King Nagarjuna Fun Interview With Pallaburusu Movie Team

Mana entertainment

For more exciting updates on Telugu cinema, subscribe to our YouTube channel ► https://youtube.com/@MaaStars-b5b Follow us on X for the latest news ► https://x.com/maa_stars34080 Don't forget to hit the Bell icon to stay updated with every new video! Telugu movie news, Tollywood updates, Telugu film events, pre-release event, success meet, thanks meet, hero introduction, song launch, teaser launch, announcement event, Telugu cinema 2025, Tollywood trailers, celebrity interviews, movie promotions, Hyderabad events, Telugu Shorts, viral Telugu videos, Tollywood stars, film launch highlights, trending Telugu news, Pawan Kalyan, Hari Hara Veera Mallu, HHVM pre-release, Nidhhi Agerwal, Jyothi Krishna, Bobby Deol, MM Keeravani, AM Rathnam, Telugu movie trailer, Tollywood 2025 releases, Vijay Deverakonda, Game Changer, Ram Charan, Daaku Maharaaj, Balakrishna, Vishwambhara, Chiranjeevi, The Raja Saab, Prabhas, Thandel, Naga Chaitanya, Laila, Dulquer Salmaan, Thammudu, Nithiin, Tollywood blockbusters, Telugu film industry, movie press meet, fan events, Telugu celebrity news, audio launch, Telugu movie reviews, OTT updates, Telugu cinema gossip, Tollywood trending, Hyderabad cinema, Telugu movie buzz, star interviews, movie premiere, Telugu film promotions, Sankranthiki Vasthunnam, VD12, JACK Konchem Krack, Telugu action movies, Telugu romantic movies, Telugu comedy films, Tollywood drama, Telugu thriller movies, movie event highlights, Telugu cinema updates, Tollywood behind the scenes, movie launch 2025, Telugu star events, film teaser 2025, song release 2025, Tollywood fan frenzy, Telugu movie hype, celebrity moments, Telugu film festivals, movie success party, Tollywood news today, Telugu cinema trends, movie announcement 2025, Telugu hero launch, Telugu actress news, Tollywood event coverage, Telugu movie clips, short film news, Telugu entertainment, Tollywood interviews, movie event recap, Telugu cinema stars, film promotion videos, Telugu movie snippets, Tollywood viral clips, Telugu movie premieres, cinema news Telugu, Tollywood gossip 2025, Telugu film updates, movie event Telugu, Tollywood star power, Telugu cinema highlights, film trailer launch, Telugu movie songs, Tollywood song release, movie teaser Telugu, Telugu film stars, cinema event coverage, Tollywood movie launch, Telugu celebrity events, film news 2025, Telugu movie excitement, Tollywood pre-release buzz, Telugu film trailers, movie success meet, Telugu thanks meet, hero entry video, Telugu movie teasers, Tollywood announcement, Telugu cinema events, movie press conference, Tollywood star interviews, Telugu film launch, movie event 2025, Telugu cinema promotions, Tollywood movie news, Telugu star updates, film event videos, Telugu movie hype, Tollywood trending stars, Telugu film gossip, movie trailer 2025, Telugu cinema buzz, Tollywood event highlights, Telugu movie stars, film pre-release event, Telugu success meet

Transcript

00:00Hi Uday. How are you?

00:02I am good sir. How are you?

00:03Good, good. Srijana, how are you?

00:05I am good sir.

00:06And Go...

00:07Govmati.

00:09Govmati and Prajwal.

00:10How are you?

00:12Nice, nice seeing all of you.

00:14I mean, I have seen you on screen.

00:20Both of you look very nice.

00:21Thank you so much sir.

00:23Yeah, yeah.

00:24In Pallabursa cinema, we have been in Pallabursa.

00:30I have narrated it too long back.

00:33That's true, Gurtunni.

00:34Yeah, so...

00:36So...

00:36First time we have narrated it, we will add a track.

00:40Yes sir.

00:41Thank you so much.

00:42Thank you for that.

00:43We will add a track.

00:45Yes sir, yes sir.

00:46We will add a lot of oldies.

00:49Yes sir.

00:50And our generation has a little bit of that track.

00:55Like to get that track.

00:57Yeah.

00:58So what do you feel like?

00:59Did you actually feel like this is the time we need to give that kind of a difference?

01:06That's right.

01:07The thing is I always liked my rural films.

