- 2 days ago
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FunTranscript
00:00:28Transcribed by ESO, translated by —
00:01:34Hello, Johnny. What are you up to?
00:01:36I'm trying to get this down to the kitchen.
00:01:39Oh, hey, up them all.
00:02:04Hello?
00:02:09Hello?
00:02:19You missed your ferry.
00:02:20I don't know.
00:02:22How long have those tadpills been living in the bath?
00:02:24Hmm?
00:02:25Oh, there's a letter from Ardwick House.
00:02:27Well?
00:02:28No further cases of scarlet fever.
00:02:30Having been reported, the school will reassemble for the last three weeks of term on Friday next.
00:02:34Nothing about any remission of fees, I suppose.
00:02:37No, but you can claim from the insurance, can't you?
00:02:39Oh, that's where they're cunning.
00:02:40We aren't covered if John is merely in quarantine.
00:02:42Oh, well, don't sound as if you want him to have scarlet fever.
00:02:49Hello?
00:02:51Hello.
00:02:52Oh, it keeps doing that.
00:02:53I think they must be testing the line or something.
00:03:00Shut up.
00:03:02And you.
00:03:05Oh, I found this in the loo.
00:03:07What's the idea of entering up our washing in Morse Coe?
00:03:11Oh, it's the laundry book I lost.
00:03:12Johnny must have taken it.
00:03:14Oh, yes.
00:03:15John David Brent, Friday, 1950.
00:03:18Oh, he is naughty.
00:03:19I tell the laundry they must have lost it.
00:03:21Secret language of tramps.
00:03:24What's all this about?
00:03:25Mrs. Beale, 48.
00:03:27Miss Denton, 29.
00:03:29Daddy, 36.
00:03:30Oh, he had a burst of curiosity the other day
00:03:32about people's ages.
00:03:33I didn't dream he was writing it all down.
00:03:35Oh, do get on.
00:03:36I find that rather interesting.
00:03:38The subconscious desire to cling to one's youth,
00:03:40motivating the ego at the age of 10.
00:03:42Mrs. Brooks, 28.
00:03:44Ah, that's rich.
00:03:45Isabel Brooks?
00:03:46Oh, I shouldn't have said she was any more.
00:03:4835 of she's a day, dear.
00:03:50Heavens, I've forgotten your egg.
00:03:51I don't believe it.
00:03:52You must have got that from Terry
00:03:53and she'd hardly bother to lie about her age to her own son.
00:03:56And you call yourself a psychologist.
00:03:57How you ever managed to make a living.
00:04:18Hello there.
00:04:20What's the hurry?
00:04:21Getting up saying good morning to your father?
00:04:23Sorry.
00:04:25Morning, Daddy.
00:04:26Don't eat too fast.
00:04:27I'm not eating.
00:04:29Shut that window.
00:04:29You're sending a draft down my neck.
00:04:34I can't quite chat it or even cut off the carrot.
00:04:38What's the idea?
00:04:39I've got a bell running down to the kitchen.
00:04:42So when you're ready for your egg,
00:04:43you'll just press this button.
00:04:45Well, I'm ready now.
00:04:46I'm not.
00:04:47Have a sec.
00:04:49Wouldn't it be a bit easier
00:04:50if I just gave Mommy a shout?
00:04:51Well, anyone can do that.
00:04:54Nearly ready.
00:04:55Right, now push it.
00:05:00Something's shorting.
00:05:02I know.
00:05:02It must be this terminal.
00:05:04I lost the proper nut,
00:05:05so I had to borrow one off the gramophone.
00:05:07It's all right.
00:05:08I'll put it back.
00:05:09I know where it goes.
00:05:10Mind you do.
00:05:12Must you puff like that all over the toast?
00:05:15Nearly done.
00:05:17Right, now try again.
00:05:20And here comes my egg.
00:05:22Miraculous.
00:05:23Oh, Mommy, you've gone and spoiled it.
00:05:25Have I, dear?
00:05:26We'll see you get that mess out of the way
00:05:27before Mrs. Beale arrives,
00:05:28so you'll have her giving me notice.
00:05:30You can see that it works, though, can't you?
00:05:32Mm, certainly does.
00:05:34Do you know that when a dog's near a bell when it rings,
00:05:37it makes him thirsty?
00:05:38Where on earth did you get that from?
00:05:40I don't know.
00:05:41I just know.
00:05:43Oh, Johnny, dear,
00:05:44you'll never see your father sitting like that.
00:05:46Look, if you want something to do,
00:05:47you can go and get my shoes,
00:05:49the black ones.
00:05:49Here, take these.
00:05:54Any idea what time you'll be home?
00:05:57Only much before seven.
00:05:58I've got a meeting of the hospital board at five.
00:06:00Will you be wanting any more tea?
00:06:02Bound to if you take the pot away.
00:06:04These, then?
00:06:06Those are they.
00:06:07I wish I knew what I was paying 70 pounds a term for.
00:06:10Any new ships in?
00:06:12I don't know.
00:06:12Let's see.
00:06:15Yes, here we are.
00:06:16Empress of France due in today.
00:06:18Robert, you're going to miss another ferry
00:06:19if you keep dawdling.
00:06:21She's a Canadian Pacific.
00:06:23Can I come and see her?
00:06:24Only if you're ready now.
00:06:25I'm starting as soon as I finish my egg.
00:06:26Oh, it's my Stingwinkle.
00:06:34You've broken it.
00:06:35It's your own fault, Johnny.
00:06:36Your father's shoes are not the place
00:06:37to keep Stingwinkle's in.
00:06:39Now then, throw it away.
00:06:40Put your jacket on.
00:06:41Then you can go down to the beach
00:06:42and find another.
00:06:44Go on.
00:06:44Off with it.
00:06:48Daddy, can a fish be seasick?
00:06:50I've no idea.
00:06:51I shouldn't think so.
00:06:52Terry Smith said he ruffled the water
00:06:53in the goldfish pool
00:06:54and one of the goldfish was sick
00:06:56and I said I didn't believe him
00:06:57and, Daddy, look, try.
00:07:04Daddy, have you got a bit of chalk on you?
00:07:06No, I'm afraid not.
00:07:07Look, old man, I can't wait.
00:07:08Oh, it's all right.
00:07:09I've just found some.
00:07:23Secret language of tramps?
00:07:25Yes.
00:07:25How did you guess?
00:07:35What sign did you put on our case?
00:07:38Bad people keep away.
00:07:48There she is.
00:07:49That's the Empress of France.
00:07:52Daddy, can't I come across
00:07:53with you and see her properly?
00:07:56No, Johnny, it wouldn't be fair.
00:07:58You don't want to give another boy
00:07:58scarlet fever, do you?
00:07:59Come along, sir, please.
00:08:00So long, old man.
00:08:01So long.
00:08:08Try and keep away from other kids
00:08:10and if you have to go near them,
00:08:11put your hanky in front of your face.
00:08:14Blimey, not that ugly.
00:08:35Hello, nice dog.
00:08:37I'm afraid I haven't anything for you.
