Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡️ https://bit.ly/arydigitalyt.
Watch all the episode of Bas Tera Saath Ho Here : https://www.youtube.com/playlist?list=PLb2aaNHUy_gGgkDK4gTOWeGpBfKXDcS6t
Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.
Farhan Saeed as Anas :
Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future.
His resilience keeps him going, but his heart longs for security, belonging, and a life of his own
Sana Javed as Ansa :
Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.
Zoya Nasir as Shareen :
Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him.
Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.
Cast:
Farhan Saeed,
Sana Javed,
Zoya Nasir,
Saba Hamid,
Salman Shahid,
Haris Waheed,
Rizwan Ali Jaffri,
Faran Tahir,
Shagufta Ejaz,
Tipu Sharif,
Aliya Ali,
Syed Mohammed Ahmed,
Sabrina Naqvi,
Hammad Sheikh Kashmiri & others
Bas Tera Saath Ho every Mon & Tue at 08:00 PM only on ARY Digital HD
Writer: Saira Raza
Director: Qasim Ali Mureed
#basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama
Click the link below to download ARY Plus APP🧩
· Download for iOS → https://bit.ly/4bAfiW4
· Download for Android → https://bit.ly/4sSWI2g
Visit 👉 http://aryplus.tv
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
➡️ https://bit.ly/arydigitalyt.
Watch all the episode of Bas Tera Saath Ho Here : https://www.youtube.com/playlist?list=PLb2aaNHUy_gGgkDK4gTOWeGpBfKXDcS6t
Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.
Farhan Saeed as Anas :
Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future.
His resilience keeps him going, but his heart longs for security, belonging, and a life of his own
Sana Javed as Ansa :
Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.
Zoya Nasir as Shareen :
Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him.
Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.
Cast:
Farhan Saeed,
Sana Javed,
Zoya Nasir,
Saba Hamid,
Salman Shahid,
Haris Waheed,
Rizwan Ali Jaffri,
Faran Tahir,
Shagufta Ejaz,
Tipu Sharif,
Aliya Ali,
Syed Mohammed Ahmed,
Sabrina Naqvi,
Hammad Sheikh Kashmiri & others
Bas Tera Saath Ho every Mon & Tue at 08:00 PM only on ARY Digital HD
Writer: Saira Raza
Director: Qasim Ali Mureed
#basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama
Click the link below to download ARY Plus APP🧩
· Download for iOS → https://bit.ly/4bAfiW4
· Download for Android → https://bit.ly/4sSWI2g
Visit 👉 http://aryplus.tv
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
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FunTranscript
00:00शर्याब इंसान एक unpredictable जानवर है वो कब कितना बेरहम होता है और कब कितना महरबान कि कोई नहीं बता
00:08सकता
00:13दरे निजात देखिए यकुम अगस्त से हर जुमा और हफ्ता रात आट बजे सिर्फ ए-र-वाई डिजिटल पर
00:30वस तुम ही देखा करो तुम ही मेरा नाम लो
00:40I went to his room for a few times.
00:43He was sleeping while he was asleep.
00:46He didn't eat anything at night.
00:50You also had a lot of time.
00:52He was a big man.
00:54He was so angry with us.
00:57And tomorrow he was a good man.
01:05Shayan.
01:14Shayan, I know that you are running away.
01:18Get up, son.
01:22Look, I didn't have a gesture in your eyes.
01:25If I get up, I would have a gesture in front of you.
01:29Don't touch me.
01:32You don't need to have a love for me.
01:36Go here and leave me alone.
01:40No, Shayan.
01:43Go here and leave me alone.
01:45Shayan.
01:51She will tell me that she will leave me alone.
01:54Shayan.
01:55She will tell me that she will leave me alone.
01:58Don't talk to her like this.
02:00What will she say to you?
02:02She will tell me that she is a very innocent and a very innocent.
02:06Okay, I will leave you alone.
02:07Leave me alone.
02:08Shayan.
