- 5 days ago
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TVTranscript
00:00I love you.
00:11I love you.
00:41I love you.
01:11I love you.
02:10I love you.
02:29I love you.
03:07I love you.
03:11I love you.
03:58I love you.
04:12I love you.
04:41I love you.
04:42I love you.
04:52I love you.
05:29I love you.
06:21I love you.
06:50I love you.
06:57I love you.
07:21I love you.
07:32I love you.
08:12I love you.
08:37I love you.
08:40I love you.
08:40I love you.
08:43I love you.
09:13I love you.
09:15I love you.
09:28I love you.
09:30I love you.
09:51I love you.
09:54I love you.
09:54I love you.
10:20I love you.
10:24I love you.
10:26I love you.
10:28I love you.
10:55I love you.
10:59I love you.
11:29I love you.
11:29I love you.
11:31I love you.
11:43I love you.
11:57I love you.
11:59I love you.
12:01I love you.
12:04I love you.
12:05I'm just thinking about how the parents create a path of life that the children should follow.
12:14Here, behind you is the example that this is not the case.
12:17The child should be a criminal, but he's not a criminal, he's taken another path.
12:22I wouldn't call him a criminal, even if he doesn't have a day to go to the hospital.
12:27Well, I'm sorry, but why do you want to say that?
12:29Eh, that is your old and my old.
12:33I know where the whole life is today.
12:35What is your old?
12:37What do I know?
12:38I'm a diplomat who runs the whole life through the white world and now I'm a criminal.
12:47Rake, Dugušo.
12:49Now I'm calling me your mother, you know.
12:52She said she's sending some strange messages, but she's a woman.
12:56What's with you?
12:57Hello?
12:57I'm good.
12:58How much can I be in this world?
13:04God, I've got my nose.
13:06My wife didn't call me five years ago when I saw her.
13:09I said, what are you now?
13:11You all know how many of you can see.
13:14What did you know?
13:15What did you know?
13:17That's not true.
13:19Now I see that this is an ideal place for me.
13:22I'm going to prepare.
13:30Let's go.
13:33but you can see Faketa.
13:35He has totally destroyed it.
13:37If he had a little more years,
13:39I would have had a crisis in the middle of the year.
13:41It's completely wrong. Faketa is great.
13:44He has just taken a new image
13:46on which you haven't yet used to.
13:48But you want.
13:49At the time.
13:50Dear Vrga.
13:51What did you give him?
13:53What did you do?
13:54I'm going to read it.
13:57That's why he doesn't read it.
14:00That's fine.
14:11I didn't want the team to drive the crew.
14:16Why did you see him?
14:18I didn't want the crew to do it.
14:20I didn't want the crew to have them.
14:20Why did you do it?
14:20Why didn't you get to work on the crew?
14:21You don't need to.
14:22It's everything.
14:24Every intervention would be a lie.
14:27I read that thing you have to copy.
14:31Once again.
14:33I'm not sure that I'm going to agree with a lot of things inside,
14:38but you definitely have a very interesting angle of looking at things.
14:43Let's not waste the material just like that.
14:46Let's take an interview. Who will be the first one?
14:48I'll be the first one since he'll be the first one tomorrow.
14:52I'm not sure how much I'll be able to provide you what you need,
14:57because if you've already come to the next one,
15:00maybe you'd get an authentic bucket
15:03that you'd need for any kind of essence.
15:07But today I'm just a stupid one from myself.
15:13Let's sit in the room.
15:19How long do you work here?
15:22Very interesting question.
15:24Have I ever worked or have I just stayed?
15:31And what does this work really mean?
15:36I started this copy so that I could help students
15:41who are the future of our country.
15:46I can't remember this.
15:51I'm sure I saw it.
15:53I was just going to tell you that
15:57I'm a copy of a kind of oasis.
16:00I don't know how to say.
16:05I'm a boutique.
16:06What do you think about it?
16:08There are a lot of people who copy something.
16:11I think that they don't have to wait for them.
16:16They don't have to copy what they have.
16:20Did you see it as a right path?
16:24It's not.
16:26Why are you still there?
16:27Why are you still there?
16:29You don't need to stay from your goals if you don't do it.
16:32If you don't do it, I'm going to be a sport.
16:34You were a sportist.
16:37I was a prospective goalman.
16:41I was a prospective goalman,
16:42but I didn't experience a little discomfort.
16:45What kind of discomfort?
16:48What kind of discomfort?
16:50When I was in cadets, I was a goalman.
16:54When we got to the juniors,
16:58there was no discomfort.
16:59You know, when we got to the juniors,
17:04everyone was growing up,
17:05but I was growing up.
