Jagapathi Babu & Laya With Vadala Movie Team Q & A With Media

Mana entertainment

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Transcript

00:09Okay, so team please come on and we will start the Q&A session.

00:17Ready?

00:19Now media, you too.

00:22Santoshan Sureshgaru.

00:26Sureshgaru, are you coming from the mic?

00:31No, you are coming from the mic.

00:34I'm coming from the mic.

00:35I'm coming from the mic.

00:37I'm coming from the mic.

00:37Let's talk to you.

00:39No, sir.

00:41Sir, Javi, sir.

00:44Yes.

00:45Last cinema, I have been talking to you, and I have talked to you.

00:51I have been talking to you about this film.

00:53What do you think?

00:57This is the last cinema?

00:58No, no.

01:03What did you tell me about that film?

01:05What did you tell me about that film?

01:05I told you about that film.

01:07That's right.

01:08Sir, I'm telling you that film is the first film.

01:11I would tell you about it.

01:12Oh, he's talking to one of the film.

01:14He's talking to each one of the film.

01:15He's talking to me, and that's why he's talking to me.

01:18He's talking to me.

01:18Yeah, I'm coming from the camera.

01:20If you have an intro to a film, I will show you a character or a hero,

01:25and I will show you that one could sing a character.

01:29So you didn't have to play the main recup.

01:32I will never listen to this movie.

01:37I will never listen to this movie.

01:38You didn't like that movie after late, right?

01:44You left the trailer and you didn't say that it would be the actual story.

01:48done first of all i want to be leading a few films concept oriented films

02:28thank you very much i appreciate that i take it as a warmth and and i i'm very very clear

02:37about my market now limitations and uh so one thing i know for sure is cons evolved in a concept

02:54oriented

03:00character is hero jasana any god cinema bonte for example recent times the blast in a cinema

03:06ajundi there are so many films which are happening and i will keep continuing my doing my character

03:14roles at the same time one or two opportunities but i would like to do this

03:19um

03:20No, no.

03:22No, no.

03:23That's all.

03:24That's all.

03:25The Unmon Junction.

03:26Separate combination.

03:27In this film, it's all content oriented.

03:31But, if you're not interested in the subject,

03:35who's the character?

03:40Yes.

03:42Definitely.

03:43I don't know if I can't drive, but I don't know if I can't drive, but I don't know if

03:52I can change my character.

03:59Thank you, Sigar.

04:00Sir.

04:03Sir.

04:04Sir.

04:04Okay, sir.

04:05Sir.

04:05Rangopalavarmugaru, what's the influence in this world?

04:10Yes, sir.

04:12Because, first time, I was in my kind of genre.

04:19You have any genre, but I don't know.

04:23But I don't know if I can tell you something.

04:26What's the difference?

04:26I don't know if I can tell you something.

04:27So, I don't know if I can tell you something.

04:28That's why I can tell you something.

04:35Because, answer is zero, sir.

04:37I'm a good friend.

05:08Sir.

05:09Sir.

05:10Sir.

05:11Sir.

05:15Sir.

05:28Sir.

05:32Sir.

05:37Sir.

05:44Sir.

05:45Sir.

05:47Sir.

06:20Sir.

06:21Sir.

06:32Sir.

06:37Sir.

06:42Sir.

06:44Sir.

06:52Sir.

06:56Sir.

07:06Sir.

07:09Sir.

07:11Sir.

07:12Sir.

07:14Sir.

07:16Sir.

07:28Sir.

07:30Sir.

07:33Sir.

07:34Sir.

07:37Sir.

07:40Sir.

07:49Sir.

07:50Sir.

07:51Sir.

07:53Sir.

07:54Sir.

07:57Sir.

08:01Sir.

08:04Sir.

08:16Sir.

08:23Sir.

08:32Sir.

08:34Sir.

08:36Sir.

08:37Sir.

08:41Sir.

08:43Sir.

08:45Sir.

08:46Sir.

08:48Sir.

08:49Sir.

08:50Sir.

08:51Sir.

