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Sueños de libertad capitulo 632
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00:21Subscribe to the channel!
00:30Yes of course.
00:31Oh, please, how beautiful.
00:33The truth is, you have wonderful children.
00:36Thank you.
00:37You're very kind.
00:38Thank you for inviting me to your house for tea yesterday.
00:41Well, that's logical.
00:43You're his girlfriend, aren't you?
00:44Already.
00:45I hope you had a good time.
00:46Very good, very good.
00:47It was a very pleasant afternoon.
00:49And we laughed a lot with Julia.
00:51Yeah.
00:51Yeah.
00:52Because when you went upstairs to breastfeed Juanito,
00:54He started telling us anecdotes from school and...
00:57And that's because she's very expressive.
00:58Ah, Julia is my artist.
01:00Yes, Andrés already told me.
01:02It doesn't surprise me that he loves her so much.
01:04They have a very special bond.
01:06Yeah.
01:06And I'm going to make sure they keep it.
01:09If you and your husband don't mind me continuing to visit her.
01:12Clear.
01:13Please, whenever you want.
01:14Okay, I'll leave you now, you'll have things to do.
01:17Well, I actually just closed the shop
01:18because I was waiting for Andrés.
01:20We're going to eat downtown.
01:22Ah, that's great.
01:24Okay, I'll leave you now.
01:25Have a good time.
01:26Say hello to him for me.
01:28Okay.
01:28Go on, look.
01:30There it is.
01:31It's very rude to make a young lady wait.
01:34And what can I do to make you forgive me?
01:36Don't know.
01:39I forgive you.
01:41How are you?
01:42How are you?
01:42Good.
01:44And how is my scoundrel of a godson doing?
01:46Well, as restless as ever, you know.
01:49Okay, I'll leave you now.
01:51I'm going to see if I can lend a hand at the children's home.
01:52Enjoy your meal.
01:54Thank you.
01:54Thank you.
01:55See you later.
01:58What? Are we leaving?
01:59Let's go?
02:01What do you want to eat?
02:03I need something quick because I have nothing to take to the store.
02:05and perhaps giving a beautiful.
02:16My God, forgive me.
02:18It's true, Miguel, that I've had a problem here.
02:19because I had to carry a box of perfumes
02:22to the queen's house.
02:23I got confused and had to go back to the store.
02:25In short, a mess.
02:27Have you been waiting a long time?
02:2917 minutes.
02:31Plus about 20 minutes in advance
02:33I've arrived so that everything is usually in order.
02:35Well, everything is perfect, Miguel.
02:37Hey?
02:39I love it, I love it.
02:42Well, it's perfect now.
02:44But in 20 minutes the sun will reflect off the table
02:46and it will be a little annoying.
02:47Well, it's okay because I love the sun.
02:50It's a beautiful place, Miguel.
02:52Very elegant, very elegant.
02:54Yes, there are better places.
02:55But that's the one that's closest to us.
02:57And it's also good enough to keep up with you.
03:01Because I want you to feel like a queen.
03:04Thank you very much, Miguel.
03:05But I prefer to feel like what I am.
03:08A simple girl,
03:09more of the countryside than poppies.
03:12Well, the last time we went to the countryside
03:13It was a disaster.
03:15Because we got a flat tire on the bike,
03:17You cut your hand,
03:18I started talking about hormones.
03:21And you deserve much better.
03:23Oh, thank you so much, Miguel.
03:25Hey?
03:26Look how good we are now.
03:27Uh-huh.
03:28And look at those strange cutlery pieces, huh?
03:31There is high competition here in these places.
03:34Yes, I hope you don't mind.
03:35But I have taken the liberty of asking for both of them.
03:38Of course not.
03:39And what did you order?
03:41You'll see.
03:43Uh-huh.
03:50Thank you.
03:53A seafood platter.
03:55What do you think?
03:57Miguel,
03:58I can't eat this.
04:01Because?
04:03The thing is,
04:03Have you ever experienced an episode?
04:05Can shellfish cause anaphylaxis?
04:09I don't know what that is, Miguel.
04:12That's not me,
04:13I can't eat it because,
04:16Because I've never eaten it in my life, come on.
04:18And now here in front of all these people
04:19to start opening these things,
04:21I don't know.
04:22Oh.
04:23I'm sorry, Claudia,
04:24I thought you'd be happy about it.
04:25If you like,
04:26We can ask for something else.
04:27No, no, no.
04:29It looks great.
04:31Look, it's okay, Miguel,
04:32Because this is between you and me now
04:34Can you explain how it's done?
04:35and,
04:36And between the two of us we'll finish the dish, come on.
04:39OK.
04:40Well, look,
04:40Let's begin
04:41by the prawn,
04:42which is the simplest.
04:46I have eaten some prawns
04:47on New Year's Eve.
04:48Very good.
04:49It's best if you do it with cutlery.
04:50It's more hygienic.
04:51and more comfortable.
04:53You have to start by cutting off the little legs,
04:55you put the knife in
04:56under the skin.
04:58My God, Miguel,
04:59I'm going to have to be a surgeon.
05:00to open this.
05:01Well, you need to have a steady hand.
05:02You cut off the head
05:03and the tail.
05:06And that's all
05:09You're left with the meat.
05:12Let's see if I can do it.
05:13to take out a little bit
05:14And I'll try it, okay?
05:15Yeah.
05:17You see.
05:21It's incredible, isn't it?
05:23Look,
05:23Now let's try some barnacles.
05:27Look at this, huh?
05:28They look like pig's feet.
05:32Oh.
05:33Yeah,
05:34a bit.
05:35You have to separate
05:36the white part
05:37from the dark side.
05:43Are you holding back, huh, Miguel?
