- 8 minutes ago
Category
🎮️
GamingTranscript
00:00:03His body is calming down, sir. Vitals are normal and bad.
00:00:06I'm not very sure that I'll be able to get into my mind, but I'm not sure the best of
00:00:12this experience.
00:00:14I've never had enough time to get into that.
00:00:16Even if it's like, it's like a thing to do, I'll be able to get into it.
00:00:20Sir, I'm not sure if you're a good friend.
00:00:24I'm not sure if it's like a good friend.
00:00:27I'm not sure if it's like a friend or a friend.
00:00:30Sir, I have no problem with an interview in my media.
00:00:33He's not a very serious woman. He's been watching.
00:00:35This is the time of the movie.
00:00:36He's a great writer.
00:00:41The movie is going on.
00:00:44The movie was the only one to one film.
00:00:45He's not a movie.
00:00:47He's never seen it.
00:00:48He's never seen it in the end of the movie.
00:00:50He's never seen it.
00:00:52He's not a son.
00:00:53Raveen, can you see Harikuman?
00:00:54Come on.
00:00:55Don't be a sexual experience.
00:01:00Or murder experience.
00:01:01In this memory, there are a lot of memories.
00:01:04What do you think?
00:01:05Sir, there is a neural link.
00:01:06There is a bug fix.
00:01:08There is a disclaimer.
00:01:09Sir, I don't know.
00:01:11Lower middle class.
00:01:12Sir, Harry Kumar is also a man missing case.
00:01:158-2034.
00:01:16Random missing case, sir.
00:01:17There are two different cases.
00:01:18One of them is in the hotel.
00:01:20The other one is in the lower corner.
00:01:23The other one is in the lower corner.
00:01:23The other one is in the middle corner.
00:01:24The other one is in the middle corner.
00:01:26The other one is in the middle corner.
00:01:30If you look at your face,
00:01:33I often see my brain inside.
00:01:35Yes, sir.
00:01:38If I say.
00:01:40I'll be dead.
00:01:53How are you dead?
00:01:54The other one is in the middle corner.
00:01:57Do you call me this guy?
00:01:58You are the only one who has got a clue.
00:02:00I've got to tell you.
00:02:02I always want to see.
00:02:03I never want to know.
00:02:06Imagine you can't see.
00:02:07I don't want to see.
00:02:07I don't want to see.
00:02:07I don't want to see.
00:02:09I don't want to see.
00:02:13Madam, sad.
00:02:16Then I miss you all.
00:02:17I am sorry.
00:02:29Sir, sir, I don't want to go to the game.
00:02:33Hey, hey, Fridaji!
00:02:36Director here.
00:02:37Pull me short.
00:02:38Fridaji, I'm going to go for a while.
00:02:41That's right.
00:02:42Hey, this is full-firing.
00:02:44Condombury.
00:02:45Condombury.
00:02:45That's right.
00:02:46Hey, I'll answer it.
00:02:47I'll give you a badge.
00:02:48Fridaji, I'll give you a lot.
00:02:49I'll give you a lot.
00:02:50Huh, Freddy?
00:03:04Fridaji, I'll give you a badge.
00:03:14This is how we don't know.
00:03:18I know you don't know you don't know you don't know you don't know you don't
00:03:25would be the job I might see it to be pulling you know
00:06:37Don't push it.
00:06:38Address him as sir.
00:06:53Hey, hey.
00:06:54Hey, hey.
00:06:55Hey.
00:06:56Hey.
00:06:56Hey.
00:07:00Hey.
00:07:02Hey.
00:07:06Hey.
00:07:08Hey.
00:07:24Thanks.
00:07:29Hey.
00:07:31Why are you doing this?
00:07:33Now it's legal.
00:07:36Now it's legal.
00:07:38I don't have to charge a case.
00:07:41Why are you doing this?
00:07:41I'm doing this.
00:07:42I'm doing this.
00:08:12You don't even know what I'm doing.
00:08:16But I'm also going to charge it.
00:08:21No.
00:08:22But if you're wrong, I'll call my wife.
00:08:24I have to charge it.
00:08:24What I've done!
00:08:24No.
00:08:25I'm a husband.
00:08:27I'm a husband.
00:08:28I am not a man.
00:08:31I am a man.
00:08:43I am a fanboy.
00:08:44If you have any money,
00:08:48I will never get lost.
00:08:50That is a middle line.
00:08:52No, move forward.
00:08:55You came.
00:09:01You're the opportunity.
00:09:03I'm going to thank you.