08:53Sir.

08:56Sir.

09:03Sir.

09:05I have a lot of market in the world, so this is the market.

09:12How do you market the market?

09:15Well, as much as you can see, I am interested in the film, but I do not find enough.

09:26I'm interested in the film.

09:31I didn't even know, but I didn't know.

09:34But generally, in general, I was like,

09:36I didn't know that.

09:41I didn't know that.

09:44I was thinking about this,

09:46but I didn't know that.

09:47We did a big job in the early years.

09:50We did a full work in the film.

09:56We did a music in the Karthik,

09:57music

09:57artist

10:00maximum

10:02so

10:05I am very happy

10:07with that

10:08the result

10:09Jagwad Babur

10:10hero

10:12mirror

10:12and

10:12it's a romantic

10:15angle

10:16in the trailer

10:19inborn

10:25first of all

10:27one request

10:28I have is

10:29and

10:30question

10:31I have is

10:33my opinion

10:34is more important

10:35and

10:36my audience

10:39so that's my request

10:41and yeah

10:42sorry

10:45see it's a normal

10:46family romance

10:48and

10:48there is nothing

10:51particular about it

10:52more than everything else

10:54the concentration

10:55is about the girl

10:56the vatala girl

10:58pati patnior

10:59oh

11:01now

11:01oh

11:02a dangerous

11:04vatala

11:05hi sir

11:05sir

11:06trailer

11:06vatala

11:07all the best sir

11:08what do you say

11:08come on

11:13so

11:14so

11:15so

11:20so

11:21so

11:36I am talking about a niche and I am talking about a place. That's the Gurtimpa.

11:54I don't like depending on anybody. That's my concept.

11:58This is my credit to me. I am talking about a lead.

12:03This is my hope.

12:07In the trailer, I have made a color grading.

12:13It's a niche kind of.

12:16In the last one month, I was talking about obsession with Indian cinema industry.

12:21In this film, I also found traces of this kind of thing.

12:26How do you feel like this?

12:39It's not a horror film.

12:54It's not a horror film.

12:56It's an ultimate.

13:02JV, sir.

13:03Here, sir.

13:06One minute.

13:07It's not an obsession.

13:11It's not a horror film.

13:13It's a horror film.

13:14It's a thematic, sir.

13:15But I have two films.

13:16In the trailer, I have a horror film feeling.

13:19But once you get into the theatre, you have a difference.

13:23You loved that film.

13:24Probably, people will love this film also.

13:30We have a lot.

13:33But if you have a movie, this is to be a good movie.

13:39You have a good movie.

13:41You have a good movie.

13:44You have a good movie.

13:44Why are you doing the film?

13:44I had a good movie.

13:45That's what I'm in the film.

13:46I wasn't actually a producer.

13:50I didn't feel like a good movie.

13:52I was not at the cinema.

13:54I was also at the last time,

13:56I was very scared of the last one day.

13:59I was not at the last one day,

14:01but recently,

14:02I was watching a film.

14:04I was telling my mother

14:06that she was very familiar with her.

14:10She was saying,

14:11I was telling her,

14:12I was telling her,

14:14I was telling her,

14:16I don't know what to do in the cinema.

14:17I was telling you what the film was.

14:19I was telling you,

14:20you don't know what to do.

14:23They were like,

14:24I'm a good boy.

14:26I said,

14:27I'm a good boy.

14:28I'm a good boy.

14:32If I have three people,

14:33I'll record this.

14:35If you have any work,

14:37I'll make three people.

14:41If I have three people,

14:45I'm worried about the film.

14:46Definitely, I enjoy it.

14:49I want to say, I want to say,

14:51I want to say,

14:52I want to say,

14:53I want to say,

14:54I want to say,

14:56I want to say,

15:00first,

15:02first copy.

15:05Actually, I have words,

15:06first copy, last copy,

15:08I have to say,

15:10first copy,

15:13I am happy.

15:14But will you be separated from Mishra Pradesh?

15:18I have done everything in Mesha Pradesh.

