- 1 day ago
From creepy crooners to theatrical showstoppers, these live-action movie villains know how to make an entrance with a song. We’re spotlighting the most deliciously sinister musical moments in film, from wicked witches and vain tyrants to leather-clad showmen and cursed kings. Which villain number gets stuck in your head the longest? Let us know in the comments below!
Category
🗞
NewsTranscript
00:00What's my name? What's my name?
00:02Say you louder.
00:04Welcome to Ms. Mojo, and today we're counting down our picks for the most sinister songs from live-action movie
00:09villains.
00:10I didn't do it, but if I done it, how could you tell me that I was wrong?
00:17Number 50, You're a Mean One, Mr. Grinch.
00:20How the Grinch Stole Christmas.
00:21You're a mean one, Mr. Grinch.
00:26You really are a heel.
00:29You cannot get more iconic than an entire baritone symphony singing about how rotten you are.
00:34While Jim Carrey's physical comedy drives the film, this legendary track acts as a visceral, deeply descriptive roasting of the
00:41mountain-dwelling antagonist.
00:42You're a bad banana with a greasy black beard.
00:50The lyrics are packed with vile, mocking comparisons, taunting his garlic soul and unwashed hygiene with incredibly creative disgust.
00:58Your heart's an empty hole.
01:02Yet the hairy cynic fully embraces the insults, strutting with arrogant anti-holiday pride as he plots to ruin Christmas
01:09for everyone.
01:10It is the ultimate villain theme song, perfectly capturing the foul ego of a character who eventually, thankfully, finds his
01:17heart.
01:17Given the choice between you, I'd take the sea-said crocodile!
01:27Number 49, Like a Virgin, Moulin Rouge.
01:30You know, touched for the very first time.
01:35In this scene, a pop classic morphs into a chaotic celebration of possessive lust and theatrical deceit.
01:41Inside the extravagant halls of the Moulin Rouge, Harold Zidler desperately serenades the wealthy duke to secure his investment.
01:55The duke, reveling in his perceived dominance, joins in with smug, stomach-turning arrogance.
02:00Surrounded by loyal waiters performing quite the routine, the sequence is a viscerally manic, aggressively upbeat nightmare.
02:14The duke's taunting, boastful performance highlights his immense hubris, turning a song about innocence into a terrifying display of financial
02:21and physical power.
02:23We'll never hear this song the same way again.
02:32Number 48, Night Surgeon. Repo, The Genetic Opera.
02:36You wanted to see me.
02:37Thank you for coming. Have your new assignment. Hide off the meat truck.
02:42Is there a reason why you couldn't phone me this target?
02:44Medical malpractice has never sounded so catchy.
02:47Deep in the neon-lit bowels of a dystopian city, the Largo family and their executioner revel in the intense,
02:54bloody reality of their trade.
02:55I remember.
02:58Remember what you did to Marty.
03:03I remember.
03:05The song is a heavy, pulsating rock anthem filled with mocking, remorseless dialogue as they brutally dismantle victims who miss
03:12their organ payments.
03:13Driven by fractured sanity, the titular surgeon violently asserts his dominance, leaving his patients flat on their backs on the
03:20operating table.
03:20I remember every dying whisper, every desperate murmur.
03:25I remember where I gazed upon her.
03:29The aggressive vocals and sheer unchecked arrogance of the corporate overlords turn this horrific medical procedure into a terrifyingly captivating
03:36musical nightmare.
03:38Number 47, Castle in Spain. Babes in Toyland.
03:48In this tune, the wicked Barnaby employs every ounce of his slimy, arrogant charm to woo the helpless Mary Contrary,
03:55promising her a lavish life in a fabricated fortress.
03:58You'll eat nothing but cake.
04:02You'll drink naught but champagne.
04:05His taunting dialogue is draped in faux romantic grandeur, mockingly parading his power over the poor villagers.
04:12Ray Bulger's physical comedy turns the villain into a spindly, terrifying force of greed, dancing his way through extortion.
04:27It's a beautifully realized but inherently creepy musical number, highlighting his immense evil in a way that makes us want
04:33to hum along at the same time.
04:35To be marrying me, you lucky girl.
04:41Number 46, Don't Nobody Bring Me No Bad News. The Wiz.
04:45Now, when I wake up in the afternoon, which it pleases me to do, don't nobody bring me no bad
04:53news.
04:54Eveline, the Wicked Witch of the West, demands absolute unwavering perfection from her enslaved workforce.
05:00And the only way to get that point across is, of course, by belting out a powerhouse anthem.
05:05I'll make you an awful child that you cannot refuse, so don't nobody bring me no bad news.
05:12She fiercely taunts her terrified subjects, promising immediate punishment for anyone who dares bring her anything less than joyful tidings.
05:20Her massive ego and unyielding cruelty are on full display, making her a genuinely terrifying, arrogant force of nature.
05:27And yet, we can't help but love this song and all of its deep, empowering glory.
05:32Eveline may be, well, evil, but girl's got pipes, too.
05:35Don't you ever bring me, bring me, bring me, bring me, bring me, bring me, I know I'm dead, no,
05:41no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
05:43no, no, no, no, no, no.
05:47Number 45, The Smell of Rebellion.
05:49Matilda the Musical.
05:51This school of late has started reeking quiet maggot when I'm speaking.
05:55Miss Trunchbull has a deep-seated hatred for children, and while we don't condone that by any means, it does
06:00make for a pretty good villain song.
06:02Stomping through the halls to snuff out the growing revolution,
06:05Trunchbull insults her students in remarkable detail.
06:08You may bet your britches this headmistress finds this foul of differentness
06:12only olfactorily insulting.
06:15Her vocal performance requires incredible acrobatic shrieks and booming guttural lows.
06:20The song's dissonant chords and relentless tempo
06:23perfectly match the overwhelming suffocating arrogance of the hulking tyrant.
06:27The smell of rebellion comes out in the sweat
06:30and fizzes will get you sweating.
06:34The sheer volume and aggressive orchestration of the track
06:37are more than enough to musically crush the spirits of anyone listening.
06:41But from Trunchbull, we shouldn't expect anything less.
06:44This sickening stench...
06:48AWAY!
06:56Number 44. The Hellibut. Phantom of the Paradise.
06:59Thunders shine on lightning, the days are long and the nights are frightening.
07:04Nothing matters anyway, that's the hell of it.
07:08Now this is a proper descent into chaos.
07:11Slick, sinister, and just unhinged enough to feel dangerous,
07:15The Hellibut plays like a showman's final bow before everything catches fire.
07:19The chorus sticks in your head like a curse.
07:21Good for nothing, bad in bed.
07:24Nobody likes you, he's better off said goodbye.
07:27Goodbye, goodbye.
07:28We've all come to say goodbye.
07:29Goodbye, goodbye, goodbye.
07:31The mood is all velvet menace and backstage rot.
07:34The song doesn't merely invite the audience in,
07:37it lures them closer with a grin and a broken promise.
