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Sueños de Libertad Capítulo 624
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00:23Subscribe to the channel!
00:30We need another supplier that offers us the same quality as Ruperaz.
00:33Do you know what I think?
00:34What are you afraid of?
00:37He doesn't know how to proceed now that the boy knows the truth.
00:42Bianca needs a space to paint and she's not finding anything that convinces her.
00:47So you've offered him your house.
00:49French truckers have reached an agreement with the government and are going on strike.
00:54But then the Brosal products won't arrive.
00:56No, and we can't produce our own either.
00:58Nothing, I'm going to see my niece, I'll bring her some pastries. Where is she?
01:02I bet you don't know anything.
01:04Nothing of what?
01:04He's in bed.
01:05Well, I've asked Miss Forner to paint your portrait.
01:11Your father has invited us to a safe dinner tonight.
01:13And so?
01:14Because he's very excited that Eldy and Mabel are going to open a restaurant
01:18and wants to discuss some details with them.
01:20You have no idea what it's like to run a company.
01:22You're not in charge of anything.
01:23Just maneuvers to lead them to ruin.
01:33Dreams of freedom.
01:36To live differently.
01:38You will do it to fly.
01:40Wherever the soul desires.
01:42Dreams of freedom.
01:44Our hearts await us.
01:47He's asking for another chance.
01:51Dreams of freedom.
01:52Dreams of freedom.
01:53Even though the past hurts.
01:55Start over.
01:57To love whomever I want.
02:00To shout my truth at them.
02:02Live without fear and without looking back.
02:05Oh, oh, oh, oh, oh, oh, oh.
02:40Censante, my daughter.
02:42That cough sounds worse and worse.
02:44Where is your water?
02:46Over there.
02:49Tita, I need to rest.
02:51No, what you need is for me to see a doctor.
02:54No, no, no.
02:56Yes, Claudia.
02:58No stubbornness on my part, okay?
03:03Doctor, you may come in.
03:13Hi, Claudia.
03:16Hello.
03:18How long have you been sick?
03:20Hey, this morning I started feeling unwell and...
03:26I have a runny nose and my head hurts a lot.
03:31Put this under your armpit and expose your back.
03:51Does he cough?
03:55Stronger?
03:59Holy Virgin, what can we give him for that cough, doctor?
04:02The cough will disappear when it is cured.
04:09Well, the plate was installed by Aranda, who is one of the workers who had experience as a bricklayer.
04:13That seems perfect to me.
04:14As long as I leave it properly positioned...
04:16And the press, the photographers, have they arrived?
04:18No idea, Gabriel, no idea.
04:20No, no, no, no, no. Let me see her.
04:23Thank you.
04:25Gabriel, Manuel Iriarte, one of the photographers you were waiting for, is here.
04:30Perfect, delighted. A pleasure.
04:32Manuel, allow me to also introduce you to Tassio de la Reina, our deputy director.
04:36Delighted.
04:36I'm wondering the same.
04:38I hope your newspaper will give the story the coverage it deserves.
04:41Don't doubt it, Don Gabriel.
04:42And Andrés?
04:44He has still returned from his meeting with Javier Rupert, the owner of Essences.
04:48If you don't mind, I have to get back to work.
04:51No, no, no, no, no, Tassio.
04:53Your job is to be here, that's why you're the deputy director.
04:57That's precisely why I have to leave, Gabriel, because this factory doesn't run itself.
05:00This photo is to give Hugo Brossard a good image.
05:04Is it so hard for you to understand?
05:05Good afternoon, Mr. Gabriel.
05:07I see that everything is ready for the unveiling of the plaque.
05:09That's how it is.
05:10I suppose you will want a member of the Holy Church to preside over this event.
05:14Ultimately, we are paying tribute to a different kind of person...
05:15Father, stop lecturing if you want to be in the picture because you're not going to be in it.
05:19What did you say?
05:20As you know, France is a secular republic and Antoine Brossard himself wanted to close the chapel.
05:26Yes, but...
05:27Father, don't insist, today is not a good day to try to grab attention in front of the cameras.
05:31That?
05:31That?
05:36That?
05:46What color is your snot?
05:49What's the trend?
05:51Claudia, it's important. Let me see the handkerchief.
05:54No.
05:57They're green, Miguel. Very green.
06:01You definitely have pneumonia.
06:03For God's sake, doctor, don't tell me that.
06:05That is very serious.
06:06There have been people...
06:07Don't worry, your sobriety isn't going to die.
06:09We detected it in time and it can be treated.
06:14It is very important that you take a pill every eight hours.
06:17And stay in bed.
06:20Thank you very much, Miguel.
06:23No, it's not my duty to look after the health of the factory workers, but you have to put it on
06:26on your behalf.
06:29It's very important that you start taking medication as soon as possible, okay?
06:31Of course.
06:33I'm going to the pharmacy right now to get you the medicine.
06:36Thank you very much, Auntie.
06:38And then I'll come and bring you some broth and spend the night with you, okay?
06:42Don't worry, there's no need to...
06:43Listen, without complaining.
06:45Doctor, I'm going out with you.
06:47And now I'm coming.
06:50Thank you.
06:59Today we gather with deep sadness to pay tribute to our partner and friend, Antoine Bogossard,
07:07whose loss deeply moved us.
07:11Monsieur Bogossard was a key person in the history of our company.
07:16Not only for his professional commitment, but also for his human qualities and his rigor.
07:21and its ability to bridge the gap between the company that operated in France and the Spanish perfumery.
07:28Their contribution has left a lasting mark on our shared project and on all of us who had the privilege of
07:36to meet him.
07:36With this act we wish to express our most sincere affection and gratitude.
07:43To his family, friends and loved ones, we extend our love and deepest condolences.
07:54Merci for your engagement, your elegance and your confidence.
