Vishwanath and Sons : Team Special Interview

SP

Vishwanath & Sons is our upcoming Telugu-Tamil feature film starring Suriya, Mamitha Baiju, Radhika Sarathkumar and Raveena Tandon in key roles. Written and directed by Venky Atluri, the film is produced by Suryadevara Naga Vamsi and Sai Soujanya under the banners of Sithara Entertainments and Fortune Four Cinemas and presented by Srikara Studios. The film features music composed by G. V. Prakash Kumar, cinematography by Nimish Ravi, editing by Navin Nooli and production design by Banglan.  Starring: Suriya, Mamitha Baiju, Radhika Sarathkumar, Raveena Tandon   Technical Crew: Written and Directed by Venky Atluri Producers: Suryadevara Naga Vamsi & Sai Soujanya Banners: Sithara Entertainments & Fortune Four Cinemas & Srikara Studios Music: G.V. Prakash Kumar Director of Photography: Nimish Ravi Editor: Navin Nooli Production Designer: Banglan Executive Producer: Yalamanchili Gopala Krishna (Nani) Line Producer: Karumanchi Uma Maheshwara Rao Art Directors: Shiva Kamesh D, Jithu Sebastian Fight Master: VVenkat Choreography: Sekhar VJ Chief Co-Directors: Srivatsava Co-Director: Anji Chodapaneedi VFX Supervisor: Vasudeva Rao Mojjada Publicity Designer: Kabilan Digital Marketing: Sandeep Kulkarni P.R.O: J Yuvraaj DI: Nube Studios Colorist: Vyshak Shiva Dolby Atmos MIX: T. Uday Kumar Teaser Cut: Balaram Krishnan, Vishnu ramagiri, Nikhil Nadella  Chief Associate Editor: Balaram Krishnan Associate Editor: Srinivas Nadiminti Direction Department: Balaiya D Rajsekhar, Ramarao Alubelli, Ram Sandeep Varma Jampana, Ramesh Aguri, Naveen Eadara, Sai Charan Vandavasu, Risha Cherukuri, Siva Sankar, Anish Devanpally, Kalal Venky Goud DOP Team: Anson Titus, Hemil Sugunan, Abhijith Shabu, Nikhila Lalkumar, Hari Babu, Praveen Costume Designers: Archana Rao, Sandhya Sabbavarapu Motion Gfx: Sabari Ramiro Production Controller: Rudraraju Seshadri Audio On: Aditya Music

Transcript

00:00Vishwanath & Sons Team Taunnamo, Surya Garu, Mamita, the very, very great Radhika Sharath Kumar Garu

00:07and the intellectual director Venkhi Garu.

00:11Subtitle?

00:12Oui, oui.

00:13Intellect.

00:13Subtitle.

00:14Et pour la Vankhi Garu, il y a très bien.

00:17Il y a très bien.

00:19Il y a très bien.

00:21Mais il y a très bien.

00:24Il y a très bien.

00:27All different kinds of films.

00:29Vishwanath & Sons were dessin,

00:30why Vishwanath & Sons?

00:32Where are the daughters?

00:34I asked the same question.

00:36See Nadi Surya Garu as to the same level.

00:39Ok, first and the view let's make it interesting.

00:42We will not fight.

00:43The first question is I am on the ground.

00:47Sons...

00:48Yeah, actually why Sons?

00:50Why plural?

00:52We have never thought about him right?

00:54Je me souviens.

00:58Il y avait une partie de ce film qui se trouve des daughters et des bâtiments.

01:01Mais ce n'est pas son.

01:03Je ne sais pas. Je suis venu par les tata et sons.

01:08Il y avait une fascination qui se trouve dans la compagnie.

01:11Et je ne sais pas, il y avait une legacy qui se trouve dans la cinéma.

01:19Il y avait une chanson dans la chanson.

01:21C'est une autre recueil facteur.

01:22Just recall factor.

01:24Alla n'est-ce qu'il y a.

01:24Being a fan of Tata.

01:26Oh.

01:26Oh, c'est pas ça.

01:28Ok Nandi, vous avez compris.

01:29Ok Nisham.

01:29Ok, il est bon.

01:31Il est bon.

01:32Surya Garu.

01:33Thank you.

01:34Je vous remercie.

01:35Je vous remercie.

01:36Oh, c'est bon.

01:37C'est bon.

01:38C'est bon.

01:39C'est bon.

01:40C'est bon.

01:41C'est bon.

01:43C'est bon.

01:44Surya Garu.

01:46Je vous remercie.

01:47Je vous remercie.

01:48Oui, c'est bon.

