- 6 weeks ago
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00:00:00The End
00:00:38The End
00:01:22Why do these boats always have to dock in a cold gray door?
00:01:25Yeah, there ought to be a law making them stay out there.
00:01:27It'll have to breakfast anyway.
00:01:28Don't worry, Barney.
00:01:30After the day, you'll be shooting that one-eyed monster of yours for Uncle Sam.
00:01:33Yeah, and you'll be seeing plenty of cold gray dawns then, brother.
00:01:37And you'll find out that the signal cord, there's a lot of other things besides cord signals.
00:01:41After 10 years in this record, it'll be a vacation.
00:01:45A sinful soul, isn't he, boys?
00:01:48Woo!
00:01:50Woo!
00:02:03Well, what do you think of that?
00:02:08Sounds facey to me.
00:02:22You're Dr. Randall, no?
00:02:25Yes.
00:02:25You're here to meet Agatha Brewster, aren't you?
00:02:28Well, I...
00:02:29I thought so.
00:02:51You're Carter of the Globe Tribune, aren't you?
00:02:53Uh-huh.
00:02:55Say, there's a woman on that boat with the name of Agatha Brewster.
00:02:58Yeah?
00:02:58What about her?
00:03:00Ghost hunter.
00:03:02She's a sister of that missing Dr. Brewster.
00:03:05Good story.
00:03:07A great story.
00:03:09It's a pip.
00:03:18Hey, what gifts?
00:03:20Jeff, trying to sell your bootleg gas?
00:03:23Well, no, a schoolboy, I guess.
00:03:32That's her over there with the fur piece.
00:03:36George.
00:03:37Agatha, I'm awfully glad you're here.
00:03:41Come on, Barney.
00:03:43George, it's terrible.
00:03:45What happened?
00:03:45Miss Brewster?
00:03:46Yes?
00:03:46I'm from the Globe Tribune.
00:03:48Well?
00:03:48Miss Brewster's too upset over her brother to give an interview right now.
00:03:51Yes, another time.
00:03:52Oh, well, may we have a picture?
00:03:54Go ahead, Barney.
00:03:55A pretty smile now.
00:03:56Smile?
00:03:57Oh, excuse me.
00:04:00Thanks.
00:04:01How about that interview?
00:04:01When may I see you?
00:04:02Oh, some other day.
00:04:04The next week.
00:04:05Where?
00:04:05Miss Brewster will phone you.
00:04:08Don't let her give you the brush off.
00:04:10It's a great story.
00:04:11Hey, what is this?
00:04:13Anyway, excuse me.
00:04:15That's right.
00:04:16If he'd only have listened to me, all this wouldn't have happened.
00:04:19But what about the police?
00:04:21Haven't they been able to trace him?
00:04:22Fortunately, no.
00:04:24Fortunately?
00:04:24Yes, very fortunate.
00:04:27Agatha Jim isn't lost except to this world.
00:04:30He's hidden away at Springdale in the old mansion.
00:04:33He'd be better off in the family cemetery plot.
00:04:36George.
00:04:37I'm sorry, but it's true.
00:04:39But what?
00:04:40Six months ago, we made an astounding discovery.
00:04:43It was so far in advance of anything that's been done to date,
00:04:47but Jim decided to be the guinea pig for this experiment himself.
00:04:54I tried to talk him out of it,
00:04:55but you know how stubborn he is when he gets an idea in his head.
00:05:00We made the experiment,
00:05:01and unfortunately, it was a great success.
00:05:06So great, in fact,
00:05:08that we've been unable to counteract the results.
00:05:11And Jim, he's...
00:05:13He's still alive, isn't he?
00:05:16Yes.
00:05:17And the story of his disappearance was a fake?
00:05:19Yes, I put that out to cover the whole affair up
00:05:22so that if the worst comes to the worst,
00:05:25it'll save him a great deal of unpleasant notoriety.
00:05:28George, what does he...
00:05:32Prepare yourself for a great shock, Agatha.
00:06:11Sorry.
00:06:11If you had it...
00:06:11Don't put your hand on his head.
00:06:11Don't do your work on the very next person.
00:06:12I'm losing practice.
00:06:12This is the end of admiring time.
00:06:12You're losing your life.
00:06:14I'm losing your life.
00:06:14I know I better care.