07:59Your souvenir restera vivant parmi nous.
08:14Thank you all very much, and we can now get back to work.
08:27Will they work for me again?
08:33Hello.
08:35Where were you?
08:36We were waiting for you to at least appear in the photo.
08:40He was busy doing something more important than sucking up to Hugo Broussard.
08:43How did it go with Ropelez?
08:45It's been difficult, but in the end, prices have remained the same as before.
08:49How did you do it?
08:51I have offered him a five-year exclusivity contract with us.
08:54And who authorized you?
08:56It doesn't matter that I didn't have your authorization, Gabriel.
08:58He has mine.
08:59And I am convinced that Hugo Broussard will also agree.
09:03Thank you very much, Andrés.
09:04You have done a great service to the company.
09:05Congratulations.
09:06Thank you.
09:07Okay, okay.
09:08I haven't just done their job there either.
09:10That?
09:18Hello.
09:23Hello.
09:26Okay, okay.
09:28The brunette from the market is here.
09:31I thought you were going to take longer at the factory.
09:33Yes, and that was the idea.
09:35But, I don't know, I haven't been able to concentrate all afternoon.
09:39By?
09:40Well, because I'm confused about the issue of Pelayo's will.
09:43Ah.
09:44Marta believes that accepting that money would be like a kind of financial compensation for all the harm he did to us.
09:51But not me.
09:52I couldn't use that money for anything in the world knowing where it came from.
09:57No, but I think it's easy to understand, isn't it?
09:59I think so.
10:00That seems perfectly logical to me, of course.
10:02I remember when I met you in Buenos Aires you were in a bad way, really bad, huh?
10:06War wound.
10:07And then it was really hard to recover.
10:09Was it hard?
10:11That's why.
10:13Nothing can compensate for so much pain.
10:16And much less money.
10:19Well.
10:20I don't know, Bianca, it's just that lately Marta has been disappointing me a lot.
10:27Well, it's a shame because it seems that family ties and surnames weigh more heavily on him than the facts themselves.
10:34No?
10:34Yes, but it's not like that anymore.
10:36That's why I don't understand why he behaves this way.
10:39Well, I know how to cheer you up.
10:45I'm going to the kitchen.
10:48But you can't follow me.
10:49No, no, no, no, no.
10:51Stay here, okay?
10:52I don't want to see her coming behind me.
10:54Daring.
10:55Don't come.
10:59Forward.
11:03Good afternoon.
11:04Hello.
11:05Do you have a moment?
11:06Yes of course.
11:07Let me finish this and I'm with you.
11:08Happens.
11:13Were you able to talk to your friend?
11:15Yes, yes.
11:17In fact, she followed his advice and spoke to the boy, and they are a couple again.
11:24That's why I've come, to thank you on his behalf.
11:27Uh-huh.
11:28Well, thank you to her for following my advice on such a delicate matter.
11:33Yeah.
11:33The world would be a much better place if we all fought to solve our problems.
11:38Yes, although her problems are very private and only affect her, no one else.
11:44Well, that's not entirely true.
11:47It affects her, and she feels frustrated because she doesn't know how to solve it.
11:50But they also affect her boyfriend, who may not know how to help her.
11:55Even her loved ones, like you, who came here to ask for help for her.
12:04Are you OK?
12:05Yeah.
12:07Well, no.
12:10I feel terrible because I lied to him.
12:15My friend's problem is not my friend's problem.
12:21It's mine.
12:26But you already knew that.
12:29From the beginning.
12:31We close our eyes.
12:37We opened our mouths.
12:39No, seriously.
12:40Shut up.
12:42Or bebezca.
12:52I can't believe it, your dulce de leche.
12:54Yes, yes.
12:56I had a little free time and went into your kitchen, sorry, because I made some alfajores for Digna.
13:03I hope you don't mind.
13:04But why would it bother me? You can use the kitchen whenever you want.
13:09Yes, you were so right. Rightly so, I mean.
13:13How can you not love her, adore her, admire her? She is divine.
13:18I knew he would understand that.
13:20Yeah.
13:21Do you think he'll like the alfajores?
13:24Yes, she's going to like them. She's going to love them.
13:27I'm telling you.
13:28Come on.
13:30Serve yourself.
13:33My God.
13:34Look, do you remember the first time you gave me your alfajores to try?
13:40Yeah.
13:41With the porch of your house.
13:43The porch of our house.
13:45From our house.
13:47And there, there I realized that I could be happy again.
13:51Clear.
13:53We spent the whole afternoon talking.
13:57They were talking about everything the whole time.
14:00Yeah.
14:01Yeah.
14:02Time flew by.
14:04For me, those were the best afternoons of my life.
14:08What's that?
14:10No.
14:12I'm endless, you know?
14:13No.
14:15No.
14:15No.
14:17No.
14:17No.
14:18No.
14:19No.
14:19No.
14:20No.
14:20No.
14:21No.
14:21No.
14:23No.
14:26No.
14:26No.
14:28No.
14:40No.
14:41No.
14:42No.
14:43No.
14:44No.
14:49No.
14:51No.
14:53No.
14:55No.
14:56No.
14:57No.
14:57What am I going to do? What should I do? Try to forget?
15:00No.
15:01No.
15:02We will never be able to forget this.
15:06I know we're not together now, Bianca, but...
15:13But no one will ever be able to erase how important it has been to me.
15:18And you still are, my little brunette.
15:31I also think you should know that the boy in question is Andrés de la Reina.
15:36Ah, yes.
15:37I know he's a wonderful man, because of my relationship with his worthy aunt.
15:41Yes, it is.
15:44Okay, is there anything else I can help you with?
15:47Well yes.
15:49Well, I don't know if it's very appropriate for me to tell you this,
15:53But I followed his advice and was able to enjoy Andrés' company without pressure.
15:59Very good.