00:09:04Pleasure is mine.
00:09:11Help, Jinna.
00:09:13I'm not saying that you're 60.
00:09:14Who's 60?
00:09:16I'm coming to the 11th.
00:09:17I'm coming to the 11th.
00:09:19I'm coming to the 11th.
00:09:20I'm coming to the 11th.
00:09:20AI camera.
00:09:22Automated emergency response system.
00:09:24Biometrics, CCTV, etc.
00:09:27CCTV, TV, AC, French fans, etc.
00:09:29Mr. Vibhan, you don't need your fingers.
00:09:32You can manage your fingers.
00:09:34Come on, sir. Yes, proceed.
00:09:36I'm going to get a job.
00:09:39I love you.
00:09:43You don't have to pay attention.
00:09:45You don't have to pay attention.
00:09:47You don't have to pay attention.
00:09:47You don't have to pay attention.
00:09:49I'm going to try and touch.
00:09:52What's the call?
00:09:53I'm going to charge you.
00:09:55I'm going to charge you.
00:09:56I'm going to charge you.
00:09:59You're there.
00:10:00Go!
00:10:00Go!
00:10:00Go!
00:10:01Go!
00:10:01Go!
00:10:02Go!
00:10:02Go!
00:10:03Go!
00:10:05Go!
00:10:06Go!
00:10:20Let's go.
00:11:00I'm a fan of a Dalai Vedic.
00:11:07I got a piece of paper.
00:11:08I'm going to pick up.
00:11:09I'm going to pick up.
00:11:12I'm going to pick up.
00:11:13I'm coming to the next question.
00:11:14What's your reply?
00:11:15I'm going to pick up.
00:11:17I've been on the virtual pad.
00:11:20I've come to the next level.
00:11:22I've been talking to him.
00:11:25He said, I'm not going to do this.
00:11:54Playing our ajar.
00:11:55That's what I'm going to call him.
00:12:09Don't get him off!
00:12:10Get him off the carpet!
00:12:13Get him off the carpet!
00:12:14Let him go!
00:12:14He's supposed to be a good guy.
00:12:16Playing our ajar.
00:12:32Mama, Mama, do you want me to do this?
00:12:48No!
00:12:49No!
00:12:52No!
00:12:54No!
00:12:57No!
00:12:57No!
00:12:58No!
00:12:59No!
00:13:00No!
00:13:01No!
00:13:02No!
00:13:02Shaji 8 physical experiences are not enough.
00:13:05What is the experience of everyone?
00:13:07That's me.
00:13:11I'm sorry.
00:13:12I'm sorry.
00:13:12I'm sorry.
00:13:13I'm sorry.
00:13:13I'm sorry.
00:13:25I'm sorry.
00:13:27Yes!
00:13:27Hmm.
00:13:28Hmm.
00:13:39Oh.
00:13:40I was able to get it from the house.
00:13:42I'm telling you, you're not going to be able to get it from the house.
00:13:45What is your name?
00:13:47Don't you think I'm going to be able to get it from the house?
00:13:52That's the matter.
00:13:53You have got a DNA.
00:13:55Huh?
00:13:56You're not going to study it.
00:13:57You're just talking about this.
00:13:59Oh yeah, yeah yeah yeah.
00:14:00My name is the name of your name.
00:14:03Madam you're gone.
00:14:04Go.
00:14:06Go.
00:14:06I don't know how I'm going.
00:14:09Oh, I'm going to go to the hospital.
00:14:11I'm going to go to the depression.
00:14:14I'm going to go to jail.
00:14:15I'm going to go to the clinic.
00:14:16I'm going to go to the clinic.
00:14:24There's an important thing.
00:14:25I'm going to ask you to ask you,
00:14:26I'm going to ask you.
00:14:27It's a gender-neutral senior officer.
00:14:29That's right.
00:14:30If you're going to ask me,
00:14:31you'll have two eyes,
00:14:32I'm going to ask you.
00:14:34I'm going to ask you.
00:14:37I'm going to ask you.
00:14:40Housekeeper,
00:14:42there are two eyes at a 20-kilometer radius.
00:14:44I'm going to be in the search on the filter.
00:14:46Okay, don't be done.
00:14:49Sir, I'm not that much?
00:14:51Where are you?
00:14:52No, no.
00:14:55I'm not that much.
00:14:55I'm not that much!
00:14:57I'm not that much.
00:14:59I'm not that much.
00:15:01I'll see him.
00:15:02I'll see him.
00:15:03Now, I'll see him.
00:15:05He's a hair designer.
