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Category
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Short filmTranscript
00:00Hi Andy, Namaskaram!
00:03Today is my day.
00:04We will welcome you to the team.
00:07We are the most energetic team.
00:13Welcome Andy.
00:16So nice to start the interview with you three.
00:18This is our first interview, isn't it?
00:22We are going to talk a little bit.
00:24No way.
00:26No way.
00:26Okay, you touch up.
00:28Samira Garu.
00:30Energy levels are double.
00:33Are you double?
00:34Okay, fine.
00:37Vikram Sahidev Garu.
00:40Welcome.
00:41Welcome.
00:41You are already doing a great job.
00:43This movie,
00:45after a long gap,
00:47why don't you tell me about it?
00:51He is doing a great job.
00:53He is doing a great job.
00:53He is doing a great job.
00:55He is doing a great job.
00:56He is doing a great job.
00:58Even if I said it multiple times, I forgot what I said each time.
01:01He is doing a great job in the previous interview.
01:04He is doing a great job.
01:07He is doing a great job.
01:07Sorry, can you repeat your question?
01:09First question.
01:10Why are you doing a great job?
01:13First, mainly,
01:14I love the way he pitched the story.
01:17His narration.
01:18I mean, he didn't narrate,
01:19but he just pitched the idea.
01:21The line is what he said.
01:22He narrated it to me.
01:23And then his team came over and
01:25the narration was exceptional.
01:27It was like an emotional journey
01:29that got me teary-eyed towards the end.
01:31So, that was the reason to...
01:33Oh, nice.
01:34You are from Hyderabad?
01:35Hyderabad, Hyderabad.
01:36You are from Telugu?
01:37I am from Telugu.
01:38Yes, I am from Telugu.
01:38But you have to write in US or English?
01:40No, you don't have to.
01:42No, you don't have to write in US.
01:44No, you don't have to write in US.
01:45Oh, wow. Very nice.
01:47Okay.
01:47But as a hero,
01:48you have a soft natured character.
01:50You have a lot of rugged characters.
01:53Did you do any homework?
01:55The director did a good job then.
01:56I will give you credit.
01:58Okay.
02:00Okay.
02:01Okay.
02:02Okay.
02:05Okay.
02:06Okay.
02:07Okay.
02:08So, my father is a producer.
02:12He is a very established producer.
02:15So,
02:16when you watch a cinema,
02:19your father is a producer.
02:22He is a producer.
02:26He is a producer.
02:26He is a producer.
02:27He is a producer.
02:30He is a producer.
02:31I will stop you just there.
02:32I don't think he ever looked at that since he started making films.
02:35He is a producer.
02:37He is a producer.
02:38He is a producer.
02:38Since he was in the movies,
02:40he was into business.
02:41So, he was very passionate.
02:43Since he was very passionate.
02:44And he came to the film industry.
02:47And his first film,
02:48up to Evergola.
02:50So, the entire shooting back then,
02:52I don't think no one did it.
02:53So, he was the first one to take the entire cast and crew.
02:55Go to Thailand and shoot the entire film and come back.
02:57And then, I like style.
02:58So, he never thought of the returns.
03:00He just wanted to,
03:01he believed in a script.
03:02And he just went forward with it.
03:04Style I like Lawrence Garu.
03:06So, you guys are the following?
03:10100%.
03:10You watched a movie in the,
03:12in your father's perspective or in your own perspective?
03:15I look at any script from like an acting perspective.
03:18Like how much do I have?
03:20What can I give to it?
03:21And what scope is there to perform?
03:24So, that's where even we have fun.
03:26Yeah.
03:26So, where are you from?
03:27Where are you from?
03:28I don't know.
03:29I don't know.
03:29I don't know.
03:30I don't know.
03:30I don't know.
03:32I don't know.
03:33Oh, very nice.
03:35Okay.
03:36So, Indraja Garu.
03:39Swamira Garu.
04:04Swamira Garu.
04:05What's the matter?
04:06What's the matter?
04:07In front of camera.
04:09In front of camera.
04:10In front of camera.
04:11In front of camera.
04:11We don't have any camera.
04:13But, we are doing small shows.
04:16We are doing small shows.
04:17We are doing small shows.
04:19We are doing small shows.
04:20What I am.