07:40That's the magic here.
07:41It sounds glamorous while being completely deranged.
07:44Good luck finding a better way to cap off this movie.
07:56Number 43, Within You, Labyrinth.
08:04How you turned my world, you precious thing.
08:09The setup here is intense, but trust us, the song is worth it.
08:14As a teenage girl navigates a gravity-defying maze,
08:17the Goblin King stalks her from every impossible angle,
08:20singing a haunting synth-heavy rock ballad.
08:23Just as I can be so cruel.
08:31He reminds her of the power he holds,
08:34alternating between disturbingly specific threats
08:36and toxic possessive affection.
08:38David Bowie's all-encompassing swagger is fully intact,
08:41yet the song reveals the cracks in his supreme control.
08:45It is a masterclass in psychological taunting,
08:53making the moment she finally rejects his power
08:56an incredibly resonant and triumphant cinematic victory.
08:59That is good songwriting, ladies and gentlemen.
09:02Number 42, And the Crowd Goes, Lemonade Mouth.
09:10Who says villains can't work a room, too?
09:12Mudslide Crush is no lemonade mouth,
09:14but we have to admit this ego trip is one great number.
09:18The aggressive pump rock anthem And the Crowd Goes
09:20is almost annoyingly catchy.
09:27Especially coming from resident schoolyard Jerk Ray.
09:30He isn't just singing the chorus,
09:33he's actively using the beat to assert his dominance
09:35over the school and the stage.
09:45If you need more convincing that this song's a banger,
09:48just look at the fact that they ended up winning Rising Star.
09:50Bad boys or not, Mudslide Crush is undefeated.
10:01Number 41, Opportunity, 13 The Musical.
10:09Just like a venomous snake,
10:11mean girls are always waiting for the moment to strike.
10:14That is the underlying message behind Lucy's pop anthem,
10:17which personifies middle school politics
10:19with a beat so good you cannot help but nod along.
10:28Dripping with angst,
10:30Lucy riffs all about how she'll take down her best friend Kendra.
10:33We'll give you three guesses why.
10:35Yes, it's about a boy.
10:44The Broadway tune translates perfectly to the crisp vocals of film
10:48and only serves to better mask the dangerous intent behind her words.
10:52Teenage girls are no joke, y'all.
10:54Especially when they can sing this well.
10:56Oh, how will he know that he really wants me
11:00if he never even gets a little opportunity?
11:04Number 40, Fidelity Fiduciary Bank, Mary Poppins.
11:08Fiddle sticks, boy.
11:09Feed the birds and what have you got?
11:11Fat birds.
11:12How do you make the concept of compound interest
11:15sound absolutely terrifying?
11:17You make a song out of it, of course.
11:19And for good measure,
11:20have a bunch of greedy executives chant it at a helpless young boy.
11:23And you'll achieve that sense of conquest
11:30as your affluence expands.
11:35The elderly chairman leads the charge,
11:38weaponizing chipper Edwardian harmonies
11:40into a deeply resonant baritone.
11:42The song is a masterclass in sonic claustrophobia.
11:45To be specific in the doors,
11:48terms,
11:50mousely grubs,
11:52fidelity fiduciary bank.
11:54The men's deep, booming voices stack on top of one another
11:57again and again until it's a whole crescendo of capitalist agendas.
12:01In this case,
12:02it just so happens to be disguised as a chipper toe-tapping song.
12:06Very well, my boy.
12:07You'll be the money.
12:08No, I won't.
12:09I wanted to feed the birds.
12:11Number 39.
12:12Choo-chee-face.
12:13Chitty-chitty bang bang.
12:14You're my little choochee face.
12:18My coochie-coochie-woochie little choochee face.
12:22Pure malice rarely looks this sickly sweet.
12:25Or sounds this good for that matter.
12:26The tyrannical rulers of Bulgaria despise children,
12:30yet they sing this sickeningly saccharine duet to each other
12:32while dodging various assassination attempts within their own castle.
12:36And you're my teddy bear.
12:40Together we're a choochee-oochee-oochee-coochee pair.
12:45The baron and baroness trade baby talk insults masked as violent affection,
12:50turning their toxic matrimony into a bouncy comedic waltz.
12:53The contrast between the two is disturbing,
12:55but it does make for good music.
12:57It is all the best parts of a vaudeville routine
13:00combined with the catchy beat of Broadway's best.
13:02What's not to love?
13:04Choo-chee-woochee-oochee-coochee.
13:20Some teen antagonists don't need an evil lair.
13:24They just need a bedazzled microphone and a massive superiority complex.
13:28Tess Tyler turns her camp performance
13:30into a weaponized, sparkling display of pure narcissism.
13:33With a glittery wardrobe and very on-the-nose song choice,
13:36she gleefully steals the stage.
13:48We hate to compliment her, but this really is a jaw-dropper.
13:51The track is punchy, over-the-top,
13:54and just fast-paced enough to leave you tapping your toe.
13:57Tess really is too cool.
13:58It's a good thing Final Jam isn't just judged on style,
14:01or else this would have definitely taken the crown.
14:07Hope you don't misunderstand, but I'm too cool.
14:12Number 37.
14:13Macavity.
14:14The Mystery Cat.
14:15Cats.
14:16Macavity's a mystery cat.
14:18He's called the hidden poor.
14:21For he's the master criminal.
14:24We know, we know,
14:26this adaptation isn't exactly remembered for its quality.
14:29But if there's one thing the horrendous CGI could not ruin,
14:33it's the magic of Andrew Lloyd Webber's original Broadway score.
14:36There's no one like Macavity.
14:39He's broken.
14:41Every human law breaks the law of gravity.
14:45Fambalarina commands this sultry, brass-heavy track,
14:48utilizing her powerhouse belt to sing the praises of a feline phantom.
14:52The musical sequence is entirely designed to stroke Macavity's ego,
14:56leaning into a slow, seductive tempo
14:58that eventually explodes into a full-on theatrical showstopper.
15:02There never was a cat of such deceitfulness and swabbity.
15:07The lyrics are deliciously vile through and through,
15:10but driven by finger snaps and enchanting harmonies,
15:14this song hits its villainous mark.
15:16When the crime's discovered, then...
15:19Macavity's not there.
15:22Number 36.
15:23Sweet Tooth.
15:24Wonka.
15:25Have you got a sweet tooth?
15:27I do.
15:28A hunger that you have to feed.
15:32Bribery, corruption, and chocolate.
15:34The three ingredients for an impossibly sweet tune.
15:37Mixing explosive orchestrations with some mustache-twirling performances,
15:41Sweet Tooth is a gleefully evil concoction that goes down smooth.
15:44Think about your sweet tooth.
15:47I do.
15:48I've had it since I was a boy.
15:52Slugworth, Prodnose, and Ficklegruber treat their criminal conspiracy
15:55like an upscale barbershop quartet,
15:57weaving smug three-part harmonies over a sprightly classical string section.
