- 2 days ago
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00:00:00The End
00:00:11John Ewan!
00:00:14Let's go, he's clean enough.
00:00:23He said you wanted me to be scared.
00:00:24I lied a little.
00:00:27I was wrong, I admit it.
00:00:31Come on, I love the ancient old buildings. Let's go.
00:00:35No, not yet.
00:00:38Look, I admit it, I'm scared.
00:00:40What do I have to say?
00:00:42Why don't we go?
00:00:46Well, because I think you're going to be perfect.
00:00:49No, don't do that! Come on, please!
00:01:04I'm fine, you're fine, you're fine.
00:01:17Please, come on out.
00:01:20Please don't scare me.
00:01:29Where are you?
00:01:44Look, I know you're going to shut down.
00:01:47He won't be surprised. He won't scare me.
00:02:02Come on out. Please don't hide.
00:02:29He'll be surprised.
00:02:29He won't scare me.
00:02:30He won't scare me.
00:02:39He won't scare me.
00:02:41I'm not going to scare you.
00:02:42I'm not going to scare you.
00:02:44I'm not going to scare you.
00:02:45I'm not going to scare you.
00:02:51Oh, no!
00:02:53Ah!
00:02:54Ah!
00:02:55Ah!
00:02:57Ah!
00:03:13Unfortunately, when we talk about deviancy in society, we face the problem of determining what is, in fact, normal.
00:03:21Of all the deviant behavior patterns we find in society, perhaps the most common is incest, followed closely by homosexuality.
00:03:29Both of these are culturally defined patterns, and societal attitudes towards them vary from one society to another.
00:03:36In fact, generally we classify them as relative deviant patterns.
00:03:42Does anybody have the time?
00:03:45Okay, that's enough for today.
00:03:48On Monday we'll talk about another pattern that might be of interest to all of you, cannibalism.
00:03:53Have a good weekend.
00:04:04Let's go.
00:04:16Let's go.
00:04:19Let's go.
00:04:25Please, madame, keep walking.
00:04:27Act as if nothing is happening.
00:04:30If you value my life, please, madame, make pretend as though we are together.
00:04:35Do not look behind you, whatever you do.
00:04:37Don't look behind, please.
00:04:39Please do not look behind you.
00:04:42Well, now that you have looked behind you, let me ask you a few questions.
00:04:46No.
00:04:47Did you possibly see two men in dark suits getting out of a Citroën with a French poodle?
00:04:53No.
00:04:54No.
00:04:55Okay, then.
00:04:56How about two men in dark suits getting out of a Volkswagen with a German Shepherd?
00:05:02Are you sure that?
00:05:03No, huh?
00:05:03No, I'm sorry.
00:05:05No, all right.
00:05:06Then did you possibly see two gentlemen in dark suits getting out of a Rolls-Royce with a bulldog?
00:05:14I don't know.
00:05:15I'm sorry.
00:05:15I can't help.
00:05:16Are you absolutely certain?
00:05:17I'm absolutely certain.
00:05:21Good.
00:05:22Then we are safe.
00:05:24Will you go on a picnic with me?
00:05:26Oh, you're too much.
00:05:27Please.
00:05:28No, I really can't.
00:05:29Please, look, I've got a jug of wine.
00:05:31I've got a jug of wine and I've got a loaf of bananas.
00:05:34And I've got a piece of bread.
00:05:35And I need a thou.
00:05:36And you're a thou.
00:05:38Oh, thank you very much.
00:05:40Well, I really can't.
00:05:42I just can't.
00:05:43I have too much to do this afternoon.
00:05:44What could you possibly have to do that's more important than going on a picnic?
00:05:46Oh, I have a lot of homework and I have to finish a painting and it's almost the end of
00:05:50this.
00:05:50Are you a painter?
00:05:52Oh, yeah, a little, you know.
00:05:53Do you know a painting called Dejeuner Celerbe?
00:05:58Dejeuner Celerbe.
00:05:59Dejeuner Celerbe.
00:06:01Yeah, I know.
00:06:02And who wrote, who painted that painting?
00:06:05Manet.
00:06:05Manet.
00:06:06And was Manet a great painter?
00:06:07Oh, yeah, he was a great painter.
00:06:08He was a great painter.
00:06:10And what is that painting of?
00:06:12Could it be of a picnic?
00:06:14Picnic.
00:06:15And what experience gave Manet the great power to portray it on canvas?
00:06:20Well, I would say it's because he suffered.
00:06:23And?
00:06:23And because he worked on his painting so much.
00:06:25I have to do right.
00:06:26And?
00:06:26And?
00:06:27And?
00:06:29And he went on a picnic.
00:06:32You're right.
00:06:32He went on a picnic.
00:06:34But there were two men in that picnic.
00:06:36And there was a nude woman.
00:06:38And we just don't have the requirements.
00:06:40Oh, wait.
00:06:40That's okay.
00:06:40I'll be nude.
00:06:41Hey, wait.
00:06:43Why do these things?
00:06:44They've always happened to me.
