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00:11Thanks for watching the video.
00:53Thanks for watching the video.
01:00And you know what they say. North clear, south dark, zero water guaranteed. And we have the call in an hour.
01:05with the families.
01:07And it'll be even worse there. Don't be such a doomsayer, Ramón.
01:16Maca, it's time!
01:46Maca!
01:47You already knew what it was.
01:49Hello.
01:59Pink!
02:00It's time to call our men.
02:02We're coming.
02:03Come on.
02:04Turn it off and leave.
02:05You heard it, Maca.
02:06The bar is closing.
02:08Come on, gentlemen.
02:09That they still have to call their children.
02:12I'm going to the port to get Bruno, who's in pain.
02:14Very good.
02:15Damn it, leave that there.
02:19The ship is here.
02:21Jito, Fernando.
02:22The first thing you need to take out is the seafood, okay?
02:25These boxes here, half go to the truck and the other half to the auction.
02:29We'll put in place whatever comes out as it does.
02:31Manuel, please don't give the child any more fish, he's going to fall.
02:35Bruno.
02:37Mom, Mom!
02:38Hello my love.
02:41Come on, come here.
02:44Hello, Dolores.
02:45It's time.
02:46And Bruno wants to go talk to his father.
02:47Do you want to accompany him?
02:49What's wrong with you?
02:49Don't you want to talk to your husband?
02:53I do, but well, you're his mother and you haven't spoken to him for many days.
02:56You are the shipowner's wife.
02:58What do you think all the women will think if the shipowner's wife isn't going to speak out?
03:03with the?
03:04Grandma, Grandma, it's time!
03:06Come on, darling, run.
03:07Don't be late.
03:09And take your mother with you, she's dying to talk to your father.
03:14Put the boxes a little higher.
03:16Let's see.
03:22Come on, Berta, darling.
03:23Stop that now.
03:24I don't want you to be the last.
03:25I'm coming, I'm coming.
03:26Kill, kill.
03:27It's time.
03:28I'm here on the radio.
03:28Who is it?
03:29Please.
03:30I'll eat it.
03:31Come on, let's go.
03:40I think it's yours.
03:43Thank you.
03:50Just wait until your father finds out you're talking to Villanueva.
03:53Tour.
04:00The Portuguese have warned of the wake that the storm is coming straight towards us.
04:04And where are the Portuguese?
04:05Eight miles away.
04:08Do the boys know?
04:10No, they are preparing for the call.
04:12Okay.
04:12So let's keep the box.
04:14They don't have to know yet.
04:15We are?
04:16Yes, yes, okay.
04:19Now he's here.
04:21Come on, please.
04:22Are you a father?
04:23Cuéntico que a ti.
04:24What a great move.
04:25Let's see.
04:27Pair of fives.
04:31Crew prepared to talk to your wives.
04:34Come on, sir!
04:36Come on, sir!
04:36Come on, sir!
04:36Come on, sir!
04:37Come on, sir!
04:38Come on, sir!
04:40Come on, sir!
04:42Come on, sir!
04:42Come on, sir!
04:42Come on, sir!
04:44Phew, well we're in a fine mess.
04:47Look who's ahead of us in the queue.
04:49Look, yes.
04:51Well, you know, ten minutes of today as Fina complains to her grandson about her ailments.
04:55Nobody can take them away from us.
04:56You don't know that, do you?
05:00Behold.
05:01How envious.
05:02Come on, we'll be nothing.
05:05Come on?
05:06Come on?
05:07No.
05:11Hello, Mrs. Fina.
05:12Hello, Paloma.
05:13Hello.
05:16Bruno, come on!
05:18I'm coming, Mom.
05:20Hello.
05:22Hello.
05:22Hello.
05:36What a storm!
05:37That?
05:37Ready?
05:38Yeah.
05:39Port of Bastuel.
05:41Port of Bastuel.
05:43Here's the Minerva.
05:45The Minerva.
05:46Come on, look, Dad.
05:48Here is the port of Bastuel.
05:49Here is the port of Bastuel.
05:52Who goes first?
05:55And the doctor says that if I take the pills every day, my heart won't give me any more problems.
06:02"Just stay calm," she tells me.
06:05But I can't do things any more calmly.
06:09That's definitely not the case, my dear.
06:10Say yes, Grandma.
06:12Paloma's around here somewhere; I haven't spoken to her in ages.
06:14Hello, Sergio.
06:16Pigeon!
06:17Hey, don't worry about your grandma, I'll take care of her, okay?
06:20Yes, I already know that.
06:22And do you love me?
06:23Come on, tell me.
06:24Let everyone hear it.
