navigates a failing business, an uncertain marriage, and Rod Tidwell's increasingly urgent demands to be shown the
07:38money.
07:39Show me the money!
07:40I need to feel you, Jerry!
07:41Show me the money!
07:42Jerry, you better yell!
07:44Show me the money!
07:46Show me the money!
07:50By the end, he has secured Rod a major contract and finally articulated what Dorothy means to him.
07:56I love you.
07:58You?
08:01Complete me.
08:03Intense?
08:03Certainly.
08:04But dangerous?
08:05Only to office morale.
08:18A couple of unsupervised days escalate with almost scientific efficiency.
08:24What starts with Joel Goodson dancing around the house in his underwear progresses to sending his father's Porsche careening into
08:30Lake Michigan.
08:33With repair bills mounting, Joel turns the family home into a one-night business venture while simultaneously being interviewed for
08:40Princeton.
08:41Now, your grade point average is 3.14, your class rank 52, which places you in the 84th percentile, is
08:48that correct?
08:49Joel, listen, this is my cousin Ruben. He's from Skokie.
08:53Jimmy, Jimmy, not now, okay?
08:55He's gotta be back by 12 o'clock.
08:57Alright, later, guys.
08:58It's a remarkable leap from parents are away to the living room now has a revenue model.
09:03He spends most of the film terrified that each new disaster will expose the previous one, yet keeps improvising increasingly
09:09audacious solutions.
09:11Somehow, this combination of chaotic events gets him into college.
09:15Princeton can use a guy like Joel.
09:19What?
09:21Princeton can use a guy like Joel.
09:24His exact words.
09:28That's unbelievable.
09:30Number 12, Vincent Lauria, The Color of Money.
09:33Julian, I just want your best game.
09:34I think maybe the money is what's throwing you off here today.
09:45Okay, how about I win no money, you win, I'll throw you 20.
09:48Pool hustling depends on hiding your talent.
09:51Unfortunately, hiding anything is not Vincent Lauria style.
09:55Paul Newman's Fast Eddie attempts to teach him the subtleties of appearing worse than he actually is.
09:59But Vincent would rather dominate the table, celebrate loudly, and scare away every profitable opponent in the building.
10:07What the hell is it? Do I not speak your native language? What is the matter?
10:11You give me the stick, okay? And then you tell me to lay low.
10:13I mean, the goddamn thing, I lay it down, it just jumps up at me, man.
10:16You don't deserve this stick.
10:18His ego repeatedly disrupts Eddie's plans, and he nearly ruins a carefully arranged loss because deliberately playing badly offends him
10:26on a spiritual level.
10:27At the Atlantic City tournament, Vincent finally uses hustling tactics of his own by throwing a match against Eddie after
10:33betting on him.
10:34He isn't detached from reality. He simply believes reality should be watching him play pool.
10:39Just don't put the money in the bank, kid.
10:41Because if I don't whip you now, I'm going to whip you next month in Dallas.
10:45You mean Houston? There's nothing coming up in Dallas.
10:48Houston, Dallas, and if not then, then the month after that in New Orleans.
10:52Rhea? Who makes you so sure?
10:54Number 11. Chief John Anderton
10:56Minority Report
11:10Running a police division that arrests people before they commit murder requires absolute confidence in the system.
11:17That becomes awkward when the precogs identify Chief John Anderton as a future killer.
11:22He flees his own officers, undergoes an illicit eye transplant, removes Agatha from the precog system, and carries her around
11:29Washington while trying to disprove a crime that hasn't happened yet.
11:32Hey, Fletch.
11:33Hey, John.
11:34Hey, John.
11:34That was a rough landing.
11:35Yeah.
11:37You have to work on that.
11:38That's an old s*** thing in mind.
11:39Hey.
11:40Don't do it.
11:42Hey, don't do this.
11:45John?
11:46Don't run.
11:48You don't have to chase me.
11:49Anderton then uncovers a deep-rooted conspiracy.
11:53He has understandable reasons for every decision, but a week involving replacement eyeballs, a kidnapped psychic, robotic spiders, and your
12:00own department hunting you warrants a firm spot in the middle.
12:03You used the memory of my dead son to set me up.
12:07You used the memory of my dead son to set me up.
12:10That was the one thing you knew that would drive me to murder.
12:13Number 10.
12:14Charlie Babbitt.
12:15Rain Man.
12:16I was hoping that we could talk, that you would explain my father's side of it, help me understand the
12:20right and what he's done, because failing that, I have responsibilities of my own.
