Manjar Marathi Movie Cast Interview : गोंधळ मोठा… प्रश्न अनेक… पण या सगळ्यात ‘मांजर’चं कनेक्शन काय? | Siddharth Menon | Onkar Bhojane | Tejas Raut | Bhagyashree Limaye | New Movie | Marathi Entertainment News | Lokmat Filmy
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NewsTranscript
00:00And there is a chain reaction from a domino and a chain reaction.
00:05That's why this cinema will be released on the 8th September.
00:08Hot Girlfriend is also coming.
00:10So, I and Siddharth are very good.
00:14My first film is Marathi and this is my second film.
00:18My character is related to Siddharth's character in this film.
00:25That's how it is.
00:28The original is the original.
00:30The new one is the original.
00:32The new one is the new one.
00:33It's not the real one.
00:35I think I have a good one.
00:36I think I have a good one.
00:38I think I have a good one.
00:38CBI is a good one.
00:43I'm a good one.
00:44How are you?
00:44What are you doing?
00:45What's your big problem?
00:46I haven't got a lot of what I have left now.
00:48I've got to work in my office.
00:51I've got a lot of resources.
00:52Get a lot of money.
00:53This is Gawat.
00:54What is your first?
00:55What's your first?
00:55What are you talking about?
00:56Who is it?
00:57It is! It is!
01:10Hello everyone, I am Pooja Bhurka.
01:12Welcome to your 7th film.
01:14Today, we have a team of Manzar Mandela's team.
01:18And many questions about Manzar Mandela.
01:22Where is Manzar Mandela?
01:25How is this Manzar Mandela?
01:28How is this Manzar Mandela?
01:30How is this Manzar Mandela?
01:33So please, start.
01:35I think this is a great question.
01:36I think I have a question in the cinema.
01:41That is what I am saying.
01:42That is what I am saying.
01:49That is what I am saying.
01:50I am saying that this Manzar Mandela is a world.
01:56This is a world.
01:58There is a great place.
02:00There are four artists.
02:03I am a great artist.
02:07I am a great artist.
02:14I am a great artist.
02:15I am a great artist.
02:15My name is Bhagyishri.
02:15I love you.
02:18And..
02:19I love you.
02:20And..
02:22I am a fan of comedy genre.
02:25But ok.
02:27And I am a part of this.
02:30And it doesn't have any problems.
02:34I don't have any problems.
02:35There is no problem.
02:36And Vaishnavi is my boss. I am working on this job.
02:45Every character has a conviction and conviction.
02:50And it's not necessarily that the other person is a person.
02:54For example, Ongkar Bhosani has a character.
03:00Every problem has a solution for tennis.
03:03It's not a person.
03:05But the solution is not a person.
03:08It's not a person.
03:11It's not a person.
03:13I think it's not a person.
03:15But it's not a person.
03:20But we have a person.
03:23And there is a person who is a person.
03:27And they are social workers.
03:29And they have a person who is a person.
03:32And they have a struggle.
03:34And what does this world do?
03:38What does this world do?
03:40And what does this world do?
03:42And what kind of change reaction is going to happen?
03:44And what kind of change reaction is going to happen?
03:45And this cinema is going to be on the 8th September.
03:47Because it's a person.
03:51One of the world is a person who is an awesome boss.
03:52You also have a person who is a girlfriend.
03:56You also have a boyfriend.
03:59You are a person who is also a friend.
04:03You are a person who is a person who is a friend.
04:06And you are a person who is a girlfriend.
04:17boyfriend. Is it right?
04:19Yes.
04:20So, Khara Aishat, what do you like?
04:22Mala...
04:23As a friend, you don't know what to say.
04:25Yes, Siddharth.
04:26You said that Mala is not my friend.
04:28How do you like it?
04:29From Solapurji.
04:31I mean, Khara said that
04:35me and Siddharth are very good.
04:37And we don't have to discuss any relationships.
04:41Are you shut?
04:42Our relationship is so random and so...