15:21I am very involved.

15:22In Bhopala, I am very involved.

15:26I love the Talmud,

15:28we work with the Talmud and the Sanskrit.

15:31I do the Talmud,

15:34and a very much good commentary for Talmud convention all around.

15:39I like to say,

15:39I have been doingそれぞれ

15:42where I have worked. Are there some

15:53advantages about cinema? Yes, definitely.

16:08The first thing is that the city has a lot of subsidies and permissions.

16:14The two points are corporate.

16:19For example, I think that I was a little girl who was a girl who was a girl who was

16:27a girl.

16:28I was a girl who was a girl who was a girl who was a girl who was a girl

16:30who was a girl.

16:30that was the most beautiful thing.

16:34There was a big city that was in the city.

16:36We were all looking at the cinema.

16:38We were all looking at the cinema.

16:40But there was a lot of people.

16:54We were looking at the police.

16:55So the permissions are easy.

16:57That's what we're going to do, sir.

17:01Sir, in the trailer,

17:03it's a perfect casting.

17:05Everyone is perfectly suited.

17:07In this film,

17:09it has been a thrilling experience.

17:11It has been an internal point to the audience.

17:15It has been a bit of a relationship.

17:18It has been a bit of an alertness.

17:20It has been an alertness.

17:23It has been an alertness.

17:24It's not a message.

17:27It's a thriller.

17:29It's a particular message.

17:31Do you have any inspiration to the title?

17:35It's a title.

17:37In the title,

17:39there is a thought.

17:43There is a little meaning.

17:46There is a meaning.

17:48It's a part of the title.

17:52You know,

17:53when you are playing the genre-based cinema,

17:56you have a really good idea of the race.

17:59You're all a great experience.

18:03You've got an audience.

18:05You're doing this.

18:06You're doing the mentality.

18:09But, you know,

18:10audience is the only one who's playing the genre-based cinema.

18:12How did you make this cinema?

18:19Good film, bad film.

18:21It's not a good film.

18:25Overall, they should be feeling good about it.

18:30It's not a good film.

18:35Superhero cinema is different.

18:37What's your favorite film?

18:43I'm very proud of you.

18:46There are many films in the trailer.

18:48There are many films in the trailer.

18:49There are many films in the trailer.

18:55There is a senior producer and director.

19:00How do you make this film?

19:04There are many films in the trailer.

19:06The first thing is, the basic inputs are claimed.

19:07They are not able to do anything.

19:09If they are not able to do anything,

19:10there is a big advantage of the technician.

19:13They are able to do things free.

19:15But in Taipei,

19:16if you want to try something or any output,

19:19they are definitely able to input.

19:22So, in that case,

19:23you can see the thumbnail,

19:24you can see the thumbnail,

19:25you can see the thumbnail,

19:25you can see the thumbnail.

19:27You can see the thumbnail,

19:31you can see the thumbnail.

19:32There are many films in the здесь,

19:37You can see the thumbnail.

19:39You can see the thumbnail.

19:40Then you can see the thumbnail,

19:41Of course,

19:41this is a nail.

19:46Here.

19:49So,

19:51Let's see.

19:53There.

20:00Here.

20:02Like Shivaji, J.B. Sir, and Esri Gandhi.

20:05So, they are also a great hero.

20:09So, why are you having a big break?

20:13Why are you having a break?

20:15That's why I believe.

20:17I've done a lot of films.

20:20I've done a lot of films.

20:22So, I've done a lot of films.

20:26J.B. Sir,

20:29The cinema and business are doing a daring statement.

20:35So, you are going to get a lot of promotions.

20:40But, that statement is in particular.

20:44That's it.

20:46That's it. That's it.

20:51It's not that it's not that it's not that it's not that it's not that it's not that it is.

20:57Of course, we want to prove a point.

21:04We want to prove a point.

21:06It will be a good thing for us.

21:23Sir, JB sir.

21:25Now, I'm not going to tell you.

21:29We don't have a question.

21:30We don't have a different cinema.

21:31We don't have any other cinema.