00:06:14I'm losing my life,
00:06:24I warn you, it's frightful.
00:06:27Where?
00:06:27Where is he?
00:06:49Where is he?
00:06:52Oh!
00:06:53head off
00:07:15Please.
00:07:18Agatha.
00:07:21You shouldn't have brought her here.
00:07:27Stop shaking, Agatha.
00:07:29I won't hurt you.
00:07:31Oh, you poor boy.
00:07:35Open the door.
00:07:43Get back here!
00:07:55Close the door!
00:08:28What a mess they made of things.
00:08:33Luke.
00:08:34James.
00:08:35What a mess they made of things.
00:08:36Mike!
00:09:26I'm so sorry.
00:09:27You're welcome.
00:09:29If you leave the door, you're right.
00:09:29He will be the door.
00:09:29I'll be right back.
00:09:29You're right, Tom.
00:09:33Here you go, got to go.
00:09:34Man, you're right, Tom!
00:09:37How are you coming with that ghost yarn?
00:09:39I couldn't get a thing out of her at the boat.
00:09:41Now I'm going through the morgue.
00:09:43Boy, is she a screwy dame.
00:09:45I don't want that junk.
00:09:46I want a personal interview.
00:09:48And get me some more pictures. Good one.
00:09:50Barney's smell.
00:09:51I'm sending someone down to replace him.
00:09:54Name's Billy Mason.
00:09:55Okay, Chiefy.
00:09:57Now hop to it.
00:09:59And don't call me Chiefy.
00:10:01Okay, Chiefy.
00:10:07Going into the army has sure done something to Barney.
00:10:10Looks more like a ghost than a ghost hunter to me.
00:10:13Now just what could have happened to get such a piece of tripe?
00:10:18Well, it's out of focus.
00:10:21It's underexposed and overdeveloped.
00:10:24And besides, there are two pictures on the same negative.
00:10:26Is that all?
00:10:28Yes.
00:10:33Yes, sir.
00:10:34Take Miss Mason down to Carter.
00:10:35She's taking Barney's place.
00:10:37Yes.
00:10:37Well, thank you very much, Mr. Martin, for giving me the break.
00:10:40I'm sure I can...
00:10:41Ah, forget it.
00:10:42But remember, I'll be satisfied with just one picture on each negative.
00:10:45I'll do the very best I can.
00:10:51Mr. Carter?
00:10:59This is Billy Mason.
00:11:00Okay, sit down.
00:11:00Take the load off your feet.
00:11:01I'll be with you in a minute.
00:11:21Hmm.
00:11:26Hmm.
00:11:26It's so pretty nice.
00:11:28What went by when I wasn't looking?
00:11:33I see you know your perfume.
00:11:34I know that one. In fact, I'll never forget it.
00:11:36The first girl I met that used it, either.
00:11:38Was she nice?
00:11:39Yeah, but she lied to me.
00:11:41So?
00:11:42She told me her boyfriend was in boot camp.
00:11:47Okay, Mason, let's go.
00:11:56Mason!
00:11:57I'm Billy Mason.
00:11:59Huh?
00:12:00I said I'm Billy Mason.
00:12:02I'm taking Barney's place, whoever he is.
00:12:07Well, why didn't you say so?
00:12:09Come on, let's go.
00:12:27Where are we going, if I may ask?
00:12:30It's Springdale, the old Brewster home.
00:12:32If I interview a screwy old dame, he gets some pictures.
00:12:35Good pictures, I hope.
00:12:36Why the I hope?
00:12:37A good reporter generally gets an interview.
00:12:40I'm not worried about the interview.
00:12:41It's the pictures I'm worried about.
00:12:44Oh, I get it.
00:12:45Well, listen, Mr. Brisbane.
00:12:47You take care of your end of it, and don't worry about mine.
00:12:50My pictures will be as good as your end of you,
00:12:52and maybe a little bit better.
00:12:54Cocky little winch, aren't you?
00:12:55Well, I've had to hold my own against four brothers all my life.
00:12:58I guess I can handle a 4F like you.
00:13:014F, and what gives you the idea I'm in 4F?
00:13:04Well, I can't think of any other good reason you're not in uniform.
00:13:07Listen, baby, you're looking smack dab at a 14-carat 1A.
00:13:11No dependence, physically perfect, with a personal letter in his pocket from the President.