12:24And they have to be met, even if that means a fight.
12:27An inheritance dispute brings out the worst in this abrasive car dealer.
12:30After learning that his estranged father left most of the estate to Dustin Hoffman's Raymond, an autistic brother he never
12:36knew existed, Charlie Babbitt attempts to use custody as leverage.
12:40Now, I am entitled to part of my father's estate.
12:42If you don't want to cut a deal with me, I'll fly him back to Los Angeles.
12:45Stick him in an institution out there, and we can have a custody battle over him.
12:50During their road trip, Charlie struggles with Raymond's routines, but is eventually able to use his brother's extraordinary counting ability
12:57to win enough money at Blackjack to cover his debts.
13:00Yet, Charlie genuinely changes.
13:02He rejects a payoff to disappear from Raymond's life, and accepts that their relationship matters more than the inheritance.
13:08Not calm, but capable of becoming calmer.
13:12Now, I'm coming to see you in two weeks.
13:15How many days is that before we're going to be together?
13:1714 days from today, today's Wednesday.
13:19Hours?
13:21336 hours.
13:23Mystifying.
13:24Number 9.
13:25Dr. William Harford.
13:26Eyes Wide Shut.
13:27You were such a gentleman.
13:29You gave me your handkerchief, which was also clean.
13:34Well, that is the kind of hero I can be sometimes.
13:39One honest confession from his wife, Alice, is enough to send an apparently composed doctor into a full overnight spiral.
13:46Bill Harford wanders through Manhattan, obtains a costume, and infiltrates a masked ritual at a country mansion using a password
13:53he learned from a pianist.
13:55After being exposed and warned to stop investigating, Bill naturally continues investigating.
14:00When did he check out?
14:03Um, about 5 o'clock this morning.
14:065 o'clock?
14:07Yes.
14:09It's a pretty early check out, isn't it?
14:11It is a little on the early side, yeah.
14:13He retraces his steps, searches for the missing pianist, and becomes convinced he's being followed.
14:18His increasingly complicated nighttime excursion ends when he finds his missing mask beside his sleeping wife and finally confesses everything.
14:25He may be the least calm person ever to spend an entire film using his inside voice.
14:32You called it a fake?
14:33A charade?
14:36Do you mind telling me what kind of f***ing charade ends with somebody turning up dead?
14:43Number 8.
14:44Ron Kovic.
14:45Born on the 4th of July.
14:47Would you people help me, huh?
14:49What's the matter with you?
14:50I don't feel right.
14:52I don't feel right either.
14:53I need to see the doctor.
14:54I need to see him now!
14:55Real-life activist Ron Kovic's volatility comes from trauma, guilt, and profound disillusionment, not comic eccentricity.
15:02Inspired by patriotic ideals, he joins the Marines and goes to Vietnam, where he participates in a disastrous attack and
15:09accidentally kills a fellow serviceman.
15:11After being critically wounded and left with paralysis, he returns to inadequate treatment and a country increasingly divided over the
15:19devastating war.
15:20Ron drinks heavily, clashes with his family, and drifts through a painful period in Mexico.
15:25It's just what you believe in, but I don't.
15:27I can't stay in this house if you want to.
15:28I don't believe in him anymore.
15:29Go to bed, honey.
15:30It's okay.
15:30Because you're going to spend three days up there, and me, I've got to spend the rest of my life.
15:33I wish I were dead like him.
15:35You don't know what you're saying.
15:36That's a problem, Mom.
15:37I'm not dead.
15:38I've got to live.
15:38Eventually, he confronts his past and channels his anger into anti-war activism.
15:43The intensity of Cruise's Oscar-nominated performance is extreme, but the film never hides what created it.
15:50Yeah.
15:51We had a talent once, Charlie.
15:54And a mother, a father.
15:56Things.
15:57Things that made sense.
15:59Do you remember things that made sense?
16:01Things you could count on.
16:04Before we all got so lost.
16:06Number 7, Lieutenant Pete Maverick Mitchell, Top Gun and Top Gun Maverick.
16:11You need any help?
16:14With what?
16:15You figured it out yet?
16:18What's that?
16:20Who's the best pilot?
16:22No, I think I can figure that one out on my own.
16:25His call sign is Maverick, so the Navy cannot claim it received no warning.
16:28Pete Mitchell repeatedly demonstrates extraordinary flying ability and an equally extraordinary relationship with regulations.
16:35He violates the school's altitude restriction, buzzes the control tower, abandons his wingman during an exercise, and pressures Iceman while
16:43chasing a victory.