00:08:39No, nothing.
00:08:51What are you doing in my garden?
00:08:53I was just getting a bit of bread
00:08:54from that dog.
00:08:55Well, you've no right
00:08:56to come in here and steal bread.
00:08:57I put those crusts there for the birds.
00:08:59You're trespassing.
00:09:00Go away at once.
00:09:10What are you doing now?
00:09:13What's that?
00:09:15It's a secret language.
00:09:16I have no secrets.
00:09:18Talking on my gatepost.
00:09:19What does it mean?
00:09:21It means the lady here
00:09:23is kind and generous.
00:09:53It's a secret language.
00:09:54It means the lady here
00:09:57And that made the big bear laugh, and then I laughed, and he laughed, and I laughed, and then I
00:10:05think I woke up.
00:10:07That was a funny dream, wasn't it?
00:10:11All right, Sally, now you pop back into the waiting room and see if you can find a comic I
00:10:14hid there for you.
00:10:18She's been much better this week, Doctor.
00:10:20Just one little accident on Monday, but apart from that...
00:10:23Yes, we're getting along fine.
00:10:26Mrs. Mercer, I'd like your husband to come here and have a word with me.
00:10:29My husband? Oh, I don't think he'd be able to tell you about it.
00:10:32I'd like to see him all the same.
00:10:34This recurrent dream of hers about the big bear, it's quite clear to me that Sally's utilizing that bear as
00:10:41a symbol of her father.
00:10:43Really?
00:10:44That may sound a little odd to you, but it is an established fact that when a child experiences a
00:10:49peculiar fascination for some kind of animal,
00:10:51it's nearly always identifying that animal, subconsciously, of course, with its own father.
00:10:57Good morning, Mr. Pickering.
00:11:22Hello, Johnny.
00:11:26What are you doing that for?
00:11:28Tell me something else to do, and I'll do it.
00:11:32You've missed a bit there.
00:11:34Ta.
00:11:35Need a pair of spectacles, that's what I need.
00:11:38You'd be able to see better if you bawled little holes in your ears
00:11:41and stuck golden earrings in them.
00:11:43I fancy you knowing that now.
00:11:45Oh, it's what they used to do in the olden days.
00:11:47I read about it.
00:11:49Education's a wonderful thing.
00:11:51I wish I had more time for book reading.
00:11:54In the olden days, when they wanted to make a man confess,
00:11:58they'd wait till the tide was going out,
00:12:00then they'd cut open his stomach
00:12:02and tar a piece of cork to his insides.
00:12:05Trip on a boat, lady.
00:12:06No, thank you. Come along, dear.
00:12:11What's she trying to do? Ruin me?
00:12:14Go on, push off.
00:12:16Now go on, push off now.
00:12:31I don't know.
00:12:34I don't know.
00:12:37What's she looking after?
00:12:38And am I going out?
00:12:40What's she doing?
00:12:40What's she doing?
00:12:49How are we doing?
00:13:03I've got a magnet.
00:13:06Yes, and it's a jolly good one, too.
00:13:08Let me have a go.
00:13:13Where did you get it?
00:13:14Here?
00:13:16Want to swap it?
00:13:21I'll give you this golf ball for it.
00:13:25It's got two miles of elastic.
00:13:28Stretch it all out, and you'll have five miles of elastic.
00:13:33I'll give you the old golf ball and this potato.
00:13:36It's a very rare one.
00:13:39All right, swap for this.
00:13:43It's got a range of 25 yards.
00:13:46See your nanny over there?
00:13:48You could hit her from here with this.
00:13:51Come on, swap.
00:13:56Torch.
00:14:01I'll give you the pissed land, all these.
00:14:06Pfft.
00:14:08Pfft.
00:14:10Pfft.
00:14:12Pfft.
00:14:13Pfft.
00:14:15Pfft.
00:14:15Pfft.
00:14:16Pfft.
00:14:16Pfft.
00:14:16Pfft.
00:14:17Pfft.
00:14:18Pfft.
00:14:20Pfft.
00:14:23Will you swap it for my invisible watch?
00:14:32Show me.
00:14:42I can't see anything.
00:14:44That proves it really is invisible.
00:14:58Nan, Nan, look what I've got.
00:15:00Now, if you're bringing me another crab.
00:15:02No, it's a watch. Look.
00:15:04Well, I can't see anything.
00:15:06It's an invisible watch.
00:15:07Well, let me hear it then.
00:15:12It stopped!
00:15:39Boy, you give that back.
00:15:41He swapped it.
00:15:42I'll give you a swap.
00:15:43Hand it over at once.
00:15:44I gave him my invisible watch.
00:15:45Now, you stop telling Phib.
00:15:47He's got nothing of yours.
00:15:49Well, he's dropped it then.
00:15:51I'm coming to the end of my patience.
00:15:53You hand it over.
00:16:00You're a thief, that's what you are, just a little swindler.
00:16:04Stop!
00:16:05Stop!
00:16:30They'll be measuring you for a wooden overcoat.
00:16:32That's what Jack did.
00:16:34It also gave him a no-one.
00:16:49I had to keep it off.
00:16:49I've got you.
00:16:49I have to keep it off.
00:16:49I'll keep it on the other side of my side.
00:16:50I'll keep it on the other side of my side.
00:16:53I'll keep it on the other side of my side of my side.
00:17:01I'm coming to the side of my side of my side.
00:17:21Here, Sonny, you don't want to lose this, do you?
00:17:44Here, let's have a load of this, you've got something here, chum, come on, I'll show you.
00:17:50Here, let's have a load of this, do you want to lose this, do you want to lose this, do
00:18:19you
00:18:19Here you go, my beauty.
00:18:27That's a bit later.
00:18:32See? Easy.
00:18:37That's it.
00:18:40You can an eye out, aren't you?
00:18:43Back to the five.
00:18:45Now up to the three.
00:18:49And that'll do for you first.
00:18:51Come here. Fiddle it, would you? Give that here.
00:18:54I'll have you locked up for this.
00:18:55It's mine, it says.
00:18:56Yours, is it?
00:18:57No, you don't.
00:18:59Do you know what this makes you? A juvenile delinquent.
00:19:03Do you know what they do to juvenile delinquents?
00:19:06They send them to Morstel.
00:19:08Come on, go and find a copper.
00:19:15What's the big idea?
00:19:17I'm sorry, missus.
00:19:18He's caught you proper.
00:19:20Where's that policeman?
00:19:21I have a good mind to give you in charge.
00:19:23Get out of it.
00:19:58What are you up to, son?
00:20:01Look.
00:20:04Is he dead?
00:20:07Well, well, what's to do, my friend?
00:20:09Apios corpus?
00:20:10Imminent collapse of building?
00:20:11Or is the place merely on fire?
00:20:13This young man thinks you've got a corpse down there.
00:20:16Well, so I have indeed.
00:20:17Murder is a fine art.
00:20:19It's my great passion.
00:20:21Better take him along to the station, then, we, son.
00:20:23For shame when you're teasing the boy like that.