21:34We don't have any other cinema.

21:36We don't have any cinema.

21:38We don't have any other cinema.

21:40So, we don't have a message for everyone.

21:46We don't have any other cinema.

21:48We don't have anything.

21:48So, I'll accident my country.

21:51He asked you and his wife,

21:51to take her while studying them again.

21:54Then he said,

21:58Then he asked me and my wife are making a good note.

22:00He used to say a lot to hear him.

22:03He might be the only person vulnerable in these times.

22:04He would also tell him that he were not even a hero.

22:06There's no reason he'll find any work.

22:08Now I mean...

22:11Now, here, sir.

22:15Now, I'm told a director of the story

22:18she was saying a story, but you are talking about the screen.

22:23I didn't know that.

22:25Who would like to say anything?

22:28The director was saying a story, but this is a very hard work.

22:33He was doing a better way.

22:35He was doing a good character.

22:37He is doing something.

22:40And the director was saying that this character is not a hero.

22:44that's not true.

22:45Sir, JB Sir, you are a leader.

22:47I am a leader.

22:49You are a hero.

22:51Congratulations all the

22:53team.

22:55No, no.

22:57Let me, let me complete.

22:58Sir, sir, answer is not true, sir.

23:07It is not.

23:08Is it correct?

23:09Is it correct?

23:10Do not do?

23:14So,

23:16I,

23:23I,

23:28I,

23:29I,

23:37I love my character.

23:40I love my character.

23:41I love my character.

23:43I love my character.

23:54I should not talk about this.

23:56so if you are good characters

23:58if you want to do what you want

24:02I am looking for a good characterization

24:05for my personal satisfaction

24:07not only remuneration point of view

24:10not only any secondary

24:12I want to enjoy my performances nowadays

24:19so present by the news

24:21I think relations

24:24has been a lot of things

24:27and has been a lot of trends

24:30so if you have a husband

24:32or a husband

24:33who has already tried a marriage

24:37they have an intention

24:38and what is your character?

24:43what is your character?

24:44I don't know

24:46but everyone is in the SSA

24:48and the family

24:50but in the news

24:53what is your character?

24:55what is your character?

24:57what is your character?

24:58what is your character?

25:01what is your character?

25:02what is your character?

25:04you have το

25:04there is a lot of things

25:08and I tell you

25:10But even in my time, I think so, and the wife thatnik will kill me in the cinema and then

25:15tell me my wife like me.

25:19See they are different things, so we can't do this because we can not do this.

25:23See, now saving the marriage is also important, so a marriage saving also takes steps, but I think violence is

25:34not a scope.

25:35If you don't want to talk about it,

25:37we will say that

25:39one of the reasons

25:41is that

25:41at any cost

25:45or at any cost

25:47everyone will take that extreme step

25:50so that's what happens

25:51but she is saving her marriage

25:53so that's a good emotion

25:54and she is not able to take it

25:56and that loving husband

25:58suddenly

25:59and years travel

26:01so anybody will react

26:03this is what my character

26:05in this film

26:06Congratulations all the Vatala team

26:08because

26:11Jagadubabugarindakla

26:12in the trailer

26:15you have a family image

26:17and you have a family image

26:20and you have a family image

26:21you have a craze

26:24you have a craze

26:25this is a family drama

26:27there is a lot of

26:28ratio

26:30and the youth

26:32will be cut

26:34so the trailer is also

26:40showcasing that factor

26:41and it will certainly

26:43trigger all the interest

26:44in the audience

26:45in the audience

26:46in the trailer

26:46100%

26:47in the audience

26:48there is a lot of

26:53the full

26:53and the

26:53the

26:53that

26:53the

26:54the

26:55the

26:57the

26:58Your character has a balance of your character.

27:01Your character has a balance of your character.

27:03Your character has a balance of your character in full scale.

27:09Why do you say that?

27:10That's why, when you talk about it,

27:14we react regularly.

27:17So, in this reaction,

27:19I feel close to my personality.

27:22I feel close to my personality.