01:10I do a lot of rural films.

01:13I always liked my culture.

01:17And sometimes...

01:18I am not saying as to be philanthropic or trying to be sending a message.

01:25But...

01:28It's very...

01:30Chala chala boundary.

01:31A feeling...

01:32The feel you get.

01:34The rural films, yes.

01:36Yes.

01:37I am...

01:38The younger generation, I am a little bit of a city.

01:43And...

01:44Especially, in the social media age, the age of that.

01:48I am a little bit of a message.

01:51I am a little bit of a message.

01:55And I am a little bit of a message.

01:57You could have very relevant.

01:59And...

02:00You have a lot of a message.

02:02Yeah.

02:04The background message.

02:06And...

02:06Entertaining.

02:08Yeah.

02:08It is very important.

02:11Anybody.

02:13I always tell...

02:14While...

02:17Amla at home, she looks after her mother and father.

02:22At...

02:22They are both 87 plus.

02:24Wow.

02:25And...

02:25She looks after them.

02:26And Tanuki, how can I tell you?

02:28You are blessed.

02:31Only blessed people can get the chance...

02:34To look after your parents.

02:36Wow.

02:37Wow.

02:38I always felt that as I tell him, Tanuki.

02:41And Tanuki's very happy.

02:43She looks after her.

02:45I'm only happy with that.

02:46I am not a teacher.

02:48I'm not a teacher.

02:49She is young.

02:50So...

02:51I say, you are blessed.

02:53And...

02:53There is a blessing to take all of you.

02:54If you are young, you are the only one to choose.

02:57You are the one to choose.

02:59If you are the one to choose.

03:01You are the one to protect.

03:03Parents.

03:04If you are the one to choose.

03:06Right.

03:07It is a basic thing you can give back to them.

03:10Yes, yes.

03:11And the age of the world is a small kid.

03:13Yes, sir.

03:14Yeah.

03:15So, they have this kind of small innocence.

03:18Yeah.

03:18Innocence is a small kid.

03:21They are a small kid.

03:22Old is second childhood.

03:24Yeah, second childhood.

03:25I was like, I felt very good.

03:32And the entertainment was there between the father and son while the

03:35Dhramajan entertainment.

03:37Yeah.

03:37If there are problems, they could not do that.

03:42I mean, help each other.

03:44Yeah.

03:44So, but if you have a lot of entertaining,

03:46that was a young blood and disease.

03:49Yeah, sir, that actually helped.

03:50When I was at your point, I started thinking like what can be done

03:55and that has to be in the world.

03:57When I started writing that, I enjoyed this character, sir.

04:00Like how I have got up and how this the blend of all the

04:05young generation and these people, the characters, the arcs

04:07that has come out, I really enjoyed writing that.

04:10I can't imagine without this character.

04:13In the cinema, in the old cinema, in the culture,

04:17we don't have any relationship.

04:19Yes, sir.

04:20Relationship is very, very special.

04:22True, sir.

04:23It's a very, very special relationship.

04:25So, for you, that worked.

04:27Yes, sir.

04:27Actually, first of all, thank you so much, sir.

04:31It's a beautiful, high-energy track, sir.

04:33It's a beautiful, high-energy track, sir.

04:33Especially the Ravika character.

04:35And, first of all, to my age,

04:40one thing what I understood is,

04:42I keep going to village pandagal.

04:46You can go to village pandagal.

04:47So, I was in Nagarkar, and I was in deep forest.

04:51So, there was a lot of fun.

04:53So, there was a lot of fun in the village.

04:56So, there was a lot of fun in the village.

05:00Then, I used to feel that...

05:02There was a lot of silence here.

05:04Especially, parents.

05:07They're not in the city.

05:09So, they have to be there.

05:12So, there was a lot of fun in the cinema,

05:14and a lot of fun in the village.

05:15Oh, it's amazing, sir.

05:20Then, again, coming to the fun part,

05:21I think, amazing fun, sir.

05:23Ravika and Swetha characters,

05:25especially Kalsina.

05:27How?

05:29Amazing writing, actually.

05:31I still remember,

05:32when we auditioned,

05:34there was one dialogue.

05:37My wife,

05:39she said,

05:40she said,

05:41she said,

05:42she said,

05:44I failed.

05:45So, I failed.

05:47My middle class,

05:49there were two pairs of plastic chairs.