06:26Tell him!
06:27Tell him!
06:27Tell him, jump on the radio!
06:29I love you very much.
06:33Vicente.
06:33Vicente, are you there?
06:34Yes, Maca, I'm here.
06:36In a honeyed one like you, right?
06:38What a fool!
06:39When you come back, I'm not going to leave your side for two weeks straight.
06:42Oh, and tell Hector.
06:43Those who are crazy enough to go to another bar as soon as they arrive, huh?
06:46Please.
06:47Tell him yourself, he's here listening.
06:51Cristobal, can you hear me?
06:52With your temper, how could you not listen to yourself, Mom?
06:54He's shameless.
06:56Listen.
06:57You've been contacted by the Boxing Federation.
06:59And they've left their mark on billions as soon as you get to a dead body.
07:02Mom had decided you should go to that conference, but you know how I am.
07:06Mom, Ina, and the engine is failing, so Cristobal better get in control of Mayo.
07:15What are those noises?
07:18I'm leaving you, Mom.
07:19I'll put you through to Germán.
07:20What do you mean you have to leave me?
07:21Sergio, you've already spoken, haven't you?
07:23Go too, we need to layer things up.
07:25Come on, work.
07:26What's happening?
07:27Nobody's waiting for you at the port to talk, are they?
07:29No, not even God would care.
07:29Come on, help me.
07:31Can you hear me?
07:33Come on, I've been waiting for you today.
07:34Can you hear me?
07:35No, no, no, no, no.
07:37Be careful not to scare women.
07:40Mom, it's me, Germán.
07:42German.
07:42Oh, what's wrong with Mom?
07:44Where is?
07:44I go up to the command post.
07:47We're going to have to cut off communication, okay?
07:50But why?
07:51Dad, dad, are you there?
07:53Basme me.
07:54Talk to him.
07:57Berta, gorgeous.
07:58Your father can't answer, he's busy.
08:08Hector, are you there?
08:11Hector.
08:12Hector, can you hear me?
08:13Are you okay?
08:14Can you hear me?
08:31Can you hear me?
08:46Look, it's not the first time this has happened.
08:48We've lost the signal many times, haven't we?
08:50Nor did we always recover it immediately.
08:52But this time hours have passed and nothing has happened.
08:54This is not normal.
09:00Paloma, why don't you take Fina home?
09:03Fina, are you going to rest?
09:04If there's any news, we'll let you know.
09:06No, nothing will happen.
09:08Yes, I know that my Sergio is okay.
09:11Come on, Fina.
09:12Well, the same.
09:13Please, as soon as you know anything...
09:16Sure, sure.
09:17Fine.
09:24Have you heard the same thing as me?
09:26They were in a storm.
09:27They have been in storms more often.
09:29And they have always known how to get out.
09:31They know what they're doing.
09:32Yes, yes, I know what I'm talking about.
09:33When I lost my husband, it was like that.
09:37I don't have anything here.
09:38And they are my children now.
09:47The sergeant?
09:48No, Mr. Gil.
09:48This is always the case.
09:50Anything.
10:06Dolores, what's wrong?
10:08The Civil Guard says the balcony is missing.
10:12And it is very likely that he has been shipwrecked.
10:30No, no, no.
10:31No no.
10:31I hope he doesn't find them.
10:35No no.
10:41No no.
10:50No no.
10:52No no.
10:53No no.
10:56No no.
10:58No no.
10:59No no.
11:01No no.
11:02No no.
11:02No no.
11:03No no.
11:04No no.
11:04No no.
11:05No no.
11:06No no.
11:07No no.
11:08No no.
11:09No no.
11:09No no.
11:10No no.
11:36Mom, it's time, we'll talk to Dad.
11:45Let's see...
11:48How beautiful.
11:54Not yet, Mom. You haven't written it in Dad's.
11:58You're right. Let's see...
12:01Dear Hector, we are all well here.
12:10When you see Bruno, you won't recognize yourself because of how old he is.
12:27Tell Sergio that his grandmother is okay.
12:30His girlfriend Paloma now takes care of her for him.
12:32Good morning, Fina.
12:34Good morning, Palomita.
12:36How are you doing?
12:37Very good.
12:39Have you been to the market?
12:40Yeah.
12:41Yeah.
12:43Well, look at one...
12:44The poor thing forgets some things, but she's happy with Paloma, who has won heaven with
12:49she.
12:50And tell Vicente that Maca hasn't lost her smile.
12:53You know how much he's always loved children.
12:56So he's found a job.
12:59She looks after other women's children while they work at the port.
13:03Tell Ramón that his daughter has also prospered.
13:05He no longer mends nets.