16:44That competition causes a flat spin that leads to Goose's death.
16:48Although the investigation clears Maverick, guilt nearly drives him out of aviation.
16:53He ultimately returns for a real combat mission, shoots down three enemy aircraft, and saves Iceman.
16:58Decades later, Top Gun Maverick finds him pushing an experimental aircraft beyond Mach 10,
17:04and personally leading a near-impossible strike, proving that age has only made his insubordination more efficient.
17:11You should be at least a two-star admiral by now, if not a senator.
17:16Yet here you are.
17:19Captain.
17:21Why is that?
17:23It's one of life's mysteries, sir.
17:25Number 6, Cole Trickle, Days of Thunder.
17:28Tim tells me you've been running open wheels.
17:32That's right.
17:33And now you just want to up and drive NASCAR.
17:37That's right.
17:38What do you know about stock car racing?
17:40Well, watch it on television, of course.
17:44You've seen it on television?
17:46ESPN.
17:47The coverage is excellent.
17:48You'd be surprised at how much you can pick up.
17:50NASCAR may reward aggression, but even stock car racing has limits.
17:54Cole Trickle's driving leads to wrecks, engine failures,
17:57and a dangerous rivalry with Rowdy Burns.
18:00After the two are injured in the same crash, they're ordered to settle their differences.
18:04They do this by racing rental cars to the beach and thoroughly damaging them.
18:08What's your name or has that slipped your mind too?
18:15Screw you, man.
18:17Okay.
18:18We can go down there and fix your head.
18:20We can fix it right here!
18:22Now where's it gonna be?!
18:23Conflict resolution has rarely been so expensive.
18:26Cole later retaliates against Russ Wheeler by crashing into him after a race,
18:30getting himself and crew chief Harry Hogg fired in the process.
18:33He eventually matures enough to win the Daytona 500,
18:36but only after treating most available vehicles as disposable emotional outlets.
18:42You didn't know how this thing was gonna turn out, did you?
18:45No.
18:46It's like you said, it's uh...
18:50There's nothing you can't do in a race car.
18:54We won.
18:55I know.
18:56We won.
18:57Yep.
18:58Yep.
18:59Now can you walk?
19:01Or am I gonna have to carry you?
19:02Number 5.
19:03Barry Seal.
19:04American made.
19:05That was bold.
19:08That was bold.
19:10I do tend to leap before I look.
19:15Maybe, uh...
19:18Maybe I should have asked a few more questions.
19:21A covert reconnaissance job should have been complicated enough.
19:24Instead, Barry Seal converts it into a vertically integrated contraband business.
19:29The TWA pilot is already smuggling Cuban cigars
19:32when the CIA recruits him to fly missions over Central America.
19:35Before long, he's photographing insurgents,
19:38transporting weapons,
19:39and smuggling cocaine for the Medellin cartel,
19:41frequently performing several of these jobs for groups working against one another.
19:45Listen, we gotta move.
19:48We gotta get out of here before the sun comes up.
19:51The money arrives faster than he can hide it,
19:54and his family relocates to Arkansas as the operation expands.
19:58Barry only begins reconsidering his career after the FBI,
20:02DEA,
20:02ATF,
20:03and state police arrest him at the same time.
20:06He is charming,
20:07resourceful,
20:08and utterly incapable of seeing an illegal opportunity
20:11without asking whether it comes with flight benefits.
20:14I'm gonna walk out of here.
20:18I'm gonna walk out of here.
20:20I ain't really a damn thing any one of you can do about it.
20:23Number four,
20:24Frank T.J. Mackey,
20:26Magnolia.
20:27Tame it!
20:28Take it on headfirst with the skills that I will teach you at work
20:31and say,
20:33no!
20:34You will not control me!
20:36No!
20:37You will not take my soul!
20:39No!
20:40You will not win this game!
20:42Unresolved pain becomes a stage show here.
20:45As the swaggering leader of an aggressively misogynistic pickup seminar,
20:49Frank T.J. Mackey commands rooms through insults,
20:52bravado,
20:53and weaponized confidence.
20:54A journalist's questions expose the fabricated parts of his biography
20:58and the truth he's buried.
21:00His father abandoned the family,
21:01leaving Frank to care for his dying mother.
21:04Oh, come on, Frank.
21:06What are you doing?
21:10What am I doing?
21:13Yeah.
21:16I'm quietly judging you.
21:19He storms out of the interview,
21:21but when he's called to his estranged father's bedside,
21:23the performance finally cracks.