16:01Don't look at your waistline.
16:04It's fine.
16:05Come on.
16:05Who needs to see their toes?
16:08The whimsical tune hilariously masks the cynical meaning beneath the surface,
16:12turning this anthem of greed into a full-sized bite of music.
16:16Timmy C may have stolen the show in the overall film,
16:18but like an actual box of chocolates, there's no harm in mixing a few more flavors in.
16:23Keep your wretched chocolates.
16:25Eighteen hundred boxes.
16:28Oh.
16:28Damn.
16:30Number 35.
16:32Batter. Disenchanted.
16:33Please don't fear that you are upsetting me.
16:35Dear, I barely know you're there.
16:38Across a three-minute duet,
16:40the classic cabaret evolves into a vicious high-stakes battle of wills.
16:44The fact that it's Amy Adams and Maya Rudolph just makes it all the better.
16:48You may think you're bad,
16:50but darling, I am better.
16:53Wiggly, sweetie, where's the thrill?
16:56Backed by a swinging, brass-infused rhythm section,
16:58these two evil queens go toe-to-toe,
17:01or belt-for-belt,
17:02with a series of irresistibly catchy verses.
17:04I'm a better batter.
17:07Nothing you've got up your sleeve.
17:10Never equal me as a mistress of evil.
17:12As they try to out-riff each other on their way to proving their superior wickedness,
17:17it's clear we are the real winners.
17:19We don't just get to see Adams and Rudolph embody evil queens.
17:22We get to hear them sing about it.
17:24Very, very bad to stop them.
17:42When ambition officially crosses the line into sheer corruption,
17:46the transition sounds dangerously smooth.
17:49Curtis Taylor Jr. leads his associates into the criminal underworld
17:52with a sleek, pulse-pounding R&B masterclass called,
17:55appropriately,
17:56Step Into the Bad Side.
17:57The scene is a shadowy display of power,
18:09focusing entirely on the mechanics of bribery and chart manipulation.
18:12Curtis' vocals drip with an arrogant, untouchable certainty,
18:15essentially mocking the ethical constraints of the established music industry.
18:20Step into the bad side!
18:22Step into the bad side!
18:24Step into the bad side!
18:26The aggressive choreography and taunting brass section
18:29perfectly reflect his complete surrender to self-indulgence.
18:32Is it moral?
18:33No.
18:34But is it iconic?
18:35Absolutely.
18:36I'm gonna be bad!
18:39Yeah, yeah!
18:40Yeah, yeah!
18:41Step into the bad side!
18:44Woo, woo, woo!
18:45Number 33.
18:46What's My Name?
18:47Descendants 2.
18:48What's my name?
18:50What's my name?
18:51Woo-ha!
18:52This is all hands on deck.
18:55Calling out to lost boys and girls.
18:57Demanding respect is one thing,
18:59but rapping for it while wielding a cutlass
19:01is a whole different level of intimidation.
19:03Played to perfection by Chyna and McClane,
19:06Uma violently reclaims her territory
19:08with this explosive hip-hop-infused sea shanty.
19:11What's my name?
19:12What's my name?
19:13Say it louder.
19:15What's my name?
19:16What's my name?
19:17What's my name?
19:18Feel the power.
19:19Her rapid-fire vocal delivery
19:21is soaked in heavy drum loops
19:22and intense belts.
19:24Even more,
19:25What's My Name actively demands audience participation,
19:28forcing her crew to chant the chorus
19:29in a powerful unison display
19:31of absolute authority.
19:33No one's gonna stop us,
19:35but for three hours,
19:37what's my name?
19:38The driving beat and relentless flow
19:41perfectly mirror Uma's unyielding ambition,
19:43turning her big moment
19:44into a club-ready villain anthem.
19:47I'm not in my head, Uma.
19:49Number 32.
19:51Dentist.
19:52Little Shop of Horrors.
19:53When I was younger,
19:55just to padle this year.
19:56My mama noticed funny things I did.
20:00You can't get better than Steve Martin
20:02in a dentist outfit.
20:03We'll get to the plants later,
20:04but by the time Oren Scrivello enters the picture,
20:07he is the villain.
20:08And boy, does he make it known.
20:10You'll be a dentist.
20:12You'll be a dentist.
20:13You have a talent for causing things.
20:15He outlines his sadistic career path
20:18with disturbing lyrics of root canals,
20:20cavities, and tooth extractions.
20:22And yet Martin sings the song
20:23with such a giddy sense of glee,
20:25you can't help but hum along after a while.
20:27I'm your dentist.
20:30And I enjoy the career that I've picked.
20:32But I'm your dentist.
20:35Going to the dentist is never a particularly fun experience,
20:38but if ours sang as well as Scrivello does here,
20:41we'd be a bit more jazzed ahead to our annual cleaning.
20:44Say now!
20:47Say now!
20:50Now spit!
20:51Number 31.
20:52Fabulous.
20:53High School Musical 2.
20:54Summer vacation for a certain member
20:57of the East High student body
20:58demands absolute poolside perfection.
21:00I want fabulous,
21:02that is my simple request.
21:04All things fabulous,
21:06bigger and better in this.
21:08Ice tea imported from England.
21:10Lifeguards imported from Spain.
21:11You get the gist.
21:12Okay, all jokes aside,
21:14this is Sharpay at her iconic,
21:16dare we say,
21:16most fabulous peak.
21:18I want more.
21:20She wants fabulous,
21:22that is her simple request.
21:24Buoyed by the want of all things superficial
21:26and over the top,
21:27this song is a standout
21:29in an already legendary soundtrack.
21:31It's got it all.
21:32A poppy, upbeat tempo,
21:33surprisingly well-crafted lyrics,
21:35and a pink piano on the poolside.
21:38No!
21:40Yeah?
21:44If that doesn't scream
21:46total fabulous villainy
21:47at its finest,
21:48then nothing does.
21:49I need, I need,
21:50I need, I need,
21:53I need fabulous!
21:58Number 30.
21:59Brush up your Shakespeare,
22:00Kiss Me Kate.
22:01Is the poet people called
22:04the bard of Stratford-on-Avon?
22:07Kiss Me Kate follows
22:08two divorced thespians
22:10who find themselves acting
22:11in a musical version
22:12of Shakespeare's
22:13Taming of the Shrew.
22:14As you might guess,
22:15the events of the movie itself
22:17turn into a reimagining
22:18of the famous play.
22:19Gangster duo Slug and Lippy
22:21may not feature in the original,
22:23but they make their mark
22:24on this retelling.
22:25And if still to be shocked,
22:26she pretends well,
22:27just remind her
22:29that all's well,
22:30that ends well.
22:31Brush up your Shakespeare,
22:34and they'll all kowtow.
22:37The two heavies are hired
22:39to collect a gambling debt
22:40from leading man Fred,
22:41but it's nothing personal.
22:43They're just doing their job.
