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Transcript
00:00:25I missed you.
00:00:27I missed you, too.
00:00:34You okay?
00:00:37Yeah, why?
00:00:39What the hell?
00:00:49Good night.
00:00:52You okay?
00:00:54I'm sleeping now.
00:01:26I'm awake.
00:01:26The exact moment of ultimate connection is captured forever in pain.
00:01:33Oh, boy.
00:01:35Hey, we done here?
00:01:36Diana, we're not doing personal questions.
00:01:39Seems like the personal is a process.
00:01:41Oh, shit's pointed.
00:01:46Look, Brooke, he's brilliant.
00:01:49But as your friend, I'm calling it.
00:01:51The other critics will tear this apart.
00:01:54Did you keep your day job as Sotheby's?
00:01:58Picasso, Klimt, Lucy, and Freud, they were all called pornographers.
00:02:02Look, I know what I believe in.
00:02:03And if the critics don't understand us, then they're wrong.
00:02:12Oh, my God.
00:02:13Hi, can I look at a few?
00:02:14Awesome.
00:02:15This is still for the cover, right?
00:02:18So, um...
00:02:19You the husband?
00:02:21Yeah, hi.
00:02:22Oh, I'm sure.
00:02:22Welcome.
00:02:23She's badass, right?
00:02:25I like that.
00:02:27Yeah, I like the tiger shots as well.
00:02:28Can you go back to the tiger ones?
00:02:30Honey, we don't want to be late.
00:02:33Oh, see, when women get absorbed in me, we can talk to them.
00:02:49To Brooke's amazing new gallery and the successful opening.
00:02:52Cheers.
00:02:53Oh, and to me, getting to retire early and fulfill my life's purpose as a trophy husband.
00:02:58Hmm, let's not jinx it.
00:02:59Hey, if that's what you want, then you should do a news story on it.
00:03:01Feel-good holiday feast days before Christmas.
00:03:04It's local news.
00:03:05No, no, no, no, no.
00:03:05Owen has already done so much.
00:03:07Oh, come on.
00:03:07Isn't going broke and bedding the farm what all good husbands do?
00:03:10Hey, Brooke is living her dream and dreams are worth the risk.
00:03:13Okay, when's our next vacation?
00:03:15That's my dream.
00:03:16Oh, yeah.
00:03:16I was thinking Paris, but just me and Brooke, so sorry, guys.
00:03:20Paris in the winter?
00:03:21Texas pictures.
00:03:22If your thumbs don't freeze off.
00:03:24You know, I've always wanted to do Christmas in Paris.
00:03:26Hello?
00:03:27I can't even think of a vacation until this gallery opens Friday.
00:03:30Well, I mean, we should plan it soon before things get too complicated.
00:03:35What does that mean?
00:03:37Just, you know, whatever.
00:03:39Life.
00:03:40Owen.
00:03:41Complicated.
00:03:42Are you guys pregnant?
00:03:43No!
00:03:44Because that would be like a shitty way to tell us.
00:03:45No.
00:03:46The doctor says that we could take the pressure off.
00:03:48It may happen naturally.
00:03:51What?
00:03:51We don't have to talk about this.
00:03:58Is that the brooding hunk?
00:04:00Can't be.
00:04:00I left my phone at home.
00:04:01No, it's, um, Brooke's new Irish artist, Hottie McHatterson.
00:04:05Okay, his name is Ansgar Doyle.
00:04:07He was a street artist in Dublin until a few years ago, but hasn't broken here yet.
00:04:12Wait until you see the art.
00:04:14Hot.
00:04:15Ooh.
00:04:19This guy, he's always texting at 3am with a crisis.
00:04:22What's the crisis?
00:04:22He can't find his paintbrush?
00:04:23No, he's just an artist.
00:04:25They don't sleep.
00:04:26Actually, I learned from his interview that this is an artist who's not sleeping in a lot of married women's
00:04:31beds.
00:04:31That's not what he was saying.
00:04:33Actually, that's kind of exactly what he was saying.
00:04:35Well, as the two divorce attorneys at the table, I would just like to say that men like Ansgar are
00:04:40very good for our business.
00:04:41Absolutely.
00:04:41Court our business.
00:04:42When you've been doing what we've been doing for long enough, you just conclude that everybody cheats.
00:04:47The wives are just better at not getting caught.
00:04:48Yeah, I mean, I've been hiring so many private investigators I could teach a course at Quantico.
00:04:52I'll be right back.
00:05:12Where'd this come from?
00:05:18They're from you.
00:05:23They're beautiful.
00:05:27Hey, I'm gonna make it up to you.
00:05:30I'm so sorry.
00:05:31I've been so busy and so bitchy.
00:05:34You've been so great.
00:05:39Okay, listen.
00:05:40I wasn't kidding about what I said at dinner about Paris.
00:05:43If you play your cards right, you open the gallery on Friday.
00:05:46Then we drink champagne all night to celebrate.
00:05:47We get in the air on Saturday, on our way to Paris, France, where we spend Christmas next week,
00:05:55French kissing, a little menage-a-do.
00:06:01Now wait.
00:06:04Now how about this place?
00:06:05To let it happen naturally.
00:06:07No.
00:06:07Right?
00:06:10It sounds heavenly.
00:06:12But I can't go then.
00:06:15We don't even have any Christmas plans to break.
00:06:18And look around.
00:06:19We haven't even had time to decorate.
00:06:20I know.
00:06:21But I have so much to do after Friday night.
00:06:23I mean, that's when the real selling starts.
00:06:25And I've got more press lined up for ANSCAR, too.
00:06:27And you know, I can't leave him alone.
00:06:29He needs me.
00:06:32You know what I mean.
00:06:34Let me earn the vacation with sales.
00:06:35That way we can relax and we can enjoy it.
00:06:46Sorry.
00:06:47Yeah.
00:06:47Yeah.
00:06:48You're right.
00:06:50Okay.
00:06:51I'm gonna go take the trash out of my work.
00:06:53All right.
00:07:22I'm gonna go take the trash out of my life.
00:07:22I'm gonna go take the trash out of my life.
00:07:23I'm gonna go take the trash out of my life.
00:07:23I'm gonna go take the trash out of my life.
00:07:24I'm gonna go take the trash out of my life.
00:07:25I'm gonna go take the trash out of my life.
00:07:25I'm gonna go take the trash out of my life.
00:07:25I'm gonna go take the trash out of my life.
00:07:25I'm gonna go take the trash out of my life.
00:07:26I'm gonna go take the trash out of my life.
00:07:26I'm gonna go take the trash out of my life.
00:07:28I'm gonna go take the trash out of my life.
00:07:32I'm gonna go take the trash out of my life.
00:08:02I love my phone up here.
