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From Freddie Mercury to Kurt Cobain, rock's greatest icons weren't always their own biggest fans — until they were. Join us as we count down the iconic rock songs that the artists themselves claimed as their personal greatest work. Which legendary track do you think deserves the top spot? Let us know in the comments below!

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00:04Welcome to WatchMojo, and today we're looking at iconic rock songs that the artists themselves claimed was their personal favorite
00:10work.
00:15Bruce Springsteen, Born to Run.
00:17The boss has told so many powerful stories that he may as well favor the road most traveled.
00:21In the day we sweat it out on the streets of a runaway American dream.
00:28Bruce Springsteen regularly claims that his best work is the title track on his 1975 breakout, Born to Run, widely
00:34considered his signature song.
00:36He describes it as the moment he invented himself, after months of obsessive writing under the threat of Columbia terminating
00:42the niche artist's contract.
00:43Oh, baby, this town rips the bones from your back, it's a death trap.
00:49The final product was a mainstream anthem that revived rock'n'roll archetypes in a way that resonated with the
00:55contemporary American counterculture.
01:02Born to Run has since become a timeless phenomenon, and Springsteen, one of the biggest names in music, he gladly
01:07agrees with the consensus that this rush started with one triumph.
01:19When BBC's The Culture Show asked Radiohead's frontman about his best work, he didn't say The Benz or OK Computer.
01:25He went with the 2000 masterpiece Kid A, specifically the deep-cut fourth track.
01:36How to Disappear Completely was quietly released as a promotional single, but remains a fan-favorite for its atmospheric expression
01:42of distress.
01:49This was what Tom York felt in The Chaos of Fame, which he reportedly processed with advice from Michael Stipe
01:54of REM.
01:55The affirmation of, I'm not here, this isn't happening, speaks to anyone who's experienced the pain of a mental health
02:01crisis.
02:10For all of Radiohead's computerized virtuosity, York feels that the deeply personal How to Disappear Completely is their most beautiful
02:17gem.
02:24In a 2019 interview with BBC Radio, Ozzy Osbourne had an obvious pick for Black Sabbath's best song,
02:31but the title track on the 1970 album, Paranoid, held a special place as the singer's personal anthem.
02:41Bass excuser Butler has been less glowing in his account of hastily writing the song,
02:46to capitalize on the success of Sabbath's recently released debut.
02:49He's also admitted to clumsily conflating paranoia with depression.
02:59Still, Osbourne championed Paranoid as Sabbath's most important song
03:03for proving the commercial potential of the especially intense form of hard rock
03:06that would become heavy metal.
03:13He was eager to have it be a regular closer at shows,
03:16and the song he performed with Sabbath before his passing in 2025.
03:26Dave Grohl, Everlong.
03:28Times were tough for Foo Fighters frontman Dave Grohl during his first divorce.
03:37Drawing on this, a guitar riff, and his romance with Louise Post of Veruca Salt,
03:42he wrote Everlong in under an hour.
03:44He since regarded it as Foo Fighters' best song, as have many fans.
03:53The second single off of 1997's The Color and the Shape is an enthralling marriage between
03:58thrashing hooks and sincere sentimentality.
04:05This made it a defining staple of post-grunge, and a natural concert closer.
04:10It would thus be the last song drummer Taylor Hawkins performed before his death during a
04:142022 tour.
04:15Everlong has since been a significant anthem in many ways for Grohl,
04:18though he's not the only one to say that about his proudest piece.
04:27Kurt Cobain.
04:28Drain You.
04:29Rock was never the same after Nirvana released Nevermind in 1991,
04:33with the lead single Smells Like Teen Spirit becoming a huge hit.
04:36But Kurt Cobain told Rolling Stone in 1993 that Drain You was at least on par.
04:47It's one of the album's most experimental tracks, telling a codependent love story about
04:52babies over aggressive riffs and a dissonant instrumental midsection.
05:02Drain You is a complete distortion of pop, designed to avoid being a hit even by Nirvana standards.
05:08All the same, fans and critics have long hyped it up as a hidden gem.
05:11I don't care what you think the lesson is about me.
05:18Cobain followed suit, preferring to promote an idiosyncratic, sarcastically tender anthem
05:22from the gut as a true representation of his defiant art.
05:30Want to dive deeper into your favorite music and the stories behind it?
05:33Tune in to the 24-7 WatchMojo pop culture livestream.
05:36David Gilmour, Echoes.
05:38Pink Floyd may owe immortality to transforming progressive rock's mass appeal,
05:42but guitarist David Gilmour prefers something less radio-friendly.