02:10Shayan.
02:11Shayan.
02:11Shayan.
02:11Shayan.
02:13Shayan.
02:14I took my hand and it was wrong.
02:17Okay?
02:22You don't want to touch me?
02:25You don't want to touch me alone.
02:29Okay.
02:32I will never touch me alone before the hand.
02:37I will never touch you and then call me, forgive me.
02:39I have a fear of saying that your fault is not.
02:43But you are still there.
02:44It's not my father.
02:46You've done so much in front of everyone.
02:48You've done so much in my head.
02:52Tell me about it.
02:53Tell me about it, Baba.
02:54You guys.
03:00It's not going to happen, Baba Ji.
03:25I'm not sleeping.
03:27I'm on my phone.
03:29Okay.
03:31You're my brother.
03:33Hello?
03:35Hello?
03:36I'm sorry.
03:40You're so angry.
03:42You're so angry too.
03:43Hello?
03:44You're so angry so quickly.
03:46I was sleeping, right?
03:50Which time is going to be sleeping?
03:52It's 5 o'clock in the evening.
03:54Come on, I understand.
03:55I mean, the whole night of the night,
03:57the whole day of the night,
03:59I was sleeping for about 30 hours.
04:02And I too.
04:04Oh, God.
04:05What do you want?
04:08Get ready for 20 minutes.
04:10I'm going to pick it up.
04:13Where?
04:13Where are you going?
04:17You don't need to know.
04:19If you tell me,
04:21I'll be ready with you, right?
04:24Just prepare for a good time.
04:27I want to see you.
04:31Hello?
04:48I don't know.
04:49I've got a good time.
04:51I've got a good time.
04:53I've got a good time.
04:54I've got to know.
04:54Even when I get to know the kids,
04:56it's better than the kids.
04:59Yes, Atik was telling me.
05:01I understand.
05:02It's a great business.
05:04He's coming.
05:05He's coming.
05:06He's coming.
05:08He's coming.
05:09He's coming.
05:11He's coming.
05:12But I'm not sure.
05:13You go.
05:16What did he tell me, Atik?
05:21My name is Mr. Lain.
05:26What's your name?
05:28He's coming.
05:29He's coming.
05:29He's coming.
05:30He's coming.
05:30He's coming.
05:30Anas.
05:31Anas is his name.
05:33But what did he say, Atik?
05:36Atik?
05:36Atik told me that
05:39he's had an evil cause
05:41to keep a girl at home.
05:43And he kept knowing what to do.
05:47There was a lot of joy.
05:49What I'm going to tell him,
05:51he has from my job,
05:52but he hasn't left alone.
05:55Why are you keeping them at home?
05:58Why aren't they away?
05:59Remove them at home?
06:00My sister is forgetting.
06:01What?
06:03Why are they keeping them at home?
06:06I mean,
06:07What does it take to keep it?
06:11You don't have to worry about talking about it.
06:15Who is this?
06:18Okay.
06:20That's it.
06:23And you?
06:25You know what I'm going to say about marrying me.
06:27You couldn't say it.
06:29How do I know?
06:31I was familiar with marrying me.
06:33What do I know about the truth and the truth?
06:35What do I know about the truth?
06:36You?
06:38Anas?
06:39Thay.
06:42I said to you yesterday,
06:43you won't be able to do such an expression about Ansa.
06:47What have you said?
06:48I'm not saying the whole world.
06:50For what to know, understand and ask,
06:53people are sitting at home.
06:55The world is being made a lot of things.
07:00What are you doing?
07:03What do you want to know?
07:04What do you want to know?
07:07Ask me.
07:09This girl is my daughter.
07:11And if anyone can talk about it,
07:13it won't be bad for me.
07:18I've met him in front of God's house.
07:23Do you know anything else?
07:27I don't know anything else.
07:29I don't know.
07:31I have become familiar with you.
07:32I'm going to see you.
07:36What do you want to know?