22:44They even find time
22:45to give some relationship advice.
22:47Brush up your Shakespeare
22:48is an entertaining duet,
22:49featuring clever wordplay
22:51and performed with roguish charm.
22:53And they'll all kowtow.
22:56Think stow?
22:56And they'll all kowtow.
22:59I trow.
23:00And they'll all kowtow.
23:04Trow!
23:05I'm bouching!
23:06Number 29.
23:08One More Angel in Heaven.
23:10Joseph and the Amazing Technicolor Dreamcoat.
23:12Father, we've something to tell you.
23:16A story of our time.
23:20Andrew Lloyd Webber
23:21and Tim Rice's colorful musical
23:23transforms the biblical story of Joseph
23:25into an imaginative journey
23:27through an array of musical styles.
23:29Joseph's jealous brothers
23:30get a few tunes between them,
23:32including a Calypso-style number
23:33and a French-inspired ballad.
23:35However,
23:36it's one more angel in heaven
23:37that really shows off
23:38their villainous credentials.
23:40Joseph will never forget you.
23:44It's not what we're gonna get by.
23:48After selling their sibling into slavery
23:50and faking his death,
23:51the brothers return to their father
23:53to break the bad news.
23:54Reuben takes the lead,
23:56spinning a farcical tale
23:57of Joseph's final hours.
23:58Darkly comic
23:59with country-western stylings,
24:01it's a fun bit of dramatic irony
24:03ending in a full-on hoedown.
24:05There's one more angel in heaven
24:08There's one more star in her sky
24:12Joseph and the Beast's used to work
24:15Life's true, the life's ever died
24:18Number 28.
24:20Stepsisters Lament
24:21Cinderella
24:21There are some great songs
24:24in this rendition
24:24of the classic fairy tale,
24:25and the stepsisters
24:27get one of the catchiest.
24:28Her neck is no longer
24:29than a swan
24:31She's only as dainty
24:32as a daisy
24:33She's only as graceful
24:35as a bird
24:36So why is the fellow
24:38going crazy?
24:39Natalie DeSalle
24:40and Vianne Cox
24:41are a great comic foil
24:42to Brandy's
24:43sugar-sweet Cinderella.
24:44Their lament
24:45could be straight
24:46out of a pantomime.
24:47It's suitably petty
24:48and very funny too.
24:49The duet
24:50is just too catchy
24:51to let go.
24:52Why would a fellow
24:53want a girl like her?
24:54A girl who's merely lovely
24:57Why can't a fellow
24:58ever once prefer
25:00A girl who's merely me?
25:02We also can't ignore
25:03Bernadette Peters'
25:05scene-stealing turn
25:05as the wicked stepmother.
25:07She puts a bitter spin
25:08on a lovelorn ballad
25:09from another
25:10Rodgers and Hammerstein musical
25:11resulting in another
25:13fantastic villain song
25:14Falling in Love with Love.
25:16I fell in love
25:17with love
25:18with love
25:20everlasting
25:21What love
25:23fell out
25:26with me
25:32Number 27
25:34I'm Just Ken
25:35Barbie
25:36Ken surprised us all
25:37by becoming the main
25:38antagonist of the Barbie movie.
25:40Like many of the best villains
25:41he almost stole the show.
25:43It doesn't seem to matter
25:45what I do
25:48I'm always number two
25:51No one knows
25:53how hard I tried
25:55After taking a trip
25:56to the real world
25:57Barbie's boyfriend
25:58discovers the patriarchy
25:59and returns to Barbie Land
26:01ready to rally
26:02his fellow Kens
26:02But the Barbies
26:04fight back
26:05resulting in an existential crisis
26:07for the Kens
26:07and their leader.
26:08Anywhere else
26:10I'd be a tent
26:11Is it my destiny
26:14to live
26:15and die
26:16a life
26:17of long
26:18fragility
26:20I'm Just Ken
26:21is one of the movie's
26:22best bits
26:23and Ryan Gosling
26:24really gives it his all
26:25impressing with both
26:26his vocal
26:27and comedic talents.
26:28The tune was even
26:29nominated for an
26:30Academy Award
26:31and Gosling's live performance
26:33was a highlight
26:34of the ceremony.
26:35I'm just Ken
26:36and I'm in love
26:38and I'm great
26:40at doing stuff
26:41So hey
26:43check me out
26:45yeah
26:45I'm just Ken
26:46Number 26
26:49Whatever Lola wants
26:50Damn Yankees
26:51Whatever Lola wants
26:56Lola gets
27:06You might be surprised
27:08to learn
27:08this familiar tune
27:09originated as a
27:10villain song
27:11in the musical
27:11Damn Yankees
27:12The movie's take
27:13on the tale of Faust
27:14follows Washington
27:15Senators fan
27:16Joe
27:16who sells his soul
27:17to Satan
27:18for the chance
27:19of victory
27:19for his team
27:20Gwen Verdon
27:21reprised her stage role
27:22as Lola
27:23for the film
27:28Her character
27:29is a servant
27:30of the devil
27:30sent to entice
27:31the hero
27:32with the aid
27:32of feminine wiles
27:33and Bob Fosse's
27:34choreography
27:35Her sultry solo
27:36written by Richard Adler
27:37and Jerry Ross
27:38became the movie's
27:39most memorable moment
27:40I always get
27:43what I aim for
27:46and your heart
27:48and soul
27:49is what I came for
27:54Number 25
27:55Meet the Plastics
27:56Mean Girls
27:57My name is
27:59Regina George
28:03and I am
28:04a massive deal
28:07The Mean Girls remake
28:09was met with lukewarm
28:10reviews by critics
28:11and audiences
28:12but it justified
28:14its existence
28:15thanks to a serious
28:16star turn from
28:17Renee Rapp
28:17Rachel McAdams
28:18was iconic
28:19as the original
28:20leader of the Plastics
28:21but Rapp
28:22remakes Regina George
28:23in her own image
28:24Her musical introduction
28:26tells us all we need
28:27to know about the character
28:28I don't care
28:30who you are
28:33I don't care
28:35how you feel
28:42The satirical lyrics
28:44are sharp
28:44funny
28:45and totally
28:46over the top
28:46Rapp has the charisma
28:48to carry them off
28:49and make us believe
28:50that Regina
28:51would rule the school
28:52In the reprise
28:53World Burn
28:54she reminds us
28:55of her power
28:56and really gets
28:57to show off
28:57her vocals
29:06number 24
29:07Gaston
29:08Beauty and the Beast
29:09Gaston is the kind
29:10of musical number
29:11that made us believe