00:15:09I'm a hair stylist.
00:15:09I'm a good guy.
00:15:27I'm a bad guy.
00:15:35Jamiya.
00:15:36I live in the city.
00:15:39I do not know the police.
00:15:39The police is so good.
00:15:41The Superstar has been killed in the scene.
00:15:44My life is the life.
00:15:46I know I am not sure.
00:15:47You are not sure.
00:15:49You have to be honest with me.
00:15:50You have to be honest.
00:15:51If you are wrong, you could have been wrong.
00:15:53I have to be honest with you.
00:15:54I will be honest with you.
00:16:11Please.
00:16:24You.
00:16:25Come on.
00:16:26Come on.
00:16:27No.
00:16:28I don't know.
00:16:29There is nothing.
00:16:34You don't have to do anything.
00:16:35Come on.
00:16:38Come on.
00:16:38Come on.
00:16:39Come on.
00:16:40That's it.
00:16:41That's it.
00:16:41That's it.
00:16:43You don't have to go.
00:16:46Hey.
00:16:47I know.
00:16:47You are right.
00:16:47I am not a game.
00:16:49No.
00:16:49I am not a game.
00:16:50I am not a game.
00:16:51Yeah.
00:16:53Okay.
00:16:54Mm-hmm.
00:16:56Okay.
00:16:56Hey, Bатыbale,
00:16:58immediately respond.
00:17:00Hmm.
00:17:00Yes.
00:17:01I don't know who is.
00:17:03Yes.
00:17:03Yes.
00:17:06Yes, I am not.
00:17:09Yes, I am.
00:17:09Yes, I am.
00:17:09Yes, yes, yes.
00:17:18Yes, yes.
00:23:27You are under arrest.
00:23:27I am going to kill you.
00:23:29Are you Simon?
00:23:30Yes, he is.
00:23:32Drop your weapon and surrender yourself.
00:23:34Why are you?
00:23:38Sir, I am going to kill you with my children.
00:23:41Now, I am going to kill you.
00:23:41Why are you going to kill me?
00:23:43Why?
00:23:44Sir, I am going to kill you.
00:23:46I am not going to kill you.
00:23:53We have found the DNA part in Frida.
00:23:54I am not going to kill you.
00:23:57I am going to kill you, but now I am not going to kill you.
00:24:01We are extremely sorry, ma'am.
00:24:03Unfortunately, this is too much evidence.
00:24:05I am going to kill you.
00:24:07I am going to kill you.
00:24:08By the way, big fan!
00:24:11No, mowrie is not going to kill you.
00:24:23But now I'm going to the station.
00:24:24Praveen, I'm going to go to the movie location.
00:24:29Then, I'm going to go to the digital loop.
00:24:32I told you that.
00:24:33I'm going to go to the original.
00:24:34That's what I'm going to do, Mr. Praveen.
00:24:36I don't have to go to the mood.
00:24:39I don't have to go to the relaxation mode.
00:24:41The station is going to go to the relaxation.
00:24:43I don't have to go to the other side.
00:24:45What's your problem?
00:24:47My case is that my privacy breach.
00:24:49There is some video experience.
00:24:52What is that?
00:24:54In the room?
00:24:54I am going to go to the hospital.
00:24:56Rani Titoulibhai.
00:24:58Okay, okay.
00:24:58The situation is so tense.
00:25:00I have oms in the jail.
00:25:04If anyone can go to the hospital,
00:25:06he can go to those people in prison.
00:25:09I don't have to complain about the Furban.
00:25:12But it is my fault.
00:25:13That's why it's not right in crime.
00:25:17Sir, Simon Gatti.
00:25:18Hey, I'm going to arrest you.
00:25:21Why are you?
00:25:23My name is ADHD, BPD, Psychosis, Neurosis, Delusion, Dementia, Depression, etc.
00:25:29I'm going to get a certificate.
00:25:30No, I'm going to go.
00:25:33I'm going to go now.
00:25:35Sure.
00:25:36Sir, I'm going to arrest you.
00:25:38I'm going to arrest you, sir.
00:25:38I'm going to arrest you.
00:25:41Madam, I'm going to arrest you.
00:25:44Hey, sir, I'm going to arrest you.
00:25:46Ninja.
00:25:54Hey, are you going to arrest me?
00:25:56Catch him.
00:25:58Catch him.
00:25:59Who is Ninja?
00:26:01You're not going to arrest me.
00:26:02He's not going to arrest me.
00:26:05Sir, what is going to arrest me?
00:26:07He's going to arrest me.