05:52She said,

05:54she said,

05:55she said,

05:57she said,

05:57she wasn't allowed to put her in it.

05:58She told him.

06:01Then, I thought,

06:03this film

06:03is for everyone.

06:06I mean,

06:07like,

06:07Look, I wanted to relate to the cinema.

06:11Every scene, every scene, every scene,

06:16I thought, I will write it very naturally.

06:20So, when you look at the cinema,

06:23you can't find it.

06:25This is my cinema.

06:27It's very natural.

06:31The way you shoot is very natural.

06:34It's very natural.

06:36It's very natural.

06:38And all the artists,

06:40the way you act,

06:44the acting was very good.

06:46If you look at it and look at it,

06:51you have to connect.

06:55What is that aim feel?

06:58Did we justify it?

07:02See, I justify it and the circumstances

07:06I am not able to justify it.

07:08So, I cannot justify it.

07:13But I have heard the 20 problems

07:16that my friends get and ask.

07:18I mean, my friends say,

07:20my father is telling me.

07:26I am not able to do it.

07:27That's why my father is telling me.

07:28I am not able to say the way I am not able to live.

07:32So, I am not able to say the way I am.

07:33And so,

07:35I am not able to see the way I am not able to do it.

07:35very closely observed characters.

07:37Yes.

07:37So, I can…

07:38So, he is telling from his point of view.

07:40Father's point of view is only one simple thing.

07:44Atatagar point of view, he wants to...

07:46If you want to talk about this,

07:49if you want to talk about time,

07:52it will be very fast.

07:55Imagine how fast time moves

07:58for a person at 85.

08:01Yeah.

08:03Every day is a bonus.

08:04Yes.

08:05Every day is a bonus.

08:08Very true, sir.

08:09Every day is a bonus.

08:10If you want to talk about a person,

08:12you will have time.

08:14You will have time.

08:16You will have time.

08:18So, if you want to talk about it,

08:21you will have time for me,

08:22you will have time for me.

08:26Yeah.

08:27So, that you...

08:31I don't want to reveal the story.

08:33You will give me a lot in your dialogue.

08:35Thank you, sir.

08:36Thank you, sir.

08:37Sir, let's talk about the title.

08:40Because of the cinema,

08:42we were talking about Pallaburush,

08:44we had interesting reactions.

08:47Some people were decoding,

08:49some people were like,

08:50what is it?

08:50So, what did you feel, sir?

08:53The title was unique.

08:56Toothbrush was like,

08:58you know,

09:05it was like a toothbrush.

09:08So, it was very unique.

09:10Yes, sir.

09:20Automatically.

09:21And to pure language.

09:22Yes, sir.

09:23Pure, my language,

09:25unadulterated language.

09:27So, I really like the title.

09:29Thank you, sir.

09:30Yeah, very, very, very much.

09:32That is,

09:33even though,

09:34you have fun moments in the sets.

09:36You know,

09:40you know,

09:40everything seems like fun.

09:42Everything, sir.

09:43And characters.

09:44So,

09:45how,

09:46majorly,

09:47we,

09:48we,

09:49we,

09:50we,

09:53generally,

09:55so,

09:56then,

10:08working with,

10:09these guys are,

10:10like,ṣā

10:13yōh iwī ü checking, very,

10:16fun torturú,

10:17Fun torture, yeah.

10:19Yeah, very cute, fun torture.

10:22Especially Ravika, Ravika, he was enjoying the character on Mata.

10:27And he, the dialogue, the modulation, the expression was very good.

10:34So, working with him was like very fun.

10:38And also, Gomti, she had to catch up the accent on Mata in the beginning.

10:45So, then she caught up very well.

10:47After that, starting, how she used to pronounce was a little fun on Mata.

10:51All those moments was so good.

10:55I think village slang is all slangs.

10:59Telangana slang, East Godawar slang, and Raelsema slang.

11:04It's all, unadulterated slang.

11:06Because of the language, it's all, it's all, it's all, it's all, it's all, it's all, it's all, it's all,

11:11it's all, it's all, it's all, it's all, it's all, it's all, it's all, it's all, it's all, it's all.

11:16So, it's all, it's all, it's all, it's all, it's all, it's all.

11:17Very pure, sir.

11:18Very pure.

11:18You look at the pure Bihari slang or the pure Bengali slang.

11:22There are many boundaries and Telangana is so nice.