16:00Is that how I think it should be?
16:01Yes, me too.
16:02But I don't know if I'll be able to take another step.
16:07Oh, but is he forcing you to take that step?
16:09No, no, no, no, no, no, no, not at all.
16:12I'm the one who's considering it.
16:15Okay, but you have to be sure, Valentina, that...
16:19that he is the man of your life, the person you want to marry.
16:23Because I personally believe it's not worth reliving the trauma again for a simple whim.
16:29No, but it's not just a whim.
16:31No, no, I know and feel that he is the man of my life with whom I want to be forever.
16:36Well, in that case I would tell you to take it very calmly.
16:40You'll have plenty of time to gain the confidence you need.
16:45Yes, Doña Nieves, but I don't want to wait any longer.
16:48I want to overcome my fears now.
16:51Those fears you're talking about, Valentina, are something all women experience when they face their first time with
16:56a man.
16:58Well, but in my case it's more complicated.
17:01Let's imagine we get married.
17:03Yeah.
17:03And the wedding night arrives and I can't, but I can't the next night either, or the one after that.
17:12What kind of marriage would that be?
17:15Yes, an annulment.
17:17Do you understand why I need to get through all of this before continuing the relationship?
17:21It's for Andrés and me.
17:24Well, look, I've got an idea.
17:27Why don't you just try sleeping together?
17:31Time for bed?
17:32Yes, to spend a night together without going any further.
17:35I think it would be a good way to strengthen your confidence in him and in yourself.
17:41Well.
17:43I'll think about it, yes.
18:11But you're still around.
18:13I already told you that I had to close early today and I want to leave this written down.
18:15Give me a minute, please, Salva.
18:19But can you tell me what's wrong?
18:22Well, my head is going to explode, is that what's happening to me?
18:24Yes, we're doing well.
18:26Do you want a pain reliever?
18:27No, I want you to give me another drink.
18:29That won't cure your migraine.
18:31If you want, I can give you a pill from the medicine cabinet and an ear, in case you need to vent.
18:35What's wrong? Is it because of Paula?
18:37Are you asking me about Paula again?
18:39Can you stop asking me about her, Salva?
18:41Hey, I just wanted to help, okay?
18:42It really has nothing to do with the anger I feel right now.
18:44And give me another drink, it won't cost you anything.
18:47Look, I'll put it on for you, and this will help you because I have a lot to do.
18:50Okay, perfect.
18:54What are you doing, you crazy person?
18:59Well, it helps me calm down, what can I say?
19:01Well, look, you're going to have some chamomile tea and go home to rest, that's what it's all about.
19:04that you have to do.
19:05Thank you very much for your hospitality, sir.
19:07But I don't even know what's wrong with you, Tassio.
19:09I'm like this because of that darn little plate on my nose.
19:12Which license plate?
19:13But haven't you noticed what they've put in the Carruaj passage?
19:15You haven't realized it yet.
19:17The plaque for Antoine Brossard?
19:19And what's your problem with that?
19:21What's wrong with me?
19:22But if Brossard himself is a problem, Salva, who almost took the company to Morocco,
19:25that almost left us all without a job.
19:26Do you think this is nothing, or what's wrong with you?
19:28Yes, that's true, yes.
19:29Then my idiot cousin takes me and pays homage to Antoine Brossard to suck up to him
19:33your son.
19:33It's just that you have to be a hypocrite.
19:35Man, you know how your cousin is.
19:36Look, yes, my cousin, let him do whatever he wants.
19:38But don't force me to be there in a photo again as if I were okay with it.
19:41all that pantomime.
19:43Sometimes what you have to do is swallow it or accept being a hypocrite.
19:48Are you talking about me or yourself?
19:50Well, I'm talking about life in general.
19:53Why are you taking this so seriously?
19:54I don't know.
19:55It seems you're talking about how hard it is for you to tell your girlfriend that you don't like her at all.
19:59decoration that he has done.
20:01Look, think what you want, but don't you ever talk to me like that again, that's enough already.
20:05Sorry, sorry, Salva.
20:06Sorry, sorry, you're absolutely right.
20:08I'm angry and I'm taking it out on you, but don't take the bottle, okay? Please.
20:27Doña Digna, the visitor you were expecting has arrived.
20:30Thank you, Teresa.
20:30Ligna, forgive me, I hate being late, but I swear I had fun making this and I hope you like it.
20:38She was somewhat worried, but she hadn't wanted to call Fina at home because she didn't want to worry her.
20:44No, there was no problem, I was at his house.
20:47Of course, what's more, I was at home, in my kitchen, to be more precise.
20:51But I didn't remember how long it took to do this, which I, if you'll excuse me, am going to call a work of
20:57art.
20:58Did you do that?
20:59Yes, for you, for your enjoyment, and I did it with great pleasure.
21:03Can you try it?
21:04Well, I'm going to try it.
21:06Let's see.
21:11This is exquisite.
21:12Yeah?
21:15Well, at least now he knows what an Argentinian alfajor is, but a homemade one, right?
21:19It has nothing to do with the alfajor from here.
21:22Yes, it's related because it's the same formula.
21:24The Spanish brought it to Argentina, but it later evolved.
21:29And what is this delicious filling?
21:32It is, ah, that's it, the soul of the alfajor is dulce de leche, but you can't find it anywhere here.
21:41Do you know what this reminds me of?
21:43A bit.
21:44Coffee and milk candies?
21:46No, no, no, no, no, no, no.
21:48No?
21:48No, don't say that.
21:50The same thing happened to Fina when she tried them.
21:54This is something else.
21:57This is just milk and sugar.
22:02And stir.
22:04Only?
22:04A long time.
22:06On a low heat.
22:08And lots of love.
22:09Oh my God!
22:10It is an act of patience.
22:11Yeah.
22:11Hey?