13:06He works for Villanueva.
13:09Can you review this contract and sign it?
13:11Clear.
13:12Thank you.
13:12Ramón isn't going to be too happy about this.
13:15It doesn't work for me either, to be honest.
13:17I've never really trusted that man.
13:19Rosa continues to bring life to the port.
13:22Their children can be very proud.
13:25Her mother is the strongest of all.
13:29I have a job now too.
13:31I do what you used to do here.
13:32I'm your replacement, so to speak.
13:34Don't worry, the Parrados fleet is in good hands.
13:39I work with Grandma Dolores.
13:40And we make a good team.
13:41It went well today, huh?
13:46And guess who lives with us now.
13:48Your great friend, Tristan.
13:51Tristan!
13:52He came as soon as he found out what had happened.
13:54Shark!
13:54Your mother asked him to stay.
13:56And he sleeps at home, just like when he was a child and lived here.
14:00Is...
14:01Just like you had told me about him.
14:03It's clear he cares a lot about you and your mother.
14:06That's it.
14:08Forget the "I love you" and the signature.
14:10Ah, that's right.
14:11I love you.
14:15Mother.
14:22Come on.
14:23A.
14:24Two.
14:24Should I throw it away?
14:25Yeah.
14:36Grandmother.
14:38Hey, kid? How's school?
14:39Good.
14:40Where did you leave my sandwich?
14:42In the kitchen.
14:43Here, Bruno, take this inside you.
14:45Go on.
14:47The Buenaventura is arriving in port.
14:48As soon as they dock, we have to load the fish onto the truck because I made a promise to the people in Madrid that
14:53He was supposed to arrive today.
14:53When they dock, it won't be possible, Dolores, because Benito's sons are unloading today and they haven't arrived yet.
14:58You have a ship full of men.
14:59What's the problem?
15:01You don't need Benito's children for anything.
15:04Goodbye, Amola.
15:04Thank you.
15:05Bye bye.
15:06The festivities begin tomorrow.
15:08They've been working for eighteen hours and I promised them that Benito's children would be unloaded.
15:12Did I tell you to make them any promises?
15:14No.
15:15I can make promises on my own.
15:17What a mess you've got going on at the fish market, huh?
15:19Look, there's the truck that was supposed to be on its way to Madrid.
15:22Still waiting.
15:24If you need a favor, you know where to find me.
15:25Why don't you take care of things at your company?
15:27We'll take care of ours.
15:30Oh, Dolores.
15:31We've been working on the same thing for so long, and you don't even want me to do you a favor.
15:36Come on.
15:40Do you see it?
15:42If we don't arrive today, Villanueva will make sure that those from Madrid do the next one to him.
15:46order.
15:47So come on, figure it out however you can.
15:49But that truck has to be leaving now.
15:56So, how did it go for you?
15:58Our storage room is full.
15:59Benito's kids are going to remember us, huh?
16:02His back will look great after unloading all this.
16:05There you have it, boss, we're exhausted and there's a festival tomorrow.
16:08Benito's children will take a while to arrive.
16:10And we have to load the truck that's going to Madrid.
16:12Talk to Benito's children, what are they telling us?
16:14We have to carry it ourselves.
16:15Boss, a deal's a deal, and she gave us her word.
16:18We're exhausted.
16:19Working since last night.
16:21I know and I'm sorry, but we can't lose that truck.
16:24What's happening?
16:24Well, it looks like that's not going to happen.
16:26A word is a word.
16:38What's happening?
16:47Here's the boss, who is a boss, but is also a woman.
16:51And a woman's word is carried away by the wind.
16:54A.
16:54Okay, can someone explain to me what's going on here?
16:57The boss says that now we all have to download it because of Benito's children
17:00They don't arrive on time.
17:01Of course, we do it every day, don't we?
17:03It's not a big deal if we do it one more day, right?
17:06Cristian, you stay still there.
17:07You're the captain on the ship, but here you're just one of us.
17:09So stay put and keep quiet.
17:11Hey, you weren't leaving, you were just peeking out.
17:13What are you still doing there?
17:14Waiting for pay, boss.
17:16A party without a ticket isn't a party.
17:18The pay, of course, of course.
17:20I was even going to give you a tip.
17:21But of course, you have to earn the tip.
17:24I don't know if you can think of any way to win or any plan.
17:29Let's see.
17:31I have my body for verbena.
17:33So the sooner we finish this, the better, right?
17:36Come on?
17:36Come on, come on, come on.
17:39Come on, let's go.
17:57Come on, come on.
17:59Good job, thank you very much.
18:01Thank you, boss.