00:13:1530 days from now, I'll be Jefferson B. Carter, Seaman, Third Class.
00:13:19Oh.
00:13:20Oh, yes.
00:13:2130 days, half September, April, June, and Jefferson B. Carter.
00:13:24Well, I'll take back the part of it about 4F.
00:13:27But the rest of it still stands.
00:13:29Makes me wish I was in the Navy right now.
00:13:31That makes two of us.
00:13:33All right, sailor, shove off.
00:14:03All right.
00:14:06All right, sailor, withdraw the ship.
00:14:32All right, sailor, going sea from now, I won't wait.
00:14:33women
00:14:49when
00:15:00you have no idea what I have gone
00:15:02I've gone through in the last three months.
00:15:06Sometimes I'm perfectly normal, mentally.
00:15:11I sit for hours and hours, looking in the mirror,
00:15:17hoping and praying for the slightest sign of my physical change.
00:15:25And then it comes.
00:15:28Then I feel myself going back to the animal instinct.
00:15:34I try to fight it.
00:15:36I try to fight it with all my willpower.
00:15:41And I feel I can't lick it.
00:15:46I lock myself in there between
00:15:51and feeling that I might do something terrible.
00:15:57Oh, I can't stand it any longer.
00:16:01I can't stand it.
00:16:03Randall must hurt me.
00:16:05He must do what I'm asking him.
00:16:10What did you ask him to do, James, that he refused?
00:16:14I must have human spinal fluid injected into me.
00:16:19It's my only chance.
00:16:23Randall and I both agreed to it.
00:16:25It's the only way to counteract the A-fluid injection.
00:16:29But he won't do it.
00:16:32He won't do it.
00:16:34Please, James, please.
00:16:36I'll talk to George.
00:16:37I know he'll do anything to save you.
00:16:40I'll ask him.
00:16:42No, he won't.
00:16:44I pleaded and begged.
00:16:56James tells me you refused to help him any further.
00:16:58Did he tell you why?
00:16:59No.
00:17:00Then I'll tell you.
00:17:01I'd have to commit murder to do it.
00:17:03Murder?
00:17:04Yes, cold-blooded murder.
00:17:06You see, this spinal fluid, it might cure him.
00:17:08And there's a great possibility it wouldn't.
00:17:10It's just a chance, you know.
00:17:12That fluid must be taken from a living person.
00:17:15And the taking of it means instant death.
00:17:19Oh.
00:17:25Well, I must say the house matches the old girl of a tea.
00:17:29What do you mean?
00:17:30She's a ghost hunter.
00:17:31Did you say ghost?
00:17:33Yeah.
00:17:33Ever see any?
00:17:35Don't be silly.
00:17:36She has.
00:17:38No kidding.
00:17:39She's written books about him.
00:17:40She's been all over the world poking around in cemeteries and haunted houses.
00:17:44She just got back from a cook store of haunted castles in Europe.
00:17:48Come on, let's go.
00:17:54Oh, uh, get my can.
00:17:57That's your job.
00:18:03Oh, shut up!
00:18:04Stop that!
00:18:05Keep grabbing the cheddar!
00:18:17I'll kill you!
00:18:19Well, here's a chance for you to photograph a ghost.
00:18:23Very funny.
00:18:24Very funny.
00:18:41Let her see who it is.
00:18:43It may have lay any suspicions, those screams aroused.
00:18:46Jim has probably seen who it is in the televisor.
00:18:49He won't give himself away.
00:18:57Hello.
00:18:58You remember me?
00:18:59From the boat?
00:19:01Jeff Carter?
00:19:02Oh, yes.
00:19:03Uh, this is Billy Mason.
00:19:04I brought her along, uh, to get some more pictures.
00:19:07The others were, uh, they weren't good.
00:19:09Well, uh, I'm afraid it's too dark in here for pictures.
00:19:13Oh, no, it'll be perfectly okay.
00:19:15Oh, sure, it's okay.
00:19:16She makes pictures in tunnels.
00:19:19Don't you?
00:19:20All right.
00:19:20Come in.
00:19:31I'll be going, Miss Brewster.
00:19:32Just keep on with the prescription I gave you.
00:19:34Oh.
00:19:35Oh, I will, Doctor.
00:19:39Won't you come into the library?