04:46I mean, you just thought that suddenly I was like...
04:50I mean, Siddharth is not my friend.
04:53I don't have to say that in depth.
04:55Because we don't have to say that in depth.
04:59But in that relationship, we don't have to do that.
05:03We don't have to say that in depth.
05:05Mostly philosophy,
05:07and what are the things we have to do?
05:11I mean, it's so well read that
05:14I have to say that
05:16that this is trending, Siddharth.
05:18What's going on?
05:19What's going on?
05:21What's going on?
05:22What's going on?
05:22So, he's like...
05:24Mala's update.
05:26That this is the news song.
05:30So...
05:31I mean, Mala, you have to ask me.
05:33But in Mitra Manu,
05:35it's a loyal Mitra.
05:37Yes, yes.
05:37Very loyal, very sweet.
05:39And...
05:40Oh!
05:40Siddharth is so good.
05:43Yes.
05:44Yes.
05:45I mean, Mala, human Labrador.
05:47Because he's always happy.
05:49He's always happy.
05:51Is that real?
05:52No, yeah.
05:53Is that real?
05:54And you said,
05:55What's the real?
05:56Is that real?
05:57What's the real thing?
05:57Is it real?
05:59Is this really, real?
06:00Is it real?
06:03Is it real?
06:04Is it real?
06:15Is it real?
06:17I have to say that I'm doing my own.
06:19You should say that I'm doing my own.
06:22Then it's a labrador and a labrador.
06:27Oh, you're not saying that I'm not saying that labrador.
06:32You're not saying that.
06:34What kind of earth do you think?
06:38For my first time, I've had a tree.
06:44It's a very big character in this film. I don't know what to say about it.
06:52But it's challenging. It's a genre of comedy in this film.
07:00It's very difficult to achieve it.
07:01It's very difficult to achieve it.
07:02Because it's the beginning of the film.
07:04When I read these letters, I read the readings.
07:09Then I said,
07:10I said,
07:12I'm going to do everything.
07:15I'm going to do everything in my dialogue.
07:19I don't know what to say about it.
07:21I'm going to say,
07:22I'm going to say,
07:22I'm going to say,
07:23I'm going to say,
07:24I'm going to say,
07:28I'm going to say,
07:29I'm going to take these letters and take me a good one.
07:35There's quite a lot of good character.
07:39Ganesh Pandit Sir.
07:41I'm going to say that
07:42there is different character.
07:44But, you can add to it.
07:46That's not a good character.
07:49I've said,
07:50I don't want to say,
07:51I don't know if I don't know that
07:53I'm going to say anything.
07:55So,
07:56The chain reaction is that it is a huge challenge for me.
08:04I think it is a great time for me.
08:08It is a challenge but it is a great time.
08:10As you know, we can own the timing character in our character.
08:17It is because we have a new genre and that is not rooted in the world.
08:23But I have to create distance. There is a gap between the actor and the character. And I have to
08:33translate that gap.
08:33And I have to translate that to the audience and the cinema. And I have to translate that.
08:40So, the timing of our timing is very low.
08:48So, the timing of our timing is very low.
08:56But no.
08:57Is it the ultimate?
08:58Yes, the ultimate is that we have to take a discussion with the character.
09:05We have to take a look at the three or four minutes.
09:09But when reading or workshop started, I wanted to take a look at the shooting.
09:13So, Siddharth was the first person who said,
09:18I had a great experience for you.
09:23My third film came.
09:25Overall.
09:26But Siddharth has done a lot of work.
09:28And I said,
09:29Here we have to change our chemistry.
09:34We have to change our chemistry.
09:36So, what is it?
09:38I wanted to say,
09:39That the rules of our mother will start.
09:43So, that's how we take our skills.
09:43So, you see,
09:43Our mother will come to us.
09:47That's how you will have such a great love.
09:48And the children of our mother came.
09:49This is the love of our mother.
09:50That's the important factor.
09:51We have to discuss all these,
09:52But we have to work in our own and our own.