00:26:09He's going to arrest me.
00:26:09I'm going to arrest you.
00:26:16Hey, I'm going to arrest you.
00:26:18I have to arrest you.
00:26:23Oh my God.
00:26:24I'm not going to die.
00:27:03Ma'am, I'm going to go to bed again.
00:27:06So, I'm going to go to the entire police department.
00:27:10Frida, I'm going to be safe and comfortable.
00:27:13That's a word.
00:27:14Ma'am, coffee.
00:27:17Mmm.
00:27:23A cheese, boys.
00:27:35Sure.
00:27:39Ah, yes.
00:27:43Ah, yes.
00:27:44Very happy, very proud.
00:27:45Strong evidence.
00:27:46Uh, DNA, dricksakshi...
00:27:49No, I'm not going to die.
00:27:54I'm not going to die.
00:27:54Mr. Mona, I'm going to go to the unit secretary.
00:27:57I'm not going to die.
00:27:59I'm going to die.
00:28:01I'm going to die.
00:28:03Highlands!
00:28:05Adi, where is the thump?
00:28:07Oh, I see.
00:28:09It's not a thump.
00:28:10It's not a thump.
00:28:10It's not a thump.
00:28:11So, who knows.
00:28:12That's how he has taken us.
00:28:13solely a thump.
00:28:15Don't let me die.
00:28:16Ma'am, I'm going to die.
00:28:19I'm going to die.
00:28:21I'm going to die.
00:28:21Are you going to die?
00:28:23You're going to die?
00:28:25I'll be dead.
00:28:25Go, Amber.
00:28:27Ma'am, I'm going to die.
00:28:36Now, I think it's a great story.
00:28:40When I'm talking to my parents, I'll see you in the meantime.
00:28:47I'm not able to do this anymore.
00:28:47I can't hear you, but I can't hear you.
00:28:47I got a hearing pattern.
00:28:48I can't hear you.
00:28:51I can't hear you.
00:28:53I'm sorry.
00:28:53I can hear you.
00:28:54The way is to get into your business and make it easy to do.
00:28:55The way is to get into your privacy.
00:29:02Destiny is understanding.
00:29:04If you are the person who's in the room,
00:29:06let's see if we can.
00:29:08I want to install my personal identity.
00:29:13One brand.
00:29:16My legs,
00:29:18my legs,
00:29:19my legs,
00:29:19my legs.
00:29:19What is it?
00:29:21The person is a commodity.
00:29:25The audience.
00:29:28The audience is a sadness,
00:29:32joy,
00:29:33and privacy.
00:29:36The person.
00:29:39Just a entertainment option.
00:29:42I'm not a fan of the person,
00:29:44but I'm not a fan of the character.
00:29:46I'm a fan of the person.
00:29:50I'm a fan of the person who is going to be the girl.
00:29:56How long have you come here?
00:29:58I'm not a fan of the person.
00:30:02I'm not a fan of the person.
00:30:03Do you like me?
00:30:07I'm not a fan of the person.
00:30:08I want the best deal.
00:30:11Any reality that I have to ask
00:30:12really doesn't matter to me.
00:30:16Where are you going to go?
00:30:21I'm going to sell this.
00:30:23Beesh the subcoach.
00:30:24Bejo.
00:30:26Go.
00:30:28Go.
00:30:30Go.
00:30:31Go.
00:30:35Let's see what you want.
00:30:36Where you?
00:30:58What is Simon's memories?
00:31:01Hello.
00:31:02I'm your very own Malayali Maaman.
00:31:05And I'm thrilled to welcome you to the one and only Malayali reality eco-chamber.
00:31:09This show will definitely stir things up.
00:31:30Get ready to go live with the trending sensation.
00:31:33The icon of tomorrow, the superstar Frida Soman.
00:31:38Frida Soman.
00:31:42Frida Soman.
00:31:43Frida Soman is a personal clip.
00:31:45No.
00:31:46Experience clip.
00:31:48It is my mistake.
00:31:50There's no one to save it.
00:31:53Simon.
00:31:54That's true.
00:31:56I have seen the picture of Frida's show,
00:32:13I heard this one.
00:32:15I heard this one.
00:32:17All are exclusive.
00:32:19Ready, one, two, three.
00:32:23Prithas Somanan is a legend in there.
00:32:25He can get out of the state.
00:32:27He can get out of the state.
00:32:30Amalia Chappels.
00:32:31He can do what the hell you want with it.
00:32:37Team Bhimal.