11:27Yeah.

11:27Yeah. The original one.

11:29The original one, yeah.

11:30The original one. And I have seen the cinema just like that.

11:34I have a smile on my face.

11:35Wow.

11:36I don't have a dialogue.

11:37Because of the original slang.

11:39And very nicely spoken, Mirandar.

11:42Yes, sir.

11:43I used to say that my father is a father, sir.

11:46I used to say that my father is a father.

11:49So, I used to say that my father is a father.

11:53What did you say?

11:54I used to say this.

11:56Automatically.

11:57And I used to say that my father worked out.

11:59Then it was into the slang.

12:02Into the zone.

12:03And it did not feel forceful.

12:05And I had a feeling of love.

12:07How much?

12:08He used to say that he used to say that we used to say that.

12:11There was a comedy dialogue on set.

12:13Ravida Chai Watkura.

12:14Every single time he used to say that he used to say that.

12:16Chai Watkura.

12:17Ravida Chai Watkura.

12:18Yeah.

12:19Ravida Chai Watkura.

12:20There is an interesting set up, sir.

12:22There was a Chai Band.

12:23We had a cutting shop at Ravida.

12:25We had a cutting shop at Ravida.

12:28Ravida Chai Watkura.

12:55I was.

12:55And then we went back and we worked.

12:56Then there was a lot of work out.

12:59And the film, emotion, then if you want to disrupt Chekunda, but still bringing the pace to the film.

13:06Yeah.

13:06Like, how did you come up with that suggestion?

13:08I am not sure if I didn't try to explain it.

13:10But.

13:11I didn't try to explain it.

13:13Okay.

13:14After all, tricks, high-speed shots are used for certain things.

13:17We had a high-speed shots in slow motion, but faster motion also, constantly, especially when we shoot the film,

13:32we had to do the same thing.

13:33It was a challenge also.

13:34In short, I told him that I would shoot the camera and it would hurt the camera.

13:40So, I didn't see a suggestion.

13:42Yeah, yeah.

13:43I know, because of the age factor, it's slow to make it.

13:48We can't do it.

13:50I mean, it's hard to make it.

13:54It's hard to make it fast.

14:02Yeah, yeah.

14:03Fun, fun.

14:04Sir, actually, we are going to talk to everyone.

14:06Everyone.

14:07Because 31st night, we were there only.

14:09So, we met at 11.30.

14:14So, we were sitting, laughing.

14:16But, unique thing is,

14:19suddenly everyone started imitating the characters of the film.

14:22How Ravika walks.

14:24How Shambhutatha behaves.

14:25How he sits.

14:26How he eats.

14:27Everything.

14:28It's a new year party, right?

14:30It's a new year party, right?

14:32It's a full spotlight.

14:35Because he...

14:35No.

14:36Prathik character narrates it by acting, right?

14:38Prathik character narrates it by acting, right?

14:40So, I want to do Prathik character.

14:43It's a unique celebration, sir.

14:45Yeah.

14:46Every character,

14:47when I used to shoot,

14:50when I used to shoot,

14:50I used to shoot every character,

14:52and I used to shoot every character,

14:53and that comes.

14:54Prathik Sari, we can't do it, sir.

14:56Then we,

14:56that day,

14:57I used to shoot every character.

14:59We started,

15:02Everyone started, sir.

15:04I started imitating everyone's father, especially.

15:07Shambhutatha.

15:07Yeah.

15:08We thought,

15:10I was going to be short,

15:11I was going to be short.

15:13I was going to be short.

15:15He was going to be short.

15:16You're good, sir.

15:17You're good.

15:17You're good, sir.

15:19OK.

15:19You're good.

15:20That's it.

15:22It's ok.

15:23It's ok, sir.

15:25Sir, I told you, sir, how did you get this?

15:29I was in custody.

15:32Very nice.

15:34Looks like you are very enjoying it.

15:36I can see.

15:38I can see.

15:40The fun to me is, oldies are there.

15:44If I see the takes,

15:47they don't stop.

15:50They all have a Muslim line.

15:55They don't stop.

15:57They always have the fun to me.

16:00I was in the offscreen.

16:03They have to mingle with us.

16:04They are all the oldies.

16:06They are all the oldies.

16:07They are all the fun to me.

16:12They are all the fun to me.

16:14And the other characters interact with me.

16:18Especially in the set.

16:20They are all the fun to me.