05:44Yes, a little bit.
05:45You have left...
05:45Holy shit, in bed.
05:47Just look at that.
05:48Miguel.
05:49Well, it's okay.
05:50No problem.
05:51Because now I'm using water
05:52and it goes away.
05:54Don't worry.
06:06It's a mixture of soil, Miguel.
06:09Ground fire?
06:10Yeah.
06:11They're just fresh.
06:14Maybe you'll have better luck
06:16with the next one.
06:16But first
06:18The moment arrives.
06:23It's a little crab
06:24like the one you're facing
06:24On the beach, yes?
06:26Hello, Miguel.
06:26Well,
06:27not quite.
06:28It's a spider crab.
06:30Place it on the plate
06:31face down.
06:33And now, yes
06:34we are going to use
06:36this utensil.
06:41You have to separate
06:42the bottom part.
06:44I'm going to get up...
06:45Mine doesn't have a tail, Miguel.
06:47It doesn't have a tail.
06:48Well,
06:49then
06:49It's already up.
06:51Simply
06:52I would definitely use this here.
06:54the hands.
06:54It's easier.
07:00Hello.
07:01Yes please.
07:03Give one to her.
07:04Ah, thank you very much.
07:06Here you are.
07:07Thank you so much.
07:11I love it, Miguel.
07:12Thank you so much.
07:18Let's make a toast.
07:37Hello.
07:39Hello.
07:40Would you like a coffee?
07:41No, no, no, no.
07:42Better a soft drink
07:43that I come
07:43suffocated by the heat.
07:44And so?
07:45Because the bus
07:46It was absolutely packed with people.
07:49Okay, so what?
07:50How did it go?
07:51What did the teacher tell you?
07:52Did he give you a good grade?
07:54He still needs to correct it.
07:56Ah, of course, yes.
07:56It's true,
07:57I hadn't thought of that.
07:58Oh well,
07:58I'm sure he'll give you a good grade
07:59because
08:00You've worked really hard on it.
08:02Thank you.
08:03No, no, thank you.
08:09And thank you for your effort.
08:10these days in the canteen
08:11and for not leaving me alone.
08:14Well,
08:15I think I have been
08:16more of a nuisance
08:16What else?
08:18I remind you that yesterday
08:18I burned the lentils.
08:20Well, but that
08:20It could happen to anyone.
08:22You're too good to me.
08:25And furthermore,
08:25I'd like to invite you to dinner.
08:27Tonight?
08:27Yeah.
08:29To celebrate
08:30that you have presented
08:30your first job
08:31and that you haven't died
08:32in the attempt.
08:33I put it in the oven
08:34two stuffed poussin
08:36with some sautéed vegetables.
08:39Oh well,
08:40if you prefer
08:40we can change
08:41the agetes and borage
08:42for some french fries.
08:46It's just that tonight
08:47I've already made plans.
08:48And who?
08:49Fernanda is coming,
08:50who is my best friend
08:51from Tarragona
08:52And we're going to have dinner
08:52with Lucia
08:53and other classmates.
08:55They said
08:55who are coming to Toledo
08:56That's how it is in the Alcázar.
08:57Ah.
08:57It's a girl plan.
08:59Okay.
09:00But if you want
09:01We'll have the poussin for dinner tomorrow.
09:04Yes, but tomorrow.
09:04They're going to be stiff.
09:06I'm sorry, Salvo.
09:07I just wasn't expecting it.
09:08that you were going to invite me to dinner.
09:11I don't mind.
09:13Are you angry?
09:16Well, yes,
09:17I got angry.
09:18Because I had prepared
09:19that dinner
09:19with all the love in the world
09:20so that we would try to forget
09:21that days ago
09:22that we're going
09:22to and fro
09:23like two strangers.
09:25But I won't care anymore.
09:28Didn't you want sincerity?
09:29and less complacency?
09:30Well, there you have it.
09:31Yes, yes.
09:32And I thank you for that.
09:33Very good.
09:34Well, that's it.
09:34I'm going to try
09:35Let's see if I can prepare something.
09:36dinner
09:36in case someone comes
09:37at the last minute.
09:48Oh, I thought you had
09:50a meeting.
09:51Well, it's been
09:51a brief meeting.
09:54Oh, look,
09:55I brought this.
09:57What is it?
09:58Lunch photos
09:59this morning.
10:00Have you revealed them yet?
10:01You didn't tell me
10:02that they were in a hurry.
10:04Because of things like this
10:05That's why I love you.
10:07Man, I hope that's why.
10:08and for a few other things.
10:09I guess.
10:12What do you think?
10:14I love them.
10:18This one, for example,
10:19I think it's perfect.
10:20to send it to the press
10:21along with a group.
10:23Yeah.
10:24Look, there is, there is, yes.
10:25There is one group
10:25which I like very much.
10:26This.
10:28This one's right here.
10:30High-angle shot.
10:32What do you think?
10:33Which is magnificent.
10:36In fact,
10:37I think we could
10:37make several copies
10:38and send them to
10:39to the guests
10:41as a gift.
10:41Ah, yes,
10:43I think that's a very nice touch.
10:45I'll talk to the lab.
10:46so that she has them
10:46as soon as possible.
10:48Thank you for doing this.
10:49that working with you
10:50be so easy.
10:52Well, that's the most beautiful thing.
10:53What can you tell me today?
10:55I'll make your life easier.
10:57I even think
10:57that we could celebrate.
10:59Let's see.
11:00Can I invite you
11:01tonight in Madrid
11:02To the theater?
11:03Afterwards we'll go out for dinner,
11:05We walked down the street
11:06Alcalá at night
11:07until the night watchman
11:08send us art.