00:06:45Well, look, Jenny.
00:06:46You have to admit that picnic was a gourmet delight.
00:06:49Yeah.
00:06:50I'll have to admit bananas and bread is pretty exotic.
00:06:54Hey, I have a question.
00:06:56How did you know my name?
00:06:59Sucky.
00:07:00No way.
00:07:01Good guess.
00:07:02Huh.
00:07:03Well, actually, I asked your professor.
00:07:05Are you in my class?
00:07:07No, I don't go to school.
00:07:08I work in the newspaper.
00:07:09Ace reporter, huh?
00:07:12Well, actually, for the time being,
00:07:13I ran errands.
00:07:14But I'm supposed to start writing
00:07:16in the feature section soon.
00:07:18What will you write about?
00:07:19Travel?
00:07:19You don't even know the way back.
00:07:21Yeah, well, you'll see.
00:07:23We should have turned left back there.
00:07:25No, I'm absolutely positive it was right.
00:07:27We're going the right way.
00:07:28Believe me.
00:07:33Oh, hell.
00:07:36Well, maybe you can write about cron.
00:07:55Let's see your license, boy.
00:08:01Take it out of the wallet.
00:08:06Hey, uh, what seems to be the problem, Sheriff?
00:08:09I didn't think I was speeding.
00:08:10No, you weren't speeding.
00:08:12What are you doing in this valley?
00:08:14Just passing through.
00:08:15You planning on staying long?
00:08:18Not particularly.
00:08:19Hey, what's going on here?
00:08:20Are you going to give me a ticket or what?
00:08:21Calm down, boy.
00:08:23I want to give you a piece of good advice.
00:08:25The people in this valley
00:08:26don't care too much for strangers.
00:08:29Is that all?
00:08:31Yeah, that's all.
00:08:32You two be on your best behavior.
00:08:35Okay.
00:08:36Luther, give him back his license.
00:08:39Certainly, Sheriff.
00:08:51City kids.
00:08:52Yeah.
00:08:55What was that all about?
00:08:57I don't know.
00:08:58They sounded like they got their dialogue
00:09:00out of some third-rate Western.
00:09:02We don't cotton much to strangers
00:09:04in these here parts.
00:09:24Absolutely positive.
00:09:26It was right.
00:09:28Well, it does look at this point
00:09:31like I made a sliding.
00:09:32Oh, no.
00:09:33Fine.
00:09:34What do you suppose that's for?
00:09:38No.
00:09:39Oh, no, no, wait, Tom.
00:09:40Let's see where it goes.
00:09:42Oh, come on.
00:09:42Let's go.
00:09:43Where's your spirit of adventure?
00:09:45I lost it in the Greyhound bus depot.
00:09:48Typical.
00:09:49Aren't you curious?
00:09:52You really want to?
00:09:54Yeah.
00:10:01Okay.
00:10:02Let's walk.
00:10:02Let's drive.
00:10:18Let's go.
00:10:36Wow, this is incredible.
00:10:41What do you think it was?
00:10:44I don't know.
00:10:45Probably an old resort.
00:10:46There used to be a lot of them in this valley in the 1890s.
00:10:50Yeah?
00:11:14Hey, Jenny.
00:11:15Look, I was right.
00:11:22Hey, you're not so dumb after all.
00:11:47You're so dumb.
00:12:56Jenny, where are you going?
00:12:57I'm going up here to see what's there.
00:12:59Come on.
00:13:28I'm going up here.
00:13:49I'm going up here.
00:13:55I'm going up here.
00:14:17What are you doing here?
00:14:20You startled me.
00:14:22I startled you.
00:14:24God, I thought I was having a heart attack.
00:14:25Well, it's your own fault.
00:14:27You know the truck passing, you dear amigo?
00:14:30Tell her.
00:14:31It's true.
00:14:32What's the matter?
00:14:33What's the matter?
00:14:33You okay?
00:14:34Yeah.
00:14:35Who are you?
00:14:37Lordy, I live here.
00:14:39Question is, who are you?
00:14:41We saw the buildings and we were curious.
00:14:43Oh, curiosity.
00:14:45He killed the cats.
00:14:47And there's no harm.
00:14:48We were just coming back from the picnic and we got kind of lost.
00:14:52Well, I guess there's no harm done.
00:14:55Here, let's go out of the sunshine.
00:14:57I'm just worrying about young hooligans and vandals breaking over the windows.
00:15:03Do you hear me look here?
00:15:04Yes, I do, child.
00:15:07Would you like to see my rooms?
00:15:10I'm just about to make some tea.
00:15:12Would you like some?
00:15:13Oh, that's no trouble.
00:15:14No, no.
00:15:15I was just about to put it on.
00:15:17Come along.
00:15:19What kind of spa was it?
00:15:21Oh, this spa was famous for its mineral waters and its hot spring baths.
00:15:31Of course, the weather was perfect, too.
00:15:38This is one of the cottages used by guests who stayed for a longer time.
00:15:46You're going to have to excuse the mention here.