04:21We are doing small shows.
04:23But, we have a perspective of movies as a director.
04:29We are doing small shows.
04:33We are doing small shows.
04:33If we don't see it.
04:36If we don't see it.
04:36If we don't see it.
04:36If we don't see it.
04:38But, there's no difference.
04:40Otherwise, it's always happy to be in front of camera.
04:45In front of camera.
04:45Action is great.
04:46It's great.
04:47That's great.
04:48It's a happy place for us to be.
04:50Yes.
04:51So, you have a very important role in this movie.
04:55As a mother role.
04:57You have to have a role in this role.
04:59and you can see where she'll go or she'll go.
05:02That's right. Actually,
05:05that's a little bit more than the characters do.
05:10You also do the many characters.
05:13That's right.
05:14But it's very rare, it has been a very rare thing.
05:18Since our industry is aware we are going to be doing the mother character.
05:23Who does a character?
05:24Instead of doing his playing character, what he wanted to do was do the same thing.
05:28He said, he said, the next mother says to her.
05:31I think he offers offers offers.
05:33Of course, that's true.
05:35I'm a little scared to do a woman's character.
05:37I don't care about a good character.
05:40Or like this, we will be a female character artist, one woman in the movie.
05:49How many of my parents have a minimum importance.
05:51It's not important to be able to do that.
05:52We have to ask the maximum.
05:54Because there is no importance of female supporting artist.
05:59No one has no role in this.
06:01I would say that I would say that.
06:05But there are no role in female character artists.
06:11No role in female characters.
06:14No role in female characters.
06:15No role in female characters.
06:16There is no role in female characters.
06:17There are very many writers and directors.
06:18But in other words,
06:21I would say,
06:21I think there is no role in female characters.
06:26I am looking at this.
06:27In reality,
06:29I don't know who the actors are.
06:34I think there is no role in female characters.
06:35I did nothing but their role in female character.
06:37I am not an actor in female characters.
06:40I think there is a role in female characters.
06:42I think it is very impressive.
06:43If you are a character.
06:45If you do something like that, the audience will talk about it.
06:51It's not just a side character. It has its own substance.
06:56It's not just an artist.
06:59If you talk about it, you can talk about it.
07:03We don't have to do it.
07:05We don't have to do it.
07:06You are ready to be your customer.
07:08But in that case, we have to prove the scope of it.
07:18We have to do it immediately.
07:24I did the director of Kageshgari.
07:27After that, we talked about Trinathgar.
07:29We have to talk about this.
07:32But I also know that Trinathgar is my husband.
07:35My husband is my husband.
07:37I know that you have to talk about it.
07:39I don't have to talk about it.
07:43Do you want to talk about it?
07:44Do you want to talk about it?
07:46It makes a difference.
07:48I think as an actor.
07:50Why do you want to talk about it?
07:54If you talk about it, it's a good thing.
07:56I think that we will tell everybody.
08:03Do you know who he can think about it?
08:06If you do not speak about it,
08:06We are so happy as everyone is working.
08:08But someone is the best performance!
08:11It's not the same thing to do.
08:13When we say,
08:16Oh, this is what we have done.
08:19I want to tell you what we have done.
08:21The rape is a star.
08:25If you tell us what we have done.
08:28So, I don't want to do anything else.
08:32I don't want to do anything else.
08:32I don't want to do anything else.
08:33I don't want to do anything else.
08:33I don't want to do anything else.
08:34There is a lot of scope to do.
08:38How about the combination?
08:41Yes.
08:42I have talked about it even though.
08:45I was shooting with Chandramohan.
08:48We were shooting with Chandramohan.
08:50We were shooting with the film.
08:50Our father is next.
08:54I never saw a kid.
08:57I thought,
08:57I was shooting with Chandramohan.
08:59That's right.
09:01Where are we from?
09:02Where are we from?
09:03Where are we from?
09:04Where are we from?
09:04Where are we from?
09:06Where are we from?
09:07Where are we from?
09:07Chandra Mohangar is one of the best artists we had in our industry, right?
09:13Yes.
09:14So, I don't have to say that performance-wise.
09:18I'm talking about the looks.
09:20I'm talking about the looks-wise.
09:22Where are we from?
09:23Where are we from?