05:52Echoes is an almost 24-minute long suite that takes up the entire second half of the 1971 album, Metal.
05:59With its ambient soundscapes, sprawling instrumentation, and abstract lyrics,
06:03it sits right at the pivot point in the band's journey from psychedelia to Prague.
06:14Gilmour has mentioned finding this Leviathan particularly entertaining to play live,
06:19at least with his interplays between him and keyboardist Richard Wright.
06:22Echoes was said to be a favorite of his as well.
06:29Gilmour understandably retired the song after Wright's passing in 2008,
06:33but it carries on as one of Pink Floyd's most singular achievements.
06:41Paul McCartney.
06:42Here, there, and everywhere.
06:44They say that you can learn a lot about someone by asking them what their favorite song by the Beatles
06:48is.
06:49The band were themselves conflicted on the subject,
06:51but Paul McCartney has been firm in his praise of here, there, and everywhere.
07:02The two-in-a-minute-long fifth track on 1966's Revolver manages to stand out with its breezy tone
07:08and poetically romantic lyrics.
07:18McCartney has been open about being heavily inspired by the Beach Boys' God Only Knows,
07:22one of his favorite songs of all time.
07:29But as here, there, and everywhere still sounds distinctly Beatles,
07:32future fans would argue with someone who calls it their masterpiece.
07:35That would mean arguing with Paul, after all.
07:37I will be here, there, and everywhere.
07:43Freddie Mercury.
07:44Somebody to love.
07:45If you had to name a gospel-infused Queen anthem with a philosophical perspective of loneliness,
07:50Freddie Mercury wouldn't have wanted you to say Bohemian Rhapsody.
07:53In 1977, he told the Australian program Countdown
07:57that he prefers somebody to love for its more cohesive writing.
08:00Each morning I get out of my dial,
08:03I can barely stand on my feet.
08:05The singer certainly pours his soul into the centerpiece of the 1976 album A Day at the Races.
08:16It was also his big tribute to the idolized Aretha Franklin.
08:20Some peers would later confirm that the late Mercury privately considered somebody to love
08:24to be Queen's crowning achievement.
08:26Find me somebody to love.
08:29Find me somebody to love.
08:32While their catalog makes that a bold claim,
08:34immense love from critics and audiences supports it to this day.
08:38To love.
08:42Find me, find me, find me, find me.
08:45Jimmy Page and Robert Plant.
08:47Cashmere.
08:48It's popularly believed that Stairway to Heaven will go down as Led Zeppelin's most elevated contribution to rock.
09:02In a 2018 interview with Dan Rather,
09:06singer Robert Plant said that he'd rather be remembered for Cashmere.
09:14He's long touted the eight-minute-long centerpiece of 1975's physical graffiti as the band's zenith.
09:20Guitarist and co-writer Jimmy Page has echoed this sentiment,
09:23praising the intricate blend of cyclical riffs,
09:26sweeping orchestration,
09:27and eastern influences drawn from Plant's tour of the Sahara.
09:30As I'm scared,
09:34this way's in my head.
09:37Cashmere was unlike anything anyone had heard in 75,
09:40and continues to spark debate over whether it's Zeppelin's true magnum opus.
09:44For Plant and Page,
09:45it's really not much of a debate.
09:52Before we continue,
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10:01Are you not entertained?
10:04Mick Jagger.
10:05Gimme Shelter.
10:06An apocalyptic account of war,
10:08Gimme Shelter wasn't the Rolling Stones' most upbeat choice to open 1969's Let It Bleed.
10:13Ooh, the storm is friendly.
10:17My very life to me.
10:20Frontman Mick Jagger told NPR in 2012
10:22that it's nonetheless their best song.
10:24The composition actually began with Keith Richards' anger
10:27over his girlfriend Anita Pallenberg's affair with Jagger.
10:30Ooh, still fire is sweeping.
10:34Now there's green.
10:37This tension was given a political message,
10:39with a chaotic tone to the dissonant jamming
10:42and Mary Clayton's explosive guest vocals.
10:44Gimme Shelter's improbable fusion of permanent urgency
10:47and mainstream hook
10:49has been called one of the most important achievements in rock music.
10:52Gimme, gimme a shelter.
11:00Jagger is just part of the consensus
11:01that it's the stone's peak,
11:03which may mean more to an artist than the mutual praise means to fans.
11:11What are your own picks from these artists' iconic catalogs?
11:14Chime in in the comments below.
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