17:07And you know, how many goals are,
17:09you can't be a little on the goal.
17:11You can't be a little,
17:12you can't be a little,
17:13you can't be a little.
17:18It's important to remind you
17:20that your whole day
17:21didn't go out from sport.
17:23You why don't you remember the characters?
17:26Okay, that's it.
17:27You tell me when you came to the show
17:30to TV shoot you for broadcasts,
17:31you are more dumb.
17:35I don't want you to take a look at it.
17:40I don't want you to take a look at it.
17:41I don't want you to take a look at it.
17:42I don't want you to take a look at it.
17:42You'll have all your time.
17:43Yes.
17:44Can we continue until you have a little smile?
17:47What is the event that happened in this space,
17:52and has been strongly influenced by your life?
17:55Very interesting question.
17:58If we take a look at the present today
18:01or, in a better term,
18:04a loss of the meaning of the existence,
18:07it would definitely be the day
18:09when a young, beautiful woman
18:13with her 10-year-old son came in.
18:15She told me that I was the father of that child.
18:20At that moment, I became aware
18:25that I was not only responsible for myself,
18:28but also a little bit.
18:36Of course.
18:37You should mention that the woman was the best
18:40of her husband
18:40and that she brought her to the child
18:44only to take her money from her.
18:51She was so many,
18:52so she was the most part of the woman's film.
18:54What did you do now?
18:56They were watching TV.
18:58You are watching TV.
19:00And see,
19:01the film is the film.
19:01Spielberg,
19:02what about this?
19:03The movie must be a good idea.
19:04As is the one who brought off the ocean
19:06down the ocean.
19:07Could you please explain what happened to this day?
19:11I don't know. For which television?
19:13I don't know. We started.
19:17It was a day like everyone else.
19:22It's not good, but I don't know how to start.
19:26I'm just telling you what happened.
19:28I was at the entrance from the entrance.
19:31They left me for the weekend.
19:33I needed to go back to the entrance.
19:36I told you, what do I have to go back to the entrance?
19:39I decided to leave.
19:41It wasn't a classic thing.
19:44They left me from the entrance.
19:49Wait. It wasn't good.
19:51It was great, it was great.
19:57When I decided to go back to the entrance,
20:00I asked the entrance to the entrance.
20:02I decided to go back to the entrance to the entrance.
20:09I decided to go back to the entrance,
20:09and see how he had a good idea.
20:12He said to the entrance,
20:14go back to the entrance.
20:16There's no one looking for that.
20:18Wait a minute.
20:19You knew that the entrance was on our other way?
20:23I knew how to do this.
20:25I knew how to do this.
20:26You will leave it if you have left only a month.
20:28So you are dead, but you have left only a month.
20:32I thought that was so.
20:35I thought that was so.
20:36But I thought that I would have left a lot more.
20:38As I said, it was a month.
20:43I'll stop.
20:44Nothing. We'll come here.
20:46I don't know how to do this.
20:49I don't know how to do this.
20:49I'll get back to the situation.
20:52I got back to the house and I got back to the house.
20:55He called the inspector Osman.
20:57What are you talking about?
21:00What are you talking about?
21:00I don't have any information about this.
21:02Who is calling Osman?
21:04Osman is just coming.
21:05If Osman is just coming, he didn't know what he would do.
21:09Where are you going?
21:11I'm going to tell you that I am a lie.
21:13You're calling me a lie.
21:14In my copy.
21:15I'm going to lie.
21:17Stop it.
21:20You're calling me a lie.
21:21You're calling me a lie.
21:23I don't know what to do.
21:25You're asking him.
21:27What are you talking about?
21:30You're calling him?
21:31You hear him.
21:32You say, if we were calling him,
21:35or he came away.
21:37What? What are you talking about?
21:39What can I tell you?
21:41What are you talking about?
21:44I didn't... I didn't finish it. I didn't finish it until the end.
21:48Let's go. Let's go.
21:56Paša, what is your connection with the copywriter Rainbow?
22:00Sorry, I'll just wait.
22:02What is your connection with the copywriter Rainbow?
22:06Ha, oh. Pa, sada ste vi mene zatekli s tim pitanje, znate.
22:12Ja sam sveto slučajno naš u toj situaciji, obzirom da ja čisto obitavam
22:20kod ovog jerana bareta ko ima kafanu ovdolje ispod,
22:25to ja navratim ovdje da obiđim komšije i tako su nam sveti ti pute ukrstili.
22:31Šta to znači?
22:33Pa, dotični gazda je bio u teškoj finansijskoj situaciji
22:39i odlučio posud pare od lika koji baš i ne voli
22:44kad mu se pare ne vrati na vrijeme, znate.