07:43Do you know what you're saying?
07:45In this corner, in this place,
07:48when you were scared of fear,
07:50that you would have to keep your daughter's daughter's daughter back?
07:55Then, Anas had all the situation in this place.
08:00You can't forget immediately.
08:04I'm warning you,
08:07if you're wrong with me,
08:10or with us,
08:11or with us,
08:12or with us,
08:15then I'll forget that you're an Anas' daughter.
08:18Anas.
08:19You don't know Anas Jameer.
08:27He's got his head.
08:29I can't tell anything about him.
08:31I can't tell anything about him.
08:39The gate is open.
08:41I can't tell anything about him.
08:49What's the gate?
08:50What's the gate?
08:50I can't tell anything about him.
08:53I know.
08:54It's not a gate.
08:56I know,
08:57but I'm so sorry.
09:10Let's go.
09:14Where are you coming from?
09:15Talk to me like a kid.
09:22Hey, where are you going from?
09:24What's the problem?
09:26What?
09:28What's the problem?
09:31Welcome, uncle.
09:34Welcome, entrepreneur.
09:35Welcome, entrepreneur.
09:36Welcome, entrepreneur.
09:37Welcome, entrepreneur.
09:37You're good to come.
09:37I thought we will leave you alone.
09:39You won't get any trouble.
09:40Yes, auntie, I told Sherrin to tell.
09:42There's no doubt.
09:44Please, you guys carry on. I'm just going to pick Sherrin.
09:47Let's go.
09:48Where do I go?
09:49Who is she?
09:52Sherrin, did you tell my uncle?
09:54I told my uncle.
09:57She's taking dinner.
10:00There's a lot of time in the dinner.
10:03I wanted to meet Sherrin with my friends.
10:06I wanted to meet my friends.
10:07She couldn't come here. She was very upset.
10:10A friend?
10:11Yes.
10:13Close friends and her missus.
10:18And...
10:19When will she come back?
10:24It will be 10-11.
10:2710-11?
10:29This is...
10:31It's very late.
10:33Uncle, I'll be with Sherrin.
10:34I'll be with her.
10:35I'll drop it and go and pick it up.
10:38Don't give permission.
10:41I don't understand.
10:42I understand.
10:42I'm sorry.
10:46I'm waiting in the car.
10:47Thank you, son.
10:48Thank you, son.
10:48Thank you, son.
10:49You should wait.
10:50What's your problem?
10:51You...
10:52My problem?
10:53I'm going to sit in my house.
10:55For so long?
10:56And it's going to be with that bond at 10 o'clock.
10:59She's my manager.
11:00She's not a minister, Sherrin.
11:02Don't die from me.
11:03Don't die from me.
11:03You're a daughter.
11:04What's the matter?
11:05There's no matter, Sherrin.
11:12See?
11:13You've asked for me, it was a matter of a distance.
11:16You've also understood to me.
11:18What did you ask, Murseline?
11:21You've come to me with the news?
11:22You came to the hospital and it was soon to get to the hospital.
11:23You're a man.
11:28You're a man.
11:29I'm going to go, Babu.
11:33You're going to get to the hospital for 10 minutes.
11:36No, I'm sorry.
11:42I'm sorry.
11:43We're going.
11:44And you, don't leave the house in the house.
11:47You understand?
11:48Go.
11:49Go.
12:08You're a man.
12:10You're a man.
12:10You're a man.
12:11And if you'll tell him, you won't lose you with me.
12:15You will lose you.
12:18Yeah, man.
12:40Ahatsuni, Baba.
12:43Abhisheh.
12:45Mm.
12:47Subhan Ancles, they're going to Saudi Arabia with their daughter.
12:51For a half a month.
12:53They're thinking that in their own place,
12:56they're a person who may be a good person.
12:59I'll do it, man.
13:00I'll do it.
13:01I'll do it for their job.
13:02I won't do it.
13:03This is the guarantee for me.