09:23Where are we from?
09:25Okay.
09:26And he also has a lot of sincere efforts.
09:30He has a lot of sincere efforts.
09:32He has a lot of sincere efforts.
09:33There are 300 writers.
09:36Oh, yes.
09:36He's a character.
09:38This is a good question.
09:40I have a doubt.
09:42You have a complaint?
09:42Yes.
09:43I have a complaint.
09:44If you want to look at the movie,
09:46if you want to look at him,
09:48if you want to look at him,
09:49if you want to look at him,
09:50we are taking a lot of sincere efforts.
09:53If you want to look at it,
09:55Yes.
09:55But,
09:56they will not get any fun.
09:59Initially,
10:01they will not take any other fun.
10:02They will not take any character.
10:04Then,
10:06they will not sit down and sit down.
10:07Maybe you will have a father character.
10:09Oh, that is the one that is telling me.
10:11What?
10:11You are telling me.
10:12What is the one that is telling me?
10:13I am telling you.
10:19So, Trinath Gharu is an artist who is the main character.
10:24He's a big man.
10:25He's an award-disc.
10:27He's going to show you.
10:28He's going to show you.
10:32You have to bring him to the press.
10:33He's going to show you.
10:35He's going to show you.
10:37I'll do that.
10:38Let me show you a present.
10:39I'll show you a present.
10:41I'll show you a present.
10:43Let me show you a present.
10:43I'll show you a present.
10:46Okay?
10:47Tell him.
10:52He's going to show you.
10:53It was the first day of the shoot.
10:58When he was shooting,
11:00he was going to show you.
11:01He was going to show you as a government officer.
11:04He was going to show you.
11:05See you.
11:05The character.
11:06I told you.
11:08No.
11:09He's really離開.
11:15When the выход was fine.
11:18He's my 이� explain.
11:19I don't like this man.
11:21What did he do?
11:22He gave a tour that want to be?
11:26What the truth?
11:28No.
11:28He's very關ely.
11:29Please, he took an award to me.
11:34Oh, shoo.
11:35Oh, shoo.
11:35This is our message.
11:36Say, I'm wrong.etsub.
11:43Oh, shoo,
11:44shoo. Tarak Punna.
11:48Yes. I will not
11:49talk to
11:50you in this interview. Why? Just are wrong.
11:53But I
11:54will be speaking seriously.
11:55No, I will talk to you
11:56in my first time.
11:58If you ask questions in the comments section, I will give you a comment, sir.
12:07I will give you a comment, sir.
12:10I will give you a comment.
12:11I will give you a comment, sir.
12:16If you ask questions, I will give you a comment.
12:19If you have comments, please.
12:20Because if you go out of the board and you have to support him, you will give him a comment.
12:31I will give you a comment.
12:33I will give you a comment.
12:34I will give you a comment.
12:38You will give him a comment.
12:41Oh, yes.
12:43You're a good person.
12:45You're a good person.
12:47You're a good person.
12:50It's a good person.
12:51You're just talking.
12:54I'm telling you.
12:57It's a good person.
12:58But then you're talking.
12:59I'm talking and I'm talking.
13:00You're talking to me.
13:05There's a story.
13:07There's a Korean movie called Train to Busan.
13:09So, in Busan, the one who played the antagonist in the train, they egged his house in Korea.
13:18It's a compliment, but it's not a compliment.
13:21But you are the greatest compliment, because you are a young man.
13:25You are a real character.
13:27I'm afraid of a few people, but that's what I'm saying.
13:33Yeah, it's the greatest compliment.
13:34It's the best compliment, but the best compliment is he is.
13:40Do you have any more questions?
13:46I'm sorry.
13:50Do you have any more questions?
13:55Yes.
13:57Is there anyone else who has any more questions?
13:58Yes.
13:59Do you have any more questions?
14:00Do you have any more questions?
14:00Is there violence?
14:01If you have a lot of violence, it is a bit cruel.
14:07Or then, physical violence is a lot of mentally and emotionally drain the characters.
14:13So, if you are a pushback, it was mostly to try to drain the hero and emotionally drain the characters.
14:23So, all the characters are at a certain level.
14:28Level 2?
14:29Yes.
14:30Level 2.
14:31How do you feel better safe with your bodyguards?