18:01Tristan, can you come here for a moment?
18:14Is everything alright, boss?
18:16Everything's fine, boss.
18:21Thank you.
18:28Sorry, Rosa.
18:37Good morning, Maca.
18:39Good morning was meant for you.
18:40Oh, well, I'm no longer of any use to you.
18:42Because he's wearing bad coffee.
18:44Oh, forgive me, Rosa, I didn't mean to say that, but...
18:47Has this ever happened to you?
18:48Let's see, do you remember that a few years ago I wanted to get my driver's license?
18:52Yes, right before your wedding.
18:54Well, with everything that happened, I kept postponing it until this morning when I decided to start classes.
18:59And when I get there they tell me I can't get my license until Vicente signs it.
19:03authorization.
19:04Well, being dead, I don't know how he's going to do it.
19:06But we're in the same situation as always.
19:08Because we are neither widows nor married women.
19:11You're right, Maca.
19:12I also cannot carry out any transactions at the bank without Hector's signature.
19:15Dolores does it, because she is a widow.
19:16If we are in that limbo that Don Cosme sometimes talks about in church.
19:20Yes, but a limbo in heaven still makes sense.
19:22But here on Earth?
19:23But we can't go on like this, can we?
19:25However difficult it may be, however painful it may be, we have to keep going.
19:29And how do you do that, Lucia?
19:32Forgetting isn't so easy.
19:33Well, I'm not saying forget, Rosa.
19:34I'm just saying that we have to learn to live with what has happened and move forward.
19:41So do you think I should tell Fina the truth?
19:45That Sergio is no longer here.
19:47I feel terrible lying to him all the time.
19:50In Fina's case it's different.
19:52She is sick.
19:53I don't know if it can withstand a blow like that.
19:55Well, but he also has the right to know the truth, doesn't he?
19:58Rights, he says.
20:00That's precisely what we don't have.
20:02But we have each other.
20:04And that's something that absolutely cannot fail.
20:07And what else can we do?
20:09Hey, what if we decide to go to the Virgen del Carmen festival tomorrow?
20:12Oh no.
20:13But why not?
20:14Are we just going to stay home like a bunch of couch potatoes, as usual?
20:17But, Roberta, are you really thinking about me?
20:19What will people say?
20:21Exactly two years ago...
20:22Paloma, let them say what they want, I don't care.
20:24It seems they want us dead and buried too.
20:27No.
20:29You're coming with Fina.
20:33I don't know if Vicente would approve.
20:38Of course she'd be fine with it, Maca.
20:41And my father too.
20:43And to your children.
20:44And to Sergio.
20:45And to Hector.
20:47Because they loved us with all their hearts and what they want is to see us well.
20:51Not like lost souls.
21:02Have you spoken to the insurance company yet?
21:04Yeah.
21:04I just got off the phone with them.
21:06AND?
21:06No.
21:07They will not take responsibility for any damage.
21:09That day we took the ships out to sea despite the warnings against it from the port authority.
21:13The port authority, fuck my balls?
21:15Call them right now and tell them we're going to cancel all our policies.
21:18You'll see they'll back down soon.
21:20Port authority.
21:20Very well, Mr. Villanueva.
21:22Does calling me that make me feel all hot and bothered, Berta?
21:24You've really neglected me.
21:26You know that at work I prefer that it's not the case.
21:28But what's with all this fussiness?
21:30Your wife is about to arrive.
21:33Berta, my wife, makes my life miserable.
21:35If it weren't for you, I don't know what I would do.
21:37It can't be that I like you that much, Berta.
21:40That?
21:42You don't feel sorry for me, do you?
21:44"It's a shame," he says.
21:46You have no shame.
21:54Hello, Berta.
21:56Doña Delia.
21:57Is my husband there?
21:58Yes, it's inside.
21:59It's coming out right now.
22:01You have so much cleanliness and order in everything, girl.
22:04You'd have to come over to my place a couple of days a week to see if you can get your hands on it.
22:09The assistant we have is completely useless.
22:10Delia, please.
22:12Berta is not a maid.
22:14She's one of the best secretaries I've ever had.
22:16Please forgive me.
22:17The thing is, many times I don't even know what I'm saying.
22:19Besides, what you did was really impressive, wasn't it?
22:21Because it can't be easy for you to work here when...
22:25Well, that's it.
22:26That your father and Eduardo couldn't even stand each other.
22:31Come on, let's go.
22:32They will be waiting at the restaurant.
22:38Grandma says to come now, we're going to have dinner.
22:41What are you doing?
22:44I write a diary.
22:46I have such a bad memory that...
22:48I have to write down everything that happens to me so I can remember it.