13:05And when we come back,
13:09you'll be able to take something else to come.
13:10Inshallah.
13:11Yeah, Amr.
13:13Thank you so much, yeah.
13:14I can't tell you,
13:15I'll be able to take you so easily.
13:16You've done a lot of work.
13:18I'll tell you later.
13:21Then you'll be able to do time.
13:22And yes,
13:24you have to go to two nights at night.
13:28Yes.
13:29Do it.
13:31Go now.
13:31That's right.
13:32That's right.
13:33That's right.
13:33That's right.
13:34I'll leave you alone.
13:36Don't worry.
13:37Thank you, Amr.
13:38Damak máquinas,
13:49Daddy.
13:51Daddy.
13:54Daddy.
13:54Daddy.
13:56Daddy,
13:58his Alderbeer.
13:58Daddy.
14:00Daddy.
14:02brother.
14:02Daddy.
14:03Take away.
14:03Daddy.
14:05Daddy.
14:05Daddy.
14:06Daddy.
14:08What's going on, Anas?
14:11The sugar level has gone down.
14:13I'll take the mittai to the fridge, keep it right.
14:14No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
14:16no.
14:17Who is calling you?
14:18The ambulance.
14:19I'll go along with the ambulance.
14:20Okay, tell your friend.
14:22No, we're not at the home, we're both.
14:23Lata.
14:28Hello?
14:43I'll go along with the ambulance for three hours.
14:46No, no, no, no, no, no, no.
15:11What do you want me to do with my dad?
15:14Do you want to go with my dad too?
15:18Why don't you go, I'll be with my dad.
15:21No. I'll leave my dad.
15:27His heart is very strong.
15:29And blood pressure is on their knees.
15:32But they will not be here for the night.
15:33But they will not be here for the night.
15:35What do you want to be here?
15:37We will not be here for the night.
15:38No. they will not be here.
15:48That is not the night yet.
15:48Mrs. Balaji.
15:54Halloween movies are great.
15:55No!
16:15Yes, Abbu, tell me, when I left my house, why don't you leave outside?
16:21Abbu's treatment is wrong.
16:23Anas has brought an emergency, so you can go right there.
16:26I won't go.
16:27What do I do when I go to hospital? Anas is there, he will see.
16:30He is alone.
16:32What is it? He is alone.
16:35And the other thing is that if I go to hospital, they will be wrong.
16:41I'm going to go, I'm holding my phone. Don't worry about you.
16:59Hello?
17:00Anas?
17:01Yes.
17:03What did the doctor say?
17:07I sent you my mobile money.
17:10Listen, listen, listen.
17:13You don't have to move on to Abbu's close.
17:16And I don't need to talk to you.
17:19Do you understand?
17:19Do you understand?
17:20There will be no doubt.
17:24No doubt.
17:28Hmm.
17:28Hmm.
17:36What did you say to Abbu?
17:38That after 10 o'clock, it will be late.
17:42Tell me.
17:43Tell me.
17:43I don't know.
17:45I don't know.
17:45I don't know.
17:46You've been with me at night until the morning.
17:50On the seaside?
17:53Yes.
17:53On the seaside.
17:55I don't know.
17:55But you don't have any interest in the seaside.
17:58They will listen to you at night.
18:01Don't worry about it.
18:01And look at you and your mother's face.
18:03I don't know.
18:05You've been with me at night.
18:06I don't know.
18:07Just tell me.
18:07When are you going to go to night?
18:10Well, Shari, tell me something.
18:13What you don't want to tell you or hide,
18:17I don't understand.
18:19You're not a good choice.
18:21You're not a good choice.
18:22You don't want to go to the next level.
18:24Now, you've also got a new relationship.
18:29You don't want to make a new relationship.
18:32You don't want to make a new relationship.
18:36But love is a new relationship, right?
18:39I understand.
18:41Why?
18:43I can't believe that
18:45I can say that
18:45you're talking to your father's father's father
18:48and you're talking to your father's father.