00:08:03Yeah. You, uh, don't want to miss any text messages from Sarah.
00:08:09Is that one of the new producers?
00:08:13Yeah. Thanks.
00:08:19My opening is in four days, and these light fixtures were custom ordered three months ago.
00:08:34I gotta replace the pipe that goes down to the basement. It's gonna cost about three grand.
00:08:38What? Hang on. Just tell him to bring me the lights myself. Thank you.
00:08:43Why were you talking to Amanda Geisler?
00:08:44I was just thanking her for lunch and interested me.
00:08:47Okay, well, she has a gallery full of artists who showed potential ten years ago.
00:08:49She should be taking them out to lunch.
00:08:51Wow. I think I'm jealous.
00:08:53I think we have a contract.
00:08:55Giaco, there's no more money. Figure it out.
00:08:58You'll be able to pay him soon enough. Told you. I have news.
00:09:08You may fall in love with me when I tell you.
00:09:10That good, huh?
00:09:12I haven't.
00:09:13You have who?
00:09:15The customer. The big one we need.
00:09:20Damien Light.
00:09:23Damien Light is here?
00:09:25Oh, he's in Paris. He's shooting his next movie there.
00:09:27But he saw one of my pieces in Mariah and he likes it.
00:09:30He wants to see more.
00:09:31Because people want us to be there for dinner the day after tomorrow.
00:09:34Wait, where?
00:09:35The hotel in the Mariah.
00:09:37Oh, the Mariah in Paris?
00:09:40Yeah. Look, you can leave tomorrow.
00:09:42Still make it back in time for the opening.
00:09:44You should really answer my texts.
00:09:47Do you see this gallery? I can't go.
00:09:49Oh, oh, oh. I need you there.
00:09:53I'm no good at the business. I hate that shite.
00:09:56If this is real, this could be huge for us.
00:10:00Oh.
00:10:02You think I'm making it up to steal away with you?
00:10:11I'm going either way.
00:10:12I'll try to make it back for my opening on Friday night.
00:10:14Oh, very funny.
00:10:16Oh.
00:10:17You need to check in with the husband first.
00:10:20Um...
00:10:21Or are you more afraid?
00:10:23To leave this mess?
00:10:24To leave your husband alone.
00:10:26What?
00:10:28You'll let me leave without you.
00:10:34Oh, God.
00:10:35I know. I mean...
00:10:36I have to go.
00:10:37You have to go. It's Paris.
00:10:39It's work.
00:10:40Right. It's work.
00:10:42Oh, God.
00:10:43What do I tell Owen?
00:10:44In-person's good.
00:10:46Um, run in, bring a coffee,
00:10:47and just tell him you have the business opportunity of a lifetime.
00:10:50Right.
00:10:50Right. Just be direct.
00:10:51Right.
00:10:52Downplay the fact that you're going to be in a Paris hotel
00:10:54with the world's sexiest man alive.
00:10:58Okay. Get out of here.
00:10:59Go talk to your husband before I have to represent you.
00:11:03It is. We're going to cut it.
00:11:04It's okay.
00:11:05I accept it.
00:11:06Don't worry about it.
00:11:07Hope I'm not interrupting.
00:11:09Hey.
00:11:10I thought you could use this.
00:11:11Brooke.
00:11:12Hey.
00:11:13Hey, that's so sweet of you.
00:11:16Uh, this is, uh, Kim, one of our new producers.
00:11:19Hi.
00:11:19Hi.
00:11:21Are you Sarah?
00:11:23Natalia, new intern. Hi.
00:11:25Hi.
00:11:25What are you doing here?
00:11:27Oh, you know.
00:11:30What's going on?
00:11:31Everybody okay?
00:11:32Uh, well, I, uh, I have a situation with Anscar.
00:11:36What now?
00:11:37It's a long story.
00:11:38Um, but it's actually amazing.
00:11:40Damien Light is interested in buying a few of his paintings.
00:11:45That's big news.
00:11:46I know.
00:11:47I know.
00:11:48I know.
00:11:48And I would send him a loan tomorrow, but things could get...
00:11:50You know, he's not a people person.
00:11:51And-and making the sale could be huge for us.
00:11:53I could really make all this hard work pay off.
00:11:55This-this is amazing.
00:11:57Yeah.
00:11:57So I'll be back from Paris in, like, two days.
00:11:59Yay!
00:12:01What's that?
00:12:02I said, yay!
00:12:06You're going to Paris?
00:12:09Yeah.
00:12:11Damien's filming there.
00:12:13You're telling me that you want to go to Paris with Anscar.
00:12:18The myth of fidelity guy.
00:12:20Tomorrow.
00:12:21After you told me that we can't go on Saturday?
00:12:24I know.
00:12:25I know.
00:12:25But it's business.
00:12:26And I would say come with me, but it's going to be all meetings.
00:12:28And then I have to fly right back for the opening Friday and...
00:12:32Owen.
00:12:34Owen, please don't be that way.
00:12:39So does this mean I'm-I'm definitely free on Saturday since we're not going to Paris?
00:12:44Well, yeah, I-yeah.
00:12:47Hey, Kim.
00:12:48Is that shoot for the New Yorker's Christmas in Las Vegas still available for Saturday?
00:12:52I was going to give it to Jim, but it's yours if you can do it now.
00:13:01Yes, I am available.
00:13:03Let's book that.
00:13:05Thank you for the coffee.
00:13:06I gotta get back to work.
00:13:08Natalia, see if you can book Owen's flight with seats near us.
00:13:11Vegas, baby.
00:13:15Shit.
00:13:19This has been Owen Shore with the news you can use.
00:13:23Have a great one, everybody.
00:15:32Owen, I feel bad we keep missing each other.
00:15:34I'm not sure if you're getting my texts.
00:15:37My flight is tonight.
00:15:40So when you get a break, please call me.
00:15:42Okay.
00:15:43Okay.
00:16:17Hey.
00:16:18Hey.
00:16:20That assignment was late last night.
00:16:23What was the story?
00:16:25Yeah, I didn't want to wake you.
00:16:28I'm trying to get these two new producers to put me on hard news stories instead of these dopey features.
00:16:36Kim's the one you're going to Vegas with.
00:16:49Look, I'm sorry about yesterday.
00:16:54I just wanted our first time in Paris to be together.
00:16:57And Christmas there, away from all this stress, it just seemed like exactly what the doctor ordered.
00:17:08I'm sorry I got so upset.
00:17:13I'm sorry too.
00:17:16It's just such a huge break.
00:17:18I wouldn't be going otherwise.
00:17:22Come here.
00:17:23Well, I can't help.
00:17:30I want you to be happy.
00:17:33Even if I don't trust that guy.
00:17:35Hey.
00:17:35You only have to trust me.
