00:00:00.
00:16:43What is happening down there?
00:16:44Bring it to me!
00:16:48Careful, careful!
00:16:52William Walker and George Robertson...
00:16:55...will be available immediately.
00:16:59I understand.
00:17:00William Walker and George Robertson...
00:17:05...will be available immediately.
00:17:11My mother...
00:17:13Come on.
00:17:13Come on.
00:17:15I'll give you my child.
00:17:18You're here to give him the child.
00:17:20Without him, without him.
00:17:21Without him, without him.
00:17:23He's going to give you the truth.
00:17:25He's going to give us some money.
00:17:28He killed our firefighters.
00:17:30He killed our firefighters.
00:17:31No, not our firefighters.
00:17:33He's going to give you the place.
00:17:36My brother!
00:17:36He is in the field.
00:17:39You're in the field.
00:17:42You are in the field.
00:17:45You were there right now.
00:17:46You are in the field.
00:17:48You weren't here anymore.
00:17:54You are?
00:17:57You are in the field.
00:17:59When the war will end and you will die, you will give us our independence.
00:18:08You were crying.
00:18:10He killed us.
00:18:11Now you want to kill us.
00:18:44George McClane.
00:18:46This may have been out of charge of the government.
00:18:55Don't forget to read the book, please.
00:18:56Here I go.
00:18:56Let me see you in the book, please.
00:18:58The John McLean.
00:19:11What a great deal.
00:19:13Oh, how do you think you are?
00:19:15Oh, I remember you, Gloria.
00:19:18At that time in Bombay.
00:19:19When I came to the plight of the Alizmone,
00:19:22Sir Andrews Patterson.
00:19:25Kate, where are you?
00:19:35Here you are.
00:19:36What about you?
00:19:37Can I have a chance to...
00:19:39Do you want to see a little bit?
00:19:43All right, let's go.
00:19:44You're right.
00:19:45You're right.
00:19:46You're right.
00:19:46You're right.
00:19:49You're right.
00:19:55You're right.
00:19:56Come on.
00:19:58You're right.
00:20:10You're right.
00:20:14You're right.
00:20:15You're right.
00:20:16David, I'm here.
00:22:19The lawyer Richard Kitts.
00:22:21With the...
00:22:24Hello, Kitts.
00:22:30How are you?
00:22:30How are you doing?
00:22:32How are you doing?
00:22:32Let me go.
00:22:34Are you talking about this?
00:22:35Kitts!
00:22:37You're a big fan!
00:22:39How are you doing?
00:22:40How are you doing?
00:22:41I'm opening the light with another light.
00:22:44I'm having a light.
00:22:46I'm having a light.
00:22:48With a little lemon for the lips.
00:22:51You remember the Arabian Kitts?
00:22:55Give me a little whiskey.
00:22:58How much do you do?
00:23:00You're a little bit of a chameleon.
00:23:02You're a little bit of a chameleon.
00:23:03You're a little bit of a chameleon.
00:23:05You can't change the color of his face.
00:23:08But when he's a chameleon?
00:23:11I want to go.
00:23:11Don't pick up the pressure.
00:23:14I want you to try,
00:23:19don't pick up the middle of your face.
00:23:26So what do you mean in the last sequence?
00:23:31What do you mean by the last sentence?
00:23:52You are so happy, and you are so happy.
00:23:55You are so happy.
00:23:56I have a great feeling.
00:23:58You are so happy when you are so happy.
00:24:00That's why the surprise is on my mind.
00:24:04It's been a long time for me.
00:24:10Your acceptance has made your freedom.
00:24:16Yes.
00:24:22Let's go.
00:24:46Richard.
00:24:48Richard.
00:24:50Richard.
00:25:00That's the next one.
00:25:02It's a war, Davey.
00:25:05And you?
00:25:07I'm doing a war.
00:25:09It's a war.
00:25:10With a lot of people.
00:25:13But it's easier.
00:25:14Because I don't feel like I'm in front of you.
00:25:16I don't feel like I'm in front of you.
00:25:20Is this a war for me?
00:25:26You can't imagine, Ralph.
00:25:28What kind of art have I found here?
00:25:33And you can imagine that they are all the value.
00:25:37It's a shame.
00:25:43Sorry.
00:26:03What's you doing?
00:26:07What do you think?
00:26:14George!
00:26:18I'm sorry.
00:26:19Glory!
00:26:22There was a question.
00:26:26I think it was very beneficial for the two of you,
00:26:30if your servant was combined with a great-womenal government.
00:26:36What do you mean, George?
00:26:38I wanted to hear this woman.
00:26:40She was a woman.
00:26:42She was a woman.
00:26:45You're right.
00:26:47She's a woman.
00:26:53This woman is the mother of the Dormocrat, who wrote Ralf.
00:26:59She's a woman, George.
00:27:01What can I do to give you a very dangerous hypothesis?
00:27:04The life of a child is a dangerous hypothesis.
00:27:09Look at me!
00:27:10God has a light and has a light.
00:27:12You were talking about a woman, George.
00:27:14And this woman is here to be afraid.
00:27:16I'm not afraid.
00:27:18But I'm not afraid.
00:27:21I heard that you are a man.
00:27:23You must understand me.
00:27:26You are a woman.
00:27:27We both are the same language.
00:27:29What can I do with the woman?
00:27:35You must see a woman.
00:27:37Let me go.
00:27:43You are a man.
00:27:47I'm not afraid.
00:27:53You are a man.
00:27:54What's happening?
00:27:55What the fuck is that?
00:27:56But you spoke as if you had any man near your head.
00:27:58You didn't want to be a leader?
00:28:27George, did you ask your wife?
00:28:30But I think it's in the veranda.
00:28:47Now, Anastasio?
00:28:48Not yet.
00:29:17I think it's in the veranda.
00:29:57I think it's in the veranda.
00:31:34Let's go for a while.
00:58:05We're right back.
00:58:38We're right back.
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