22:47Ja sam igruo slučaja, vidio tu situaciju,
22:52nekog gdje je taj lik njega malo stavio u jedan nezgodan položaj
22:56i a pošto ja znao tog lika, ova ja sam, eto, hadj, žao mi ga bilo, malo po priču sa
23:05njim da on to malo labavi da ga...
23:08Čekaj, Pašava, kako ja to nisam znao?
23:11Što nisam pitao, bolak, eto šta znači?
23:14Je li me momak pitao šta ja znam i kakva je moja veza s ovom kopinicom?
23:20Ne mogu ja lagati sad, je li tako?
23:22Ne mogu ja, ne mogu lagati.
23:24Odlično, odlično. Možemo li nastaviti?
23:25Šta nastaviti?
23:27A eto tu, tu, ja, eto tu sad ja onda ponekad vakko navratim kod njih ovde, mi malo tu prošupljiramo,
23:35jel?
23:36Onaj, fina raja, malo su momci šareni, ali su dobri.
23:41A kakva je vaša veza sa mojim ocem?
23:44To je druga priča, tu ne ima nikakve veze s kopinicom.
23:48Ne.
23:49Ima ba, kako nema, mogu ja da kažem, mislim, kakva je moja veza s tvojim ocem?
23:54Ba, nastavaj mi baterije, samo da promijenim bateriju.
23:58Grijaj, ljudi, koliko je kamera kao naprava iz filozofske vizure vrlo zanimljiva.
24:04Nekako, uhvati srž čovjeka.
24:07Čekaj ba, tebe još to nije popustilo, jel?
24:10E, pa to je bit snimanja da zaustavi vrijeme.
24:13Da ga dovede do rastezanja toliko mnogo jakog, ta puk.
24:19Evo ga.
24:21Paša, možemo li nastaviti?
24:22Što ćemo nastaviti, ja sam rekao sve što znam u veđu kopirnici.
24:27Tu nema šta se ni dodati ni oduzeti, jel tako?
24:30A što se tiče tvog oca, to je za nekog drugog filma, ne možeš tu spojiti nikako.
24:39Mogu li ja sad završiti priču?
24:41Samo trenutak, volio bih čuti cijele tovu priču.
24:43Znači, nije mi dan nikako.
24:46Evo, ne znam, majke im nakon koliko godina nisam koma drobe prodao.
24:50Koji je razlog tome?
24:52Kako, koji razlog?
24:53Pa nisam ponio torbu, znači i baka mi je toliko živac izvedla, sve sam konto porazbijat.
24:59Al' hajde, sabur, izađem iz kuće, poslije mi se bilo o firo vraćat.
25:05Šta sam ovo dešao, ću ja ikad ovde ući da se nešta kopira.
25:09Evo, nek mimo kaže kako ima vezu s ovom kopirnicom.
25:13Meni je stvarno neki srklet ufač i mogu ja da napuštim studio, molim.
25:17Sjedite, molim vas.
25:18Da, da, ja ću.
25:19Ja ću.
25:23Taj moj dolazak ovde je jako zanimljiv.
25:26Ja sam, znači, došao ovde zbog slikarstva, zato što onaj, sam akademski slikari.
25:33Tad su Murga i fak je pričali o muško-ženskim odnosima, bojama i to me sve.
25:38Meni je trebao katalog za klijenta i tad su mi rekli da ćem pomoći i pomogli su mi da naskam
25:44se.
25:45Nismo ti mi pomogli nego cijel.
25:48Ko da je to sad bitno, ko je, ba? Stani, ba.
25:51Stani, stani, bitno, bitno, bitno. Kakve slike mi je imao?
25:54Šiš ti ne znaš kakve slike.
25:57Aha, Cile, sjed se slikanja, Buran.
26:00Pa evo, pokušavam se svijet slikanja, ali mi nešto kroz maglu ja radi.
26:04Pa vidiš, to je taj dan je takav bio kroz maglu i sve je taj dan je bio takav kroz
26:08maglu. Ajde, ba.
26:09Cile ima pravo da zna da njegove slike sad vise u nekom hotelu.
26:18Halo, ba, dobili ste taj dan, svi pare i sve ste dobili, sve je plaćeno, popuste me, ba, ljubi.
26:24Pa dobro, memo, ba, pusti se para, reci mi u kojem su u hotelu slike mora mi pokazat baki da
26:28vidi žena da sam još za nešto osim za kamena za kupus.
26:31Cut, odlično, to je to.
26:33Šta ba odlično, nisam ništa rekuo, ba. Halo, daj da kažem nešto.
26:36Imam sutra još snimim B-roll i to je to.