11:09I'd love to.
11:10But tonight
11:11I already have plans.
11:11with the girls
11:12of the association
11:13of photographers.
11:14Ah, the one in Aranjuez.
11:15Yes, but we've arranged to meet
11:16here in Toledo.
11:17The fact is, we're just...
11:18three women in the association
11:20and we have agreed
11:21to make pineapple
11:22between us
11:22to get to know each other better.
11:24You already know.
11:25Will Bianca attend?
11:27No.
11:28Bianca is not
11:29of the association.
11:31And she is a woman
11:31very busy.
11:33As someone
11:34that I know.
11:36Give me just one second.
11:38Ah, yes, yes.
11:40Prose of the Queen?
11:41Tell me.
11:43I'm Marta.
11:46Tonight?
11:48Because?
11:49Why is it in a hurry?
11:50Unclear
11:51I understand her.
11:53Of course,
11:54See you there.
11:57Clear.
12:01Who was he?
12:03It was Doña Clara.
12:04Return to Madrid
12:05tonight
12:06and he's going to stop by home
12:07to say goodbye
12:07of all of us.
12:11I just wait
12:11Don't let him keep insisting.
12:12in which you are
12:13the president
12:14of the foundation.
12:14No, I don't think he'll insist.
12:16Thank goodness.
12:17I was quite convinced
12:18of the idea
12:18that she is
12:19who it has to be
12:20the president.
12:21Thank God.
12:23But the truth is
12:24the thing is
12:26that?
12:28Yes, he has insisted
12:29in which I at least
12:30I was part
12:30of the board of trustees.
12:36Thank goodness
12:37that Claudia
12:37realized
12:38that the box
12:39that had been taken
12:39It was the one with the bad perfumes.
12:41Yes, thank goodness.
12:42And I hope there is
12:43arrived to distribute them.
12:47Is there something wrong with me?
12:50As?
12:51Yeah,
12:52since you arrived
12:53of the food
12:53with Andrés
12:54You're acting a little strange.
12:56No, woman?
12:57What's going to happen to me?
12:59Nothing.
13:02It's just that...
13:04Well, I don't care.
13:06Valentina,
13:07No, it's not the same.
13:11Let's see,
13:12We have confidence.
13:13Please,
13:14Tell me if I've done
13:14Something's wrong.
13:15or what happened.
13:16No no,
13:16You haven't done anything wrong.
13:17It's not your fault
13:17you are welcome.
13:17So?
13:20Well, I've been wearing
13:21all afternoon
13:21thinking about whether
13:22what you told me
13:23is it true or not?
13:24The fact that?
13:26The thing about not being able to
13:27come for dinner
13:27with Claudia and me
13:28because you have stayed
13:29with a friend.
13:30I don't know,
13:30It shocked me
13:31like you told me
13:32that when you left
13:33with your ex-boyfriend
13:34well you stayed
13:34with few friends.
13:36Well, woman,
13:37But that's an exaggeration.
13:40Really
13:40you think
13:41that I've made up
13:42all this
13:42so I don't have to go out to dinner
13:43with you?
13:47Do you know what I'm going to do?
13:48I'm going to call
13:49to Eva Maria
13:51so that I can tell you
13:52I've arranged to meet her
13:53for some tapas.
13:54You'll see.
13:54Paula,
13:55no,
13:55that it is not necessary
13:56that you do that.
13:58If you tell me
13:58that you have stayed
13:59with someone,
13:59You've arranged to meet someone.
14:01That's it?
14:01Is everything all right.
14:03That's it?
14:04That's it?
14:11Is everything alright now?
14:14Do you know what's happening?
14:16Excellent,
14:17I've been thinking
14:18in which maybe
14:19You wanted to see someone else.
14:21Are you referring to Tassio?
14:22Yeah.
14:24You know I'm not stupid
14:25and I know that still
14:26You have feelings for him.
14:27And she was worried
14:28in case you came back
14:30to get burned.
14:31Valentina,
14:32Well, don't worry.
14:33Let's see,
14:34Yes, that's true
14:35that I still have feelings
14:36because of him,
14:36but there would be less left.
14:38Really?
14:39Yes.
14:40Come on,
14:41and in a few days
14:41I'm not going to remember that.
14:42a man.
14:44Well,
14:45That makes me feel more at ease.
14:46Yeah,
14:46Don't worry.
14:47And let's see if we find it.
14:49a day for the three of us to have dinner.
14:51Yeah,
14:51please,
14:52Because I really want to.
14:55Let's see.
14:58I'm going to put these on
14:59up here
15:00because there is no space.
15:03And seen like that
15:04I thought
15:04the lesser of two evils
15:05that you wanted me to do.
15:08Refuse?
15:09No,
15:09It's not that simple.
15:11Of course it's simple,
15:12Marten.
15:12What happens
15:13It's because you don't want to.
15:14That's what's happening.
15:17The truth is that
15:18in this matter
15:18You're putting me on the spot
15:20quite difficult.
15:21I would even say it is...
15:21Forgive me,
15:22You're being unfair.
15:24Really?
15:24You're talking to me.
15:25of injustice.
15:26Yeah,
15:27that Pelayo
15:27He was a bastard.
15:29But if we decide
15:30that I would marry him
15:31It was to protect us.
15:33And now that I'm up
15:34People expect
15:35certain behavior
15:36for my part.
15:37And I have to do something.
15:39if I don't want to
15:39that we raise suspicions
15:40and none of this
15:41may have been worth it.
15:43So...
15:44that in that respect
15:45It could be something
15:46more understanding.
15:52That?
15:55I received the last rites.
15:58How much?
16:00When I was sick
16:01of brucellosis.
16:05I didn't know.