00:17:39And seriously, I look forward to a getaway of just us without the pressure of trying.
00:17:44I really, really, really do.
00:17:46Well, you know, we don't have to.
00:17:49Get away.
00:17:50Start trying without trying.
00:17:53I can't.
00:17:54I have to pack.
00:17:55My car's coming in an hour.
00:18:06In case there's a gym I can work out in.
00:18:11Alone.
00:18:20I need you to be understanding here.
00:18:28So, no send off sex?
00:18:29I wish I'd just let it go.
00:18:31Cause now I have to be more worried about it.
00:18:33Come on.
00:18:34You guys have been together since high school.
00:18:35No way Brooke would cheat on you.
00:18:38As long as I wonder she'll stop being interested in me.
00:18:41Are we on the Goop podcast right now?
00:18:43Am I Gwyneth?
00:18:44Another Greyhound, huh?
00:18:46Wait.
00:18:46No, no, no.
00:18:47Are you trying to get me in trouble?
00:18:48You said just one.
00:18:50I'm sorry.
00:18:50Cancel that, please.
00:18:51We gotta go.
00:18:52Fuck that needy orphan artist.
00:18:55If I want to get drunk to forget him, I'm gonna drink.
00:18:57Are you forgetting the last time you got drunk?
00:19:00You tried to find a home for every homeless guy in New York.
00:19:02I don't remember that.
00:19:02Yeah, exactly.
00:19:03Come on.
00:19:04Let's go.
00:19:05But come on.
00:19:06There's one more.
00:19:06No, I gotta go.
00:19:08I'm pretty sure Eleanor put a tracking app on my phone.
00:19:11I did.
00:19:14Wait a minute.
00:19:16I know who you are.
00:19:18You're Owen Shore.
00:19:20It's possible.
00:19:21You're pretty good.
00:19:22You're being pretty great.
00:19:23My friend's gonna die when she gets here.
00:19:25We're studying journalism at Columbia.
00:19:28Oh, nice.
00:19:29You said in an interview once that it's a reporter's job to expose without shaming.
00:19:34Wow.
00:19:35Good.
00:19:36I used it in a media ethics paper on microaggression.
00:19:39I'm flattered.
00:19:40I refuted it.
00:19:41Shame is a useful tool.
00:19:43Maybe you're too nice.
00:19:44I do love your reporting.
00:19:46I was actually just saying how refreshing it is that your stories are funny.
00:19:50They're not supposed to be funny.
00:19:52You did that one about the guy who marries dogs at a chapel.
00:19:56Ah, yes.
00:19:56That was a fine moment in broadcast journalism.
00:20:01Are you guys together?
00:20:02You mean together?
00:20:04No, but he has been hitting on me all night.
00:20:06I can't help myself.
00:20:07My wife's out of town.
00:20:09I thought he had a window.
00:20:10Anyway.
00:20:18I think your choices are superb.
00:20:20And if you want the smaller one, the owner number three to give us a Christmas gift as well.
00:20:24Right.
00:20:25So that is five paintings in all and, um...
00:20:27One hundred and fifty-two thousand dollars.
00:20:32Plus, we have your permission to use Damien's name confidentially with the list of collectors that you've approved.
00:20:38To Damien Light.
00:20:40Please tell him how grateful we are for his patronage.
00:20:42Well, on behalf of Mr. Light, we are proud to be the first to champion the work of Ansgar Doyle.
00:20:49Salty.
00:20:56Enjoy the moment.
00:20:58Paris is a wonderful place to celebrate this time of year.
00:21:02We will.
00:21:04Salty.
00:21:07You're not leaving, are you?
00:21:08My friend has to meet you.
00:21:10Yeah, no, I gotta get gone, too.
00:21:11Well, that's a shame.
00:21:13Maybe I could get an autograph before you go?
00:21:16Yeah.
00:21:20Okay.
00:21:20Two.
00:21:21Amy's fine.
00:21:23Two.
00:21:24Amy fine.
00:21:26I guess that's better for TV when she cast me.
00:21:29Wait.
00:21:30Um, could you take a picture of us?
00:21:32Is that okay, Mr. Shore?
00:21:34Of course.
00:21:35Yes.
00:21:42Nice to see you smile.
00:21:43Oh, my God.
00:21:44That's my new profile pic right there.
00:21:46Okay.
00:21:46Uh, we gotta go.
00:21:47Uber's here.
00:21:48Nice to meet you.
00:21:49Wait.
00:21:49You can't leave.
00:21:51You have to stay and meet Brianna.
00:21:52Please?
00:21:54I don't know.
00:21:56You don't know?
00:21:58I mean, I could probably finish the calamari.
00:22:01Hmm.
00:22:02Uh, you probably have to go because of that thing you were telling me about.
00:22:06Remember?
00:22:06Why don't you both stay?
00:22:08Sorry.
00:22:08Do you mind me asking how old you are?
00:22:10How old are you?
00:22:11Okay.
00:22:12I'm out.
00:22:13I'm kidding.
00:22:14I'm gonna wait for Brianna.
00:22:17I know I had a fan club.
00:22:20Dude.
00:22:24Okay.
00:22:25If he brings up the forgotten homeless crisis, cut him off.
00:22:31Okay.
00:22:31So they have my favorite martini here.
00:22:33Have you ever had a monkey martini?
00:22:36Okay.
00:22:37One monkey while we wait for your friend.
00:22:39And then I gotta get home.
00:22:40I thought you said your wife was out of town.
00:22:43Yeah.
00:22:51I'll be right back.
00:22:52Ladies room.
00:22:53Okay.
00:22:55Order a stew monkey.
00:22:56I really want to ask your advice on where to send my ransom.
00:23:03Two monkey martinis then?
00:23:08I'll show the truck and go home.
00:23:21Listen, you were amazing.
00:23:24With, um, the way you told my life story.
00:23:26You made it way more romantic than...
00:23:29Okay.
00:23:29You know, it's completely believable that you lived in the Shire.
00:23:32Hobbits aren't Irish, okay?
00:23:34What are they?
00:23:35I don't know.
00:23:36They're from Middle Earth or something.
00:23:40Oh, look.
00:23:41I hope that you know that you deserve all of this.
00:23:44And the respect even more than the money.
00:23:46They...
00:23:46They see how special you are.
00:23:51You trusted me with your work.
00:23:53And I love your work so much.
00:23:55Do you know what that means to me?
00:23:59Wait.
00:24:00God.
00:24:02Wait.
00:24:02I was just in auction house a wage slave with a normal job six months ago now, I guess.
00:24:08Shh.
00:24:09Okay.
00:24:10I don't think I'll lie now.
00:24:12Just be here.
00:24:15Right here.
00:24:17Yes, girl.
00:24:18We should go.