00:19:46If you don't mind, Miss Brewster, I'd like to know a little more about your work, your
00:19:49books, etc.
00:19:50I think our readers would be interested.
00:19:52Oh, certainly.
00:19:53Won't you sit down?
00:19:55Thanks.
00:20:00I hope you'll pardon the appearance of this room, but I don't dare change a thing.
00:20:05The entities that haunt this house would not appear.
00:20:08They despise improvements.
00:20:11Cling only to the old familiar surroundings.
00:20:15Do you mean this house is really haunted?
00:20:17Certainly, child.
00:20:19All houses are haunted.
00:20:21All persons are haunted.
00:20:23Throngs of spirits follow us everywhere.
00:20:27We are never alone.
00:20:29This room is crowded right now.
00:20:33I don't see anything.
00:20:35Oh, you can't see them.
00:20:37Any more than you can see the wind.
00:20:40But they can destroy you if sufficiently enraged.
00:20:45Most spirits are honest, gentle and kind.
00:20:49And only want to bring happiness to humans.
00:20:52But a few are evil.
00:20:57And having been wicked in life, are wicked in death.
00:21:01And only haunt the scenes of desperate crimes, reveling in murder.
00:21:10That must have been the one we heard when we drove up, huh?
00:21:12Yes.
00:21:13You heard it?
00:21:15Is it here?
00:21:16Right here?
00:21:17Oh, no.
00:21:18That's what I brought from Scotland.
00:21:20On a phonograph record.
00:21:22No kidding.
00:21:23I thought I heard everything.
00:21:24Would you like to hear it?
00:21:27Well, what can we lose?
00:21:46This spirit in Scotland is known as the galloping ghost of Glen Raven.
00:22:14What's that?
00:22:18Oh, no, no, no.
00:22:30Does it bother you, child?
00:22:32Oh, no.
00:22:33I just won't sleep all night, that's all.
00:22:35Suppose we get the picture before Miss Mason passes it out, huh?
00:22:38Certainly.
00:22:39Now, listen, Miss Brusser, you stand right over here by the phonograph,
00:22:41and you hold this record.
00:22:43Hold it like that.
00:22:48Beautiful.
00:22:49All right, honey, come on, come on, get yourself together.
00:22:51All right.
00:22:57Thanks very much, Miss Brusser.
00:22:59Oh, just a moment.
00:23:00One more seated, please.
00:23:01Oh, yes.
00:23:02Do you mind?
00:23:02Well, I'm going to sit down.
00:23:03I'll take the galloping ghost.
00:23:05Now, you sit there and try and give me a pose like you were hunting for a ghost.
00:23:09That's it.
00:23:10Get it.
00:23:14That was very kind of you, Miss Brusser.
00:23:16I'll send you a couple of those pictures of it.
00:23:18You look great.
00:23:18Come on, honey, let's go.
00:23:27I'll send you a copy of the article.
00:23:29I might want to check with you later.
00:23:30May I come out again?
00:23:32I guess so.
00:23:33But please phone me first.
00:23:35Oh, certainly, certainly.
00:23:36Thank you very much.
00:23:37Well, goodbye.
00:23:48Jane, are you mad to come up here?
00:23:52What did Randall say?
00:23:53He will not be a party to a murder.
00:23:57He's going to let me go through life like this.
00:24:06I told you he wouldn't help me.
00:24:09I told you.
00:24:15Hey.
00:24:16Huh?
00:24:16Are you going to town?
00:24:18Yeah.
00:24:19Fine.
00:24:21Go right ahead.
00:24:26That couldn't be the galloping ghost himself, could it?
00:24:29Even if I felt all right, that wouldn't get a laugh out of me.
00:24:32All right, let's go.
00:24:33If you've got any gas.
00:24:38What a lot of hoey.
00:24:40The galloping ghost, huh?
00:24:42I wonder who she thinks she's kidding.
00:24:44Meaning what?
00:24:45Did that record sound like the noise we heard when we drove up?
00:24:49Come to think of it, no.
00:24:52Darn all right.
00:24:54Well, there's something screwy about the whole thing.
00:24:57I feel it in my bones.
00:24:59Maybe it's rheumatism.
00:25:01Yeah.
00:25:05I might have known.
00:25:08After all these years of cooperation,
00:25:10leaving me to die like this,
00:25:13that you won't get away with it.
