00:00In this special program, today we are going to be one of those who are a director and script writer
00:08and a script writer, but also a script writer.
00:10You also have a script writer and a script writer and a script writer.
00:15Three years ago, in Urdu, Kashmir and Anglesi.
00:18My name is Ali Amrani.
00:21Thank you very much.
00:24Director and script writer, many of you know.
00:27But many of you know less.
00:32Filmmaking and script writer are different.
00:36How is this?
00:37Actually, when I was studying at school, I was writing stories.
00:45After that, I started writing a poem about six years ago.
00:48I started writing a poem about my mother, Mrs. Yakut Mishtar, who is a producer, had a great impact on
00:56me.
00:57She was a very popular writer.
00:59She was a very popular writer.
01:01She was a very popular writer.
01:01She was a very popular writer.
01:03She was a popular writer.
01:05So I was inspired and started writing writing a poem about my poems.
01:11So, at school, I started writing a book near the 10th and 11th to 11th.
01:18I had written a book about my poems.
01:19My mother helped me to write it.
01:23I used to write it and write it.
01:24but my mother was collecting it.
01:27Then, Mr. E. Raj, who is a very big singer,
01:31he published it and published it.
01:37That's why I think,
01:40that first of all,
01:42my passion was in poetry writing.
01:47But then, when I got into engineering,
01:51I got into engineering.
01:52So, my film making was a shock,
01:56and I got involved in filmmaking.
02:00Fiction is easy,
02:02which we will say for a filmmaker.
02:05But, writing is totally different.
02:08I've seen fiction,
02:11but you don't touch both.
02:17Yes, it's like that,
02:19that, usually,
02:22we don't write Nazm and Ghazal.
02:25It's like that,
02:26we don't write Nazm and Ghazal.
02:30Absolutely.
02:30But,
02:31God is proud of me,
02:33that I'm able to write three things.
02:37In addition to that,
02:39I write English and Urdu.
02:41I have two books published in Urdu.
02:42I have two books published in Urdu.
02:47Love Sucks,
02:48which I had written in school,
02:48which I had written in school,
02:50which I had written in school,
02:50which I had written in your first book.
02:51That was the first book.
02:52That was the first book.
02:53It was Guzzles-based.
02:55Indeed,
02:56It's called yearnm,
02:57which is very prise of its data.
03:01May I have a large copy of your document.
03:03In the first� sentence I did
03:04which is very important for the lives.
03:05and week,
03:06the processruff of me,
03:06But I just undetabaized the same book.
03:07In English,
03:08I put a role on Poetic Extension,
03:11and衆m dans of my book
03:12Jack,
03:12which I have written in a spiritual philosophy.
03:14The plot is,
03:17The Unseen Voice
03:18which is very early on.
03:22When we read your book,
03:25you have to remember that
03:26there are also
03:27and there are also
03:30and when we talk about Unseen Voice
03:32then there is a
03:34which you have to remember.
03:36Why did you remember this book?
03:39Yes, basically
03:40this book
03:41which I have touched
03:44is based on
03:47Kashmir's own philosophies
03:48especially spiritual
03:50philosophies etc.
03:53Like Kashmir's own philosophies
03:56like richism
03:57and
03:58and
03:59I try to write these philosophies
04:04and write
04:05and I think
04:08that when a philosopher
04:10speaks a philosophy
04:11he says
04:11he has a philosophy
04:14but
04:15then it is tickled down
04:16to the people.
04:18It is not that philosophy
04:19has been done
04:21that four people have studied
04:23but it is actually tickled down
04:26in the form of
04:28theatre plays, movies,
04:31poems,
04:33shairi,
04:35paintings,
04:37paintings
04:38and political
04:38theories
04:39like this
04:40the philosophy
04:41is tickled down
04:42and it is an impact
04:44to people.
04:45When we look at your films
04:45or scripts
04:47that you have written
04:48for the film
04:48they have also
04:49in touch.
04:50Is this your
04:51philosophy
04:52or
04:53a trend
04:55internationally?
04:56Because many films
04:57have been nominated
04:58at international film festivals.
05:01Yes,
05:02the international trend
05:06is
05:06that
05:07it is not
05:08said
05:09anything
05:10but
05:10it is a twist
05:14so that
05:14it is a new
05:16thing.