00:32:39Bhimal Raj, Anindya,
00:32:40Kudai,
00:32:41This is one of the dogs.
00:32:48Investigation Head,
00:32:49Praveen Shashank.
00:32:52Officers Malik Indraja.
00:32:55Fritta's clip leaked Charlie and the team.
00:33:00Everyone is a judge.
00:33:04Jet Raji.
00:33:06Fritta is a fan of Fritta.
00:33:11Shajima.
00:33:16Stop what you are doing and take this.
00:33:23I will take a shot.łam
00:33:30She
00:33:32is a judge. Shajima.
00:33:38It's a judge.
00:33:40Shajima. Shajima.
00:33:47Shajima.
00:33:49Shajima.
00:34:19Oh
00:35:54Guys, don't worry.
00:35:55Sorry.
00:35:55Lock him.
00:35:57This is how I love you for him.
00:35:59Let's go.
00:40:04Madam Chair, what do you say?
00:40:05Moving on up!
00:40:06We've already transferred from the NMht and we're moving along along the river Claro Every crime
00:40:24He is still in an ancient place for a honeymoon.
00:40:26Do you have a picture, and do you have a picture?
00:40:29Do you want to see him?
00:40:29Do you have any honeymoon?
00:40:31Do you have any visuals?
00:40:34I'll tell you a honeymoon.
00:40:35I'll tell you a little bit.
00:40:37In the other one, he is checking the room in the hotel.
00:40:41He is off on the 3rd floor.
00:40:43He is not off on the 3rd floor.
00:40:45But Mr. Klindamarthan is very important.
00:40:49He is all very careful.
00:40:50He is checking the room in this hotel.
00:40:51It's a million bucks to make that cash in the hotel room.
00:40:53I mean, that's for me.
00:40:55To do this, you can get a message in my room.
00:40:59How does that mean I get to your hotel?
00:41:01It's not a murder.
00:41:03Let's see if you want me here and you.
00:41:04How do I get to my client?
00:41:04A.S.A.J. My uncle Vimal?
00:41:08I'm going to clean up this case.
00:41:13I've been trying to tell a C.S.A.J.
00:41:16My uncle is in control of that.
00:41:19I am surprised at all.
00:41:21But I am surprised how many people are at the time.
00:41:22How are they?
00:41:23When I initially started...
00:41:24I mentioned this robot...
00:41:26How did some robot make a unit?
00:41:30That's the robot make a unit.
00:41:32I already can say no...
00:41:36...I'm bad.
00:41:37Even if I was mad at the tablet...
00:41:39I am sure I didn't want to say no.
00:41:40This robot is V.O.V.
00:41:44I'm sorry.
00:41:45I have some robot.
00:41:45What Bity is or what you need to choose?
00:41:46Are you sure?
00:41:46I swear I can't even be my robot.
00:41:47I'm sorry.
00:41:47It's all woman's life.
00:41:49I don't know what this robot is.
00:42:00This can't be considered in court.
00:42:19This can't be considered in court.
00:42:22You can't be considered in court.
00:42:25You can't be considered in court.
00:42:38Recently, I was in a survey.
00:42:41I was in college mates, school mates, ex-girlfriends, distant relatives.
00:42:45This is the case.
00:42:46I was in college, and I've had a large group of people.
00:42:50On a page that was a strong member of a psychopath,
00:42:55I recognize that result was to be retired from the house at the desk.
00:43:01How many people who've got them in school?
00:43:03I didn't see anybody telling you about it.
00:43:05He was not the only officer.
00:43:06They ended up having an accident.
00:43:08That story was lost in the room.
00:43:11No, no, no.
00:43:14There he is.
00:43:15My client is in the middle of my life.
00:43:17I'm not going to die.
00:43:19Number one.
00:43:20Reggie.
00:43:21Oh.
00:43:22I'm going to judge one of my friends with my ex-girlfriends.
00:43:26That's the date.
00:43:27I'm not going to be able to live in my life.
00:43:30Oh.
00:43:31I'm not going to be able to survive.
00:43:34I'm not going to be able to survive.
00:43:36I'm not going to be able to survive.
00:43:37That's a bullshit.
00:43:38Reggie.
00:43:40I'm not going to be able to survive.
00:43:42Number one.
00:43:43Number two.
00:43:44Number one.
00:43:45Number two.
00:43:45No one is going to die.
00:43:48This is the endya pizza.
00:43:50When you're still there, sir?
00:43:52Yes.
00:43:53You continue to destroy.
00:43:54Here's the ethics and moral sense.
