00:00Here, the two films that have been released are the Three of the Magkasalo and Kuratcha.
00:16Which of those are the best acting challenge for you?
00:23It's the same as the acting challenge, but I think the Three of the Magkasalo.
00:27Because I'm the lead in the movie.
00:33In the Kuratcha, I just introduced myself.
00:40So, there are a lot of challenging acting that I did in the Three of the Magkasalo.
00:50Yes, because it's a lesbian.
00:53I don't have any experience to have a relationship with a woman.
00:58So, it's really an acting challenge for me.
01:02Of course, you need to feel that.
01:03I don't have any experience to have a relationship with a woman.
01:35I don't have any experience to have a relationship with a woman.
01:45I don't have any experience to have a relationship with a woman.
01:57I don't have any experience to have a relationship with a woman.
02:00I don't have any experience to have a relationship with a woman.
02:13I don't have any experience to have a woman.
02:24I don't have any experience to have a relationship with a woman.
02:30I don't have any experience to have a woman.
02:51How was it directing that?
02:56Teacher Joan, yes.
03:01I really like the material.
03:06And of course our cast,
03:14it was really about an assertion of identity more than anything else.
03:28I think it's in line with a lot of the film that I've done,
03:32which is I've been interested in somebody who's trying to struggle against obstacles
03:36to asserting identity.
03:40Looking back, a lot of my films have been about that.
03:44There are many forces that are trying to keep the individual down
03:47from social forces or other family.
03:50It's always asserting identity.
03:52This was along those lines.
03:55It wasn't like some weird material for me.
04:00It was basically something I was really interested in.
04:02So it was fun working.
04:05Because it was great.
04:06I had a great team.
04:08And of course my mother is also a very good producer.
04:16It's very good and strict.
04:17That's why everything was good.
04:24Smoothly calendared.
04:25There were no problems on that front.
04:27So I was really left to basically play with the creativity of it.
04:34With the cast and with the creative team.
04:37The cinematographers and the designers.
04:39So that's it.
04:42The only sad part that happened during that shoot was
04:45because we shot the house of Tita Chat Charito Solis
04:49and she passed during that time that we were shooting.
04:53So that was really something that really kind of affected us a lot.
04:58But I really enjoyed that.
05:00Because outside from the cast.
05:01The principal cast.
05:02A lot of our supporting cast.
05:07We got from the community.
05:09The LGBT community.
05:12So they were very supportive.
05:15And it was.
05:16You know.
05:17Parang.
05:18It put us also in that world.
05:20So.
05:21It was.
05:23It was healthfully creative for me.
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