18:50I don't want to make a new relationship with you.
18:53Who did I go?
18:55You're right, but
18:58Shari, I was thinking
18:59that
19:00New Year's is near.
19:02Do something different.
19:05But
19:05this time
19:06we'll tell you.
19:08God,
19:09do it.
19:10Just do it.
19:11I'm listening to you.
19:12I'm listening to you.
19:14You don't have to do your own things.
19:16You don't have to do your own things.
19:18But
19:19you don't know any things
19:19you're going to do your father's father.
19:22I'm sorry.
19:52I'm sorry.
19:53I'm sorry.
19:54I'll tell you one.
19:56I'm sorry.
20:02I'm sorry.
20:11I'm sorry.
20:14Oh, yeah, I don't care
20:25Oh
20:26Okay, I thought you need me
20:33I'm Mira
20:47It's so good.
20:53It's such a nice song.
21:06I'll give you some coffee for you.
21:08Do you want me to do something?
21:11No, it's fine.
21:22You're not enjoying this music. Come on.
21:26Mom, it's fine.
21:32Abbo's calls are coming. Dad's face is bad.
21:35We're going to go.
21:37Why?
21:43We're having a good time.
21:46We're having a good time.
21:47We're going to go.
21:59We're having a good time.
22:01We're going to go.
22:17We're having a good time.
22:20Welcome to Indonesia,
30:13I don't want to talk to you.
30:14Who are you asking?
30:16I went with my grandma's permission.
30:18Grandma's permission gave her permission.
30:20It was 10 o'clock.
30:21Okay, stop.
30:23You're talking about your daughter.
30:26You go.
30:27I'll talk to you.
30:29Okay.
30:32I'm talking about your daughter.
30:34I'm talking about the facts of our family.
30:38I said I'll talk about it.
30:40I'll talk about it.
30:41I'll talk about it, mommy.
30:44Your father is very angry.
30:46My father is always angry.
30:47My father is always angry.
30:48I'm always angry.
30:50I was always angry with my parents.
30:52They were saying,
30:54son, forgive me. I'm sorry.
30:57Why are you angry?
31:03Your father's life failed.
31:06No one was at home.
31:08I'll tell you,
31:11That's an awesome thing.
31:13You can do with them.
31:14You'll do it.
31:15I don't have a job.
31:16I'm not sure.
31:18You're all looking for property.
31:20You're calling me for a job.
31:23Listen to me, if your father knew that you weren't at home at night, I had a lot of trouble.
31:29My house? My house?
31:32My heart is broken in this house.
31:34I don't want to live in this house.
31:36I don't want to run away from this house.
31:38Shayan, someone doesn't talk to you about your house.
31:42Where is this house?
31:44You guys didn't leave me for this house.
31:48I'm looking at my eyes in my eyes.
31:51I don't know.
31:52Other people are dying and dying.
31:55They tell me that I'm going to die here.
31:59Who does that?
32:00You don't know.
32:02Tell me.
32:03I'm not going to leave my child's eyes.
32:05Who will leave her eyes?
32:08Anas will leave her eyes?
32:09Or the girl's eyes?
32:11The girl is not alone.
32:14I have a problem with my father.
32:17You guys are in this house.
32:21What are you talking about, Shayan?
32:23I don't understand anything.
32:24Why did you say yes to Shereem?
32:28I don't have a problem with my brother.
32:30There's no importance in this house.
32:33Shayan, that...
32:34What, Shayan?
32:36My father is my fault.
32:39My father takes his hand.
32:41My father takes his hand.
32:41You keep holding my voice.
32:43You keep holding me.
32:43You keep holding me.
32:47My father is wrong.
32:48My father is wrong.
32:51I'm wrong.
32:52I'm wrong.
32:54My father is wrong.
32:54I'm wrong.
32:56I feel my husband.
32:57It's because you're wrong.
32:57I don't think that my father is wrong.