09:57We have to work in our own.
10:02We have to work in our own.
10:06And we have to work in our own.
10:08We have to work in our own.
10:10My character, who is Siddharth's character in this film,
10:17is very strong and strong.
10:20If we are Siddharth's character,
10:23then we are very important people,
10:27and we are very important people.
10:30So, if we don't like this,
10:32then we will hang out together.
10:35And we will give it a form.
10:36We are very important.
10:37We have our chemistry in the film.
10:41And in fact,
10:43we have a lot of chemistry.
10:46We have a lot of chemistry.
10:48And I mean,
10:50I mean, shooting only is one of the first two years,
10:53and every 24-year-old is one of the first two years.
10:56And I have learned chemistry and learned from that.
11:01People have experienced this.
11:02Because we are one of the first two.
11:04We have a lot of shooting.
11:06And lunch, dinner,
11:09and Nantarcha Gappa.
11:11Swimming.
11:12Swimming.
11:12And we all have friends.
11:17We have a lot of friends.
11:18And we have a lot of relations with Ayesha.
11:22So,
11:23we have to reflect on the screen.
11:26So,
11:26we have to do that.
11:28So, we have to do that.
11:30So,
11:30we have to do that.
11:31We have to do that.
11:33So,
11:33we have to do it.
11:34So,
11:35you have to do it.
11:36You have to do it.
11:36We have to do it.
11:37TV.
11:38Television.
11:40Oh,
11:41Oh,
11:42yes.
11:42yes.
11:42Yes.
11:42It's very good.
11:45Now,
11:46I have a serial boss.
11:50I really enjoyed playing.
11:53And if you have any questions,
11:56I don't know if you know this or not.
11:58But I was the boss and I had a cat all the time with me and even in interviews I
12:08used to make people tick whether they had cats or not.
12:14If they didn't have cats, they didn't have cats.
12:18But if you don't have to do this work then you don't have to.
12:21So they were very interesting. And Manwa Naik was herself such a strong lady, boss.
12:32So she made sure that it was a kitchen drama or not in a sale.
12:36And she kept the character headstrong all the time.
12:41And you maintained the track forever.
12:44I didn't get into it but I didn't get into it.
12:47I didn't get into it.
12:49So there's a change in television.
12:54There's a different role in the deaf, which is different.
12:59But I think I would love to play.
13:02First of all, what's your story in cinema?
13:04What's your story?
13:07What's your story?
13:07What's your story?
13:08What's your story?
13:09What's your story?
13:09What's your story?
13:10And you're also a cat person.
13:13You're also a cat person.
13:14You're also a cat person.
13:15You're a full animal lover.
13:17You're a cat person.
13:19You're a cat person.
13:19I'm a labrador.
13:20I'm a labrador.
13:21I'm trying to explain.
13:24But do you want to change your mind?
13:29As Sid told already that I'm a good boss.