29:12Beauty and the Beast
29:12would make a great
29:14live action musical
29:25It's a raucous drinking song
29:26with plenty of room
29:27for dancing and spectacle
29:29It also places the villain
29:31front and center
29:31revealing that
29:32despite his brutality
29:33and his shallow nature
29:35he's adored
29:36by the villagers
29:36This comes in useful
29:38later on
29:38when he rallies
29:39the mob
29:40for another
29:40great villain song
29:47In the 2017 film
29:50Gaston is played
29:51by Luke Evans
29:52while Josh Gad
29:53is his singing
29:54sidekick LeFou
29:55The dastardly duo
29:56are perfect
29:57for their roles
29:58and you can just tell
29:59that they're having
30:00loads of fun
30:13Number 23
30:14Marley and Marley
30:15The Muppet Christmas Carol
30:25In Charles Dickens
30:27famous festive tale
30:28Scrooge was visited
30:30by Four Spirits
30:31on Christmas Eve
30:31In the Muppets version
30:33it's five
30:33thanks to the casting
30:35of Statler and Waldorf
30:36as Scrooge's
30:37former business partners
30:38Every tune
30:39in The Muppet Christmas Carol
30:40is a banger
30:41We also love
30:42Scrooge's introduction
30:43but Marley and Marley
30:44has everything
30:45you could want
30:46from a villain song
30:47We specialized
30:48in causing pain
30:49Spreading fear and doubt
30:51And if you could not
30:53pay the rent
30:54We simply threw you out
30:56The heckling Marley Brothers
30:58sing Scrooge
30:58a musical warning
30:59that will make
31:00adults laugh
31:01and very possibly
31:02give the kids nightmares
31:03Paul Williams' lyrics
31:04provoke both thoughts
31:05and chuckles
31:06while the whole atmosphere
31:08is wonderfully spooky
31:21Number 22
31:22Poor Unfortunate Souls
31:24The Little Mermaid
31:25The live action version
31:34might not live up
31:35to the 1989 classic
31:36but Poor Unfortunate Souls
31:38would be a great song
31:39in any context
31:40The style
31:41is an intoxicating mix
31:43of Broadway and burlesque
31:44It's a perfect fit
31:45for the sea witch
31:46whose original characterization
31:47is said to be inspired
31:49by the drag queen Divine
31:50Ursula's solo
31:51Ursula's solo is a seductive sales pitch
31:53glamorizing the life
31:54she could offer Ariel
31:55and minimizing the cost
31:57Yes, I've had the odd complaint
32:00But on the hold
32:02I feel the saint
32:11Howard Ashman's lyrics
32:12are whip smart
32:13and wryly funny
32:14Melissa McCarthy
32:16pays homage
32:16to the vaudevillian panache
32:17of the Pat Carroll original
32:19while also putting
32:20her own stamp
32:21on the material
32:21Got some depth
32:22and now I got a voice
32:24The boss is on a road
32:28Number 21
32:29Reviewing the situation
32:31Oliver
32:31And though I'd be the first one
32:34to say
32:34that I wasn't a saint
32:39I'm finding it hard
32:41to be really as black
32:43as they pay
32:47Lionel Bart's classic musical
32:49softened the character
32:49of Charles Dickens Fagan
32:51It turned him
32:52from an out-and-out villain
32:53into a lovable rogue
32:54and ironed out
32:55some of the more problematic
32:57elements of his characterization
33:09There's no denying
33:10Fagan's still a bad guy
33:11but he's also
33:12the best bit of the movie
33:13and can boast
33:14three of the show's
33:15best songs
33:16Pick a Pocket or Two
33:17might be the catchiest
33:18but reviewing the situation
33:20is Fagan's monologue
33:21I think I'd better
33:23think it out again
33:26So where shall I go?
33:30Somebody!
33:32Who do I know?
33:35Nobody
33:35The audience gets a glimpse
33:37into the inner workings
33:38of his wicked mind
33:39as he weighs his options
33:41Is it time to go straight
33:42or should he continue
33:43to smile
33:44and be a villain?
33:45I love you
33:50The situation
33:52I'm a bad'un
33:53and the bad'un
33:54I shall stay
33:55He'll be seeing
33:56No transformation
33:58But it's wrong
34:00to be a rogue
34:00in every way
34:01Number 20
34:02A Professional Pirate
34:04Muppet Treasure Island
34:05Tim Curry
34:06as Long John Silver
34:08in a Muppet movie?
34:09It's a recipe for success
34:10The recipe wouldn't be complete
34:12without a villain song
34:14and thankfully
34:14a professional pirate
34:16marks the spot
34:17Though you could be a doctor
34:18or perhaps a financier
34:21My boy
34:22why not consider
34:23a more challenging career?
34:26The only downside
34:26is that it's
34:27Mr. Silver's only number
34:28Whereas Jim
34:30sees pirates
34:30as irredeemable murderers
34:32Silver and his crew
34:33have a different perspective
34:34This is reflected
34:35through the jolly lyrics
34:36and upbeat melody
34:37reminiscent of a classic
34:38sea shanty
34:39It's how you look
34:41at buccaneers
34:42that makes them
34:42bad or good
34:43And I see us
34:45as members
34:46of a noble brotherhood
34:48The song captures
34:49the camaraderie
34:50pride
34:50and thirst for adventure
34:51that come with being a pirate
34:53practically convincing
34:54the audience to enlist
34:55And since Silver's crew
34:57has a member named
34:57Black-Eyed P
34:58he naturally gets a solo
35:00I could've been
35:02a contender
35:05Carried by Curry's
35:06unmatched charisma
35:07and the Muppet's
35:08satirical wit
35:09It is definitely
35:10a contender
35:10Number 19
35:12Every Little Piece
35:13Pete's Dragon
35:14With a top hat
35:16a goatee
35:17and devious name
35:18Dr. Terminus
35:19makes it no secret
35:20to the audience
35:21that he is the bad guy
35:23Of course
35:23the lack of subtlety
35:24is part of what
35:25makes this villain
35:26so fun
35:26Think of what
35:27a dragon heart
35:28would bring
35:30Wrapped up in a ribbon
35:32and a string
35:32Along with his
35:34assistant Hoagie
35:35Terminus plots
35:36to slice
35:36Pete the dragon up
35:38and sell him
35:38piece by piece
35:39for an enormous profit
35:41Jeez
35:41When you think about it
35:43this is actually
35:44a pretty gruesome plan