14:36In this film, I would like to say,
14:39I would like to enjoy this character and enjoy it.
14:49Oh, nice.
14:51But in the trailer, you have to show a gun picture with friends.
14:54Yes.
14:55Okay, let's reveal the story.
14:57What do you think about first friends?
14:59Actually, it's part of the song.
15:02So, it's already conveyed.
15:04First fan.
15:06Do you want to show me?
15:07First fan.
15:08First fan.
15:11I want you to show...
15:12My personality.
15:12I want you to show youronnement.
15:15Fans.
15:15Friends.
15:18Friendship.
15:18Friendship.
15:19Friendship are my other.
15:21I don't understand yet.
15:22Those three b lengths to show what type of research are smart of Dieu or guy or guy or guy.
15:32Most of them are all gray and he says thatu eros are not all gray.
15:38It's a great day.
15:41Actually, not a great day.
15:44I have my dad here.
15:48They have a lot of fun.
15:50They have a lot of fun.
15:52They have a lot of fun.
15:55They have a lot of fun.
15:57They have a lot of fun.
15:57They have a lot of fun.
15:59They have fun.
15:59They have fun.
16:02They have fun.
16:04They have fun.
16:07They have fun.
16:16It means that you understand that life is a little bit more than a human life.
16:28This is the plot, this is the core content.
16:33That is Vikramgar.
16:36Tarakgaru is always the same.
16:39But first, he got influenced, he got friends.
16:43There is a lot of dimensions.
16:49There is a lot of drama.
16:52There is a lot of drama which is going to engage the audience.
16:56Are you native?
16:58I am basically Kodagu.
17:01Karnataka.
17:02A little accent.
17:03But what do you say?
17:05I am also a little girl.
17:06I am also a little girl.
17:08Do you have movies?
17:09Yes, I am only three or four years ago.
17:12Samiragar, you are also a part of this?
17:14You are a part of this?
17:15Yes.
17:15I am a part of this.
17:17I am a girl.
17:19Oh boy, Samiragar.
17:21I am a girl.
17:23I am a girl.
17:23Exactly, correct.
17:25I am a girl.
17:29I am a girl.
17:30I am a male voice.
17:30He is a girl, I am a guy.
17:33I am a girl, I am a woman.
17:35You are a girl who is a person.
17:38I am not a girl.
17:39And you are a girl from now, right?
17:41Oh,我也 need an angel.
17:43Do you have a girl?
17:44You talk to me your girl.
17:47You are a girl, he will be the girl.
17:48Yes.
17:49But a girl, she will be the girl.
17:51It's kind of a girl.
17:53I am a girl, I am a girl.
17:58I am a girl girl.
17:59I am a girl.
18:00Yes, I am a girl.
18:00I'm going to zoom in a little bit.
18:03I'm going to talk to you.
18:06I don't expect you to know anything like this.
18:11But personally, I don't have a lot of character in my life.
18:16I don't know.
18:18I don't know why.
18:20We don't expect that.
18:23We don't expect that.
18:25We have to talk about how to set our body structure and mindset.
18:35We have to play this and get confidence.
18:41Because now we're going to talk about anything like this.
18:43The character is completely different.
18:45We don't even know what to do.
18:48So, when it comes to work, I will be ready to go ahead and do it.
18:53But I love it.
18:59And a heroine.
19:00Movie heroine.
19:02Sandhya Vasashtagargurin.
19:03Actually, she looked very good.
19:06She looked like a girl next door.
19:08She had a school dress.
19:09Was this interview when I said that I'm last minute?
19:13No.
19:14I would have to ask that if I had a cell cell cell.
19:16I would have to talk about it.
19:17Okay.
19:17We can talk about it.
19:18Okay.
19:19You can't miss that.
19:20You can miss that interview.
19:22No.
19:22I am just asking.
19:23I would like to choose.
19:26You know.
19:27Confused.
19:28You can't even see this.
19:29You can't see the water.
19:30You know.
19:31Oh no.
19:33Oh my god.
19:35So, did you go to school in this movie?
19:40No, no, it's college.
19:42If you go to school, there's a lot of problems.
19:44There's a lot of problems.
19:46And the alcohol is a sensory issue.
19:48She's not buying alcohol for herself.