00:20:25Come on, lad.
00:20:26Come and meet my corpse.
00:20:27Come on, son.
00:20:28I'll look after you.
00:20:35Here he is.
00:20:36A fugitive from the waxworks.
00:20:38Used to be Queen Elizabeth, this fellow, before they turned him to Danny Kaye.
00:20:42I knew he wasn't dead, really.
00:20:44Oh.
00:20:46We nearly met a fate worse than death.
00:20:48When I rescued him last week, he was about to become Sir Stafford Cripps.
00:20:52Oh, I get it.
00:20:53It's meant to be an iron lung.
00:20:55Correct.
00:20:55The hospital asked me to make it for demonstration purposes.
00:20:58That's Corporation English for publicity.
00:21:01What's it for?
00:21:03Well, it's a thing they put sick people in when they can't breathe properly.
00:21:06It does the breathing for them.
00:21:07You see?
00:21:08Can I work it?
00:21:10Well, of course you can, and you may.
00:21:13How much is the real one going to cost?
00:21:15Oh, about 450 pounds.
00:21:17Can't you get one free from the National Health?
00:21:20We'll go far, this lad.
00:21:22No, son.
00:21:23St. Valentine's is what they call a disclaimed hospital.
00:21:26He doesn't come under the scheme.
00:21:28Well, I wish you luck.
00:21:29Here you are.
00:21:30You better put that towards him.
00:21:31Now, now, my friend.
00:21:32I didn't invite you down here to relieve you.
00:21:33Oh, that's all right.
00:21:35I'll be coming round later with tickets for the police ball.
00:21:39Good morning.
00:21:40Good morning.
00:21:41Good morning.
00:21:43I'm afraid I haven't got any money.
00:21:46Oh, don't you worry about that, son.
00:21:48It's quite the fashion these days.
00:21:53Would this be any good?
00:21:56Oh, you don't want to part with that?
00:21:59I do.
00:22:00Now, look, my friend.
00:22:01You may regret this generous impulse later.
00:22:04I won't, honestly.
00:22:05It's worth quite a lot.
00:22:07The little one's nine pence, and this is the best one that's ever been.
00:22:10Yes, yes, I'm sure it is.
00:22:19Thank you, son.
00:22:21Thank you very much.
00:22:22Never before in my experience.
00:22:34Thank you, son.
00:22:42Hey.
00:22:58The car's here.
00:22:59Right.
00:23:00Goodbye, my darling.
00:23:02Goodbye, mammy.
00:23:04I've got you get in my pocket.
00:23:05Oh, it gets so crumpled in there, why not put it on?
00:23:07Not till I have to.
00:23:12take care of yourself mommy the taxi driver's watching all right darling that's the last i
00:23:18promise
00:23:22goodbye danny goodbye old man be a good dog while i'm away come on come on we shall miss that
00:23:30train
00:23:30come in
00:23:34wait cab
00:23:39there sure you've got your ration book right there yes mommy bye mommy goodbye my darling
00:23:45goodbye
00:23:47goodbye
00:23:54goodbye
00:24:15okay
00:24:17nice of a clean job yes even a mechanical age as it's craftsman good of your friend to turn up
00:24:22number 14
00:24:25miss gwen mumford of burton head
00:24:31excuse me mr mayor
00:24:38sorry about this old george was down in the office i had to stop for a drink
00:24:42how unfortunate i miss much only them but they aren't what you came for are they dear
00:24:49hardly
00:24:50did johnny go off all right
00:24:52oh fine ran into a pal of his at the station oh which one that boy whose beard caught on
00:24:58fire in the
00:24:58christmas play butterworth oh he's no pal of johnny's
00:25:01well seemed quite friendly punched each other in the stomach the moment they met
00:25:05really
00:25:06well i'd always understood the butterworth was an object of general derision because he can't belch
00:25:10last but not least
00:25:12number 60
00:25:13miss marion forbes of new brighton
00:25:18by the way
00:25:20you started to say something
00:25:22oh yes
00:25:23um
00:25:24i was just going to say
00:25:26well get on with it
00:25:27well don't keep on interrupting
00:25:29now you made me forget
00:25:30you had better get our ration books next time
00:25:33what on earth are you talking about
00:25:35she works at the food office
00:25:39and now ladies and gentlemen while the judges are making their decision
00:25:43i want you to give your attention to mr adam harper of the board of st valentine's hospital
00:25:53ladies and gentlemen
00:25:56this here is a demonstration model of the iron lung
00:25:59which by your presence here this evening
00:26:01you're helping to provide for the local hospital
00:26:05this drum here on being set in motion by the turn of a switch
00:26:14this is going to be the success of the evening
00:26:16don't i suffer terribly on these occasions
00:26:26bring those mermaids round again
00:26:30all right
00:26:31all right
00:26:32never mind
00:26:32never mind
00:26:33this gives me a chance to tell you a story
00:26:36the story of the little chap
00:26:38who came into my workshop the other day
00:26:41a story that will make all of you
00:26:44proud to be his fellow citizens
00:26:46he's good old man
00:26:48is he making it all up
00:26:50he wanted to know what this apparatus was for
00:26:53well
00:26:54i told him as simply as i could and then then something very very wonderful happened
00:27:05i could see the look on his little face now
00:27:12i wish i had a penny to help the poor sick people
00:27:15never mind sonny perhaps one day when you grow up
00:27:19will this be any help for the poor sick people
00:27:22indeed it will but surely isn't it something you treasure
00:27:27yes it is but please take it for the poor sick people
00:27:31they need it more than i do
00:27:37so i took it and here it is
00:27:41a simple offering of a little unknown lad
00:27:45who gave up for this cause
00:27:49the most precious thing
00:27:51that he possessed
00:27:54wonderful story
00:27:55made my eye black wrong
00:27:57got an idea
00:27:59auction it for the hospital
00:28:00an excellent idea
00:28:02who'll make me an offer for this magnitude
00:28:04for all she's to help the fund
00:28:06you start me off sir
00:28:08five pounds
00:28:10five pounds i've been
00:28:1210 pounds
00:28:15thank you sir
00:28:1610 pounds i've been
00:28:1815
00:28:1820
00:28:2020 pounds
00:28:21from mr james
00:28:23where's the rival grosser
00:28:25ah what about it mr far
00:28:2725
00:28:2827 10
00:28:2930
00:28:31any advice on 30
00:28:3335
00:28:33can't let those fellows get away with it
00:28:37why haven't you let them battle on a bit longer
00:28:39i hope finished at 35
00:28:4236
00:28:42oh darling we can't possibly afford it
00:28:45why the mayor will bite
00:28:46his firm wants the contract to build a real online
00:28:48going
00:28:4937
00:28:50see
00:28:5238
00:28:5238 i've been
00:28:54you again mr burr
00:28:57going then at
00:28:5838
00:28:59going
00:29:03going
00:29:05thank you sir
00:29:07no more bits
00:29:08right
00:29:09sold to our popular mayor
00:29:11mr james hancock
00:29:14don't you ever give me a minute like that again
00:29:17took three years off my life
00:29:19still it was a marvelous idea darling