00:15:49I'm not used to having visitors.
00:15:56Oh, good heavens.
00:15:58I've completely forgotten my manners.
00:16:01My name is Abercrombie.
00:16:03Agnes Abercrombie.
00:16:05I'm Jenny McAllister.
00:16:06And this is Tom.
00:16:08Gettys.
00:16:09Well, I'm pleased to make your acquaintance.
00:16:12Make yourselves at home and I'll go see if the tea kettle is hot.
00:16:19I'm going to re-example.
00:16:20I'll go see if I can.
00:16:32Oh, good time.
00:16:33There we go.
00:16:37There we go.
00:16:38Oh, thank you.
00:16:41Have you been here by yourself?
00:16:43Yes, I do, child. Actually, it's very comfortable here.
00:16:50Why didn't this bar close? I mean, most of the others around here closed during the 1930s, didn't they?
00:16:55Oh, yes. Financial problems, I suppose. And then there were some rumors about the owner and his wife.
00:17:06Oh, the usual sort, child. People will always find something to talk about, and it's usually cruel and untrue.
00:17:18But why did you stay here?
00:17:19Well, I had no place else to go. My father was head caretaker here,
00:17:26and we lived on here together for two or three years after the place closed.
00:17:35And then my father died. Then I stayed on.
00:17:40Well, how old were you when he died?
00:17:41Oh, I guess I was about your age, child. Just a young girl.
00:17:48I've always loved it here. This bar was the biggest, the most expensive, and the most beautiful in the valley.
00:18:00Oh, but that was a long time ago. Another day.
00:18:09These rooms look very comfortable. Do you use the rest of the house?
00:18:13Oh, no. I've boarded most of them up. They're all falling down inside.
00:18:19How many other buildings are there?
00:18:21Oh, they're thirteen and a half.
00:18:26And a half?
00:18:30You young people probably think we're silly, but we think thirteen's an unlucky number.
00:18:37And when the architects planned all the thirteen buildings, they made him add an extra one.
00:18:47What do the insides look like?
00:18:50Oh, they're pretty messy now. They're all falling down.
00:18:56Do you mind if we look around?
00:18:58No. No. Would you like me to show you around?
00:19:03This place really has quite a history.
00:19:05I'd like that very much.
00:19:07Um, John, do you mind if I just stay here for a while?
00:19:10Is that all right instead of coffee?
00:19:12I feel dizzy for some reason.
00:19:14Are you sure you're okay?
00:19:16Oh, yeah. It's nothing.
00:19:17Isn't that sick of you, child?
00:19:18Oh, it's nothing.
00:19:20I just, I just like to sit here and I'll catch up with you in a minute, okay?
00:19:24Yeah.
00:19:25Okay.
00:19:27You catch up when you're feeling okay, alright?
00:19:30Alright.
00:19:31Alright.
00:19:38Most of the patients are all over on the board for a while.
00:19:42Well, it's like yesterday once the surprise of the bells.
00:20:17All right.
00:20:19I'm sorry.
00:20:20I should have noticed for it.
00:20:22Come come.
00:20:25Good.
00:20:26Come come.
00:20:27Come, come come.
00:20:27Hey, come.
00:20:28Come back.
00:20:29Come, come.
00:20:30Good morning.
00:20:31Good morning.
00:20:31Oh, my God.
00:21:01Oh, my God.
00:21:33Oh, my God.
00:21:44Oh, my God.
00:21:51Oh, my God.
00:21:53Oh, my God.
00:21:57Oh, my God.
00:21:59Oh, my God.
00:22:49Oh, my God.
00:22:51Oh, my God.
00:23:21Oh, my God.
00:23:53Oh, my God.
00:24:43Oh, my God.
00:25:08Oh, my God.
00:25:14Oh, my God.
00:26:11Oh, my God.
00:26:21Oh, my God.
00:26:41Oh, my God.
00:26:52Oh, my God.
00:26:55Oh, my God.
00:27:00Oh, my God.
00:27:48Oh, my God.
00:28:08Oh, my God.
00:28:39Oh, my God.
00:28:53Oh, my God.
00:29:12Oh, my God.
00:29:17Oh, my God.
00:29:23Oh, my God.
00:29:31Oh, my God.
00:29:32Oh, my God.
00:29:40Oh, my God.
00:29:43Oh, my God.
00:30:02Oh, my God.
00:30:04Oh, my God.
