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Every year, a small Spanish coastal town creates something extraordinary — only to watch it disappear days later.

In northern Spain, a community of around 11,000 people spends 10 months designing and building monumental flower-covered sculptures, growing the flowers themselves and preparing thousands of blooms for one spectacular celebration.

Then comes the final rush: in just 72 hours, freshly cut dahlias and other flowers are pinned onto the floats by hand. Some sculptures can carry up to 180,000 individual flowers.

The festival’s origins date back to 1908, when a celebration involving local fishing guilds evolved into one of Spain’s most remarkable cultural traditions.

What makes it even more fascinating is that the flowers are not preserved. They fade, turn brown and disappear shortly after the parade.

So why would an entire town spend nearly a year creating something designed to vanish?

This video explores the history, craftsmanship, community and surprising reason behind Spain’s spectacular flower festival.

Watch until the end to discover why its temporary nature may be exactly what keeps this tradition alive.

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00:00Three in the morning, a pair of hands pinning one flower into cork.
00:05They'll do that 180,000 times before Friday afternoon.
00:11This is a fishing town on the Cantabrian coast, about 11,000 people.
00:17Every year they grow their own flowers, build monumental sculptures, and cover them by hand in a single night.
00:24By Saturday, all of it is brown, and then it's gone.
00:30Ten months of work, and nothing survives the weekend.
00:33They knew that before they started.
00:36By the end of this, you'll understand exactly why they choose it that way.
00:40Every year, on the last Wednesday of August, one Spanish town spends an hour destroying its own food, on purpose.
00:5020,000 people, well over 100 tons of overripe tomatoes.
00:55You know this one, most of the world does.
01:00Two days later, the last Friday of the same month, a town on the northern coast does the exact opposite.
01:07And hardly anyone outside Spain has heard of it.
01:11A dozen monumental floats, covered across every centimeter in fresh flowers, pinned on one at a time, by hand.
01:19The town has about 11,000 residents.
01:23Across the festival week, something like a quarter of a million people come.
01:2820 visitors for every person who lives there, on a coast most foreign visitors to Spain never see.
01:35Which raises a question the flowers don't answer.
01:40Where did this come from?
01:43It didn't begin as a celebration.
01:45It began as a complaint.
01:48Summer, 1908.
01:51Representatives of three fishing guilds on the same bay go to see the king.
01:56Their problem isn't sentimental.
01:59Large trawlers are wiping out the small boats.
02:02And as part of it, the guild dresses its rowing boats.
02:0725 of them.
02:08Flowers, garlands, streamers.
02:11A gondola called La Argentina takes the prize.
02:14Because the king is watching, half the coast turns out to watch with him.
02:21That's the accident.
02:23The protest gets absorbed, and the spectacle outlives it.
02:27Then it changes hands.
02:30The summer families are arriving on this coast, and the earliest floats are dressed with flowers cut from their own
02:36gardens.
02:37They commission the work.
02:39Their children ride on top of it.
02:41It stops once, for the civil war.
02:44When it returns, the competition rules and the look of the floats have both been reset.
02:51And then it changes hands one final time.
02:54The wealthy families stop riding.
02:57The designing passes to local craftsmen, the carochistas.
03:01And it never leaves them again.
03:04So you know who owns it now.
03:07But that still doesn't explain the strangest decision in the whole thing.
03:12Why build any of it out of something that dies?
03:17Start with the part that makes sense.
03:19The work takes ten months.
03:22A crew designs a theme, builds an iron and timber frame, sculpts the figures on top of it.
03:31The sculpting material changed everything.
03:35It used to be wood and plaster, heavy, limited.
03:38Then, in the 70s, synthetic cork.
03:41Light enough to build big.
03:43That is why these floats became monumental.
03:46Not ambition.
03:48Material.
03:50Second piece.
03:51They don't buy the flowers.
03:53They grow them.
03:54The fields around the town are sown with dahlias and clavellones in chosen color varieties,
04:00picked for what they'll look like pinned next to each other.
04:02So the palette isn't decided in a workshop.
04:06It's decided a season earlier, in soil.
04:09Here's where it gets interesting.
04:11Ten months of framework.
04:13A whole growing season of color.
04:15Every part of this is slow.
04:18And then the third piece contradicts both of them.
04:22The flower has to be cut in the three days before the parade.
04:26Any earlier, and the color is gone before it reaches the circuit.
04:30So the freshness is guaranteed by the deadline.
04:33And the deadline is not negotiable.
04:36Which means the slowest craft in Spain ends in a sprint.
04:41Ten months of building.
04:43Seventy-two hours of flowering.
04:45Everything you will actually see happens last.
04:49So now you have all three pieces.
04:52Ten months of structure.
04:53A season of color.
04:55And three days to put them together.
04:58Which is why the night before looks like this.
05:02A single float can carry between 150 and 180,000 flowers.
05:08Every one pinned on by hand in the hours before it rolls.
05:12Not machine-placed.
05:14Not pre-assembled.
05:16Pinned.
05:18And the whole town is doing it at once.
05:20Because the whole town is working to the same deadline.
05:23And the deadline came from the flower.
05:27Crates of cut dahlias.
05:29Adhesive.
05:30Salt air off the bay.
05:32A brass band three streets away.
05:35Three generations of the same family on one float.
05:40Now, here is the part that should not work.
05:44The doors are open.
05:46From eight in the evening, the workshops let anyone walk in and watch.
05:50No ticket.
05:52No barrier.
05:53No backstage.
05:55A town of 11,000 people opens its workrooms in the middle of the night and lets strangers watch it
06:02finish.
06:03And every person in those rooms knows exactly how long this is going to last.
06:09They cut it three days ago.
06:12For that reason.
06:13And here's where the three pieces clicked together.
06:18Finally.
06:19Into one answer.
06:22Something that dies in two days cannot be manufactured in advance.
06:27It cannot be subcontracted to a company somewhere else.
06:31It cannot be stockpiled, sold on, or put in a museum.
06:36It can only be made here.
06:38By the people who are here.
06:40In the last 72 hours.
06:45That is why the designing could pass to the carosistas and stay with them.
06:49The material made the work impossible to take anywhere else.
06:53The flower isn't the decoration on this festival.
06:56The flower is the reason the town still owns it.
07:00By Saturday, it's gone.
07:03Brown at the edges, then finished.
07:05Nothing is kept.
07:07And that was always the point.
07:10So, the next time someone tells you a festival is just a party, ask what it's made of, and how
07:17long it lasts.
07:19If you want the other half of that week in Spain, the tomato fight, and why a town of 10
07:25,000 agreed to be buried in fruit once a year, that explainer is next.
07:31Nothing here was built to survive.
07:34That is why it's still here.
07:40For more stories like this, like, follow, and subscribe to Daily Hunt.
07:50Subscribe to OneIndia and never miss an update.
07:55Download the OneIndia app now.

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