00:29:21i mean 40 pounds for a tuckney haveny magnet
00:29:23the boy takes the credit
00:29:24oh i do hope his parents are here
00:29:26they must be feeling terribly proud
00:29:29this week's big attraction
00:29:31now what would i do with a thing like that
00:29:33take it away auction it again
00:29:37a magnet
00:29:38a toy magnet
00:29:42i can see him now
00:29:44it is little
00:29:45ill-fitting
00:29:49go on sir
00:29:50take it
00:29:50i reckon they need it
00:29:52for me
00:29:52now look here son
00:29:54are you sure you won't miss it too much
00:29:56that's all right sir
00:29:58i don't mind
00:29:59so long as it's to help the poor sick people
00:30:01he gave his arm
00:30:07what about you
00:30:08there he stood
00:30:10holding it out to me
00:30:12his poor little thin arm
00:30:15showing through his ragged shirt
00:30:18this any good to him governor
00:30:20i ain't got nothing else
00:30:21it'd be very useful something
00:30:24but i couldn't possibly
00:30:26go on governor
00:30:27take it
00:30:28i want you to
00:30:29let the poor sick perishers have it
00:30:31but she gave it so willingly
00:30:35she up
00:30:41one hundred pounds i bid
00:30:44do i hear one ten
00:30:47thank you madam
00:30:49we only need
00:30:51uh
00:30:51twelve more now
00:30:53will somebody
00:30:54uh complete the amount
00:30:57sold
00:30:57to the chairman of the board of
00:31:00st valentine's hospital
00:31:01his worship the mayor
00:31:02for
00:31:03one hundred and twenty two pounds
00:31:06which now gives us
00:31:07the total sum required
00:31:15ladies and gentlemen
00:31:17i have no intention of keeping this magnet for myself
00:31:22as soon as we know which firm is to receive the order for our new iron lung
00:31:27as if we couldn't guess
00:31:29excuse me
00:31:31as soon as we know that
00:31:33i shall hand over this magnet to be suitably mounted on the apparatus
00:31:37as an ever-present reminder of that fine little lad
00:31:41whose unselfishness
00:31:43an eye sense of public duty
00:31:45has set an example to us all
00:31:47hear hear
00:31:48but naturally his identity remains unknown to us
00:31:51but i have given orders that the search for him is to continue
00:31:55for i feel it's up to us
00:31:57to see that this poor little wave
00:31:59so long as he breathes in our midst
00:32:03shall never go hungry again
00:32:09here brent try one of these
00:32:10what are they
00:32:12marzipan wizards
00:32:13do they go with potato crisp
00:32:14of course you ask
00:32:15thanks
00:32:18piano
00:32:18right she's an element
00:32:20she's the clan line
00:32:21bitches
00:32:22white band round the funnel
00:32:24hey nosnibor
00:32:25polish flag
00:32:26where
00:32:26beyond that element
00:32:28piano
00:32:28clan line
00:32:29help nosnibor
00:32:31rescue
00:32:31i'm coming
00:32:33is your friend a pole
00:32:35pole
00:32:36no sir
00:32:37nosnibor sounds like a polish name
00:32:39oh it's real named robinson
00:32:41and then we spell it backwards
00:32:43oh i see
00:32:45stupid on me
00:32:46where's miss
00:32:48canon and dog
00:32:49that's us
00:32:50come on skatty
00:32:50bye all
00:32:51goodbye
00:32:52bye
00:32:52bye
00:32:53goodbye
00:33:02yes
00:33:03never so sad
00:33:04proper heartbreaking
00:33:06poor little mite
00:33:08please sir may i borrow your paper
00:33:10yes certainly
00:33:15pneumonia was it
00:33:17well they said it was pneumonia
00:33:18but i know better
00:33:19if you ask me his poor little heart was broken
00:33:22makes you feel you want to cry doesn't it
00:33:25i cried me eyes out i don't mind admitting it
00:33:28to see him lying there all stiff and dead
00:33:32here's a picture of him taken just before he went
00:33:37dear little chap
00:33:39he wasn't mine but i did get that fond of him
00:33:42i cried enough to fill a bucket
00:33:44uh what are your views about the beers
00:33:46likely to improve
00:33:49hello
00:33:49are you feeling all right
00:33:50and i can tell you something about that
00:33:57well perhaps we better have the window over
00:33:59it's all right sir i'm getting out here thank you
00:34:01oh all right old boy
00:34:14hello old man how are you fine
00:34:17looking a bit pale
00:34:19nothing to do with your report i hope
00:34:20no no everything's all right thank you
00:34:26there goes our new car
00:34:30daddy yes old man
00:34:31if a person's in quarantine for scarlet fever
00:34:34and he goes up to another boy and talks to him
00:34:37can he give him pneumonia
00:34:39no quite impossible
00:34:40why
00:34:42nothing
00:34:43i just wondered
00:34:46daddy
00:34:46can a person really die of a broken heart
00:34:49good heavens you haven't broken yours have you
00:34:52can they daddy
00:34:53well if you'd pull the gun for poets if they didn't
00:35:16what was that last word b-a-b-i-l-l-e-t
00:35:21is this good french good enough
00:35:25can i just have it in german
00:35:27oh dear let me see
00:35:31no don't write this down for a moment
00:35:37good morning
00:35:39nearly ready
00:35:40oh johnny stand up and let daddy see
00:35:42it's not so extraordinary
00:35:45i say
00:35:46oh i can't really believe that's my son
00:35:48hmm yes suit him
00:35:50how do you feel johnny
00:35:51all right
00:35:52it's quite an occasion this
00:35:54look i um
00:35:56slipped something in the pocket i forgot
00:35:59thanks awfully
00:36:01what's all this about
00:36:02well i've got a parachute to send up my kite string
00:36:05comes off at the top and goes for miles and miles
00:36:08reward paid if returned to j.d brent
00:36:11i put it in english as well so that if it blew across the island they'd be able to understand
00:36:16it
00:36:16empty this will
00:36:20you don't know any norwegian do you daddy
00:36:23no i'm afraid not
00:36:24might be able to work it out in arabic
00:36:26i don't think it'll quite get as far as arabia
00:36:29what's this reward you're offering
00:36:32i thought perhaps a top and a stamp
00:36:34i mean foreigners would like that wouldn't they
00:36:36because an english one would be a foreign one to them
00:36:38here take this and get on you're going to be late
00:36:45it only remains for me to add
00:36:47that if at some future time our little benefactor is traced
00:36:50he will find awaiting him this mark of our esteem
00:36:54this honor
00:36:55which it has long been the custom of our ancient borough to bestow
00:36:59upon its most illustrious sons and daughters
00:37:03the civic gold medal
00:37:33extraordinary how they can't trace the
00:37:35that boy with the magnet
00:37:37they have found him eventually you can be sure of that
00:37:39and not so much again
00:37:55they have been the only one who has been there
00:37:56it's just a bit
00:37:57and there's not enough people who have had this
00:38:02and it's all so great
00:38:02it's a big win
00:38:04don't you know
00:38:04it's a big win
00:38:04but no
00:38:06it's not so great
00:38:29Who's that?