22:12This is...
22:13Oh my God, how it smells.
22:15It makes you want to eat all of this by the spoonful.
22:17Of course, that's what sin is for.
22:19Try it.
22:20Yeah.
22:21I'll get some teaspoons.
22:22No, no, no, no, no.
22:23Leave the alfajor here.
22:24Please.
22:26Relax.
22:27Stick your finger in it.
22:28How am I going to put my finger in?
22:31But take advantage of the fact that nobody is watching.
22:33This is the only way to prove it.
22:35What do you mean, no, for God's sake?
22:36No.
22:37You're forcing me to do something I don't want to do, huh?
22:40Look, this isn't done.
22:45Oh, what we're missing out on.
22:47Oh, what's happening...
22:51Yes, and they believe it, but it hurts.
22:54Excellent.
22:55And they believe it, but it hurts.
22:57Oh, Marta.
22:57With spoons.
22:58Marten.
23:00You have to try this.
23:01They are Argentinian alfajores.
23:03Bianca has made it here with exquisite dulce de leche.
23:07No, thanks.
23:08I'm not hungry right now, but I'll try them later.
23:11Really?
23:11I'm going to the gallery to review some documents.
23:14I wouldn't want to bother you.
23:16You will have a lot of work ahead of you.
23:17Well, something like that.
23:19Yeah.
23:21Well.
23:23The niece is right, isn't she, Digna?
23:25You're right.
23:26We're facing the boneless one head-on and it's getting a little late, don't you think?
23:30I'll leave it for now and recover.
23:32Digna, I would like her to remember that taste on her palate and to look at me from there.
23:42And from there we'll start creating.
23:48Good afternoon.
23:50Oh, Eduardo.
23:51If you're going to the factory first thing tomorrow, would you mind letting me know so I can come with you?
23:57I'm going to stay overnight with my niece.
23:59Is she sick?
24:00Oh my God.
24:01What's wrong with it?
24:02Pneumonia.
24:03But hey, the doctor told us he caught it in time.
24:07He is already taking the antibiotic.
24:09Do you want me to take it now?
24:10No.
24:11Not now, because I still have a few things to prepare and I don't want you to be waiting for me.
24:16I can wait as long as it takes.
24:18In the end I didn't get to see Roque.
24:20And so?
24:22I went to be in Vera for nothing.
24:24Wasn't he there?
24:25Yes, yes, I was there.
24:26I located it in the company that was indeed in front of the church, the collegiate one.
24:32But when the secretary told him that I wanted to see him, he said that he couldn't see me.
24:36Come on, he didn't want to see me.
24:38My goodness, he really is angry.
24:39Very sorry.
24:41That reaction was to be expected.
24:44Hopefully, with time he'll get over it and we can have a more cordial relationship.
24:49Yes, don't worry.
24:50Come on, don't worry about Roque because...
24:53Because?
24:55Has something happened?
24:57Yes, it has happened, yes.
24:58Mr. Damian has been here asking for you.
25:01that he had to go to Madrid today for a meeting
25:04that you had to take it.
25:06No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
25:09I had to take him to Madrid for the Floral meeting.
25:12He insisted on it yesterday.
25:14Holy shit, my god.
25:15Do you know where Don Damian is now?
25:16I'm here.
25:17Good afternoon.
25:20Manuela, leave us alone, she has done us a favor.
25:23Excuse me.
25:28I can't believe how many good things there are
25:30that have been happening to me since I started studying interior design.
25:34Without being fully aware of it, I have opened a door to a world of possibilities.
25:39I don't understand what one thing has to do with the other.
25:42Miguel, if you could hear me you would understand.
25:45I'm listening to you, but I don't see the connection between the two things.
25:48Well, the decoration is a very important part
25:52When you start a customer-facing business, right?
25:56And I will be in charge of the image of my restaurant, guaranteed.
26:00No, I was referring to the world of possibilities that has opened up before you.
26:03As far as I know, only if you've opened one, which is the one at the restaurant.
26:06Ah, but that's just a figure of speech.
26:07Because one thing leads to another, and another, and another,
26:10And things just keep happening to you.
26:13Do you know what surprises me the most?
26:15That Mom and Dad are so happy.
26:19And why does that surprise you so much?
26:20Well, because they didn't like it at all when I started working as a waitress in the cantina.
26:24Well, but this is very different, Mabel.
26:26Look, Miguel, I'll still be waiting tables, okay?
26:29Yes, but as a businesswoman.
26:32And that's what Dad likes, that's why he supports you so much.
26:34And I'm very happy about it.
26:37Man, you've finally told me what I wanted to hear.
26:39Thank you so much.
26:41They should have just asked directly.
26:46And what about you?
26:48Have you seen Claudia since your breakup?
26:53Yeah.
26:54I went to see her in her room today because she has pneumonia.
26:56What are you saying?
26:58And how is he/she?
26:59Okay, relax, don't worry.
27:01He'll be alright.
27:02Her aunt will take care of her and make sure she takes all her medication.
27:06Wow, I might go see it tomorrow.
27:11Oysters.
27:14And how are you?
27:17I'm fine, I don't have pneumonia.
27:20No, I mean how are you feeling after seeing Claudia?
27:26I'm fine.
27:28I've done my job and I'm fine now, thank you.
27:33Sure?
27:37Well, the truth is that it has affected me a little to see Claudia so sick in bed.
27:42Normal.
27:43And I imagine you must have felt like hugging her.
27:46A doctor cannot show affection for his patients.
27:51But...
27:53But yes, they have given me a little bit of a desire.
27:55Sure, Miguel.
27:56Look, I'm your favorite sister.
27:57You can tell me what you feel.
28:01Well, I must admit that something has stirred within me.
28:05Wow, what a display of emotions.
28:07Don't laugh at me.
28:08No, it seems normal to me.