00:30:10dropping in on people well it does get their attention oh no kidding hey I was wondering
00:30:17when I was gonna see you again look I'm sorry I've been really busy down at the paper that's
00:30:21another thing I called that paper where you work and the person I talked to didn't know who you
00:30:25were oh well you probably spoke to the front desk well they don't know me up there I'm always in
00:30:32the back in the feature section well anyway I was looking for you today I've got a surprise for you
00:30:38oh not another um Groucho the spy all-expense-paid picnic is it nope better than that a whole day
00:30:46with me ending with dinner on the town hmm sounds promising when Saturday well I think I'm free
00:30:54I know you are well you're right where are we gonna go uh well that's the catch okay what are
00:31:04you holding
00:31:05back where are you gonna take me soda spring spa John no oh John you know I don't like that
00:31:14place
00:31:14I know I know but listen this is a great opportunity for me I told my editor about the place
00:31:20and he
00:31:20thinks it's a perfect subject for a story in the feature section oh that place gives me the creeps
00:31:25oh come on please I mean this is my first chance to do some actual writing next time you can
00:31:30pick the
00:31:31place really I promise and it won't be so bad I mean after I get a few pictures and and
00:31:38get the
00:31:38facts from the old lady we can drive our cars back to the city for dinner our cars yeah that's
00:31:47the
00:31:47other thing see I'll be doing some work north of there and I thought maybe you could drive your own
00:31:54car up and meet me out in front John couldn't I go with you you can't it's somebody else's story
00:31:58I'm just taking photos I wish you could but it's impossible look I really want to spend the day with
00:32:06you it would mean a lot to me please okay what time twelve o'clock you better be there I'll
00:32:22be there
00:32:23before you for sure we better be that rat
00:32:53like
00:33:00right
00:33:07ok
00:33:08ok
00:33:08ok
00:33:13ok
00:33:14ok
00:33:15ok
00:33:15ok
00:33:17ok
00:33:24Oh, my God.
00:33:48Oh, my God.
00:34:18Oh, my God.
00:34:59Oh, my God.
00:35:13Oh, my God.
00:35:17Oh, my God.
00:35:36Oh, my God.
00:36:05Oh, my God.
00:36:06Oh, my God.
00:36:08I didn't mean to startle you.
00:36:10Oh, my God.
00:36:12This is getting to be a habit.
00:36:21Oh, my God.
00:36:23Oh, my God.
00:36:24I didn't expect to see anybody here.
00:36:26I didn't expect to see anybody here.
00:36:27I didn't hear you coming.
00:36:28I had a quail right in my sight.
00:36:31I'm glad you didn't have me in your sight.
00:36:34Oh, my God.
00:36:38Oh, my God.
00:36:51Oh, my God.
00:36:59Oh, my God.
00:37:05Oh, my God.
00:37:08Oh, my God.
00:37:09Oh, my God.
00:37:31Oh, my God.
00:37:32Oh, my God.
00:37:36anniversary of the opening of the spa they had a huge ball in the banquet to
00:37:44celebrate the owner's daughter had been married that afternoon so they made her
00:37:50the guest of honor well when everything was ready for the banquet and everyone
00:37:57was ready to start the girl was nowhere to be found so they waited and waited
00:38:06and finally they started the banquet without her and then after everybody had finished eating
00:38:16a couple of the guests went out into the kitchen to congratulate the cook on the wonderful dinner
00:38:23and they they found that well yes well they found that the cook could kill the girl
00:38:35and cooked her and it fed her to the guests oh my god that's my sentiments exactly
00:38:44but as the story goes that was the end of the spa it closed that night and never opened again
00:38:51why did the cook kill the girl they never figured that out and they never caught her
00:38:57her is this story true oh of course not i think it's all legend and not fact but the old
00:39:06people
00:39:06in the valley really believe it there's people who swear that they've seen the ghost of that bride
00:39:12out here walking around in a white wedding dress and people have come out here and were never seen
00:39:17again and a lot of other such nonsense but i figure that the spa closed because they just ran out
00:39:25of
00:39:25money yeah i like that reason best oh that must be john oh he's a friend of mine i'm supposed
00:39:35to meet him
00:39:36here well thank you for everything and for not shooting me my pleasure goodbye hey wait uh this is a
00:39:45this is the quickest way out to the front it's faster going through here now this is the back of
00:39:54the
00:39:54back of the main building and you can cut right through here
00:40:01kind of spooky huh i thought you didn't believe that story well i don't believe it but still kind of
00:40:10spooky
00:40:14right down there to the right okay thank you very much for everything don't mention it i hope i see
00:40:21you
00:40:21thank you very much for everything i hope i see you too bye-bye bye-bye
00:40:24bye
00:40:25bye-bye
00:40:33bye-bye
00:41:40I'm sorry I was late.
00:41:43Have you been here long?
00:41:44Yes, but John, listen, everything's gone.
00:41:48Gone?
00:41:48When I got here and you weren't here and nothing else was either, I thought I was going out of
00:41:53my mind.
00:41:59Oh, hello!
00:42:02What a delightful surprise!
00:42:04Hello, Mrs. Abercrombie.
00:42:05Are you feeling better today, child?
00:42:07I was worried about you.
00:42:10Yes, yes.
00:42:11Well, it's so nice to see the two of you again.
00:42:17Come on in.
00:42:18I'm just putting on a pot of tea.
00:42:20I'd love some.
00:42:24Patsa, believe me, just a few minutes ago there was nothing here.
00:42:29She wasn't here and the room was completely empty.
00:42:31Hey, hey, hey, hey, hold on.
00:42:35You must have come in the wrong way.