16:09I remember perfectly
16:10when the priest
16:11he whispered in my ear
16:12that he wasn't afraid
16:15and that he should pray to God
16:16to save me.
16:18And I prayed.
16:20I prayed with all my might.
16:24Because I didn't want to die
16:26without ever seeing you again.
16:29Without ever holding your hand again
16:30without ever feeling again
16:32the warmth of your body
16:33next to mine.
16:35Love.
16:37And when I recovered
16:40And I realized
16:41that I couldn't
16:41to be by your side again
16:45then wish
16:46never having saved me.
16:51He let me in
16:52through an ordeal
16:53of which still
16:53I am recovering.
16:56So forgive me.
16:58Please forgive me.
16:59if I am not being
16:59the understanding
17:00that you expect
17:01that I may be.
17:02I'm sorry.
17:03But I just can't
17:04I can't stand it
17:05that you are linked
17:06him
17:07for the rest of your life.
17:10That?
17:35Queen's Residence,
17:36tell me.
17:38Good afternoon
17:38also,
17:39that you want.
17:41Now I'm going to see
17:41And if they're in the car
17:42I'll bring them closer.
17:44You are welcome,
17:45to you.
17:51And if I was here
17:52a moment ago.
17:54Oh well,
17:55It can't take long,
17:56it has to be
17:56around here.
17:58Don't worry,
17:59I'm waiting for it.
18:02I brought this
18:03for you.
18:04For me.
18:05Why's that?
18:06If it's not my birthday
18:07or anything.
18:07I knew he was coming
18:08and I felt like it
18:09bring her a little something.
18:11It was very nice
18:12with me the days
18:12that I was
18:13in this house,
18:13Manuela.
18:14And so
18:15I understand
18:16Are you
18:17a colleague
18:18unbeatable.
18:19And this Eduardo.
18:21Oh,
18:23What a beautiful thing.
18:25And how it smells
18:26Oh my God.
18:27I bought them
18:28in Talavera
18:28this very morning.
18:29Apparently
18:29They are typical of that area
18:30and they told me
18:31that are
18:32Absolutely delicious
18:32the fingers.
18:33Well, that's it
18:34We'll check it out.
18:34right now.
18:36Man,
18:36will not wait
18:37eat me
18:37I did all this by myself.
18:39Right now
18:39I'm going to do
18:40a little coffee
18:40and as soon as it appears
18:41Eduardo
18:41We had it for a snack
18:42Here are the three of them together.
18:43What do you think?
18:43That sounds great to me.
18:44Very good.
18:45Sit down.
18:45Clear.
18:49Oh,
18:51It's starting to rain.
18:53I'm going to have to go out
18:55I have the sheets
18:55laid out
18:56and Tere has gone
18:57a moment at the corner store.
18:58Don't worry about me
18:59and do what you have to do.
19:00I don't have
19:01no rush.
19:02Well,
19:02Well, wait for me
19:03I'll be right back.
19:10We're going.
19:47No, no, no.
20:21No, no, no.
20:57No, no, no.
21:03If I don't feel safe, I will come to you.
21:06It's very rude to make a young lady wait.
21:08And what can I do to make you forgive me?
21:10Don't know.
21:13I forgive you.
21:18Mother?
21:21Mother?
21:22Did you hear what I said?
21:25No no.
21:26I'm sorry, darling.
21:27I was just a little distracted.
21:29Tell me.
21:29What if you help me study physics?
21:31Clear.
21:32Sure, I'll go down right now.
21:35It was sad.
21:37The fact that?
21:39That's what you were thinking.
21:41A bit.
21:42A little, yes, but don't worry, it will pass.
21:46I'm sorry.
21:47It's all my fault.
21:49That nonsense about everything being your fault?
21:51What does that mean?
21:52Maybe I shouldn't have invited Uncle Andrés for tea.
21:56Do you think I'm like this because of that?
21:58Like wine with Valentina.
22:02Maybe it bothers you that he has another girlfriend now.
22:08And why would that bother me?
22:10Well, since you were in love for a while.
22:16Let's see.
22:17Let me explain this to you, Julia.
22:21It is true that you, uncle, and I loved each other very much.
22:24Well, we still love each other, but now...
22:27Now, in a different way.
22:29As if we were close relatives.
22:32As cousins?
22:34Something like that.
22:35We're like family.
22:36And the family takes care of each other and we look out for one another.
22:39But everyone has their own life.
22:41And he makes his way.
22:43So I'm really happy if things are going well for my uncle.
22:47If he's happy, I'm happy too.
22:49And now it seems that it is?
22:52Yes, absolutely.
22:54You only have to see how Valentina looks.
22:57As if I were going to undress her?
22:59Julia?
23:01But where did you get that comment from?
23:03Oh, I don't know.
23:04I read it in a little novel that Aunt Maria had in the gallery once.
23:07Go on, go on.
23:08Go downstairs, I'll help you with your homework now.
23:11So why are you so sad?
23:15Well, look, because...
23:17Because I was folding Juanito's clothes and...
23:20And I was thinking about how fast you grow up.
23:23Especially you.
23:27Go on.
23:30Come down here, I'll help you right now.
23:41Allah, it is done.
23:44Roque.
23:50Where is this boy?
23:52Has he left?
23:53Who are you talking about?
23:55From Roque.
23:55I was here a moment ago.
23:56Haven't you come across him?
23:57No.
23:58Mr. Damian called me to ask me to pick up some documents he had left in the car.
24:03That's really strange.
24:04Yeah...
24:05I told him that the three of us were going to have a snack here together.
24:08Because he brought me some doughnuts...
24:10From Talavera.
24:12And I went to get the clothes.
24:15I don't know.