28:10Miguel, for you Claudia is not just another patient.
28:13Yes, but one day she will just be that, an acquaintance.
28:17And that's enough about me, this is your night and Salva's, I'm going to find
28:21bread.
28:27This morning you were absent from work, without asking for permission, without giving any explanations.
28:32Can I know the reason?
28:37Manuela told me something about a task she was given to go to Torrijos to get milk,
28:42But it's clear that it was all to cover for him.
28:45It must be something very serious for you to risk your job like this?
28:54I can only tell you that I am deeply sorry.
28:57I'm very angry, Eduardo.
29:00This morning's meeting was very important and I wanted to arrive on time.
29:05I have failed him.
29:08And I would understand if they decided to discontinue my services.
29:11I'd like to know what happens before I make a decision.
29:17I have no excuse.
29:19I should have put my obligations first, but...
29:23But the truth is, I'm going through a rough patch and...
29:27And I got distracted.
29:29Can I ask what this difficult time you're going through is about?
29:34It's complicated, Don Damián.
29:35It's personal.
29:36Something personal.
29:40Related to Roque.
29:42But the reason doesn't matter.
29:44I have no excuse, I just told him.
29:49Fortunately, I was able to catch a taxi and arrive on time for that meeting.
29:53Let me cover the expenses...
29:55I'm not talking about money.
29:57I'm talking about taking responsibility.
30:04This is the first time I've made a mistake of this kind.
30:08It had better be the last one
30:11if you want to keep your job here.
30:14Yes, Mr. Damian.
30:25Are you still here?
30:27Can I sit next to you?
30:29Clear.
30:30His session with Bianca has now ended.
30:33Yes, for today.
30:36But if you prefer it to be forever,
30:38You just have to tell me.
30:41You've been very noticeable lately.
30:43that you don't like seeing that woman here at all.
30:45And you say that because
30:47I have rejected
30:47eat one of their
30:49Fantastic sweets?
30:50No.
30:52I say this because it's been like being given
30:53a kick in the stomach.
30:56Honey, I don't want a simple portrait
30:58becomes a problem for you.
31:02Auntie, that's my business.
31:06When I encouraged her to accept
31:07that he would paint Bianca's portrait,
31:10I knew I would find her
31:11often around here.
31:12Okay, could we look for another place?
31:14Where can I go?
31:17Really?
31:20It's my business.
31:22Bianca is part of Fina's life,
31:24Whether I like it or not,
31:25And I have to accept it.
31:26I'm part of it, no longer.
31:28He has moved into his house.
31:30Yes I know.
31:31And I understand that it upsets you.
31:33But he has only done so
31:35as if it were his studio
31:36because she is installed
31:37in a hotel, he told me.
31:40Bianca is important to Fina.
31:43Don't you really understand?
31:44that I might feel somewhat uncomfortable
31:46and even unsafe
31:48Given this whole situation?
31:50Look at her, she's a lovely woman.
31:52You are too.
31:55Auntie, for God's sake,
31:56I've seen her laughing with her
31:57as rarely seen
31:58I saw her laugh.
31:59He has her captivated.
32:01Get to know him.
32:02Yes it's true
32:02which has a lot of charm,
32:03But that doesn't let you
32:04to your disadvantage.
32:06Well, right now
32:07I feel at a disadvantage.
32:07And even more so after having
32:08argued with Fina again
32:09regarding the will
32:10of Pelayo.
32:11What happened?
32:14Fina continues with the idea
32:15that accepting the money
32:16from Pelayo's inheritance
32:17It is betraying our love.
32:20I try to convince her
32:21that money
32:22could help us
32:23to live more peacefully,
32:26to be happy,
32:27even to compensate
32:28somehow
32:29something
32:29of suffering
32:32that we have been through.
32:33But she doesn't give
32:34his arm to give in.
32:35I hope you accept me
32:37that money
32:38to do something good
32:40for you
32:40I think it's good and fair.
32:42but I also understand
32:43Fina's stance
32:44knowing her.
32:46Daughter,
32:48she
32:49I would never be happy
32:52with something
32:53that came from Pelayo.
32:55Remember that neither
32:56could have been
32:56in the house of the mountains.
32:57It's not the same.
32:59That house
33:01He seemed to be haunted.
33:03She doesn't know
33:04differentiate
33:04one thing and the other.
33:06Accept the money
33:08Pelayo would be
33:10Well,
33:11remind him every day
33:12what this man
33:14He made her suffer.
33:15I suffered a lot too.
33:17Besides all the hate
33:19and the rage
33:19when I discovered
33:20what Pelayo had done.
33:21Yeah,
33:22But you now
33:22are you able to see
33:23that this inheritance
33:24It belongs to you.
33:26You are more...
33:27Colder?
33:28No,
33:29I didn't say that.
33:30More pragmatic.
33:32Let's put it this way.
33:34Fina is more visceral.
33:37If he accepts that money,
33:38she knows
33:39that she will feel united
33:40to that past
33:41that wants to close
33:42forever.
33:51Have you thought
33:52what hairstyle
33:52you want to take tomorrow
33:53at the recital?
33:54What does it matter?
33:57What do you mean, what does it matter?
33:58Julia,
33:58I'm sure you've talked about it.
33:59with your choirmates.
34:00No?
34:01You must have reached an agreement.
34:02It's just that I've been thinking
34:03that maybe
34:03I can cover a headband for you.
34:04with what's left over
34:05of the fabric of the cape?
34:06Mother,
34:07I'm fine.
34:08Don't try to cheer me up anymore.
34:09No,
34:10If I tell you
34:10Because, well,
34:11It's a beautiful fabric.
34:12Mother,
34:13that I know you.
34:15Mábeña,
34:16They call you
34:17from the Groceries
34:17for the order
34:18what you did yesterday.