00:43:56I don't know how to live.
00:43:57I don't know how to live.
00:43:58But I'm not going to die.
00:44:01You're a good guy.
00:44:03I'm not going to die.
00:44:06I'm going to die.
00:44:07I'm not going to die.
00:44:07I'm not going to die.
00:44:08I'm not going to die.
00:44:09I'm not going to die.
00:44:10There's no way to die.
00:44:14Teacher and expression like a zoom, switch to desktop Muna, make her seem cold and negative.
00:44:40No one, no one, no one, no one, no one.
00:44:43This is a normal LRG.
00:44:45If you are a wise and professional, then you will never be able to do anything.
00:44:51I will try that.
00:44:52Relax. Relax.
00:45:11You're right?
00:45:12What's your client!
00:45:13You're right!
00:45:14He's in a pile and a pile and in a pile.
00:45:19Be it!
00:45:19Come on, man!
00:45:21You're right!
00:45:22You still hit me!
00:45:25No, I got it!
00:45:25You're right with it?
00:45:28Yes, that's the plan!
00:45:30Victory Cola is an organic brand.
00:45:32You'll have me artworks!
00:45:34What!!
00:45:35You're right!
00:45:36You're right, brother!
00:45:37I have left hand!
00:46:03What's happening here?
00:46:04What's happening here?
00:46:06No, I don't know.
00:46:08No, Reggie.
00:46:10No, Reggie.
00:46:12No, Reggie.
00:46:12No, Reggie.
00:46:32No, Reggie.
00:46:33I don't know how to do that.
00:46:35I don't know how to do that.
00:46:38I don't know how to do that.
00:46:40I don't know how to do that.
00:46:41I don't know how to do that.
00:46:43I don't know how to do that.
00:46:44Silence!
00:46:46Guys, let's have a commercial break.
00:46:52Frida,
00:46:53we don't have a lot of views.
00:46:55Frida did a performance
00:46:57and we signed it.
00:46:59We have a little blossom,
00:47:00diaper fight, dancer queen.
00:47:02What's that?
00:47:0518%.
00:47:06That's a crack.
00:47:0830CR on agreement.
00:47:10Frida, we don't have a lot of views.
00:47:12We don't have a lot of views.
00:47:15We don't have a lot of views.
00:47:15For example,
00:47:16we don't have a lot of views.
00:47:18We don't have a lot of views.
00:47:22What do you want attention to?
00:47:25I have a idea.
00:47:26I want to make a big deal.
00:47:27We don't have a lot of views.
00:47:28It's a lot of views.
00:47:30What?
00:47:31It's a lot of views.
00:47:33Do we have any other views?
00:47:36Stupid ideas?
00:47:38What's the word?
00:47:40It's a lot of views.
00:47:42I want to make a device.
00:47:45I want to make a good instruction.
00:47:48I want to make a drama.
00:47:51What?
00:47:52What?
00:47:52What?
00:47:53Don't you know?
00:47:53Hey, no, device insoled.
00:47:55So sorry, Frida.
00:47:57Don't worry.
00:47:58I didn't tell you about the first thing.
00:48:00Scripts and dialogues and the Chevy Nano and headphones.
00:48:03Frida, effortless I perform Chedalmadi.
00:48:08Welcome back to the Controversial Madrigues of Klindu Maartandan, Hari Kumar and the leakage of Frida Swamans private video experience.
00:48:17Shaji, why did you get the way to the road?
00:48:19In that time, I'm on the online channel.
00:48:24It's on the actress fanpage.
00:48:27Oh.
00:48:28Frida, I'm following you.
00:48:31Oh, that's right.
00:48:32Why are you?
00:48:33Frida, I'm following you.
00:48:37Huh?
00:48:39Hmm.
00:48:41There's a message for me.
00:48:43Help.
00:48:46I am wet and waiting.
00:48:47I'm going to come to the Molliwood Hotel.
00:48:50I'm not going to be a virtual hotel.
00:48:53I'm not going to be blood.
00:48:54I'm not going to be blood.
00:48:55I'm not going to be a little bit.
00:49:00I'm not going to be a little bit.
00:49:01What's wrong with you guys?
00:49:02You're not going to be able to die.
00:49:03Now.
00:49:17You're not going to be able to die.
00:49:20It's so much.
00:49:25Yeah.
00:49:30I'm not going to die.
00:49:31I'm not going to die.
00:49:33I love you.
00:50:02That's why I'm here.
00:50:06That's why I'm here.
00:50:08That's why I'm here.
00:50:09I'm here.