35:45But the song
35:46appropriately keeps
35:47in tune with
35:47the film's
35:48lighthearted tone
36:01The number conveys
36:03just how much
36:04Terminus enjoys
36:04being wicked
36:05practically salivating
36:07over every dragon part
36:08and every pound of money
36:09Terminus and Hoagie
36:11are like two kids
36:11in a candy store
36:12or a severed dragon
36:14part store
36:15in this case
36:15It's money
36:16money
36:17money
36:17by the
36:18money
36:18money
36:19money
36:19by the
36:20pound
36:20money
36:22money
36:22money
36:22money
36:23Number 18
36:23Bad Guys
36:25Bugsy Malone
36:26Director Alan Parker's
36:27debut feature
36:28takes an original
36:29approach to the
36:30gangster genre
36:30casting an ensemble
36:31of child actors
36:32against a
36:33prohibition backdrop
36:34Bugsy Malone
36:35combines the grit
36:36of a mob picture
36:37with the charm
36:37of an elaborate
36:38school play
36:39The music of
36:40Paul Williams
36:41also strikes
36:42just the right chord
36:43particularly
36:43Bad Guys
36:52Life could have
36:54taken Fat Sam
36:55Stichetto's
36:55gang down
36:56many roots
36:56but crime
36:57was their
36:58natural calling
36:59With a spring
37:00in every step
37:01and every lyric
37:01the song finds
37:02the middle ground
37:03between being a wise guy
37:04and being a smartass
37:05demonstrating how
37:07going bad
37:07can feel so good
37:09With all the talent
37:10we had
37:13With little practice
37:15With Mary Black
37:16We're the very best
37:19at being bad
37:21By the end though
37:23you may find
37:24that these bad guys
37:25are not so rotten
37:26after all
37:26Maybe they just
37:28need a little love
37:35Number 17
37:37The Inquisition
37:38History of the World
37:39Part 1
37:40Not many would think
37:42to center a lavish
37:43musical number
37:43around an organization
37:44as infamous
37:45as the Spanish
37:46Inquisition
37:47but if there's one
37:48thing Mel Brooks
37:49is known for
37:49it's tackling
37:50taboo subject matter
37:51with a smile
37:52Let's begin
37:53The Inquisition
37:54Look out Sam
37:55We have a mission
37:56To convert the Jews
37:59The Inquisition
38:01borrows notes
38:01from the likes
38:02of Busby Berkeley
38:03and Esther Williams
38:04although the setting
38:05is grimier
38:06than what you'd
38:06usually see
38:07in one of their pictures
38:08The torture devices
38:09are cleverly integrated
38:11into the choreography
38:12as painful
38:13as they may look
38:14I said pretty please
38:15I bent their ears
38:16now I'll work
38:17out their knees
38:26The shocking imagery
38:27is balanced out
38:28by the irony
38:29that Brooks himself
38:30is Jewish
38:31and the true target
38:33of ridicule
38:33is the Inquisition
38:34The Inquisition
38:35fortunately
38:36isn't here to stay
38:37but this tune
38:38will not be leaving
38:39your head
38:39anytime soon
38:40And it's here
38:42and to answer
38:50Number 16
38:51Slick
38:52Scott Pilgrim
38:53versus the World
38:54Many would describe
38:56Scott Pilgrim
38:56as an underrated comedy
38:58and comic book adaptation
38:59We'd go as far
39:00as to say
39:01that it's also
39:02an underrated musical
39:08Even if it doesn't
39:09quite fall under
39:10that genre
39:10music plays
39:11an integral role
39:12Performed by
39:13Matthew Patel
39:14one of Ramona's
39:15seven evil exes
39:16this song gives
39:17Scott a taste
39:18of the insanity
39:19he'll have to endure
39:20to be with his dream girl
39:27Keeping with the film's
39:29video game theme
39:29you could totally
39:30imagine a song like this
39:31popping up in a boss battle
39:32Slick also wouldn't
39:34feel out of place
39:35in a Bollywood number
39:45Patel may have
39:46fireballs
39:46and vampiric
39:47backup dancers
39:48but Scott
39:49proved Slicker
39:50in combat
39:50We just wish
39:51all the other exes
39:52got a song
39:53Number 15
39:54Stars
39:55Les Misérables
40:03While not everyone
40:05is a fan of
40:06Russell Crowe's
40:06singing voice
40:07Stars remains
40:08a pivotal number
40:09in the stunning
40:10adaptation of
40:11Les Misérables
40:11Crowe plays
40:12Javert
40:13a police inspector
40:14hell-bent on
40:15recapturing
40:16Jean Valjean
40:16This understated song
40:18provides greater
40:19insight into his
40:20obsession
40:20In Javert's eyes
40:21Jean Valjean
40:22is a fugitive
40:23following in
40:24Lucifer's footsteps
40:24Meanwhile
40:25Javert views himself
40:27as a righteous man
40:28carrying out
40:29God's will
40:29Looking down
40:30on the city
40:31from a steep ledge
40:32he vows to put
40:33Jean Valjean
40:33back behind bars
40:46Throughout the film
40:47Javert begins to see
40:48that matters
40:49aren't so black and white
40:50Once his ethics
40:51are called into question
40:52however
40:52he isn't sure
40:53how to live with himself
40:54Shall his crimes
40:56be reprieved?
41:03Number 14
41:04I Want You
41:05She's So Heavy
41:06Across the Universe
41:07Directed by Julie Taymor
41:09this jukebox musical
41:10interprets several
41:11Beatles songs
41:12through a unique lens
41:13For example
41:13John Lennon wrote
41:15I Want You
41:15for Yoko Ono
41:16In the film
41:17the song goes
41:18from a man
41:19longing for a woman
41:20to Uncle Sam
41:21wanting to enlist Max
41:29With the draft
41:30still in effect
41:31it doesn't matter
41:32what Max wants
41:33It goes to show
41:34that music
41:35can take on
41:36numerous different meanings
41:37The same can be said
41:38about figures
41:39like Uncle Sam
41:47To many
41:48he's a symbol
41:49of strength
41:49and inspiration
41:50To a reluctant draftee
41:52under the influence
41:53like Max
41:54he's a horrifying
41:55poster child
41:55for war
41:56The nightmare fuel
41:57just keeps coming
41:58as Max is confronted
41:59by stone-faced
42:00army recruiters
42:01on a conveyor belt
42:03of madness
42:10Number 13
42:12Just the Two of Us
42:13Austin Powers
42:14The Spy Who Shagged Me
42:16Hit it!