00:24:21Before we go back to our rooms, let's just have one more drink.
00:24:29I'm seriously trying to reach you.
00:24:38Okay, I guess we're done here.
00:24:43I'm sorry.
00:24:44I...
00:24:46Um...
00:24:47Yeah, yeah, yeah.
00:24:48That was phenomenal.
00:24:50Was it?
00:24:52Whew.
00:24:55Look, um...
00:24:57I love my wife.
00:25:02Okay.
00:25:04Hmm.
00:25:06Mm-hmm.
00:25:08Mm-hmm.
00:25:09Mm-hmm.
00:25:09Mm-hmm.
00:25:09Mm-hmm.
00:25:11Shit.
00:25:20Look, I've never done this before, so I don't really know how to...
00:25:26Shit.
00:25:27You get rid of me?
00:25:29Uh, no.
00:25:30I mean, like, you know, wrap this up.
00:25:32Pretty sure you just did.
00:25:48Uh, I hope you don't think that I'm playing games with you, okay?
00:25:50I'm not that kind of guy.
00:25:52Well, maybe I'm the one playing games.
00:25:58I hope not.
00:26:00I mean, I could use someone to help my reel get into the right hands when I get my Masters
00:26:05in June.
00:26:07You serious?
00:26:09You're right.
00:26:10We really can't see each other again.
00:26:13No, we can't.
00:26:15We should agree on that.
00:26:24I'm sorry you really be good that you stay with this shirt.
00:26:27I hope you found the accommodation satisfactory.
00:26:29Yes, just a change of plans.
00:26:31If they'd call me back, old Santa, I'd make my run.
00:26:36Here's the gift.
00:26:38I ain't like old Saint Nick.
00:26:41He don't come but once a year.
00:26:45No!
00:26:52I missed you.
00:26:55I missed you too.
00:26:56I may go!
00:27:00Thanks, man.
00:27:01So, if you have any work, I want you to hang it at the centerpiece of the show.
00:27:08I would have to rearrange this entire installation to add this.
00:27:11I worked hard to finish it today.
00:27:13And trust me, it's worth it.
00:27:19What's it called?
00:27:21Brooke.
00:27:24And how about Dreams in Paris?
00:27:28That's even worse.
00:27:38Can you spend some time with me, you say?
00:27:41She makes a great taco, what can you say?
00:27:44Okay?
00:27:45We'll take it.
00:27:46Fantastic!
00:27:47Cheers!
00:27:48Nice, congrats!
00:27:49Odyssey!
00:27:49For collectors of Oscar Doyle.
00:28:24I heard he paints from his imagination.
00:28:27I heard he paints from his experience.
00:28:32Where is Brooke? Let's hang her before we go.
00:28:34Uh, yeah, I haven't seen her in a while.
00:28:36I don't think it's very good.
00:28:38Really?
00:28:40I think they're so sensual and immediate.
00:28:42And we just bought $10,000 worth of sensual and immediate.
00:28:49There they are!
00:28:54Bravo! Bravo!
00:28:55El, El, they're talking. How much did you drink?
00:28:57Please, please, I want to go talk to the artiste.
00:29:03Hey.
00:29:05Your beautiful art will hang on my walls,
00:29:07and every time I see it,
00:29:09I will think of you and your great time.
00:29:12Well, thank you so much.
00:29:14That means, that means so much to me.
00:29:15It really does.
00:29:17What was all the whispering about?
00:29:19Ah, something's a private.
00:29:22What about that?
00:29:24We spoke to someone at a museum.
00:29:26They love Ann Scar's work,
00:29:28and they're interested in one of the large pieces.
00:29:31Really? Which one?
00:29:33The new one.
00:29:34New museum, Adam.
00:29:35Go buy another one, right now.
00:29:37Brooke is an expert at making things happen.
00:29:40I don't know.
00:29:42I don't know.
00:29:44Now, if you'll excuse me.
00:29:50Hello there.
00:29:53Hi.
00:29:55You look like you did a check.
00:30:01I have to get a check for the caterer I will come with. I want to hear more about Paris
00:30:16Oh my god what that woman who is she no one why she looks so familiar
00:30:26I have a serious problem right now is is that the girl from the bar
00:30:31fuck why would she show up here she probably just knows the artist no no I think she's looking for
00:30:37me why because I didn't give her my number okay look look we have to get our story straight our
00:30:44story what the hell happened look you have to back me up on this oh my god are you stupid
00:30:51you're the
00:30:51one who left me at a bar with a woman who's clearly coming on to me that's our story you
00:30:55know I can't get drunk anymore all right look listen to me we've never seen her bad idea okay
00:31:01just see me at the bottom you don't shut the cap I can't okay you took a fucking picture with
00:31:06her
00:31:06asshole hey I'm about ready to close up yeah let's close it up yeah who's that oh that woman do
00:31:19you know
00:31:19her it's possible I don't know her maybe you've met her I haven't yeah he meets a lot of people
00:31:27yeah
00:31:27I thought she looked familiar we have like a bunch of new interns at the station yeah she looks like
00:31:33she would be an intern let's ask her if that's how you know her I've never seen her before look
00:31:38this
00:31:39lovely lady was just saying how much she liked my newest painting it's all in the new museum once
00:31:44would you like to buy it too if only I could this is your gallery yes yes yes hi for
00:31:50Gatwick
00:31:50Amy hi this is my husband no one we've met right I don't think so hi oh um you must
00:32:01look like someone I
00:32:02must be confused grammar sees Wednesday oh oh were you there I thought so oh probably off the
00:32:14television I hear you're incredible with dogs dog weddings in a chapel right oh that's why you're
00:32:22going to Vegas is it well it's late uh should we all get going just us then all right all
00:32:41right
00:32:41I will see you I will call you all right for everything good night I'm gonna be locking up in
00:32:48a few minutes oh okay um I read your profile in art news I'm so happy to have met you
00:32:54oh it is an
00:32:55honor truly you know I'd like to buy art someday I could use some pointers oh I'm gonna get going
00:33:01okay
00:33:02please wait I'm almost done here I'll be waiting outside I would love to give you some pointers
00:33:06you know I I should really probably get going no no you just got here you want to close up
00:33:13I can come
00:33:14back it's okay I'll give you a quick tour oh okay it would be wise to say your goodbyes to
00:33:26your paying
00:33:26customers and I love that you're always thinking about pleasing the customers which affords me the
00:33:33luxury thinking about the art thanks for the ride oh this way you live no I just have to drop
00:34:02something off I need to wait though that's okay I'll wait
00:34:30oh what the fuck what
00:34:34what is your wife home what do you want
00:34:44is she home no she's not okay please let me in I need to tell you something
00:35:02for fuck's sake
00:35:08I never talked to her about us that's not why I went to the gallery I promise what okay look
00:35:16you have no idea of the whole story here what are you talking about
00:35:22you don't even understand I actually met your wife a few days ago
00:35:36men like ice car are very good for our business absolutely quote our business when you've been
00:35:40doing what we've been doing for long enough you just conclude that everybody cheats the wives are
00:35:45just better at not getting caught yeah I mean I've been hiring so many private investigators I could
00:35:48eat of course I want to go I'll be right back
00:36:02yep
00:36:06are you okay