00:50:10So, I'm here.
00:50:11We're here.
00:50:13You're here.
00:50:15Oh, shit, man.
00:50:17You're here.
00:50:18You're here.
00:50:20You're here.
00:50:23Ready for...
00:50:25Hey, you're here.
00:50:27I'm here.
00:50:28You're here.
00:50:29You're here.
00:50:31You're here.
00:50:32You're here.
00:50:32You're here.
00:50:33You're here.
00:50:35You're here.
00:50:37You're here.
00:50:38You're here.
00:50:40You're here.
00:50:48There is a sex terrorist in the court.
00:50:51And you can proceed to the court immediately.
00:50:53You're here.
00:50:54What you're here.
00:50:57I'm here.
00:50:59We have to be sarmu.
00:51:03I want to be a six terrorist.
00:51:05I have to be a threat.
00:51:07I don't have to be a threat.
00:51:09You don't have to be an attack.
00:51:15No.
00:51:16It's a threat.
00:51:19You don't have to be a threat.
00:51:21Hi guys, we are in Hong Kong, we are in China Town, guys.
00:51:25We are going to go to Hong Kong.
00:51:29The image is locked, waiting for the command.
00:51:32No left.
00:51:36Hey guys, we are out of here.
00:51:38No left.
00:51:39No left.
00:51:40No left.
00:51:40No left.
00:51:41No left.
00:51:41Hey guys, we are out of here.
00:51:47We are out of here.
00:51:48Hey guys, they are out of here.
00:51:49Do you want us to go to Hong Kong?
00:51:51Hello, you are out of here.
00:51:52This is my head right at Hong Kong.
00:51:54Ok, ok.
00:51:54I'm going to go and run.
00:51:58It's running.
00:51:59I'm going to run.
00:51:59Get out of here.
00:51:59Keep and drop it.
00:51:59Ok, take a look.
00:52:01No left.
00:52:01It should no left.
00:52:02Hey guys, we are out of here.
00:52:04Come here.
00:52:05Here's your memory of the father's Simon's memory.
00:52:08It's a fake story.
00:52:09Let's try to get you started from here.
00:52:13Get creative!
00:52:14It's a great job.
00:52:44Saajamon's memory?
00:52:46Saajamon?
00:52:48Saajamon
00:52:53Saajamon memory
00:53:07Khoella da vayra vadi ilesha ji
00:53:09Trauma e koi o
00:53:11Saar le pot hai
00:53:13Saar le pot
00:53:14Eru bad cinema ganda dhijajam chamele
00:53:18Poate poate
00:53:21Nade ke alimfrida
00:53:26Saali
00:53:28I love you
00:53:30I love you
00:53:43We have a erreichen week.
00:53:44Don't worry, Don't worry.
00:53:46Don't worry.
00:53:47Don't worry, Don't worry.
00:53:51I don't wanna worry.
00:53:52A jury with an anything,
00:53:55if you do it,
00:53:57a woman needs a certificate.
00:53:59She's not a problem with a child with a child.
00:54:00Her early days, she's pretty easy.
00:54:02Use your brain, right?
00:54:03I knew it was her case.
00:54:04I knew it was her case.
00:54:07I knew it was her case.
00:54:08I knew it was her case.
00:54:14Raji?
00:54:14Raji is a judge.
00:54:15What is your name?
00:54:15I am not a judge, Raji.
00:54:20Raji?
00:54:21If you are a judge, you can share this video into a society.
00:54:26It is frightening.
00:54:28It is not a social evil.
00:54:30I am not a judge, Raji.
00:54:33For example, Raji?
00:54:34If you are not a judge, I have done a technical assistant.
00:54:38I am a video game.
00:55:06Let's go.
00:55:09That's a dangerous thing.
00:55:12Silence.
00:55:14I tell you how many sponsors are.
00:55:15Sponsored by Emilia Chaples and Bumble Puppy Koilon Band.
00:55:20The best way to study Bumble Puppy Koilon Band.
00:55:25It's like the village of the village.
00:55:27This is such a great place to see Bumble Puppy Koilon Band.
00:55:52Frida!
00:56:05Frida!
00:56:08Such a sad love story.
00:56:36I don't think I'm going to die.
00:56:39Vimal, I'm going to take a look at you.
00:56:47I'm going to die for 13 years.
00:56:50I'm going to die.
00:56:54I'm going to die in my life.
00:56:59I'm going to die.
00:57:04I'm going to die in my life.
00:57:09I'm going to die I am going to die.