01:50C'est bon.

01:52Congrats.

01:52Bye, guys.

01:54Congratulations.

01:56Kutchanti, Kutchanti.

01:57Lucky Buster's national award for screenplay on Thun Meikwu.

02:00Hearty congratulations.

02:01Thank you, thank you.

02:02And already national award winners,

02:041, 2, 3 and some who ontmed it up.

02:06And the way.

02:07And the way.

02:08And the way.

02:09They were throwing the chair and he put him out there.

02:13I am so happy indeed, we all raised everyone.

02:16And we will want to hear a lot of views on the Vishwanath and Sons Gurinch.

02:18We will get to know this and get to know the lines.

02:20First, we will start with Mamita.

02:22See, Vishwana then son son, I don't know.

02:25On a postel, il y a son.

02:26Il y a son.

02:29Il y a son.

02:30Il y a son.

02:31Il y a son.

02:34What is it?

02:35Give us a little hint about Vishwana then son.

02:37Who is the son?

02:39I thought it's Surya sir.

02:41You thought it's Surya sir?

02:42So, Vishwana is Surya sir.

02:45No, it's my desire for son.

02:48It's a good answer.

02:51Actually, it's a good answer.

02:52See, that's why you did it intellectually.

02:55What did you choose from Surya Garu first film?

02:57Which was the first film that you watched

02:59maybe in college of Surya sirs?

03:02It's not a film.

03:03I loved that movie.

03:05Me and my brother used to watch like

03:08multiple times. And you were studying?

03:105th standard, 6th standard.

03:11It's not in college.

03:14In college.

03:15It's not in college.

03:16It's not in college.

03:20There's already a dialogue in the teaser.

03:22My brother said,

03:23I think that's not correct.

03:27I think that's not correct.

03:28You are trying to make me point of view.

03:30I have not glasses.

03:33Now it's laser.

03:34Correct.

03:35I use.

03:37I use after 40's.

03:39I use after 40's.

03:41No, my power has come after.

03:43Mid 40's, I think it comes.

03:45Yeah, it comes back.

03:46What are you talking?

03:47Your eyes already are powerful.

03:51Yes, we agree.

03:52You are close-fitted.

03:54Magnetic power he has got.

03:55Yeah, yeah.

03:56Very, that's frustrating.

03:57Jyothika Garu is attracted to him.

03:59There are many people.

04:01But there is extra magnet Jyothika.

04:06Magnetic power.

04:07Today, Jyothika Garu is not a Jyothika Garu.

04:09It's not a Jyothika Garu.

04:10It's not a Jyothika Garu.

04:11Unfiltered topics.

04:12It's a Jyothika Garu.

04:23There are major differences in working styles.

04:26Like Sivakumar Garu or Surya Garu.

04:28No, no it is a difference.

04:32Meera is different.

04:33Sivakumar Garu is different genre altogether.

04:37Surya is different.

04:39Karthi is very different.

04:42So, all three different kinds of people.

04:44And Meera, Sivakumar Garu, I just asked Jyothika Garu.

04:48So, it was telling that in 1988 three films released.

04:50Je suis là.

04:51Je suis là.

04:52Il y a combien de films ?

04:53Il y a 83 films de ton film.

04:54Je lui ai dit que plus de voir sa femme, il y a eu seulement.

04:57Parce que chaque jour, il y a été shooting avec moi.

05:00Il y a des films de sérieuses.

05:02Il y a eu des films.

05:03Il y a eu des films.

05:07Donc, il y a eu.

05:09Mais, il y a eu.

05:11Il y a eu.

05:11Il y a une heure extra.

05:14Je ne vais pas faire ça.

05:15Je ne vais pas faire ça.

05:17Il y a 6h.

05:18Je suis le producer.

05:19I am the producer.

05:20But he will come and make me.

05:22.à

05:23He is like that. He

05:23is very.. He's

05:25fully devoted. He must

05:27have done some 3000,

05:285000 days of

05:29work together.

05:29I know together

05:30we have done a lot.

05:31All put together.

05:33Amazing, the.

05:34And how you play

05:34? Yes. I play

05:38very steady.

05:41We were actually encouraged to

05:43go to a shooting spot. Must have done 1 or

05:452. No we were shooting your

05:47house in Teenaga.

05:48Oui, c'est quelque chose comme ça, mais ça n'a pas été une pratique.

05:52Il y a pas d'avoir fait une partie de la set, une fois ou une fois, dans toute la

05:57filmographie.

05:58Ok.

05:59Maamita, il y a aussi beaucoup de choses sur les locations, avant que vous étiez à l'action?