00:36:07Owen's been giving me shit about Ansgar texting all the time but he gets up and text in the middle
00:36:11of the
00:36:11night too Owen is a news guy the news never sleeps he's been acting weird lately do you think he's
00:36:17messing
00:36:18around no I think you're just letting this dress at the opening get to you put your phone away pay
00:36:24your man a little attention it's only once right now
00:36:34right right just be direct right down by the fact that you're going to be in a Paris hotel with
00:36:38the
00:36:38World Sox he's been alive okay get out of here go talk to your husband before I have to represent
00:36:44you
00:36:51what Owen told me who he was texting late at night he says it's one of the new producers named
00:36:55Sarah
00:36:57and and I stole his iPad that is a complete violation of privacy and trust do you have his pass
00:37:04where
00:37:04yeah you do I'm just trying to figure out if I have a reason to worry okay well this iPad
00:37:08has marital
00:37:08property so legally I see nothing wrong with what's happening here okay first I want to say in my
00:37:12defense that I did not want to snoop but I just saw his messages commit and he's been acting weird
00:37:17he's been staying all later than usual and he says it's just work assignments but I don't know where
00:37:21he really is or what he's really doing with her so many men use the working lady excuse you won't
00:37:26have
00:37:26a child with this man I know but this is all when we're talking about so many years of nothing
00:37:30but good
00:37:30I'm not worried at all honestly I don't think he's really cheating but it just makes me wonder if he
00:37:42would cheat it's the sliver of doubt that's killing me god I hate this about myself
00:37:54okay there's a few ways we can do this I'm listening I always tell my clients if you want
00:37:59to prove that your husband's cheating you should hire a PI to tail him but if you want to know
00:38:03for
00:38:03sure that your husband wouldn't cheat you hire a decoy what's that I use them all the time a decoy
00:38:11is
00:38:11going to flirt with him give him an opening and see what he does and if the husband takes the
00:38:15bait
00:38:16does the decoy go all the way no no no they have a professional code of ethics like hitmen damn
00:38:22that's
00:38:23dark I don't think I need to know that badly you don't Owen is the sweetest guy ever and you're
00:38:28lucky
00:38:28he puts up with you I know but if you do find your insecurities keeping you up at night call
00:38:36this agency
00:38:37they're open 24 hours I won't call you shouldn't but if you do get my volume discount
00:38:45so
00:41:00When you get a break, please call me.
00:41:01Bye.
00:41:11Right here's fine.
00:41:18Bye.
00:41:19Bye.
00:41:28Bye.
00:41:30Bye.
00:41:32Bye.
00:41:33Bye.
00:41:41Bye.
00:41:54are you broke I am are you the one there Sunday yes Amy I'm the operative
00:42:01operative sounds official it's just a job that's paying for grad school speaking of
00:42:08payments yes I take half now and then the other half when I bring you the video from
00:42:12the video guy across the room and the audio from my phone okay has he been unfaithful before
00:42:22I don't think so I don't know do you have kids no not yet great and I'll just need to
00:42:32see a picture
00:42:32they said you didn't attach one I'd rather not send this
00:42:45you know I'm not sure you're his type yeah maybe um it's hard to tell I I'm more attractive when
00:42:54I go
00:42:54out maybe there's a perfume he likes sir I'm not gonna tell you what kind of perfume he likes
00:43:01you're wearing Chanel my mom has that perfume look I know this is probably really strange for you
00:43:11and you don't know me at all but honestly you have nothing to worry about with me I have a
00:43:20boyfriend
00:43:20who I'm very much in love with this gig is just really good money thank you uh this is mine
00:43:32over
00:43:33I already have you saved into my phone as Brianna and if you decide at any point that you don't
00:43:37want
00:43:37to go through with this just send me the message sorry have to bail okay and you'll respond so I
00:43:44know
00:43:44you got it yeah I'm like a normal person who texts glad to have met you you know I didn't
00:43:54think I'd get
00:43:54any more jobs left the holidays it's a slow time of the year
00:43:58just be here right here that's where we should go
00:44:12before we go back to our rooms let's just have one more drink
00:44:20oh what what I mean I just have to send a message and cancel something really quick
00:44:27then I gotta go
00:44:28I thought you said your wife is out of town
00:44:35I'll be right back ladies and gentlemen
00:44:38orders to monkeys I really want your advice somewhere I should send my mail
00:44:48you know I should probably have a check
00:45:03look relax
00:45:11look relax hey
00:45:14look where we are
00:45:18I mean is there anything better than this
00:45:24you're right
00:45:26all good now
00:45:27you're right
00:45:55you're right
00:46:03I'm back
00:46:06now do you think they'll actually pay us
00:46:14they better or I'll break their legs
00:46:17oh is that what gallery owners do
00:46:19that is what gallery owners do that is why I got into this business for the danger
00:46:23oh wow okay back up
00:46:28let me ask you
00:46:30Amanda Geisler is pursuing you heavily and her gallery is established so why did you go with me
00:46:37you were more beautiful
00:46:40really
00:46:40really
00:46:42and I didn't want to share
00:46:44ah
00:46:46the real reason
00:46:47oh you were willing to go all in on me for a solo show
00:46:51I appreciate that commitment to risk
00:46:55the feelings mutual
00:46:59and you are more beautiful
00:47:09so
00:47:11have you always loved artists
00:47:12I love art more than I love artists
00:47:15come on you like me
00:47:16well you're the exception
00:47:19so
00:47:20so
00:47:21why
00:47:21did
00:47:22you choose me
00:47:24your work was the most beautiful
00:47:31you know
00:47:33when I look at you
00:47:35I see colors
00:47:38really
00:47:40I found out there's something different about my brain
00:47:44when I see colors
00:47:45I hear music
00:47:47and when I hear music
00:47:48I see colors
00:47:49that's called synesthesia
00:47:51yeah
00:47:53I look up at the sky
00:47:55and I see blocks of color moving
00:47:57and I hear music
00:48:00and everything about us
00:48:04it's color
00:48:05the music
00:48:09my brain
00:48:16I love that
00:48:25you know
00:48:27there's something in my room
00:48:28I want to show you
00:48:32would you like to see it
00:48:38sorry
00:48:41everything okay
00:48:43I'm just waiting on a message
00:48:45um
00:48:46I don't have any bars here
00:48:48I think I have to go find some reception
00:48:53look your husband's probably working late
00:48:56can't you just
00:48:59be here
00:48:59I can't
00:49:01I might have made a huge mistake at home
00:49:04excuse me
00:49:04I have to
00:49:05I have to get a hold of Owen
00:49:06I think we should just say goodnight now
00:49:08I think
00:49:08I'm sorry
00:49:18I'm sorry
00:49:19oh god come on
00:49:20god come on
00:49:23come on come on
00:49:24come on
00:49:48You sure you just don't want to help me with my reel to get my foot in the door?