00:42:37You just took an empty guest house for hers.
00:42:39No, I didn't.
00:42:40Well, then how do you explain it?
00:42:42I don't know.
00:42:44I don't know.
00:42:46I just don't like it here, John.
00:42:48Please, let's go.
00:42:49Now you're being silly.
00:42:50Look, relax.
00:42:53You feeling okay?
00:42:55Oh, damn it, I'm fine.
00:42:57Okay.
00:42:59Just must have made a mistake.
00:43:01He's ready!
00:43:04Good night, man.
00:43:05We'll be in in a second.
00:43:08You okay?
00:43:11Oh, I guess.
00:43:14It's just that I...
00:43:16I'm so sure.
00:43:25I guess it's possible.
00:43:37I guess it's possible.
00:43:49You two must be kind of an awful housekeeper.
00:43:52Every time you come here, the place is a mess.
00:43:55Don't be silly.
00:43:56It looks fine.
00:43:57Now, tell me, what brings you two back here so soon?
00:44:02Such an unexpected pleasure.
00:44:04Well, when I got back, I was telling my editor about...
00:44:07Your editor?
00:44:07Do you work for a magazine?
00:44:10Newspaper.
00:44:10Oh.
00:44:12I hear you.
00:44:13Be careful.
00:44:13It's very hot.
00:44:15See, I don't exactly work for them yet.
00:44:16I mean, I don't write.
00:44:17There you go.
00:44:19But I think I've got my chance now.
00:44:21I think I can do it.
00:44:23And I think I'll get it.
00:44:24The editor thinks that the resort would be a perfect subject for a picture story in the
00:44:29second section.
00:44:30Come on.
00:44:31It's so short.
00:44:32He's willing to make every effort to try and get it in.
00:44:35So if you're interested, I brought my tape recorder and I'd like to take a few pictures and ask a
00:44:42few questions.
00:44:44Yeah.
00:44:46Now, you were saying...
00:44:50Oh, well, my editor thinks that the resort here would be a perfect subject for a feature
00:44:56story in the Sunday section.
00:44:58So, uh, I brought my camera and my tape recorder and if I can impose on you for a little
00:45:03longer,
00:45:04I'd like to ask you a few questions.
00:45:06Oh, of course.
00:45:07And I find the whole thing so exciting.
00:45:10Good.
00:45:11Say, listen.
00:45:12I have something that might isn't really, young man.
00:45:15I have a scrapbook with all pictures of this resort.
00:45:19I'd love to see it.
00:45:20Yeah.
00:45:21There's a picture in here of my father.
00:45:23Here, let's shove this stuff over here.
00:45:26And some of those, in some of those carriages I was telling you about.
00:45:31What's that?
00:45:32Let's see.
00:45:33Let me see.
00:45:33His father-in-law.
00:45:34Oh, there's his.
00:45:34There.
00:45:35Yeah.
00:45:36There.
00:45:36Oh, that's beautiful.
00:45:37Isn't that a little.
00:45:38Oh, we should see him as long as he did like that.
00:45:40Yes, but just...
00:45:42Excuse me.
00:45:45I think I need some hair.
00:45:47Are you all right, John?
00:45:48You look awful terrible.
00:45:49I just feel dizzy again.
00:45:52I'll go outside, bro.
00:45:53Hey, Jenny.
00:45:56Do you want me to come with you?
00:45:57Oh, no.
00:45:58Look, get your story.
00:45:59I'm sorry.
00:46:01I'll just be outside.
00:46:02I'll be fine in a minute.
00:46:04Okay.
00:46:08Okay.
00:46:38I'll be fine in a minute.
00:49:35Jay!
00:49:36Jay!
00:49:39Jay!
00:49:40She's not here!
00:49:42Jay!
00:49:47What happened?
00:49:48Here's your scream.
00:49:49What happened?
00:49:50Oh, God!
00:49:51That ass!
00:49:52It's okay.
00:49:53It's okay.
00:49:53I'm here.
00:49:54What did you think?
00:49:55What happened?
00:49:57He was after me.
00:49:59He was after me.
00:50:00I got trapped in this room.
00:50:05And he was going to kill me!
00:50:07Who?
00:50:08The man with the axe and someone else!
00:50:11There was no one here!
00:50:13There was no one here!
00:50:14There...
00:50:15He...
00:50:15He was upstairs.
00:50:17He was upstairs.
00:50:18And then he ran down here after me.
00:50:21Oh!
00:50:21You're raised.
00:50:21How'd she do that?
00:50:22Oh, child.
00:50:24You probably could it when you fainted.
00:50:26You'd better come back to my rooms.
00:50:29No!
00:50:30No!
00:50:30Let me show you!
00:50:31But...
00:50:32Mrs. Abercrombie's right!
00:50:33No, I have to show you!
00:50:35Jenny!
00:50:40Jenny, please!
00:50:41John, they were here!
00:50:43Where...
00:50:43There was that girl and...
00:50:44And there was this crying cell!
00:50:46Jenny!
00:50:46Come on.