16:22There is a vibe to me, sir.

16:24Like when we shoot in the winter,

16:28the other people don't know.

16:30They are all the same.

16:31They are all the same.

16:32They are all the same.

16:33They are all the same.

16:36They are all the same.

16:37They are all the same.

16:39They are all the same.

16:41They are all the same.

16:41How much of the population?

16:43The population is Lachapeta.

16:44Lachapeta almost took a thousand people.

16:47Thousand people.

16:48Yes.

16:48It is small.

16:49Yes sir.

16:50Bansuwada is not even 200.

16:53Yes.

16:54200 people.

16:54Yes.

16:55It is like an isolated hamlet.

16:59Yes.

16:59Hamlets.

17:00They are all the same.

17:01They are all the same.

17:02They are all the same.

17:03They are all the same.

17:05They are all the same.

17:07Like crazy.

17:08It breaks up.

17:09All the same.

17:10They all make separate dishes.

17:12Chicken and Fun.

17:13They are all the same.

17:14They come and get into the caravan.

17:15Every single day.

17:16That's how we forgot all of that.

17:19That's how we forgot all of that.

17:20Exactly.

17:21We forgot our love.

17:23That's how we each got.

17:24Those things.

17:25One thing I am.

17:26I had Telangana.

17:27You know.

17:28I mean Telangana to Karnataka.

17:30Badami.

17:30I was going on the road.

17:32I am talking.

17:32I was doing a Shridi-Sai cinema, we were shooting in a few days.

17:37So, we were following a Google map on the road.

17:41That's why we got a small village.

17:44We got a small road on the road.

17:47We got a small road on the road.

17:51We got a small car on the road.

17:53They sat me down and sat down.

17:58They were also very happy.

18:02After that, we got to get back to the main road.

18:11That's impossible.

18:14Sir, we got water.

18:15We got water.

18:17We got water.

18:18We got water.

18:19We got water.

18:20We got water.

18:21We got water.

18:23We got water.

18:26Now, we're from Akimpet airport.

18:31We got a small village short circuit.

18:36So, before Hyderabad became what it is.

18:39And there are thousands of population in every day.

18:42Every day after production, it's a lot better.

18:46Oh, okay.

18:47It's a lot better.

18:50It's fantastic.

18:51It's like so freshly come from the farm director.

18:56Yes, yes.

18:56Yeah, yeah.

18:58Sir, what is the favourite scene from the film you actually want to…

19:03No, my favourite scene, I don't want to reveal, was not the comedy scene.

19:08I mean, I felt choked up was in the court after he gets that money to be given.

19:16After that, a lawyer is going to be talking.

19:18Yeah, yeah, yeah.

19:20Shambhu Tata.

19:21That goes…

19:22Shambhu Tata.

19:23Shambhu Tata.

19:23Lawyer is going to be talking.

19:25Yeah.

19:25That was very, very…

19:27It summed up the whole film.

19:29Yeah, yeah.

19:30That scene.

19:31Yeah.

19:32That scene summed up.

19:36Yeah.

19:46That scene.

19:51That is the payoff.

19:53That's where things start.

19:56That is the payoff scene.

19:57Yeah.

19:58So, that is one of my favourite scenes.

20:00Yeah.

20:01He was very…

20:02He was very nice.

20:04He was very nice.

20:07Very, very innocent.

20:11Innocent.

20:11Very naive.

20:12Naive and innocent.

20:14Innocent.

20:14Yeah.

20:14Reharsal, Mandua house, we understood, sir.

20:18Okay.

20:19He was very particular about the seasons also, sir.

20:24In the winter, I would like to take a sweater.

20:30I would like to take a sweater.

20:31He would like to take a sweater.

20:33Yeah.

20:34It was very particular.

20:35That vibe was very particular.

20:37Yeah.

20:38The film follows, the timeline is also.

20:39In the winter, the film is also very different.

20:43Oh.

20:43And the film is also very different.

20:45Okay.

20:46In the establishment shots, that was there.

20:48So, that is the follower.

20:49That is the follower.

20:50Yeah.

20:50Through the entire…

20:50See, these nuances, but somewhere subconsciously, we can help you.

20:58Yes, sir.

20:59And our zone, we can help you.

21:01Yeah.

21:02That zone, we go off into.

21:04Yes, sir.

21:04These nuances help a lot.