34:19Tell them to call you later.
34:21Already,
34:21that's what they say
34:22that are going to close
34:23and that they want it
34:24prepare
34:24for tomorrow.
34:26I'll be right back.
34:34What are you doing?
34:36Nothing.
34:38Can I sit here?
34:39to do nothing with you?
34:46That lately
34:47We hardly ever see each other.
34:52Julia,
34:54I would like
34:55a lot
34:56go to your recital.
34:59I know.
35:00You have a lot of work to do.
35:01I already know.
35:03Yeah,
35:03It's a meeting
35:04very important
35:04and I can't cancel it.
35:06No,
35:06no problem.
35:08Don't worry,
35:09really.
35:10And tell me,
35:11It's too long
35:13What do you have to do?
35:14No,
35:15There are two stanzas
35:16from a very old song.
35:17It's very little.
35:19But it turns out that
35:20the teacher
35:20He told me
35:21three days ago.
35:22Already.
35:22And it caught me quite off guard.
35:23unexpectedly,
35:24I didn't expect it.
35:26Well,
35:27But that's very good.
35:31Julia,
35:32come.
35:33I want to tell you
35:33one thing.
35:41I understand your frustration.
35:44Look,
35:45when I was
35:45roughly your age,
35:47He played soccer.
35:48Well,
35:48He was the backup goalkeeper.
35:50and once in a match,
35:52just before a penalty,
35:53the starting goalkeeper
35:55he was injured
35:56And it was my turn to go out into the field
35:58And neither do I.
35:58I expected it.
35:59And did you stop it?
36:01Yeah,
36:01Yeah.
36:02There you go.
36:03Yeah.
36:05And the coach
36:06Did he put you in the starting lineup?
36:07Well yes.
36:08Well,
36:09He had no other choice
36:09because the other
36:10He had broken his leg.
36:12Well,
36:13better for you.
36:14Yeah,
36:15Well,
36:15the truth is that I played
36:16all season
36:17and almost,
36:18We almost won the league.
36:20Excellent.
36:22Your father would be
36:22very proud of you,
36:23TRUE?
36:28My father
36:30He was never proud of me.
36:32And so?
36:33Didn't he like it?
36:34Football or what?
36:35Yeah,
36:36Yeah,
36:36football, yes.
36:39But he was always there
36:40very busy
36:41and
36:43in fact
36:46He never came to see me.
36:48and then I went to the Canary Islands
36:49with my mother
36:50and I was there for many years
36:51without seeing my father.
36:57Valentina,
36:57You have to promise me
36:58that next time
36:59come to this house
37:01You will enter through the main door.
37:02Ah,
37:03Well,
37:04I've entered
37:04for the service
37:05because I wanted to tell him
37:06Manuela
37:06How was Claudia?
37:08Tonight
37:08He's staying overnight with us.
37:10Surely with the care
37:11from her aunt
37:11He will recover very soon.
37:13The important thing
37:13It's so you don't get infected.
37:15Let's hope not.
37:18They are Argentinian sweets.
37:20They're called alfajores.
37:21They are delicious.
37:21Do you want to try them?
37:22No,
37:23No,
37:23thank you.
37:23But they look delicious.
37:25Yeah,
37:26I'll tell Teresa
37:26I'll prepare a few for you.
37:27and you take them with you.
37:28Well,
37:28One is fine.
37:29No,
37:30No,
37:30not one,
37:30For God's sake,
37:31some.
37:32Otherwise,
37:33I already know
37:33who's going to eat them
37:34And it's not good for me at all.
37:36Well,
37:37I think you have something for me.
37:39Yeah,
37:40what he asked me for.
37:41Two bottles of divine flower
37:43of the original.
37:44Thank you so much
37:45And thank you very much.
37:47for coming all the way here.
37:48Nothing.
37:50Did you know?
37:52Tomorrow
37:53production begins
37:55Thanks to our dear Andrés.
37:58I didn't know anything.
37:59He has managed to convince
38:02to the essence distributor
38:03that it maintains the price.
38:05Thank goodness,
38:06because everything looked very bad.
38:07Yeah,
38:08We had everything against us.
38:10But once again,
38:12Andrés got us out of trouble.
38:15It has always had
38:16great persuasive power
38:17and lots of charm.
38:20It's lucky
38:21to have him in this family.
38:26Valentina,
38:27I don't want to seem indiscreet,
38:28But Andrés
38:30He's like a son to me.
38:33And I want you to know
38:34I'm very happy about that.
38:35that you are together.
38:36I think you do
38:37a good couple.
38:38My nephew
38:39He's very lucky.
38:41Thank you.
38:42For me,
38:43He is very special.
38:45Hello.
38:46Hello.
38:48Is this to see you around here?
38:49Is everything all right?
38:50Great.
38:51Valentina has had
38:52the detail
38:53to bring me two bottles
38:54of divine flower
38:55and stays for dinner.
38:58No.
38:59Dignified,
39:00I thank you
39:01The invitation was very much appreciated.
39:02But I have
39:03that return to the colony.
39:04Well,
39:05Andrés will take you later
39:06Delighted, right?
39:07I will not admit
39:08a no for an answer.
39:10I'll let Teresa know.
39:11so that it puts
39:11one more place setting.
39:17I promise you that this
39:18I wasn't prepared.
39:20Confess it.
39:21You've come to win
39:22points with my aunt
39:22because you know
39:23the important thing
39:23which is for me.
39:24No,
39:25no.
39:25I've come to score points
39:27Because I know what's important.
39:28that's you
39:29for me.
39:30Already.
39:40You have to try it
39:41the cheese,
39:41Save.
39:42Well,
39:42and the sausage
39:43that you can't find
39:44in Toledo.
39:45Not even in Toledo,
39:46nor in Barcelona,
39:47not even in Madrid.