19:50It's for her father.
19:53Just to clear that out.
19:55Oh, that's right. Okay, okay.
19:57I'll ask her next question.
19:58She's not doing it.
20:00It's an alcohol related question.
20:04Okay. Oh, nice.
20:05She's going to party.
20:07I'll edit it, sir.
20:11So, how was it acting with her?
20:15It was good.
20:16First couple of days, I didn't know who the heroine was.
20:21And first day of shoot, we didn't have a combination scene.
20:25I think it was with Tarak Karu.
20:26But did you create a bond?
20:29Actually, that time of month, nothing.
20:31We didn't have a chance to do all of that.
20:33So, the first, it was just
20:35Total Strangers.
20:36And only while rehearsing, we were speaking.
20:39So, with everyone.
20:41I think that rehearsals really helped us.
20:45A bond.
20:45Okay.
20:46Yes.
20:54I think both of them have pros and cons.
20:56Okay, let's delete the question.
20:58Yeah.
20:59And then, we had a bit of a bit of a bit of a bit of a bit of a
21:02bit of a bit of a bit of a bit of a bit of a bit of a bit of
21:04a bit of a bit of a bit of a bit of the chemistry.
21:05It's true.
21:05We were going to play the next move.
21:07Yeah.
21:07At least one basic idea.
21:11Okay.
21:12I believe in Strangers, there's always something new you can learn from someone else also.
21:16So, there's so much you can pick up.
21:17So, you prefer?
21:18No, I'm happy with both of you.
21:23Okay, so in this movie, what are you talking about in this movie?
21:28I'm talking about the story and the story.
21:33We want that.
21:35But we don't want that.
21:37That is the thing.
21:38So, what are you talking about in this movie?
21:39I don't know.
21:43Okay, so I have to ask some questions.
21:45I have to ask some questions.
21:47I have to ask some questions.
21:50How do you talk about the dialogue?
21:52Who will I ask?
21:54Not a good question.
21:55Ask me.
21:56I don't know.
21:58I forgot.
21:58Zone out?
21:59Zone out.
22:00There is a lot of time.
22:01Late time.
22:02There is a lot of time.
22:03I don't remember.
22:05There is a lot of time.
22:07I don't remember.
22:08I don't remember.
22:09I don't remember.
22:10Why are you leaving the entrance?
22:11I'm leaving the entrance.
22:13I'm leaving the entrance.
22:16You don't even have to go to the entrance.
22:18I'm leaving the entrance.
22:20I don't remember.
22:22I'm leaving.
22:22Very nice.
22:23And you did this shooting on Ankapali side.
22:26So how was Ankapali for you?
22:29There was a hotel in Sun Castle.
22:32And the food was a farm to table concept.
22:37From Rajagaru's farm to our table.
22:39Is it a special?
22:40Actually, the producers are from Ankapali.
22:43They are from Naidu Garu.
22:44They are from Naidu Garu.
22:45They are from Brother Kumar Rajagaru.
22:47And they are the first family members.
22:48They are from Naidu Garu.
22:49Not only here, but I tell them to work daily.
22:56And pure vegetarianers can tell them,
22:58They are available with all varieties of vegetarian.
23:01They are from Naidu Garu.
23:04When they do it, they will pump it up.
23:06So, they will choose a family.
23:12And it's their identity.
23:15It's their identity.
23:16It's their domain.
23:20It's like they have everything will be in their form.
23:25It is very easy for them to get anything.
23:32Anything done?
23:34No, no, no, no, no.
23:37No, no, no, no, no, no, no, no.
23:42So, it was very fun and nice.
23:47But what about Anka Palli?
23:48What about Anka Palli?
23:50What about Anka Palli?
23:52Yes.
23:52What about Anka Palli?
23:55What about Anka Palli?
23:59Yes.
23:59Yes.
24:00There are many dishes.
24:03It's a lot of special.
24:05What about the dish?
24:15What about the dish?
24:16What about the dish?
24:18What about the dish?
24:20What about the dish?
24:26How did you taste?
24:29What did you taste?
24:31I think there was one, Palakoora or Palakoora?
24:34Palakoora, I think.
24:35Palakoora.
24:36I think it's onions and milk.
24:41That was really good.
24:42Just Palakoora.