24:20No.
24:21No, no, no, no, no, no, no.
24:23What's happening?
24:26Don't mess with me.
24:28Did he read you the letter?
24:30Manuela.
24:30Is that your brother's letter?
24:32Yeah.
24:35This is my brother Manuela's letter.
24:37But how can I not be so clumsy, Manuela?
24:39How did I leave it here?
24:40Oh, Eduardo, for God's sake.
24:44What am I going to say to her now, Manuela?
24:49How could I even think of leaving this here?
24:59The least I can do is thank her again.
25:02Oh, please, I should be the one thanking you.
25:06It's given me the opportunity to punch that cockatoo in the face.
25:11When she finds out that a big party has been organized and she hasn't been invited.
25:16Oh my God, I'd pay to see her.
25:17Oh, Clara, how cruel you are.
25:19I like it too.
25:21Oh, look who's here.
25:25Sorry, sorry.
25:26I thought I wouldn't make it in time to see her.
25:28Daughter, you're soaking wet.
25:30Give it to me, I'll hang it up.
25:32It's getting quite rainy, isn't it?
25:33Thank you.
25:37Sorry for the delay.
25:38But I've had to attend to some last-minute matters and...
25:41And there you have it.
25:42You don't seem to know me, but I was just teasing you.
25:46Well, since Marta has arrived, I'll leave her with her.
25:48I have to resolve a domestic matter with Manuela.
25:51Ah, you know this is your home.
25:53You can come whenever you want.
25:54Dina, I'm leaving on a trip in a few days.
25:57Yes, but I'll come and visit you when I get back.
26:01Enjoy it, you deserve it.
26:03Thank you very much, Dina.
26:04No, thank you.
26:08And remember that you promised to tell me every detail of your journey.
26:14Oh, you must be eager to lose sight of me.
26:17He knows that's not true.
26:20What I do know is that something is wrong with you.
26:23It's your eyes that give you away, Marta.
26:25It's been a crazy week.
26:29Is that all?
26:30Oh, damn it.
26:31I left them in the office.
26:33The fact that?
26:35Photos from this morning's event.
26:36Fina had already developed them and wanted to show them to her.
26:39Oh, dear.
26:40I would have loved to see them.
26:42I'll send them to your home.
26:44And even better, why don't you and Fina come for lunch on Sunday?
26:48That way you can give them to me in person and we can say goodbye properly.
26:55That look again.
26:58No, man.
26:59I tell him that I'm tired.
27:00Stop thinking strange thoughts.
27:03Ah.
27:03But as for Sunday, I don't think it's possible because Fina is very busy.
27:08Already.
27:10You work too much, you're a perfect match.
27:12Yeah.
27:13You should live longer.
27:14But listen to your mother-in-law, she cares about you.
27:18I know.
27:27Oh my god, what a mess this is.
27:32Oh my god.
27:36Hey girls!
27:37Are you going to have dinner?
27:38Please.
27:39Yes, what are you having for dinner?
27:40Well, look, chard with hake.
27:43But if you'd like, I can make you some spicy chicken with vegetables; since it's you, I'll leave it to you.
27:49same price.
27:50Well, that's fine by me.
27:51Those "spicy" chickens are the scrawny chickens, aren't they?
27:56Ah, girl, they're a little smaller chickens, but they're delicious.
27:59No, the truth is that today you all set out to starve me to death.
28:03It turns out that Miguel has invited me to a seafood feast today.
28:06Go on.
28:06Everything was really good, huh?
28:08But I've had trouble understanding the bug.
28:10Come on, I've completely lost track of time today.
28:13Well, if you serve me some fried eggs with potatoes and top it with bacon, I'll marry you.
28:19Save.
28:19Well, don't worry, it won't be necessary.
28:21And I promise you that today you're going to roll out of the bar.
28:24You really know what to say to a girl from Tremendous.
28:27Come on, let's sit down there.
28:31Honestly, I thought we were never going to close.
28:36Between the hunger I felt and the tiredness, the day was dragging on forever.
28:39The truth is, what a week we've had, we haven't stopped.
28:42That said, we passed with flying colors.
28:44Well, not with a grade, Valentina, not with a grade either.
28:47We almost failed with the sample today.
28:49No, but you've managed to salvage what's left.
28:51And the guests wore the original perfumes.
28:53Yes, Valentina, but I have to be more attentive because I'm in charge of the store.
28:56Well, we all need to be on the lookout.
28:58Well, look, that's true too, huh?
29:01Because lately we've been a little distracted.
29:07I'll tell you later.
29:09Tomorrow I want to go to the lawyer first thing in the morning to get all the paperwork for the foundation sorted out.
29:13Do you think I should add a postscript?
29:16A postscript?
29:17Yes, something like the Pelayo Olivares Foundation for helping those most in need.
29:25It runs the risk of sounding a bit bombastic.
29:31You're right.
29:33Do you see it?
29:35That's why you have to be in the natural pattern.
29:39Start thinking that we'll soon have to meet to vote on the statutes.
29:43And if you know of any hospital we could start collaborating with, what do you say?
29:49It's so nice to see her so excited.
29:52Yes, you were right.
29:54Doing something good in my son's name has given me life.
29:57And it wasn't my idea, you know?
29:58That was while talking to Bianca Forner.
30:02With Bianca?
30:03Yeah.
30:04He was telling me what you wanted to do with Pelayo's inheritance.
30:08And suddenly he told me that it was a shame that no one would ever know where that money came from.
30:13Which we could take advantage of to honor the memory of Pelayo.
30:17And frankly, I thought it was brilliant.
30:22I'll call you tomorrow when I leave the lawyer's office.
30:26Sure, have a safe trip home.