06:04Ah, oui.

06:05Oui, où est-ce que vous étiez?

06:07Donc, il y a un film called Pahawada, en Malayalamali.

06:12Donc, il y a un film qui était en mon maison, et ils ont besoin de des enfants.

06:21Donc, je suis venu à l'action, j'ai eu l'action.

06:26Oui, je suis là.

06:28Oui, c'est mon premier expérience.

06:30Vous avez eu l'action?

06:32Vous vous souvenez de toute façon?

06:33Oui, je me souviens de tout.

06:35Vous avez un dialogue ?

06:36Vous avez eu l'action?

06:36Je suis en 7th Standard.

06:39Oui.

06:40Vous avez eu l'action ?

06:41Oui, j'ai eu l'action.

06:43Oui.

06:43Bienvenue avec nous.

06:44Je me suis là, il était l'action dans Helaire.

06:46Oui, et moi-même, il y a beaucoup de gens.

06:50Ok.

06:51Oui.

06:52Oui, nous avons un bon moment.

06:53Donc, il faut commencer à cette année.

06:55On a toujours cette année.

06:55Donc, je suis là un peu plus intéressé.

06:56Je suis très curieux.

06:56Je ne sais pas l'action, de toute la vie.

07:02Oui, je suis très curieux, ok.

07:03On a même temps, je voulais te voir la monitore, a même fonction par exemple.

07:05Oui, là-bas, je suis très curieux.

07:08Donc, je suis très curieux.

07:09Oui, oui.

07:09Tu veux voir le moniteur ?

07:10Non, vraiment.

07:12Je ne me suis pas d'accord.

07:14Comment vous vous êtes d'accord avec mon directeur ?

07:17100%.

07:19Pourquoi ?

07:20Parce que, il me donne les instructions.

07:25Et comment le faire.

07:28Venge, parce que vous avez aussi du national awardee.

07:31C'est un bon.

07:32Il n'a pas d'instructions.

07:34Il n'a pas d'instructions.

07:35Il n'a pas d'instructions.

07:41Il n'a pas d'instructions.

07:42Il n'a pas d'instructions.

07:43Il n'a pas d'instructions.

07:48C'est juste pour le bon d'instructions.

07:50Il n'a pas d'instructions.

07:50Il ne m'a pas d'instructions.

07:51Tu, j'ai l'impression que ici nous devons vous donner un bien sympathé à l'aise.

07:54Tu n'as pas d'instructions ?

07:57Tu n'as pas d'instructions.

07:57Pour moi.

07:58Tu ne t'as pas d'instructions ?

07:59Oui!

08:02Merci.

08:03Tu veux le faire ?

08:03Tu n'as pas d'instructions ?

08:05Tu as une très bonne.

08:06On veut que je amais que j'avais un peu de frères.

08:07Oh, oh, ok.

08:08Want this?

08:09Kaja?

08:09And you are buying us so much of sweets?

08:12Pour une poutre, kaja and bandar halva.

08:15Est-ce que c'est ça?

08:16Oui, c'est ça.

08:16C'est le cas.

08:17Que j'ai dit qu'on a offer.

08:18Non, c'est pas.

08:19C'est pas.

08:20C'est pas.

08:20C'est un problème dans tous les osages.

08:23Oui.

08:24C'est pas l'essant.

08:25C'est pas.

08:27C'est pas l'essant.

08:28C'est pas l'essant.

08:29C'est pas l'essant.

08:3120 rppes d'appareil est important.

08:33Encore un rapport ici, il y a une sorte de Sir et Lucky Boss.

08:36Il y a beaucoup de gens qui ont fait mal à l'oeuvre.

08:38Il y a des efforts, il y a des efforts, il y a des efforts.

08:41Il y a tout. Et il y a aussi des efforts.

08:44Il y a aussi des efforts.

08:45Il y a une une famille propre entreteneuse.

08:47Il y a une commerciale entreteneuse.

08:48Il y a beaucoup de choses.

08:51Dans les années 7, il y a beaucoup de familles de films.

08:55Il y a beaucoup de films très bien.

08:56Je ne sais pas autant que l'intention de la femme.

08:58En un passé de six ans, on peut se faire passer de cinq aix films.

09:04Oui.

09:04Sauf qu'il n'y a pas.

09:05Des audiences, ils veulent rire une famille.

09:09Il n'y a pas une autre action.

09:13Un film par exemple, elle a pas un concept.

09:14Il y a pas une autre action.

09:16On a des familles, il y a des raisons de la famille.

09:19Dans le théâtre.