00:25:14Oh, please, James, something will.
00:25:16Oh, leave me alone.
00:25:18Go on.
00:25:19Get up.
00:25:20Get upstairs.
00:25:20I want to think.
00:25:22Oh.
00:25:22Get out, Orr.
00:25:24Oh, all right, James.
00:25:25Come on.
00:25:35Oh, God.
00:25:40Oh, God.
00:25:45Oh, God.
00:25:48Oh, my God!
00:26:24Oh
00:27:09Are you completely insane how did you get here that's our experiment is stopping you tricks are you alone?
00:27:16No, my butler is somewhere around. Why did you take such a chance?
00:27:20I had to George. I had to. I'm desperate. You must help me. Get me that fluid.
00:27:25Do you realize what you're asking me to do? Murder?
00:27:28Oh, call it what you like. Call it what you like.
00:27:32But I must have that fluid. It's my life against somebody else's.
00:27:36And I don't want to live the rest of my life this way. And I won't.
00:27:43I'll... I'll...
00:27:51Yes? Someone from police headquarters to see you, sir.
00:27:54All right. Ask him to wait in the library. I'll be right there.
00:27:58Very good, sir.
00:28:01You suppose anybody saw you come in here?
00:28:03No, I'm sure not.
00:28:04Stay right here. Don't take a chance. I'm leaving.
00:28:16Oh, the captain sent me over to get some more dope on that Bruce's disappearance case.
00:28:21But I've already told him all I know.
00:28:23Well, there's a few things I'd like to check on.
00:28:26Very well.
00:28:28Well, the last time you saw him was Thursday. Is that right?
00:28:32Yeah.
00:28:50Come here!
00:28:52Go, go, go.
00:28:53Ho, ho, ho.
00:28:54I'm ready.
00:28:56I'm ready.
00:29:09Warned you?
00:29:10Huh?
00:29:11Uh, you were very closely associated with Dr. Booster.
00:29:14Warned you?
00:29:15Oh, yes.
00:29:16Yes.
00:29:17Oh.
00:29:34Hello, Townsend.
00:29:37Dr. Booster.
00:29:39Yes.
00:29:41Dr. Booster.
00:29:59Dr. Booster.
00:30:00Hmm, I see.
00:30:15Perhaps I could drop in tomorrow sometime and...
00:30:18Oh, there's just a few more things.
00:30:20Uh, where do I get this down?
00:30:36Oh, I guess that's all.
00:30:37Thanks a lot, Doc.
00:30:38Not at all.
00:30:40Oh, Abiel.
00:30:41Think of anything else in connection with Dr. Booster.
00:30:43Let us know.
00:30:44Looks like we sure can use a lot of help on this one.
00:30:47All right, I will.
00:30:48Okay.
00:30:50Goodbye.
00:31:33Get me the police.
00:31:35Did you have any callers tonight?
00:31:37No one but one of your men.
00:31:38Who was that?
00:31:39I don't know. I didn't get his name.
00:31:40Came about the Brewster case.
00:31:42When did you discover this?
00:31:43Right after he left.
00:31:46You mean this happened while a cop was in the house?
00:31:48Evidently. Townsend admitted him.
00:31:49Yeah? Where's Townsend now?
00:31:51Right there.
00:31:53Oh.
00:31:59How about it, Doc?
00:32:00Strangulation.
00:32:01And by someone with terrific strength.
00:32:03By the looks of the marks on his throat.
00:32:26Who ever did it, sure needed a haircut.
00:32:28Sure looks like it.
00:32:33Hello.
00:32:34Say, isn't that the guy we saw at Brewster's?
00:32:38He does look like him, doesn't it?
00:32:40Yeah.
00:32:41Here are those pictures.
00:32:42Okay.
00:32:44What's happened to him?
00:32:45Just lost his butler by strangulation.
00:32:47Cops are trying to pin it on an ape.
00:32:49Can you tie that?
00:32:50Here.
00:32:52Well, I see you've got something on the film anyway.
00:32:57Now, listen, old man, River.
00:32:59Uh-oh.
00:33:00Trying to pull a Barney, huh?
00:33:02What do you mean?
00:33:03Two pictures for the price of one again.
00:33:05Look at that.
00:33:06Where?
00:33:07Right there.
00:33:12Well, I never saw that before.