05:17Because
05:18it has been
05:19so many years
05:19in film making
05:20so
05:20they have said
05:22a lot
05:22in terms
05:24so
05:24it is a trend
05:26that
05:26that
05:26it is
05:27so
05:27that
05:29you can
05:32intelligence.
05:35Okay,
05:36filmmaking,
05:38fiction
05:38and
05:39fiction
05:39are three
05:40different things.
05:42so
05:43we can
05:44what
05:44we can
05:44in terms
05:46of
05:47what
05:47we can
05:57do
05:58in terms
06:10of
06:12it is
06:13But
06:13I
06:13think
06:14that
06:14think
06:16that
06:18think
06:19that
06:20I
06:20that
06:21I
06:27that
06:28I
06:28can
06:29contribute
06:30that
06:31I
06:31can
06:31contribute
06:32like
06:35Kashmiri
06:36book
06:36that
06:37I
06:37write
06:38about
06:3850
06:42points
06:42that
06:43I
06:43want
06:44to
06:45to
06:46look
06:46you
06:46see
06:47that
06:48you
06:49a
06:50a
06:50a
06:52a
06:53a
06:53a
06:53a
06:53a
06:54a
06:54a
06:54a
06:54a
06:55a
07:00Even
07:03which
07:03has
07:03ى
07:06...
07:06...
07:06...
07:11answered
07:11would
07:11look
07:12I
07:15I
07:15But I think that if I'm sitting at writing, I'm probably not going to write it.
07:25This is always going to happen like this, and I can write it.
07:32I remember that I can write it in the evening, or I can write it in the evening.
07:39I try to make sure that I can write it in the evening, and I can write it in the
07:48evening,
07:49and I can write it in the evening, and I can write it in the evening,
07:53so that I can write it in the evening.
07:56Okay, so did you have a reaction to your books?
08:00Or did you show your writing?
08:02Yeah, as you can write it in the evening.
08:02The book of Muzafir Erez has the same characters.
08:10And I also have seen some of the songs from the same time.
08:14It was a good response.
08:17Would you like to write it in fiction, or would you like to write it in the script?
08:21or how do you feel?
08:23Look, if you ask me that I feel like my heart is good to do it.
08:33But when I write fiction, it becomes a bit tough.
08:40Then I have to do it simple.
08:42But I can write in a simple language.
08:51I feel like writing in a simple language.
08:53I feel like I'm very good at writing in a simple language.
08:58I feel like I'm in Kashmir or in Urdu or English.
09:04After that, in Kashmir, it's a lot of work.
09:06In the film making, the filmmakers and directors of the film made a great deal of single window.
09:14Did Ali Imran have any benefit of that?
09:17Yes, there was a little benefit.
09:20For permission, I had to apply for permission.
09:28I had to go to 10 departments and apply for that.
09:33I had to apply for a single window.
09:37They are pursuing their own.
09:39There are phones coming to me.
09:43That's a process.
09:45But I don't have to go physically to those locations.
09:49Do you have any help for financing?
09:52Yes, the film policy has a subsidy.
09:57It's a subsidy.
09:59But the subsidy is that you will make a film before you make a film.
10:04If you have a filmmaker's experience, you will have funding it.
10:09Not a subsidy.
10:10For example, 50%.
10:12A subsidy will be 10-15%.
10:15But the people need funding here.
10:17If the producer is 50% and the government is 50%,
10:23then there will be a good film industry here.
10:27Let me ask you about your question.
10:30What did the 거지-
10:31I like to share your ideas first up in Urdu,
10:33and Marder Tank is in Kashmir,
10:36or in Angrazi?
10:38Yes, no.
10:40In Angrazi, too.
10:41In Kashmir, too.
10:43But in God,
10:45in The American and Kashmir,
10:46the magazine's show also counts as Wraitha.
10:48Yes, it is not.
10:50In my opinion,
10:50the mechanics of the language also counts as Wraitha.
10:55I write the script in Urdu and translate them into Kashmiri.
10:59But this is the question of Kashmiri.
11:02They come from Kashmiri, Urdu, English.
11:05They come from their own outbursts.
11:11You have talked about the U.T.U. in Bhara.
11:14Thank you very much.
11:16Thank you very much.
11:17Thank you very much.
11:18Thank you very much.
11:20Thank you very much.
11:21Thank you very much.
11:22This was Kashmiri's name of Kashmiri.
11:26Thank you very much.
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