42:17This is a very
42:19sensitive subject
42:24Dr. Evil hates
42:25Austin Powers
42:26about as much
42:27as he adores
42:27Mini-Me
42:28In this scene
42:29the doctor celebrates
42:30his archenemy's capture
42:31while also embracing
42:32his pint-sized clone
42:34As a follow-up
42:35to their
42:35One of Us piano duet
42:36Dr. Evil and Mini-Me
42:38perform a rendition
42:38of Just the Two of Us
42:40Just the Two of Us
42:42You and I
42:44Parodying Will Smith's
42:451997 version
42:46Dr. Evil raps about
42:48his relationship
42:48with his son Scott
42:49Unlike Will Smith
42:50though
42:51Dr. Evil isn't
42:52exactly proud
42:53of his boy
42:53As a matter of fact
42:55Scotty's only
42:56second best
42:56compared to Mini-Me
42:57The number showcases
42:59the villain's
42:59eccentric side
43:00while also delving
43:01into his complicated
43:02family life
43:03Plus
43:03who knew Mini-Me
43:05could hit such
43:05a low note
43:16This is an epic
43:18villain song
43:19worthy of an
43:20epic final showdown
43:21This comedy builds
43:22to a literal
43:23battle of the bands
43:24between our heroes
43:25and Satan
43:26who is cleverly
43:27played by
43:28legendary rocker
43:29Dave Grohl
43:43Tenacious D
43:43has their work
43:44cut out for them
43:45as Satan
43:46has reclaimed
43:47the pick of destiny
43:47Satan puts the
43:49pedal to the
43:50heavy metal
43:50with his drums
43:51a guitar
43:52and profanity
43:53in spades
43:54He may have
43:55the powers of hell
43:56but Tenacious D's
43:57music is full
43:58of soul
44:06This still isn't
44:07enough to save
44:08Cage from a
44:08dismal fate
44:09but Jabal's
44:10guitar is
44:11Knocking off
44:12part of Satan's
44:13horn
44:13the Prince of
44:14Darkness
44:14is dragged
44:14back to hell
44:15Now that
44:16is what we call
44:17an epic
44:18final bow
44:29Number 11
44:30I Want It Now
44:31Willy Wonka
44:32and the Chocolate Factory
44:33We know the internet
44:34has unofficially dubbed
44:36Grandpa Joe
44:36this film's true villain
44:37but I've Got a Golden Ticket
44:39just doesn't strike us
44:40as a villain song
44:41I Want It Now
44:42on the other hand
44:43matches
44:43Veruca Salt's
44:44antagonistic nature
44:45to a T
44:46I want my geese
44:48to lay gold eggs
44:48for Easter
44:49It will sweetheart
44:50At least a hundred
44:51a day
44:52Anything you say
44:53Oh by the way
44:54What?
44:55The song has become
44:56something of an anthem
44:57for bratty children
44:57and let's be honest
44:59bratty adults
44:59We've all met somebody
45:01spoiled to the core
45:02who demands
45:02instant gratification
45:03As obnoxious
45:05as those people
45:05can be
45:06Veruca's signature song
45:08doesn't become annoying
45:09at least
45:09not to the audience
45:10I want today
45:12I want tomorrow
45:15I want to wear them
45:16like braids in my hair
45:18and I don't want to share them
45:19This is thanks
45:20to the inviting set design
45:21the humorous lyrics
45:23and actress
45:24Julie Dawn Cole
45:24who filmed the scene
45:26on her 13th birthday
45:27Of course
45:28nobody's complaining
45:29when Veruca gets the shoot
45:30Don't care
45:32how
45:32I want it now
45:44Out of context
45:45Tomorrow Belongs to Me
45:47may not sound
45:48like a villain song
45:48On its own
45:49you might be tricked
45:51into thinking
45:51that it's an uplifting tune
45:52about today's youth
45:53building a better tomorrow
46:08Watching Cabaret
46:09all seems innocent enough
46:11as a youthful voice
46:12is heard
46:12and others watch in delight
46:14Once it's revealed
46:15that the singer
46:16is wearing a Hitler
46:17youth uniform
46:18the song immediately
46:19goes from happy
46:20to horrifying
46:21What's even more disturbing
46:23is what almost everyone
46:24in attendance
46:25children included
46:26begins to proudly sing along
46:44To them
46:45Hitler isn't a monster
46:47but a triumphant leader
46:48For modern audiences
46:50it can feel like
46:51gazing into a parallel universe
46:53Unfortunately
46:54this song
46:55accurately mirrors
46:56one of the darkest chapters
46:57in human history
46:58Tomorrow be lost
47:01Tomorrow be lost
47:04Tomorrow be lost
47:07You still think
47:08you can't control them?
47:09Number 9
47:10Little Girls
47:11Annie
47:12Whichever adaptation
47:13of Annie you prefer
47:14most would agree
47:16that you cannot top
47:17Carol Burnett
47:18as Miss Agatha Hannigan
47:19Burnett showcases
47:21why she was born
47:22for this role
47:22through her performance
47:23of Little Girls
47:24Little Girls
47:25Little Girls
47:26everywhere I turn
47:29I can see them
47:33Cruel and constantly
47:34drunk on the job
47:36Hannigan isn't fit
47:37to run an orphanage
47:38yet Burnett's comedic timing
47:40makes the character
47:40lovable and even relatable
47:42especially to anyone
47:43who's ever had to look
47:44after a couple
47:44of hyperactive children
47:55We could tell through the song
47:56that Hannigan is at her wits end
47:58Drinking everything in sight
48:00and fantasizing about a life
48:02without Little Girls
48:03is her only escape
48:04We can't think of an image
48:06that sums up Hannigan
48:07better than a bathtub of booze
48:08which she uses a paddle to mix
48:19Number 8
48:21The Legend of Miss Baltimore Crabs
48:23Hairspray
48:24Velma Von Tussle
48:25is a villainess
48:26that's stuck in the past
48:27fighting change
48:28around every corner
48:35During an audition
48:36for the Corny Collins show
48:37she isn't at all
48:39impressed with the turnout
48:40In a skillfully choreographed
48:42number
48:42Velma remembers
48:43the good old days
48:44when she was crowned
48:45Miss Baltimore Crabs
48:56Along with her daughter
48:57and a few other mean girls
48:59she shuns the contestants
49:00for their appearances
49:01Tracy is ultimately kicked out
49:03for her views on integration
49:04demonstrating just how
49:06backwards Velma's mindset is
49:08Velma might be
49:09a horrible human being
49:10but we'd be lying
49:12if we said this song
49:13didn't make us want to
49:14do the cha-cha-cha
49:15This one will never get
49:16a date in those
49:17hand-me-down clothes
49:19Kit, she'll never get
49:20a date till daddy
49:21buys her a new nose
49:22Number 7
49:23Last Midnight
49:24Into the Woods
49:25This adaptation of
49:27Stephen Sondheim
49:27and James Lapine's
49:28classic musical
49:29interprets various
49:30fairy tale characters
49:31from a unique perspective
49:33You're not good
49:34You're not bad
49:35You're just nice
49:37I'm not good
49:38I'm not nice
49:39I'm just right
49:41While Meryl Streep's
49:42witch is essentially
49:43your basic antagonist
49:44the other characters
49:45aren't necessarily
49:46good or bad
49:47As the witch puts it
49:49they're just nice
49:50Everyone here
49:51makes mistakes
49:51amounting to
49:52happy endings
49:53that aren't all
49:54that happy
49:54You'll just do
49:56what you do
49:57It's the last
50:01Midnight
50:01Rather than
50:02taking responsibility
50:03for their own actions