00:50:47That's the best Mrs. Abercrombie's room.
00:50:48You can lie down.
00:50:49I don't think you must have a fever.
00:50:51Oh, you'll burn!
00:50:53Come on, child.
00:50:54But they were here!
00:50:55Where could they have gone to?
00:50:56Jenny!
00:50:57Jenny!
00:50:58Come on!
00:50:58There's no one here!
00:51:00Come on.
00:51:01You need to lie down.
00:51:03Ben!
00:51:04Ben!
00:51:15I'm all right, really.
00:51:16Oh, this man.
00:51:17You stay here and rest.
00:51:18John, will you go to the kitchen and get the rag next to the sink?
00:51:21Oh, sure.
00:51:22It's just a scrap.
00:51:23That's no scratch, child.
00:51:25It should be bandaged properly.
00:51:27And when you get back home, you go see a doctor.
00:51:30Here, I can do it.
00:51:31No!
00:51:31Let me.
00:51:32No.
00:51:35How's that fever, child?
00:51:38I think you could be coming down with a flu.
00:51:45The sun's about to set.
00:51:47It'll be dark in an hour.
00:51:49We'll have to be going soon.
00:51:50Going?
00:51:51Well, we plan to go back to the city for dinner.
00:51:54Oh, my.
00:51:54I won't stand for that.
00:51:56You stay here and have dinner with me.
00:51:59And spend the night too.
00:52:03Jenny needs the rest.
00:52:05And besides, you don't need any dinner in that foggy city.
00:52:10You'll get pneumonia for sure.
00:52:12That's a very generous offer, but I'm afraid you can't accept.
00:52:15It would be in a position.
00:52:17Oh, no.
00:52:18It would give me the greatest pleasure.
00:52:20But you weren't planning on three for dinner.
00:52:22And besides, there isn't room for us here.
00:52:23Oh, yes, there is.
00:52:25There are two cottages where my relatives used to stay when they visited me.
00:52:31All I need are pillows and some blankets.
00:52:35Of course, I'm afraid it's a little dusty now.
00:52:38Oh, that's very kind, Mrs. Abercrombie, but...
00:52:40No, hush, child.
00:52:42I insist.
00:52:44You need the rest.
00:52:45It's all decided.
00:52:46I won't hear anything more.
00:52:48I'm going out now.
00:52:50Make the bed.
00:53:11John?
00:53:12Come in here.
00:53:18Hi.
00:53:19Hi.
00:53:20How is it in there?
00:53:22A little dusty.
00:53:24It's not bad.
00:53:25It's no hotel.
00:53:26Hold on a second.
00:53:34No second time, I'll wear it.
00:53:37Thank you, sir.
00:53:48You still sorry I was staying?
00:53:51Oh, well...
00:53:52I'm just so confused with everything that's been happening to me.
00:53:56Everything you think's been happening to you.
00:53:58Okay, so there's no proof, but...
00:54:00It doesn't prove that it didn't happen, and...
00:54:02And it doesn't change one thing.
00:54:06What's that?
00:54:09That I saw Mrs. Abercrombie coming out of that padlocked room.
00:54:13That she told us she didn't have the key for it.
00:54:15Jenny, you gotta believe me.
00:54:17Mrs. Abercrombie was with me the whole time, talking about the resort.
00:54:21She didn't leave until we heard you scream.
00:54:24Well...
00:54:25It doesn't change what I saw.
00:54:29And after what the hunter said...
00:54:31Oh, wait, wait a minute.
00:54:34I thought you just told me that the hunter didn't believe that story himself.
00:54:39Nothing.
00:54:40But nothing.
00:54:43Come on.
00:54:46I'm in.
00:54:47Yes, Jenny.
00:54:48You've just got to relax.
00:54:51You probably got a touch of some bug that's going around that's playing tricks on you.
00:54:56Maybe so.
00:54:59Anyway...
00:55:00I'm glad I'm not here alone.
00:55:06You know, abandoned school always intrigued me.
00:55:10When I found one when I was little,
00:55:12I used to jump in and pretend I was a Christian being thrown to the lion.
00:55:16No, no, no, no!
00:55:17What?
00:55:18The scene at the end of the monster movie
00:55:20when the heroine is finally trapped by the grotesque beast.
00:55:24The scene in the swimming pool?
00:55:25Sure.
00:55:30Step by step, closer and closer,
00:55:34the beast came to our heroine, poor Miss Betty Lou,
00:55:40until at last there was nowhere left to go and she was trapped.
00:55:49The final step, the beast licked his lips in anticipation
00:55:55and snorted.
00:55:59Help!
00:56:01Then,
00:56:03he looked down at her
00:56:06with an emotion he had never felt before.
00:56:10Was it love,
00:56:13anger,
00:56:15pity, greed?
00:56:17Okay.
00:56:17a certain tenderness, shall we say.
00:56:20And with this tenderness,
00:56:22he picked our heroine up.
00:56:25The very heroine,
00:56:27who is paid,
00:56:28who knows what grotesque did.