33:00It'll be like you.
33:02You'll be like you.
33:02I'll fight as a big boy.
33:03You're a doctor.
33:04You're a doctor.
33:23You're a doctor,
33:25and you're a doctor.
33:27You're a doctor.
33:29I don't know what's going on.
33:32What's the benefit, Anas?
33:34The job is gone.
33:38What's going on?
33:39What's going on?
33:41What's going on?
33:42What's going on?
33:43What's going on?
33:44What's going on?
33:45Now sit down and sit down.
33:48When you ask what's going on,
33:49you're saying nothing.
33:51When I know you're good,
33:53you're worried about getting a job.
33:56Anas,
33:56you told me to go for a job, right?
34:00I was waiting for my dad.
34:01I'd take care of them.
34:02You can't take care of them, Anas.
34:04How can I take care of them?
34:07How can I take care of them?
34:07I've taken care of my dad for six months
34:09as a child.
34:11They told me that
34:14our relationship changed.
34:16We're not a father-in-law,
34:17we're a mother-in-law.
34:20But maybe I didn't trust you for me.
34:24I've done a lot.
34:25I don't have such a lot.
34:27I'm not doing this.
34:31I'm not doing this.
34:31I'm not doing this.
34:32You're not doing this difficult time.
34:32If you have to keep your mind, it's a good result.
34:37Okay.
34:44Assalamu alaikum.
34:46I'm telling you that I don't want to take my call back.
34:50What was that?
34:53Yes.
34:54That's right. It's my marriage.
34:57How's Dula?
34:58How's Dula?
35:01It's two eyes and two eyes.
35:05Yes, it's good. It's good.
35:07You think I'm going to marry someone like this?
35:11Right.
35:12So, you're going to send a ticket,
35:13rather than give me a salami with you.
35:15I'll show you a little bit.
35:19Right.
35:20Listen, I want to do the work of freelancing.
35:23I want to do the work of freelancing.
35:27Yes, it's not necessary for money.
35:30After dying, it's necessary for people to die.
35:35Anas?
35:38What did you do?
35:41You took my phone and cut my phone.
35:44What did you do?
35:45Sorry.
35:45Sorry, but you won't do a job.
35:48You won't do a job.
35:50I won't do a job.
35:50Why won't I do a job?
35:52Why won't I do a job?
35:53It's my job, Anissa.
35:55Oh, you're not getting a job now, right?
35:59You'll get it.
36:00I've talked to you with two or three people.
36:01Don't do it again.
36:04Anas, you're looking for a job.
36:07When the offer is in my hand.
36:10You have to do a job, right?
36:11It's not necessary for money.
36:13Anissa.
36:15To earn money is my job.
36:16To earn money is my job.
36:17To earn money is my job.
36:19I'll do it.
36:20Don't you think about it.
36:23Okay.
36:26Then...
36:26I...
36:28I need 15,000 rupees.
36:32Good.
36:33You're getting a job.
36:34I'm getting a job.
36:36You're getting a job.
36:44I'm getting a job.
36:45You're getting a job.
36:46I'm getting a job.
36:47I'm getting a job.
36:48You don't have to think.
36:48Anissa.
36:53I'm getting a job.
36:53My purpose is to have to be ashamed of your problems.
36:57Look, there's such a failure or need to be asked for you.
37:03You're getting a job.
37:03You're getting a job.
37:04You're getting a job.
37:05You're getting a job.
37:05I'm getting a job.
37:07You're getting a job.
37:08My father knew what he was saying.
37:09When he was in a dress,
37:12he didn't have to be a job.
37:13He's got a job.
37:16He's got a job.
37:17You're getting a job.
37:23Give me a job.
37:24Please.
37:33Please.
37:34Hello, Farah.
37:35Sorry, he's getting an issue on the network.
37:38Yeah, so my job will end up!
38:18The Lord and the Lord have a reward for all of us.
38:24But I am not going to take care of myself.
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