50:04however
50:04they blame the witch
50:05who arguably
50:07did start
50:07the chain of events
50:08This sets the stage
50:09for a rousing number
50:11where the witch
50:11decides to embrace
50:12her wicked side
50:13As the ultimate
50:14mic drop
50:15she places a curse
50:16on our supposed heroes
50:17before disappearing
50:18underground
50:19And the doom
50:21and the hell
50:33Number 6
50:34Cell Block Tango
50:36Chicago
50:36Granted
50:37the six inmates
50:38behind this rousing song
50:39are not necessarily
50:40villains
50:41Most of them
50:42have blood on their hands
50:43though
50:43and it is debatable
50:45if their actions
50:46were justified
50:46As far as they're concerned
50:48their victims
50:49had it coming
51:03Chicago blends
51:04the glamour
51:05of the stage
51:06with harsh reality
51:07Few sequences
51:08pull this off
51:09as flawlessly
51:10as Cell Block Tango
51:11as Roxy
51:12envisions prison chatter
51:13through a theatrical lens
51:14Using minimal props
51:16the choreography
51:17paints a vivid picture
51:18of every story
51:19So that night
51:20when he came home
51:20from work
51:21fixed him his drink
51:23as usual
51:26You know
51:27some guys
51:27just can't hold
51:29their arsenic
51:30The only one
51:31who claims innocence
51:32is Katalin Hunyak-Kalinski
51:34who ironically
51:35meets the grimmest fate
51:37It all builds
51:38to an electrifying finale
51:40in this master class
51:41of lighting
51:42cinematography
51:43production design
51:44and editing
51:45This number is so much fun
51:47it should be a crime
51:59Number 5
52:00Pretty Women
52:01Sweeney Todd
52:02The Demon Barber
52:03of Fleet Street
52:04Judge Turpin
52:05is the most despicable person
52:07in this musical
52:08wrongfully imprisoning
52:09Benjamin Barker
52:10doing unspeakable things
52:11to his wife
52:12and caging up
52:13his daughter
52:13like a bird
52:14Of course
52:15this film's
52:15titular character
52:16isn't exactly
52:17a saint either
52:17In this chilling scene
52:19both men come together
52:20and sing about
52:21their monstrous plans
52:22And who may yet be said
52:24is your intended
52:25sir
52:25I would
52:28Unaware that
52:29Sweeney Todd
52:30is Barker
52:31Turpin dreams
52:32of forcing Joanna
52:32into marriage
52:33All the while
52:34Todd prepares
52:35to slit his enemy's throat
52:37Pretty women
52:42Sitting in the window
52:46As dark as the subject matter is
52:49the song is hauntingly calm
52:50and even soothing
52:52As Todd's razor grows closer
52:54to Turpin's neck though
52:55the melody becomes more
52:57and more heart pounding
52:58until we reach the final curtain
53:09Number 4
53:10Feed Me
53:11Get it?
53:12Little Shop of Horrors
53:13A truly great villain
53:15can corrupt
53:15even the most innocent souls
53:17The kindly Seymour Krelborn
53:19is taken aback
53:20upon realizing
53:20that his plant
53:21Audrey 2
53:22can talk
53:22With a deep
53:24booming voice
53:25Audrey 2
53:25demands blood
53:27and lots of it
53:35Through a rockin'
53:37villain song
53:37the plant
53:38motivates Seymour
53:39to feed him
53:39by killing people
53:40Although the promises
53:42of fame
53:42fortune
53:43and love
53:43tempt Seymour
53:44he still has reservations
53:46about committing murder
53:47that is
53:48until he sets his eyes
53:49on a cocky dentist
53:50Feed me Seymour
53:54I can grow up
53:56big and strong
53:58You eat blood Audrey 2
54:00let's face it
54:01how am I supposed
54:02to keep on feeding you
54:03kill people?
54:04I make it worth your
54:05wow
54:06What?
54:07While Seymour continues
54:08to feed the plant
54:09he eventually sees Audrey 2
54:11for what he really is
54:12during the Oscar nominated
54:14number
54:14Mean Green Mother
54:15from Outer Space
54:28Number 3
54:29I Put a Spell on You
54:30Hocus Pocus
54:36Curses and music
54:38go hand in hand
54:39for the Sanderson sisters
54:40To lure Salem's
54:41little children
54:42Sarah Sanderson
54:43sings a hypnotic tune
54:44with the essence
54:45of a lullaby
54:50Come little children
54:53I'll take thee away
54:56Of course
54:58the most enchanting
54:59musical number
55:00in the movie
55:00has gotta be
55:01the witch's rendition
55:02of I Put a Spell on You
55:03Winifred, Mary
55:04and Sarah
55:05put an upbeat spin
55:06on this rock and roll classic
55:07I put a spell on you
55:10and now you're gone
55:13With Bette Midler
55:14providing lead vocals
55:16the sisters cast a spell
55:17on the adults of Salem
55:18not to mention
55:19the home viewing audience
55:20If you want people
55:21to dance until they die
55:23we cannot think of
55:24a catchier tune
55:25to expire to
55:46The audience is supposed to root
55:48against the bad guy
55:49but that proves exceedingly difficult
55:51when a villain is this much fun
55:53It's impossible not to like
55:55Jareth the Goblin King
55:56played by the invaluable
55:58David Bowie
55:59In addition to starring
56:00Bowie wrote and recorded
56:01multiple original songs
56:03for Labyrinth
56:04The standout is easily
56:06the show-stopping
56:06Magic Dance
56:15As little baby Toby
56:17breaks out in tears
56:18Jareth and his minions
56:19perform a number
56:20that's guaranteed
56:20to put a smile
56:21on anyone's face
56:22Toe-tapping
56:23energetic
56:24and of course
56:25magical
56:26we could dance
56:27all night to this song
56:37If you love games
56:39be sure to check out
56:40WatchMojo's new game
56:41Terrible Influence
56:42just launched for purchase
56:44at terribleinfluence.com
56:45Terrible Influence
56:46is a satirical board game
56:48about the dark side of fame
56:49from the writer
56:49of the most popular girls
56:50in school
56:51and us
56:52WatchMojo
56:52Boom
56:53I can make an apology video
56:55Oh you so would
56:56Click on the link
56:57in the description
56:57to check out the game
56:58and be the first
56:59to play Terrible Influence
57:02Number 1
57:03Sweet Transvestite
57:04The Rocky Horror Picture Show
57:11Dr. Frankenfurter
57:12is another villain
57:13the audience can't help
57:14but love
57:14In this uproarious number
57:16we're introduced
57:17to the sweet transvestite
57:18from transsexual
57:20Transylvania
57:20Like the rest of the film
57:22the song is bizarre
57:23random
57:24and overflowing
57:26with uncomfortable
57:27sexual tension
57:33If you're in the mood
57:35for something
57:35totally off the wall
57:36however
57:37you are bound
57:37to have a good time
57:38What's more
57:39Tim Curry
57:40kills it
57:41with this scene
57:42lighting up
57:43the silver screen
57:44with his charisma
57:44comedic timing
57:45and unusual
57:47brand of sexuality
57:48Whenever an audience
57:49watches the Rocky Horror
57:50Picture Show
57:51they always await
57:53this song
57:54with great anticipation
57:56So I'll remove
57:58the cause
58:03But not
58:04the symptom
58:11What's your favorite
58:12villain number?
58:13Let us know
58:13if we missed it
58:14in the comments
58:14ready?
58:20Let us know
Comments