24:46I don't know what you add in there.
24:48Palakoora.
24:49I think it's good.
24:50That was really good.
24:51Did you help me?
24:52Did you help me with the palm?
24:53That was really good.
24:55Is it the same flavor of the palm?
24:58Birakai.
24:59Birakai.
25:00Birakai is the palm.
25:02Birakai is the palm.
25:03Was it vegetarian?
25:04Vegetarian.
25:05Birakai is the palm.
25:08I love it.
25:09I also pumped it.
25:11I pumped it.
25:15Oh, Raja.
25:17You're not looking at your eyes.
25:18You're not looking at your eyes.
25:19It's good.
25:22You're looking.
25:23I'm looking at the palm.
25:27I'm looking at the palm.
25:28I'm enjoying it.
25:30Rasa.
25:31They are always rasa.
25:33Super tomato.
25:35My favorite.
25:35I have some info I missed.
25:37I'm saying that.
25:39I'm not sure you're talking about it.
25:41I'm not sure you're talking about it.
25:42You are not sure you are.
25:45You can't take the pictures.
25:47You can't take the pictures.
25:49He is so mature.
25:49I don't know how to put a kid about him.
25:51I am so happy, he is so happy.
25:53What is it?
25:53I am a friend of Naayadigar.
25:57That's my name.
25:58I have a friend of Naayadigar.
26:02I can't tell him.
26:03I have a friend of Naayadigar.
26:06I am a friend of Naayadigar.
26:08I am a friend of Naayadigar.
26:08I am a friend of Naayadigar.
26:10If you're interested in this,
26:13if you're interested in comedy,
26:14Can you tell us about it?
26:14Yes, I understand.
26:15They have a lot of work.
26:17They have a lot of family.
26:18I don't think summer is a good idea.
26:23I don't think summer is a good idea.
26:25I used to go.
26:26Oh, you really?
26:27I was a kid.
26:28You are my mom.
26:30My mom's side is my mom's side.
26:33That's the uncouple side.
26:35I don't know.
26:37One time, I don't know.
26:40Almost to two dozen,
26:41I don't think so.
26:41I'm a little bit older.
26:45He's a big fan.
26:48So, you will make a cover for me.
26:56What are you doing now?
27:02Have you seen this movie?
27:02Have you seen it?
27:04Have you seen it?
27:04No, no, no.
27:05You can't see it.
27:09I'm confident about it.
27:10That's the beer bottle.
27:13Okay.
27:14Do you want to keep the beer bottle?
27:16I don't know.
27:17I don't know.
27:20August 7th.
27:22It's nice to be released.
27:24Did you hear that?
27:26So, August 7th,
27:28the film was released.
27:29What did you do in this film?
27:32What did you do in this film?
27:33What did you react?
27:35What did you do in this film?
27:37What did you do in this film?
27:39What did you do in this film?
27:42That's the film.
27:43August 7th.
27:45Okay.
27:46You, the temple is very famous.
27:51Very famous.
27:53In that temple sequence,
27:54we dance Sangeetagar.
27:56It's a special song shoot, right?
28:00What did you do at the shoot time?
28:02No one was.
28:05Yes, I think I left.
28:07You left?
28:08No, no.
28:09I met Shikhar Master.
28:10Oh, I worked.
28:12It's not a combination.
28:13It's not a combination.
28:15It's not a combination.
28:15It's not a dance.
28:17It's not a little separate.
28:19Oh, nice.
28:20But Sangeetagar,
28:20Sangeetagar,
28:21but also a Shikhar Master,
28:22but it's not a combination.
28:24Sangeetagar,
28:24I was worried about the names of her dance.
28:27It's a lot of powerful things.
28:29Yes.
28:31And...
28:33One...
28:34One...
28:35What did you do with that?
28:36I was just playing around in the interview.
28:39I was just playing in the exam.
28:41The interview is going to be a little bit.
28:44Why?
28:45Why don't you tell me?
28:46I am worried too.
28:48There is no confusion.
28:51There is a name blind.
28:53Oh, that is name blind.
28:55Yeah.
28:57But suddenly we're going to blank.
29:00I'm going to blank.
29:03Because we're going to blank.
29:04I'm going to try the paper.
29:05I don't know my name but I'm going to take all my papers.
