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Taking on the role of a young Ted Kaczynski meant stepping into some difficult territory for Jacob Tremblay.

In this inside look at Unabomber, Tremblay shares what drew him to the challenging role and how he found ways to separate himself from the darkness of the character once the cameras stopped rolling.

Stream Unabomber now on Netflix.

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TV
Transcript
00:00I think what drew me to this role was just how unique it was.
00:03I think it's a part of the story that's never been told before.
00:05The idea of Ted's earlier life when he's 16 going to Harvard
00:09and you're doing these psychological experiments on him.
00:11It was really an opportunity to really challenge me as an actor
00:15and it's not that often that opportunities like that come to your doorstep.
00:18My first steps in the role of Ted were to watch some documentaries.
00:21There's some good ones on Netflix and then just looking into the manifesto
00:24and just kind of reading the highlights and reading through it
00:26and seeing the motives that drew him, what he believed in.
00:29I think that proved to be one of the first challenges with this role
00:32because we're just so different in every way.
00:35But one thing that I could really relate to, I think,
00:37was the feeling of being the youngest person in the room.
00:40You have the body of a 12-year-old and the brains of a third grader.
00:43My experience was always so positive and Ted's was extremely negative,
00:47but I can empathize with that feeling.
00:49I know what that's like, so I could kind of hold on to that.
00:52Ted's got pretty good posture from what I've seen.
00:55You know, he seems like he's uncomfortable under his own skin.
00:57Me and her weren't even the same species.
01:00Like, she was a person.
01:02I was a Martian.
01:04It's very, like, stiff and robotic and a little unnatural.
01:07Do you like me?
01:08I think so.
01:09I definitely wouldn't envision myself as the Unabomber
01:12if I thought about it without giving the context of him being a 16-year-old going to Harvard.
01:16I understand how people might be taken back by that a little bit,
01:19but it makes sense when you watch the film.
01:21Trust me, if I was playing the older version of the Unabomber,
01:23that wouldn't make much sense.
01:25Let me get my hat.
01:26Ted, get my hat.
01:26Ted, get off me, Ted!
01:27Envy, I can't talk!
01:28The scene that I'll never forget was the final scene when I'm debating Russell Crowe.
01:32That was so intense.
01:33It's such a long scene, a bunch of different camera angles.
01:36It took an entire day of doing that scene.
01:39This just shows how unwell you are.
01:43You just had to be so focused in every moment.
01:46It was really, really challenging, but man, I was just so invested in bringing out the best work I possibly
01:51could.
01:51Any moment with Annabelle was just amazing because she's got such a bubbly personality,
01:56and she's so great at lightening the mood and making things really fun, and she's hilarious.
02:00And that's really useful when you're playing such a dark character,
02:03and the subject matter is so dark and disturbing at times.
02:06Like, it really helps because you can really get lost to it, you know?
02:09It's not something that I want to engulf myself in,
02:12because I would just fall too deep into it and just be really depressed.
02:15It's harder bringing yourself out of a character than it is putting yourself in sometimes,
02:19so having someone like Annabelle on set who can lighten the mood was really, really useful,
02:23and I really appreciate her for that.
02:25We are here for you.
02:27Just getting home and taking a shower, kind of showering it off.
02:30Calling loved ones is a huge, important thing.
02:32Seeing what my friends are up to.
02:34Playing video games.

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