00:33:14What is it?
00:33:14How did it get there?
00:33:15It's like a gorilla to me.
00:33:17A gorilla?
00:33:18Yeah.
00:33:20Don't ever go.
00:33:22What heading does that come under?
00:33:23Trick photography?
00:33:24Is it a game?
00:33:25No, I didn't do it.
00:33:26But if it's in the picture, it was there when I shot it.
00:33:33Say, wait a minute.
00:33:35Maybe this is the galloping gossom Glenraven
00:33:37or whatever his name was in the flesh.
00:33:38Remember those sounds?
00:33:39Yeah.
00:33:40Is that the way a gorilla sounds?
00:33:41I'm not much of a tar there, but could be.
00:33:45So, the butler of the guy we saw there was murdered by an ape.
00:33:49I wonder.
00:33:50What are you going to do?
00:33:51Try to sell the boss a bill of goods.
00:33:52Don't you want me to go along?
00:33:53You stay right there.
00:33:54Say, maybe you're my lucky number.
00:34:16Randall, come yet?
00:34:17No, are you expecting him?
00:34:18Yes.
00:34:20I got it, I got it.
00:34:21I got it.
00:34:23What?
00:34:23The fluid.
00:34:24The spinal fluid.
00:34:26Does he know you've got it?
00:34:27Yes.
00:34:28That's why I expected him.
00:34:30He said he wouldn't.
00:34:31He didn't get it.
00:34:32I did.
00:34:34He's going to make the injection.
00:34:38If he refuses, I'll kill him.
00:34:42James.
00:34:44I mean just what I said.
00:34:46Very good.
00:34:51I've got it.
00:34:56I've got it.
00:35:04I've got it.
00:35:06Get it.
00:35:07Dr. Randall, in.
00:35:08Tell him he's wanted in surgery.
00:35:22Sounds kind of wacky to me, but go ahead if you want to.
00:35:25Thanks.
00:35:25Taking Billy Mason with you?
00:35:27Oh, no.
00:35:28I might have to do some second story work,
00:35:30and she might get a run in her stocking.
00:35:44Jim, do you realize what you've done?
00:35:46Yes, yes.
00:35:49What about it?
00:35:51I've got it, and I have a chance to be cured.
00:35:54That's more important.
00:35:55Even if it cost a man his life?
00:35:58Yes, it's my life I'm thinking about.
00:36:01But we're wasting time.
00:36:03Look, everything is ready for you to make the injection.
00:36:06Come, don't let's argue.
00:36:18Jim, I lied to the police to save you yesterday,
00:36:21and made myself almost as guilty as you are.
00:36:23But I won't incriminate myself any further.
00:36:26I'm through.
00:36:28Oh, no, you're not.
00:36:30Tretzel do you no good.
00:36:31If necessary, I'll go to the police and tell them the whole story.
00:36:35You'll do as James says.
00:36:38Go on, hurry.
00:36:39Ready, Doctor?
00:36:46Ready, Doctor?
00:37:28I can't go.
00:37:28I can't believe her anything.
00:37:31I spy her there, to go.
00:37:32I will mae her.
00:37:38Woven.
00:37:38User Terry.
00:37:38Anna Veeeeeeer.
00:37:53Oh, my God.
00:38:22Oh, my God.
00:38:39George, it works.
00:38:41Look.
00:38:43I can stand up straight.
00:39:28I can stand up straight.
00:39:40Just an old pest of a newspaper man again, Miss Brewster.
00:39:43I thought you said you'd phone before coming back.
00:39:46I did.
00:39:47But your phone seemed to be always busy.
00:39:50Or out of order, maybe.
00:39:52Have you tried your phone lately?
00:39:54It could be, you know.
00:39:55Oh, those things get out of order.
00:39:57Funny thing, I know a fellow that had a telephone that was always out of order.
00:40:02Well, uh, shall we, uh, go in with the galloping ghosts?
00:40:17You haven't given me much time to go with my notes, Mr. Carter.
00:40:20Oh, I'm not hearing that ghost business.
00:40:22No?
00:40:22No.
00:40:23My boss is saving that story for a sunny edition.
00:40:25But he does want me to work on your brother's case.
00:40:28Has the police got anything definite to report?
00:40:30No, he's completely disappeared.
00:40:32I don't understand it myself.