13:32play karte hai so when director Sarana bhaetli, I can see that you know independent strong
13:44boss lady vibes in you and she is a daughter of a very big person in the film and she's
13:50a very you know young aspiring very headstrong girl which I think it resonates with my some
13:56traits in my life and then I also had to bring a lot more to the character you will see
14:03in the film
14:03to me but that's because there much more comedy create karate and in Sid's life he has his old
14:12friends and the bond which is so important for him and then when he comes to his work life how
14:18he is
14:18as a person and how I am looking at him and it's just the whole you know like the whole
14:24boss and
14:26his her employees relationship is what comedy we have created in the work life of Sid and I was
14:37very happy Kimala you know you already chan star cast where were cast killer and I was the this is
14:43my
14:43second film but as like we are like an ensemble lead cast so it would be again my first because
14:50I did
14:51full Rani so I was the parallel lead with three other so that was also very good experience
14:56so
14:58oh Mala Sid Baruwar he's such a good dancer by the way Ameena amshi night shift hoti uh his song
15:05sati and
15:06uh Mala Tithet manje steps de le he choreography a he and they like okay you'll do it I was
15:12like yeah
15:12we'll do it but we have to do it when we have no other option but uh he's like he's
15:20like no
15:21we'll do it you just stand in front of the camera you do anything you look good I was like
15:25you know
15:26definitely which is kai wadzatunaghi but this but uh he said that to me yesterday but I was like but
15:36I want
15:36to learn like you know I mean I'm not a dancer I'm an actor but uh I've always liked dancing
15:41so
15:42uh but uh night shift I mean a karatari te gana shoot ke I think uh it was one of
15:48the most challenging
15:49yet the most fun uh shoot um yeah I tumhi gana bhai la
15:55maradi beauty so I really like ki you know um how it is looking and feel of the song so
16:04me
16:05I'm just excited I'm movie bagayla and I'm just a trailer launch so we're really really excited for
16:12that like it Tejo suja kadi in omkarari tuza manje tumhi adhi basun ekpengarana orkhata ta ta ta ya
16:17both the
16:20definitely
16:20uh
16:23um
16:24expod um
16:29so um
16:31zhwan mitca
16:32path
16:32valley
16:34a
16:36comments
16:36a
16:45i
16:4610 minutes.
16:47You have to do one thing.
16:49If you want to select one thing.
16:51And you have to play one thing.
16:56Oh.
16:56Father of psychology.
16:58And I was just doing theatre.
17:03And I was a fan.
17:06I was a fan.
17:10I was a monologue at the University Youth Festival.
17:16And then, I was told that.
17:18I was a girl who has done a job.
17:21As I had done it.
17:23We are not a very gutted work.
17:25So, we have to play one thing.
17:29And a lot of people wanted to play one thing.
17:33And one thing we were taught about the apartment.
17:36Where we are out for a shooting in Puneach.
17:39And we have a large hall from this hotel.
17:42But now, I'm going to be a good job.
17:46We will be a good job.
17:49I'm going to be a good job.
17:51I'm going to be a good job.
17:52We'll be a good job.
17:54I'm going to be a good job.
17:55OK.
17:56But I've been doing a lot of fun.
18:00And I'm not going to be here today.
18:04I'm getting updates on my phone.
18:06I'm getting updates on my phone.
18:09I'm not actually related to this art.
18:11But in such a way, it's a lot of fun.
18:15I love it.
18:17Bageshwin, where did you go to Shewat and Solapur?
18:22In many months.
18:26Solapur is the same as Pani Puri.
18:30I can tell you about the rest of the Solapur.
18:34Mumbay's Pani Puri compared to Solapur's Pani Puri.
18:37It's a lot of fun.
18:39So, people have a lot of fun.
18:44It's a lot of fun.
18:47But in Solapur, it's a lot of fun.
18:49It's a lot of fun.
18:50I'm a special fish.
18:53I'm going to drink water.
18:55It's a lot of water.
18:57It's a lot of water.
18:58It's a lot of water.
19:00It's a lot of spring onions.
19:04But specifically, where are you?
19:07So, I'm eating a lot of food.
19:09I'm eating a lot of food.
19:11There are lots of stalls and the rest of it.
19:14Because I'm also eating a lot of Solapur.
19:17I'm eating a lot of food.
19:21But I'm also eating a lot of food.
19:22But my go-to place was a lot of food.
19:26Because I don't have to go out.
19:28I think it's a lot of food.
19:30I'm going to shoot a lot.
19:32I think it's a lot of food.
19:34You're eating a lot of food.
19:37I'm eating a lot of food.
19:41They're trying to eat a lot of food.
19:45It would be my special skin.
19:49And I would spray it.
19:51I would be a little bit more like this.
19:57But it's like a soft skin.
20:02I guess.
20:02I guess there's a lot of things.
20:06I don't have any things.
20:07But I can't see it.
20:12She's got some dishes in the back of her hands.
20:15She's got some dishes in the back.
20:18She's got some dishes in the back of her.
20:20She's got some dishes in the back of her.