09:22This Vishnathan's sons and sons is going to be that film where all the families enjoy they are going to

09:29celebrate themselves.

09:31That's nice. Already teasers choos na ma friends sarkil ho and daru goda chala bond bozundi film ho, manchi feel

09:37ho stundi,

09:38dhini choodali me vuh ane oka interest kali indan mahta with the teasers and trailers that have been released.

09:43And radhagi garu venkigar chepin daanthu mir kude eki ba vistara like nowadays you are seeing more of action films.

09:48When you have been in the industry, like I have been there even earlier in Jurassic Park appadhan chunna no?

09:53But you have also been there in the industry since a very long.

09:56Yes. From Ramayanam.

10:01Okay. So, ippod jarguutan na watu lo, what do you think people are missing?

10:05Actually my whole concept na na nene yala choos na na ippod chala mandhi action films oka super,

10:13first reel lo, ok 100 mandhi ni kodatar. So by the time they come to the last reel,

10:20I don't know how much they are going to do or why I should watch them do that.

10:25So it becomes like that. It's a different genre of watching and a different concept of telling a movie.

10:33I feel na drishti lo nene yala choos na nene that Venki is opposing AI.

10:39Hmm. Hmm. Hmm. He is thinking. I know what he is thinking.

10:43There is absolutely no artificial intelligence in the film.

10:47Wow. Thinking, writing and emotion. You can't do it in artificial intelligence.

10:53Exactly, yeah. Can you do this? No. No. You can't.

10:56We are all. Can they show the love, ma ma ma jala vuna prema or you know my relationship with

11:01Mamita.

11:02You can't show it in any intelligence. Yeah. It's an emotion.

11:06So he is against artificial intelligence. Wow.

11:10In the recent past, I don't see a reference which will be there, you know, which you can quote for

11:17this film.

11:17Yeah. I honestly think there is no reference film for this. Yeah. Vishradhan and Sons. Hmm.

11:24We have always had a lot of action films like you take from Fast and Furious to a James Bond

11:29film or any action film, any DC film.

11:32But you also like Pretty Woman. You also like Notting Hill. You also like Fault in Our Stars.

11:38These films are all like you always want to watch it. You always want to revisit it.

11:43The kind of impact it gives you after watching the film, it stays in your mind for a very, very

11:48long time. See, I have no reference.

11:50And you watch them easily again. Hmm. You want to watch them again.

11:53And it does something to your mind, your heart, you know, it does something to you and which cannot be

11:57replaced or you would want to watch it again and again.

12:00So these are films which just comes, Harry Met Sally. You just want to revisit those films again and again.

12:06I think this film has got something like that. You always have a small smile when you watch the whole

12:12film. Yeah.

12:12You have beautiful characters. You have likeable characters. There is a different kind of romance in this film. There is

12:18a different dialogue happening in this film.

12:21So I think this film, I am hoping it will have a special place in everybody's heart, you know, once

12:26they watch this in the theatre.

12:27It has a new conversation, a new, you know, moment. Yeah. I am sure. We have to wait for it.

12:33August 14th. Just independence.

12:35You have to wait for the theatre. Mamitha, first day, how are you allowed in Suryagar? Are you generally like

12:42a little anxious?

12:44Yeah. Where are you?

12:48No camera fear, nothing. Nothing. She is a natural. She is chumma chipping.

12:57You must see her on camera. She is dynamite. Yeah. That we have seen. Yeah. I think only she is

13:10scared of anchors.

13:11Oh God, no. Do you remember the first time when we meet? There. Yeah, yeah. For the first film. There,

13:18there.

13:18No, that was four, four years back. Yeah. I mean, I was so scared and anxious and nervous, all sort

13:24of things were there.

13:25But in this film, no, my character was like that. So I have to. Exuberant. Yeah. I have to be

13:31like that.

13:32I have to like show confidence and be like very casual and cool. So maybe that's why. Yeah.

13:40Generally, internally, I'll be very nervous. Like first two days. Internally, I can't see because MRA also will know that.

13:47Because the set is new, no. So actually when Venkikar or Chinna, he is subject chapnet approved.

13:55Yeah. I was listening and I said, you know, it's very nice. But who is the girl? If the girl,

14:02me sariga set upote, this picture will not work.

14:06Correct. So he says, no, we are very careful. And in correct girl, make this question, he said.

14:11So one day he called me, he said, I've got her. Me office, can we do a script reading? I

14:18said, please come. I'm there. So she came.

14:20And Tanwachi, first I seen Tanwachi, she was very nervous.

14:28No, I was not really prepared. The dialogues. So I didn't mug up the dialogues and everything.