00:57:11If I'm going to die right now,
00:57:12I'm going to die always.
00:57:20I'm going to die.
00:57:25I'm going to die for two weeks.
00:57:28I don't know what to do.
00:57:30It's an empathy machine.
00:57:33There's no near-death experiences.
00:57:35There's no story. Games.
00:57:38But what's this?
00:57:40There's no new algorithm.
00:57:42He's gone and he's gone.
00:57:44He's gone and he's gone and he's gone.
00:57:48I don't know what to do.
00:57:51I don't know what to do.
00:57:56I don't know what to do.
00:57:58I don't know what to do.
00:58:00You will love it.
00:58:02Close up on bimal.
00:58:04Create a split screen.
00:58:05Horicidal bimal.
00:58:07I don't know what to do.
00:58:10I don't know what to do.
00:58:13I don't know what to do.
00:58:15I don't know what to do.
00:58:16I don't know what to do.
00:58:19Charlie!
00:58:21I actually enjoy it.
00:58:23I don't know what to do.
00:58:24There was a lot of police,
00:58:26massacre, and harassment.
00:58:29If I take care of the phone,
00:58:30I can't take it.
00:58:33I can't take it.
00:58:36I can't take it?
00:58:39I can't take it...
00:58:53I can't get out of here.
00:59:23You should create an emotional moment right now.
00:59:25FRIDA HAST A PROMPT
00:59:27PROMPT
00:59:29PROMPT
00:59:30FLAT
00:59:30HOLIDAY
00:59:30HOLIDAY
00:59:32FRIED WITH MY
00:59:34FRIED WITH MY
00:59:35FRIED
00:59:36WHERE QUIM
00:59:38FREEDA
00:59:41FREEDA
00:59:42FRIEDA
00:59:43HAD TO REPRESENT
00:59:43FREEDA
00:59:45FREEDA
00:59:46FREEDA
00:59:46FREEDA
00:59:50FREEDA
00:59:53FREEDA
00:59:54FREEDA
00:59:56You're not going to die.
00:59:59You're not going to die.
01:00:11You're not going to die.
01:00:36Should have switched our anything fromais sir.
01:00:39This isFlash.
01:00:40Our hands, Joy from business on thebotham and all kinds of stuff.
01:00:46How are you and our bandwidth, okay?
01:00:47Good night settings for the Mahala have been ringing.
01:00:49Give me a full time in which we have packed at night.
01:00:50viv without350.
01:00:52You had a CO2 button ...
01:00:54Don't let me go!
01:00:55Don't let me go!
01:00:56Don't let me go!
01:01:14The paparazzi are going to kill me.
01:01:16I'm going to kill you.
01:01:19I'm going to kill you.
01:01:24I'm going to kill you.
01:01:27I'm going to kill you.
01:01:31I'm going to kill you.
01:01:38I'm going to kill you.
01:01:38Shall I alert the forces?
01:01:39Hey, I'm going to kill you.
01:01:42Rita, you don't want to kill me.
01:01:44What's the Bumble Puppy band name?
01:01:45I'm going to kill you.
01:01:49I'm going to kill you.
01:01:52I'm going to kill you.
01:01:53I'm going to kill you.
01:01:54I'm going to kill you.
01:01:56I'm going to kill you.
01:01:57Secret life of Frida Soman.
01:02:00You're not going to kill you.
01:02:01No, you're not.
01:02:03Frida Soman is a private video.
01:02:05I remember BPS, HD.
01:02:06I'm not going to kill you, right?
01:02:08I'm going to kill you.
01:02:10I'm not going to kill you.
01:02:11The dialogue in the script is no longer.
01:02:12Frida, this is great
01:02:13but stick to the script.
01:02:14Frida Soman's Gimmilita
01:02:15has a brand name.
01:02:17I'm going to kill you.
01:02:18Do!
01:02:20Do!
01:02:22Do!
01:02:22Do!
01:02:23I'm going to kill you.
01:02:23Do you want to kill you?
01:02:24No.
01:02:27What an improvisation.
01:02:29What a performer, man.
01:02:30Frida is there. Frida is there.
01:02:33Frida is here.
01:02:33Frida is here.
01:02:36What's wrong with me?
01:02:38What's wrong with me?
01:02:40I don't think we're going to be in the car.
01:02:44I don't think we're going to be in the car.
01:02:45I'm not going to be in the car.
01:02:48But I'm going to go to an item dance.
01:02:51Why don't you tell me that?
01:02:55Are you?
01:02:55Frida is here.
01:02:59Ice is here.
Comments