20:24But when the script comes to your hands,
20:27what do you think about the script?
20:32I'm going to sing a song.
20:35When I came to the script,
20:38I was going to sing a draft.
20:39I'm going to sing a draft.
20:41I'll give you a trivia.
20:43Kunal is our writer.
20:45Sushil Mahadev is our show.
20:48Avinash Sharma is one of the producers.
20:52I'm also going to sing a call.
20:54I've heard something about this.
21:00I've heard something about this.
21:02It's not going to work.
21:03I've heard something about it.
21:03It's not going to work.
21:08It's not going to work.
21:09It's like a call ended.
21:10Then the film is mean.
21:13I don't want to work.
21:15you've done two months.
21:17Two months.
21:18Then there is a lot of communication.
21:21Then we can say,
21:23I told you that I won't be able to read it, but I told you that I will re-write
21:32it.
21:33So, yes, I told you that I will read it and I will read it again.
21:40And I told you that I will read it again.
21:52We have a team.
21:54It's a good thing.
21:55It's a very collaborative journey.
21:59We have to try and try.
22:08Overall, it's a good thing.
22:11I've been a very long time for a comedy show.
22:15I have a lot of audience members who say,
22:21''Sir, why don't you do comedy?''
22:24I think they're doing comedy.
22:26I'm in the drama zone.
22:30I think that's true.
22:32I'm very interested in that.
22:33The new cast,
22:40the music,
22:41The music, the Marathi Beauty, the sound of Rohan Rohan, the mounting of our producers.
22:49I think that this film should be mounted to our level.
22:53It's a very good view.
22:56I have a very rooted view and a very good view.
23:00We have looks, costumes, production design.
23:07I don't know how many people are, but when I say, I'm learning about the Labrador.
23:15I'm learning about the Labrador.
23:16So, you're learning about the Labrador.
23:17I'm learning about the Labrador.
23:20So, Sata accept that.
23:27Manji, I'm not a Labrador, I'm a Vega Mandela.
23:31He would have been the same.
23:33It's what I'm saying.
23:34is the point. So, it doesn't matter if you have any icon, it doesn't matter if you have any icon.
23:43It doesn't matter if you have any icon, it doesn't matter if you have any icon, it doesn't matter if
23:47you have any icon.
23:48Actually, yeah. But what about you?
23:53So, I have to add a point that we have discussed it and the best part of this film is
24:01that every character was on the same page.
24:03So, there is no conflict between Kunala and Kaitri Vega.
24:09It doesn't matter. And there is a collective effort.
24:15There is no hierarchy.
24:18No hierarchy.
24:20In a certain genre, in a certain genre, there is a hierarchy as a whole.
24:26The current cinema works as a whole.
24:28It works.
24:29Right.
24:30There is no track.
24:35There is no track.
24:36There is no disjointed.
24:38I mean, Vaishnavi, we are all over Nauti.
24:42But in a certain genre, we are all over Nauti.
24:46But in a certain genre, we are all over Nauti.
24:49We are all over Nauti.
24:50I think that when we have to add energy, we have to add energy to the other person.
25:00And we are all over Nauti.
25:03We are all over Nauti.
25:03And we are all over Nauti.
25:03And we receive it.
25:05And we are all over Nauti.
25:07But we always think about what work is coming and not.
25:10We will work in the right place.
25:13That either, we will work well.
25:15That we will work well.
25:17I have to say that I am doing a lot of business.
25:20I have to say that I have to say that I am doing a lot of business.
25:24But I promise that I will not do anything.
25:29But it is a game of energy beyond comedy and medium.
25:36I will say that you will give a word.
25:39What do you say?
25:41You will give it a little.
25:42What do you say?
25:45Mitra!
25:46Asra, Manzhar.
25:50Mitra Manzhar.
25:53That was a wrong question.
25:54Myitri is very good.
25:56I am thinking about it.
25:59I am thinking about it.
26:03I am thinking about it and making myitra small.