14:36But ma'am was very sweet. And yeah, she helped me. She supported, like she helped me throughout the session,

14:47throughout the screen test.

14:49Like you can say this, you can try saying like this. So that's what gave me, you know, a little

14:56more confidence.

14:57You have not seen the other side of the coin. She, in this film also, you see all the variations.

15:08She suddenly be a child.

15:10She can be cute. She can be emotional. She can have all the authority. It'll all flow. You don't have

15:17to tell about her.

15:18Oh, you're talking about me. I'm looking. I'm not already able to come. I'm also a little confused. You're talking

15:24about her or her?

15:26I'm showing my hand. So, it was a pleasure working with her again after so many years. It was a

15:32joy, you know, seeing her, owning the scene.

15:34She makes it so real. The best thing about, you know, even their, I would also say about their chemistry.

15:40They had, you know, a lot of scenes together.

15:42And it was just amazing to see them both on screen. She had a different energy. Akka had a different

15:47energy. And it was lovely to watch them.

15:50With, of course, amazing dialogues with Venki. After a long time, I'm seeing all this, witnessing all this on screen.

15:57Yeah. So, if you generally, you have a lot of preparation. Like, we have seen you in Gaji, you have

16:03a level of preparation.

16:05You have to get your body, you have to get your body, you have to get your six-sense movie.

16:09So, what was the kind of thing?

16:12Mind work was done in a film. Yeah, there's no, there's no get-up change and all in this. There's

16:17nothing like that. But,

16:18No AI. No artificial intelligence. Literally, I'm saying. Yeah.

16:25It was just more being in the moment. I think that's what Venki was also saying. Like, you know, just

16:32you, being you.

16:34From, I think, Vamsi Garu to Venki, they all had that love. I think I wanted such a film and

16:40I was really wanting to do something like this.

16:43You know, I was also manifesting, I think. I really liked, you know, Venki's previous films, his work, his writing.

16:50And both Vamsi Garu and Venki, when they came, they came like a fanboy. So, like, they spoke about all

16:56my previous films.

16:57And they said, no, we would want to, no, recreate something like this, want to do something like this. So,

17:02from the beginning, every moment, every day, every interaction has been so pleasant.

17:06Also, again, working with, now, directors who are much, much younger than me, but I see an intelligence, an emotion

17:15in them.

17:15Like, it's not easy for a director to write three women characters and all having different shades.

17:22And every time, like a child, he'll be happy to narrate a new scene, a new dialogue.

17:28No, I've improvised this. Like, morning, 7 o'clock, there'll be a call and can I narrate the scene again.

17:35So, that energy was really nice. I just followed Venki's energy to keep it as candid, as real and as

17:43spontaneous as possible.

17:45So, there's no preparation, there's no get up change, nothing. It is just taking Venki's energy.

17:50And then, your Antakmundu film was Karupa. Yeah. So, you had all that. Karupa, Telukul is Karupa.

17:57Telukul is Veerabhadrudu. Veerabhadrudu, yeah. Veerabhadrudu.

17:59Veerabhadrudu. And then, you can get up.

18:01Yeah, how much weight, jewelry. So, the last. Fantastic, Andy, first of all.

18:05Last get up in the Karupa, where I appear as God, I went in between my keys, should I ask?

18:10Yeah, I went. So, from this get up, I became that and came back.

18:14And he was telling me, wait, body weight.

18:19No, but all of us, we work very hard.

18:26And it was amazing. And all of us, we worked very hard.

18:29Super hits and your performances were extraordinary.

18:33Thank you.

18:34It inspired so many women to actually start living for themselves.

18:39Start saving for ourselves. Take care.

18:42And these speeches are also fiery and bold. Always.

18:46We are inspired by the way you talk, the way you live.

18:49Because you are not just preaching something. You are living it.

18:52That's what's happening in the Karupa.

18:54Thank you.

18:54Super. So, now, this is a couple of couples issue.

19:00You are very sure about Suryagar.

19:03What is the problem?

19:08I swear.

19:09I swear.

19:11I am a rose of Jyothika.

19:12I am a rose of Jyothika.

19:33Jyothika.

19:34You are in the HAC.

19:35I will be in the HAC.

19:36Oh my God.

19:38You are amazing Andy.

19:39Fantastic.

19:41You are inspiring as a couple.

19:45You are inspiring.

19:45You are inspiring about what are the kinds of love.

19:46There are the love of the industry.

19:49And that's just that sense of freedom.

19:51All of this, y'all are like that complete.

19:54Yeah, they say opposites attract.

19:57We are opposite in so many different ways,

19:58but we are also in sync with so many things.