00:38:35Oh, it's you, darling. You're back early.
00:38:37Where's your kite?
00:38:37Good. Blown away? What a shame.
00:38:40You're all out of breath. You've been chasing him?
00:38:43Well, that thought was the way with kites.
00:38:45You know, I had one once.
00:38:47All right, I'll go.
00:38:50Does J.D. Brent live here?
00:38:52J.D.? Oh, yes, it's my son.
00:38:55I found this. It was his friend.
00:38:57I see. Well, I think that ought to cover it.
00:39:00Oh.
00:39:01Thank you very much.
00:39:04Where are you, Johnny?
00:39:06My man's just brought your parachute back.
00:39:09I'm afraid it didn't quite get as far as France or Germany.
00:39:11It came down in Woodchurch Road.
00:39:13But you can use it again, can't you?
00:39:14No kite.
00:39:16Well, I think perhaps the housekeeping can run to it.
00:39:18Like to pop out and buy yourself another?
00:39:20Well, thanks, Mummy, but I don't think I will just at the moment.
00:39:24What?
00:39:25I've got a bit of a pain.
00:39:27Oh, it's all that chasing about, I expect.
00:39:29Well, why not go and lie down for a little while?
00:39:32I think perhaps I will.
00:39:34Read a book and take it easy.
00:39:35And you can have your supper in bed if you like.
00:39:38Thanks.
00:39:39I'll see.
00:39:47If you ask me, his poor little heart was perfect.
00:39:50I've cried my eyes out, and I don't mind admitting it.
00:39:53To see him lying there, all stiff and dead.
00:40:00Hello there.
00:40:01Hello.
00:40:04How's the pain?
00:40:05Better, thanks.
00:40:06Do you think you can manage this?
00:40:08I'll try.
00:40:10There's a hard luck about the kite.
00:40:12Oh, it doesn't matter, really.
00:40:14Saved me winding the string in.
00:40:16So, is that about it?
00:40:19Oh, jolly, really.
00:40:21New trousers.
00:40:23That time you'll add a little tidiness.
00:40:25If you're old enough to wear these,
00:40:26you're old enough to look after your clothes properly.
00:40:29Sorry, Daddy.
00:40:31Don't make an effort, old man.
00:40:34You got everything you want?
00:40:35Yes, thanks.
00:40:36If not, give us a shirt.
00:40:46A little off-color, nothing to worry about.
00:40:48Do you think I ought to take his temperature?
00:40:49Oh, good night, sleep, and he'll be full of beans again.
00:40:57Let me go.
00:41:00I didn't mean to kill him.
00:41:02Let me go.
00:41:08No, no.
00:41:09I don't want the beastly magnet.
00:41:11Take it away.
00:41:17It's all right, my darling.
00:41:18It's all right.
00:41:19It's just a silly old dream.
00:41:23That's a boy.
00:41:25Oh.
00:41:27There.
00:41:28Let mommy tuck you up.
00:41:30Hmm?
00:41:32Mm-mm.
00:41:46All right?
00:41:47Yes, just a nightmare.
00:41:49I was trying to remember what I gave him to eat for lunch.
00:41:52For the wife of a psychiatrist,
00:41:54you have quite an amazing regard
00:41:55for the influence of the digestive organs.
00:41:57Oh, you don't think it's anything else, do you?
00:42:00Well, it might be.
00:42:02I can't say without a little more material evidence.
00:42:06Look,
00:42:08I'd like you to keep a close watch on him tomorrow.
00:42:10Make a note of everything he says and does.
00:42:13All right.
00:42:15Good night, darling.
00:42:17Good night.
00:42:19Don't worry.
00:42:28Good night.
00:42:36Good night.
00:43:19Good night.
00:43:20Wearing his shorts again.
00:43:22I thought that might mean something.
00:43:23Yes, I'm pretty sure it does.
00:43:26Hasn't been out of the house.
00:43:28No, only as far as the shed.
00:43:29Oh, here's his laundry book.
00:43:30He left it on the window sill.
00:43:31Oh, good.
00:43:32This may help a lot.
00:43:36I wonder what...
00:43:37Another of his famous lists.
00:43:39No ages or numbers.
00:43:40What's the common factor this time?
00:43:43Mrs. Tucker,
00:43:44Mrs. Wentworth-Jones,
00:43:46Mrs. Porridge, it looks like.
00:43:49Mrs. Torridge.
00:43:50She's the woman who works in the dairy.
00:43:51What can Deirdre Wentworth-Jones have in common with the woman and the dairy?
00:43:55Well, they both spit in your face when they talk, but I don't think...
00:43:57Wait a minute.
00:43:58Does this dairy woman ride a bicycle?
00:44:01Well, she used to before she...
00:44:04Oh!
00:44:05That may be it.
00:44:06I've often seen Deirdre on a bike.
00:44:08Robert.
00:44:09Mrs. Tucker, too.
00:44:10And Mrs. Flint is most interesting.
00:44:12Oh, Robert, do listen.
00:44:13I wonder if I can explain to you the implications of this.
00:44:16All these women ride bicycles.
00:44:17Well, they don't now.
00:44:19What?
00:44:21They're all having babies.
00:44:36Hello?
00:44:37Hello, Daddy.
00:44:39I can ride nearly as fast with my foot as I can with my hand.
00:44:43It'll become in useful next time you get a hundred lines.
00:44:46Yes, it will, won't it?
00:44:48I can write with my left foot, too.
00:44:50You watch.
00:44:52You say a word, and I'll see if I can write it down.
00:44:55Yes, all right.
00:44:57No, wait a minute.
00:44:58That's a bit too simple.
00:45:00I'll tell you what.
00:45:02You shut your eyes, and then I'll say a word, and you write down the first thing that comes into
00:45:07your head.
00:45:07That's a good idea.
00:45:09Right.
00:45:10Shut your eyes.
00:45:11Make your mind a blank.
00:45:13Ready?
00:45:20Trousers.
00:45:22Trousers.
00:45:28Trousers.
00:45:38Trousers.
00:45:47My toes are tired. That's a word, though, isn't it?
00:45:52Ma? Certainly. Short for mother.
00:45:55And it means my in French.
00:45:58Yes, that's right. So it does.
00:46:00I bet you're the first person in the world to write in two languages simultaneously with your left foot.
00:46:04Gosh, do you really think I am?
00:46:06Hmm, positive.
00:46:08Out there, girl, man. It's time you've packed up.
00:46:11Come on, hop in.
00:46:14Shall I write to the newspapers and tell them?
00:46:17Hmm, I should.
00:46:19Get your picture on the front page.
00:46:21Well, I don't think perhaps I will.
00:46:27Good night, girl, then.
00:46:28Good night, Benny.
00:46:37Well?
00:46:39Yes, I know exactly what's wrong.
00:46:44Everything's as clear as daylight.
00:46:47Oh, lass, it's that fuse again.