22:52Did you know that the best sea adventures are written by their protagonists as if they were diaries?
22:5920,000 Leagues Under the Sea?
23:02Moby Dick?
23:05Haven't you read any of those books?
23:06No.
23:07Look, we need to sort that out, Chipirón.
23:11You're going to start...
23:14Here.
23:17You'll see that the book is written in the first person, like my diaries, although perhaps mine aren't
23:22so adventurous.
23:24Were these books my father's?
23:26Yeah.
23:28When I was little, most of my things had previously belonged to your father.
23:33And so?
23:34Did they never tell you what happened?
23:36No.
23:39Well...
23:42When I was very young, my parents died in an accident.
23:49And since they worked for your grandparents, they welcomed me as if I were part of the family.
23:55And I lived in this same room.
23:59Until I was old enough to go and see the world.
24:02And I went very far away, all the way to Argentina, to meet my mother's family.
24:08She was Argentinian, you know?
24:10That's why you and Dad were such good friends, right?
24:15Like brothers.
24:18And I'm sure he would be happy to know that you're going to read his books now.
24:29Hey!
24:30Shall we have dinner?
24:32Tristan, why don't you come to the table?
24:34Don't worry, Lucia.
24:36I'm fine here.
24:38This was delicious, Doña Dolores.
24:40If I were you, I'd go to a restaurant, right there in the port.
24:43And leave the company?
24:47I warn you that more than one person here is eager for it.
24:51Well, today we're celebrating that Bruno has made his bed by himself for the first time.
24:55Oh, really?
24:56Well.
24:56Without my mom saying anything to me.
24:58But look at this little squid.
25:00How independent, how mature he is.
25:02I wonder if it will be tasty too.
25:04What does Doña Dolores say?
25:06How do we prepare it?
25:08Another thing we don't usually have at home.
25:10What, Mom?
25:11I don't understand.
25:13Your mother is referring to laughter.
25:15As if we had any reason to be joking.
25:18No, Dolores, we have no reason, but it's not the end of the world either.
25:21Yes, like that crazy idea of celebrating the Virgen del Carmen festival right on the anniversary.
25:25Come on, it's a disgrace.
25:27But, Doña Dolores, life has to go on, doesn't it?
25:31Well, let him go somewhere else, but not in this town and certainly not in this family.
25:35Well, I'd like to go.
25:37That's out of the question.
25:42Okay, Tristan, what about leaving the company?
25:45Don't tell me you're going to listen to me about the restaurant.
25:47No.
25:49What I want is for you to work there.
25:52Thank you, but...
25:54I wouldn't know how to do my job.
25:56It's not about you doing his job.
25:58He means that you should do mine.
26:00You need to stop doing a man's job.
26:02And Tristan would do very well.
26:05And I have no opinion to add.
26:07Well...
26:07You've already given your opinion enough, haven't you?
26:10It's one thing for your husband to occasionally let you have a say, and another thing entirely for this to happen.
26:15This?
26:16What is this?
26:18A mother has to be by her child's side.
26:22Honey, why don't you go read your comics?
26:25Listen to your grandmother, darling. Go upstairs.
26:31Doña Dolores, if you'll allow me...
26:36I think she's being a little unfair to Lucia.
26:40We all know how important the company was to Hector and...
26:44And by taking care of her, he is simply taking care of her memory.
26:47All the effort that Lucía puts in day after day is...
26:49It's just to support this family.
26:52Well, it doesn't seem that way. It seems he cares much more about the company.
26:55Although, well, tipping for jobs...
26:57Okay, that's enough, Dolores.
26:59They had already finished their work.
27:01They can use their own time; they are not our slaves.
27:04And if I gave them a tip it's because I really value what they do.
27:06And yes, I take care of the company and in doing so I take care of my family.
27:09And I will not again suggest that I don't take care of Bruno.
27:12Not from you.
27:26No.
27:27No.
27:30No.
27:34Yeah.
27:36No.
27:38No.
27:40Not from you.
27:40I don't know...
27:40And not.
27:40No, no, no.
27:41No no.
27:41No, no, no.
27:41No.
27:42No, no, no.
27:43Fabric for the patron saint of sailors, whose day is today.
27:48I'm sure he'll bring Sergio home very soon.
27:52Fine.
27:56Sergio is not coming back.
27:59But how can you say that?
28:01Her ship sank two years ago, Fina.
28:04And we know nothing about them.
28:06It just can't be.
28:07It's impossible that they survived.
28:08Don't say that.
28:19Don Cosme.
28:22Macarena.
28:23I need to talk to you.
28:25I'm telling you, father, it's not just the driver's license.