27:26So, that emotion also.

27:29My personality, the original character,

27:34is close to me.

27:37But not entirely.

27:38There's a little film, a little cinematic.

27:41But, as an emotion,

27:44it's what I feel normally.

27:47The majority of the women feel this film.

27:52Now, apart from being a heroine and a celebrated actress,

28:00how will you address that generation about it?

28:06I don't know how many generations are responsible for this generation.

28:16They know everything.

28:17when I feel prepared in my time.

28:19I'm not prepared for this game like that.

28:22They know that they don't know what they want to do.

28:25Yet,

28:25they don't know how they work.

28:27They don't know how to do it.

28:28They understand how to do it,

28:28if I can do it,

28:28play it, play it, play a play in the sports game.

28:31So, there's clarity.

28:32Everyone has clarity, what they want to do.

28:34Even if there is a deviation, there is also a deviation.

28:41So, there is also a deviation between all the characters.

28:45So, we can see the address in one point.

28:50But there is also a deviation between all the characters.

28:54Sir, Jagabathiva.

28:56Jakubuthi Bhavar, in general, you are doing character, hero, and receive the audience.

29:04You are very strong in the theatrical appeal and continue. Unpatter.

29:11Now, when you are a hero, you are strong in the negative character.

29:18You are very strong in the success.

29:20You are very strong in the negative character.

29:26You are very strong in the negative character.

29:33How are you experiencing this character?

29:41What are your experiments in doing this character?

29:47Good one, Nagendra.

29:49Thanks for detail in the trailer.

29:53You are very strong.

29:55He is a man-girl.

30:00He is a man-girl.

30:04He is a man-girl.

30:09He is a man-girl.

30:11He is a man-girl.

30:14He is a man-girl.

30:19He is very happy.

30:20He is very similar.

30:21And he is very successful.

30:23He is a man-girl.

30:24So part half half.

30:27He is a man-girl.

30:34You are not a big deal.

30:37You are not a hit or a negative character.

30:41Every angle, your image is enhanced, your span is enhanced.

30:48Now today, people can look at you in every direction.

30:52This is how you are going to be a hero.

30:57So, if you are doing homework, it cannot be very easily done and I feel you are experimenting with that.

31:07I can't feel it.

31:10Though there is no, I mean, there is a twist.

31:16But one thing I can tell is,

31:28I have done films like that before.

31:34That's what I must say.

31:35Yeah.

31:36So, that means,

31:38there is no success of all.

31:41I have no success of all.

31:43So, there is no success of all.

31:47And I am hoping for the best because,

31:50I will have a place for myself.

31:53In film?

31:55Generally, in any film.

31:57In the industry I am talking about.

31:58Okay.

31:59That means,

32:00you are doing a decile character.

32:04But, when people come to theatre,

32:07Jagu Dibabu will be the predominant factor.

32:11That's what it is.

32:15That's what it is.

32:17It will score.

32:21It is a wrong concept because,

32:24movies are not about one person.

32:25It is about everybody.

32:27Andhra Pandali.

32:29Andhra Pandali.

32:29Yavardhi Dominatish.

32:30Andhra Pandali.

32:31Andhra Pandali.

32:32The first hero.

32:34The first hero.

32:34Andhra Pandali.

32:35That's the very interesting thing.

32:37Yet,

32:37that's how you just say that character.

32:38Andhra Madhi.

32:39Andhra Pandali.

32:40Andhra Pandali.

32:41You work to do that.

32:42That's how you did that.

32:47What exactly you wanted to really excel through this content,

32:52what you did that explanation.

32:55Andhra Pandali.

32:56It won't be,

32:57the style of film is one of the hope.

33:01It is the genre of the subject.

33:04Genre of the day?

33:05No, no.

33:06Genre of the day is the subject.

33:10That kind of genre.

33:11Okay, okay.

33:13In other words,

33:16this character is a very interesting character.

33:19Why is this character not a young hero?

33:26Yes, sir.

33:27They have picked this character from the present streams of the society.