00:40:34It's, it's dreadful.
00:40:36Yeah, suppose work had anything to do with it?
00:40:38Uh, nervous breakdown or amnesia?
00:40:40Anything like that?
00:40:41I don't know.
00:40:42I was in Europe, as you know.
00:40:43I haven't seen him in over a year.
00:40:45But his work was difficult, wasn't it?
00:40:47Seems to me I heard something about his terrific experiments.
00:40:50Yes, he has a very scientific mind.
00:40:53Eh, just like my uncle.
00:40:55His house was always full of guinea pigs and rats, even monkeys.
00:41:00Big ones, too.
00:41:01Scared the delus out of my aunt.
00:41:03So?
00:41:04Yeah, one day she just up and left him.
00:41:06And I don't blame her.
00:41:08Just imagine that door right now and coming face-to-face with a gorilla.
00:41:15Oh, but I suppose you're used to that sort of thing.
00:41:18I understand that your brother did a lot of work on gorillas and apes.
00:41:23Didn't he?
00:41:24I wouldn't know.
00:41:25He never discussed those things with me.
00:41:29Well, I guess you can't be any help to me.
00:41:32I'll just have to dig up what I can for myself.
00:41:35Thanks.
00:41:40Oh, by the way, Miss Brewster, did your brother have a laboratory here in the house where he worked?
00:41:45Not that I know of.
00:41:46Okay, I thought maybe I'd find something there that might give me a lead.
00:41:51Well, thanks and goodbye.
00:41:53Goodbye, Mr. Carter.
00:42:00A very clever young man, that.
00:42:12George, do you think the fluid will cure James completely and permanently?
00:42:18I don't know.
00:42:19But it's useless for him to look to me for any more help.
00:42:23I warn you, I'll go to the police first.
00:42:31,
00:42:31,
00:42:32you
00:42:32,
00:42:32,
00:42:32.
00:42:33.
00:42:34Let's go.
00:43:21Let's go.
00:43:28Let's go.
00:43:33Let's go.
00:43:35Let's go.
00:43:40Let's go.
00:43:46Let's go.
00:43:48I gather.
00:43:51I must have moved.
00:44:02Let's go.
00:44:03That's it.
00:44:04I need more.
00:44:11Let's go.
00:44:12Let's go.
00:44:13Let's go.
00:44:13Let's go.
00:44:25Let's go.
00:44:27Let's go.
00:44:35Let's go.
00:44:45Let's go.
00:44:48Let's go.
00:44:48Let's go.
00:45:01Let's go.
00:45:02Let's go.
00:45:03Let's go.
00:45:04Let's go.
00:45:06Let's go.
00:45:07Let's go.
00:45:29Let's go.
00:45:54Let's go.
00:45:56Let's go.
00:45:58Let's go.
00:45:58Let's go.
00:46:01Let's go.
00:46:14Let's go.
00:46:26Let's go.
00:46:29Let's go.
00:46:47Let's go.
00:46:53Let's go.
00:46:56Let's go.
00:47:00Let's go.
00:47:26You see what we got?
00:47:29Plenty of it this time.
00:47:31Let me.
00:47:36Look, George, it's his only chance to become...
00:47:39Absolutely no.
00:47:40And don't call me again.
00:47:42The police have been here several times this week.
00:47:44They may trace the call.
00:48:02Well, what did he say?
00:48:04How soon will he be here?
00:48:06He's not coming.
00:48:09He's not coming?
00:48:10That's what he said.
00:48:12But he must.
00:48:14Food is all ready.
00:48:15It won't keep.
00:48:17Go.
00:48:18Tell him that, quick.
00:48:19It won't do any good.
00:48:20He won't do it.
00:48:22He won't do it.
00:48:26He won't do it.
00:48:27He won't do it, huh?
00:48:29All right.
00:48:30Yes.
00:48:31It doesn't matter.
00:48:32James, what are you going to do?
00:48:35If he won't come here, I'm going to him.
00:48:38But you mustn't.
00:48:39The police are watching him.
00:48:40I don't care.
00:48:41I'm going.
00:48:48James, please.
00:48:49Leave me alone.
00:48:50I'll kill you.
00:48:51Let me go.
00:48:52Let me go.
00:49:18Oh, it's you.
00:49:19Yeah.
00:49:20Were you expecting someone else?