28:29Look, father, I got married because I want to be a mother.
28:33I want to have children.
28:34But, of course, Vicente is no longer here.
28:37And that means I'll never be able to have them.
28:39Well, after a few years, his death can be legally certified.
28:45Yes, father, it's just that my marriage to Vicente hasn't even started yet.
28:52I mean, the night we got married Vicente drank so much that the poor guy fell asleep like a log.
28:58And that between one thing and another, he went to sea and...
29:03Let's not consume, that is.
29:06And that's like my marriage doesn't exist, right?
29:09Father, where do I have to go to get my problem solved?
29:14Well, daughter, this is a matter for an ecclesiastical court.
29:19And yes, it's very expensive.
29:22Father, but I don't have a penny.
29:24Magrena, until all that is resolved, you are married in the eyes of God.
29:31Well, God could just turn a blind eye, couldn't he?
29:34Because I'm fed up, Father. I'm very fed up.
29:50For your children.
29:51For them.
29:53And by your father.
29:55For you, Ramón.
29:57I'm still saving my spot.
30:00Nobody has sat in that spot all this time.
30:05It's strange.
30:06Because it's empty, but it's as if it's more present than ever, right?
30:22Hello.
30:23Hello.
30:24But wow, Fina, she looks so beautiful.
30:26She's going to be the queen of the festival.
30:28Thank you.
30:29Today is a very special day.
30:31All the men will be fighting over her, you'll see.
30:34Sergio is more than enough for me.
30:39So keep at it.
30:40But have you spoken to her again?
30:41Yes, I've spoken to her again, but I don't know if she forgets or
30:46that he doesn't want to accept it.
30:48I don't know, it just fell on me.
30:50Pink.
30:52Well, Rosa, you've finally decided to come.
30:54Well, don't think I had to drag her here myself.
30:57It was either this or I'd have to clean up the whole bar.
30:59Finally, we are all together.
31:01Have you seen Bruno?
31:02Yes, I was there on the rocks playing with some friends.
31:04I'm going for him.
31:05Have a good time.
31:06Bye bye.
31:07Goodbye, Lucia.
31:09But aren't you going to dance?
31:12Why? So they can put us on the safe side?
31:14You know how the people in this town are, Fina.
31:17Just wait until they see us, and dancing with one of them, you'll see.
31:19Oh, and who told you that we need men to dance?
31:22Clear.
31:23Come on, let's go.
31:24I really want to!
31:27Give me the bag.
31:29Pink.
31:37Good afternoon.
31:44Bruno!
31:49Bruno!
31:53Look at that crab, Mom.
31:54Come here, go on.
31:57Why don't you obey when I tell you something?
32:00But Mom, why wouldn't she come?
32:01What's wrong with that?
32:03Well, the truth is, nothing, son.
32:04There's nothing wrong with it.
32:05Come on, put this on, it's going to be cooler.
32:07Are we really going to stay?
32:09Well, but you know Grandma doesn't care at all when we're here.
32:13Just a little bit.
32:14Hey!
32:16Wait for me!
32:16Come on!
32:19Come on!
32:28Come on!
32:33Come on!
32:36Come on!
32:57But what a surprise!
32:59I was hoping to find you here
33:00Neither do I, but Bruno has started a small rebellion on board
33:03And from what I see, you've joined her.
33:08I can imagine how Doña Dolores must be feeling.
33:09She's furious, that's why we can't leave too late
33:12What are you saying?
33:13Now that you're here, you have to take advantage.
33:16Let's dance
33:17No
33:19Come on
33:38Applause
34:07Applause
34:30Applause
34:54Applause
35:03Oh, just when I was having the best time
35:06Because your grandmother will be worried because she doesn't know where you are.
35:08If you had let us know, we could have come back a little later
35:12Lucia
35:19Ale, my love
35:27Go inside and put on your pajamas, I'll be right back.
35:43What's happening?
35:47Lucia
35:50You don't have to feel guilty for wanting to live.
36:03What's happening?
36:06What's happening?
36:20Okay, listen for a moment, please.
36:23Hearing that this is important
36:25What's happening?
36:26In other words, because you're good at it.
36:29Listen for a moment, damn it
36:31Let's see
36:37It's not official yet.
36:39But the high command has assured us that an African freighter found some men adrift in the area
36:44of the Gulf of Guinea
36:46And he has confirmed to us that they are indeed crew members of the Minerva
36:54Who are they?
36:55We don't know who they are, we only know that there are five of them.
36:57The high command has also confirmed to us that the Spanish authorities have managed to reach them.
37:03And they are waiting to find a ship flying the Spanish flag to repatriate them as soon as possible.