21:25Frank ranks this high because virtually every emotion emerges at maximum volume.
21:30The persona may be fake,
21:32but the emotional eruption underneath it is painfully real.
21:36It's no surprise then that Cruz picked up his third Oscar nomination for his performance.
21:40Oh, God, don't go away, you f***ing asshole.
21:46Number three, Lestat de Liancourt.
21:48Interview with the vampire.
21:49I've come to answer your prayers.
21:54Life has no meaning anymore, does it?
22:01The wine has no taste.
22:03The food sickens you.
22:05There seems no reason for any of it, does there?
22:09Not many vampires enjoy being vampires quite this much.
22:14Flamboyant, possessive, and murderous,
22:16Lestat turns Louis into one of the undead
22:18and becomes increasingly irritated
22:20when his companion insists on feeding from animals instead of people.
22:23When their relationship starts deteriorating,
22:26his solution is to transform the dying Claudia
22:28so she can bind them together as a family.
22:30It's not exactly what we would call healthy conflict management.
22:34Why do you do this?
22:35I like to do it.
22:36I enjoy it.
22:38Take your receipts, taste pure things.
22:41Kill them swiftly if you will.
22:42But do it!
22:43For do not doubt!
22:45You are a killer, Louis!
22:47He trains Claudia to kill,
22:49underestimates how much she hates him,
22:51and survives her elaborate attempt to destroy him
22:53by feeding on swamp creatures.
22:55Even being set on fire fails to finish the job.
22:58Decades later, Lestat resurfaces,
23:01attacks Louis' interviewer,
23:02takes control of his car,
23:04and gleefully resumes being Lestat.
23:06Have you heard enough?
23:07But it wasn't.
23:08I've had to listen to that for centuries.
23:13Don't be afraid.
23:17I'm going to give you the choice.
23:20I never had.
23:22Number two, Les Grossman, Tropic Thunder.
23:25I don't know what kind of pan-Pacific bullshit power play
23:28you're trying to pull here,
23:28but Asia Jack is my territory.
23:30So whatever you're thinking, you better think again.
23:32Otherwise, I'm going to have to head down there.
23:33For the studio executive,
23:34every minor inconvenience is a declaration of war.
23:38When Tug Speedman is kidnapped by the Flaming Dragon Gang,
23:41Les Grossman initially assumes the ransom call
23:44is a negotiating tactic from a rival agency.
23:46His response is a volcanic stream of threats.
23:50I will massacre you!
23:52I will f*** you up!
23:54After learning the kidnapping is real,
23:56he calmly considers abandoning Tug because the insurance payout
24:00could be more profitable than rescuing the washed-up action star.
24:03He then tries to secure the cooperation of Tug's agent
24:06with the temporary use of a private jet.
24:09Les embodies impotent rage, corporate greed,
24:11and bafflingly confident dance moves in one compact package.
24:15He doesn't enter many scenes,
24:17but each appearance suggests an entire human resources department
24:20has just resigned.
24:22You know how you handle an actor?
24:23They whine about anything.
24:24You pull down their pants and you spank their ass!
24:28You spank that ass, Les!
24:30Before we continue,
24:31be sure to check out WatchMojo's 24-hour livestream.
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24:37Always on, always live.
24:39Are you not entertained?
24:42Number 1. Digger Rockwell
24:47Digger
24:59Digger Rockwell is a wealthy oil tycoon
25:01described as the world's most powerful man.
25:03He's also racing to prove he can save humanity
25:06from a disaster that he unleashed.
25:08For his first non-franchise role since American Made,
25:12Cruise disappeared beneath extensive prosthetics and makeup,
25:15making Digger look every bit as unhinged as he behaves.
25:18What would happen if I stopped grilling?
25:20You stole it!
25:21You freeze to death!
25:22That's what?
25:22Most characters on this list make a mess of a relationship,
25:25career, criminal investigation, or vehicle.
25:28Digger appears to have made a mess of the planet.
25:31Still, triggering a civilization-threatening catastrophe
25:33and then casting yourself as humanity's savior
25:36is extremely difficult to top.
25:38Before you officially fire me or kill me,
25:40there's something I have to breathe for you on.
25:41I'm not gonna kill you.
25:42You have people who do that for me.
25:45Bad joking.
25:46Sorta.
25:47Which Tom Cruise character would you trust to keep calm in a crisis?
25:50And which one should never be allowed near a cockpit,
25:53race car, secret society, or corporate telephone?
25:55Be sure to let us know in the comments.