39:48They send it to you directly
39:49from a delicatessen
39:51from Tarragona that...
39:52Everything was delicious,
39:53Everything is delicious,
39:54thank you.
39:55We could offer
39:56starters like these
39:57in the restaurant,
39:58No?
39:58A little bit of bread,
40:00sausages...
40:01Or we could also
40:02make a selection
40:02of many products
40:03from all over Spain.
40:04Well,
40:05That would be very expensive
40:06because we couldn't
40:06place large orders.
40:08So,
40:08the distributors
40:09they couldn't adjust
40:10both the prices.
40:11Well,
40:11But it's okay.
40:12We went up a little bit
40:13the price of the final product
40:14And neither will they.
40:14We are experiencing losses.
40:16Well,
40:17that assuming
40:18that there are customers
40:19who want to pay double
40:19for something that maybe
40:20well, not even
40:22They know how to appreciate.
40:23Well,
40:24is that the key,
40:24my love,
40:24It's about finding
40:25a select clientele
40:26that I can appreciate
40:27quality products
40:28that we are going to bring.
40:30No?
40:30What do you think, Dad?
40:32Well, what will you have?
40:33that find
40:34an intermediate point.
40:36Perhaps it's a bit ambitious
40:38offer products
40:38from all over Spain,
40:40But I encourage you
40:41to do
40:41a good selection.
40:43Well,
40:44Alright.
40:45Although here
40:45the one who really
40:46He knows about this business
40:47It's Salva,
40:49No?
40:49It is him,
40:50whom we need to listen to.
40:51What do you think?
40:52Well,
40:53I know how it works
40:54the cantina of the colony
40:56which is a business
40:57much more modest.
40:58A restaurant
41:00so fancy,
41:02Well, I don't know how it works.
41:04Well,
41:05It's all about getting started.
41:06And who doesn't take risks?
41:07no guana.
41:08That's how it is.
41:09No?
41:09That's true.
41:10Well,
41:11I'm going to see
41:11How are the gilthead bream?
41:12I wonder if they'll go away.
41:25I'm not here!
41:26Go.
41:27Tatius,
41:27it's me,
41:28Paula.
41:32Go.
41:38Phew.
41:46Were you asleep?
41:48Yeah,
41:49a bit.
41:50Paula,
41:51But you and I
41:51Did we have plans or not?
41:52No,
41:53No,
41:53But I wanted to know
41:55How were you?
41:55Last night I was worried.
41:57Paula,
41:58really,
41:58peaceful,
41:58that it was just a nightmare,
41:59really.
42:00But if your eyes sparkle,
42:01Let's see if you're incubating something.
42:03that Claudia started like this
42:04and now he has pneumonia.
42:05Please,
42:05Paula,
42:06peaceful,
42:06I don't have any of that.
42:07Come here.
42:12You've been drinking,
42:13You reek of alcohol.
42:15Well,
42:15Yeah,
42:15Paula,
42:15I have drunk,
42:16But that doesn't matter to you.
42:19Sorry,
42:20No,
42:20I didn't mean to tell you that,
42:21sorry.
42:21Does it bother you that I worry about you?
42:23No,
42:23No,
42:24Quite the opposite,
42:24Yes, thank you.
42:25But the thing is,
42:26look,
42:27Salva is already angry with me
42:27That's why too.
42:29No,
42:29I know that Salva is a good friend,
42:31But I thought that you and I
42:32We were something more than that.
42:33Paula,
42:33It has nothing to do with it
42:34with what I feel for you.
42:38I need you to leave.
42:40Are you kicking me out?
42:41Paula,
42:41please,
42:41I need you to leave.
42:46I don't understand anything,
42:47Tasia.
42:48Well, it's very simple.
42:50I need to be alone,
42:51please.
42:53Please.
43:10Here it is.
43:13Well.
43:15It smells good.
43:16Before dinner,
43:17How about we make a toast?
43:19Why this couple who show so much promise?
43:21Hey?
43:22We're very happy about that.
43:23that you are here celebrating
43:24the very important step
43:26that you are going to give
43:27for you
43:28and for a new life
43:30and with their own business,
43:32that in the end
43:32It's the closest thing
43:33to have a child.
43:34with all due respect.
43:37Health.
43:41Health.
43:42Are you OK?
43:44Yeah,
43:44I already told you
43:45because this is your night.
43:45Don't worry.
43:47Well,
43:48We wanted to tell you
43:49another thing.
43:52You'll see,
43:53Mom and I
43:54we have some savings
43:55that we weren't going to play
43:56for now
43:56and we have thought
43:58that we could add
43:59to the loan
44:00which we have already offered you.
44:01What do you think?
44:03Are you serious?
44:05Clear.
44:07We trust a lot
44:07in your project.
44:09We are sure
44:10that you won't have any problems
44:11in returning it to us.
44:14Thanks a lot
44:14to both of them,
44:15really.
44:16My love,
44:16You haven't heard yourselves.
44:17Yeah,
44:17thank you so much.
44:19Yeah,
44:19the idea is that
44:20you can access
44:21to a local
44:21well bigger
44:22and better located.
44:24Yeah,
44:24Yeah,
44:24Yeah,
44:24we're going to do
44:25the best restaurant
44:26from Toledo,
44:26yes or no?
44:27Yes, yes.
44:27The best,
44:28I swear to you.
44:29Hey,
44:29Well, I did
44:30good contacts
44:31with several real estate agencies
44:33from the center
44:33when I prepared
44:34our arrival here.
44:36We could go tomorrow
44:37Let's see them,
44:38No?
44:38Let's see what they have there.
44:39Yeah,
44:40Yeah.
44:41Let's see,
44:41We need to get organized
44:42in the canteen,
44:43But of course,
44:43I'm going with you.
44:44Hey,
44:45Have you already thought about it?