30:29And if I don't see her before she leaves, have a great day.
30:32Oh, my dear.
30:34If we don't see each other, I'll call you these days.
30:36That must be his taxi.
30:39Good night.
30:40Good night.
30:41I'll accompany you.
30:42No no.
30:43It's not necessary.
30:44Good night.
31:04Take it.
31:05Take it.
31:06Oh.
31:12Has he already left?
31:16Has something happened?
31:17No, I was trying to talk to Fina, but then I remembered I had plans to meet some friends.
31:23and I'll have to wait until tomorrow to talk to her.
31:26Honey, are you pale?
31:29I think I'm just feeling a bit under the weather, that's all.
31:31Why don't you go upstairs and rest?
31:34Yes, I'd better go to bed.
31:36Good evening, aunt.
31:37Good night.
31:45Look, Valentina, I just hope the effort was worth it and sales pick up again.
31:49to be like before.
31:50And you'll see, it will.
31:51And you know what?
31:52We're going to celebrate it in style, the three of us.
31:54The three of them already surprise me a lot.
31:57No, Valentina, it's clear that Paula doesn't want to celebrate with me.
32:00Come on, you've already seen what he told us.
32:02Our girl has turned out to be spiteful, that's all.
32:04No way, man, no way.
32:05If he told us he already had plans, then he had already made arrangements.
32:08But you swallowed that.
32:09Because not me, okay?
32:11Hey, don't be so suspicious.
32:12No, it's not that she's ill-intentioned, Valentina.
32:14It's clear that that girl doesn't want to sit down to dinner with me.
32:17And I understand her, you know?
32:18I haven't given him the confidence to do it either.
32:22That's right, you haven't done it.
32:23No, well, Valentina, I just can't do it.
32:25I invited her to dinner because of you, because you asked me to.
32:30Do you know what I think?
32:32You need to get to know each other better.
32:36Well, I don't know.
32:37He may be right.
32:39Maybe that's what we need
32:42And that way we can smooth out laziness a little.
32:44Of course.
32:47Look, Valentina, no.
32:48The thing is, I can't do it.
32:48When I look at Paula's face, all I remember is Carmen.
32:51and all the phone conversations I have with her.
32:54And it's still wrong.
32:55Yes, but I understand you.
32:57Claudia, I really understand you.
32:57That's it, Valentina.
32:59I'm very sorry, but there are things I can't forget.
33:04Your spicy chicken with vegetables
33:07and your eggs with double bacon.
33:10Oh my God, how delicious.
33:11That's why today's fast was worth it.
33:14And enjoy, girls.
33:15Thank you.
33:17The thing is, I've been busy checking some orders for tomorrow.
33:19and time has slipped away from me.
33:20Don't worry if I've been here before now.
33:23Okay, I'll be right out and we'll go to dinner.
33:25Is it still raining?
33:28Yes, nonstop.
33:31Hey, by the way, the receptionist...
33:34That?
33:35I don't know, he looked at me a little strangely and made me feel uncomfortable.
33:40Here we go again.
33:41I spoke to him yesterday, he's going to end up listening to me.
33:43Don't do anything, Tasio, we're not here to attract attention.
33:48No, really.
33:49That man is an idiot.
33:51He can't spend all day treating people with such contempt.
33:55What's happening?
33:56Is it wrong?
33:56Is he begging or something?
33:58It's very elegant.
34:00The thing is, your tie is a little crooked.
34:05Just so you know, you're going to love the restaurant we're going to.
34:08And the town is beautiful.
34:09And they serve excellent meat.
34:11For me, having dinner with you by candlelight is enough.
34:16You're there.
34:17Very handsome.
34:18You're beautiful.
34:23What's wrong? Didn't you like it?
34:26The fact that?
34:27Well, the kiss I just gave you.
34:29No, yes, yes, yes.
34:30Yes, I liked it.
34:32Well, then...
34:33Anyone would have guessed it from your reaction.
34:39Look, the thing is, I'm mulling something over.
34:47And it's a topic that clearly worries you.
34:51Yeah.
34:53So, Claudia had asked me to go to dinner with her and Valentina, and I've
34:58I had to invent an excuse not to go.
35:01But Paula, woman, why are you doing that?
35:02You and I could have gone out to dinner any day.
35:04No, don't scold me, Tassio, please.
35:06No, no, no.
35:06My intention is not to scold, but...
35:09I'm surprised you did that.
35:11Well, I don't understand why.
35:12Man, Paula.
35:13You're always saying that Claudia can't stand you.
35:15And for once the girl approaches you, you go and tell her to get lost.
35:20I've messed up, haven't I?
35:21No, no, well.
35:21Don't say that.
35:23No, yes, yes, yes, yes, yes, yes, it's true.
35:25Yes, I should have thought about it more, but...
35:29I don't know, I knew we were going to see each other, that I was going to spend time with you and...
35:34And I didn't think twice about it.
35:40Oh, my child.
35:45You are the most important thing I have in my life.
35:49I could be in a dungeon, without water, without light, without food.
35:57But I couldn't be without seeing you.
36:03Without touching you.
36:07Without kissing you.
36:15I love you.
36:23Are you going to catch me?
36:27Let it play, shall we?
36:31No.
36:31No.
36:34No.
36:39Tassio does not answer.
36:41I'll be having dinner with friends.
36:42You gave very little notice.
36:44Well.
36:46You will need to pass this information on to the other shareholders.
36:49And I hope that Marta and Pablo recover as soon as possible.
36:53As you know, the French transport workers' strike...
36:57...it has been prolonged indefinitely with all the problems that this entails.
37:01In fact, yesterday I spent the whole day receiving calls from our clients...
37:04...saying that they were running out of French products...