00:46:50Here we are.
00:46:53Haven't we got a torch?
00:46:54Johnny borrowed the battery for that bell of his.
00:46:59Tell me about Johnny.
00:47:00Well, I had a pretty shrewd idea of what the trouble was.
00:47:03No, no, I'm right.
00:47:04He's just supplied the final proof.
00:47:07Know where the main switch is?
00:47:09Yes, yes, go on.
00:47:11Johnny's in the throes of a mental conflict,
00:47:13precipitated by those new trousers of his.
00:47:16All right, switch off the main.
00:47:18His first pair of long trousers.
00:47:20Tangible evidence that he's growing up.
00:47:23Now, the knowledge that the thing is inevitable
00:47:25tends to make it rather frightening.
00:47:28Never can remember these circuits.
00:47:30Therefore, he has a latent dread of the future
00:47:33which gives him a desire to cling to the past.
00:47:36Ah.
00:47:37Now, the past is something which he associates
00:47:40with the motherly protection that he's always known.
00:47:44Do you follow me?
00:47:45Yes, dear, at a respectful distance.
00:47:48He goes out in his long trousers for the first time
00:47:51and by a very unfortunate chance
00:47:54he lets go the string of his kite
00:47:56and loses a cherished possession.
00:47:59Now, in his subconscious,
00:48:01that symbolized the final severing of the cord
00:48:04binding him to his mother.
00:48:05Oh, Robert.
00:48:07Look, do you want to understand what's happening or don't you?
00:48:10Yes, but connecting me with a kite.
00:48:12Go on.
00:48:13He goes back into his shorts.
00:48:16He stays near you all day
00:48:17to demonstrate his dependence on you.
00:48:20He becomes preoccupied with unborn babies.
00:48:23Try to keep that still.
00:48:24Robert, it's frightening.
00:48:25Are you quite sure about all this?
00:48:27Darling, just now I tried...
00:48:29a potted version of Jung's associative word test.
00:48:32It made him shut his eyes
00:48:33and write down the first thing that came into his head
00:48:35when I said trousers.
00:48:38There we are.
00:48:38What happened?
00:48:40He wrote ma.
00:48:43Ma?
00:48:43Yes.
00:48:45Diminutive of the word mother.
00:48:46Oh, Robert, what am I to do?
00:48:48You've got to make him feel
00:48:50that there's a new bond growing up between the two of you.
00:48:52A bond just as strong as the old one
00:48:54with the difference that
00:48:56you are now the weaker partner,
00:48:58growing more and more dependent on him.
00:49:01Invent little jobs that only he can do for you.
00:49:04Get him to unscrew the top of a jar
00:49:06because you aren't strong enough.
00:49:08Oh, put it on again.
00:49:10The top of the jar?
00:49:11The switch.
00:49:13Oh.
00:49:18You know, the sort of thing.
00:49:20Make a point of remarking every now and again
00:49:22that you don't know what you'd do without him
00:49:24and so on.
00:49:25Oh, Robert, isn't life cruel.
00:49:30Think what thousands of children must suffer
00:49:32going through an ordeal like this
00:49:33with parents who don't realize
00:49:34what the real trouble is.
00:49:37Yes, darling.
00:49:38Whatever small success
00:49:40I may have had in my profession,
00:49:42I've never been so thankful
00:49:44for my training
00:49:44as I am at this moment.
00:49:49Yes, Daddy.
00:49:50I did take his magnet.
00:49:53It broke his heart.
00:49:56They're after me, Daddy.
00:49:58They lock me up.
00:50:02They lock me up.
00:50:13Mummy.
00:50:15Oh, you are here.
00:50:17I'm seeing if I can get around the room
00:50:18without touching the floor.
00:50:20Yes, darling.
00:50:22Now, look, I'm just going along to the shops
00:50:23and I wondered if you'd come with me
00:50:25and help me carry things.
00:50:27Oh, must I?
00:50:29Well, you don't want to stay here alone, do you?
00:50:31Well, I don't mind
00:50:32and I do want to see
00:50:33if I can get around the room like this.
00:50:35But you may have a fall
00:50:37and there won't be anyone here to help you.
00:50:40All right, I'll do a bit of McCona
00:50:41until you get back.
00:50:44Oh, come on, old boy.
00:50:45It's lovely out
00:50:46and I don't think I can manage
00:50:48all those things alone.
00:50:49Oh, let me stay, Mummy.
00:50:50Please let me.
00:50:53Well,
00:50:55it could mean so much to you.
00:50:57Thanks, old Flema, Mummy.
00:51:16Ow!
00:51:17What's the matter?
00:51:18Oh, I hurt myself.
00:51:21Oh, turn my ankle.
00:51:22Oh, Johnny, run to the bathroom,
00:51:24hold my flannel under the coal tap,
00:51:26squeeze it out
00:51:26and bring it back here.
00:51:27Right.
00:51:29What's this do?
00:51:31It takes the swelling out.
00:51:33When a lady breaks his leg in Africa,
00:51:35the witch doctor rocks it
00:51:36with a juice made out of squished beetles.
00:51:38Well, I haven't broken my leg.
00:51:40I just thought it would be fun to try
00:51:42and find enough beetles to squish.
00:51:44Well, I prefer this, thanks.
00:51:47Does it hurt much?
00:51:48It feels better already.
00:51:51What would I do without you, Johnny?
00:51:53Oh, you have to do without me
00:51:54when I'm at school.
00:51:56Yes, but I mean this afternoon.
00:51:58Now, darling,
00:51:59I have to have those things
00:52:00for this evening
00:52:00and I can't possibly walk
00:52:01to the shops now.
00:52:03Well, I'll go and bring up a taxi.
00:52:05Johnny, really?
00:52:06When I've got you to rely on?
00:52:08But you said I may even go out.
00:52:10But that was before this happened.
00:52:12Now, help me up, old man.
00:52:14This is a good boy.
00:52:15Oh!
00:52:16Oh!
00:52:16I'll give you a list
00:52:18of the things I want
00:52:19and it won't take you longer
00:52:21than about ten minutes.
00:52:25I'm a lucky woman
00:52:26having such a useful son.
00:52:28Get me something to write this die.
00:52:35Now, let me see.
00:52:37First, the grocery.
00:52:39I want, uh,
00:52:41custard powder,
00:52:45tin of tomato soup
00:52:49and, yes,
00:52:50a pound of macaroni.
00:52:52Then at the Green Grocer's,
00:52:53I want a large lettuce.
00:52:54See, it's got a good heart,
00:52:55a nice hard one.
00:52:56And you might ask
00:52:56if the frozen peas are in.
00:52:58If they're not,
00:52:58get a tin of French beans.
00:53:00But I don't want you to mention those
00:53:01until you've asked about the peas.
00:53:03Johnny, are you listening?
00:53:05Sorry, what?
00:53:06Oh, do put that thing down, darling,
00:53:07and pay attention for a moment.
00:53:09I don't want you to bother
00:53:10about the beans
00:53:11unless they tell you
00:53:11they haven't any frozen peas.