21:06Lot of people don't understand.

21:10Subconsciously, it helps you.

21:12Yeah.

21:12Then, the reason he says is that greenery is like when his life is chirpy and all that.

21:18Later, the dryness will represent his loneliness and all that visually.

21:23Of course.

21:24Of course.

21:25Srijina.

21:26Sir.

21:27Generally, I see films low, costume department low, makeup department low, sometimes set assistant

21:37to set department low, I see ladies.

21:40You are one of the first female editor I have come across.

21:44Why would you choose this?

21:46Where did you start the passion?

21:49So, first it was not editing.

21:51I was always telling you in this film.

21:54I was drawing past the last half in the theatre.

21:57I can't do this.

22:01Of course.

22:02I have 10 days later, the film was teaching a half in one, the course of the last half of

22:11my

22:11There was an accident.

22:11family and her husband helped me get out of the theatre and she said I can't do this.

22:15When you control the emotions, you give the experience of theatre, editing and television, this is the path I felt

22:23I wanted to do.

22:25I believe film is made on the editing. The main chapter is this editing.

22:33Editing, you can speed up, slow up, you can stretch and make it interesting where somewhere the director or anybody

22:44misses to uplift the film.

22:49Editing table may change, the artist's expressions are not right. You can cut forth.

22:56Meel Chippinokku point Guda, that whom to follow, the perspective thing.

22:59Perspective.

23:00Adhi Guda, we went back and we worked in terms of changing the expressions and taking different...

23:04Yes, it is the whole maripodhi cinema.

23:06What the maripodhi cinema?

23:07Maripodhi cinema.

23:08It was such a learning and...

23:09Yeah, yeah. Because I always believe even in, if you look at in real life also, you only follow one

23:17person.

23:19Yeah.

23:20If you come into a room, you follow only one person.

23:23Yeah.

23:24You go in life at home, you have one person is the priority.

23:29Yeah.

23:29So, you look at life from only one person's point of view.

23:35Yeah.

23:36If you come into a room, you have chaos.

23:38Yeah.

23:41So, that same rule applies for films.

23:43Yeah.

23:44Yeah.

23:44You follow...

23:46Actually, we went back, where were we going little...

23:51How...

23:52How could we justify it and justify it?

23:55Then...

23:55Actually, we felt that was right.

23:57Yeah.

23:58And we have to justify it.

23:59One person...

24:00One person's point of view.

24:02Yeah.

24:02You watch...

24:03World Cup, you watch only for India.

24:05Yeah.

24:06That's all.

24:07Exactly.

24:07That is your purpose.

24:09One example, yeah.

24:12That's all.

24:14That's all.

24:14Take one side.

24:15One side you have to take.

24:16One side you have to take.

24:17One side you have to take.

24:17We don't decide to give this confusion.

24:19Yeah.

24:20We are confusing audience.

24:22I am glad you followed that.

24:23We did, sir.

24:24We did.

24:24Yeah.

24:25It worked.

24:25We were able to achieve that.

24:26Yeah.

24:28All the points since beginning, what Pallabursu right now is, we have been taking all your

24:34advices and what you have told us, that actually worked and I have also learnt the perspectives,

24:39how to look at the film, how to write.

24:41So, all these helped me a lot, sir.

24:43Yeah, yeah, yeah.

24:44For all of us.

24:45For all of us.

24:46For all of us.

24:47And I am very happy.

24:47All it takes is a little, little, small, small corrections.

24:51Yeah.

24:51I feel.

24:52Yeah.

24:52I am not saying it will become a great film, but it will change.

24:56Change.

24:56Yeah.

24:58The story will change.

25:00Nice.

25:00I wish you all the best.

25:01Thank you, sir.

25:02On August 14th.

25:04Wish us all the best.

25:05I am also part of the film.

25:07Yes.

25:08Background, nunchi.

25:09Yeah.

25:09So, I wish us all the best.

25:11I am very, very happy to.

25:13I am very happy to.

25:15Annapurna Studios is a part of the film.

25:18And it is a good film, which will bring a smile on your face.

25:23Yes, sir.

25:24Thank you so much.

25:25Thank you so much, sir.

25:26Yeah.

25:26All the best to both of you.

25:28Thank you, sir.

25:28Thank you so much.

25:29Okay.

25:29All that is there.

25:30All the best.

25:31All the best.

Category

Transcript

Comments

Recommended