00:56:30No, no!
00:56:32But at that very moment,
00:56:33our hero appears on the scene.
00:56:36Brave,
00:56:38young,
00:56:40intelligent,
00:56:41trustworthy,
00:56:42loyal,
00:56:43helpful,
00:56:43friendly,
00:56:44courteous,
00:56:45kind,
00:56:45obedient,
00:56:46cheerful,
00:56:46thrifty,
00:56:47brave,
00:56:47please.
00:56:48Okay, okay.
00:56:49And reverend,
00:56:51our hero,
00:56:51Dr. Bradley,
00:56:52who just happens to be the creator of this hideous thing,
00:56:54cognizant of the evil he has wreaked upon an unsuspecting world,
00:56:57and now that his creature threatens the one thing in the world he loves,
00:57:01besides science,
00:57:03has come to new battle with the hideous monster.
00:57:06slowly,
00:57:07he approaches him.
00:57:08The thing rears up.
00:57:10He approaches again.
00:57:12The thing rears up.
00:57:13Come here, you beast,
00:57:15lay hands off of her.
00:57:16You mean me?
00:57:17Yes, you,
00:57:18you hideous creature.
00:57:20Don't be rude.
00:57:22Take that!
00:57:23And that!
00:57:24Take that!
00:57:26Take that!
00:57:27And the hero gets the upper hand,
00:57:29and with a heroic plunge,
00:57:31dives his knife into the creature's heart.
00:57:36Oh!
00:57:38Oh!
00:57:40Oh!
00:57:44My hero!
00:57:48Oh!
00:57:49Oh!
00:57:51Oh!
00:57:51And slowly the hero
00:57:53takes the heroine into his arms
00:57:57for the ultimate
00:57:59kiss
00:58:00and final payout.
00:58:22What can it be?
00:58:24Why?
00:58:25Our hero
00:58:27is no hero at all.
00:58:29but Dracula's nephew
00:58:32out for the bite.
00:58:35Oh!
00:58:36You never stop.
00:58:38Oh!
00:58:42Oh!
00:58:43Oh!
00:58:43Oh, John!
00:58:46Walk!
00:58:48Come on, aunt!
00:58:51Okay!
00:58:52Walk!
00:58:53Walk!
00:58:54Walk!
00:58:54Walk!
00:58:54Come on!
00:58:55Walk!
00:58:56Walk!
00:58:57Walk!
00:58:59Walk!
00:59:03Stop!
00:59:05What the...
00:59:06What?
00:59:06Stop.
00:59:08What?
00:59:08Let's stop!
00:59:09Please stop!
00:59:12Please stop!
00:59:14Wait!
00:59:14Tom, please!
00:59:15Wait!
00:59:16Where?
00:59:25One more way to get it, Prince.
00:59:38Dad!
00:59:55What do you think will happen to the resort in Craddock?
00:59:58Oh, I don't know.
01:00:02I've always hoped someone would come along
01:00:05and be interested enough in it to fix it up like it used to be.
01:00:10You know, paint it and wallpaper
01:00:14and fix up the lovely old gardens and the walks.
01:00:21Oh, but nobody feels like that toward a place like this anymore.
01:00:28Those days are gone.
01:00:31This meal is superb.
01:00:33You didn't have any so much trouble.
01:00:34Oh, I'm glad you enjoyed it.
01:00:37Wasn't any trouble, you know?
01:00:40Cooking is really my hobby.
01:00:41Well, this is fantastic.
01:00:43Mm-hmm.
01:00:44I'm glad you liked it.
01:00:45What kind of meat is this, Mrs. Abercrombie?
01:00:47Is it beef?
01:00:48No.
01:00:50Well, then, lamb or pork?
01:00:52No.
01:00:53What is it, then?
01:00:55It's an old secret family recipe.
01:00:58Oh.
01:00:59I call it hunter stew.
01:01:02Mmm.
01:01:03It's fun all the fun if I told you how I made it.
01:01:07Mmm.
01:01:07Well, it's delicious.
01:01:08So, before I go, do you promise you'll tell me how to make it?
01:01:12Yes.
01:01:14I promise to tell you how I make it before you go.
01:01:21Mmm.
01:01:22Mmm.
01:01:22Mmm.
01:01:24Now, anybody put some wine.
01:01:26All right, you'll have some.
01:01:27Oh.
01:01:28You a child?
01:01:29Oh, thank you very much.
01:01:30Of course.
01:01:31Of course.
01:01:35Mmm.
01:01:58There we go.
01:02:19I propose a toast.
01:02:21To the hospitality of our generous hostess.
01:02:24Yes, indeed.
01:02:28Oh, what a clumsy fool I was.
01:02:31Oh, yes.
01:02:33Yes.
01:02:35How unfortunate.
01:02:38Please don't make me stay.
01:02:39Let's go tonight.
01:02:40Jane, let's get yourself all excited again.
01:02:42Please.
01:02:45There's got to be a perfectly logical explanation for...
01:02:49for everything that you think's been happening to you.