20:02Like we love working out, we love our coffees,

20:05we love our travel.

20:06We love so many things to like, you know, do together.

20:11So I think this gym is also one of it.

20:14Is there competition in this gym?

20:16A little bit, but it has a nice line.

20:22So you lose yourself and you win me, that's why.

20:26Very heavy. Sir, sir, tell me a little bit.

20:29Tell me a little bit, tell me a little bit.

20:31What do you think I am?

20:33What is it, sir?

20:34I lose with you to win.

20:37Oh.

20:38I lose with you to win.

20:42I lose with you to win.

20:44But actually, Telugu is a beautiful language.

20:46Yeah.

20:46There are a lot of people who say,

20:48but I am just saying,

20:51I am correct.

20:52I follow all of us in Vidhanmata.

20:54How?

20:54Every husband has to follow this.

20:56See, we have one very interesting video.

20:57Okay?

20:58Okay.

21:02I can't see without that.

21:04How is she performing?

21:06Oh, I'm sorry.

21:07I'm sorry.

21:08I'm sorry.

21:09I'm sorry.

21:11I'm sorry.

21:12I'm sorry.

21:13I'm sorry.

21:14I'm sorry.

21:16When was this?

21:17Where is this?

21:18College.

21:19It was an open stage.

21:21Chumma.

21:21So, one evening, randomly, they announced, like,

21:25there's an open stage.

21:26And, you know, people who like to dance.

21:29But you dance very well.

21:31You're in a training.

21:33What?

21:33You've taken some state award and all you've got, right?

21:35Like, state level.

21:38Yeah.

21:38Competition.

21:40Yeah.

21:41She's a Kuchupadi dancer, Mohini Ata.

21:43Kuchupadi Mohini Ata.

21:44Hey, she's a Kuchupadi Mohini Ata.

21:46I'm saying, everyday, I'll tell you how well you dance.

21:49I don't want to tell you.

21:50You can't say that.

21:51Straight.

21:52It's a Kuchupadi dancer, Mohini Ata.

21:54She had 102 fever in the dance.

21:56Which we did in Utti.

21:57Actually.

21:58Energy was a little lower.

21:59In the dance, huh?

22:01Oh, 102.

22:01We both had 102 fever and we were dancing.

22:04Yeah, yeah, yeah.

22:04Why were you maintaining 102?

22:06I don't know.

22:06The weather was very bad.

22:08Oh, oh.

22:09It was very, very cold.

22:10It was very, very cold.

22:11I had asthma and everyday, I used to like, we used to practice and then go to hospital.

22:19Oxygen.

22:19Yeah, for nebulisation.

22:21Nebulisation.

22:22Oh, you, you, you, you.

22:23That's why I managed a little bit.

22:24Yeah, that's why I managed a little bit.

22:25Somewhere here and there, I could manage it.

22:27But with all this also, still, like that is the first part.

22:30Ah, state level dancer, huh?

22:33Yeah.

22:33Hey.

22:34I don't know.

22:35That's why I told you.

22:36Yes, that's why.

22:36I told you, you said, you're a lot of dancers.

22:40Hmm.

22:41Now, I told you.

22:42Monesty.

22:43Mohini Ata.

22:44I told you.

22:46I told you.

22:49Listen, I have to give it to Surya Sir and Mamitha.

22:52Because this day, the shoot starts to end.

22:55This day, all these days, 1-0-2, 1-0-3 respectively.

22:59And most of the shoot is bite.

23:03Oh.

23:04That's right.

23:05That's right.

23:06That's right.

23:07So, that temperature, we shot for one day, only one day.

23:12Okay.

23:13Almost time, the fall of a month, we shot for the last 4-5 days.

23:18It was a dance.

23:19Hmm.

23:20I mean, because we were looking at the time, we had to get out of sight, the table, the front.

23:25It was a little place to do that.

23:30I tried to do that too.

23:31I had to check my lights out too.

23:32Hmm.

23:32I'm feeling like I didn't know.

23:33The reason I told you was doing how to do the technique.

23:36I told you.

23:37I told you.

23:40Pour moi, le premier jour, qui l'a pris le premier premier jour à la commission d'un premier jour.

23:48L'une l'année dernière, il s'est pagu de deux heures sur le premier jour.

23:52Mais il s'arrayait une emergente d'unوت dans une approverie.

23:59Wow.

24:01Je ne sais pas ce que c'est trop bien, je sais pas, verdad?

24:03Je ne suis pas. Je ne suis pas un écartiste.

24:04Un écartiste là.

24:05Un écartiste.