00:49:22No.
00:49:23No, not either, sir.
00:49:24Come in.
00:49:29Mm-hmm.
00:49:30A little touch up on the hair, a new pair of lips, and you're as good as new.
00:49:33Where are you going?
00:49:34Back to my listening post.
00:49:36Roosters?
00:49:36Uh-huh.
00:49:37Can I go with you?
00:49:38Uh-uh.
00:49:39Well, why not?
00:49:39No place for little girls.
00:49:41There's too many snakes, frogs, and lizards.
00:49:43Big one.
00:49:44Big as alligators.
00:49:45And besides, if I have to run, I don't want to wait for you.
00:49:47Little?
00:49:48Oh, uh.
00:49:49Don't wait up for me.
00:49:53Whoa.
00:50:04Whoa.
00:50:21We're no nearer to the killer than we've were before.
00:50:25Yes.
00:50:26All right, we're coming in.
00:50:29Come on, Tim.
00:50:40Good night, Doc. Good night, gentlemen. Good night.
00:50:55All right, let's go.
00:50:57No, I've got a hunch he's expecting somebody. Let's wait around and see.
00:51:14I could kill you before they got here, so be careful.
00:51:19It's here, George. Plenty of it.
00:51:21Look, it's enough for half a dozen injections.
00:51:24This time it can't fail.
00:51:27Come on. Hurry.
00:51:45You're going to do it, you hear me?
00:51:48All right.
00:51:49Good.
00:51:51Here.
00:52:13What?
00:52:16You're going to shoot him after you got a shot.
00:52:18Henry, come here.
00:52:18You're gonna get up here, George.
00:52:18You're gonna get up here.
00:52:19You're gonna get up here, George.
00:52:22Are you gonna die?
00:52:24No, don't you?
00:52:27That's not true, George.
00:52:33Got it.
00:52:52Neck fried.
00:52:57George, we fifth!
00:53:03Who's going to what?
00:53:05Oh.
00:53:28Oh.
00:54:03Oh.
00:54:09Oh.
00:54:13Oh.
00:54:15Oh.
00:54:17Oh.
00:54:17Oh.
00:54:19Oh.
00:54:22Oh.
00:54:23Oh.
00:54:32Oh.
00:54:36Oh.
00:54:46Oh.
00:54:48Oh.
00:54:49Oh.
00:54:54Oh, my God.
00:55:35Oh, my God.
00:55:58Oh, my God.
00:56:15Oh, my God.
00:56:26Oh, my God.
00:56:37Oh, my God.
00:56:46Oh, my God.
00:56:49Oh, my God.
00:57:16Oh, my God.
00:57:44Oh, my God.
00:57:46Oh, my God.
00:57:59Oh, my God.
00:58:05Oh, my God.
00:58:41Oh, my God.
00:58:56Oh, my God.
00:58:58Oh, my God.
00:59:21Oh, my God.
00:59:39Oh, my God.
00:59:42Oh, my God.
00:59:58Oh, my God.
01:00:23Oh, my God.
01:00:26Oh, my God.
01:00:29Oh, my God.
01:00:35Oh, my God.
01:00:46Oh, my God.
01:00:48Oh, my God.
01:00:54Oh, my God.
01:01:29Oh, my God.
01:01:31Oh, my God.
01:01:33Oh, my God.
01:01:35Oh, my God.
01:01:43Oh, my God.
01:01:59Oh, my God.
01:02:01Oh, my God.
01:02:18You took her down in there, they can't open that thing.
01:02:20She knows how it works.
01:02:22Come on, make her open it up, quick!
01:02:24Jeff!
01:02:26All right, open it up.
01:02:33Oh, Jeff!
01:02:34Oh, Jeff!
01:02:34Oh, Jeff!
01:02:36Oh, Jeff!
01:02:38Oh, Jeff!
01:02:39Oh, Jeff!
01:02:46Jeff!
01:02:48Jeff!
01:02:51Jeff!
01:03:08Oh, James.
01:03:12James.
01:03:20You know?
01:03:23I'm going to put you over my knee and paddle you good.
01:03:26Don't be a chump.
01:03:30Hey, what are you doing in my car?
01:03:33Who are you anyway?
01:03:35Me?
01:03:36Oh, I'm the author of the story.
01:03:39Screwy idea, wasn't it?