26:07I am thinking that you are not going to be a good one.
26:12So personally, I have connected every time.
26:17I mean, today I am connected to my Bhagyashree, I am connected to my Siddharth, I am connected to my
26:21Vaishnavi.
26:25Even, Sahaja Ji Sir is very big.
26:27I mean, Sahaja Ji Sir is in the set where we are,
26:30we have our own own own own own own own own own own own own own own own own own
26:36own own own own own own own own own own own own.
26:38My friend and mate He is not like, we are going to live in company but we will hang out
26:46to them.
26:47I am like the same guy now to what name I think and how many friends will flow there?
26:49He is like三odas.
26:52More than that, even a lot of other friends.
26:55He has already been tohaven and Zubhangha Shree.
26:56His friends are like, please speak speak.
27:03No,まitri.
27:05Come on.
27:06Manzar, Maja Sathhi, Maja Pahili Marathi Firm.
27:12Oh, Marathi Padaraband?
27:13Padaraband, yes.
27:15Bagyash.
27:23Atisha, strong mulgi.
27:26Okay.
27:27Oh, that's a reason.
27:29That's because I have a lot of years.
27:31And obviously, this maitri has a lot of personal.
27:37Obviously, we have a lot of personal.
27:40But all the icons are here.
27:45And when it comes to the conviction,
27:48I feel proud that we are a maitri.
27:52I feel confident that Ayusha is a person.
27:54Please, he might give me a strong life.
27:57And there's a statement is that Ayusha
27:59of that daily importance,
28:03at which Ayusha will continue,
28:05what are we doing?
28:07He said that he was very clear and he was willing to buy.
28:13There is no doubt that there is a difference of opinion.
28:17There are some things in there.
28:19There are basic things in there, but he was passionate.
28:22And now I am here.
28:24I agree to disagree.
28:28I agree to disagree.
28:30But she is not afraid to say that she is a good person.
28:39Actually, she is a good person.
28:43Don't worry, elaborate.
28:49Marathi cinema.
28:51Okay.
28:55Very close to my heart.
28:58Because my first film is Marathi Sothi.
29:00And this is my second film.
29:02And I hope that Ashit is going to be a journey.
29:08And Marathi cinema...
29:12Manzar?
29:12Me, I think.
29:15Manzar is one of the things in Marathi cinema.
29:18The audience is ready.
29:20Because of the comedy.
29:22But this film is a great film.
29:27Friends, family, kids.
29:30Everybody.
29:30So, why would you like to watch the theater?
29:33It's a clean comedy film.
29:35And I think Marathi is a great film.
29:38So, we are very excited.
29:40Yeah.
29:40Yeah.
29:42I would like to say.
29:43I mean, clean comedy.
29:45I mean, the time has not been for a long time.
29:48So, I would like to say.
29:53Original story.
29:55No one else.
29:56No one else.
29:57No one else.
29:57No one else.
29:57No one else.
29:58This is not a remake.
29:59Or adaptation of any kind.
30:02Yeah.
30:04So, thank you so much guys.
30:06Ani, all the best.
30:07Yes.
30:07Yes, we'll be able to enjoy our family's lives.
30:12We'll be able to enjoy our family's lives.
30:14We'll be able to enjoy our family's lives.
30:18And enjoy it.
30:21Yeah. And what are other people who want to love?
30:24How do we plan to get to the family's lives?
30:26We're just doing promotion.
30:28I mean, it's just a very good thing.
30:32We've got to go home to the family's lives.
30:35because we have very many people, like in the room.
30:39So, I think we'll just have a delight.
30:40Oh, this is the first time.
30:41Thank you so much.
30:43Back to food.
30:46I wish I was hungry.
30:49I can't give away.
30:50I hope I can give away.
30:51I don't like it.
30:55I want to give away some fun things.
30:56I don't want my first time.
30:58It's supposed to be a fun thing.
30:59That's so much first time happening.
31:00Experience, experience, high experience.
31:11Thank you so much, thanks a lot.
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