24:06Oui, c'est un écartiste.

24:07Oui, c'est un très fou une incident et je ne sais pas ce que ça.

24:10Il ne m'a pas plu de faire, mais comme ça, il y a un un un shooting,

24:16et il y a un bébé, du

24:19Il y a deux dogs et un dog est pris.

24:27Il est venu pour le second und il y a eu beaucoup plus,

24:30Il y a trop de gens.

24:32Donc il y a une fois il y a un autre chute.

24:36Il y a des gens qui s'entendent le plus élevé.

24:39Il y a des gens qui s'entendent.

24:42J'ai pas vu ce qu'il y a vu.

24:44Ils m'ont vu ce qu'ils sont.

24:44Moi aussi, je me suis dit que je te dis.

24:46Il y a une heure et il y a un chute.

24:47Il y a une heure et il y a une heure.

24:48Il y a une heure et il y a une heure.

24:51Il y a une heure.

24:52Je vais faire le chute.

24:55Oh my god.

24:56J'ai mis ce que je dis.

24:58haha

24:59en parlez je vous faisais

25:00qu'ils m'e font

25:01c'est un escapement

25:02ça se sit ou l'a dit

25:04ok, je ne vais pas faire enremos

25:05de toute façon, il n'y a rien

25:07alors il n'y a rien

25:08les caméra sont…

25:09comment ça de toujours

25:11Mirasal

25:11il n'y a pas encore

25:12il n'y a pas encore une時間

25:13il n'y a pas encore plus

25:14mais à quoi?

25:16effectivement, tu n'y a pas encore plus

25:18un petit peu plus

25:19dans le monde

25:19j'aimerais faire en tant que film

25:22nous en soutien

25:25ce fait que c'est de l'effondre

25:26Il a fait des choses comme ça.

25:29Oui, tu sais pas si tu ne peux pas avoir A.I.

25:32Oui.

25:32Leopard aussi n'a pas A.I.

25:35Le vrai est un peu A.I.

25:36Le vrai est un peu.

25:38Asala, un levé.

25:39Oui, tout est vrai.

25:41Sons, Sons et...

25:43Ce sont tous les familles de Chivakumar.

25:45Sons et d'autres.

25:46Il y a des sous-titles.

25:48Oui.

25:48Donc, un jour, je me disais,

25:49« Tu as deux sons dans ta maison.

25:52Ils ont des deux.

25:53mes c'est envie d'aller en're.

25:54Il passeraient après 9 ou 1945.

25:57L'ancienne d'ang

25:59des chevaux.

26:00Quelle est lé.

26:02Quelle est lé.

26:06J'en sais pas.

26:12S.'

26:13Eu ne d' listings après elle.

26:22«ζ'

26:23C'est un peu de train pour vous.

26:25Il m'a aidé avec le memory power.

26:27Les Bardhiyar songs sont là-bas.

26:29Il m'a aidé à me remercier les songs,

26:31juste pour moi-même.

26:33Un incident qui s'est passé,

26:35un ami familier de la famille

26:37et il s'est passé à un ministre.

26:39Il s'est passé à un ministre.

26:41Il m'a dit qu'il n'y a pas un car.

26:43Il était dans une autre ville.

26:45Donc, je suis venu à un ministre.

26:48Il s'est passé à un ministre.

26:51Il m'a dit qu'il m'a dit.

26:52Il m'a dit qu'il m'a dit.

26:53« Oh, Shukma, sir, what are you doing?

26:55I just started acting.

26:57Oh, you look like him

26:59and you're going to do what he did only.

27:02The same acting you're going to do,

27:03the same thing you're going to do

27:05and we're going to repeat and you're going to watch it again.

27:07So, it'll be the same only.

27:08Something like that he gave on Word saying.

27:11You're going to exactly copy

27:13and you will have the same body language,

27:15same modulation, same look.

27:18That's what's going to happen.

27:19It's going to repeat for all of us.

27:20or one more generation is going to happen like that.

27:24Something triggered me.

27:26Then I actually stopped watching Appa's films.

27:30Appa's modulation.

27:31I didn't want to be compared

27:33or I didn't want to be similar to what he's done.

27:36So, I don't know what to take.

27:39I was in my early twenties.

27:41I was 22, 23 something when I started acting.

27:44So, this incident triggered me.

27:46So, from then on I thought like I will have my little own path

27:49and I won't, I should not have any similarities.

27:52I should not, it is natural to happen.

27:54I have the same DNA.

27:55It can happen.

27:57So, that one incident little triggered me

27:59and I started watching his work a little less.

28:03Just to not get influenced.