33:33When they started this character,

33:36they have designed this character.

33:40Okay, okay.

33:41Is it not?

33:42I think it's not fully.

33:44Mostly it's part fiction, part...

33:47Okay, but the basic fabric of the character is from the realities.

33:51Is it reality?

33:53No, no, not really, sir.

33:55It's fiction, sir.

33:56Okay, okay.

33:57Yes, sir.

33:58So, okay.

34:00This side or that side.

34:01You want to talk about the character,

34:05the present trends of that character,

34:08you want to address them?

34:11Sir, I think this character,

34:14I think sir told me the characterization.

34:19I think this has been happening from lots of generations.

34:23Like there has been problems going on like this.

34:26Like Gen Z, Gen Z, I think it's been going on for a long time.

34:30I think this and everything,

34:31that's different.

34:32And Jabutu Babu is in a greater street.

34:34So, we'll have known that is a different genre.

34:36But this is sounding something else.

34:38Oh, no, no, no, sir.

34:39That's what I'm asking.

34:40Oh, yeah.

34:41Okay, okay.

34:42I didn't spell that.

34:45I didn't spell.

34:47Sir, I think...

34:50Yes, sir.

34:57Why young girls and Gen Z generation girls are obsessing on sugar daddies?

35:02What do you say?

35:03And the cinema is also connected to this film.

35:06How do you say older men and age gap men?

35:11What do you say about this film?

35:15What do you say about this film?

35:16What do you say about the character?

35:16Dr. Jai Tan?

35:17I think you have a lot,

35:20but I've never come across anything like that.

35:24But there is a grey area where people are like that.

35:28So, black and white mostly.

35:30But I think movie, like J.P. Sir said,

35:35part Nijam, part abaddam.

35:38So, you have a movie,

35:39I mean, abaddam,

35:41it's like fiction.

35:42Fiction.

35:43So, okay.

35:44Like...

35:45So, movie based on real life.

35:48Because movie is different,

35:50real life is different.

35:51So, they have hundreds of reason for doing that.

35:55They have hundreds of reason for not doing that.

35:57So, I don't think you can base the film on the real life.

36:01Liger.

36:02Sir.

36:03Liger.

36:04Liger.

36:29Liger.

36:30This film is the one that...

36:31That is not meant for you.

36:31That is not rational.

36:35That's not true.

36:41That is true.

36:49Well, that's a movie called.

36:52So if you have the content, I have to confirm that.

36:56This content is also true for me.

37:01I have to do this before.

37:03I have to do this before.

37:06The director, the chair, the chair, and the chair.

37:10The chair is not right.

37:12I have to say the camera.

37:12I have to say the chair in the room.

37:17That's why I have to say the chair.

37:21Chantikar probably in the same cinema,

37:23in the same day, Chantikar is a cinema.

37:25So, everyone has to do this

37:28at the beginning.

37:30I have to do this at the beginning.

37:32I have to do this at the beginning.

37:34I have to do this at the beginning.

37:35So, if you want to do anything,

37:37what you want to do,

37:38everyone has to do a group discussion.

37:41I don't have to say anything.

37:43So, I have to do this.

37:46Basically, I love working.

37:48I don't work it, I work it.

37:51You need to do it.

37:53I do my work at 24 hours.

37:55I do my work at 24 hours,

37:55and I have to do some work at 24 hours.

37:58Why do you do it?

38:00What is it?

38:00If you do it, because you do it,

38:02you are working at work.

38:03Why do we work at these movies?

38:11You will also do this movie,

38:12and you will also do this movie.

38:15You can do this movie.

38:16So, what if you do this movie,

38:17Do you think you're doing cinema IP?