44:45What is the name of the restaurant?
44:47Well, we haven't thought about it.
44:48in the name,
44:48my love.
44:48No,
44:48No,
44:49No.
44:49Let's see,
44:50Likewise when we see the place
44:51we are inspired
44:51or if the street
44:53It has a pretty name.
44:54Well, we can take advantage of it.
44:55Clear,
44:56what you have to do
44:57it's thinking of a name
44:57with hook.
44:58Just like fishhooks
44:59that I have taken from them
45:00to the gilthead bream.
45:02Hey,
45:03the hook for me
45:04I like it,
45:05mother.
45:05That sounds great,
45:06Yeah.
45:06The bait?
45:07Yeah.
45:07Yeah,
45:07It has a hook.
45:08Yeah,
45:09It has a restaurant name
45:10prestigious.
45:10I'm going to the fishing for dinner.
45:11I'm going to listen.
45:12Mabel,
45:13There was no restaurant
45:14whose name was Lanzuelo.
45:15Don't know,
45:15But not in Toledo.
45:16Not in Toledo.
45:16Not in Toledo.
45:16In Toledo, please.
45:17You said it yourself.
45:18And please excuse me.
45:19I acknowledge you, life.
45:21Do you want to hear from Salva?
45:22please?
45:28I can't do this,
45:29Mabel.
45:31What can't you do?
45:35Well, I don't see myself.
45:36moving this project forward.
45:38I've found myself caught up in it
45:39without eating or drinking it
45:41and I'm feeling
45:42a little awkward.
45:45I know I had
45:46than having said it sooner,
45:47But I haven't been able to.
45:48And I would understand perfectly.
45:50that you might think
45:51that...
45:53Well, I'm a coward.
45:54or something even worse,
45:57But I just can't see myself.
46:01But can we know?
46:02What are you afraid of?
46:04Well, Mabel,
46:05to lose something
46:06which has taken me a lot of effort
46:07to move forward.
46:09My cantina.
46:11I am proud of her
46:12And that's where I feel
46:14really comfortable.
46:18And I thank you very much
46:19anyway
46:20his generosity
46:21and that it has shown
46:22so much interest
46:23in helping us,
46:24But that company
46:25It's not for me.
46:30I'm sorry, Mabel.
46:34I'm sorry.
46:43Excuse me.
47:02I loved the dinner
47:04and your family.
47:06Together you have achieved
47:07that I felt very comfortable.
47:10Are you comfortable?
47:11Like in your room?
47:13Well,
47:14not in my room.
47:15I would have taken my shoes off by then.
47:16I would have thrown myself on the bed.
47:20So what are you waiting for?
47:22Come on.
47:23What are you doing?
47:24Andrew,
47:24I'm not going to take my shoes off here.
47:26Because?
47:26Why not,
47:27because I'm embarrassed.
47:28I want you to be comfortable.
47:29Raise your feet.
47:30Come on.
47:32OK.
47:35You're crazy?
47:44Better?
47:46Far better.
47:51It could be like this.
47:52days,
47:55months,
47:57years,
47:58I mean years,
47:59lifetime.
48:02me too.
48:07My God,
48:07which is very late.
48:09I have to go,
48:09Andrew,
48:09because I have to open tomorrow
48:10the store
48:10and I have to get up
48:11coming soon.
48:12Well,
48:13And you too?
48:14I could spend the night awake
48:15just to be with you.
48:17Already.
48:24Let's dance.
48:26But how?
48:26Yeah,
48:27come on.
48:27Andrew,
48:28I have to go.
48:29Just a little while.
48:30Well.
48:39If you like,
48:40I can prepare for you
48:41the guest room
48:42and come closer tomorrow
48:43first to the colony.
48:46Now we can rest.
48:47and you can sleep
48:48some more.
48:52I don't...
48:54Sorry,
48:54I don't think you think
48:55I want to pressure you.
48:57If you like,
48:57I can take you now.
48:58No,
48:58That's not it,
48:59it's not that.
49:00The thing is...
49:02I don't want to sleep
49:03in the room
49:03of guests.
49:06I want to sleep with you,
49:09hugging.
49:12We'll do whatever you want.
49:15without pressure
49:16nor obligations.
49:19So,
49:20We slept together.
49:22We slept together.
49:26Come on.
49:32That's the way.
49:40Stop me,
49:40I don't want to fall.
49:41What if not?
50:00Does it make you angry that we're moving forward?
50:02when you
50:03were you going to rent a tavern
50:04in Toledo
50:04to start your business.
50:06That means you're going to reject the inheritance.
50:10Marta, if not,
50:11You don't need to say anything else.
50:12That's it.
50:13No, no, no.
50:13That's it.
50:15I wanted to let you know that Rupert has fulfilled the agreement.
50:17and that we can produce the perfumes
50:19with the original formulation.
50:20Yes, I know.
50:21AND?
50:21Well, you should give the order to produce them, shouldn't you?
50:24Don't be there all the time.
50:25We're talking about putting our finger on the wound.
50:27What sore are you talking about, Tassio?
50:28Good heavens, what's making you so nervous?
50:30Tell me now.
50:30Paula, don't ask me any more questions.
50:31That's it.
50:32Oh, no?
50:32Well, just so you know, I can't be with someone
50:34who doesn't trust me.
50:35But if you had come to the dispensary earlier
50:36and you should have started the antibiotic earlier,
50:38the infection would not have affected the lungs.
50:40Yes, but I didn't go.
50:41Well, Antonia had a settlement with her boyfriend
50:44and I didn't want to ruin my plan.
50:47Go with Antonia.
50:48Do you like my dress?
50:51You look very pretty.
50:52Thank you.
50:53It's something I haven't told anyone.
50:55Because I don't really know what might happen to me if I tell anyone.
50:57No, for God's sake, it's not like you've killed someone.
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