29:13I also will show my surnames.
29:15I'm so excited.
29:17I can't even show my surnames.
29:20I will carry my name.
29:22I am going to show you how to do this.
29:23You are not going to show me.
29:27You are going to show everything in editing.
29:31I am going to show you.
29:32Do not show you.
29:33You have to zoom in and write.
29:36Your paper will show you.
29:39I am going to show you.
29:40I am going to show you.
29:44It's famous for your friends.
29:47You are one of your favorites.
29:48You are right.
29:50That was okay.
29:51Correct answer.
29:51I thought you were confused, so you were asking for a prompt.
29:55Meera.
29:55I'm going to test you.
29:56Okay, okay.
29:57I'm going to test you.
29:58I'm going to test you.
29:59I'm going to test you.
30:01She said memory is a problem.
30:04Interview is a conversation.
30:05I'm going to test you.
30:07Bellum is very famous.
30:09You are going to test you.
30:10You are going to carry Bellum.
30:13So, there are Buddhist caves in Ankapal.
30:17Anna.
30:19You are a child.
30:19You are not.
30:20No, I'm a child.
30:22I'm going to tell you, Samira.
30:24I'm going to test you by shooting.
30:27That's awesome.
30:29I'm a child.
30:30I'm going to take the temple to the Nukambi.
30:33That's the Nukambi.
30:34But I'm the name of Nukambi.
30:38I'm not going to take the temple to the Nukambi.
30:42I'm not going to bring it to the Nukambi.
30:43There are others who are killed.
30:45My child is still there.
30:47We came to our village first.
30:50We are still there.
30:53We are still there.
30:56We are still there.
30:57So, we will talk about it.
30:58I am not there.
30:59But we never stopped.
31:02Then we came out, we all started shooting.
31:03In the morning, we did.
31:04It was like the sun castle.
31:06We would go down to midnight.
31:09The sun and sun castle were little.
31:13Yes.
31:14Is that the real thing I've enjoyed?
31:16Yes.
31:16Do you have any ideas on your day?
31:19September
31:20Okay
31:22You won my love and affection
31:26That's enough, that's in order
31:27So, we've done a lot of great videos
31:31And the details of our name is
31:35Music director
31:36Dave Zand
31:39Dave Zand
31:41Dave Zand
31:43Is it Indian?
31:44Basically, David Sandeep
31:47David Sandeep
31:49Dave Zand
31:50But I think
31:52I think
31:53I have one of the best BGMs
31:57It's a lot
31:57In the trailer
31:58There's a rock version
32:00There's a rap
32:02And then
32:03There's a lot of native roots
32:05There's a lot of love songs
32:08Dave Zand
32:09I think
32:10One of the heroes
32:12Because
32:12A hero
32:14He's also one of the heroes
32:15And
32:16That's why
32:17Because
32:18It's a lot of hype
32:19And
32:21And
32:22I said
32:24You have given the best music
32:27And
32:28You're
32:28He's a
32:28Tell
32:28In
32:29Yes
32:32That's the
32:33Very good
32:33So
32:34You're the same as that, so that's why I think you're the same.
32:36I'll do the same thing, and I'm sure you're the same.
32:40Nice.
32:41This is your intention.
32:44You say your name, you can't tell them.
32:47But I'll call you Samira Ghan.
32:51Devzahn, I'm your partner.
32:53Devzahn, I'm your partner.
33:00I'm a partner.
33:02That's why Devsandhgar is the music.
33:05Actually, I don't like Devsandhgar's music.
33:08I'll show you the part.
33:10Which movie are you going to do?
33:14Devsandhgar, you.
33:16I'm going to play Samiragar.
33:17I'm going to play Samiragar.
33:19I'm going to play the song in the next movie.
33:24Devsandhgar, I'm going to play.
33:26I'm going to play.
33:26I'm going to play Samiragar.
33:30It was very nice talking to you three.
33:33Me too.
33:34This cinema, August 7th release,
33:37I'm going to be a grand success.
33:39I'm going to be a grand success.
33:40I'm going to be a grand success.
33:42I'm going to be a grand success.
33:45I'm going to be a great interview.
33:50I wish you all the very best to the entire team.
33:52Thank you so much.
33:53Bye.
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