38:22100%

38:23100%

38:24I've had a lot of cinema IPs in the 9th Cloud

38:29I've had a lot of business

38:33But I've had a lot of experience in the 9th Cloud

38:37I've had a lot of experience in the 9th Cloud

38:46I've had 50% success

38:48Then comes commercials

38:52Commercials as well as a bond

38:54There's a lot of films in the world

38:56There's not a lot of films in the world

38:57There's not a lot of films in the world

38:59There's a lot of films in the world

39:01There's a lot of films in the world

39:05So, we believe in that film

39:12So, the millions of you have won't be so far,

39:18They will be channeling,

39:19and so they will be channeling,

39:20if you have one of the 200 people,

39:22we will be channeling every 50% of other people,

39:28so that 50% of people will be channeling.

39:34I hope they will be leveled.

39:37So, this effort is going to be the effect of the five days.

39:40When I was telling you about the hero,

39:43I didn't want to go here, I didn't know.

39:45The hero is going to be the best.

39:47I thought I was going to be the best.

39:51So, we will be very happy.

39:57J.B. Garu, Jagavad Babgaru.

39:59There is a Hollywood film, Odyssey.

40:05That movie was done by Poti,

40:08but there are multiple films in Telugu.

40:10What is the difference between the films and film bookings?

40:13I think the audience is doing the films in Telugu.

40:18I think it is a lot of different films for the audience.

40:22I think there are many specialties for the film.

40:25I think I'm going to say that.

40:27thank you for the compliment

40:29that is a big thing

40:34yeah and

40:46so there has to be a release

40:48so that is the way

40:50and this cinema

40:51you are obsessed

40:53there is a lot of film

41:04so you have to be a lot of film

41:08a lot of people who play in the cinema

41:11so you have to compare it to Raksha cinema

41:16no comparison

41:18there is no comparison

41:21People

41:22if they love the film

41:26they should

41:28they will have confidence

41:30Sir, what is it?

41:32What is it?

41:33I will give you a real point

41:37Thank you

41:38I will give you a real point

41:40I will give you a lot of people

41:43What is it?

41:43I will give you a lot of people

41:47Yes

41:47Sir, Javi Sir

41:49Here

41:51Here

41:52Ok

41:53Can you see a lot of people

41:55if you don't want to do it, you don't want to put a lot of people

42:03I will say that

42:05Yes

42:07You can see that

42:09I don't know about that.

42:15He's always gonna do it.

42:21Okay.

42:22All right.

42:27Oh, sup.

42:32Now, you released the film in the percentage, but then you released the film?

42:39Percentage, percentage.

42:39I don't have a percentage in my cinema, I'm going to put it in.

42:41There is a lot of trailer in the film.

42:44Family audience came to the theater,

42:47family audience came to the theater,

42:50and the movie came to the movie.

42:51So, when I chose the movie recently,

42:55I thought it was the result,

42:58I thought it was the result.

43:00I thought it was the result.

43:01I thought it was the result of the director.

43:03Even the recent review,

43:04the editors were invited.

43:06The voice of Chris Peddick,

43:07and they had complaints.

43:10So, when you came to the movie,

43:11you came to the movie and you came to the movie,

43:14and you came to the movie,

43:15and when you came to the editing,

43:16you were able to hear the article.

43:21So, you told me that you have complaints.

43:24You were able to do the video.

43:25You were able to do the video.

43:28after the audience's opinions.

43:33So, this movie is a crisp edit.

43:36Where did you come from?

43:37No, no, no, no.

43:40If you come from here, you can do it.

43:41If you come from here, you can do it.

43:44If you come from here, you can do it.

43:46You can do it.

43:46Actually, it was the 27th release of it.

43:49So, it was the 17th release of it.

43:53So, if you come from here, you can do it.

43:58So, whatever experience we have,

44:00Neen Gani, Chota Gani, Jagpadi Gani, Quarchot Gani, Quarchot Gani, Quarchot Gani, Tessera Gani.

44:06My experience is the same.

44:09That's why I am so strong.

44:12Okay, media, thank you so much for your questions.

44:1517th July, save the date.

44:17Vada la.

44:18So, cinema, we will celebrate the trailer.

44:21And definitely, the trailer will be back and forth.

44:24Me too, sir.

44:25Already, the media will be back and forth.

44:27And the audience will be back and forth.

44:28And the audience will be back and forth.

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