37:08Let them look for me more
37:10We will send one of our ships
37:12The important thing is that they return as soon as possible.
37:15That's all we know
37:19Good night
37:21I would have preferred that they keep their mouths shut
37:24Until we know who the living ones are
37:25The children will be fine
37:27You'll see
37:29Yes
37:30That everyone will be alright
37:31You'll see.
37:34Do you really believe that?
37:37Do the math.
37:38The sergeant said that five men
37:40It's impossible for everyone to come back
37:43Hector will be among them
37:46I guarantee you that.
37:55Yes, Vanessa
37:57Yes
38:09Lucia
38:13Are you OK?
38:19No
38:22I understand
38:26You don't want to get your hopes up.
38:28Before I'm sure
38:29That Hector is among the survivors
38:32No, that's not it.
38:35I just don't want him to come back
38:40Hector and I looked like a happy couple.
38:42But
38:43We weren't
38:47At least I wasn't.
39:01Because?
39:13Hector, I've hit myself
39:18In the beginning there was
39:19A slap or two
39:21Then it became a custom
39:25He could be very violent
39:29That's not Hector.
39:30That I remember from childhood
39:33People change
39:36But why didn't you say anything?
39:40To Dolores
39:43She idolizes him
39:44I would never have believed it.
39:48And in this country
39:49There is no such thing as divorce
39:50I couldn't do anything
39:54When she disappeared
39:55I felt so relieved
39:59And at the same time so guilty
40:00Feeling like this
40:01Lucia
40:02If I had been here
40:03I wouldn't have allowed it
40:04That that would happen
40:04You didn't even know me
40:06Before coming here, Tristan
40:09Hector was like your brother
40:12What happened today
40:12Among us
40:13No no
40:14I can't talk about that now
40:32Whether he comes back or not, it's because he comes back.
40:34Hector
40:34What I feel for you
40:35It's not going to change
40:38It's too late for that
40:39What I want Go
40:52Oh
41:02No, no, no, no.
41:22No, no, no, no.
41:54Dad.
41:56Dad.
41:58Dad.
41:59Dad.
42:03Apostle.
42:04Love.
42:08Mary, Mary, my God.
42:24Then the neighbor came out.
42:28Pink!
42:29Another one came out.
42:30Rosa, who is your son.
42:31Rosa, who is your son of my children.
42:35Brother.
42:37Brother.
42:45Brother.
42:48Brother.
42:50No, no, no, no.
43:03More are coming out.
43:15It's Sergio, he's my grandson.
43:17I knew it, thanks.
43:19No, leave one step.
43:20Fina, Fina is not him.
43:21Yes, it's him.
43:23The thing is, he's very thin, but it's him.
43:25No, Fina, it's not her.
43:26Yes, yes.
43:27Oh, Sergio.
43:28Mary, my God.
43:29No, I don't recognize you.
43:52Because it's Vicente, yes, run, Vicente.
43:56Love.
43:56No, no, no.
44:29No, no, no.
45:00No, no, no.
45:26No, no, no.
45:56No, no, no.
46:25You're staying here until you're discharged, okay?
46:27Come on, cheer up.
46:31Just a moment, just a moment.
46:34What are we going to do?
46:35What do you mean, what are we going to do?
46:37You're not getting nervous now, are you?
46:39Am I getting nervous or not?
46:41Well, don't mess with me.
46:43But we have to be careful what we say, right?
46:47There's no reason to lie, but we're not going to tell them everything either, are we?
46:52Just leave it to me, I'll take care of it.
46:54Yeah.
46:55That?
46:56That?
46:59And what do you say, boss?
47:06El Pueblo newspaper, what happened the night of the shipwreck?
47:09We lost radio and communication with the coast due to the storm.
47:14And we were the only ones able to reach the lifeboat...
47:18And sighting land?
47:20Yeah.
47:21From the Independent newspaper.
47:23Where exactly did you end up?
47:24It could have been an island, a peninsula...
47:28We tried to hold on and wait for rescue.
47:31We fished what we could.
47:34We gave it our all in that damned place.
47:38You are heroes.
47:39Thank you.
47:40No no.
47:41We are just fishermen longing to return to our families.
47:46Okay, well, if you agree, I think this is more than enough.
47:50These men need to rest and recover.
47:53Thank you all very much.
47:54Are you sure it was bean stew?
47:58Sorry?
47:58This is for journalists only.
48:00Mario, please.
48:04Hello.
48:07I am Mario Durán.
48:11And my brother died in the shipwreck.
48:12Mario, this is neither the time nor the place.
48:16Did you say you were fishing for beans?