00:49:57You want to answer that?
00:49:59Yeah, I should.
00:50:01You should.
00:50:07Hi.
00:50:08Hi.
00:50:09Finally, you answered.
00:50:11Yeah, everything okay?
00:50:13Yeah.
00:50:15Did I wake you?
00:50:16What time is it there?
00:50:18It's, uh, it's after 7 a.m.
00:50:21I tried to text and call you last night.
00:50:24Uh, yeah, they just came through now.
00:50:31How'd it go?
00:50:33Great, we sold five paintings.
00:50:37Five?
00:50:38It's not important.
00:50:41No, it is.
00:50:44Did you, uh, end up at Gramercy Bar?
00:50:52Oh, and did you go to Gramercy last night?
00:50:57I got, yeah, I got a quick drink and then I came home.
00:51:05I'll see you tonight.
00:51:06I'm coming home early.
00:51:08Oh?
00:51:10Yeah, well, mission accomplished.
00:51:11You know, I have so much work to do, I have to get back.
00:51:16All right, well, you should probably get to bed and short sleep there.
00:51:21Yeah, I bet.
00:51:22I'll see you then.
00:51:25Owen?
00:51:33We're okay?
00:51:37Are we?
00:51:38Yes.
00:51:40Yes.
00:51:42I love you.
00:51:45Love you too.
00:52:09Hey, sit down.
00:52:13Where are you going?
00:52:15I have to go home now.
00:52:17But our tickets are for tonight.
00:52:20You understand why I have to get back.
00:52:24No, Brooke.
00:52:26If you have feelings for me,
00:52:28if there are feelings here,
00:52:30then let's not judge it.
00:52:33Let's not resist it.
00:52:35Like...
00:52:38I can't stop thinking about you.
00:52:43You worked so hard to get here.
00:52:49I'm yours.
00:52:52I'm sorry.
00:52:54I have to go.
00:53:05I'll find a place for it, but you can't call it Brooke.
00:53:09And how about dreams in Paris?
00:53:12Oh, my gosh.
00:53:13That's even worse.
00:53:26Hi there.
00:53:28Oh, hi.
00:53:29You're early.
00:53:30Um...
00:53:32That's okay.
00:53:33But...
00:53:45This...
00:53:46What?
00:53:50Was that the artist that just left?
00:53:52Yes.
00:54:01Okay.
00:54:03So...
00:54:03What do you have for me?
00:54:06Okay.
00:54:06All right.
00:54:07Uh...
00:54:07I have to tell you something.
00:54:10I let something happen that I shouldn't have.
00:54:14Okay.
00:54:19My phone died.
00:54:22It died?
00:54:23Yeah.
00:54:24I have too many apps or something.
00:54:27Um...
00:54:28I...
00:54:28I don't know what's around with my battery.
00:54:29It's a...
00:54:30It's a new phone.
00:54:31Too.
00:54:32So I...
00:54:33Didn't get any audio.
00:54:35And what about video?
00:54:36Video guy didn't show.
00:54:38Yeah.
00:54:40I know it looks really bad.
00:54:44Um...
00:54:46Nothing happened.
00:54:47He was completely faithful to you.
00:54:49He passed.
00:54:53Can I get you coffee?
00:54:54Water?
00:54:55Yeah.
00:54:56I have to be somewhere, so...
00:54:57What?
00:54:58You must have a little time to tell me what happened.
00:55:01Please.
00:55:01Sit.
00:55:04Um...
00:55:05Okay.
00:55:08Yeah.
00:55:09I, uh...
00:55:11I got to the bar.
00:55:15So no send-off set?
00:55:17I spotted your husband.
00:55:19Um...
00:55:19I'm gonna drink.
00:55:20Okay, wait, hang on.
00:55:20You're forgetting?
00:55:21The last time you got drunk, you tried to find a house for every homeless guy in York City.
00:55:24I don't remember that.
00:55:25Yeah, exactly.
00:55:26Come on.
00:55:27Let's go.
00:55:27What?
00:55:28Come on.
00:55:28There's one more.
00:55:29That's when I noticed my phone was dead.
00:55:32No.
00:55:32I gotta go.
00:55:34I'm pretty sure Eleanor put a tracking app on my phone.
00:55:37Hi there.
00:55:39He was getting ready to leave with his friend, so I sold him by asking a question about journalism.
00:55:46Let me ask you a question.
00:55:47Okay.
00:55:48Do you and your wife have a top five list for a hall pass?
00:55:52What?
00:55:52Like a list of celebrities that we give each other permission to sleep with if the opportunity
00:55:57ever presents itself?
00:55:58Exactly.
00:55:59No.
00:56:00No.
00:56:00What?
00:56:00Brooke would never go for such a thing.
00:56:02What?
00:56:03Ever.
00:56:05Why?
00:56:06Who's on yours?
00:56:07Well, I got my boyfriend to agree to a list, but it's, um, it's kind of eclectic.
00:56:14No judgment.
00:56:15No.
00:56:19Okay.
00:56:19Come on.
00:56:20Just tell me who's number one on the list.
00:56:23Well, it's not number one, I'm afraid to tell you.
00:56:25It's number four.
00:56:29Number four?
00:56:31Yeah.
00:56:33The suspense is killing me.
00:56:34Number four.
00:56:37Owen Shore.
00:56:41Shut up.
00:56:43There's some news you can use.
00:56:48We talked for 20 minutes.
00:56:51I gave him some openings, but he clearly was not into me at all.
00:56:59I thought maybe if I could get him to have another drink, it might up my chances, but he would
00:57:06not have one more drop.
00:57:12He was a perfect gentleman.
00:57:16Completely clear about where he stood.
00:57:19Why aren't you bothered that no one's talking about the homeless crisis anymore?
00:57:22So bothered.
00:57:25I tried to reach you.
00:57:26I texted you the code to call it off, but you never responded.
00:57:30Well, you didn't need to, because he wasn't interested.
00:57:32So you talked about work for those 20 minutes?
00:57:35Yeah, we talked about the business.
00:57:37We talked about how to get a leg up.
00:57:41Breaking in.
00:57:43Huh.