01:02:52Oh, yes.
01:02:54You've probably got a fever and you're overtired.
01:02:58Oh, please, John.
01:02:59There's nothing wrong.
01:03:00What's wrong?
01:03:03Believe me.
01:03:07I'll take care of you.
01:03:18I'm sorry nothing ever works out the way I planned it.
01:03:22It's the story of my life.
01:03:24Some dinner in the city.
01:03:26Yeah.
01:03:31What you need now is rest.
01:03:34I'll be right next door.
01:03:38Tonight, you get some sleep.
01:03:40And then tomorrow we'll try to figure things out.
01:03:44We'll find your hunter friend and...
01:03:47We'll go see what we can find out in town about our Mrs. Abercrombie.
01:03:52I promise you'll help me check it out.
01:03:55Across my heart.
01:03:57I don't see that.
01:04:02What's it?
01:04:04I don't know.
01:04:05We'll see her.
01:04:07I guess you left it from anywhere.
01:04:10Really?
01:04:11Hey, come on, let me see her.
01:04:17Well, that's not exactly playboy.
01:04:19You do not.
01:04:23Good night.
01:04:24Good night.
01:04:33I'll be right next door.
01:04:35Yeah.
01:04:38Good night.
01:04:42Good night.
01:07:12Mommy, get out of both of you.
01:07:14Come on.
01:07:15No.
01:07:16Let's leave her alone.
01:07:17We're only making a walk.
01:07:18No.
01:07:19We'll come back in the morning.
01:07:20Mommy, you're not.
01:07:24Mommy.
01:07:30Mommy.
01:07:33Mommy.
01:07:35Mommy.
01:07:36Mommy.
01:07:37Mommy.
01:07:44Mommy.
01:07:54Jenny, come up with me.
01:08:32Watch your house, Jenny.
01:08:37Oh, you foal, you foal, you foal, you foal, you get out of here.
01:08:50There's only one more thing to do, get out of there and get out of here.
01:09:14Get the key to the padlocked room.
01:09:19That will prove it to John.
01:09:21John.
01:09:23John.
01:09:24John.
01:09:26John.
01:09:32John.
01:09:39John.
01:09:41John.
01:09:42John.
01:09:43John.
01:09:44John.
01:10:44It's exactly the same as I told you.
01:10:48Most important, the circle.
01:10:50Don't worry, it will be.
01:10:52Why do we need all this?
01:10:54We didn't have to with the others.
01:10:55The others were not the same.
01:10:58She must be just like that first bride.
01:11:03Okay.
01:11:04Now, remember, we waited for tonight for a reason.
01:11:09So that it can be just the same.
01:11:12She must die between midnight and six in the morning.
01:11:18The second before or after.
01:11:20They're not having trouble with our helpers.
01:11:25They're too anxious.
01:11:27They could spoil everything.
01:11:30Now remember, most important, the circle.
01:11:36Now, she must enter it without us forcing her.
01:11:41Understood?
01:11:45What about Luca and the others?
01:11:47If they're here by midnight, fine.
01:11:51If not, we won't wait a second for them.
01:12:05Let's see.
01:12:21Let's see.
01:12:26Oh, my God.
01:12:58Oh, my God.
01:13:32Oh, my God.
01:14:00Oh, my God.
01:14:48Oh, my God.
01:15:10Did you find what you're looking for?
01:15:37Oh, my God.
01:15:40I've got John.
01:15:50Oh, my God.
01:15:52Oh, my God.
01:15:53Oh, my God.
01:16:07Oh, my God.
01:17:42I'll kill you.
01:17:44Please.
01:17:45Please.
01:17:48Please.
01:17:49Please.
01:17:51Please.
01:18:01Please.
01:18:09Please.
01:18:11Please.
01:18:16Please.
01:18:17Please.
01:18:33Please.
01:18:37Please.
01:18:47Please.
01:18:49Please.
01:19:01Please.
01:19:02Please.
01:19:03Please.
01:19:03Please.
01:19:05Please.
01:19:06Please.
01:19:06Please.
01:19:08Please.
01:19:14Please.
01:19:28Please.
01:19:29Please.
01:19:30Please.
01:19:30Please.
01:19:40Please.
01:19:40Please.
01:19:40Please.
01:19:40Please.
01:19:40Please.
01:19:40Please.
01:19:45Please.
01:19:46Please.
01:19:48Please.
01:19:50Please.
01:19:52Please.
01:20:07Please.
01:20:08Please.
01:20:17Please.
01:20:23Please.
01:20:26Please.
01:20:40Please.
01:20:41Please.
01:20:44Please.
01:20:45Please.
01:21:00Please.
01:21:12Please.
01:21:29Please.
01:21:33Please.
01:21:45Please.
01:21:55Please.
01:21:58Please.
01:22:00Please.
01:22:07Please.
01:22:08Please.
01:22:08Please.
01:22:12Please.
01:22:14Please.
01:22:18Please.
01:28:34I'm going to have my job.
01:29:06I'm going to have my job.
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