28:05Yeah.

28:06Now, if you're not a man,

28:08you're a meek advice.

28:09You're a meek advice.

28:10You're a meek advice.

28:11You're at the same time.

28:12I don't respect.

28:13You're not listening.

28:15Bro, daddy bro.

28:16It's okay.

28:17Yeah.

28:18Cool.

28:18That's how Chulana is speaking to us.

28:20Even my son says that.

28:24I'm so good.

28:25There's no daddy also, only bro.

28:27She is talking like that only since ages.

28:29Yeah.

28:30I never had no father to speak to.

28:32I spoke to all my...

28:33No, whoever.

28:33Whoever was there in the sense.

28:35Chill bro.

28:36And this is I think one of the...

28:42I can, I know from 100 miles away.

28:45Yeah, yeah.

28:46National, he's talking about you getting the national award for...

28:58He said I should get.

28:59Yeah.

29:04Some...

29:04So many memories.

29:06I know you have so many memories with sir.

29:08Yeah.

29:09But in one line if you have to describe your relationship with Bharti Rajagaru.

29:13He's more than a guru.

29:16I looked up...

29:18All...

29:18He's more than a guru.

29:21But we had a very different relationship.

29:23I used to fight with him everyday.

29:25Now I have no one to fight.

29:28Yeah.

29:29But he's created such great characters.

29:31Given such great emotions.

29:33Such scenes, songs.

29:34He's given so much of importance to women.

29:37Women.

29:37Yes.

29:38Yes.

29:39Every film had that.

29:41Yeah.

29:42Person to take cinema outside the floor also.

29:44Outside the floor.

29:44I think he was one of the pioneers in that.

29:48But I think as long as there is cinema, he will be there.

30:21Yeah.

30:22They have come stand in front of camera and made them act.

30:25Yes.

30:25Yeah.

30:25They have given them the longest career.

30:27Oh no.

30:29Tariq Garu, Radha Garu, so many films.

30:31Amazing.

30:32Okay.

30:33Okay.

30:33So, now I have some questions.

30:36It's all about love.

30:37It's all about...

30:38Family and love.

30:39I like this.

30:40We are talking so much about family.

30:42Yeah.

30:42Father's relationship with sons.

30:45And you know.

30:46Yeah.

30:46It's true.

30:47These questions are coming.

30:50For women, what do you think we should prioritize first?

30:53Health.

30:54Okay.

30:54Our own health.

30:56We never do.

30:57Like what I am telling our people who are watching.

31:00They will always be thinking about family.

31:02Yeah.

31:03I mean, I always choose a mother.

31:05I am talking about different families.

31:08I always choose to.

31:10Because we have the privilege.

31:11I always choose shooting.

31:14And we are able to meet people.

31:17If there is a talent,

31:18I don't know.

31:19I don't know.

31:20I don't know.

31:21I don't know.

31:22I don't know.

31:24First priority, they will give to that.

31:26They will not even take one cross in also for themselves.

31:30Correct.

31:31So, it all builds up.

31:33And they have to prioritize self-love and health.

31:37If you don't have any gifts,

31:39you can give them to your son's family.

31:41You can give them to your son's family.

31:42You can give them all the answers.

31:43They will give them all the answers.

31:44Okay.

31:45Questions.

31:46Ready?

31:46Why are we ready for the gift son?

31:49Mamita, this question is for you.

31:50If mosquito bites a bodybuilder, does it get six pack?

31:54You are terrible.

31:56What kind of question is that?

31:58Answer.

31:59You have no answer.

32:00No.

32:00That's the right answer.

32:01You can select.

32:02You want a juicer or you want a cooker.

32:07You want a juicer.

32:10See, she wants juicer.

32:11I know she wanted juicer.

32:12I know.

32:12That's the right answer.

32:13That's the right answer.

32:42You have bluetooth and hooker.

32:44We also have a shaving set.

32:46I never shave.

32:47So, I don't know.

32:51That's the right answer.

32:54That's the right answer.

33:02Okay.

33:02Mr. Venki.

33:04Oh, God.

33:05I will answer you first.

33:08The questions are tough.

33:09You have to ask someone who is hungry for the night.

33:12Come here now.

33:14First word is 5 minutes ago.

33:16Second word is the right answer.

33:19Most of the third word, the phone is not connected.

33:22Not everyone appears.

33:23You have to be aware without my wifi.

33:25I have to be the third word.

33:27This is the right answer.

33:29Wow, the right answer.

33:30I'm shaving set.

33:31You really have to go.

33:35Last and final question.

33:42Sous-titrage Société Radio-Canada

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