00:53:13Have you got that?
00:53:14Hmm.
00:53:15Well, I think that's all for today.
00:53:17The rest can wait till tomorrow.
00:53:18You'd better take my basket.
00:53:19Oh, master.
00:53:21All right, if you like,
00:53:22you can ask Mr. Johnson
00:53:23to sell you one of his carrier bags.
00:53:24And you needn't pay for anything.
00:53:25Have them put down.
00:53:27Well, run along, darling.
00:53:29And cheer up.
00:53:30You ought to feel proud
00:53:32doing all this important work for me.
00:54:13Half a guinea a ticket.
00:54:14That's sheer blackmail.
00:54:15Well, we've applied for an extension,
00:54:17you know.
00:54:17Well, if you get one,
00:54:18I shan't dance.
00:54:18And if you don't,
00:54:19I shan't come.
00:54:22It's that boy.
00:54:23The boy with the magnet.
00:54:24Hey, Sonny, Sonny.
00:54:27I'll head him off.
00:54:28Here, just a minute, Sonny.
00:54:29We won't go.
00:54:35There he is.
00:54:35We've got him caught.
00:55:00We won't go.
00:55:29We'll be back.
00:56:02There I was, dancing in a cabaret with a monstrous man in a black sombrero.
00:56:07He twirled me round and round, and suddenly I found it was Mr. Faraday, Avika.
00:56:13And I don't know if you know Mr. Faraday, but what I consider the most significant...
00:56:17Excuse me, sir.
00:56:18But Mrs. Brent is on my telephone. It's very urgent.
00:56:21All right, switch it through, will you?
00:56:23Please excuse me, Mrs. Norton.
00:56:24Something rather urgent.
00:56:26Hello?
00:56:29Yes, darling, what is it?
00:56:30I just sent him out for one or two things.
00:56:32But that was over an hour ago, and you told me he wouldn't want to leave me longer than he
00:56:36could help.
00:56:36Yes, that's right. I'm certain he wouldn't stay away of his own accord.
00:56:41But, darling, try not to worry.
00:56:44I'll start making inquiries at once.
00:57:05Hey, George.
00:57:06Hello.
00:57:07Come in for a cup of tea.
00:57:08What time is it?
00:57:09Half past four.
00:57:10Yes, I can do with that.
00:57:34Out!
00:57:36He ain't playing.
00:57:37If he'd caught it, he was playing.
00:57:39If he hadn't been playing, he wouldn't have caught it.
00:57:42Give us that ball. Come on, get on with it.
00:57:44Hey, I'm in. Give us that bat.
00:57:46It's my turn. It's my bat.
00:57:49Well, if I'm out, I'm taking my stumps home.
00:57:53Call yourself a cricketer.
00:57:56Get out of the way.
00:57:59I don't know what I said.
00:58:01Come here. Where are you going?
00:58:03Nowhere special.
00:58:04What's your name?
00:58:05Johnny Brim.
00:58:06Oh, my name is Johnny Brim.
00:58:08My name is Johnny Brim.
00:58:10Ha, your shirt's hanging out.
00:58:11Where are you from?
00:58:12Over the river.
00:58:14Over the river?
00:58:15What are you doing here?
00:58:16I've run away.
00:58:18Run away.
00:58:18Come on, let's carry on.
00:58:20I'll make him tough.
00:58:21The police are after me.
00:58:24Don't believe it. You're a liar.
00:58:27I'm not. It's true.
00:58:28What do you want you for?
00:58:32Copper, lad.
00:58:34Hey, you, come here.
00:58:36We wasn't doing nothing.
00:58:38You seen a strange boy around here this afternoon, any of you?
00:58:41Ten years old, gray pullover and shorts, blue and yellow tie.
00:58:44What's his name?
00:58:45John Brent. Have you seen him?
00:58:47Not me.
00:58:49All right.
00:58:51What's he done, mister?
00:58:52Don't make him nosy.
00:58:53Let's have a chase.
00:59:05Come out now. He's gone.
00:59:09What do they want you for, lad?
00:59:13Murder.
00:59:14Murder?
00:59:15Well, sort of, anyway.
00:59:17He's a murderer.
00:59:18Murderer?
00:59:19Yeah.
00:59:20Done in a copper.
00:59:21Slit his throat.
00:59:22Well, don't all stand here nattering.
00:59:24Got to find a place for him to hide in.
00:59:26Right, huh?
00:59:27You know somewhere, then?
00:59:29I know.
00:59:30Is that bombed house in Bangkok Street?
00:59:31No.
00:59:32He wants to keep out of bombed houses.
00:59:34That's how my brother got pinched.
00:59:36If I was on the run, I know what I'd do.
00:59:38Jump a goods train and go to Birmingham.
00:59:40What do you want to go to Birmingham for?
00:59:42It's a long way from here.
00:59:43So is Australia.
00:59:46That was a crime.
00:59:47Shut up.
00:59:48I'm thinking.
00:59:49Cool.
00:59:49Better done half-air.
00:59:51I know where.
00:59:52Shut up, I said.
00:59:53If he's an idea, we'd best hear it.
00:59:56I got it.
00:59:57Down the pier.
00:59:58The old diver's hut.
00:59:59That's right.
01:00:00Just what I was going to say.
01:00:01You're a liar.
01:00:02Thought of that long ago.
01:00:03You're all liars.
01:00:04You're wasting time.
01:00:05That's right, lad.
01:00:06Come on.
01:00:07I'll show you the way.
01:00:22Oh, me mum says I've got to have me tea.
01:00:25Come on, lad.
01:00:29I know.
01:00:30I know, Mrs. Brent.
01:00:31He hasn't been down this way.
01:00:32I haven't seen Johnny all day.
01:00:35I just wondered.
01:00:40Oh, I say.
01:00:42Have you seen a small boy about...
01:00:43I'm a police officer, madam.
01:00:45I'm looking for him myself.
01:00:46I just wondered.
01:00:50Dr. Brent, Dr. Brent.
01:00:51I've just seen you.
01:00:52You have?
01:00:53Where?
01:00:53In this very street.
01:00:54I recognized him as soon as I saw him.
01:00:56It's the boy with the magnet, right enough?
01:00:57Blast the boy with the magnet.
01:00:59Oh, my God.
01:01:29Come on, hurry up.
01:01:36Not bad, huh?
01:01:38It's only good.
01:01:40Right, Piers, get that suit down.
01:01:43Give her something to lie on.
01:01:50Got some food there?
01:01:52Yes. Well, I think so.
01:01:54I'll scrounge a bit of grub and bring it round in the morning.
01:01:57We'll all scrounge some. Got it?
01:01:59If you want to take a walk, you want to put this on.
01:02:06Disguise.
01:02:09Oh, turn it up.
01:02:11We're making too much noise.
01:02:14Yeah. Come on.
01:02:16Are you going now?
01:02:17Yeah, got to. See you in the morning.
01:02:20Come here.
01:02:22Night.
01:02:22Good night.
01:02:24Good night.
01:02:27Good night.