37:07...and I suppose tomorrow will be the same.
37:10The trucks aren't arriving and the workers aren't doing anything.
37:13Are you going to tell me?
37:14There's little we can do.
37:16That matter is beyond our jurisdiction.
37:19Unless my cousin wants us to act as intermediaries between the employer and the unions.
37:24Although I'll have to brush up on my French a little.
37:27You shouldn't take it so lightly.
37:29Such a serious matter.
37:30You do that.
37:32Always going off on tangents.
37:33I do more than just criticize.
37:35So tell me what.
37:37For example...
37:38...thinking about how we can continue selling Brosar products in Spain.
37:42What are you talking about?
37:44Okay, after thinking about it a lot...
37:47...I've finally realized that...
37:48...the solution was right in front of his nose.
37:52Do you see that painting?
37:54We are a perfumery.
37:56We have the infrastructure...
37:58...and sufficient staff...
38:00...to produce French perfumes ourselves.
38:03Make brosar perfumes here.
38:05It's a joke, right?
38:07Production is dominated by the queen's perfumes.
38:09We don't have the time, resources, or manpower to continue manufacturing.
38:12Yeah...
38:13...if we cut our perfume production in half.
38:27I'm so glad you're happy.
38:30Actually, my happiness will not be complete until you are happy.
38:33Well, you don't have to worry about me.
38:36What am I going to do?
38:37You will be so miserable.
38:39The perfect life...
38:41...does not exist.
38:42And it's true that...
38:44I'm not in love with my husband, but...
38:45...but look...
38:46...he gave me the most beautiful thing in the world.
38:49And that makes me even happier.
38:52And is that enough?
38:54Well, until recently it wasn't, but...
38:58...but Gabriel wants to be a good father.
39:00And during this time he has realized things and...
39:04...and even if it's just for our children, I think our relationship is going to improve.
39:09Already.
39:10What is all this? Why don't you want me to ask for an abortion?
39:13No, I'm telling you all this because...
39:15...because it's the truth.
39:17What's going on?
39:20What a night we've had.
39:23Well, the baking soda has been a lifesaver.
39:26All the stains are gone.
39:27Yes, well I'll thank Digna for the advice.
39:31Are you alright?
39:33Yes, yes, it's nothing.
39:36Don't cry for nothing.
39:40I suddenly became sad.
39:44It's been like this since yesterday.
39:47From the moment his brother-in-law walked through the door, his expression changed.
39:51Is it because of that girl who came with him?
39:54No, no, please, I can't say anything bad about Valentina, on the contrary.
39:58And then did she say something uncomfortable to Andrés?
40:04No, no, no.
40:07Leave it be, Antonia.
40:11Excuse me, I thought you might like to talk to me.
40:14I did it with you when I had the problems with Javier and...
40:17And sharing it helped me a lot.
40:21I don't want to bother you.
40:23How can you think that bothers me?
40:26On the contrary, it makes me very happy to have your trust.
40:31To tell him my things.
40:33Listen to their words.
40:36I would like to be able to return the favor.
40:39Well, I'm not that smart and...
40:41I probably won't give you great advice, but...
40:44He will never lack a hug.
40:48Don't say you're not intelligent.
40:51Did you notice that something was wrong with me as soon as I walked through the door?
40:54So?
40:56Is it because of Don Andrés?
41:04You can't do that.
41:06Well, I don't see it as so far-fetched.
41:08If, in addition, the sale of our perfumes has plummeted.
41:10Why did you decide to change the original formula?
41:13Well, a decision had to be made, and I made it.
41:15Apart from the rest of the shareholders.
41:17Something that is absolutely unacceptable.
41:19There was no time for voting.
41:22And not now either.
41:23And that's why I've taken the liberty of speaking directly with Brossard.
41:27And by what right have you walked all over us?
41:29By virtue of my being the director.
41:32And that Brossard owns 51% of the shares.
41:35And I have to tell you that she loved my idea.
41:38Because if we produce their perfumes,
41:41We save on transportation costs.
41:43You're a jerk.
41:44But please.
41:45I just don't understand your reservations.
41:47Thanks to this decision,
41:49Profits will double.
41:51And you as shareholders,
41:52You'll get your share of the pie.
41:55Please don't respond to their provocations.
41:59Listen to me.
42:00I know what you're trying to do.
42:02But you're not going to get away with it.
42:04That's all I intend
42:06The goal is for this factory to be productive.
42:09And I'll do whatever it takes to achieve it.
42:11It will even end the one that has kept this company afloat for decades.
42:14Please, Andrés.
42:15Stop living in the past.
42:17Let's go.
42:19That's it, go away, go away.
42:21Leave and take an umbrella.
42:24It's raining.
42:33There was a time when we were very much in love.
42:37But we were both married and...
42:41We decided to put our feelings aside.
42:47After...
42:48My husband passed away.
42:51I met Gabriel.
42:53I got pregnant.
42:55And they got married.
42:57And you know our marriage didn't work out.
43:01She told me they're not in love.
43:04AND...
43:05I also know that for a long time...
43:07She has endured for her children
43:09because he believes they are the only thing he needs to be happy.
43:13And you say you're not intelligent.
43:17I am a woman.
43:19And we notice those things among ourselves.
43:23For some time now I've been feeling...
43:25I feel incomplete.
43:27As if I were missing something.
43:30And what I'm missing is him.
43:33Does he still love her?
43:36Above all else.
43:40But I feel miserable because...
43:43because I know that my sorrow has no consolation.
43:47And that I'm going to have to live with this emptiness for the rest of my life.
43:54Antonia, please, what I've told you...
43:56No no.
43:57Don't worry.
43:58What is in that heart will not come out of my mouth.