00:57:45Owen gets uncomfortable when he's approached about work.
00:57:49That wasn't my perception.
00:57:51Okay, well, right now I'm getting your perception, but what I need are the facts.
00:57:56The fact is this.
00:57:58Your husband passed the test.
00:57:59I made some clear advances and he declined.
00:58:03Amy, I have no proof that you were even there.
00:58:07I have proof.
00:58:11Uh, this is a napkin that he autographed.
00:58:17So are we good?
00:58:20I have to pay you.
00:58:24Right.
00:58:28You know what?
00:58:29I'm not gonna take that.
00:58:31But it's not your fault that your phone died and the video guy didn't show.
00:58:34Right?
00:58:37Please.
00:58:38Take it.
00:58:42Thanks.
00:58:47You should come to the opening tonight.
00:58:49You can meet Ansgar.
00:58:52Will your husband be there?
00:58:54What does it matter?
00:58:55I think you'd enjoy it.
00:58:56...
00:59:02Dog weddings at a chapel.
00:59:04Right.
00:59:04Oh, that's why you're going to Vegas, is it?
00:59:12Well, it's late.
00:59:13Should we all get going?
00:59:20Just us, then.
00:59:36There you are. I need to tell you something.
00:59:37Are you fucking crazy?
00:59:39What are you doing? You can't be here.
00:59:41You have no idea what's going on here.
00:59:42I think I do.
00:59:43No, you actually don't.
00:59:44Hey.
00:59:45Hey.
00:59:46Found you.
00:59:47So, uh, fancy grabbing a drink?
00:59:50I really should go.
00:59:53Once and slowly. Come with me.
01:00:02Brooke, I'm leaving. I'll see you in the morning.
01:00:06Oh, and the husband scowls in the shadows.
01:00:10Fuck off.
01:00:11Fuck off?
01:00:11Well, fuck me, newsboy.
01:00:13Yeah, fuck you.
01:00:19Help!
01:00:21Help!
01:00:22Help!
01:00:23Help!
01:00:24Get...
01:00:25Get off of me! Get off! What is wrong with you?
01:00:27Are you a man so jealous he can't control himself?
01:00:30You're fucking crazy!
01:00:31Fuck you!
01:00:32Are you okay? You're bleeding.
01:00:33I'm fine.
01:00:33Oh, my God. Do you need to go to the hospital?
01:00:35I'm not going to the hospital.
01:00:37I'm fine.
01:00:37She's right. You're a mess.
01:00:39Look, I'm bleeding.
01:00:40Yeah.
01:00:41Do you want to grab a drink? Let's go.
01:00:42Okay. Fine. Fine.
01:00:43Let's go. Let's go.
01:00:46Are you hurt?
01:00:48Physically.
01:00:55I'm dropping him.
01:00:57Okay. Let's go home.
01:01:06Owen, are you sure you don't know that woman? The one that was with Ansgar?
01:01:11I don't know her.
01:01:12I don't know her.
01:01:13So you didn't meet her at Grand Mercy Bar when I was in Paris?
01:01:16I thought I remember.
01:01:20Do you remember this?
01:01:30What?
01:01:32She gave this to you?
01:01:33When did she give this to you?
01:01:35What did she say?
01:01:36Well, I want you to tell me.
01:01:40I don't understand.
01:01:44She gave that to you?
01:01:45Yeah, she did.
01:01:50Okay. Maybe I gave her an autograph.
01:01:52I don't remember.
01:01:53You know, it was crowded and I can't...
01:01:55So you talked to her.
01:01:58I just don't understand why you couldn't say that to begin with.
01:02:05Honestly, it was all a blur.
01:02:07Sure.
01:02:08Okay?
01:02:10Okay, look.
01:02:11All right.
01:02:12I...
01:02:13Right.
01:02:15I was leaving with Adam.
01:02:16Some girl comes up.
01:02:17She asks for an autograph.
01:02:20Is this something we need to make a big deal out of?
01:02:22A girl at a bar?
01:02:24Do we need to make a big deal about it?
01:02:28You tell me.
01:02:31I don't know.
01:02:32She's a fan.
01:02:33She can say anything.
01:02:34Like what?
01:02:35Who knows?
01:02:36Crazy shit.
01:02:38You think she would do that?
01:02:41You never know.
01:02:43Like...
01:02:43Look, you try to be nice.
01:02:45Give an autograph.
01:02:46Give him a picture.
01:02:47Sure.
01:02:49What?
01:02:49You took a picture with her too?
01:02:52Yeah.
01:02:53Yeah.
01:02:55On her cellphone?
01:02:57Yeah.
01:02:59She said she was gonna put it online.
01:03:01Which I was not very happy about.
01:03:03Are you sure she used her cellphone?
01:03:05Yeah.
01:03:06Adam took the picture.
01:03:08Look, what difference does it make?
01:03:12You're lying.
01:03:16No, I'm not.
01:03:18I want you to tell me exactly if something happened more than what you're telling me.
01:03:27Don't lie to me.
01:03:34All right.
01:03:36All right, what?
01:03:37You're right, okay?
01:03:38There's more to the story.
01:03:41There's a story?
01:03:45Look, okay, I never meant for things to get out of hand.
01:03:49What?
01:03:50And you were spending a lot of time with him.
01:03:53And I was losing it.
01:03:55Oh, my God.
01:03:55Okay?
01:03:56What did you do?
01:03:58Oh, my God.
01:03:59Um, can we pull over?
01:04:01No, can we just go?
01:04:02No, no, no, no, no.
01:04:03I need to get out.
01:04:04Can you let me out?
01:04:05Brooke.
01:04:05No, can you stop the car?
01:04:06Can we just stop the car?
01:04:07Stop the car right now.
01:04:08God damn it.
01:04:12Brooke.
01:04:13Brooke.
01:04:14Hey.
01:04:15Hey, just come back to the cab, okay?
01:04:16We can go home and talk.
01:04:17Just say what you have to say.
01:04:20Oh, my God.
01:04:21You can't even say it.
01:04:29Brooke.
01:04:30Hey.
01:04:31Hey.
01:04:32Hey.
01:04:33I made a mistake.
01:04:34Don't touch me.
01:04:35You have to hear me.
01:04:36Okay?
01:04:36In all the years we've been married, I have never done anything inappropriate.
01:04:40I've never done anything to undermine our relationship.
01:04:43Owen, did you have sex with her?
01:04:50Have you had sex with her?
01:04:57I feel terrible, okay?
01:05:00I don't know what...
01:05:01I'm sorry.
01:05:02Brooke, please.
01:05:03Just listen.
01:05:05Okay?
01:05:06Just listen.
01:05:06Hey.
01:05:06Get away from me!
01:05:13All those women at work that you go on trips with, your late night outings, give me your phone.