01:02:29Good night.
01:02:42Good night.
01:02:49I got it.
01:02:56Went, I'm coming here .
01:02:57You're right.
01:03:58They have signed him eventually. You can be sure of that.
01:04:16Mrs. Brent speaking. Yes?
01:04:21I see. Thank you. No news.
01:04:27He'll turn up soon.
01:04:30I assure you, darling, it's simply a case of the super ego.
01:04:32Oh, kite strings!
01:04:56Come in.
01:05:00Who's that?
01:05:02It's us.
01:05:08Sleep all right?
01:05:09Oh, I'm still hungry.
01:05:11Oh, thank you.
01:05:13I got some too.
01:05:16Thank you very much.
01:05:17Somebody's coming.
01:05:19It's only mine.
01:05:20Anybody else with help?
01:05:22No.
01:05:22Come on.
01:05:29What are we going to do?
01:05:32What do you mean, do?
01:05:33Can't play a cricketer.
01:05:34Lose a ruddy ball if you had one.
01:05:36What do you want to do?
01:05:38Let old barge look, Stan.
01:05:40Come on, let's go and break it up.
01:05:42We won't have long.
01:05:43The tide's coming in.
01:05:44Hey.
01:05:46What's a big idea?
01:05:47Who let him out?
01:05:49He wanted to come out.
01:05:50I told you to wait for me.
01:05:52Where are you going?
01:05:53Smash that old barge up.
01:05:54Who said so?
01:05:55Johnny did.
01:05:56I didn't say so.
01:05:57Johnny said so.
01:06:01I've had the cops after here for now.
01:06:03Hundreds of times.
01:06:04What's that got to do with the barge?
01:06:06You shut up.
01:06:07Why should I shut up for you?
01:06:10See that hole there?
01:06:12What about it?
01:06:13There's a walk across it.
01:06:14There you.
01:06:15You do?
01:06:16Come on, then.
01:06:18Bet you've done it before.
01:06:19I never have.
01:06:19Yes, you have.
01:06:20I've seen you.
01:06:21You're a liar.
01:06:31Come on.
01:06:45What's the matter with you?
01:06:47Get a move on.
01:06:50Oh, boo.
01:06:52I can't get up on my new baby.
01:06:54I can't get up on my new baby.
01:06:54I can't get up on my new baby.
01:06:55I can't get up on my new baby.
01:06:55I can't get up on my new baby.
01:06:55I can't get up on my new baby.
01:06:56Windy, get up.
01:06:58Windy, is all of a tremble?
01:07:01Yeah, it's easy, I tell you.
01:07:03I can do it backwards.
01:07:05Don't be an ass.
01:07:06I've done it hundreds of times.
01:07:08You never have.
01:07:09You're a liar.
01:07:11No, don't.
01:07:14Don't.
01:07:15Don't.
01:07:25He's dead.
01:07:27Stop, stop.
01:07:29Wait.
01:07:30Get some help, quick.
01:07:32Get some help.
01:07:34Go.
01:07:36Get some help.
01:07:39Go.
01:07:41Go.
01:07:48Go.
01:07:52Go.
01:07:55Go.
01:07:56Go.
01:07:57Go.
01:07:58Go.
01:07:58Go.
01:08:00Go.
01:08:01Go.
01:08:05I can't wait for a minute.
01:08:34I can't wait.
01:09:19What's the matter, Farman?
01:09:21Practicing?
01:09:29Have a cherry.
01:09:30They're awfully nice.
01:09:31Thank you, Nurse.
01:09:34Hello, darling.
01:09:35Hello, mummy.
01:09:37How are you feeling, old boy?
01:09:38All right.
01:09:39Daddy, don't let them take my picture.
01:09:41Do what?
01:09:42I'm afraid I mentioned there was a press photographer downstairs wanting his picture for the papers.
01:09:46He doesn't seem to like the idea.
01:09:48No.
01:09:48That's all right, Johnny.
01:09:49Don't you worry.
01:09:50Nurse, go and send him away.
01:09:52Yes, ma'am.
01:09:54Well, how's Spike?
01:09:55He's doing well.
01:09:56What did you find?
01:09:58Compression of the spinal cord and the neck.
01:10:00There's a temporary paralysis of the breathing mechanism.
01:10:03We got that iron lung just in time.
01:10:05He's not going to die, is he?
01:10:07No.
01:10:08Of course not.
01:10:09He'll be out again in a fortnight.
01:10:13There's a visitor for you, Spike.
01:10:16Hello.
01:10:18Hello.
01:10:20Bet you've never seen anything like this before.
01:10:22I have.
01:10:24Bet you haven't.
01:10:25Yes, I have.
01:10:26You're a liar.
01:10:29What's the matter?
01:10:31That thing.
01:10:33What, that's all, Magnus?
01:10:34What's it doing there?
01:10:36I don't know.
01:10:37The nurse started telling me some yarn.
01:10:40Lord, that's right.
01:10:41I'll have it off before I go.
01:10:43Johnny, your mother's come to take you home.
01:10:46Say goodbye, Spike.
01:10:47Goodbye.
01:10:49Goodbye.
01:10:55Good afternoon, nurse.
01:10:56Oh, good afternoon.
01:10:57The committee missus started yet?
01:10:58I think they've just gone in.
01:11:02No.
01:11:04Yes.
01:11:05Got you, my lad.
01:11:05This time you don't escape from me.
01:11:07Mr. Harper, that's a patient.
01:11:08Gentlemen.
01:11:09Gentlemen.
01:11:10I have him at last.
01:11:11The boy with the magnets.
01:11:13Johnny.
01:11:14Daddy, I didn't mean to do it.
01:11:16I didn't think.
01:11:17But, Dr. Prince, this can't be your son.
01:11:19There certainly is my son.
01:11:21This is the boy we've all been looking for.
01:11:23Can't be.
01:11:24Johnny, you're not the boy who gave Mr. Harper a magnet.
01:11:27Yes, Daddy, but I didn't think I was doing wrong.
01:11:29Not at the time.
01:11:30Wrong?
01:11:31Wrong?
01:11:32Wrong.
01:11:35You've done nothing wrong, my lad.
01:11:37Don't you know why we've all been looking for you?
01:11:38Why?
01:11:39So that I can present you with this.
01:11:43Please, sir.
01:11:43I don't think I want it.
01:11:45Oh, no.
01:11:46No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
01:12:09Lyndsey, can't you hear me?
01:12:11Do as I tell you.
01:12:13Come away from that dirty thing.
01:12:16Come away from that dirty thing.
01:12:17Come away, I tell you.
01:12:22Come away, I tell you.
01:12:23It's only at once.
01:12:28What's that?
01:12:29It's if it can't matter.
01:12:31Want to swap it?
01:12:33What for?
01:12:36I'll give you my invisible watch.
01:12:39You will?
01:12:41Show me.
01:12:47Listen.
01:12:53Okay.
01:13:07Look what I've got.
01:13:30Let's take a look.
01:13:32Come on.
01:13:33Let's go.
01:13:41Come on.
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