26:38Pa čekaj ba, kakav B-roll ba.
26:40Pa u mojej kopirnici se snima, ja ba ni tri rečence nisam rekuo.
26:44Pa dobro, ali si upadao drugima u riječ jedno pet puta, tako da ima i tebe.
26:47Tako da, znači, kad god se upali kamera, ja ispadnem budale, jel?
26:51Nije tačno.
26:52Da nije tebe, mi ne bi snimali ovaj film.
26:55Ti si ljepilo.
26:56Pa ja nisam budala, nego sam ljepilo za budale.
26:59To je život, to nije što os.
27:02Ili si ga čijak, ili si vos.
27:04Sve ga će biti samo ne znam.
27:12Dobar dan.
27:14Dobar dan.
27:15Vi ste stvarno bezobrasni.
27:17Dobro, jesmo bezobrasni, ali ne znam na šta se ovo tvoje odnosi.
27:21Za dušu ste me ujeli, znaš šta?
27:23Snimate film o fotokopijnici, a mene ne uzmete.
27:27Pa dobro, jesam li ja od prve minute ovdje?
27:30Jesam li pomagala koliko sam znala i umjela?
27:33Jesam li svoje dijete ovdje dovela da irga ti?
27:36A vi snimate film bez mene?
27:38Izbacili me iz filma, nikako me ne uzeš.
27:41Viđoboda, pod broj jedan nismo mi taj film snimali.
27:45Pod broj dva snimao ga je Student Reži.
27:47I pod broj tri, da sam znao da toliko želiš da se pojaviš u filmu,
27:51ja bi ti svoje mjesto dao.
27:53Želim.
27:54Džiđa, ako želiš pogledati premijeru, možeš to uraditi večeras.
27:57Pa ne znam.
28:04Hvala vam što ste došli u ovako velikom broju.
28:10Hvala vam što ste mi dopustili da zavirim u ovaj vaš divni svijet.
28:15Neću previše da pričam o filmu jer film priča samo sebi.
28:20Uživajte.
28:21Bravo!
28:22Nezgoda.
28:24Neka povreda.
28:25Juk, kakva povreda ba.
28:28Vidj, dok sam bio u kadetima, ja sam ti bio golman broj jedan.
28:33E onda kad smo iz kadeta prelazili u juniore, tu se desila ta nezgoda, znaš.
28:38Bici, Arane, kad smo prelazili iz kadeta u juniore, svi su krenuli rastu visinu, samo ja krenuo uširenu.
28:46A znaš, Arane, koliki je gol, pa ne možeš biti malija na gol, sodosne padaća, malo komesi, to može, Arane.
28:56Gledaj, važno je napomenuti da cilene dan danas nije odustao od sporta.
29:02Ovaj, cilj, ja ih spomenio ono sa teretanom.
29:04Pa što ne bi spomenuli, Jaro, kad je došlo da treba ovdje da snimate reklamu za TV, pa se ti
29:10najoni ludi i kolačić, a?
29:12To je ovaj cilj, ja sam se...
29:22Bravo! Bravo! Ovo je za Kana.
29:34I, šta kažete, ima li smisla?
29:38A, odlično pitanje. Znaš šta, jebo smisao. Tek sada sam ja shvatio da je naš osnovni smisao da nemamo smisla
29:51i u tome sav smisao.
29:53Što bi jedan vrliji filozof rekao, pa ne bi ni valjalo da ima smisla.
29:59Ona, nego ja samo razmišljam, hoće o seba ovo svidjeti nekom sa strane, a ne samo nam ovdje.
30:05Boga mi, da si mene zvao u film, bio bi ti deset puta bolji.
30:09Bi da jedem.
30:26Boga mi, da se vrugaš, budi žilav, nemoj da kukaš.
30:38Spalimo to do taske gaz,
30:41Vjelike sjajne svuda oko nas.
30:46To je život, to nije štos,
30:49Ili si hadija, ili si bos,
30:51Sve ga će biti samo neče nas.
30:57To je život, to nije štos,
31:00Ili si hadija, ili si bos,
31:02Sve ga će biti samo neče nas.
31:18Sve opcije leže na stolu,
31:21Znaš i sve, znaš parolu.
31:24Parola je poznata oko,
31:26Ciljaj visoko,
31:28Udviši stoko.
31:30Palimo to do taske gaz,
31:32Vjelike sjajne svuda oko nas.
31:37To je život, to nije štos,
31:40Ili si hadija, ili si bos,
31:43Sve ga će biti samo neče nas.
31:48To je život, to nije štos,
31:51Ili si hadija, ili si bos,
31:53Sve ga će biti samo neče nas.
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