48:19Yeah.
48:20But the site of the shipwreck was many kilometers from where the beans are processed.
48:28Well, the sea is not an exact science.
48:34I am so sorry for the death of your brother.
48:37He was an extraordinary colleague.
48:39Okay, now we're really finished.
48:40Please leave.
48:42Please leave now.
48:44Please leave.
48:46Thank you.
48:57Dad.
48:58Daughter.
48:59Oh, be careful.
49:01At last.
49:04How are you?
49:05Good.
49:06Good?
49:08Careful.
49:12Well, as you can see, everything here is the same as before.
49:15Well, everything, right?
49:16And that television?
49:17It's a new model.
49:18Do you like it?
49:19It couldn't have been cheap.
49:25How have you managed all this time without me?
49:29Okay, okay.
49:31I got a job.
49:34Secretary.
49:35It must be a really good job to be able to afford this contraption.
49:42It's in the Villanueva office.
49:44And Dad, please listen to me before you say anything.
49:47Listen to me.
49:48Because Eduardo has treated me very well these last two years.
49:51Villanueva is a son of a bitch.
49:52Or don't you remember when he threw me out on the street with a broken back after risking my life?
49:56on your boat?
49:57And now he's hiring you as his secretary.
49:59What's the point of this?
50:00He is very sorry for everything that happened.
50:02And that was a long time ago, Dad.
50:04If I had been here, you would have accepted that job.
50:06But you weren't there.
50:09And I couldn't starve to death.
50:12You understand?
50:25Which character is from a Daniel Poe novel?
50:34What are you doing here?
50:36Was I going to come pick you up at the hospital?
50:38I wanted to go for a walk and come back here.
50:43But...
50:48You need to recover.
50:50Come on, I'll make you something for dinner.
50:56Mother.
51:02I feel...
51:03a lot.
51:06not having returned with my brother.
51:12Come on.
51:14Eat up, you're thinner than a bone.
51:21No.
51:23No.
51:31No.
51:33No.
51:35No.
51:35No.
51:38No.
51:52No.
51:55No.
51:56No.
51:56No.
52:00No.
52:02No.
52:02That he is here.
52:03Me too.
52:08Rest.
52:09And tomorrow the rest of our lives begins.
52:54My son, what joy!
52:56We were very worried.
52:58Bruno is already asleep.
52:59Go ahead, come in.
53:01I needed to get some fresh air.
53:03And I came here taking a stroll.
53:12Lucia.
53:16Welcome.
53:27Tristan.
53:29Long time, huh?
53:31I saw you at the port when I arrived, but I was...
53:34I returned to the village as soon as I heard about your...
53:38Disappearance.
53:40Tristan moved into our house to help us.
53:43We needed a man in your absence.
53:46I expected nothing less, my friend.
53:54I'm going upstairs to freshen up a bit.
53:57Good night, mother.
53:58I mean.
54:09I don't know.
54:10I don't know.
54:10I don't know.
54:11I don't know.
54:13I don't know.
54:15They leave with dreams.
54:17We're standing in the middle of the storm for you, you son of a bitch!
54:44Pay the hallway light.
55:11Close the door and get into bed.
55:23Pay the hallway light.
56:09You haven't stopped tossing and turning all night and you've talked a lot in your sleep.
56:14What were you saying?
56:16What I have experienced has changed me.
56:18I am no longer the Hector I used to be.
56:20What did Mario want?
56:21I wanted to know some things about the Minerva.
56:23I know you're not telling everything.
56:25I won't stop until I find out.
56:27You were so rough as a child.
56:29And now it turns out that in your old age you've become a romantic.
56:34Sergio, finally, you're with us.
56:37He suffers from dementia, that's why he mistakes you for his grandson.
56:40We need to get out of the flow.
56:41If you endanger my aunt's health, you'll have me to deal with.
56:44I feel good about charity.
56:45I have to understand that Villanueva is more than just your boss.
56:48You signed without listening to my proposal.
56:51Lucía is still in charge.
56:53I'm not ready yet.
56:55You're going to have to explain this to me very well, okay?
56:58My husband seems like a different person.
56:59On the outside he's Vicente, but on the inside he's someone else.
57:02I know something happened to you there.
57:03I notice it.
57:04I don't know if I'll be able to keep deceiving Maca.
57:08What you are asking of me requires an effort.
57:11And me, Maja, without money involved, I won't lift a finger.
57:15I need you to forgive me.
57:16I haven't done things right with you.
57:18I don't want to see that fear in your eyes again.
57:21If I have to choose between a friend who isn't who I thought he was.
57:24And what I feel here I'll stay with you.
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