00:02What are you doing?
00:03What are you doing in my garden?
00:05And you say, no, this is my garden,
00:07and we improvise from there.
00:10What do you want?
00:11Do you know anything about why my slow horses
00:14keep turning up dead?
00:16Just a coincidence?
00:18Coincidence, yeah, but it's pretty hard
00:19to lock yourself in a shipping container.
00:23You didn't piss anyone off other than me recently.
00:27Oh, shut up.
00:28You can leave the way you came.
00:29It's all right to come through the house?
00:32No.
00:33Well, I came in through the house.
00:38What is happening?
00:39There's a list with all our names.
00:41Anyone who's ever worked at Slough House
00:43is being targeted.
00:44It's a blood bar.
00:46Why are we just sitting here?
00:48Pick up the others.
00:49Head to the safe house.
00:50Please come with us.
00:51I haven't been in touch for months.
00:53So I'm not actually needed?
00:54No, I'm afraid you are.
00:55I cannot emphasize this enough.
00:58Stay dark, yeah?
01:00No phones.
01:02Yo.
01:03What don't you understand about going dark?
01:10What are you doing here?
01:14Business.
01:18Who next you choose?
01:21Who calls their child River?
01:25No one is unaccountable, Diana.
01:26There are going to be consequences.
01:28There's a way out of this mess.
01:31But you've got to start bloody listening.
01:33You'd run a city down to save face, wouldn't you?
01:37Depends what city.
01:38You're gonna find this city.
01:42Now come on, we're spies.
01:45We've all faked our own death at one time or another.
01:49Hell over.
01:50Hell over.
01:52Hell over.
01:52Hell over.
01:52Hell over.
01:52Hell over.
01:52Hell over.
01:52Hell over.
01:52Hell over.
01:52Hell over.
01:53Hell over.
01:53Hell over.
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