01:05:20Can you please just go home?
01:05:21No!
01:05:22I want your phone to look through all your texts and everything right now.
01:05:25come, come home!
01:05:26Come.
01:05:39Come home.
01:05:40Come home.
01:05:46Come home.
01:05:53I've never had a home
01:05:56Like I never even loved you at all
01:06:02I know the truth
01:06:06Oh no, what did you do?
01:06:14You don't understand
01:06:16I actually met your wife a few days ago
01:06:19What are you talking about?
01:06:22She hired me
01:06:26Hired you?
01:06:27Yes
01:06:30For what, like a job at the gallery?
01:06:32No
01:06:33Then for what?
01:06:34She hired me as a
01:06:36An operative
01:06:38A decoy
01:06:42What?
01:06:43I knew you'd be at Gramercy that night
01:06:48She set me up?
01:06:50Yes
01:06:53You were supposed to have sex with me?
01:06:57No
01:06:57No, okay
01:06:59That was my own fuck up
01:07:01Because
01:07:02Actually
01:07:03You really are
01:07:05Number four on my list
01:07:18I'm sorry
01:07:19I don't want to talk about it right now
01:07:39I'm sorry
01:07:39I'm sorry
01:07:39I'm sorry
01:07:42I don't want to talk about it now你說
01:07:43you know You're
01:07:43right You're
01:07:44right There's
01:07:44right Yep I'm
01:08:21Hey, Owen, did you just call?
01:08:22We've got lots of Senator McVeigh tips coming in, so keep your phone close by.
01:08:26Kim says we'll send you out on the best lead if we can confirm the address.
01:08:29Oh, I didn't want to text this because I know it's a surprise,
01:08:33but my aunt said her Paris apartment is all good for you and Brooke if you want to purchase a
01:08:37message.
01:08:37Okay? So call me. Bye.
01:08:54Bye.
01:08:55Bye.
01:09:07Bye.
01:09:14Bye.
01:09:16Bye.
01:09:16Bye.
01:09:18Bye.
01:09:43What are you doing here?
01:09:45What are you doing here?
01:09:46I live here.
01:09:49Amy just went inside.
01:09:50Wait.
01:10:02This is the situation.
01:10:05Oh, shit.
01:10:08Did he call and tell you I wasn't here?
01:10:11Did you rush over?
01:10:12She just wanted us all to be on the same page.
01:10:14Look, I realize I crossed a line.
01:10:16Yeah, when?
01:10:18What?
01:10:18When did you decide to cross that line?
01:10:20I was enjoying our conversation.
01:10:23How about what?
01:10:23Your boyfriend that you're very much in love with?
01:10:25I had a hall pass.
01:10:27Oh, really?
01:10:29Protecting your little prostitute?
01:10:30I'm not the one who paid her to have sex with me.
01:10:32She wasn't.
01:10:33You weren't supposed to do that to me.
01:10:37I thought that you would be able to say no.
01:10:39I was banking on the proof and in comfort of knowing with 100% certainty that my husband would be
01:10:43faithful.
01:10:45I thought that, you know, even if I...
01:10:49What?
01:10:51Say it.
01:10:52Say what you did to me.
01:10:53Even if I created the circumstances.
01:10:56I have never made a move in my life that wasn't about you.
01:11:00And you're right.
01:11:01I fucked up.
01:11:03I reacted.
01:11:05And I did something wrong.
01:11:06But the ironic thing is, just for a second, I thought, yeah, I'm doing something fucked up.
01:11:16And I'm doing it for me.
01:11:18For me.
01:11:18Just for once.
01:11:20But it wasn't.
01:11:23You did this to me.
01:11:25Fuck you.
01:11:26Okay, I just really have to say, for the record, that I have always been completely professional.
01:11:33And I have never had an incident like this before.
01:11:36You really have no shame.
01:11:40That might be true.
01:11:43But you know what?
01:11:46I'm not the one who dangled a chick in front of my husband to see if he'd fuck her.
01:11:52I don't know why you'd mess all this up.
01:11:57We have a really nice apartment.
01:12:10Hey.
01:12:13Hey, what?
01:12:16You want to talk about it?
01:12:45I need to know, Brooke.
01:12:50Did anything happen in Paris?
01:12:56No.
01:12:58In full honesty, they're all cards out on the table.
01:13:03No, I'm not going to answer that question.
01:13:08Well, would you please fucking answer that question?
01:13:13Were you unfaithful to me?
01:13:17And what if I was?
01:13:20Meaning?
01:13:23I may have made a huge mistake at home.
01:13:25We should just think at night.
01:13:27No, I think.
01:13:27I'm sorry.
01:13:58Oh, it's cheating on me.
01:14:01I know it.
01:14:02I can feel it.
01:14:05I can feel it.
01:14:07Cheating.
01:14:08Cheating, as in fucking someone who's not me.
01:14:14That's all my fault.
01:14:15Cheating.
01:14:17Cheating.
01:14:24Cheating.
01:14:26Cheating.
01:14:27Hey, can I show you something?
01:14:37Hey, come on.
01:15:18Now can you see that corner there, two years ago, I was sleeping there, on that sidewalk.
01:15:28Yeah, no one, I was drawing pictures on the walls with chalk, some people help me, or you
01:15:39most of all, and now I'm here, and you're here, look, if I went away somewhere, I didn't
01:15:58know.
01:15:58That's good news.
01:16:01It means you're free to do whatever you like.
01:16:22I live for each moment.
01:16:29When do you think it matters to the universe, if you kiss me, or not?
01:16:41I want to change your mind, and bring you in close to me.
01:16:54I want to change your mind, and bring you in close to me.
01:17:07Be totally with me.
01:17:10Totally with me.
01:17:17In this exact moment.
01:17:23It's all cards on the table.
01:17:26As they say in Vegas, baby, when you tie, it's a push.
01:17:31Meaning what?
01:17:34Meaning you hiring Amy makes us even?
01:17:37Meaning what?
01:17:54I can't.
01:17:56Meaning I don't have to tell you.
01:17:59And that's what makes us even.
01:18:26And that's what makes us even.
01:18:31Wait a minute.
01:18:42Say the minute.
01:18:52How are you?
01:18:54I'm nervous.
01:19:14Wait.
01:19:17Are you coming back for Christmas?
01:19:27Is this it?
01:19:48Your Vegas ticket?
01:19:53No.
01:20:03Departs in three hours from JFK.
01:20:09Christmas in Paris.
01:20:13Two tickets.
01:20:14Two tickets.
01:20:15Two tickets.
01:20:30Two tickets.
01:20:32Two tickets.
01:20:56Two tickets.
01:20:59Should we make some hot cocoa?
01:21:11Can't get my money back.
01:21:26Can't get my money back.
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