44:03Thank you.
44:20Hey, we've already had dinner.
44:21We're going to be late in the end.
44:22I'm not hungry with the food I've been eating.
44:25Oh, that's right.
44:26That you were having lunch with Claudia today.
44:27How are you?
44:28Good.
44:29I followed your advice and treated her like a queen.
44:31I took her out to eat seafood.
44:33Oh, son.
44:35I see you spare no expense.
44:37Well, according to historians,
44:38at the monarchs' feasts
44:40Seafood and game were plentiful.
44:42That's why they all had gout.
44:46So, did you have a good time?
44:48Very good.
44:50We will repeat.
44:51That's great, darling.
44:53Mabel.
44:54What are you doing here, daughter?
44:56I thought you were going to have dinner with Fernanda
44:57and your friends from the course.
45:01Oh?
45:02Well, you can see that's not the case.
45:06And did Fernanda finally get the scholarship in Paris?
45:08Look, don't mention Sarpío to me.
45:10What's a good way to call your best friend?
45:12She's not my friend anymore, she's nothing to me.
45:14But what happened, darling?
45:16Well, she says she doesn't want to know anything more about me.
45:17ever since she found out about my father.
45:20He could have called me to tell me something,
45:22That way there was no need to meet in person.
45:25Okay, can someone explain this to me?
45:26How did they find out what happened?
45:29The speed at which a rumor spreads
45:30It should be studied in universities.
45:32Did you know that the rumor had reached Tarragona?
45:37Dad told me today.
45:38Ah.
45:40Well, daughter, it's just that
45:42a friend of dad
45:43from the savings bank
45:45where he was an advisor
45:46has found out
45:46And he wasted no time in telling everyone.
45:48What was it like?
45:50Yes, they have done without
45:52of their services.
45:56Why won't they let us settle this?
45:57Let's get to this topic once and for all?
45:58I just don't understand it.
45:58Well, look,
45:59That's what we all wish for,
46:01But you know how people are.
46:03Gossip.
46:03No, bad, bad.
46:04People are very mean.
46:05What do they gain by doing something like that?
46:07I don't know, honey.
46:08I really would love to.
46:08I can answer that question.
46:12I'm so sorry
46:13that you have lost your friend.
46:17What happened?
46:19Well, my friends from Tarragona
46:20They don't want to know anything about me
46:21Because of you.
46:22Dad, they reject me
46:23for something that I
46:24I am not responsible.
46:25You should have seen
46:26the face of disgust
46:26Fernanda was looking at me with that expression.
46:27If I were your friend
46:28I wouldn't treat you badly.
46:29Miguel, you shut up
46:30Because you have no idea.
46:31Okay, that's enough.
46:31Don't talk to your brother like that.
46:33I'm sorry, daughter.
46:34I didn't know about the rumors.
46:35They would end up going so far.
46:37Yes, but could you
46:38You should have counted, right?
46:38As you have done with Miguel.
46:40We haven't had time, darling.
46:41We haven't had time.
46:42Wow, what a coincidence.
46:44You never have time
46:45Let's be honest, shall we?
46:46You only tell half the truth.
46:47The stories, well, look,
46:48They have no end.
46:49I'm sorry, daughter, I really am.
46:52The only thing I can do
46:53It's asking for your forgiveness.
46:55The solution is not to apologize,
46:56It's about not doing harm.
46:58Do I remind you how many times
46:59Did you say that to me?
47:00Let's leave this for tomorrow, okay?
47:02I see that we're all here.
47:03very nervous.
47:04Let's see if tomorrow
47:04You're a little calmer now.
47:05Hey?
47:07Pablo.
47:08Pablo.
47:09Pablo, what's wrong?
47:11Pablo, can you hear me, darling?
47:13What's wrong with him?
47:15Is it because of the hernia?
47:16No, thirst causes fainting.
47:18His pulse is very weak.
47:19Mabel, call an ambulance.
47:19please.
47:20Darling, darling.
47:21Mabel, an ambulance, now.
47:23Pablo.
47:24Pablo.
47:25Hurry up!
47:27Dad, can you hear me?
47:29Come on.
47:29Mom, let's try
47:30Turn it on from the back.
47:34Mom, it's the truth.
47:35If I hadn't spoken ill of you,
47:36We wouldn't be here right now.
47:38Honey, aren't you responsible?
47:39What's wrong with Dad?
47:40Yes, I am.
47:41Your cousin has tricked us again.
47:43He has convinced Hugo Broussard
47:44so that they produce
47:45their perfumes at the factory.
47:47I won't be able to be there
47:48very attentive to you
47:49because I'm going to have
47:50than going to the hospital.
47:51I won't have time
47:52to do boyfriend/girlfriend things.
47:55Because I have discovered
47:55that all his life
47:56It's a farce.
47:57That the man who practiced
47:58from father with him
47:59deceived his mother
47:59to marry her.
48:01It's not one thing, it's another.
48:02Perhaps that's why
48:03Pablo has become ill.
48:04Because the body
48:05He also notices the tension.
48:06What mask are you talking about?
48:07The one you put on
48:08so that everyone
48:09think you are
48:11charming and harmless.
48:14What can they see, please?
48:16Well, Paula,
48:17I couldn't hold it in any longer today.
48:18That's it.
48:19This is the opportunity
48:20that you were waiting for.
48:21to talk to your son.
48:22Yes, Manuela.
48:24Well, now you know
48:24what you have to do.
48:25It's the campaign
48:26advertising launched
48:27by Brossard
48:28with the great
48:30bubupuazo.
48:30I'm going to talk to a third party
48:31Let's see if I can give you a heads-up.
48:32analgesia.
48:33Ah!
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